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'Units en route. Flat 56, Regal Court.' | 0:00:05 | 0:00:09 | |
'Silver Command, copy.' | 0:00:10 | 0:00:12 | |
'Bronze Command same, Southern 156?' | 0:00:13 | 0:00:17 | |
Southern 156, copy. | 0:00:17 | 0:00:19 | |
'Forward units on foot.' | 0:00:20 | 0:00:22 | |
Southern 156, copy. | 0:00:24 | 0:00:27 | |
'I have Alpha team coming in low, Bravo team high.' | 0:00:27 | 0:00:29 | |
'Southern 156, copy that.' | 0:00:32 | 0:00:34 | |
Bravo over looking, moving into position. | 0:00:40 | 0:00:42 | |
'Waiting on Gold. Order imminent.' | 0:00:44 | 0:00:46 | |
Southern 156 standing by. Bravo seconds away. | 0:00:47 | 0:00:51 | |
'Alpha, sit rep.' | 0:00:52 | 0:00:54 | |
We're in, going up. | 0:00:54 | 0:00:57 | |
Alpha in the building. | 0:00:57 | 0:00:59 | |
ETA less than a minute. We need a decision. | 0:00:59 | 0:01:01 | |
Southern 156, still waiting on the order. | 0:01:02 | 0:01:05 | |
'Fifth floor.' | 0:01:07 | 0:01:09 | |
Southern 156, Bravo, are you visual? | 0:01:12 | 0:01:14 | |
Negative. | 0:01:16 | 0:01:17 | |
Where's that bloody order? | 0:01:20 | 0:01:22 | |
'Southern 156, Gold has signed off on Health and Safety. | 0:01:22 | 0:01:25 | |
'We need you to complete the Risk Assessment. We need that paperwork.' | 0:01:25 | 0:01:29 | |
It's done. | 0:01:29 | 0:01:31 | |
'Fahrenheit.' | 0:01:32 | 0:01:34 | |
Could you repeat Fahrenheit? | 0:01:36 | 0:01:38 | |
'Fahrenheit.' | 0:01:40 | 0:01:41 | |
What the hell, where's the...? | 0:01:58 | 0:02:01 | |
Just go, flat 56. Flat 56. | 0:02:01 | 0:02:03 | |
He's armed. | 0:02:17 | 0:02:19 | |
EXPLOSION | 0:02:28 | 0:02:30 | |
GUN SHOTS | 0:02:39 | 0:02:40 | |
WINDOW SHATTERS | 0:02:40 | 0:02:42 | |
BABY CRIES | 0:02:42 | 0:02:45 | |
All units, shots fired, shots fired. | 0:02:45 | 0:02:47 | |
SHE SCREAMS | 0:02:47 | 0:02:50 | |
Get down, don't move! | 0:02:52 | 0:02:53 | |
Jesus Christ! There's no bomb, Col! There's no bloody bomb! | 0:02:55 | 0:02:58 | |
BABY CRIES | 0:03:00 | 0:03:02 | |
SHE SOBS | 0:03:11 | 0:03:12 | |
With me, now! | 0:04:01 | 0:04:03 | |
THEY BATTER THE DOOR | 0:04:08 | 0:04:10 | |
It's clear, Sarge. | 0:04:12 | 0:04:14 | |
POLICE SIRENS APPROACH | 0:04:38 | 0:04:40 | |
Come on. | 0:04:51 | 0:04:53 | |
BABY CRIES | 0:05:00 | 0:05:02 | |
You got to the flat. You shouted, "Armed police." | 0:05:10 | 0:05:13 | |
You heard something going on inside, a struggle, a fight or something. | 0:05:13 | 0:05:17 | |
Southern 156 gave you the order to go in. | 0:05:17 | 0:05:19 | |
The suspect's there, he's acting aggressive. | 0:05:19 | 0:05:21 | |
You shout, "Surrender, armed police." | 0:05:21 | 0:05:24 | |
The suspect doesn't comply. He comes for you. | 0:05:24 | 0:05:27 | |
You've got no choice. | 0:05:27 | 0:05:29 | |
I've got kids of my own, sir. If I could do anything different... | 0:05:29 | 0:05:32 | |
I want those statements copper-plated by noon. Got it? | 0:05:32 | 0:05:36 | |
ALL: Yes, sir. | 0:05:36 | 0:05:38 | |
PEOPLE SHOUTING | 0:05:39 | 0:05:42 | |
THE PRESS SHOUT QUESTIONS | 0:05:45 | 0:05:47 | |
CAMERA SHUTTERS CLICK | 0:05:47 | 0:05:49 | |
I take pride in the courage and professionalism | 0:05:49 | 0:05:51 | |
of my counterterrorism officers. | 0:05:51 | 0:05:54 | |
To say any more risks prejudicing the inquest. Thank you. | 0:05:54 | 0:05:57 | |
THEY SHOUT QUESTIONS | 0:05:57 | 0:05:59 | |
When Karim Ali came to this country, | 0:06:01 | 0:06:03 | |
he told his wife that here it would be different. | 0:06:03 | 0:06:06 | |
The police don't break into houses and hurt innocent people. | 0:06:06 | 0:06:08 | |
He told her that in England the police are good men. | 0:06:08 | 0:06:11 | |
This is a complex and emotive case. | 0:06:15 | 0:06:19 | |
Following depositions from legal representatives, | 0:06:19 | 0:06:22 | |
I grant a period of six weeks | 0:06:22 | 0:06:25 | |
to gather all relevant evidence and statements. | 0:06:25 | 0:06:28 | |
This inquest is hereby adjourned. | 0:06:28 | 0:06:31 | |
All rise for Her Majesty's Coroner. | 0:06:31 | 0:06:34 | |
What the bloody hell is this? | 0:06:40 | 0:06:42 | |
They misread the number on the door. | 0:06:45 | 0:06:46 | |
They mistook a baby sling for a bomb harness. | 0:06:46 | 0:06:49 | |
I ordered that you corroborate that the firearms squad observed threatening behaviour. | 0:06:49 | 0:06:53 | |
We watched the flat for two weeks, then got scrambled with an hour's notice. | 0:06:53 | 0:06:56 | |
-The op was well planned and executed. -It was a runaway train. | 0:06:56 | 0:07:00 | |
Admit our mistake, apologise | 0:07:00 | 0:07:01 | |
and get on with the job of finding the actual terrorists. | 0:07:01 | 0:07:04 | |
You're blaming your own. | 0:07:04 | 0:07:06 | |
It took guts for them to go in there thinking a suicide bomber | 0:07:06 | 0:07:09 | |
was going to blow them to pieces. | 0:07:09 | 0:07:10 | |
Then write the same statement they did. | 0:07:10 | 0:07:12 | |
An innocent man was killed, sir, I won't lie. | 0:07:12 | 0:07:15 | |
You passed on the order. Where were your reservations when it mattered? | 0:07:17 | 0:07:21 | |
You're finished. | 0:07:21 | 0:07:22 | |
'You passed on the order.' | 0:07:39 | 0:07:42 | |
BABY CRIES | 0:07:42 | 0:07:45 | |
'Where were your reservations when it mattered?' | 0:07:49 | 0:07:52 | |
BABY CRIES | 0:07:52 | 0:07:54 | |
'You're finished.' | 0:07:57 | 0:08:00 | |
Is it Steven or Steve? | 0:08:12 | 0:08:14 | |
-Steve. -Thanks for accepting the offer, Steve. | 0:08:14 | 0:08:17 | |
Welcome to Anticorruption. As you can see, | 0:08:22 | 0:08:24 | |
we've got a number of active investigations at present. | 0:08:24 | 0:08:27 | |
Why are there empty desks? | 0:08:27 | 0:08:28 | |
You should look at this as a promotion, Steve. | 0:08:29 | 0:08:32 | |
If you want to get anywhere in the job these days, | 0:08:32 | 0:08:34 | |
Anticorruption's a big tick on the old CV. | 0:08:34 | 0:08:37 | |
This will be good for me. | 0:08:38 | 0:08:39 | |
That's the ticket. | 0:08:39 | 0:08:40 | |
Your shooting... | 0:08:40 | 0:08:43 | |
have you any idea how many people have died as a direct result | 0:08:43 | 0:08:46 | |
of police action in the last ten years, Steve? | 0:08:46 | 0:08:48 | |
No, I don't. | 0:08:48 | 0:08:50 | |
Well, as with all firearms incidents it's gone upstairs to the IPCC. | 0:08:50 | 0:08:53 | |
But Karim Ali, the man who was accidentally killed, | 0:08:53 | 0:08:56 | |
he's an illegal immigrant. | 0:08:56 | 0:08:58 | |
So is his missus. | 0:08:59 | 0:09:01 | |
It wasn't your fault, son. | 0:09:04 | 0:09:06 | |
A clean break. Pastures new. | 0:09:07 | 0:09:09 | |
Come on. | 0:09:09 | 0:09:10 | |
I've a very special case for you. | 0:09:12 | 0:09:14 | |
PHONE RINGS | 0:09:17 | 0:09:19 | |
'Hello.' | 0:09:19 | 0:09:21 | |
Hey, it's me. I'm on my way. | 0:09:21 | 0:09:24 | |
I will be there in five minutes, I promise. | 0:09:24 | 0:09:29 | |
'OK.' | 0:09:29 | 0:09:31 | |
Woah. Plod. Better make that ten. | 0:09:31 | 0:09:34 | |
I brought my business trip forward to today. | 0:09:39 | 0:09:42 | |
-I'm sorry about tonight. -No... | 0:09:42 | 0:09:44 | |
It's your night. Only the most glamorous night of the year. | 0:09:47 | 0:09:51 | |
Yeah. Hardly. | 0:09:51 | 0:09:53 | |
THEY LAUGH | 0:09:53 | 0:09:54 | |
What are you going to do to make it up to me? | 0:09:54 | 0:09:57 | |
Fancy a bacon bap? | 0:09:59 | 0:10:00 | |
THEY LAUGH | 0:10:00 | 0:10:02 | |
Next you'll be trying to get me on the back seat of your Ford Capri. | 0:10:02 | 0:10:05 | |
And those were the days, eh? God, I miss that car. | 0:10:05 | 0:10:09 | |
SHE SLAPS HIM | 0:10:09 | 0:10:10 | |
HE LAUGHS | 0:10:10 | 0:10:12 | |
-I'll call you if I get back before it's too late. -OK. | 0:10:12 | 0:10:16 | |
I think... | 0:10:19 | 0:10:21 | |
..we could just dash back to yours before you have to go. | 0:10:22 | 0:10:25 | |
SHOUTING FROM OUTSIDE | 0:10:26 | 0:10:29 | |
A BABY CRIES | 0:10:30 | 0:10:33 | |
Tony... | 0:10:33 | 0:10:34 | |
Help! Help! | 0:10:34 | 0:10:37 | |
Hey. Hey. | 0:10:41 | 0:10:43 | |
BABY CRIES | 0:10:44 | 0:10:46 | |
HE GRUNTS IN PAIN | 0:10:46 | 0:10:48 | |
SIRENS APPROACH | 0:10:50 | 0:10:53 | |
You OK, darling? | 0:10:56 | 0:10:58 | |
You OK? Stay there! | 0:10:58 | 0:11:00 | |
-Is the baby OK? -Yeah. -The police are coming. | 0:11:00 | 0:11:02 | |
They're already here. | 0:11:02 | 0:11:04 | |
On the house. | 0:11:05 | 0:11:07 | |
Thank you. | 0:11:09 | 0:11:10 | |
Officer of the year Detective Chief Inspector... | 0:11:10 | 0:11:14 | |
Anthony Gates. | 0:11:14 | 0:11:16 | |
THE CROWD APPLAUD | 0:11:16 | 0:11:18 | |
Tony Gates returns the best crime figures in the Job. | 0:11:27 | 0:11:31 | |
No-one's that good. What's his secret, Steve? | 0:11:31 | 0:11:35 | |
THEY CHEER | 0:11:38 | 0:11:41 | |
-He'll be after your job next, Derek. -Or yours, sir! | 0:11:44 | 0:11:48 | |
Oh, I don't think so. I think I've reached my level, sir. | 0:11:48 | 0:11:51 | |
Any higher and I'll actually have to read those Home Office e-mails, eh? | 0:11:51 | 0:11:55 | |
PHONE RINGS | 0:11:55 | 0:11:56 | |
Would you excuse me, please? Sir. | 0:11:56 | 0:11:59 | |
Jackie. | 0:12:03 | 0:12:04 | |
Hey, hey, hey, calm down. | 0:12:04 | 0:12:07 | |
What's going on? | 0:12:07 | 0:12:09 | |
Tony, thank God. | 0:12:22 | 0:12:24 | |
I'm sorry, I'm sorry I've ruined your night, | 0:12:24 | 0:12:27 | |
-I'm really sorry... -Hey, hey. | 0:12:27 | 0:12:30 | |
No, no, we are going to be calm and clear-headed | 0:12:30 | 0:12:32 | |
and then maybe I'll be able to help you. | 0:12:32 | 0:12:34 | |
As soon as we agreed the deal, | 0:12:38 | 0:12:40 | |
someone cracked open a bottle of champagne. | 0:12:40 | 0:12:43 | |
OK, how much did you have? | 0:12:43 | 0:12:45 | |
We went on to a wine bar... | 0:12:45 | 0:12:47 | |
Oh, Christ, Jackie. | 0:12:47 | 0:12:49 | |
SHE SOBS | 0:12:49 | 0:12:53 | |
I've been a bloody idiot. | 0:12:53 | 0:12:54 | |
Just tell me what happened? | 0:12:54 | 0:12:56 | |
I hit something. | 0:13:00 | 0:13:01 | |
What? | 0:13:04 | 0:13:06 | |
The road was dark, I don't know, | 0:13:06 | 0:13:08 | |
I thought it was a sign or a bollard or something... | 0:13:08 | 0:13:11 | |
Jackie, what did you hit? | 0:13:11 | 0:13:14 | |
A dog. | 0:13:14 | 0:13:15 | |
-A...a dog? -Yeah. | 0:13:15 | 0:13:18 | |
You'll be fine. | 0:13:18 | 0:13:19 | |
People round here, they report everything. | 0:13:19 | 0:13:22 | |
What if someone saw my car? I'm known. | 0:13:22 | 0:13:25 | |
You're overreacting, that's all. | 0:13:25 | 0:13:26 | |
I was drinking all night... | 0:13:26 | 0:13:28 | |
the bar staff, they saw what I was putting away. | 0:13:28 | 0:13:31 | |
Where's your car? | 0:13:33 | 0:13:35 | |
Tony. I've already got a conviction for drink driving. | 0:13:36 | 0:13:40 | |
One more and I go to prison. | 0:13:42 | 0:13:45 | |
Where's your car? | 0:13:46 | 0:13:48 | |
I called you. And you didn't answer... | 0:13:48 | 0:13:50 | |
Jackie! | 0:13:50 | 0:13:52 | |
I reported it stolen. | 0:13:55 | 0:13:57 | |
It's an 80-grand motor with an immobiliser, Jackie. | 0:14:00 | 0:14:03 | |
They'd need the keys. Where are the keys? | 0:14:03 | 0:14:05 | |
I'm sorry, I...I panicked. | 0:14:05 | 0:14:07 | |
Where are the keys?! | 0:14:07 | 0:14:09 | |
I don't know... Here. | 0:14:14 | 0:14:17 | |
OK. | 0:14:30 | 0:14:32 | |
What are you going to do? | 0:14:40 | 0:14:43 | |
GLASS SHATTERS | 0:14:52 | 0:14:55 | |
Thank you. | 0:15:02 | 0:15:04 | |
-Sorry, I didn't mean to wake you. -That's OK. | 0:16:01 | 0:16:05 | |
How'd it go? | 0:16:05 | 0:16:07 | |
It was brilliant. | 0:16:07 | 0:16:09 | |
I'm so proud of you. | 0:16:11 | 0:16:13 | |
Mr Butterfield. I'm Detective Constable Kate Fleming, Central CID. | 0:16:37 | 0:16:40 | |
Oh. Pleased to meet you. | 0:16:40 | 0:16:42 | |
First let me say how bad I feel for what's happened to you. | 0:16:44 | 0:16:47 | |
It must have been a very frightening experience. How are you feeling? | 0:16:47 | 0:16:50 | |
Well, I...I just want something done. | 0:16:50 | 0:16:53 | |
It'd really help us empathise with your experience, sir, | 0:16:53 | 0:16:56 | |
if we heard it firsthand. | 0:16:56 | 0:16:58 | |
What? Well, I came in today because I thought you'd... | 0:16:58 | 0:17:01 | |
you'd made some progress. | 0:17:01 | 0:17:03 | |
I'm sorry, Mr Butterfield, but unless we have | 0:17:03 | 0:17:05 | |
hard physical evidence that leads to an offender, it's very difficult... | 0:17:05 | 0:17:08 | |
Well, I've been burgled three times this year already. | 0:17:08 | 0:17:11 | |
Every time, it's someone new, who's been given the file | 0:17:11 | 0:17:14 | |
and who wants to "empathise" all over again. | 0:17:14 | 0:17:17 | |
Mr Butterfield, just wait. | 0:17:18 | 0:17:20 | |
If you can just take my number, you can call me day or night. | 0:17:20 | 0:17:24 | |
Let's see what we can do to get them this time. | 0:17:24 | 0:17:27 | |
Yeah. Thank you. | 0:17:27 | 0:17:29 | |
KNOCK ON DOOR | 0:17:36 | 0:17:37 | |
DC Kate Fleming to see you, sir. | 0:17:37 | 0:17:41 | |
Thank you. | 0:17:41 | 0:17:42 | |
You wanted to see me, sir? | 0:17:44 | 0:17:46 | |
Er, there's a crime number, | 0:17:46 | 0:17:48 | |
DCI Gates' double-arrest outside a cafe in Kingsgate. | 0:17:48 | 0:17:53 | |
Yeah, I processed the arrests, sir. | 0:17:53 | 0:17:55 | |
Robbery, assault with weapon with intent to rob, | 0:17:55 | 0:18:00 | |
possession of prohibited weapon, resisting arrest, all times-two. | 0:18:00 | 0:18:04 | |
Yes, sir. | 0:18:04 | 0:18:05 | |
Two offenders, but only one knife. | 0:18:05 | 0:18:08 | |
You see my point, Kate? | 0:18:08 | 0:18:10 | |
They didn't both use a knife. There was an opportunity here | 0:18:10 | 0:18:14 | |
with one of the offenders to miss out the knife altogether. | 0:18:14 | 0:18:17 | |
Well, I took the view they were both involved, sir. | 0:18:17 | 0:18:20 | |
Divisional commanders are on notice to reduce knife crime. | 0:18:20 | 0:18:23 | |
They say Hillside Lane have already achieved 5%. | 0:18:23 | 0:18:28 | |
Do you want me to re-crime it, sir? | 0:18:28 | 0:18:30 | |
It's not my policy to intercede in individual offences. | 0:18:32 | 0:18:36 | |
Now, CID has an unacceptable detection rate. Your case this morning is a prime example. | 0:18:38 | 0:18:42 | |
Multiple domestic burglaries? | 0:18:42 | 0:18:45 | |
We pursue two out of three reported crimes. | 0:18:45 | 0:18:48 | |
We down-process anything that won't quickly lead to an offender. | 0:18:48 | 0:18:52 | |
Are you ordering me to put it on the back-burner? | 0:18:52 | 0:18:55 | |
You're not the new girl any more, Kate. | 0:18:55 | 0:18:59 | |
Thank you, sir. | 0:19:01 | 0:19:03 | |
Officer of the Year isn't good enough for the boss. He's after the middleweight title. | 0:19:09 | 0:19:13 | |
I heard they gave you more than a free breakfast. | 0:19:13 | 0:19:17 | |
HE MOANS | 0:19:17 | 0:19:18 | |
Steady there, son. | 0:19:18 | 0:19:19 | |
-Ta, Deepak. Down here, mate. -Right, cheers, mate. | 0:19:19 | 0:19:22 | |
Right, ABH. Alcoholic IP... | 0:19:22 | 0:19:25 | |
Uh-huh! | 0:19:25 | 0:19:27 | |
-Oh, can't remember a thing about the offender except he might've been called Pete. -Brilliant. | 0:19:27 | 0:19:32 | |
-No other witnesses. -Twist. | 0:19:32 | 0:19:35 | |
Er, car-jacking. | 0:19:36 | 0:19:39 | |
CCTV showing registration plates, reliable witnesses. | 0:19:39 | 0:19:43 | |
That's aggravated vehicle-taking, going equipped to steal, | 0:19:43 | 0:19:47 | |
causing danger to other road users, criminal damage, affray | 0:19:47 | 0:19:50 | |
and putting people in fear of violence. | 0:19:50 | 0:19:53 | |
-Full house, boss. -Nice one. -Stick. | 0:19:53 | 0:19:55 | |
Er, yeah. | 0:19:55 | 0:19:56 | |
DOA found early this morning by dog-walker, side of the road. | 0:19:56 | 0:20:02 | |
-Bound to be a hit-and-run. Turf it to Traffic, boss? -Yeah. | 0:20:02 | 0:20:06 | |
Where was the body found? | 0:20:06 | 0:20:07 | |
Er... Edge Park. | 0:20:07 | 0:20:10 | |
Back road off Millionaires' Row. | 0:20:10 | 0:20:12 | |
Twist it. | 0:20:14 | 0:20:16 | |
Is that it? | 0:20:19 | 0:20:21 | |
Yeah, for now. | 0:20:21 | 0:20:23 | |
OK. | 0:20:24 | 0:20:25 | |
There was a Range Rover abandoned in a lay-by | 0:20:27 | 0:20:29 | |
about half a mile down the road. | 0:20:29 | 0:20:31 | |
The owner reported it stolen last night. | 0:20:31 | 0:20:34 | |
Signs at the property suggest they put a rod through the window | 0:20:34 | 0:20:36 | |
to fish up the keys. | 0:20:36 | 0:20:38 | |
Witnesses? CCTV? | 0:20:39 | 0:20:42 | |
Not a dicky-bird, sir. Just this woman walking her dog. | 0:20:42 | 0:20:45 | |
What about the DOA? | 0:20:48 | 0:20:49 | |
No ID on his body. | 0:20:49 | 0:20:50 | |
Any reason for the interest, sir? | 0:20:52 | 0:20:55 | |
We just got a tip-off that it might be connected to one of our investigations. | 0:20:55 | 0:20:59 | |
What's wrong? What is it? | 0:21:18 | 0:21:20 | |
You didn't kill a dog, Jackie. | 0:21:22 | 0:21:25 | |
You killed a man. | 0:21:25 | 0:21:27 | |
Oh, God. | 0:21:28 | 0:21:30 | |
Oh, my God. | 0:21:31 | 0:21:33 | |
You just go to the police. You tell 'em exactly what you told me. | 0:21:33 | 0:21:36 | |
No, Tony, I can't... | 0:21:36 | 0:21:38 | |
Oh, yes, you bloody can. Jackie, a man is dead, and that is a big problem | 0:21:38 | 0:21:43 | |
but trying to cover it up is an even bigger one. | 0:21:43 | 0:21:46 | |
Do you understand me? | 0:21:46 | 0:21:48 | |
Jackie, have you got it? | 0:21:48 | 0:21:50 | |
-Yes, yes! -OK, so you tell the fewest lies possible. | 0:21:50 | 0:21:53 | |
You say that you panicked but now you want to come clean. | 0:21:53 | 0:21:56 | |
You got it? Jackie, have you got it? | 0:21:56 | 0:21:58 | |
OK. | 0:21:58 | 0:22:00 | |
Don't call me, and don't bottle it. | 0:22:00 | 0:22:04 | |
I've put the case where I can keep an eye on it. | 0:22:06 | 0:22:09 | |
So, yeah, should be good... | 0:22:39 | 0:22:41 | |
PHONE RINGS | 0:22:41 | 0:22:42 | |
Hang on, just give me a second, Steve, all right? | 0:22:42 | 0:22:45 | |
Hello, yeah. | 0:22:45 | 0:22:48 | |
You all right? DS Arnott. | 0:23:04 | 0:23:07 | |
Can I help you? | 0:23:08 | 0:23:09 | |
Er, we're here to see DCI Gates... Kate. | 0:23:09 | 0:23:12 | |
OK. Erm, have you been posted? | 0:23:14 | 0:23:17 | |
You could say that. | 0:23:17 | 0:23:19 | |
Well, welcome to the Alamo. | 0:23:19 | 0:23:20 | |
Thank you very much. | 0:23:20 | 0:23:22 | |
They said they were getting this fixed. | 0:23:22 | 0:23:24 | |
Sorry about that, Steve. | 0:23:26 | 0:23:28 | |
No problem. | 0:23:28 | 0:23:29 | |
Are you with AC-12? | 0:23:31 | 0:23:32 | |
Yeah. | 0:23:33 | 0:23:35 | |
Hmm. | 0:23:35 | 0:23:36 | |
Sir. | 0:23:48 | 0:23:50 | |
HE KNOCKS ON DOOR | 0:23:55 | 0:23:57 | |
Sir? | 0:23:57 | 0:23:58 | |
AC-12 are in the building. Hastings and some snot-nosed DS. | 0:23:58 | 0:24:02 | |
Has a complaint been made against one of my squad? | 0:24:02 | 0:24:05 | |
I'm afraid it's you personally, Tony. | 0:24:05 | 0:24:07 | |
Huh. | 0:24:08 | 0:24:10 | |
Any idea why? | 0:24:11 | 0:24:12 | |
No, none at all, sir. | 0:24:12 | 0:24:14 | |
They'll call you in. | 0:24:14 | 0:24:16 | |
Thank you, sir. | 0:24:16 | 0:24:18 | |
Can I get someone to bring you a tea or coffee, sir? | 0:24:29 | 0:24:32 | |
No, thank you, I'm fine. | 0:24:32 | 0:24:34 | |
DCI Gates. Superintendent Hastings. Like the battle. | 0:24:34 | 0:24:38 | |
I know who you are, sir. | 0:24:38 | 0:24:40 | |
And this is DS Steve Arnott. | 0:24:43 | 0:24:45 | |
-Pleased to meet you, sir. -Likewise. | 0:24:45 | 0:24:47 | |
I recognise and respect the importance of your mission | 0:24:49 | 0:24:54 | |
and I'm very happy to help you in any way I can. | 0:24:54 | 0:24:57 | |
Well, now, that's very reassuring. Can I call you Tony? | 0:24:57 | 0:25:00 | |
Whatever you feel most comfortable with, sir. | 0:25:00 | 0:25:02 | |
Maybe I should call you Officer of the Year, eh? | 0:25:02 | 0:25:06 | |
Shall we make a start? | 0:25:06 | 0:25:08 | |
Yes, please. | 0:25:08 | 0:25:09 | |
AC-12 interview. | 0:25:10 | 0:25:12 | |
Present - Superintendent Hastings, DS Arnott and DCI Gates. | 0:25:12 | 0:25:16 | |
Detective Chief Inspector Gates, | 0:25:18 | 0:25:20 | |
we have received an allegation that you received a gratuity | 0:25:20 | 0:25:24 | |
in respect of one free breakfast from the Sunflower Cafe in St Anne's Place, in the Kingsgate. | 0:25:24 | 0:25:29 | |
Now, whilst receiving a gratuity is not in itself a breach, | 0:25:29 | 0:25:31 | |
failure to declare a said gratuity is a breach | 0:25:31 | 0:25:34 | |
of the police officer's code of conduct as laid down | 0:25:34 | 0:25:37 | |
by the Home Office guidelines. | 0:25:37 | 0:25:39 | |
And so therefore I am serving you with the yellow notice. | 0:25:39 | 0:25:44 | |
And that's it? | 0:25:47 | 0:25:48 | |
Yes, that's it. | 0:25:48 | 0:25:50 | |
In which case, erm, I decline to make any written or oral statement | 0:25:53 | 0:25:58 | |
but I acknowledge the receipt of the yellow notice | 0:25:58 | 0:26:00 | |
and I inform the investigating officer that I will respond within the regulation ten working days. | 0:26:00 | 0:26:06 | |
Interview terminated. | 0:26:06 | 0:26:08 | |
This is coming from the muggers, isn't it? Those toe-rags know every trick in the book. | 0:26:10 | 0:26:16 | |
Er, well, we have to go through the motions, Tony, you know. | 0:26:16 | 0:26:18 | |
It's not your fault, sir. | 0:26:18 | 0:26:20 | |
He's an arrogant so-and-so, isn't he? | 0:26:28 | 0:26:32 | |
I mean, a player like Gates knows it's against rules and regulations not to declare a gratuity | 0:26:32 | 0:26:36 | |
so what does it say about him that he doesn't even bother his arse to fill in the form? | 0:26:36 | 0:26:40 | |
Well, with respect, what's a free breakfast got to do with | 0:26:40 | 0:26:43 | |
investigating Gates' crime figures? | 0:26:43 | 0:26:46 | |
Sooner or later he's going to know we're on to him. This way, he thinks it's just a storm in a teacup. | 0:26:46 | 0:26:51 | |
Or should that be a coffee cup? | 0:26:51 | 0:26:52 | |
I'll give him laughing all over his face at us. His guard's down. | 0:26:54 | 0:26:58 | |
That's how we're going to get him, Steve. | 0:26:58 | 0:27:01 | |
There's another possibility. | 0:27:01 | 0:27:03 | |
Yeah? | 0:27:03 | 0:27:04 | |
Gates' figures are for real. | 0:27:04 | 0:27:06 | |
Oh, I see what you're getting at. | 0:27:07 | 0:27:08 | |
You think he's Bob Beamon and I think he's, what, Ben Johnson? | 0:27:08 | 0:27:11 | |
I mean, admittedly an athlete does come along once in a while | 0:27:11 | 0:27:14 | |
who breaks the world record by a mile. | 0:27:14 | 0:27:17 | |
And sometimes he's genuinely superhuman but I will lay you odds | 0:27:17 | 0:27:20 | |
all day long that more often than not, that guy is a cheat. | 0:27:20 | 0:27:24 | |
Sir... | 0:27:27 | 0:27:29 | |
DCI Gates appears to be an exemplary officer. | 0:27:29 | 0:27:33 | |
Appears to be. | 0:27:34 | 0:27:36 | |
My point exactly. | 0:27:36 | 0:27:37 | |
Sorry. | 0:27:52 | 0:27:54 | |
Hit-and-run? | 0:27:57 | 0:27:59 | |
Why us? | 0:27:59 | 0:28:01 | |
Because we've got a big sign over our heads saying, "CID, dump your crap here"? | 0:28:01 | 0:28:05 | |
We've got ten unsolved burglaries stinking up our figures. | 0:28:08 | 0:28:12 | |
Give the hit-and-run to the civvy. | 0:28:12 | 0:28:15 | |
She's had the training. Anyway, I'm out of here. | 0:28:17 | 0:28:20 | |
Gates' has been given a written warning | 0:28:20 | 0:28:24 | |
about his team's gender balance. I'm a shoe-in. | 0:28:24 | 0:28:26 | |
If you would just like to take a seat, please, Ms Laverty. | 0:29:06 | 0:29:10 | |
There we are. Sorry about that. | 0:29:27 | 0:29:30 | |
You are Jacqueline Laverty, date of birth 23rd of November 1967? | 0:29:30 | 0:29:35 | |
Yeah. | 0:29:35 | 0:29:37 | |
Right person. That's a good start. | 0:29:37 | 0:29:40 | |
We don't have your occupation listed. | 0:29:42 | 0:29:45 | |
I run my own business. | 0:29:45 | 0:29:47 | |
Laverty Holdings. You could just put down "self-employed". | 0:29:47 | 0:29:51 | |
I'm sorry, are you one of the detectives | 0:30:00 | 0:30:02 | |
looking into the theft of my car? | 0:30:02 | 0:30:04 | |
I carry out some forms of police work but I'm not a police officer. | 0:30:04 | 0:30:08 | |
Cut-backs. | 0:30:10 | 0:30:12 | |
You reported your car stolen at 10.06pm, | 0:30:12 | 0:30:15 | |
the night before it was found abandoned? | 0:30:15 | 0:30:18 | |
I got back from a business trip around 9.00 | 0:30:22 | 0:30:27 | |
and I later remembered I'd left something in the car. | 0:30:27 | 0:30:31 | |
When I went to get the keys, | 0:30:35 | 0:30:37 | |
they were gone and they'd broken part of the window in my front door. | 0:30:37 | 0:30:42 | |
They hooked the keys from the hall table. | 0:30:43 | 0:30:46 | |
You didn't hear anything? | 0:30:46 | 0:30:49 | |
I was in a back room, with music playing. | 0:30:49 | 0:30:51 | |
What the hell are you playing at? | 0:31:07 | 0:31:09 | |
The woman seemed so convinced. She made it impossible to change the story. | 0:31:09 | 0:31:13 | |
You don't change, do you? | 0:31:13 | 0:31:14 | |
You're just always looking after number one. | 0:31:14 | 0:31:16 | |
No, no, no, Tony, no. I'll fix this. | 0:31:16 | 0:31:21 | |
-I will. I'll find a way. -Yeah, like you did today? | 0:31:21 | 0:31:25 | |
I'll take the blame. | 0:31:25 | 0:31:27 | |
I'll go to prison if that's what you want. | 0:31:27 | 0:31:31 | |
Not so bad. This'll cheer you up. | 0:31:34 | 0:31:38 | |
Maybe this wasn't the best place to come. | 0:31:39 | 0:31:42 | |
Not at all, not at all. Young fellow like yourself. New in town. | 0:31:42 | 0:31:45 | |
You get yourself a girlfriend, eh? | 0:31:45 | 0:31:48 | |
Hm. | 0:31:48 | 0:31:50 | |
I haven't put my big un-PC foot in it, have I? | 0:31:50 | 0:31:55 | |
No, no, I'm straight. | 0:31:55 | 0:31:57 | |
Two pints of larger, please. | 0:31:59 | 0:32:01 | |
DOOR OPENS | 0:32:08 | 0:32:10 | |
Hiya. | 0:32:10 | 0:32:11 | |
-Good evening. -Daddy! -Daddy! | 0:32:11 | 0:32:14 | |
Whoa! Hey! Wow! That's a great welcome. | 0:32:14 | 0:32:17 | |
I got an A in piano today. Do you want to hear? | 0:32:17 | 0:32:20 | |
Sweetheart, Dad's just walked in the door. | 0:32:20 | 0:32:24 | |
-Hi. -I really don't mind. | 0:32:27 | 0:32:29 | |
Kate. | 0:32:37 | 0:32:39 | |
-DS Arnott. -Even in AC we have first names. Steve. | 0:32:41 | 0:32:45 | |
Right. | 0:32:45 | 0:32:47 | |
We seem to have got off on the wrong foot. | 0:32:47 | 0:32:49 | |
-Oh, maybe we should get to know each other better, then, over a pizza and a glass of Rioja. -Sorry. | 0:32:49 | 0:32:55 | |
Look...Tony Gates is the best detective in this city. | 0:32:55 | 0:32:59 | |
He saved a mum from being mugged at knifepoint and you lot have stuck him | 0:32:59 | 0:33:02 | |
for forgetting to fill in the right bloody form. | 0:33:02 | 0:33:06 | |
I mean, maybe there's more to you but so far that's all I've seen. | 0:33:06 | 0:33:10 | |
PIANO MUSIC | 0:33:15 | 0:33:18 | |
Good morning, sir. | 0:34:23 | 0:34:24 | |
Sir, wait. Sir, listen. | 0:34:30 | 0:34:32 | |
I can have a harassment charge thrown down just like that, son. | 0:34:32 | 0:34:36 | |
-A minute of your time. Please. -Some of us have proper work to do. | 0:34:36 | 0:34:40 | |
Look, I can't believe you're stuck on for this. | 0:34:40 | 0:34:42 | |
Hastings gives a toss about you having a free egg and bacon. | 0:34:44 | 0:34:46 | |
I don't. I just want to make the yellow notice go away | 0:34:46 | 0:34:49 | |
so we can both get on with investigating real crime. | 0:34:49 | 0:34:52 | |
Hastings has got you playing mind games, son. | 0:34:52 | 0:34:55 | |
A few weeks ago I was running counter-terror ops. | 0:34:55 | 0:34:59 | |
I'm a proper copper and I know another when I see one. | 0:34:59 | 0:35:02 | |
And you think you can make Hastings back off? | 0:35:02 | 0:35:04 | |
I can certainly try, sir. Off the record. | 0:35:04 | 0:35:07 | |
Well, that won't be easy, mate, cos the man's a zealot. | 0:35:08 | 0:35:11 | |
HE SNORTS | 0:35:11 | 0:35:13 | |
Don't I bloody know it! | 0:35:13 | 0:35:15 | |
Why didn't you log the gratuity, sir? | 0:35:16 | 0:35:19 | |
I forgot. | 0:35:21 | 0:35:22 | |
Yeah, I know it was a crap excuse. | 0:35:23 | 0:35:25 | |
But it's the truth. | 0:35:25 | 0:35:27 | |
-Rita, isn't it? -Sir? | 0:35:35 | 0:35:38 | |
I'm DCI Gates. | 0:35:42 | 0:35:44 | |
I know who you are, sir! | 0:35:44 | 0:35:45 | |
-There's ,erm, a hit and run, Rita... -Oh, yes, sir. | 0:35:45 | 0:35:48 | |
I'm still trying to match the victim to the missing persons report. | 0:35:48 | 0:35:52 | |
Well, it might connect to something that my team are looking into. | 0:35:52 | 0:35:55 | |
So if you get anywhere, you'll come straight to me, won't you? | 0:35:55 | 0:35:57 | |
No-one else? | 0:35:57 | 0:35:59 | |
-Oh, yes, sir. Absolutely. -You're a star, Rita. | 0:35:59 | 0:36:01 | |
KNOCK ON DOOR | 0:36:12 | 0:36:14 | |
Come in. | 0:36:14 | 0:36:16 | |
Sorry to bother you, sir. | 0:36:16 | 0:36:19 | |
Not a problem. | 0:36:19 | 0:36:20 | |
I thought you should know I've been looking back over the arrest reports | 0:36:20 | 0:36:24 | |
over the last couple of days. | 0:36:24 | 0:36:26 | |
I've noticed an upsurge in Class A detections on the Bog. | 0:36:26 | 0:36:29 | |
Thanks for the tip. It's Fleming, isn't it? | 0:36:29 | 0:36:32 | |
Yeah. | 0:36:32 | 0:36:35 | |
It's good work. | 0:36:35 | 0:36:36 | |
I want to join TO-20 sir. | 0:36:39 | 0:36:41 | |
Anyone with any sense would steer clear right now. | 0:36:41 | 0:36:44 | |
AC-12? You'll piss all over them, sir. | 0:36:44 | 0:36:47 | |
I'm sick of CID, sir. | 0:36:55 | 0:36:57 | |
We get all the crap that no-one else wants. I'm better than that. | 0:36:57 | 0:37:00 | |
I want to be on the squad. | 0:37:00 | 0:37:01 | |
-Join the queue. -Well, check out my CV. I've got five years. | 0:37:01 | 0:37:04 | |
I've been kicked, punched, spat on, pissed on... | 0:37:04 | 0:37:07 | |
but, my social life aside... | 0:37:07 | 0:37:10 | |
HE LAUGHS | 0:37:10 | 0:37:12 | |
Every week it's a new initiative or a new audit. | 0:37:12 | 0:37:15 | |
I want to work for a unit that actually fights crime. | 0:37:15 | 0:37:18 | |
The big part of the job description is surveillance. | 0:37:18 | 0:37:21 | |
Yeah. | 0:37:21 | 0:37:22 | |
Well, men are gonna notice you. | 0:37:23 | 0:37:25 | |
What, and women don't notice you? | 0:37:25 | 0:37:27 | |
Come for a drink this week. | 0:37:31 | 0:37:34 | |
It's not a date. | 0:37:34 | 0:37:35 | |
You're breaking my heart, sir. | 0:37:35 | 0:37:37 | |
-It'll just be a good way for you to get to know the lads a bit. -And...? | 0:37:37 | 0:37:40 | |
And then we'll see. | 0:37:40 | 0:37:42 | |
Yeah. OK, thanks. | 0:37:43 | 0:37:46 | |
What the bloody hell was that? | 0:37:52 | 0:37:53 | |
Nothing. | 0:37:53 | 0:37:55 | |
-I'm next in line for a squad. -Yeah, if you say so, Leah. | 0:37:55 | 0:37:59 | |
I'm one-quarter Romany. | 0:37:59 | 0:38:01 | |
Steve. | 0:38:09 | 0:38:10 | |
The very man. So what can you tell me about Tony Gates? | 0:38:12 | 0:38:16 | |
Uh... | 0:38:16 | 0:38:18 | |
Er, nothing? Oh, come on, Steve. What can I say? | 0:38:18 | 0:38:21 | |
I'm disappointed. | 0:38:21 | 0:38:23 | |
Sir, I'm committed to Anticorruption 100%... | 0:38:23 | 0:38:26 | |
That's what I need to know, son. Come on. | 0:38:26 | 0:38:29 | |
One of our team has made a breakthrough. | 0:38:29 | 0:38:31 | |
What's going on, sir? | 0:38:31 | 0:38:33 | |
All will be revealed, Steve, all will be revealed. | 0:38:34 | 0:38:38 | |
Alice, what a pleasant surprise. I'll have to be on my toes today. | 0:38:38 | 0:38:42 | |
You've always been a lovely mover, sir. | 0:38:42 | 0:38:45 | |
Tony, make yourself at home. | 0:38:45 | 0:38:47 | |
I was surprised to be called back so quickly, sir. I hope it's good news. | 0:38:47 | 0:38:52 | |
AC-12 interview with DCI Gates, | 0:39:00 | 0:39:03 | |
Police Federation representation DCI Alice Prior. | 0:39:03 | 0:39:06 | |
I've been authorised to notify you that we have grounds to widen | 0:39:06 | 0:39:10 | |
our investigation into DCI Gates' performance of professional duties. | 0:39:10 | 0:39:13 | |
-Widen the investigation? -What? | 0:39:13 | 0:39:16 | |
We have grounds under Professional Duties and General Conduct. | 0:39:16 | 0:39:18 | |
Specifically in the practice of laddering. | 0:39:18 | 0:39:22 | |
Which is the amplification, indeed, the multiplication of charges | 0:39:22 | 0:39:25 | |
-against an offender... -I know what laddering is, sir. | 0:39:25 | 0:39:27 | |
That's right, Tony. You do. Here's the yellow notice. | 0:39:27 | 0:39:31 | |
You've got the regulation ten days. | 0:39:31 | 0:39:33 | |
DCI Gates strenuously denies any wrongdoing. | 0:39:33 | 0:39:36 | |
Nevertheless he offers the investigation his full cooperation. | 0:39:36 | 0:39:38 | |
-Thank you. That's much appreciated. -I'd like to determine the conditions of Tony's suspension. | 0:39:38 | 0:39:43 | |
Oh, no, we're not asking for a suspension at this time. | 0:39:43 | 0:39:45 | |
We don't think he's a threat to his fellow officers or indeed | 0:39:45 | 0:39:48 | |
the public in general. | 0:39:48 | 0:39:50 | |
Now, why should the citizens of this country be denied | 0:39:50 | 0:39:53 | |
his selfless service? | 0:39:53 | 0:39:55 | |
Interview terminated. | 0:39:55 | 0:39:57 | |
That's very generous of you, sir. | 0:39:57 | 0:39:59 | |
Looks like you've found your level, Arnott. | 0:40:05 | 0:40:08 | |
-Tony, let's not descend to... -Nobody plays me. | 0:40:08 | 0:40:10 | |
Sir. | 0:40:12 | 0:40:14 | |
You never detected the laddering because you didn't even look. | 0:40:24 | 0:40:27 | |
I recruited you because you took a moral stand against your colleagues, | 0:40:27 | 0:40:31 | |
despite the personal cost. | 0:40:31 | 0:40:32 | |
You're a born AC-12 officer. Why don't you start acting like one? | 0:40:32 | 0:40:35 | |
You've dropped me into an ongoing investigation. | 0:40:35 | 0:40:38 | |
Now, you could test me or you could actually brief me. | 0:40:38 | 0:40:42 | |
OK. Tony Gates cherry-picks the crimes that are easy to solve, | 0:40:42 | 0:40:46 | |
then he dumps the rest. | 0:40:46 | 0:40:47 | |
Then he invents a whole series of additional charges | 0:40:47 | 0:40:49 | |
that never make it to the courtroom but boost his clean-up rates. | 0:40:49 | 0:40:53 | |
-Laddering. That's how Tony Gates got where he is. -No. He had to be twice as good to get to there. | 0:40:53 | 0:40:57 | |
What? So what are you saying? To be corrupt he's got to be twice as bad? | 0:40:57 | 0:41:01 | |
No, sir, victimisation of a black officer... | 0:41:01 | 0:41:04 | |
Oh, now, hang on a second. | 0:41:04 | 0:41:05 | |
Don't you talk to me about victimisation. What are you saying? | 0:41:05 | 0:41:08 | |
Let me tell you something, son. | 0:41:08 | 0:41:10 | |
Me and my best mate, we went through basic training together, OK. | 0:41:10 | 0:41:13 | |
First year out, they sent us on this particular job. The two Catholics, are you with me? | 0:41:13 | 0:41:18 | |
We go straight over a pipe bomb. I end up in intensive care, him they bury. | 0:41:18 | 0:41:22 | |
The Log Book goes missing, nobody says a word. | 0:41:22 | 0:41:24 | |
Don't you talk to me about victimisation. | 0:41:24 | 0:41:27 | |
Nobody's blacker than me, son! | 0:41:27 | 0:41:29 | |
Kate! Hi, all right? | 0:41:38 | 0:41:41 | |
-Like the look of the recruitment policy. -Hey, nothing sexist. | 0:41:42 | 0:41:46 | |
Oh? I'm off, then, good night. | 0:41:46 | 0:41:48 | |
It's just HR will be down on me like a ton of bricks. | 0:41:48 | 0:41:52 | |
-Big appointment for me, boys. -Yeah. | 0:41:52 | 0:41:54 | |
-Kate. -Hi. | 0:41:56 | 0:41:57 | |
-DC Morton. -Nige. -Yeah, all right? | 0:41:57 | 0:41:59 | |
-DS Matt Cottan. -All right. | 0:41:59 | 0:42:01 | |
-Hi. -Dot... Dot. -Oh, OK. | 0:42:01 | 0:42:03 | |
So Tone says you want to be in with the in-crowd. | 0:42:04 | 0:42:07 | |
The in-crowd? Where? | 0:42:07 | 0:42:09 | |
Very good. | 0:42:09 | 0:42:11 | |
-I just want to work for the best, sir. -Oh, we're off duty now, Kate. You can call me... | 0:42:12 | 0:42:16 | |
Tina. Call him Tina. | 0:42:16 | 0:42:18 | |
THEY LAUGH | 0:42:18 | 0:42:20 | |
-And last... -And definitely least... -You met Deepak. -Yep. | 0:42:20 | 0:42:24 | |
I'm sorry, Kate, I didn't know | 0:42:24 | 0:42:26 | |
whether you wanted a half or a pint, so I just got you two halves. | 0:42:26 | 0:42:29 | |
When you send a boy to do a man's job. This is it. | 0:42:29 | 0:42:32 | |
Thanks, Deepak. | 0:42:32 | 0:42:34 | |
You're welcome. | 0:42:34 | 0:42:35 | |
Oh, and I've got something for you here, boss, as well. | 0:42:35 | 0:42:38 | |
There you go! How about that? | 0:42:38 | 0:42:40 | |
THEY ALL LAUGH | 0:42:40 | 0:42:43 | |
Now, that is stuck on! Drink to that. ALL: Cheers! | 0:42:43 | 0:42:46 | |
Thanks. | 0:42:46 | 0:42:48 | |
Come with me. | 0:42:53 | 0:42:55 | |
We're gonna get Gates with or without you, Steve. | 0:43:07 | 0:43:10 | |
So you can either help us, | 0:43:10 | 0:43:12 | |
or be just another prick who lost his bottle. | 0:43:12 | 0:43:15 | |
It's your choice, son. | 0:43:21 | 0:43:23 | |
I didn't know AC-12 used undercover officers. | 0:43:34 | 0:43:38 | |
Hence the term. | 0:43:38 | 0:43:39 | |
You're the one that gave us the information about the laddering. | 0:43:40 | 0:43:45 | |
I'm on the inside at last, Steve. | 0:43:45 | 0:43:47 | |
All this just to bring down Gates? | 0:43:47 | 0:43:51 | |
Instead of spending all this time and money policing the police, | 0:43:51 | 0:43:55 | |
it'd make more sense to assign us to cases that aren't being investigated. | 0:43:55 | 0:43:58 | |
TO-20's been nicknamed the Big Sexy Crime Unit. | 0:43:58 | 0:44:01 | |
Gates has been awarded the highest budget three years running. His squad has the best kit in the station. | 0:44:01 | 0:44:06 | |
Meanwhile victims of crime miss out on justice because he only tackles cases that score points. | 0:44:06 | 0:44:10 | |
Who doesn't? It's the system. | 0:44:10 | 0:44:12 | |
I wouldn't be risking what I'm risking if I didn't believe Gates was a special case. | 0:44:12 | 0:44:16 | |
I thought Anticorruption was about getting blokes on the take, | 0:44:16 | 0:44:19 | |
the ones in the pockets of the criminals. | 0:44:19 | 0:44:22 | |
You took a stand and it put you out on your own. | 0:44:22 | 0:44:24 | |
You're not on your own any more. | 0:44:24 | 0:44:27 | |
Unless you want to be. | 0:44:27 | 0:44:28 | |
Kate's been tracking arrests on the Bog. | 0:45:11 | 0:45:14 | |
Over the last month there's been a three-fold increase | 0:45:14 | 0:45:17 | |
in the supply and demand of Class A narcotics. | 0:45:17 | 0:45:20 | |
I've talked to the Fifth Floor. | 0:45:20 | 0:45:22 | |
We've been given the go-ahead for a surveillance op. We start... | 0:45:22 | 0:45:24 | |
-DCI Gates. -DS Arnott, can I help you? | 0:45:24 | 0:45:27 | |
My car... That your doing? | 0:45:27 | 0:45:31 | |
You shat on the boss. | 0:45:31 | 0:45:32 | |
Yeah. Maybe someone just returned the compliment. | 0:45:32 | 0:45:36 | |
I want to talk to you alone. Now. | 0:45:39 | 0:45:41 | |
Fire away. | 0:45:41 | 0:45:43 | |
THEY SNIGGER | 0:45:43 | 0:45:46 | |
I thought maybe you were clean. Looks like you're dirty, after all. | 0:45:51 | 0:45:55 | |
You take a shot at the king, make sure you kill him, son. | 0:45:55 | 0:46:00 | |
"Fire away." That's priceless, boss. | 0:46:18 | 0:46:21 | |
That's MasterCard. | 0:46:21 | 0:46:23 | |
Which one of you muppets did it? | 0:46:23 | 0:46:27 | |
I'm Spartacus. | 0:46:31 | 0:46:33 | |
No, I'm Spartacus. | 0:46:33 | 0:46:34 | |
THEY LAUGH | 0:46:34 | 0:46:37 | |
CAMERA SHUTTER CLICKS | 0:46:44 | 0:46:47 | |
CAMERA SHUTTER CLICKS | 0:46:59 | 0:47:01 | |
DOGS BARK | 0:47:04 | 0:47:06 | |
Our old friend Wesley Duke, with a big fat rucksack full of crack cocaine. | 0:47:13 | 0:47:17 | |
Now, when you was all tucked up in your warm beds last night... | 0:47:17 | 0:47:21 | |
You were tucked up with Dot. | 0:47:21 | 0:47:23 | |
-He's only jealous. -THEY LAUGH | 0:47:23 | 0:47:25 | |
Dot and me traced the source to this address in Greek Lane. | 0:47:25 | 0:47:29 | |
Now, Wesley's been small-time, but this appears to be a new, | 0:47:29 | 0:47:33 | |
large-scale supply he's tapped into. | 0:47:33 | 0:47:36 | |
Next stage would be to pick Wesley up and turn him. | 0:47:36 | 0:47:39 | |
And what if he blabs? We don't want to alert the Greek Lane mob that we're watching them. | 0:47:39 | 0:47:45 | |
That's a good point. Let's keep up the surveillance for now, Nige. | 0:47:45 | 0:47:48 | |
See who else comes and goes from this address. Well done, matey. | 0:47:48 | 0:47:52 | |
Erm, let it roll. | 0:47:52 | 0:47:54 | |
-Fleming. -Yeah? | 0:47:59 | 0:48:01 | |
I'm going to talk to the Fifth Floor, get them to formally approve your transfer to TO-20. | 0:48:01 | 0:48:05 | |
Thanks, sir. I won't let you down. | 0:48:06 | 0:48:09 | |
Any news? | 0:49:17 | 0:49:19 | |
No, nothing. | 0:49:21 | 0:49:23 | |
They're not suspicious? | 0:49:25 | 0:49:27 | |
It's been filed as an unexplained hit-and-run. | 0:49:27 | 0:49:30 | |
That's good, isn't it? | 0:49:30 | 0:49:32 | |
HE SNORTS | 0:49:32 | 0:49:34 | |
I shouldn't...I shouldn't be here. | 0:49:36 | 0:49:39 | |
But you are. | 0:49:39 | 0:49:42 | |
TROUSERS UNZIP | 0:50:40 | 0:50:42 | |
I have it on good authority that it was Gates, himself, | 0:50:54 | 0:50:56 | |
who soiled your car. | 0:50:56 | 0:50:58 | |
PHONE RINGS | 0:51:07 | 0:51:08 | |
CAMERA SHUTTER CLICKS | 0:51:08 | 0:51:10 | |
Deepak... | 0:51:10 | 0:51:13 | |
OK... Cheers, mate. | 0:51:13 | 0:51:16 | |
Next turn's on the way, Dot. | 0:51:17 | 0:51:19 | |
They're pulling us off for the night. | 0:51:19 | 0:51:21 | |
Pulling us off? | 0:51:21 | 0:51:22 | |
Ah, best thing I got at Hillside Lane was a pint after work. | 0:51:22 | 0:51:26 | |
Right, come on. | 0:51:26 | 0:51:29 | |
Shall we wait for the next turn at least? | 0:51:29 | 0:51:31 | |
Come on, you've had the memo about overtime, Deepak. | 0:51:31 | 0:51:34 | |
They'll be here in ten minutes. Make a move. | 0:51:34 | 0:51:36 | |
ENGINE STARTS | 0:51:40 | 0:51:42 | |
Excuse me, please. Thank you. | 0:51:56 | 0:51:59 | |
Morning, sir. | 0:51:59 | 0:52:00 | |
Let's get the pond life moved much further away | 0:52:00 | 0:52:03 | |
-and they'll soon go back to watching Jeremy Kyle. -Yes, sir. | 0:52:03 | 0:52:06 | |
See all these kids, get them back in school, | 0:52:06 | 0:52:08 | |
unless they're being excluded. | 0:52:08 | 0:52:10 | |
Can you move back, please. | 0:52:11 | 0:52:13 | |
Christ's sake, Dot. | 0:52:27 | 0:52:28 | |
How many times, mate? | 0:52:28 | 0:52:30 | |
It was ten minutes, 15 tops before the next turn clocked on. | 0:52:30 | 0:52:33 | |
Damned if you do, damned if you don't in this job. | 0:52:33 | 0:52:36 | |
Morning, boss. | 0:52:43 | 0:52:44 | |
Tone, I don't know what to say, mate... | 0:52:52 | 0:52:54 | |
Later, Dot, all right? | 0:52:54 | 0:52:57 | |
From the blood spatter, both men were alive when the fingers were amputated. | 0:52:58 | 0:53:02 | |
Looks like whoever killed them wanted to know something | 0:53:02 | 0:53:04 | |
and didn't find out. | 0:53:04 | 0:53:06 | |
The finger amputations are clean. | 0:53:06 | 0:53:08 | |
Each one done with a single stroke. Most likely... | 0:53:08 | 0:53:12 | |
bolt-cutter. | 0:53:12 | 0:53:14 | |
Dot, I want you to go through the files back at the station, | 0:53:15 | 0:53:18 | |
see if there's a similar MO here | 0:53:18 | 0:53:20 | |
-or at any other force's case history. -Right, OK. | 0:53:20 | 0:53:22 | |
Nigel, I want entry control front and back, all the dabs in the downstairs rooms | 0:53:22 | 0:53:26 | |
and, if there's a bathroom upstairs, there too. | 0:53:26 | 0:53:29 | |
And when forensics have got all their samples, | 0:53:29 | 0:53:32 | |
I want you to go through everything. | 0:53:32 | 0:53:34 | |
Let's find out who these two boys were, please. | 0:53:34 | 0:53:37 | |
Aye-aye, skipper. | 0:53:37 | 0:53:39 | |
Fleming, you do the door-to-door. | 0:53:39 | 0:53:41 | |
You see what I've bloody got to deal with. | 0:53:49 | 0:53:51 | |
We're trying to get a job done here and some pen pusher bans overtime. | 0:53:51 | 0:53:55 | |
There were 15 minutes for someone to break in. | 0:53:55 | 0:53:58 | |
The lads in there are the new kids on the block. | 0:53:58 | 0:54:00 | |
And someone doesn't want them muscling in on their territory. | 0:54:00 | 0:54:03 | |
You not tempted to dump this one on CID, sir? | 0:54:03 | 0:54:06 | |
No chance. It's big. | 0:54:06 | 0:54:08 | |
It's sexy. And that makes it mine. | 0:54:08 | 0:54:11 | |
What goes around comes around. | 0:54:38 | 0:54:39 | |
Mr Butterfield, I'm so sorry. | 0:54:45 | 0:54:47 | |
Yeah. This time I was home when they broke in. | 0:54:47 | 0:54:50 | |
HE KNOCKS ON DOOR | 0:54:50 | 0:54:52 | |
Just give me a minute. | 0:54:52 | 0:54:54 | |
He's going to make a complaint! | 0:54:56 | 0:54:58 | |
Sir, with respect, you told me to put the case on the back-burner. | 0:54:58 | 0:55:02 | |
I told you to prioritise. | 0:55:02 | 0:55:03 | |
This missing persons report came through from County CID. | 0:55:15 | 0:55:20 | |
Mr Gurjit Patel. Reported missing the day after the hit and run. | 0:55:20 | 0:55:27 | |
Mr Patel was an accountant for Laverty Holdings. | 0:55:27 | 0:55:33 | |
Laverty Holdings is owned by Jacqueline Laverty, | 0:55:33 | 0:55:38 | |
the woman whose vehicle was reported stolen. | 0:55:38 | 0:55:42 | |
-He was her accountant when... -Thank you, Rita. | 0:55:43 | 0:55:46 | |
My squad is going to be taking over this case from now on. | 0:55:46 | 0:55:50 | |
And you can leave it to me to tell County that we've got an ID. | 0:55:50 | 0:55:53 | |
This is a very sensitive case, Rita, | 0:55:53 | 0:55:56 | |
so I'm going to need to shoot those files over to my computer. | 0:55:56 | 0:55:59 | |
May I? | 0:55:59 | 0:56:00 | |
Yes, sir...of course. | 0:56:00 | 0:56:01 | |
Thank you. | 0:56:03 | 0:56:05 | |
Erm, milk, no sugar would be nice. | 0:56:08 | 0:56:11 | |
Yes, right. | 0:56:11 | 0:56:13 | |
You're a star. | 0:56:13 | 0:56:15 | |
Subtitles by Red Bee Media Ltd | 0:58:16 | 0:58:19 |