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If you want to talk, call me into AC-12. | 0:00:02 | 0:00:04 | |
Why go to all that bother when I'm only after a minor detail? | 0:00:04 | 0:00:07 | |
The reason you took over a hit and run. | 0:00:07 | 0:00:10 | |
-Gates was with a woman in a cafe. -You think she's his girlfriend? | 0:00:10 | 0:00:13 | |
Well she doesn't appear in his statement. | 0:00:13 | 0:00:17 | |
She came to the station. They talked. Something felt odd. | 0:00:17 | 0:00:20 | |
Inspector Tony Gates, do you know him? | 0:00:22 | 0:00:24 | |
I met him briefly at the police station. | 0:00:24 | 0:00:26 | |
That's the extent of your relationship? | 0:00:26 | 0:00:30 | |
The coroner's set the date to reopen the inquest in the Karim Ali shooting. | 0:00:30 | 0:00:33 | |
You're going to be asked to testify. | 0:00:33 | 0:00:36 | |
The fire arms officers are saying you sent them to the wrong flat. | 0:00:36 | 0:00:38 | |
This programme contains some violent scenes and some strong language. | 0:00:38 | 0:00:42 | |
I am the senior investigating officer on a double murder. | 0:00:42 | 0:00:45 | |
That is proper policing son! | 0:00:45 | 0:00:48 | |
Tony gave me back the motivation. | 0:00:48 | 0:00:50 | |
He's a good man. You remember that. | 0:00:50 | 0:00:53 | |
-Arnott's on to you! -I don't know how? | 0:00:55 | 0:00:57 | |
The hairdressers. You might as well have hung up a sign saying, | 0:00:57 | 0:01:00 | |
"Launder your drug money here!" | 0:01:00 | 0:01:02 | |
No, please don't do this. | 0:01:02 | 0:01:03 | |
Hey! This is happening Jackie. | 0:01:03 | 0:01:05 | |
Think Dot and Morton are covering for Gates. | 0:01:07 | 0:01:09 | |
-He's got to be at Jackie Laverty's right now! -On my way. | 0:01:09 | 0:01:12 | |
-I'm a police... -Huh. No! | 0:01:12 | 0:01:15 | |
POLICE SIRENS | 0:01:23 | 0:01:25 | |
CAR HORN BEEPS | 0:01:34 | 0:01:38 | |
Gotcha. | 0:01:52 | 0:01:54 | |
All right son, calm down. | 0:02:41 | 0:02:44 | |
What's going on? | 0:02:48 | 0:02:49 | |
I've checked all of the ground floor. | 0:02:52 | 0:02:54 | |
I got here a few minutes ago to arrest her. | 0:02:54 | 0:02:56 | |
Front door was open and there's blood everywhere. | 0:02:57 | 0:03:02 | |
We should look upstairs. | 0:03:04 | 0:03:07 | |
What are you waiting for, Arnott? | 0:03:09 | 0:03:12 | |
She's not up here, there'd be a blood trail. | 0:03:17 | 0:03:21 | |
BUZZER SOUNDS | 0:03:21 | 0:03:23 | |
My team. | 0:03:25 | 0:03:27 | |
-Well? -What? | 0:03:33 | 0:03:36 | |
Did you want to check the bedrooms or not? | 0:03:36 | 0:03:39 | |
Yeah. | 0:03:39 | 0:03:41 | |
You should check the rest of these, | 0:03:56 | 0:03:58 | |
I'm going to have a look around the back. | 0:03:58 | 0:04:01 | |
Everything OK, Sarg? | 0:04:15 | 0:04:16 | |
Yeah. Round the back, quick as you can, see if you can find her. | 0:04:16 | 0:04:20 | |
Right, boss. | 0:04:20 | 0:04:22 | |
Gates? | 0:04:31 | 0:04:33 | |
Where is she? | 0:04:35 | 0:04:36 | |
I know as much as you do. | 0:04:36 | 0:04:38 | |
This was a kidnapping or a robbery, a meeting, whatever. | 0:04:38 | 0:04:42 | |
It went tits up. | 0:04:42 | 0:04:43 | |
We're gonna start the door-to-door and get the dogs out. | 0:04:43 | 0:04:46 | |
No. You don't get to lead this investigation. | 0:04:46 | 0:04:48 | |
You don't tell me what I can and I can't investigate, all right, son. | 0:04:48 | 0:04:52 | |
No sign of her outside, Tone. | 0:04:52 | 0:04:54 | |
All right, get door-stepping, Dot. | 0:04:58 | 0:05:02 | |
Nige, lock off the house and set up a cordon. | 0:05:02 | 0:05:05 | |
PHONE RINGS | 0:06:19 | 0:06:21 | |
DS Cottan. No, where are you? | 0:06:21 | 0:06:24 | |
No, you're breaking up | 0:06:24 | 0:06:26 | |
Can I help you, DS Arnott? | 0:06:44 | 0:06:47 | |
I think I can manage, thank you, DC Fleming. | 0:06:47 | 0:06:50 | |
Do this now, please. Dabs and DNA. | 0:07:03 | 0:07:05 | |
Yes, sir. | 0:07:05 | 0:07:07 | |
Oi, this is my crime scene, not yours. | 0:07:07 | 0:07:09 | |
Log him out, Deepak, and don't let him back in. | 0:07:14 | 0:07:18 | |
Please. | 0:07:21 | 0:07:22 | |
-Sorry, sir. -So tell us, Steve, what have you got? | 0:07:30 | 0:07:33 | |
-Jackie Laverty went missing this morning. -Missing? | 0:07:33 | 0:07:35 | |
She was attacked in her home and now there's no sign of her. | 0:07:35 | 0:07:38 | |
She wasn't just hiding a hit-and-run. | 0:07:38 | 0:07:40 | |
I've believe she was involved in money laundering. | 0:07:40 | 0:07:42 | |
What and you think you can connect Gates with all this? | 0:07:42 | 0:07:45 | |
Call him in for interview, sir. | 0:07:45 | 0:07:47 | |
Before he has time to work out his story. I need one hour. | 0:07:47 | 0:07:50 | |
DOOR OPENS | 0:07:51 | 0:07:54 | |
Good morning, Rita. | 0:07:55 | 0:07:57 | |
Morning. | 0:07:57 | 0:07:58 | |
I need to talk to you about a hit-and-run investigation | 0:07:58 | 0:08:02 | |
that was taken over by DCI Gates. | 0:08:02 | 0:08:04 | |
You're AC-12, aren't you? | 0:08:05 | 0:08:06 | |
Yeah. | 0:08:06 | 0:08:08 | |
See, erm... | 0:08:08 | 0:08:10 | |
My union protects civilian support staff from talking to you | 0:08:10 | 0:08:15 | |
in case it causes undue stress and anxiety. | 0:08:15 | 0:08:19 | |
Sorry. | 0:08:19 | 0:08:20 | |
I could always arrest you for perverting the course of justice. | 0:08:20 | 0:08:25 | |
Take a seat. | 0:08:25 | 0:08:28 | |
When exactly did DCI Gates take over the case? | 0:08:31 | 0:08:34 | |
When the information came through from County CID. | 0:08:36 | 0:08:39 | |
What information? | 0:08:39 | 0:08:40 | |
From Missing Persons, about Mr Patel. | 0:08:40 | 0:08:44 | |
The victim? | 0:08:44 | 0:08:46 | |
When DCI Gates heard that Mr Patel had been Jackie Laverty's accountant, | 0:08:46 | 0:08:51 | |
that's when he took over the... | 0:08:51 | 0:08:53 | |
case. | 0:08:53 | 0:08:55 | |
AC-12 interview. | 0:09:05 | 0:09:07 | |
Present Superintendent Hastings, DS Arnott, DCI Gates, | 0:09:07 | 0:09:11 | |
the Police Federation representative DCI Alice Prior. | 0:09:11 | 0:09:15 | |
May I, sir? Perhaps we could postpone this interview? | 0:09:15 | 0:09:18 | |
DCI Gates has only just learned that a personal acquaintance | 0:09:18 | 0:09:22 | |
is missing, presumed dead. | 0:09:22 | 0:09:24 | |
He's calling her an acquaintance now? | 0:09:24 | 0:09:26 | |
Let's do this. | 0:09:31 | 0:09:33 | |
As it happens, DS Arnott's point was a good place to start. | 0:09:33 | 0:09:36 | |
DCI Gates, how would you describe your relationship | 0:09:36 | 0:09:39 | |
with Jacqueline Laverty? | 0:09:39 | 0:09:41 | |
Jackie and I knew each other 20 years ago. | 0:09:42 | 0:09:45 | |
She was Jackie O'Connor back then and we were engaged | 0:09:45 | 0:09:48 | |
but she broke it off to marry a businessman called Andrew Laverty | 0:09:48 | 0:09:51 | |
and we lost touch. | 0:09:51 | 0:09:53 | |
We were reacquainted some five months ago. | 0:09:53 | 0:09:56 | |
She told me about her property business | 0:09:56 | 0:09:58 | |
and that she was after a head of security. | 0:09:58 | 0:10:01 | |
She wondered if I might recommend some recently retired officers. | 0:10:01 | 0:10:03 | |
And I made the mistake of giving her my card. | 0:10:03 | 0:10:06 | |
Mistake? | 0:10:06 | 0:10:08 | |
Yeah, she called me the next day. And the day after. | 0:10:08 | 0:10:11 | |
And the day after and the day after. | 0:10:11 | 0:10:13 | |
She wasn't interested in ex-officers. | 0:10:13 | 0:10:16 | |
Jackie was recently divorced from Andrew Laverty | 0:10:16 | 0:10:18 | |
and she made no bones about | 0:10:18 | 0:10:21 | |
wanting to pursue a sexual relationship with me. | 0:10:21 | 0:10:23 | |
And how did you respond? | 0:10:23 | 0:10:26 | |
I told her that I was now a happily married man | 0:10:27 | 0:10:29 | |
with two young daughters. | 0:10:29 | 0:10:32 | |
She wouldn't take no for an answer. | 0:10:32 | 0:10:34 | |
And over the course of the next few months, | 0:10:34 | 0:10:37 | |
Jackie Laverty became my stalker. | 0:10:37 | 0:10:39 | |
And did you report this? | 0:10:42 | 0:10:45 | |
No, sir. | 0:10:45 | 0:10:47 | |
Why not, DCI Gates? | 0:10:47 | 0:10:49 | |
Because she's a good-looking woman, sir. And we had a past. | 0:10:49 | 0:10:53 | |
And there's no smoke without fire. Is there? | 0:10:53 | 0:10:57 | |
So can you tell me how you became involved in the hit-and-run | 0:10:57 | 0:11:00 | |
incident that Ms Laverty reported? | 0:11:00 | 0:11:02 | |
Well, actually, sir, initially it was reported as a stolen vehicle. | 0:11:02 | 0:11:06 | |
It was only afterwards that the vehicle was linked | 0:11:06 | 0:11:09 | |
to the hit-and-run. | 0:11:09 | 0:11:10 | |
Are you aware the victim of the hit-and-run was | 0:11:10 | 0:11:12 | |
Jackie Laverty's accountant? | 0:11:12 | 0:11:15 | |
DCI Gates is entitled to be questioned by an officer | 0:11:15 | 0:11:19 | |
at least one rank superior. | 0:11:19 | 0:11:21 | |
Are you aware that the victim of the hit-and-run was | 0:11:21 | 0:11:24 | |
Jackie Laverty's accountant? | 0:11:24 | 0:11:27 | |
-Yes, sir. -When did you act on it? | 0:11:27 | 0:11:29 | |
And when did you act on it? | 0:11:29 | 0:11:31 | |
What is this? Keith Harris and Orville? | 0:11:31 | 0:11:33 | |
It's all right, Alice. Let them fire away. | 0:11:33 | 0:11:37 | |
As soon as I became aware of that information, I acted on it. | 0:11:38 | 0:11:41 | |
So straight away? | 0:11:41 | 0:11:43 | |
Not straight away? | 0:11:45 | 0:11:46 | |
I was concerned about Jackie's manipulative behaviour. | 0:11:46 | 0:11:51 | |
But once I set that aside, I acted properly, | 0:11:51 | 0:11:54 | |
by attempting to arrest her for manslaughter. | 0:11:54 | 0:11:57 | |
She had a large house, luxury cars, expensive offices. | 0:11:57 | 0:12:01 | |
Didn't you ever wonder where the money was coming from? | 0:12:01 | 0:12:04 | |
She appeared to be a successful businesswoman. | 0:12:04 | 0:12:06 | |
And she received a substantial settlement in her divorce. | 0:12:06 | 0:12:09 | |
You had no idea at all there might be some financial irregularity? | 0:12:09 | 0:12:12 | |
Absolutely none at all, sir. | 0:12:12 | 0:12:14 | |
DCI Gates, how did you come by the information | 0:12:14 | 0:12:18 | |
that Jackie had killed her accountant. | 0:12:18 | 0:12:21 | |
This is the critical piece of evidence against your stalker. | 0:12:21 | 0:12:24 | |
Surely you remember exactly how you found out. | 0:12:24 | 0:12:27 | |
DCI Gates was not prepared for this line of questions. | 0:12:27 | 0:12:30 | |
I request them in writing with the statutory ten days to respond. | 0:12:30 | 0:12:34 | |
Rita Bennett informed me, the civvie support. | 0:12:34 | 0:12:37 | |
I took a statement from Rita Bennett prior to this interview. | 0:12:38 | 0:12:41 | |
I wonder if her recollection matches yours? | 0:12:41 | 0:12:44 | |
DCI Gates? | 0:12:46 | 0:12:48 | |
The information came in from County CID | 0:12:49 | 0:12:52 | |
regarding the identity of the victim. | 0:12:52 | 0:12:54 | |
That was three days after Ms Laverty informed me about her stolen car. | 0:12:54 | 0:12:58 | |
You should have a copy of that statement. | 0:12:58 | 0:13:00 | |
Yeah, I'll see to that, Alice, yeah. | 0:13:00 | 0:13:02 | |
The information you've just given, why isn't it in the computer file? | 0:13:04 | 0:13:09 | |
-Why... -Your answers match what Rita said | 0:13:09 | 0:13:11 | |
and what she claims she entered in the file but it's not there. | 0:13:11 | 0:13:14 | |
Why not? | 0:13:14 | 0:13:15 | |
She must be mistaken. | 0:13:15 | 0:13:17 | |
You deleted it. | 0:13:19 | 0:13:20 | |
Stop right there. We're all aware of IT problems as a day-to-day reality. | 0:13:20 | 0:13:25 | |
Have you any proof that this file was deleted? | 0:13:25 | 0:13:27 | |
We could impound the hard drive. | 0:13:27 | 0:13:29 | |
SHE TUTS | 0:13:29 | 0:13:30 | |
The database can be accessed by any computer from the mainframe. | 0:13:30 | 0:13:33 | |
Do you intend to impound them all, DS Arnott? | 0:13:33 | 0:13:35 | |
Send the whole station back to bikes and whistles? | 0:13:35 | 0:13:37 | |
DCI Gates's relationship with Jackie Laverty clearly affected | 0:13:37 | 0:13:40 | |
his handling of the hit-and-run. | 0:13:40 | 0:13:42 | |
It's inappropriate for him to remain SO on her disappearance. | 0:13:42 | 0:13:45 | |
I was not the problem, she was. I went to arrest her. | 0:13:45 | 0:13:48 | |
It's something that you should put to Tony's superior officer. | 0:13:48 | 0:13:51 | |
Well, I certainly will, Alice, if he'll deign to respond. | 0:13:51 | 0:13:55 | |
Can we go, please? | 0:13:55 | 0:13:58 | |
DCI Gates. | 0:13:59 | 0:14:01 | |
I have mobile phone records relating to your account | 0:14:01 | 0:14:04 | |
and Jackie Laverty's account. | 0:14:04 | 0:14:05 | |
Sit down, please, DCI Gates, sit down. | 0:14:05 | 0:14:09 | |
These came over this morning, Alice. | 0:14:09 | 0:14:11 | |
You'll see last week's authority for the release of phone data. | 0:14:11 | 0:14:15 | |
The most recent records are consistent with your testimony. | 0:14:15 | 0:14:19 | |
Calls and texts from Ms Laverty directed to your phone. | 0:14:19 | 0:14:22 | |
None of the calls answered by you. One-way traffic. | 0:14:22 | 0:14:24 | |
Go back a little further, and you're calling her. Texting her. | 0:14:24 | 0:14:29 | |
Would you like me to read an example of one of the text messages | 0:14:30 | 0:14:33 | |
sent by you to Ms Laverty last month? | 0:14:33 | 0:14:35 | |
DCI Gates? | 0:14:38 | 0:14:40 | |
No. | 0:14:41 | 0:14:42 | |
So, can you tell us | 0:14:42 | 0:14:45 | |
your true relationship with Jacqueline Laverty, please. | 0:14:45 | 0:14:49 | |
We had a one-night stand, for old times' sake. | 0:14:53 | 0:14:56 | |
I wanted to end it but she used it against me. | 0:14:57 | 0:15:01 | |
Sir, I was protecting my family. | 0:15:01 | 0:15:06 | |
Well, I think it's fair enough to say that we have grounds to | 0:15:06 | 0:15:10 | |
remove you from the case, DCI Gates. | 0:15:10 | 0:15:12 | |
-Fine, sir. -Fine. Thank you, DCI Gates. | 0:15:13 | 0:15:15 | |
-Where were you last night? -Hold your horses. | 0:15:15 | 0:15:18 | |
It's a simple question. You don't have to respond, DCI Gates, | 0:15:18 | 0:15:22 | |
if it's too short-notice to come up with an alibi. | 0:15:22 | 0:15:25 | |
Let's leave it there, Tony. | 0:15:25 | 0:15:26 | |
I went home very late. | 0:15:26 | 0:15:28 | |
I didn't want to wake my wife, so I slept in the spare room. | 0:15:28 | 0:15:31 | |
But I couldn't sleep for worrying about the case against Jackie. | 0:15:31 | 0:15:34 | |
So that's when I decided to go and arrest her. | 0:15:34 | 0:15:36 | |
-Witnesses? -As I said, I was careful not to wake my wife. | 0:15:36 | 0:15:39 | |
-So you didn't spend the night with Jackie Laverty? -No, I did not. | 0:15:39 | 0:15:42 | |
-Why didn't you call for back-up? -Back up, when? | 0:15:42 | 0:15:45 | |
When you arrived, alone, and found evidence of extreme violence. | 0:15:45 | 0:15:48 | |
Well, I knew that my team were en route. | 0:15:48 | 0:15:50 | |
And when you turned up, I assumed between the two of us | 0:15:50 | 0:15:53 | |
we were up to the task. | 0:15:53 | 0:15:54 | |
I had to climb over the gate. How did you get in? | 0:15:54 | 0:15:57 | |
-How... -Did you climb over the gate? | 0:15:57 | 0:16:00 | |
-No, I, um... -Your car was parked on the drive. | 0:16:00 | 0:16:02 | |
Either you climbed over the gate with it tucked under your arm, | 0:16:02 | 0:16:06 | |
or Jackie Laverty let you in. | 0:16:06 | 0:16:07 | |
I opened the gate. | 0:16:12 | 0:16:14 | |
What's the code? | 0:16:14 | 0:16:16 | |
Tell me the code! | 0:16:16 | 0:16:17 | |
It'll be on Jackie's contact information. | 0:16:20 | 0:16:24 | |
There. | 0:16:24 | 0:16:26 | |
2366. | 0:16:26 | 0:16:28 | |
-I think we should call it a day. -Yeah, I think so too. | 0:16:28 | 0:16:31 | |
Sir, I sincerely hope you don't consider you have enough | 0:16:31 | 0:16:33 | |
grounds to press for suspension. | 0:16:33 | 0:16:35 | |
DCI Gates has been extraordinarily co-operative... | 0:16:35 | 0:16:38 | |
The last number on Jackie's account. A mobile she called last night. | 0:16:38 | 0:16:42 | |
07900024731. | 0:16:42 | 0:16:45 | |
Who did she call? | 0:16:45 | 0:16:47 | |
I got no idea. | 0:16:47 | 0:16:48 | |
-You weren't present when she made that call? -No. | 0:16:48 | 0:16:50 | |
That's enough, Steve. | 0:16:50 | 0:16:52 | |
Sir, DCI Gates has no criminal case to... | 0:16:52 | 0:16:53 | |
Forensic scene investigators are currently harvesting DNA and fibres from the house. | 0:16:53 | 0:16:57 | |
Yeah, and they are likely to find some of mine | 0:16:57 | 0:16:59 | |
you know, from a previous visit. | 0:16:59 | 0:17:01 | |
Because I'm not denying I wasn't ever there. | 0:17:01 | 0:17:04 | |
And, of course, I was there this morning, with you. | 0:17:04 | 0:17:08 | |
Interview terminated. | 0:17:08 | 0:17:10 | |
No suspension. | 0:17:16 | 0:17:17 | |
Thank you, sir. | 0:17:25 | 0:17:27 | |
Tony? | 0:18:29 | 0:18:31 | |
But you know AC are all over her. | 0:18:47 | 0:18:49 | |
AC are all over everything at the moment. | 0:18:49 | 0:18:53 | |
Look, I've let you down. | 0:19:10 | 0:19:12 | |
I had a relationship that's compromised me professionally. | 0:19:12 | 0:19:16 | |
But none of it, really, none of it reflects on any of you. | 0:19:16 | 0:19:19 | |
In fact, it makes your loyalty all the more humbling. | 0:19:22 | 0:19:24 | |
But a woman's missing, | 0:19:24 | 0:19:27 | |
almost certainly deceased. | 0:19:27 | 0:19:28 | |
And Chief Superintendent Hilton is in the process | 0:19:28 | 0:19:31 | |
of appointing another officer to lead that investigation. | 0:19:31 | 0:19:35 | |
And we will render that officer every assistance, OK? | 0:19:35 | 0:19:37 | |
Hi. DS Arnott. | 0:19:46 | 0:19:48 | |
I called this morning. | 0:19:48 | 0:19:49 | |
The glass found at the scene is teeming with evidence. | 0:19:50 | 0:19:53 | |
It's very moist. | 0:19:53 | 0:19:56 | |
We sampled saliva from around the rim | 0:19:56 | 0:19:59 | |
and we got two high-quality fingerprints from the side. | 0:19:59 | 0:20:01 | |
The prints appear to be from the same person. | 0:20:01 | 0:20:03 | |
Initial assessment is they match the control prints from the house. | 0:20:03 | 0:20:07 | |
-They're Jackie's? -Yeah. | 0:20:07 | 0:20:09 | |
-What about the whisky bottle? -Sorry... | 0:20:09 | 0:20:12 | |
SHE BLOWS HER NOSE | 0:20:12 | 0:20:14 | |
No, nothing. | 0:20:14 | 0:20:15 | |
Just Jackie's prints again, you mean? | 0:20:15 | 0:20:17 | |
No, I mean nothing. It's been wiped down. | 0:20:17 | 0:20:20 | |
Thank you. | 0:20:22 | 0:20:23 | |
I'll be back for the DNA reports. | 0:20:23 | 0:20:25 | |
From now, our focus shifts completely | 0:20:29 | 0:20:32 | |
to the double murder on Greek Lane and the killing of Wesley Duke. | 0:20:32 | 0:20:35 | |
So... | 0:20:35 | 0:20:37 | |
Excuse me. You better come quick, sir. | 0:20:37 | 0:20:39 | |
Can't keep his nose out, can he, eh? | 0:20:55 | 0:20:57 | |
Hey, DS Arnott - kindly desist. | 0:20:59 | 0:21:02 | |
I want this car impounded as evidence. | 0:21:02 | 0:21:05 | |
I want it cordoned off and I want HIM kept away from it. | 0:21:05 | 0:21:08 | |
Then get yourself a warrant. | 0:21:08 | 0:21:10 | |
CAR ALARM WAILS | 0:21:12 | 0:21:15 | |
THEY SNIGGER | 0:21:15 | 0:21:18 | |
ALARM STOPS | 0:21:19 | 0:21:21 | |
What are you looking for - Shergar? | 0:21:24 | 0:21:25 | |
He wiped down the whisky bottle, but I know there's a glass missing from the crime scene. | 0:21:28 | 0:21:33 | |
He took it cause it's the only thing that proves he was there. | 0:21:33 | 0:21:36 | |
Oh, now you're screwed, Tone - | 0:21:38 | 0:21:40 | |
he's onto your George Michael CDs. | 0:21:40 | 0:21:41 | |
THEY LAUGH | 0:21:41 | 0:21:43 | |
We done? | 0:21:43 | 0:21:45 | |
CAR LOCKS | 0:21:47 | 0:21:48 | |
Find anything, Sherlock? You're wasting your time, mate. | 0:21:56 | 0:22:00 | |
A thorough search of the property | 0:22:17 | 0:22:19 | |
revealed no clues to Jackie Laverty's whereabouts. | 0:22:19 | 0:22:22 | |
We did a ring-around of local hospitals, | 0:22:22 | 0:22:24 | |
no-one matching her description has been admitted. | 0:22:24 | 0:22:27 | |
We established a track on her mobile phone - nothing. | 0:22:27 | 0:22:30 | |
It's been switched off all day. | 0:22:30 | 0:22:32 | |
That's as far as we got when Gates was brought off the case. | 0:22:32 | 0:22:34 | |
He fought tooth and nail to keep it. | 0:22:34 | 0:22:36 | |
He knows what the forensics are going to sound like | 0:22:36 | 0:22:38 | |
in front of a jury when the body's found. | 0:22:38 | 0:22:40 | |
Whoever killed Jackie did it quickly | 0:22:40 | 0:22:42 | |
and moved the body without leaving a trace. | 0:22:42 | 0:22:44 | |
It sounds like a professional job. Maybe she won't be found. | 0:22:44 | 0:22:47 | |
That whisky glass is the only physical evidence | 0:22:47 | 0:22:49 | |
that can place Gates at the crime scene. What? | 0:22:49 | 0:22:52 | |
The search on Gates' car - it came over as desperate. | 0:22:52 | 0:22:55 | |
He's the one who's desperate. | 0:22:55 | 0:22:57 | |
I push him from the outside, you push from the inside. | 0:22:57 | 0:22:59 | |
He'll crack. | 0:22:59 | 0:23:00 | |
Make him lead us to that whisky glass, Kate. | 0:23:00 | 0:23:03 | |
Forensics never found anyone's DNA, except the two victims'. | 0:23:17 | 0:23:20 | |
Professional crew then - gloves, the works. | 0:23:20 | 0:23:23 | |
The search never found any sacks of drugs stashed under the floorboards, | 0:23:23 | 0:23:26 | |
but there was residue. | 0:23:26 | 0:23:28 | |
Very pure crack cocaine. | 0:23:28 | 0:23:29 | |
Well, maybe they weren't just muscling in | 0:23:29 | 0:23:31 | |
on somebody else's territory. | 0:23:31 | 0:23:32 | |
They were out-trading on quality. | 0:23:32 | 0:23:34 | |
I want to get over to the alleyway, | 0:23:35 | 0:23:37 | |
I want to familiarise myself with Wesley's murder. | 0:23:37 | 0:23:40 | |
Do you mind if I tag along, sir? | 0:23:40 | 0:23:43 | |
Just give me a minute. | 0:23:43 | 0:23:44 | |
DCI Gates. | 0:23:44 | 0:23:47 | |
Jesus bloody Christ, we could all go down the pan with him. | 0:23:48 | 0:23:51 | |
Hey, he stood by you. | 0:23:51 | 0:23:52 | |
Don't make out he's some kind of saint. | 0:23:52 | 0:23:55 | |
We all tick a box for Tony in front of the top brass. | 0:23:55 | 0:23:58 | |
Yeah, and we all know which box you tick. | 0:23:58 | 0:24:00 | |
Screw you, Nige. | 0:24:00 | 0:24:01 | |
Wondering if you backed the wrong horse are you, Dot? | 0:24:01 | 0:24:04 | |
Whoever committed the murders at Greek Lane knows we're after them. | 0:24:13 | 0:24:17 | |
They couldn't have been more blatant in showing they're behind this one. | 0:24:17 | 0:24:20 | |
So you think this was a warning? | 0:24:20 | 0:24:22 | |
Well, maybe they're taunting us. | 0:24:22 | 0:24:23 | |
A double murder behind closed doors is one thing, | 0:24:23 | 0:24:26 | |
this is a triple now. | 0:24:26 | 0:24:27 | |
And they hung Wesley up there for everyone to see. | 0:24:27 | 0:24:31 | |
MOBILE PHONE BEEPS | 0:24:31 | 0:24:33 | |
Sir, we've got CCTV in for Greek Lane. | 0:24:33 | 0:24:34 | |
There wasn't any CCTV on the street. | 0:24:36 | 0:24:38 | |
Footage from nearby traffic cams. | 0:24:38 | 0:24:40 | |
Get back to the station and go through it, please. | 0:24:42 | 0:24:44 | |
Yes, sir. | 0:24:44 | 0:24:47 | |
Sir, who's taking over the Jackie Laverty case? | 0:24:47 | 0:24:50 | |
DI Ian Buckells. Why? | 0:24:53 | 0:24:56 | |
Well, the whole station heard Arnott accuse you | 0:24:56 | 0:24:58 | |
of being with Jackie Laverty last night. | 0:24:58 | 0:25:00 | |
Arnott's got nothing on me. | 0:25:00 | 0:25:02 | |
That's not what I meant, sir. | 0:25:02 | 0:25:04 | |
You've lost someone close. | 0:25:04 | 0:25:06 | |
I'm here, if you need to talk. | 0:25:06 | 0:25:08 | |
-Tony... -Hey, darling, I'm really sorry, about... | 0:25:35 | 0:25:38 | |
I'm just glad you're OK. | 0:25:38 | 0:25:39 | |
One of your team's been telling me about last night. | 0:25:41 | 0:25:44 | |
Hello, sir. | 0:25:50 | 0:25:51 | |
Actually, Mrs. Gates, I'm not on your husband's team. | 0:25:51 | 0:25:54 | |
I'm in another department that's taking an interest | 0:25:54 | 0:25:57 | |
in last night's events. | 0:25:57 | 0:25:58 | |
Where are the girls? | 0:25:58 | 0:26:00 | |
They're at clubs. | 0:26:01 | 0:26:03 | |
This is work, darling. | 0:26:04 | 0:26:06 | |
Come on, Sammy. | 0:26:10 | 0:26:11 | |
DOG PANTS | 0:26:11 | 0:26:13 | |
Thanks. | 0:26:13 | 0:26:16 | |
Get out. | 0:26:16 | 0:26:18 | |
Mrs G was relieved to hear you were working last night. | 0:26:18 | 0:26:21 | |
I wondered if you'd dropped in for a nap in the spare room, | 0:26:21 | 0:26:24 | |
like you stated in your interview. | 0:26:24 | 0:26:25 | |
She explained the bed hadn't been slept in. | 0:26:25 | 0:26:28 | |
It seems there's very strong circumstantial evidence | 0:26:28 | 0:26:31 | |
telling me your statement is false. | 0:26:31 | 0:26:33 | |
Circumstantial evidence - that's the best you've got? | 0:26:33 | 0:26:37 | |
I know you wiped down the whisky bottle and moved the glass. | 0:26:37 | 0:26:39 | |
That glass is hard physical evidence you're an accessory to the crime. | 0:26:39 | 0:26:43 | |
But it's evidence you don't have. | 0:26:43 | 0:26:45 | |
I'll find it. | 0:26:45 | 0:26:46 | |
You've got this one chance to call your solicitor. | 0:26:48 | 0:26:52 | |
Come to the station and change your statement, | 0:26:52 | 0:26:55 | |
before it's too late. | 0:26:55 | 0:26:56 | |
I'm not going to do your job for you, Arnott. | 0:26:58 | 0:27:01 | |
If you want to take me down, you're going to have to do it yourself. | 0:27:01 | 0:27:03 | |
Now get the fuck out of my house! | 0:27:03 | 0:27:05 | |
When you're in a hole, stop digging. | 0:27:13 | 0:27:16 | |
For your wife's sake. | 0:27:16 | 0:27:18 | |
For your daughters'. | 0:27:18 | 0:27:19 | |
Get out. | 0:27:21 | 0:27:23 | |
Nice house. | 0:27:25 | 0:27:27 | |
Shame. | 0:27:27 | 0:27:28 | |
Have a good day, sir. | 0:27:28 | 0:27:30 | |
Thank you again, Mrs Gates. | 0:27:32 | 0:27:34 | |
What the hell were you up to last night? | 0:27:48 | 0:27:51 | |
I'm handling a triple murder. | 0:27:56 | 0:27:59 | |
He's AC-12. | 0:28:05 | 0:28:06 | |
It's, erm, anti-corruption. | 0:28:06 | 0:28:09 | |
Anti-corruption? | 0:28:09 | 0:28:11 | |
Oh, my God, Tony! | 0:28:11 | 0:28:12 | |
They've got nothing, which is why he's so desperate. | 0:28:12 | 0:28:14 | |
-He's got something on you, though, hasn't he? -No, really nothing. | 0:28:14 | 0:28:18 | |
Why's he round our house? | 0:28:18 | 0:28:19 | |
Because he's a prick, darling. | 0:28:19 | 0:28:21 | |
What are you going to do? | 0:28:24 | 0:28:26 | |
I'm going to sort it. | 0:28:26 | 0:28:28 | |
Can you? | 0:28:28 | 0:28:30 | |
I can and I will. | 0:28:30 | 0:28:32 | |
I promise. | 0:28:35 | 0:28:37 | |
Jools? | 0:28:45 | 0:28:46 | |
How dare you! No-one can ever come between me and my husband. | 0:28:50 | 0:28:55 | |
You keep away from this family. | 0:28:55 | 0:28:58 | |
Hey... | 0:29:04 | 0:29:06 | |
I've developed a rough timeline of the night of the Greek Lane murders. | 0:29:07 | 0:29:11 | |
Four hours before the murder. | 0:29:11 | 0:29:14 | |
That's the unmarked car carrying Dot and Deepak. | 0:29:14 | 0:29:17 | |
They went straight into position on Greek Lane. | 0:29:17 | 0:29:20 | |
Skip on two hours. | 0:29:20 | 0:29:21 | |
A Subaru is heading from Moss Heath to Kingsgate. | 0:29:21 | 0:29:24 | |
10 minutes later, the same Subaru takes the same route. | 0:29:24 | 0:29:28 | |
-10 minutes later - same again. -He's driving circuits. | 0:29:28 | 0:29:33 | |
-Each circuit would allow him to swing by the Borogrove Estate. -Where the lads are parked. | 0:29:33 | 0:29:37 | |
I'll skip on two hours. That's Dot and Deepak leaving the area. | 0:29:37 | 0:29:40 | |
Five minutes later, here comes the Subaru, round the junction again. | 0:29:40 | 0:29:44 | |
No more circuits. In fact, we don't see it again. | 0:29:44 | 0:29:48 | |
-And what have we got on the vehicle? -Registration belongs to an identical make and model. | 0:29:48 | 0:29:53 | |
-They've cloned the plates. -They harvest the cars for the jobs and then dump them. | 0:29:53 | 0:29:57 | |
Let's get Patrol to be on the lookout for all vehicles with cloned plates. | 0:29:57 | 0:30:01 | |
Yeah, I've already done it, sir. | 0:30:01 | 0:30:02 | |
That's a good job, Kate. | 0:30:04 | 0:30:06 | |
-I want everybody in on time tomorrow, please. -Yeah. | 0:30:11 | 0:30:14 | |
WOMAN MOANS | 0:30:19 | 0:30:22 | |
-WOMAN SCREAMS -You dirty bastards! | 0:30:27 | 0:30:31 | |
Thanks, wanker. | 0:30:32 | 0:30:34 | |
Oi! | 0:30:34 | 0:30:36 | |
< Mrs Pilkington! Ryan? | 0:30:37 | 0:30:40 | |
< It's the police! BANGING ON DOOR | 0:30:40 | 0:30:43 | |
< Keely! | 0:30:43 | 0:30:44 | |
BANGING CONTINUES | 0:30:44 | 0:30:46 | |
Mrs Pilkington, it's PC Bannerjee from Kingsgate station! | 0:30:46 | 0:30:50 | |
Ryan was meant to come in to give a statement this morning. | 0:30:50 | 0:30:53 | |
What this time? | 0:31:01 | 0:31:03 | |
We intervened in a street altercation, Mrs Pilkington. | 0:31:03 | 0:31:06 | |
Ryan alleges he was assaulted by an elderly neighbour, Mr Alf Butterfield. | 0:31:06 | 0:31:10 | |
Can I come in, please, Keely? | 0:31:14 | 0:31:16 | |
I checked at his school. They said he hadn't been in all week. | 0:31:23 | 0:31:26 | |
-Keely, where's Ryan? -How should I know? -This is serious, Keely. | 0:31:28 | 0:31:31 | |
-Ryan's failed to attend for his interview. -What's it gotta do with me? | 0:31:31 | 0:31:35 | |
Well, he needs to be accompanied by a responsible adult. | 0:31:35 | 0:31:38 | |
That's his social worker, innit? | 0:31:38 | 0:31:41 | |
Well, if the little bugger's not here, there's no case to answer. | 0:31:42 | 0:31:45 | |
I'm sorry, Mr Butterfield. You've already generated a crime number. There's no room for manoeuvre. | 0:31:45 | 0:31:52 | |
-PC Larkin means either you accept the caution or it goes to court. -Take the caution. | 0:31:52 | 0:31:57 | |
Home in time for Bargain Hunt. | 0:31:57 | 0:31:59 | |
Yeah, but that will mean you have a criminal record for a public order offence. | 0:31:59 | 0:32:04 | |
But...? Criminal record? Well, he...he's the bloody criminal! | 0:32:04 | 0:32:09 | |
Fine. | 0:32:10 | 0:32:11 | |
Have it your own way. | 0:32:14 | 0:32:15 | |
There...there was a detective. | 0:32:15 | 0:32:18 | |
Now she said she'd take care of everything. | 0:32:18 | 0:32:21 | |
Yeah. I wrote down her name. | 0:32:21 | 0:32:23 | |
Ah, this is all her fault. | 0:32:23 | 0:32:25 | |
There... | 0:32:25 | 0:32:28 | |
Fine, show him in. | 0:32:31 | 0:32:33 | |
Thank you. | 0:32:37 | 0:32:39 | |
-Sorry, Tony, sorry. Worst possible timing. I've got to dash. -I only need a minute, sir. | 0:32:39 | 0:32:43 | |
The interview with AC-12 puts us in a delicate position. | 0:32:43 | 0:32:47 | |
I thought it best to come clean. | 0:32:47 | 0:32:48 | |
That's admirable but, really, I'd rather let the dust settle before we have a definitive conference. | 0:32:48 | 0:32:54 | |
I'll have Sheila put something in the diary. | 0:32:54 | 0:32:56 | |
You weren't so shy about standing by me when the Chief Constable was hanging a medal around my neck, sir. | 0:32:56 | 0:33:01 | |
KNOCK ON DOOR Yes! | 0:33:01 | 0:33:02 | |
-Ah, ah. Ian. Tony, you know DI Buckells has taken over the Laverty disappearance? -Yeah. | 0:33:05 | 0:33:10 | |
Any news? | 0:33:10 | 0:33:11 | |
-We've got the dogs out, sir, but there's no trace of the body yet. -That's disappointing. | 0:33:11 | 0:33:15 | |
-We're developing her money-laundering as a lead. -And...? | 0:33:15 | 0:33:20 | |
Sir, we've had a major breakthrough on the triple murders. | 0:33:22 | 0:33:25 | |
-You have? -Yes. We should have it cracked...two, maybe three days. | 0:33:25 | 0:33:30 | |
-I can take that to the Chief Constable? -Absolutely, sir. | 0:33:30 | 0:33:33 | |
Well, that's excellent. Well done, Tony. | 0:33:33 | 0:33:35 | |
We should, er... | 0:33:41 | 0:33:43 | |
Don't make any assumptions about Jackie Laverty's fate. | 0:33:43 | 0:33:46 | |
She was facing a manslaughter charge. She could've faked this whole thing. | 0:33:46 | 0:33:49 | |
-Right... -She had the cash and the connections to get herself out of the country. | 0:33:49 | 0:33:55 | |
-Maybe her ex is involved. -OK. Erm... -AC are talking crap about that whisky glass. | 0:33:55 | 0:34:00 | |
Don't make a tit out of yourself chasing shadows. | 0:34:00 | 0:34:04 | |
I've seen too many ambitious young DIs looking up the ladder | 0:34:04 | 0:34:07 | |
without realising they've stepped on a big slippery snake. Do you know what I mean? | 0:34:07 | 0:34:12 | |
Good to see you. | 0:34:12 | 0:34:14 | |
Sir. | 0:34:22 | 0:34:24 | |
PHONE VIBRATES | 0:34:33 | 0:34:36 | |
-Patrol sighted a vehicle with cloned plates on Moss Heath Road. Back-up's ready to roll. -OK. | 0:34:56 | 0:35:03 | |
Mobilise Tactical Ops. Full armour, we'll do risk assessment en route, let's go. | 0:35:06 | 0:35:10 | |
-I'll call Dot. > -Let's go, let's go! | 0:35:10 | 0:35:12 | |
PHONE RINGS | 0:35:12 | 0:35:15 | |
OK, mate. | 0:35:20 | 0:35:21 | |
Dot's meeting us there, boss. | 0:35:21 | 0:35:23 | |
-OVER RADIO: -'TO-20 joining. DCI Gates joining.' | 0:35:32 | 0:35:35 | |
-Stand down. DC Fleming, stand down. -What are you talking about? We're on a job. | 0:35:36 | 0:35:41 | |
Do I have to arrest you? Stand down, Kate. | 0:35:41 | 0:35:44 | |
-Fleming's been restricted to desk duties, sir. -Christ, sir, do something! | 0:35:44 | 0:35:47 | |
I don't have time for this right now, Kate. | 0:35:47 | 0:35:50 | |
There's been activity on Jackie Laverty's phone. Get a triangulation and phone it through. | 0:35:50 | 0:35:54 | |
SIRENS BLARE | 0:35:54 | 0:35:57 | |
-What's going on with Kate? -Ain't got a scooby. | 0:36:02 | 0:36:05 | |
Something's been bugging me, boss. | 0:36:06 | 0:36:09 | |
Arnott was totally convinced you were with Jackie the night she disappeared. | 0:36:09 | 0:36:13 | |
Only people who knew you weren't answering your job phone was me, Dot and Kate. | 0:36:13 | 0:36:19 | |
PHONE RINGS | 0:36:24 | 0:36:27 | |
-OVER RADIO: -'Target vehicle not sighted.' | 0:36:27 | 0:36:29 | |
-DCI Gates' phone. -Nige, it's Kate. | 0:36:29 | 0:36:31 | |
'Triangulation take times but I can give you the nearest base station.' | 0:36:31 | 0:36:34 | |
DC Fleming, standing by. | 0:36:34 | 0:36:36 | |
Stand by for base station. | 0:36:36 | 0:36:38 | |
What the hell's going on, Leah? | 0:36:38 | 0:36:40 | |
-There's been a complaint made about you from some old boy called Alf Butterfield. -Oh, Christ! | 0:36:40 | 0:36:45 | |
-'DC Fleming, come in.' -Fleming. -'T-Mobile base station 93016, macrocell.' | 0:36:45 | 0:36:50 | |
93016. | 0:36:50 | 0:36:53 | |
-'Corner of Goswell Road and Spedmore Avenue.' -Corner of Goswell Road and Spedmore Avenue. -Corner of... | 0:36:53 | 0:36:58 | |
-I heard. -'Target vehicle sighted. A black four-wheel drive.' | 0:36:58 | 0:37:02 | |
DCI Gates to backup. Continue as directed. I'm going on another call. | 0:37:02 | 0:37:07 | |
-Boss, what are you doing? -Jackie's alive, Nige. | 0:37:09 | 0:37:14 | |
'Alexander Avenue. 100 metres southwest of intersection with Prince Charles Avenue.' | 0:37:17 | 0:37:22 | |
Alexander Avenue. 100 metres. Repeat, 1-0-0 metres. | 0:37:22 | 0:37:26 | |
-'Southwest of intersection with Prince Charles Avenue.' -Got it. -Thanks, Kate. | 0:37:26 | 0:37:31 | |
Next...should be Alexander Avenue. | 0:37:39 | 0:37:42 | |
Here it is - Alexander. Left, left, left, left! | 0:37:43 | 0:37:45 | |
TYRES SQUEAL | 0:37:45 | 0:37:48 | |
'In pursuit, black four-wheel drive, travelling southbound on Prince Charles Avenue.' | 0:37:58 | 0:38:04 | |
PC OVER RADIO: 'Target's turning, he's turning! | 0:38:08 | 0:38:10 | |
'We've lost him. Not visual, repeat not visual.' | 0:38:15 | 0:38:19 | |
Nige, get in, we're going after them! | 0:38:38 | 0:38:41 | |
Health and safety. This is not a designated pursuit vehicle. | 0:38:44 | 0:38:48 | |
Whatever! | 0:38:49 | 0:38:51 | |
SIREN BLARES | 0:38:51 | 0:38:54 | |
-Where? -Haven't a clue. | 0:39:14 | 0:39:17 | |
-Get out on the road after them, I'm going to guide in the backup. -Tone?! | 0:39:27 | 0:39:32 | |
DCI Gates to backup. I'm visual with the target vehicle heading north on Prince Charles Avenue. | 0:39:32 | 0:39:37 | |
Tone. Tone! | 0:39:37 | 0:39:39 | |
Still visual. North on Prince Charles... | 0:39:40 | 0:39:42 | |
Bloody hell, Tone! | 0:39:44 | 0:39:45 | |
-Still visual. North on Prince Charles, still visual. -RADIO: -'Received.' | 0:39:50 | 0:39:56 | |
-RADIO: -'DCI Gates?' | 0:40:07 | 0:40:09 | |
HE GROANS | 0:40:10 | 0:40:13 | |
Where's Jackie? Is she still alive? | 0:40:16 | 0:40:19 | |
GATES GASPS | 0:40:21 | 0:40:24 | |
No! | 0:40:47 | 0:40:48 | |
You dirty bastard. | 0:40:59 | 0:41:01 | |
-MEN LAUGH -You little shit! | 0:41:01 | 0:41:05 | |
GATES GASPS | 0:41:05 | 0:41:06 | |
PHONE RINGS | 0:41:06 | 0:41:09 | |
Yeah, Tommy? | 0:41:11 | 0:41:13 | |
He's here. | 0:41:13 | 0:41:15 | |
'Jackie was working for me. Now you are, | 0:41:15 | 0:41:18 | |
'unless you want her body being found with your dirty business all over her | 0:41:18 | 0:41:22 | |
'and your prints on the knife. | 0:41:22 | 0:41:25 | |
'Keep the phone. Don't call us. We'll call you.' | 0:41:25 | 0:41:29 | |
You pig. Bastard! | 0:41:34 | 0:41:36 | |
You pig bastard! | 0:41:36 | 0:41:39 | |
Pig bastard! Pig bastard! | 0:41:39 | 0:41:42 | |
-Any luck with the DNA on the whisky glass? -Well, we sampled one set of DNA from the rim... | 0:41:42 | 0:41:47 | |
Don't tell me - it matches Jackie's. | 0:41:47 | 0:41:50 | |
-Well...? -You said not to tell you. | 0:41:50 | 0:41:53 | |
Come here. | 0:41:57 | 0:41:58 | |
Thank you. | 0:42:00 | 0:42:01 | |
What's going on? | 0:42:07 | 0:42:09 | |
I'm chasing forensics that place Gates at Jackie's murder. | 0:42:09 | 0:42:12 | |
-You got any? -No. -No. | 0:42:12 | 0:42:16 | |
But you've just made a spectacle of yourself by searching Gates's car in front of the whole station. | 0:42:16 | 0:42:21 | |
WHISPERS: Then you go and visit the man's wife, at his house. | 0:42:21 | 0:42:23 | |
I'm trying to put pressure on him. Play him at his own game. | 0:42:23 | 0:42:27 | |
How can we expect our officers to behave professionally, if we can't behave professionally ourselves?! | 0:42:27 | 0:42:32 | |
You're over the line here, son, your way over the line. | 0:42:32 | 0:42:35 | |
I tell you what... | 0:42:35 | 0:42:39 | |
You better come back with a result out of this...for all our sakes. | 0:42:39 | 0:42:43 | |
Now they know we've ID'd the vehicle, we can expect it to turn up in a scrap yard any time soon. | 0:43:10 | 0:43:17 | |
I've go to go and tell Hilton. You lot get home, go and have something to eat. | 0:43:21 | 0:43:25 | |
-Fancy a pint, boss? -Not tonight, matey. | 0:43:28 | 0:43:32 | |
What was that about desk duties today? | 0:43:44 | 0:43:46 | |
It's just some bollocks, sir. It's been sorted. | 0:43:46 | 0:43:50 | |
All right. I'll see you tomorrow. | 0:43:50 | 0:43:53 | |
Are you sure you're all right, sir? | 0:43:55 | 0:43:57 | |
Yeah, doctor says I'm fine. | 0:43:57 | 0:44:01 | |
It's just you was out of contact for over an hour. | 0:44:01 | 0:44:04 | |
What happened? | 0:44:04 | 0:44:06 | |
I was, erm, chasing around like an idiot and I made a tit out of myself. | 0:44:06 | 0:44:11 | |
And I'd quite like to drop it. | 0:44:11 | 0:44:15 | |
Well, maybe you need that pint after all. | 0:44:15 | 0:44:17 | |
I just want to help, sir. | 0:44:19 | 0:44:21 | |
I'll be honest with you, Kate, I'm not sure that anybody can. | 0:44:23 | 0:44:26 | |
How are things at home, sir? | 0:44:40 | 0:44:41 | |
Look, I'm no angel. I've got involved with the wrong bloke, on the job and outside. | 0:44:45 | 0:44:50 | |
Everyone has to let off a little bit of steam now and then. | 0:44:50 | 0:44:54 | |
AC don't get it. They're robots, them lot. | 0:44:54 | 0:44:57 | |
They don't get the difference between a corrupt copper and a decent one who made a mistake. | 0:44:57 | 0:45:01 | |
I do. | 0:45:02 | 0:45:04 | |
-Everyone knows there's a piece of evidence that AC's after. -That doesn't exist! | 0:45:09 | 0:45:13 | |
-What if it did? Give me the chance to prove myself to you. -This is a conversation we shouldn't be having! | 0:45:13 | 0:45:19 | |
Well, if Arnott finds it, that's your career over, sir. | 0:45:19 | 0:45:25 | |
A genuinely talented officer. All for one silly mistake. | 0:45:25 | 0:45:27 | |
I'm not bent! OK, I'm not! You know that, right? | 0:45:27 | 0:45:32 | |
Yeah. | 0:45:32 | 0:45:34 | |
Where is it, sir? | 0:45:38 | 0:45:40 | |
-WHISPERS: -It's in a skip. | 0:46:07 | 0:46:09 | |
CAR APPROACHES | 0:46:29 | 0:46:32 | |
-Who the bloody hell do you think you are? -Easy, Tone, that's not going to help, mate. | 0:47:11 | 0:47:15 | |
See down the drain, Gates? Kind of appropriate. | 0:47:18 | 0:47:21 | |
-You're really loving this, you bastard! -All right, calm yourselves. -What's happening? | 0:47:21 | 0:47:25 | |
AC got a tip-off about the whisky glass. | 0:47:25 | 0:47:29 | |
-Anything? -No. | 0:47:42 | 0:47:44 | |
Sorry, what was that about something going down the drain? | 0:47:45 | 0:47:49 | |
Would that be your investigation? | 0:47:49 | 0:47:51 | |
All right. | 0:47:51 | 0:47:53 | |
You're a tit. | 0:47:53 | 0:47:55 | |
And you, Buckells. | 0:47:55 | 0:47:57 | |
I don't get it, sir. | 0:48:02 | 0:48:04 | |
I made up a story about a phantom piece of evidence, | 0:48:04 | 0:48:07 | |
and I told you that it was in a skip, Nige I told it was in a ditch and Dot that it was in a pond. | 0:48:07 | 0:48:12 | |
-Deepak, he's the one I told it was in that drain. -I've been up all night, | 0:48:14 | 0:48:18 | |
-weighing up my career against helping you out. -No, Kate, that's not what I... -You bastard, sir. | 0:48:18 | 0:48:22 | |
Kate! Kate! | 0:48:23 | 0:48:26 | |
I was acting on apparently reliable information. | 0:48:30 | 0:48:33 | |
We've had a contact request from Colin Brackley. He was the senior fire officer... | 0:48:33 | 0:48:38 | |
-Screw him. -I wouldn't burn my bridges if I was you, son. Not now. | 0:48:38 | 0:48:43 | |
-Let me buy you a drink... -I'm not staying. | 0:49:06 | 0:49:09 | |
Just say what you came here to say. | 0:49:09 | 0:49:11 | |
The lads are all getting twitchy. We've all been suspended from active duty, | 0:49:16 | 0:49:21 | |
and we've heard you're going to accuse us of lying to cover up breaking into the wrong flat. | 0:49:21 | 0:49:26 | |
And you're saying I screwed up the orders, sent you in the wrong door? | 0:49:26 | 0:49:30 | |
This has got out of hand. That's why I'm here. | 0:49:31 | 0:49:33 | |
It took guts for you lot to go in there, thinking he was a bomber. | 0:49:33 | 0:49:37 | |
All I know is, we've all been asked to lie and I'm the only one not going along with it. | 0:49:37 | 0:49:42 | |
We both know there was a massive failure of intel. The op was thrown together without proper prep. | 0:49:42 | 0:49:47 | |
No-one responsible wants to cop for that. That's why they're laying it on us. | 0:49:47 | 0:49:50 | |
There's no "us". | 0:49:50 | 0:49:52 | |
There is if we all tell the same story. | 0:49:52 | 0:49:55 | |
And in return, none of the lads put any blame in my direction? | 0:49:55 | 0:49:59 | |
We're in this together, Steve. | 0:49:59 | 0:50:01 | |
An innocent man is dead. | 0:50:04 | 0:50:07 | |
There's not a day goes by I don't think about that. | 0:50:10 | 0:50:13 | |
I was the one who pulled the trigger. | 0:50:16 | 0:50:19 | |
I'm sick with it, man. | 0:50:19 | 0:50:21 | |
I can't sleep at night. | 0:50:23 | 0:50:25 | |
I can't look any other copper in the eye. | 0:50:25 | 0:50:27 | |
I'm bouncing my little boy on my knee and I just burst out crying for no reason. | 0:50:27 | 0:50:34 | |
You feel it too, don't you? The guilt. | 0:50:37 | 0:50:41 | |
You knew the kill order was suspect. If you hadn't passed it on... | 0:50:41 | 0:50:44 | |
Let me get you another drink. | 0:50:49 | 0:50:52 | |
Nothing's going to bring him back. So what good does it do for us to be thrown on the scrap heap? | 0:50:54 | 0:50:59 | |
Isn't it better, isn't it a better service for us to put this behind us | 0:50:59 | 0:51:03 | |
and be the cleanest, most dedicated officers on the job? | 0:51:03 | 0:51:07 | |
You've already figured that out, haven't you? | 0:51:09 | 0:51:12 | |
That's why you joined Anti-corruption. | 0:51:12 | 0:51:14 | |
A pint, please. | 0:51:29 | 0:51:31 | |
You're finished! | 0:51:56 | 0:51:59 | |
You're over the line here, son, you're way over the line. | 0:52:02 | 0:52:05 | |
You take a shot at the king, make sure you kill him, son. | 0:52:08 | 0:52:13 | |
So you're going to take all of us down with you, are you, sir? | 0:52:41 | 0:52:46 | |
You arrogant wanker. | 0:52:48 | 0:52:50 | |
What do you want? | 0:53:10 | 0:53:12 | |
I'd like to speak to DC Fleming, if I may, sir? | 0:53:12 | 0:53:16 | |
How can I help, sir? | 0:53:18 | 0:53:20 | |
Yeah, you were involved in the trace on Jackie Laverty's phone? | 0:53:20 | 0:53:23 | |
-Erm, it's our best lead on her possible whereabouts. -OK. | 0:53:23 | 0:53:26 | |
It would be great to get your... | 0:53:26 | 0:53:28 | |
You want to speak to a member of my team, | 0:53:28 | 0:53:30 | |
put in a request, in writing, to me! | 0:53:30 | 0:53:34 | |
Er, excuse me, sir. I've been meaning to talk to you. | 0:53:47 | 0:53:51 | |
Erm, all this Anti-corruption. It's, er, bad for me nerves. | 0:53:52 | 0:53:58 | |
-I'm sorry to hear that, Rita. -I'll have to go on the sick. | 0:53:58 | 0:54:01 | |
You'll be missed. | 0:54:01 | 0:54:03 | |
I don't know, in the last three months my migraines have got worse. | 0:54:14 | 0:54:18 | |
I'm sure my union will have something to say about it. | 0:54:20 | 0:54:23 | |
I'm sorry, Ted, I know you've been chasing me. | 0:54:28 | 0:54:30 | |
It occurred to me that neutral ground often makes for more productive conversations. | 0:54:30 | 0:54:34 | |
It's always nice to get out of the office, sir. | 0:54:34 | 0:54:37 | |
Frankly, I've been avoiding this conversation. | 0:54:37 | 0:54:40 | |
I was beginning to feel a wee bit like the ginger stepchild, there. | 0:54:40 | 0:54:45 | |
I spent two years in AC myself. | 0:54:45 | 0:54:47 | |
I see this situation from both sides. | 0:54:47 | 0:54:49 | |
If Gates had solved the triple murder, | 0:54:49 | 0:54:53 | |
he could've shaken off these allegations. | 0:54:53 | 0:54:55 | |
Now, he's a dead man walking. So why keep digging? | 0:54:57 | 0:55:00 | |
Well, for proof, sir. Proof that Tony Gates was at a murder scene. | 0:55:00 | 0:55:04 | |
There are only so many drains you can look down before AC-12 becomes a laughing stock. | 0:55:04 | 0:55:08 | |
We've followed procedure to the letter, sir. | 0:55:09 | 0:55:12 | |
I don't doubt it for a minute, but Tony Gates is, uh, from the South. | 0:55:12 | 0:55:19 | |
I'm sure you'd be mortified, Ted, mortified, | 0:55:19 | 0:55:22 | |
if anyone formed the opinion that AC-12 makes | 0:55:22 | 0:55:24 | |
a point of pressing charges against officers from the South. | 0:55:24 | 0:55:28 | |
Everyone receives the exact same treatment. | 0:55:29 | 0:55:33 | |
Of course, of course, it's a delicate balance. | 0:55:34 | 0:55:37 | |
But no one would welcome the accusation that the case against an officer from the South | 0:55:37 | 0:55:43 | |
was being pursued with unusual alacrity. | 0:55:43 | 0:55:44 | |
MOBILE PHONE RINGS | 0:55:54 | 0:55:56 | |
Yeah, I'm here. | 0:56:03 | 0:56:04 | |
'Your bird's money laundering is going to lead your lot to me. | 0:56:04 | 0:56:07 | |
'You better get it sorted out.' | 0:56:07 | 0:56:10 | |
Look, erm... | 0:56:10 | 0:56:11 | |
I can't make a move without being watched. | 0:56:12 | 0:56:15 | |
'That's your problem, you bent bastard.' | 0:56:15 | 0:56:18 | |
Dad! | 0:56:23 | 0:56:24 | |
Hey, darling. | 0:56:24 | 0:56:26 | |
-We love it when you pick us up. -Do you? | 0:56:26 | 0:56:28 | |
What are you doing here? | 0:56:28 | 0:56:29 | |
-Well, I thought I'd surprise you, munchkin, is that all right? -Yeah. | 0:56:29 | 0:56:33 | |
Give me a hug. | 0:56:33 | 0:56:35 | |
On a separate note sir, we've had a complaint against DC Fleming... | 0:56:45 | 0:56:49 | |
er, from Alfred Butterfield - failure to assiduously investigate burglary and assault. | 0:56:49 | 0:56:54 | |
That's small fry, station level. | 0:56:55 | 0:56:58 | |
Yeah, it's all to do with her time at the CID. | 0:56:58 | 0:57:00 | |
I've had a look at the facts again, | 0:57:00 | 0:57:02 | |
I think DC Fleming really should return to normal duties at TO-20. | 0:57:02 | 0:57:06 | |
Yeah, it's your call. Excuse me. | 0:57:06 | 0:57:09 | |
Yeah. | 0:57:09 | 0:57:11 | |
MOBILE TEXT ALERT | 0:57:11 | 0:57:15 | |
MOBILE TEXT ALERT | 0:57:15 | 0:57:17 | |
Subtitles by Red Bee Media Ltd | 0:58:14 | 0:58:18 |