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This programme contains prolonged violent scenes. | 0:00:02 | 0:00:05 | |
This programme contains some strong language. | 0:00:05 | 0:00:09 | |
This programme contains some scenes which some viewers may find upsetting. | 0:00:09 | 0:00:15 | |
It isn't about me versus you any more. I'm sorry. | 0:00:15 | 0:00:20 | |
I take pride in the courage and professionalism of my counterterrorism officers. | 0:00:22 | 0:00:27 | |
Admit our mistake, apologise, and get on with the job of finding the actual terrorists. | 0:00:29 | 0:00:34 | |
Pointing the finger at your own? | 0:00:34 | 0:00:35 | |
Greek Lane's been under investigation as the scene of a double homicide. | 0:00:37 | 0:00:40 | |
The evidence points very strongly to these men being involved | 0:00:40 | 0:00:43 | |
in a terrorist operation. | 0:00:43 | 0:00:45 | |
It was Tony, he was the one that gave the order. | 0:00:45 | 0:00:49 | |
Officer of the year... | 0:00:51 | 0:00:52 | |
-Is something going on between you? -No. | 0:00:54 | 0:00:56 | |
..Chief Inspector Anthony Gates. | 0:00:56 | 0:00:58 | |
Two identical phones - don't bother saying there's an innocent explanation. | 0:01:01 | 0:01:05 | |
I'm AC-12, call IT now and get them to unlock this bloody computer! | 0:01:09 | 0:01:13 | |
Now! Talk! | 0:01:16 | 0:01:18 | |
HE SCREAMS IN PAIN | 0:01:18 | 0:01:20 | |
What's wrong with these things? | 0:01:21 | 0:01:23 | |
What d'you know about our business? | 0:01:23 | 0:01:25 | |
Come on, I need this information. | 0:01:28 | 0:01:30 | |
Who have you told? | 0:01:42 | 0:01:43 | |
I don't know anything. | 0:01:43 | 0:01:45 | |
Liar. Idiot! | 0:01:45 | 0:01:47 | |
Get that finger in there. | 0:01:49 | 0:01:51 | |
Oh, these don't work! | 0:01:54 | 0:01:56 | |
I ain't a bloody kid! | 0:01:57 | 0:01:58 | |
Then we do him, like Tommy says. | 0:02:02 | 0:02:04 | |
SIREN APPROACHING | 0:02:04 | 0:02:06 | |
-The police, let's go! -Go, go! | 0:02:06 | 0:02:09 | |
Go! | 0:02:19 | 0:02:21 | |
Hey, where you going? Come here. | 0:02:23 | 0:02:26 | |
You bent bastard! | 0:02:28 | 0:02:29 | |
Argh! | 0:02:31 | 0:02:33 | |
Ah, you bust me leg! | 0:02:33 | 0:02:34 | |
Get down. | 0:02:35 | 0:02:37 | |
And shut up! | 0:02:38 | 0:02:40 | |
HE GROANS | 0:02:43 | 0:02:44 | |
Argh! | 0:02:45 | 0:02:46 | |
HE GASPS | 0:02:48 | 0:02:49 | |
HE SPLUTTERS | 0:02:52 | 0:02:55 | |
No... | 0:03:16 | 0:03:17 | |
Please. | 0:03:20 | 0:03:21 | |
-Steve? -I'm fine. | 0:04:12 | 0:04:15 | |
-You sure? -Yeah. | 0:04:18 | 0:04:20 | |
Look, you should go. | 0:04:22 | 0:04:24 | |
It's OK, my cover's blown. | 0:04:24 | 0:04:27 | |
What? | 0:04:27 | 0:04:29 | |
It doesn't matter, I lost Gates. | 0:04:30 | 0:04:32 | |
POLICE RADIOS IN BACKGROUND | 0:04:32 | 0:04:35 | |
There's no sign of him here. | 0:04:35 | 0:04:38 | |
Look, I'll follow you to the hospital, all right? | 0:04:43 | 0:04:45 | |
-Bastard! -Calm down, Ryan, you'll only hurt yourself. | 0:04:52 | 0:04:55 | |
Where's the water cannon when you need it? | 0:04:55 | 0:04:57 | |
-Who nicked him? -DS Arnott said he did. | 0:04:57 | 0:04:59 | |
Who arrested you, Ryan? | 0:05:01 | 0:05:03 | |
DC Fleming asked you a question, Ryan. | 0:05:04 | 0:05:06 | |
I ain't saying nothing without a solicitor! | 0:05:06 | 0:05:08 | |
Jools? | 0:05:36 | 0:05:37 | |
Jools, are you here? | 0:05:41 | 0:05:42 | |
Jools! | 0:05:45 | 0:05:47 | |
Jools! | 0:06:07 | 0:06:09 | |
< FAINT WHIMPERING | 0:06:16 | 0:06:19 | |
WHIMPERING | 0:06:33 | 0:06:35 | |
It's OK, boy. | 0:06:35 | 0:06:37 | |
It's OK. | 0:06:43 | 0:06:46 | |
Shhh, boy. Shh. | 0:07:02 | 0:07:04 | |
-WHIMPERING -It's OK, Sam, it's OK, big man. | 0:07:04 | 0:07:08 | |
DOG GASPS FOR AIR | 0:07:10 | 0:07:12 | |
WHIMPER THEN SILENCE | 0:07:12 | 0:07:14 | |
KEY IN DOOR | 0:07:23 | 0:07:24 | |
DOOR OPENS | 0:07:24 | 0:07:25 | |
-Oh, Tony? -Are the girls at school? | 0:07:25 | 0:07:28 | |
-What are you doing here? -The girls, Jools. -Yeah, of course they are. | 0:07:28 | 0:07:31 | |
OK, I need you to pack a couple of bags, pick them up early and then take them to your mum's. | 0:07:31 | 0:07:36 | |
-What's going on? -Listen, I'll pack the bags myself if I have to, but we have to get going. | 0:07:36 | 0:07:39 | |
-Tony, talk to me! -They killed Sammy! | 0:07:39 | 0:07:41 | |
Oh, my God. | 0:07:43 | 0:07:45 | |
Yeah. Don't. It's a warning. It's me they're after. | 0:07:45 | 0:07:50 | |
-Who are these people? -It doesn't matter who they are, I just need to know that you and the girls | 0:07:50 | 0:07:55 | |
are safe, that's all I care about right now. | 0:07:55 | 0:07:57 | |
No, I'm not going anywhere without you. | 0:07:57 | 0:07:59 | |
-Jools, you'll be safe at your mum's. -This is ridiculous, you're the police! | 0:07:59 | 0:08:02 | |
-I'm calling 999. -Hey! Listen! I am on my own. | 0:08:02 | 0:08:06 | |
No, you're not! | 0:08:06 | 0:08:07 | |
This mess, it's mine. It's not yours and it's not the girls'. | 0:08:07 | 0:08:11 | |
I just need you to do what I say. | 0:08:11 | 0:08:13 | |
-I'm calling Nigel. -Don't. | 0:08:13 | 0:08:14 | |
-There's not a bloke at the station that won't stand by you. -Jools, stop it! | 0:08:14 | 0:08:18 | |
-Why are you behaving like this? -This is about Jackie, all right, | 0:08:18 | 0:08:21 | |
and the people that she was in business with. | 0:08:21 | 0:08:23 | |
What are you saying? That they killed Sammy? | 0:08:23 | 0:08:25 | |
-Yeah. -Well, what's it got to do with Jackie? | 0:08:25 | 0:08:28 | |
They killed her, too. | 0:08:28 | 0:08:29 | |
-My God. When? -A couple of weeks back. | 0:08:32 | 0:08:35 | |
Why didn't you say anything? | 0:08:37 | 0:08:38 | |
Because I thought I'd... I was trying to fix everything. | 0:08:38 | 0:08:41 | |
-How? What's going on? -It doesn't matter, all right, they're criminals. | 0:08:41 | 0:08:44 | |
Now, I need you to pack those bags and I need you to pick up my girls. | 0:08:44 | 0:08:48 | |
Why are you shutting me out? | 0:08:48 | 0:08:50 | |
Because I need to be able to handle this on my own. | 0:08:50 | 0:08:53 | |
I'm not going anywhere without you. | 0:08:53 | 0:08:55 | |
I was fucking her. | 0:09:01 | 0:09:03 | |
OK? | 0:09:03 | 0:09:06 | |
I was fucking Jackie. | 0:09:06 | 0:09:08 | |
DOOR SLAMS | 0:09:16 | 0:09:18 | |
CAR ENGINE STARTS | 0:09:28 | 0:09:30 | |
CAR DRIVES OFF | 0:09:34 | 0:09:36 | |
Steve. | 0:10:02 | 0:10:04 | |
You all right? | 0:10:06 | 0:10:08 | |
You're OK. They operated on your hand. | 0:10:10 | 0:10:12 | |
They saved your finger. | 0:10:12 | 0:10:15 | |
Yeah, I'll call you back. | 0:10:15 | 0:10:16 | |
Hey, Steve. | 0:10:16 | 0:10:18 | |
Any sign of Gates? | 0:10:21 | 0:10:23 | |
No. The house is deserted. | 0:10:23 | 0:10:26 | |
DI Buckells' team have put a trace on his phone but it's switched off. | 0:10:26 | 0:10:30 | |
Right. | 0:10:30 | 0:10:33 | |
We'll take a statement when you're feeling a bit better. | 0:10:34 | 0:10:37 | |
Since Gates went AWOL just before it happened, | 0:10:38 | 0:10:40 | |
we're assuming he was involved in some capacity. | 0:10:40 | 0:10:42 | |
Quite a set of charges, isn't it, for the Officer of the Year - | 0:10:42 | 0:10:46 | |
conspiracy, kidnapping, GBH, attempted murder. | 0:10:46 | 0:10:51 | |
I'm not sure he was involved, sir. | 0:10:51 | 0:10:53 | |
We haven't got the evidence yet, you mean. | 0:10:56 | 0:10:58 | |
But we will get it. Kate, we should debrief. | 0:11:00 | 0:11:03 | |
Kate. | 0:11:05 | 0:11:06 | |
All right, Kate, I'll see you back at the office, yeah? | 0:11:10 | 0:11:13 | |
-I'm glad you're feeling better, Steve. -Thank you, sir. | 0:11:15 | 0:11:19 | |
What's that about? | 0:11:24 | 0:11:25 | |
Well, now my cover's blown, | 0:11:25 | 0:11:27 | |
it's a question of whether I'll stay on the case. | 0:11:27 | 0:11:30 | |
Do you want to carry on? | 0:11:30 | 0:11:32 | |
I think you know the answer. | 0:11:34 | 0:11:35 | |
The men who were holding you got away, but the kid's in custody. | 0:11:37 | 0:11:40 | |
We won't be able to interview him until we've tracked down a responsible adult. | 0:11:40 | 0:11:43 | |
OK. | 0:11:43 | 0:11:45 | |
I heard you trashed Gates' office. | 0:11:50 | 0:11:52 | |
Yeah. | 0:11:53 | 0:11:55 | |
There was a freezer, | 0:12:01 | 0:12:03 | |
in the place they held me. | 0:12:03 | 0:12:05 | |
Struck me as odd. | 0:12:06 | 0:12:08 | |
-We found traces of blood on the floor, around the freezer. -Cheers. | 0:12:09 | 0:12:13 | |
Hiya. There are traces of body fluids, | 0:12:17 | 0:12:20 | |
seepage from before a body was frozen. | 0:12:20 | 0:12:23 | |
I don't think the seepage products will tell us much. | 0:12:23 | 0:12:25 | |
Tells us they moved it in a hurry. | 0:12:25 | 0:12:27 | |
Yeah, because they didn't clean up. | 0:12:27 | 0:12:29 | |
I'm surprised you've not been pulled out, DC Fleming. | 0:12:29 | 0:12:33 | |
I say Fleming. Who knows? | 0:12:33 | 0:12:35 | |
The chances are her body's in another freezer somewhere else. | 0:12:37 | 0:12:42 | |
It'll be Jackie all right. | 0:12:42 | 0:12:43 | |
They'll preserve the body as evidence against Gates. | 0:12:43 | 0:12:46 | |
He didn't kill her. | 0:12:46 | 0:12:47 | |
No? | 0:12:47 | 0:12:50 | |
I'm not sure he's capable. | 0:12:50 | 0:12:52 | |
-I'll come with you. -No. I'm all right. | 0:13:07 | 0:13:10 | |
-Kate. -Dot. | 0:13:17 | 0:13:20 | |
I've just come to get my stuff. | 0:13:22 | 0:13:24 | |
No hard feelings. | 0:13:24 | 0:13:26 | |
SPITS | 0:13:34 | 0:13:36 | |
GASPS | 0:13:36 | 0:13:37 | |
Deserved it, didn't she, eh? > | 0:13:40 | 0:13:43 | |
Her cover isn't the only thing she blew, you know. Ask Tony. | 0:13:50 | 0:13:54 | |
Here. | 0:14:04 | 0:14:06 | |
Thanks. | 0:14:06 | 0:14:07 | |
Which force are you really from? | 0:14:09 | 0:14:11 | |
Who was your target then, eh? Just Gates? | 0:14:17 | 0:14:21 | |
I can't discuss my brief. | 0:14:24 | 0:14:25 | |
You must be pretty pissed off though, eh, | 0:14:27 | 0:14:29 | |
not getting the evidence you needed. | 0:14:29 | 0:14:31 | |
-I got plenty. -Yeah? | 0:14:31 | 0:14:33 | |
I don't see Tony Gates in custody. Do you? | 0:14:33 | 0:14:36 | |
The last time I saw Gates, he was talking with Morton. | 0:14:43 | 0:14:47 | |
If anyone's still loyal, it's him. | 0:14:47 | 0:14:49 | |
What? | 0:14:51 | 0:14:54 | |
Leave Morton to me. | 0:14:54 | 0:14:55 | |
Here we go again. | 0:15:11 | 0:15:13 | |
Has Gates called you yet? | 0:15:13 | 0:15:14 | |
He knows there'll be a trace on his phone. | 0:15:14 | 0:15:16 | |
He'll find a way. When he calls, give him a message. | 0:15:16 | 0:15:19 | |
The subway between Borogrove Estate and Moss Heath Park. tell him I'll be there, | 0:15:19 | 0:15:23 | |
alone, at midnight. | 0:15:23 | 0:15:25 | |
You must think I'm thick as pig shit. | 0:15:25 | 0:15:27 | |
You don't know the situation between me and Gates, but he does. | 0:15:27 | 0:15:30 | |
What if I say, "screw you"? | 0:15:31 | 0:15:33 | |
The only person you'd be screwing is your best mate. | 0:15:33 | 0:15:36 | |
Virtually all my detectives have been seconded to the operation. | 0:15:48 | 0:15:51 | |
You've responded decisively, sir. | 0:15:51 | 0:15:53 | |
You two know each other? | 0:16:00 | 0:16:02 | |
What you doing here? | 0:16:02 | 0:16:04 | |
Chief Inspector Osborne is contributing his expertise | 0:16:05 | 0:16:09 | |
-to our counter terrorism operation. -You believe this? | 0:16:09 | 0:16:11 | |
The Greek Lane cell appeared exactly the same time as ours | 0:16:11 | 0:16:14 | |
dropped off the radar. | 0:16:14 | 0:16:16 | |
We can't exclude a direct connection. | 0:16:16 | 0:16:18 | |
-If you'll excuse us, -DS -Arnott. | 0:16:18 | 0:16:21 | |
I'm sorry about that, Philip. | 0:16:22 | 0:16:24 | |
Ah, DS Cottan, our Acting Deputy SIO. CI Osborne. | 0:16:24 | 0:16:28 | |
-Cottan. -Very pleased to meet you, sir. | 0:16:28 | 0:16:30 | |
-Morning. -Hiya, I'm Ryan Pilkington's social worker. | 0:16:34 | 0:16:37 | |
Just a minute. | 0:16:37 | 0:16:38 | |
Hi. Sorry. DC Fleming. | 0:16:38 | 0:16:41 | |
Will you come with me, please? | 0:16:41 | 0:16:42 | |
Thanks. | 0:16:42 | 0:16:44 | |
TAPE MACHINE BUZZES | 0:17:33 | 0:17:34 | |
BUZZING STOPS | 0:17:35 | 0:17:37 | |
Interview under caution with Ryan Pilkington | 0:17:37 | 0:17:40 | |
by Detective Constable Fleming in the presence of Ryan's solicitor. | 0:17:40 | 0:17:43 | |
-Louise Burton. -Social worker. -Jane Hargreaves. | 0:17:43 | 0:17:47 | |
Community Liaison Officer, Community Juvenile Liaison Officer | 0:17:47 | 0:17:50 | |
and Community Policing Case File Officer, PC Bannerjee. | 0:17:50 | 0:17:54 | |
I know things aren't great for you at home, Ryan. | 0:17:57 | 0:18:00 | |
We've had to give up on your mum. | 0:18:00 | 0:18:02 | |
She won't come in. | 0:18:02 | 0:18:03 | |
She'd rather leave all this to your case workers. | 0:18:03 | 0:18:06 | |
How d'you feel about that? | 0:18:07 | 0:18:08 | |
My parents split up when I was a kid. | 0:18:10 | 0:18:12 | |
You'll do anything to get out of the house. | 0:18:12 | 0:18:14 | |
You don't care what it gets you into. | 0:18:14 | 0:18:16 | |
You're right. Our lives don't compare. | 0:18:19 | 0:18:21 | |
But I do want to help you, Ryan. | 0:18:21 | 0:18:23 | |
You're on a bad road and you need to get off it. | 0:18:23 | 0:18:27 | |
'Tell me what you know about the men who were holding DS Arnott. | 0:18:27 | 0:18:29 | |
'We know the same men were involved in a series of incidents.' | 0:18:32 | 0:18:35 | |
Two men were killed in Greek Lane. | 0:18:36 | 0:18:38 | |
A drug dealer named Wesley Duke was hung from a lamp post. | 0:18:38 | 0:18:42 | |
And a woman named Jackie Laverty was snatched from her own home. | 0:18:42 | 0:18:45 | |
Four murders, Ryan. | 0:18:47 | 0:18:49 | |
-I need to know you had nothing to do with them. -I didn't. | 0:18:49 | 0:18:52 | |
And I believe you, Ryan. But you know about them, don't you? | 0:18:52 | 0:18:55 | |
My client denies any knowledge of these offences. | 0:18:55 | 0:18:58 | |
-The person who ordered those murders is someone you work for, though, isn't that right? -I dunno. | 0:18:58 | 0:19:03 | |
Don't lie to me, Ryan. I can't help you if you do. | 0:19:04 | 0:19:06 | |
'You were involved in holding and torturing DS Arnott.' | 0:19:07 | 0:19:10 | |
You spoke to a man on the phone who was giving you the orders. | 0:19:10 | 0:19:13 | |
-Who's that man? -I dunno. -Well, does he have a name? | 0:19:13 | 0:19:17 | |
-Ryan's answered the question, DC Fleming. -Ryan. | 0:19:18 | 0:19:21 | |
-I don't know his name. -Does he use the name "Tommy"? | 0:19:21 | 0:19:24 | |
-Dunno. -That's the name DS Arnott heard. Let's call him Tommy. | 0:19:26 | 0:19:32 | |
Whatever. | 0:19:32 | 0:19:34 | |
What do you do for Tommy, Ryan? | 0:19:34 | 0:19:36 | |
Don't do nothing. | 0:19:36 | 0:19:37 | |
For the tape, I'm showing Ryan a mobile phone, | 0:19:41 | 0:19:43 | |
evidence number G67389. | 0:19:43 | 0:19:46 | |
-Is that your phone? -No. | 0:19:46 | 0:19:49 | |
Well, it was recovered from the location where you were | 0:19:49 | 0:19:51 | |
holding DS Arnott. | 0:19:51 | 0:19:53 | |
You're a tough kid, Ryan. Or at least you think you are. | 0:19:57 | 0:20:00 | |
Where did you get those injuries? | 0:20:02 | 0:20:04 | |
If you carry on like this, the place you're going has | 0:20:05 | 0:20:08 | |
16-year-olds, 17-year-olds, and they're built like brick sheds. | 0:20:08 | 0:20:12 | |
How d'you think you'll fare against one of those lads? | 0:20:12 | 0:20:15 | |
They knock your teeth out, Ryan. They do that so you give a better blow job. | 0:20:17 | 0:20:20 | |
I don't think that's very helpful, DC Fleming. | 0:20:20 | 0:20:23 | |
It AIN'T my phone! | 0:20:25 | 0:20:26 | |
But you recognise it, don't you? | 0:20:26 | 0:20:27 | |
-SOLICITOR WHISPERS -No comment. | 0:20:27 | 0:20:31 | |
What d'you do for Tommy, Ryan? | 0:20:31 | 0:20:32 | |
-WHISPERING -No comment. | 0:20:32 | 0:20:34 | |
Four murders, Ryan. This is serious. | 0:20:34 | 0:20:37 | |
I know you're innocent. You were just helping out with the phones, weren't you? | 0:20:37 | 0:20:41 | |
-WHISPERING -Just did the phones. | 0:20:41 | 0:20:45 | |
-Did what exactly? -Nick phones for 'em. | 0:20:45 | 0:20:47 | |
For the lot of 'em. They'd use 'em for a couple of days. | 0:20:47 | 0:20:49 | |
Then I'd get rid of 'em. | 0:20:49 | 0:20:51 | |
Right, so you needed unregistered phones, like this one. | 0:20:51 | 0:20:53 | |
That's it. The phones. | 0:20:53 | 0:20:55 | |
My client has been very helpful. Can we leave it there, please? | 0:20:57 | 0:21:00 | |
Have you ever met Tommy? | 0:21:00 | 0:21:02 | |
No, he does it all on the phones. | 0:21:02 | 0:21:04 | |
Did he ever ask you to do anything in relation to the woman I mentioned earlier, Jackie Laverty? | 0:21:04 | 0:21:08 | |
Like what? | 0:21:08 | 0:21:10 | |
Well, we're still looking for her body, Ryan. Where is it? | 0:21:10 | 0:21:14 | |
I dunno. | 0:21:14 | 0:21:15 | |
Are you sure, Ryan? | 0:21:15 | 0:21:17 | |
Yeah. | 0:21:17 | 0:21:18 | |
We can protect you from Tommy. | 0:21:21 | 0:21:22 | |
-Yeah, right! -Where's the body, Ryan?! | 0:21:22 | 0:21:24 | |
-DC Fleming, please. -That's enough. | 0:21:24 | 0:21:27 | |
There's a police officer, Ryan. Detective Chief Inspector Gates. | 0:21:31 | 0:21:36 | |
Do you know who I mean? | 0:21:36 | 0:21:37 | |
Well, let's assume you do. | 0:21:39 | 0:21:40 | |
Did Tommy ever give you instructions regarding DCI Gates? | 0:21:40 | 0:21:44 | |
Ryan! | 0:21:45 | 0:21:47 | |
I'd give him a phone. Tommy does all the talking. | 0:21:47 | 0:21:51 | |
-'My client's already admitted...' -'What did he say to Gates?' | 0:21:51 | 0:21:54 | |
-What did Gates say to him? -I can't remember. -Think carefully, please, Ryan. | 0:21:54 | 0:21:58 | |
Did Tommy and DCI Gates ever | 0:21:58 | 0:22:00 | |
-'discuss kidnapping DS Arnott? -I dunno. | 0:22:00 | 0:22:03 | |
'Ryan's answered your questions, DC Fleming.' | 0:22:03 | 0:22:05 | |
He's tired. Are you tired, Ryan? | 0:22:05 | 0:22:07 | |
Ryan? Please. | 0:22:08 | 0:22:11 | |
Think carefully. | 0:22:11 | 0:22:13 | |
Did DCI Gates help kidnap DS Arnott? | 0:22:15 | 0:22:19 | |
No, he was the one who RESCUED him! | 0:22:19 | 0:22:21 | |
DOOR OPENS | 0:22:27 | 0:22:28 | |
Well, thank you, Ryan. We'll leave it there for now. | 0:22:30 | 0:22:33 | |
I hope you're being looked after. if there's anything you need, just let me know. | 0:22:33 | 0:22:36 | |
DS Arnott. | 0:22:38 | 0:22:40 | |
What the hell's going on here, Fleming? | 0:22:43 | 0:22:45 | |
We got a responsible adult but you were busy. | 0:22:45 | 0:22:48 | |
You're off TO-20. You were never bloody on it. | 0:22:48 | 0:22:51 | |
Right you are, sir. | 0:22:51 | 0:22:53 | |
Ryan, sorry, | 0:22:57 | 0:22:59 | |
-DOOR CLOSES -'I'm Detective Inspector Buckells.' | 0:22:59 | 0:23:02 | |
'Can I have a Big Mac now?' | 0:23:02 | 0:23:03 | |
Kate. Wait! | 0:23:08 | 0:23:10 | |
I knew something was going on! | 0:23:11 | 0:23:12 | |
-When were you going to tell me? -I'm sorry. | 0:23:12 | 0:23:15 | |
What? And now you "owe" him? Gates played us. All of us. | 0:23:15 | 0:23:18 | |
-And he's at it again. -He saved my life! | 0:23:18 | 0:23:21 | |
-He put you in danger in the first place! -He was backed into a corner. | 0:23:21 | 0:23:24 | |
-That we put him in, to crack the case! -You're close to Gates and you don't understand him. | 0:23:24 | 0:23:28 | |
SHE SIGHS | 0:23:28 | 0:23:29 | |
You know what, you're screwing up an operation I've spent months on, Steve - undercover, | 0:23:29 | 0:23:34 | |
worrying about my every move, bricking it in case I get caught, sleepless nights? | 0:23:34 | 0:23:38 | |
Cheers, mate. | 0:23:38 | 0:23:40 | |
Thanks a fucking million! | 0:23:40 | 0:23:42 | |
RINGING TONE | 0:24:04 | 0:24:08 | |
Who else knows you're here? | 0:25:04 | 0:25:06 | |
No one. Now, where's Gates? | 0:25:06 | 0:25:07 | |
Arggh! | 0:25:07 | 0:25:09 | |
HE GASPS IN PAIN | 0:25:11 | 0:25:13 | |
HE GROANS | 0:25:15 | 0:25:16 | |
Pillock! | 0:25:16 | 0:25:18 | |
GASPS FOR BREATH | 0:25:24 | 0:25:25 | |
ENGINE STARTS | 0:25:35 | 0:25:39 | |
Wh...?! Aargh! | 0:25:49 | 0:25:51 | |
Gates? | 0:26:00 | 0:26:01 | |
What the hell's going on? | 0:26:01 | 0:26:03 | |
I need to flush out any back-up, make them come running. | 0:26:03 | 0:26:07 | |
There's no back-up, it's just me. | 0:26:07 | 0:26:08 | |
Yeah? So, you're looking after your own, that's not in the Anticorruption Code, mate. | 0:26:08 | 0:26:13 | |
Well, it's mine. | 0:26:13 | 0:26:14 | |
-HE GROANS -I was never on the take. | 0:26:17 | 0:26:20 | |
And I was never in with criminals, that was all Jackie. | 0:26:20 | 0:26:22 | |
-You pulled surveillance off Greek Lane so they could do the murder. -I never gave that order. | 0:26:22 | 0:26:27 | |
Anyone tells you different is lying. | 0:26:27 | 0:26:29 | |
-All the dirty money Jackie funnelled, you never suspected? -Listen, I was an idiot. | 0:26:29 | 0:26:33 | |
And I never twigged who she was in with. | 0:26:33 | 0:26:35 | |
But it was them who did the murder, not me, and it's them I'm hiding from, not you. | 0:26:35 | 0:26:39 | |
Turn yourself in. Give evidence against them. | 0:26:41 | 0:26:44 | |
We can protect you. | 0:26:44 | 0:26:46 | |
That's a bunch of crap and you know it. | 0:26:46 | 0:26:47 | |
I'm a dead man walking. And so are you, son. | 0:26:47 | 0:26:50 | |
We need to get them before they get us. | 0:26:50 | 0:26:53 | |
For Jackie's murder, for the Greek Lane mob, and for Wesley Duke. | 0:26:53 | 0:26:56 | |
Because they're the real criminals, Arnott. Not me. | 0:26:56 | 0:26:58 | |
What the hell am I supposed to do? | 0:26:58 | 0:26:59 | |
Just back off. You back off and you keep everybody else off of me until the job's done. | 0:26:59 | 0:27:03 | |
How do I know this isn't just another one of your games? | 0:27:03 | 0:27:06 | |
This is my only chance of holding on to any of the things I give a toss about. | 0:27:06 | 0:27:10 | |
I'll give you Tommy, and then you let me go. You got it? | 0:27:10 | 0:27:12 | |
-Arnott? Have you got it?! -Yes! | 0:27:14 | 0:27:15 | |
CAR DOOR OPENS | 0:27:21 | 0:27:23 | |
-Er, Matthew. -Sir. | 0:27:43 | 0:27:46 | |
CI Osborne's joined us on semi-permanent secondment. | 0:27:46 | 0:27:49 | |
-I'd be grateful if you could be his point of contact. -I'd be very happy to, sir. | 0:27:49 | 0:27:53 | |
I've been impressed, Matthew, how do you feel about sitting the inspector's exam? | 0:27:53 | 0:27:56 | |
I don't know what to say, sir. | 0:27:58 | 0:28:00 | |
No-one wants to step into dead man's shoes, but Tony Gates is finished. | 0:28:00 | 0:28:06 | |
I meant to ask, what brought you into the service, Matthew? | 0:28:08 | 0:28:11 | |
Well, where I grew up, sir, there wasn't much respect for law and order. | 0:28:11 | 0:28:15 | |
You know, I could've fallen in with a bad crowd. | 0:28:15 | 0:28:18 | |
Instead, I made a few quid caddying at the local golf club. | 0:28:18 | 0:28:21 | |
I met a bloke there, sir, who opened my eyes. | 0:28:22 | 0:28:25 | |
Well, think of this as an opportunity to help young people like that. | 0:28:25 | 0:28:29 | |
-I want it, sir. -Good man. Excellent. | 0:28:31 | 0:28:34 | |
-INSIDE BUILDING: -The police are here, get out, quick! Go on, go! | 0:28:46 | 0:28:50 | |
Go on, go! | 0:28:51 | 0:28:53 | |
BOTTLES SMASH | 0:28:53 | 0:28:54 | |
DOGS BARK | 0:28:54 | 0:28:57 | |
Must've seen the vehicle. | 0:28:59 | 0:29:00 | |
Remind me to check outstanding warrants back at the station. | 0:29:00 | 0:29:04 | |
Is that your mum's boyfriend, Ryan? | 0:29:04 | 0:29:06 | |
You better have fed him. | 0:29:18 | 0:29:20 | |
Right, let's get round to the chippy. | 0:29:26 | 0:29:28 | |
Just give me a minute, Kaz. | 0:29:30 | 0:29:33 | |
What now? | 0:29:42 | 0:29:44 | |
Ryan, I er, I want you to know you can call me. | 0:29:44 | 0:29:48 | |
I ain't no grass. | 0:29:48 | 0:29:49 | |
Yeah, I know, it's just if there's stuff you want to talk about. | 0:29:49 | 0:29:53 | |
Or you want someone to buy you a burger. That's all. | 0:29:53 | 0:29:56 | |
-OK. -Promise? | 0:29:56 | 0:29:59 | |
Right, I'll have a cod and chips. See you there. | 0:30:12 | 0:30:15 | |
Simon, what? | 0:30:15 | 0:30:17 | |
I know, this is the Bog, we never leave the vehicle. | 0:30:17 | 0:30:20 | |
Hi. | 0:30:27 | 0:30:29 | |
Steve, fancy a cup of tea? | 0:30:35 | 0:30:37 | |
CLEARS THROAT | 0:30:40 | 0:30:41 | |
Ha, shall I be mother? | 0:30:42 | 0:30:44 | |
-Thank you, sir. -You know the date came through for your inquest. It's next week. | 0:30:45 | 0:30:48 | |
-Right. -Yeah, suppose you could always argue that you're not fit to testify? | 0:30:50 | 0:30:54 | |
Yeah? | 0:30:54 | 0:30:55 | |
Kate? | 0:30:57 | 0:30:58 | |
The news came through yesterday but I decided to let it wait. There's no point ruining a good night's sleep. | 0:30:58 | 0:31:02 | |
-Did you sleep all right last night? -Good, thank you, sir. | 0:31:02 | 0:31:06 | |
Yeah, I know, you know, I mean with the arm and all that. | 0:31:06 | 0:31:08 | |
Just a quiet night in, sir. | 0:31:08 | 0:31:10 | |
Quiet night? You cheeky wee shite, ya! | 0:31:10 | 0:31:12 | |
Kate, you have a word with him. | 0:31:12 | 0:31:14 | |
My doctor told me to watch me blood pressure. | 0:31:14 | 0:31:16 | |
The boss put an officer on your flat. For your protection. | 0:31:20 | 0:31:24 | |
He saw you stumble in well after midnight. | 0:31:24 | 0:31:27 | |
I had a meeting with Gates. | 0:31:28 | 0:31:30 | |
Jesus Christ, Steve! You're meant to be my partner. | 0:31:30 | 0:31:33 | |
Well, you were never Gates's partner, then? | 0:31:33 | 0:31:35 | |
-What the hell are you talking about? -If this is personal... -"Personal"? | 0:31:35 | 0:31:38 | |
-If something happened between you two... -Like what? | 0:31:38 | 0:31:41 | |
-Nothing. Forget it. -What d'you want to know? | 0:31:41 | 0:31:43 | |
-I shouldn't have asked. It's private. -Yeah, it is. | 0:31:43 | 0:31:45 | |
Here. | 0:31:45 | 0:31:47 | |
Now that you and Gates are bosom buddies, | 0:31:48 | 0:31:50 | |
you'll know what to do with that. | 0:31:50 | 0:31:52 | |
A wire tap? | 0:31:52 | 0:31:53 | |
Yes, Steven, a wire tap. | 0:31:53 | 0:31:55 | |
What is it with you? You think you owe Gates? | 0:31:55 | 0:31:57 | |
Why don't you ask yourself who you REALLY owe? | 0:31:57 | 0:32:00 | |
BEEPING | 0:32:31 | 0:32:33 | |
DOOR UNLOCKS | 0:32:33 | 0:32:35 | |
INAUDIBLE | 0:32:37 | 0:32:39 | |
-Yeah, yeah, I would, yeah. Yeah. -KNOCK ON DOOR | 0:32:48 | 0:32:53 | |
Just a second, sorry. | 0:32:55 | 0:32:56 | |
You got a minute, sir? We're eager for an update. | 0:32:56 | 0:32:59 | |
The body fluids recovered from the freezer match | 0:33:02 | 0:33:04 | |
the blood from Jackie Laverty's house. I re-interviewed | 0:33:04 | 0:33:06 | |
the ASBO Dodger, but he's never going to grass where they moved the body. | 0:33:06 | 0:33:10 | |
-Now we're looking at the phone data. -When do you make the tissue match? | 0:33:10 | 0:33:13 | |
Oh, were you not on the distribution list? | 0:33:13 | 0:33:16 | |
I do apologise. | 0:33:16 | 0:33:18 | |
Sorry, Alex, carry on. | 0:33:18 | 0:33:20 | |
Sir. | 0:33:20 | 0:33:21 | |
So do we know how long the cell has been operating under cover as drug dealers? | 0:33:23 | 0:33:26 | |
Yeah, well, we interviewed a known dealer, Wesley Duke, before he died. | 0:33:26 | 0:33:30 | |
He reckoned, a month, sir. | 0:33:30 | 0:33:32 | |
Jermaine Duke, brother of the deceased, says | 0:33:32 | 0:33:34 | |
Wesley remarked on the reliability from the Greek Lane suppliers. They were organised. Not smackheads. | 0:33:34 | 0:33:39 | |
-Professionals. -Fits with them having a supply line running directly from Northern Pakistan. | 0:33:39 | 0:33:43 | |
Oh, don't mind me. | 0:33:45 | 0:33:46 | |
A supply line running directly from Northern Pakistan? | 0:33:46 | 0:33:49 | |
Makes a change from nicking chavs on Moss Heath. | 0:33:49 | 0:33:52 | |
You must be creaming yourselves. | 0:33:52 | 0:33:54 | |
This is a private meeting, Arnott. | 0:33:54 | 0:33:56 | |
Fine. I'll wait. | 0:33:56 | 0:33:59 | |
Excuse me. | 0:34:05 | 0:34:06 | |
Come on. | 0:34:11 | 0:34:13 | |
Right, you've got 30 seconds. | 0:34:16 | 0:34:19 | |
I'd like to explore the possibility the Greek Lane residents weren't terrorists. | 0:34:21 | 0:34:25 | |
Naturally, I'm open to all possibilities. | 0:34:25 | 0:34:27 | |
I've been conducting an in-depth operation against DCI Tony Gates. | 0:34:27 | 0:34:31 | |
And at no point in Gates's investigation did | 0:34:31 | 0:34:33 | |
he ever develop a lead into a terror connection. | 0:34:33 | 0:34:35 | |
Not until he obtained evidence of the bomb-making activity. | 0:34:35 | 0:34:39 | |
Sir, it was household bleach and a chemistry book. | 0:34:39 | 0:34:42 | |
Those lads were making crack, not IEDs. And Gates knows that. | 0:34:42 | 0:34:46 | |
He only dressed it up as a CT op when he realised we were about to crucify him. | 0:34:46 | 0:34:49 | |
Is that it? | 0:34:54 | 0:34:55 | |
Thanks, Arnott, time's up. | 0:34:55 | 0:34:57 | |
Don't act like this hasn't happened before. | 0:34:57 | 0:34:59 | |
Our operation was botched. And you're trying to cover it up. | 0:34:59 | 0:35:03 | |
The only person not telling the truth is you. | 0:35:03 | 0:35:05 | |
You're out on a limb, Arnott. | 0:35:05 | 0:35:07 | |
Not a great place to be when the inquest opens next week. No wonder you're desperate. | 0:35:07 | 0:35:10 | |
You asked me to lie, sir, to go along with it. | 0:35:10 | 0:35:13 | |
At least have the common decency to admit that. | 0:35:13 | 0:35:16 | |
I did no such thing. | 0:35:16 | 0:35:19 | |
I got shafted because of you! | 0:35:19 | 0:35:21 | |
Because I won't cover up our blokes busting into the wrong flat, | 0:35:21 | 0:35:23 | |
shooting an innocent person. | 0:35:23 | 0:35:25 | |
See you at the inquest. | 0:35:25 | 0:35:27 | |
This isn't going to work. I can't use this on Gates. | 0:35:46 | 0:35:49 | |
-Steve. You're off the case. -Just wait! | 0:35:49 | 0:35:52 | |
There's a bigger crime here. | 0:35:55 | 0:35:57 | |
Gates believes he can bring in a high-value offender within organised crime. | 0:35:58 | 0:36:02 | |
-What? He told you that? -He's desperate. | 0:36:02 | 0:36:05 | |
He believes it's his only chance to save his career, his reputation, his family. | 0:36:05 | 0:36:09 | |
Look, DI Buckells' team's been checking phone records. | 0:36:09 | 0:36:12 | |
I can feed information to Gates. He has a relationship there. They'll want to meet, if only to kill him. | 0:36:12 | 0:36:16 | |
Gates can pick up an unregistered phone | 0:36:16 | 0:36:18 | |
so he can make contact without being traced by Buckells... | 0:36:18 | 0:36:21 | |
Whoah, whoah! Hang on a second. What are you saying? You're going to cut this guy loose? | 0:36:21 | 0:36:25 | |
After all this, the only way I'm going to sanction an operation | 0:36:25 | 0:36:27 | |
like this, son, is if you can promise me that you're going to deliver Gates | 0:36:27 | 0:36:31 | |
right into the palm of my hand. | 0:36:31 | 0:36:33 | |
This is the call history from Ryan's phone. | 0:36:43 | 0:36:46 | |
It goes back only a couple of days, from when the handset was stolen. | 0:36:46 | 0:36:49 | |
Now, there's a pattern of incoming calls, | 0:36:49 | 0:36:50 | |
always from different numbers. | 0:36:50 | 0:36:52 | |
Having lost Ryan, there's a big chance right now Tommy | 0:36:52 | 0:36:56 | |
doesn't know which of his numbers is secure. | 0:36:56 | 0:36:58 | |
All the numbers are currently inactive. | 0:36:58 | 0:37:00 | |
Hastings is on standby to move as soon as one joins the network. | 0:37:00 | 0:37:03 | |
So are we. | 0:37:05 | 0:37:07 | |
You're not coming in. | 0:37:40 | 0:37:41 | |
I can't be seen out here on the doorstep. | 0:37:41 | 0:37:44 | |
Hey, please, Jools. | 0:37:44 | 0:37:47 | |
I'm doing everything to make us good again. I promise you, I'm doing everything. | 0:37:47 | 0:37:51 | |
But work are calling me back in. | 0:37:52 | 0:37:53 | |
Are my girls in there? | 0:37:55 | 0:37:56 | |
I don't want you upsetting them. | 0:37:56 | 0:37:59 | |
Just an hour. | 0:38:01 | 0:38:03 | |
Just so it's like we're a family again. | 0:38:03 | 0:38:05 | |
Just an hour, please? | 0:38:05 | 0:38:06 | |
Please. | 0:38:07 | 0:38:09 | |
What's the time, Mr Wolf? | 0:38:09 | 0:38:10 | |
Three o'clock. | 0:38:10 | 0:38:12 | |
What's the time, Mr Wolf? | 0:38:16 | 0:38:18 | |
Ten o'clock. | 0:38:18 | 0:38:19 | |
What's the time, Mr Wolf? | 0:38:22 | 0:38:23 | |
Dinner time! | 0:38:23 | 0:38:25 | |
PHONE RINGS | 0:38:25 | 0:38:26 | |
DC Fleming. | 0:38:28 | 0:38:30 | |
One of the numbers from Ryan's phone just got activated. They're triangulating now. | 0:38:32 | 0:38:36 | |
Yeah, good, off you go, both of you, go on. | 0:38:36 | 0:38:38 | |
Yes, standing by. Positions, everybody, come on. | 0:38:38 | 0:38:42 | |
SHE LAUGHS | 0:38:43 | 0:38:46 | |
GATES LAUGHS | 0:38:46 | 0:38:49 | |
Go on, then. | 0:38:51 | 0:38:52 | |
BOTH: What's the time, Mister Wolf? | 0:38:56 | 0:38:57 | |
MOBILE PHONE RINGS | 0:38:57 | 0:38:58 | |
PHONE BEEPS | 0:39:01 | 0:39:04 | |
-Yeah? -It's on. | 0:39:07 | 0:39:09 | |
Gates? | 0:39:12 | 0:39:15 | |
Received. | 0:39:16 | 0:39:18 | |
Guys? | 0:39:27 | 0:39:29 | |
-I'm going to have to go. -Why? | 0:39:33 | 0:39:36 | |
I have got to go back to work. | 0:39:36 | 0:39:37 | |
Have they got the triangulation yet? | 0:39:53 | 0:39:55 | |
They've got a signal in the Kingsgate, heading west | 0:39:55 | 0:39:58 | |
'towards Edge Park. It's got to be Tommy.' | 0:39:58 | 0:40:00 | |
En route. We've got a signal in Kingsgate. | 0:40:00 | 0:40:03 | |
Heading west towards Edge Park. | 0:40:03 | 0:40:05 | |
This is Gates. I'm a minute away. | 0:40:05 | 0:40:08 | |
What are we? | 0:40:08 | 0:40:10 | |
-Two. Shit. -What? | 0:40:10 | 0:40:13 | |
I don't trust him, OK? I don't bloody trust him! | 0:40:13 | 0:40:15 | |
Tommy's travelling very fast. Now going west on Kingsgate Road. | 0:40:18 | 0:40:21 | |
Kingsgate Road, west. | 0:40:21 | 0:40:24 | |
Received. | 0:40:24 | 0:40:25 | |
He's already jumped to the next cell. He's going like the clappers. | 0:40:35 | 0:40:40 | |
God knows how, but he must be on to us. | 0:40:41 | 0:40:43 | |
Gates. Bastard! | 0:40:43 | 0:40:45 | |
Tracking Tommy, 9301... | 0:40:45 | 0:40:48 | |
He's just taken a left, Edge Park Road, southbound. | 0:40:48 | 0:40:51 | |
Drop him. This is our op. | 0:40:53 | 0:40:54 | |
Drop him and he's gone. So's Tommy. | 0:40:54 | 0:40:57 | |
Left turn. Edge Park Road. | 0:40:57 | 0:40:59 | |
Received. | 0:40:59 | 0:41:01 | |
The target's just turned west again. | 0:41:11 | 0:41:13 | |
He's leading us round the bloody houses! | 0:41:17 | 0:41:19 | |
We're now southbound on Edge Park Road. | 0:41:23 | 0:41:25 | |
Target is now heading west. Look for a right turn ahead. | 0:41:25 | 0:41:28 | |
Tracking Gates. 93016, macro cell... | 0:41:34 | 0:41:38 | |
He's stationary. About 200 yards from the turn. | 0:41:38 | 0:41:42 | |
'He's gone off road. 200 yards from the turn.' | 0:41:47 | 0:41:50 | |
-He's reached wherever he's going. -Or he's dumped the phone. | 0:41:56 | 0:41:59 | |
-MAN: Cutting it fine, Tom! > -Sorry. | 0:42:18 | 0:42:20 | |
-Just move it. -Can you get me a trolley handle? | 0:42:20 | 0:42:23 | |
And a Kit-Kat? Or a Mars bar, or something? | 0:42:23 | 0:42:25 | |
Yeah... You cheeky bugger! | 0:42:28 | 0:42:30 | |
Gates, report. Where are you, what's happening? | 0:42:36 | 0:42:40 | |
'Gates!' | 0:42:41 | 0:42:42 | |
Gates! | 0:42:44 | 0:42:46 | |
After the hammering you took last week, we thought you'd be a no-show. | 0:42:54 | 0:42:57 | |
Ha ha. I'll win my money back. | 0:42:57 | 0:43:00 | |
Oh, right, thank you. Good on you. | 0:43:02 | 0:43:04 | |
HE WHISTLES | 0:43:04 | 0:43:07 | |
What's your problem, mate? | 0:43:12 | 0:43:13 | |
It's all right, we're fine. | 0:43:21 | 0:43:24 | |
Let's go out onto the tee. | 0:43:26 | 0:43:28 | |
What? | 0:43:35 | 0:43:37 | |
That's for my kids' dog. | 0:43:38 | 0:43:40 | |
Back off! Now. Go. | 0:43:43 | 0:43:46 | |
Let's go. | 0:43:50 | 0:43:52 | |
Right turn, coming up. | 0:43:53 | 0:43:55 | |
Move! Move! | 0:43:58 | 0:44:00 | |
Now visual, in pursuit. | 0:44:28 | 0:44:31 | |
'Look, where are you taking me?' | 0:44:32 | 0:44:35 | |
D'you want to know the longest anyone's ever managed to | 0:44:39 | 0:44:42 | |
hold me in a police station? | 0:44:42 | 0:44:44 | |
'I'm not arresting you. I didn't kill Jackie Laverty.' | 0:44:45 | 0:44:50 | |
The only evidence they'll find on her is from you, | 0:44:53 | 0:44:56 | |
you and your dirty business, | 0:44:56 | 0:44:58 | |
plus the knife with your prints all over it. | 0:44:58 | 0:45:03 | |
When I was with her, she was still alive. | 0:45:04 | 0:45:07 | |
I wouldn't know. I wasn't there. | 0:45:07 | 0:45:09 | |
No but your boys were, weren't they? | 0:45:09 | 0:45:11 | |
And did they make her suffer? Did they have their fun with her? | 0:45:11 | 0:45:14 | |
You've got a dirty mind. My boys are professionals. | 0:45:15 | 0:45:18 | |
Bullshit. Probably under orders not to tamper with the evidence. | 0:45:18 | 0:45:23 | |
What orders would those be? | 0:45:23 | 0:45:25 | |
Listen, you used her to get to me, didn't you? | 0:45:25 | 0:45:29 | |
It's an interesting story, eh? | 0:45:30 | 0:45:32 | |
'Unfortunately, I'm not in a position to either confirm or deny.' | 0:45:32 | 0:45:37 | |
Oh, Christ. | 0:45:39 | 0:45:41 | |
ENGINE ROARS | 0:45:41 | 0:45:42 | |
Listen, she was my girlfriend and I cared about her. | 0:45:46 | 0:45:49 | |
I just want to know what you did to her. | 0:45:49 | 0:45:52 | |
Spare yourself. | 0:45:52 | 0:45:54 | |
Your life's miserable enough already. | 0:45:55 | 0:45:57 | |
Oh, you bloody didn't. | 0:45:57 | 0:46:00 | |
'You did Greek Lane and you did Wesley Duke. | 0:46:00 | 0:46:02 | |
'My squad is starting to put it together right now.' | 0:46:02 | 0:46:04 | |
And every piece of evidence, | 0:46:04 | 0:46:06 | |
every piece is starting to point towards you. | 0:46:06 | 0:46:09 | |
What evidence? | 0:46:12 | 0:46:14 | |
'Well, there's me for a start.' | 0:46:14 | 0:46:16 | |
A copper inside is bad and bad enough. | 0:46:18 | 0:46:22 | |
But you'll be a copper that grassed. | 0:46:22 | 0:46:25 | |
That's why I want to stay out. | 0:46:26 | 0:46:28 | |
I want that more than anything. | 0:46:30 | 0:46:33 | |
What is this evidence you're talking about? | 0:46:33 | 0:46:36 | |
Oh, we're going to get to that. | 0:46:36 | 0:46:38 | |
First, I want to make things straight between me and you. | 0:46:38 | 0:46:41 | |
Well, there has to be something in it for me. | 0:46:45 | 0:46:49 | |
The kid. Ryan. He's young enough to turn. | 0:46:49 | 0:46:53 | |
No one's daft enough to grass on me. | 0:46:57 | 0:46:59 | |
Anticorruption can't make a case against me without informants. | 0:46:59 | 0:47:02 | |
What with that DS you gave us? | 0:47:02 | 0:47:05 | |
'You mean Arnott? | 0:47:08 | 0:47:10 | |
'I've fixed him. I fixed him my way.' | 0:47:10 | 0:47:15 | |
I couldn't be a part of killing him, but all the rest is fine. | 0:47:17 | 0:47:22 | |
Listen, I can still be of use to you. | 0:47:22 | 0:47:24 | |
-You're dreaming. -Am I? | 0:47:25 | 0:47:28 | |
I dressed up Greek Lane as something else. | 0:47:28 | 0:47:30 | |
And I'm going to make Wesley Duke's murder look like | 0:47:30 | 0:47:32 | |
a tear-up between some low-level dealers. | 0:47:32 | 0:47:34 | |
So if Jackie's body's never found, then there's no case to answer. | 0:47:34 | 0:47:38 | |
'For either of us.' | 0:47:38 | 0:47:40 | |
He's played us again! I'm calling in back-up. | 0:47:40 | 0:47:43 | |
-Let's get the pair of them while we can. -No. Wait. | 0:47:43 | 0:47:46 | |
-Steve! -Wait. | 0:47:46 | 0:47:48 | |
'The only problem is the fingers.' | 0:47:48 | 0:47:50 | |
-I don't know what you're talking about. -Drop the act. | 0:47:55 | 0:47:57 | |
The amputated fingers are the only link between Wesley Duke | 0:47:57 | 0:48:00 | |
and Greek Lane. | 0:48:00 | 0:48:01 | |
'It was clumsy and ignorant. You said your boys are professionals. | 0:48:01 | 0:48:05 | |
'That means it was your bloody stupid idea. | 0:48:05 | 0:48:08 | |
'They got carried away. Bloody idiots.' | 0:48:08 | 0:48:11 | |
Come on, Gates, nail the bastard. | 0:48:11 | 0:48:13 | |
So I make Wesley Duke's murder look like a copycat. | 0:48:17 | 0:48:20 | |
But there's no forensics, so they are going to need a confession. | 0:48:20 | 0:48:24 | |
Your boys screwed up, make one of them cop for it. | 0:48:24 | 0:48:27 | |
Triple murder hanging round your neck. And I need a decision. | 0:48:31 | 0:48:35 | |
'I know the toe rag that'll take the fall. | 0:48:35 | 0:48:38 | |
-'He's going to need to know chapter and verse.' -'He will.' | 0:48:38 | 0:48:41 | |
Tommy, I am risking my neck for you here, | 0:48:41 | 0:48:43 | |
I'm going to need more than that, mate. | 0:48:43 | 0:48:45 | |
He was there. He did it. | 0:48:46 | 0:48:49 | |
I can't carry this off if he's a nut job. | 0:48:51 | 0:48:53 | |
'He'd better be able to take orders.' | 0:48:53 | 0:48:56 | |
-He will if I give 'em. -Stop pissing me around. | 0:48:56 | 0:48:58 | |
I need a simple answer, to a simple question and we're running out of time. | 0:48:58 | 0:49:01 | |
For fuck's sake! He killed him, on my orders. | 0:49:01 | 0:49:06 | |
'Good enough for you?!' | 0:49:06 | 0:49:08 | |
Yes! | 0:49:08 | 0:49:09 | |
Good, so what d'you want in return? | 0:49:13 | 0:49:19 | |
I want Jackie's body up in smoke. | 0:49:19 | 0:49:22 | |
Problem is, she's my leverage. How about this as Plan A? | 0:49:22 | 0:49:27 | |
You do as you're told and if you ever choose to not play ball, | 0:49:27 | 0:49:31 | |
my boys unload Jackie's body and you go down for her murder. | 0:49:31 | 0:49:36 | |
Now, turn this thing around, there's a good lad. | 0:49:39 | 0:49:43 | |
I can still make the second tee. | 0:49:43 | 0:49:45 | |
I said, turn it around! | 0:49:50 | 0:49:54 | |
You bent bastard. | 0:49:54 | 0:49:56 | |
Yeah, you heard me. Ya bent bastard. | 0:49:57 | 0:50:01 | |
CAR HORNS BEEP | 0:50:05 | 0:50:06 | |
What's happening? What are they doing? | 0:50:06 | 0:50:09 | |
Gates. There's no way out for him. | 0:50:09 | 0:50:12 | |
You're under arrest for the double murder at Greek Lane. | 0:50:13 | 0:50:16 | |
For the murder of Wesley Duke. | 0:50:16 | 0:50:18 | |
For the murder of Jacqueline Laverty | 0:50:18 | 0:50:20 | |
and you do not have to say anything but it may harm your defence | 0:50:20 | 0:50:23 | |
if you do not mention when questioned something you later rely on in court. | 0:50:23 | 0:50:27 | |
And anything that you do say may be given in evidence. | 0:50:27 | 0:50:31 | |
GROANS | 0:50:31 | 0:50:33 | |
CAR HORNS BEEP | 0:50:33 | 0:50:36 | |
I'll hold him. Back-up's seconds away. | 0:50:39 | 0:50:41 | |
Just go. Run. | 0:50:42 | 0:50:44 | |
Run where? | 0:50:44 | 0:50:45 | |
It's over. We got him. | 0:50:47 | 0:50:50 | |
My wife and my girls get nothing unless this is in the line of duty. | 0:50:50 | 0:50:55 | |
That's what you owe me. This and nothing else. | 0:50:56 | 0:51:01 | |
Do you understand? | 0:51:01 | 0:51:02 | |
It's for my family. | 0:51:02 | 0:51:05 | |
I was never bent. | 0:51:06 | 0:51:08 | |
You know that, don't ya? | 0:51:08 | 0:51:10 | |
Gates! Gates! | 0:51:18 | 0:51:22 | |
BRAKES SKID | 0:51:24 | 0:51:26 | |
SIRENS APPROACH | 0:51:35 | 0:51:37 | |
POLICE RADIO CHATTER | 0:51:44 | 0:51:48 | |
As you were. | 0:52:19 | 0:52:22 | |
How'd it happen? | 0:52:23 | 0:52:26 | |
DCI Gates was running through traffic to apprehend the suspect. | 0:52:29 | 0:52:33 | |
Line of duty, sir. | 0:52:33 | 0:52:37 | |
I should inform his wife. | 0:52:44 | 0:52:46 | |
Thank you, sir. | 0:52:46 | 0:52:48 | |
Well done, you two. Well done. | 0:52:52 | 0:52:57 | |
Thank you, sir. | 0:52:57 | 0:52:59 | |
Thank you, sir. | 0:52:59 | 0:53:01 | |
Sir, do you mind if I get a minute with him? | 0:53:33 | 0:53:35 | |
Just a couple of things that might help us | 0:53:35 | 0:53:37 | |
with the Greek Lane op, non-evidential, obviously. | 0:53:37 | 0:53:41 | |
Yeah, no problem. | 0:53:41 | 0:53:43 | |
I hear you won't be calling me Sir for much longer. | 0:53:43 | 0:53:45 | |
Congratulations, Dot. | 0:53:45 | 0:53:47 | |
Thanks. | 0:53:47 | 0:53:48 | |
DS Cottan. Do you mind if I use the back of your van for a minute? | 0:53:48 | 0:53:52 | |
This way please, sir. | 0:53:52 | 0:53:54 | |
I hope you've got some good advice on how to play this hole. | 0:54:07 | 0:54:11 | |
Well, the top brass think the Greek Lane lads were involved with Al-Qaeda. | 0:54:12 | 0:54:16 | |
So you just play along with it, in return for immunity. | 0:54:18 | 0:54:22 | |
Huh. | 0:54:24 | 0:54:26 | |
Huh. | 0:54:29 | 0:54:30 | |
Best caddy I've ever had, son. | 0:54:32 | 0:54:35 | |
I owe you a pint, Sir. | 0:54:43 | 0:54:45 | |
Hello. | 0:55:43 | 0:55:45 | |
I swear to tell the truth, | 0:56:50 | 0:56:53 | |
the whole truth, | 0:56:54 | 0:56:56 | |
and nothing but the truth. | 0:56:58 | 0:57:00 | |
Subtitles by Red Bee Media Ltd | 0:57:43 | 0:57:46 |