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This programme contains some strong language and violent scenes | 0:00:02 | 0:00:05 | |
The target of the 5th September ambush was a protected witness. | 0:00:05 | 0:00:08 | |
John Thomas Hunter. He used the name Alex Campbell. | 0:00:08 | 0:00:11 | |
DS Akers was the person closest to him. | 0:00:11 | 0:00:14 | |
I need a safe and available destination ASAP. | 0:00:14 | 0:00:17 | |
You're facing a charge of conspiracy to murder. That's a life sentence. | 0:00:20 | 0:00:23 | |
I'm not going to be in here for life - I'm innocent. | 0:00:23 | 0:00:25 | |
We had a deal - immunity from prosecution, | 0:00:25 | 0:00:29 | |
you two-faced bastard. | 0:00:29 | 0:00:30 | |
Deputy Chief Constable Dryden, Tommy's "two-faced bastard". | 0:00:30 | 0:00:35 | |
We believe these photos were used by John Thomas Hunter to blackmail you. | 0:00:35 | 0:00:39 | |
What happened to Cole? | 0:00:42 | 0:00:44 | |
Prasad murdered him. | 0:00:44 | 0:00:46 | |
The suspect has asked me to record his dying declaration. | 0:00:48 | 0:00:51 | |
'I carried out the ambush | 0:00:51 | 0:00:52 | |
'under orders from Deputy Chief Constable Dryden.' | 0:00:52 | 0:00:55 | |
You are going down for a long time, fella. | 0:00:57 | 0:01:00 | |
I request immunity from prosecution. | 0:01:00 | 0:01:02 | |
What about this other officer, the Caddy? | 0:01:05 | 0:01:07 | |
Apparently Cole likes to wear golf jumpers, | 0:01:07 | 0:01:09 | |
but he's never played the game. Hence, the Caddy. | 0:01:09 | 0:01:13 | |
Nice one. | 0:01:13 | 0:01:14 | |
-What is it? -Tracking device. | 0:01:17 | 0:01:18 | |
We were investigating Denton. The whole time it didn't matter what route she took that night, | 0:01:18 | 0:01:22 | |
the ambushers were tracking Akers! | 0:01:22 | 0:01:24 | |
DI Denton's medical records. | 0:01:26 | 0:01:28 | |
-NEWSREEL: -'Unconfirmed sources allege that the suspect | 0:01:33 | 0:01:35 | |
'is Deputy Chief Constable Mike Dryden.' | 0:01:35 | 0:01:38 | |
You were the last person to see Carly Kirk before she disappeared - | 0:01:41 | 0:01:44 | |
the last person to see a girl who's later found buried | 0:01:44 | 0:01:47 | |
under the industrial unit. | 0:01:47 | 0:01:49 | |
You instigated a conspiracy that led to the deaths | 0:01:51 | 0:01:54 | |
-of four police officers. -The only conspiracy is against me! | 0:01:54 | 0:01:57 | |
Let us commend Elizabeth to the mercy of God. | 0:02:11 | 0:02:13 | |
We therefore commit her body to the ground, earth to earth, | 0:02:14 | 0:02:18 | |
ashes to ashes, dust to dust, | 0:02:18 | 0:02:21 | |
in the sure and certain hope of the resurrection to eternal life. | 0:02:21 | 0:02:25 | |
You recorded a dying declaration in which you stated that the ambush | 0:02:29 | 0:02:33 | |
was carried out on the orders of | 0:02:33 | 0:02:34 | |
Deputy Chief Constable Michael Dryden. | 0:02:34 | 0:02:37 | |
That statement was made under fear for my life, | 0:02:37 | 0:02:39 | |
when I would have said anything. | 0:02:39 | 0:02:41 | |
I retract. | 0:02:41 | 0:02:43 | |
(Mother of God.) | 0:02:43 | 0:02:45 | |
So, who did order the ambush? | 0:02:46 | 0:02:49 | |
I'm not getting into that. | 0:02:49 | 0:02:50 | |
So what about these photos of Dryden and Carly Kirk? | 0:02:52 | 0:02:55 | |
It's covered. | 0:02:59 | 0:03:01 | |
I confirm that Tommy Hunter engaged me | 0:03:02 | 0:03:04 | |
for the purpose of acquiring incriminating photographs. | 0:03:04 | 0:03:07 | |
Great. Fine. Good. But this is where my head starts spinning. | 0:03:07 | 0:03:11 | |
Because you're Tommy's man, | 0:03:11 | 0:03:12 | |
and yet here you are involved with trying to kill him. | 0:03:12 | 0:03:15 | |
Tommy was blackmailing the Deputy Chief Constable, right? | 0:03:15 | 0:03:19 | |
And if he'd do that to keep his immunity, what else would he do? | 0:03:19 | 0:03:22 | |
There was a school of thought that maybe we'd be better off | 0:03:22 | 0:03:25 | |
-with Tommy out of the picture. -Who's "we"? | 0:03:25 | 0:03:28 | |
Various parties associated with Tommy's past, you know? | 0:03:28 | 0:03:31 | |
Well, other departments can follow those particular lines of inquiry. | 0:03:31 | 0:03:34 | |
We are only interested in one thing and one thing only - | 0:03:34 | 0:03:37 | |
and that is bent coppers. | 0:03:37 | 0:03:39 | |
-Thanks, Steve. -No problem. | 0:03:45 | 0:03:47 | |
I really appreciated this. | 0:03:49 | 0:03:51 | |
I would've hated to have had a couple of uniforms standing next to me | 0:03:51 | 0:03:54 | |
at the graveside. | 0:03:54 | 0:03:55 | |
It's fine. | 0:03:56 | 0:03:58 | |
-Can I ask you one more favour? -Sure. | 0:04:00 | 0:04:03 | |
Do you mind going...just going by the nursing home? | 0:04:03 | 0:04:06 | |
They want to send my mum's...personal effects, | 0:04:08 | 0:04:11 | |
and I'd rather go and get them myself. | 0:04:11 | 0:04:13 | |
I'll get the authority. | 0:04:16 | 0:04:18 | |
We're going to name you some police officers, | 0:04:21 | 0:04:23 | |
and you are going to tell us what crime or crimes they committed. | 0:04:23 | 0:04:26 | |
Have you got it? | 0:04:26 | 0:04:28 | |
We're going to start with Deputy Chief Constable Michael Dryden. | 0:04:28 | 0:04:32 | |
Dryden got himself blown by the girl. | 0:04:32 | 0:04:35 | |
Did he kill her? | 0:04:35 | 0:04:36 | |
To confirm the agreement, | 0:04:38 | 0:04:40 | |
any evidence that you give in this regard is immune from prosecution. | 0:04:40 | 0:04:45 | |
We had the photos... | 0:04:48 | 0:04:51 | |
but we needed the threat of the girl being able to testify | 0:04:51 | 0:04:54 | |
to really turn the screw. | 0:04:54 | 0:04:56 | |
But she did a runner. | 0:04:56 | 0:04:58 | |
So you killed her? | 0:04:58 | 0:05:00 | |
Are you listening to me? She did a runner. | 0:05:00 | 0:05:02 | |
And so what did you do? | 0:05:02 | 0:05:04 | |
We got another body, dressed her up in a waitress' uniform, | 0:05:04 | 0:05:06 | |
and took photos. | 0:05:06 | 0:05:08 | |
-This body... -Another girl. | 0:05:09 | 0:05:11 | |
-Who? -Just some little slapper that fit the bill. | 0:05:11 | 0:05:14 | |
Put this case anywhere before I go? | 0:05:28 | 0:05:30 | |
Yeah, if you wouldn't mind. It's just, erm... | 0:05:30 | 0:05:33 | |
up the stairs, it's the room at the front of the house. | 0:05:33 | 0:05:36 | |
Bye. | 0:05:49 | 0:05:50 | |
Bye. | 0:05:52 | 0:05:53 | |
SHE SOBS | 0:05:55 | 0:05:59 | |
Look, DS Jayne Akers, the witness protection officer, | 0:06:03 | 0:06:07 | |
how'd she get involved? | 0:06:07 | 0:06:08 | |
-There's a middleman. -Who? | 0:06:08 | 0:06:10 | |
I never met him. We just talked over payphones. | 0:06:12 | 0:06:16 | |
No name. | 0:06:16 | 0:06:18 | |
He fixed Akers. | 0:06:18 | 0:06:19 | |
So Akers knew who he was? | 0:06:19 | 0:06:22 | |
Was this why Akers was killed? | 0:06:22 | 0:06:24 | |
She knew names. | 0:06:24 | 0:06:25 | |
This middleman. We have DC Jeremy Cole named as the Caddy. | 0:06:25 | 0:06:30 | |
Cole couldn't organise a piss-up in a brewery. | 0:06:31 | 0:06:34 | |
So he wasn't the Caddy? | 0:06:34 | 0:06:36 | |
Well, if he was, it's news to me. | 0:06:37 | 0:06:39 | |
One final name we're interested in is DI Lindsay Denton. | 0:06:40 | 0:06:44 | |
-What about her? -At the ambush, why was DI Lindsay Denton spared? | 0:06:44 | 0:06:48 | |
All I know, there was an order. | 0:06:52 | 0:06:55 | |
What was the order? | 0:06:55 | 0:06:57 | |
"Don't hurt Denton." | 0:06:57 | 0:06:59 | |
I'm sorry about your mum. | 0:07:11 | 0:07:13 | |
Thanks. | 0:07:13 | 0:07:14 | |
We're going to show you CCTV | 0:07:15 | 0:07:17 | |
captured on the evening of the 16th of August. | 0:07:17 | 0:07:19 | |
It shows Dryden and Prasad at an event at City Hall. | 0:07:21 | 0:07:24 | |
I'm now going to fast-forward a bit. | 0:07:26 | 0:07:29 | |
Oh, my God. That's Carly. | 0:07:36 | 0:07:38 | |
I now want to show you another image from the same night. | 0:07:38 | 0:07:42 | |
This is the security camera at the City Hall car park. | 0:07:42 | 0:07:45 | |
It shows Dryden leaving with Carly. | 0:07:47 | 0:07:50 | |
You were investigating the disappearance of Carly Kirk, | 0:07:51 | 0:07:54 | |
this is crucial evidence. | 0:07:54 | 0:07:56 | |
You must be frustrated you didn't find it earlier. | 0:07:56 | 0:07:58 | |
Extremely frustrated. | 0:07:58 | 0:08:00 | |
Well, we're now in a position to inform you of a development | 0:08:00 | 0:08:03 | |
with the body found under the garage floor. | 0:08:03 | 0:08:06 | |
Have they confirmed that it's her? | 0:08:06 | 0:08:08 | |
The opposite - it isn't her. | 0:08:08 | 0:08:10 | |
Well...that's wonderful. | 0:08:15 | 0:08:19 | |
She means a lot to you, doesn't she, ma'am? | 0:08:19 | 0:08:21 | |
Well, why wouldn't the life of a child mean a lot to anyone? | 0:08:22 | 0:08:25 | |
-I didn't know this was happening. -Sit down. The more, the merrier. | 0:08:30 | 0:08:34 | |
Thank you, DI Denton. | 0:08:34 | 0:08:36 | |
-You OK? -I said sit down, for the second time, DS Arnott. | 0:08:36 | 0:08:40 | |
We'll now show you the second vehicle captured | 0:08:49 | 0:08:52 | |
leaving the City Hall car park. | 0:08:52 | 0:08:53 | |
-What does this image show? -You can't do this. | 0:08:58 | 0:09:00 | |
Are you prepared to answer that question, DI Denton? | 0:09:02 | 0:09:04 | |
The image shows me. | 0:09:09 | 0:09:11 | |
Why were you there, Lindsay? | 0:09:13 | 0:09:14 | |
Mike wasn't returning my calls. I went there to confront him. | 0:09:17 | 0:09:22 | |
In a public space, he would have to avoid a scene. | 0:09:22 | 0:09:24 | |
So instead you followed him. | 0:09:24 | 0:09:26 | |
No, I didn't. I was upset. I went straight home. | 0:09:26 | 0:09:29 | |
What upset you? | 0:09:29 | 0:09:31 | |
-Seeing him. -Seeing him with Carly Kirk? | 0:09:31 | 0:09:33 | |
I saw Mike at the function. I didn't see Carly. | 0:09:33 | 0:09:36 | |
No? Well, they're right in front of you. | 0:09:36 | 0:09:38 | |
Kate. She's answered. | 0:09:38 | 0:09:39 | |
I absolutely didn't see that Carly was in the car with him. | 0:09:39 | 0:09:42 | |
-SHE SCOFFS -Do you seriously expect us to believe that? | 0:09:42 | 0:09:45 | |
The first thing I knew about Carly Kirk was when I was put on her case. | 0:09:45 | 0:09:48 | |
After the ambush. Before that, I knew nothing. | 0:09:48 | 0:09:52 | |
If I had, I'd have investigated. There'd be evidence on my hard drive. | 0:09:52 | 0:09:55 | |
We looked. There wasn't any. | 0:09:55 | 0:09:57 | |
It's fine. | 0:09:59 | 0:10:00 | |
Thank you, DI Denton. | 0:10:04 | 0:10:05 | |
We'll place this interview in the case file and submit it to the CPS. | 0:10:07 | 0:10:11 | |
Glad to have been of help, sir. | 0:10:11 | 0:10:13 | |
I'll give you a lift home. | 0:10:15 | 0:10:17 | |
DISTANT SIRENS | 0:10:34 | 0:10:37 | |
DOOR OPENS | 0:10:53 | 0:10:54 | |
I've had an opportunity to discuss your case file | 0:10:54 | 0:10:58 | |
with the Crown Prosecutor | 0:10:58 | 0:11:00 | |
and I have been authorised by her to proceed as follows. | 0:11:00 | 0:11:03 | |
In respect of conspiracy to murder a protected witness - | 0:11:04 | 0:11:09 | |
on the grounds of insufficient evidence, | 0:11:09 | 0:11:11 | |
there will be no charge at this time. | 0:11:11 | 0:11:14 | |
In respect of sexual activity with a child - | 0:11:14 | 0:11:17 | |
..on the grounds of insufficient evidence, | 0:11:19 | 0:11:22 | |
there will be no charge at this time. | 0:11:22 | 0:11:25 | |
In respect of perverting the course of justice, | 0:11:25 | 0:11:28 | |
in relation to your wife's driving offence, you will be charged now. | 0:11:28 | 0:11:34 | |
The Custody Officer has been authorised to release you | 0:11:34 | 0:11:38 | |
on conditional bail. And in the meantime | 0:11:38 | 0:11:41 | |
I will submit your case file to the Crown Prosecution Service. | 0:11:41 | 0:11:44 | |
Interview terminated. | 0:11:44 | 0:11:46 | |
I'll fight this. | 0:11:49 | 0:11:50 | |
The Crown Prosecutor and I are of a mind to believe that you were | 0:11:53 | 0:11:56 | |
knowingly establishing an alibi for your activities with Carly Kirk. | 0:11:56 | 0:12:00 | |
Now, the Crown Prosecutor may not feel that there was enough evidence. | 0:12:00 | 0:12:04 | |
As for me, I would throw the book at you. | 0:12:04 | 0:12:07 | |
That wee girl, she was only 15. | 0:12:08 | 0:12:10 | |
-Come on. We're done here. -Ted. Wait. Please. | 0:12:13 | 0:12:16 | |
If you wouldn't mind. | 0:12:19 | 0:12:20 | |
Thank you, Kate. | 0:12:23 | 0:12:24 | |
I've made a catastrophic error of judgment. | 0:12:28 | 0:12:30 | |
And I need to make amends. | 0:12:30 | 0:12:33 | |
You and Les Hargreaves still haven't found out | 0:12:33 | 0:12:36 | |
who orchestrated the ambush. | 0:12:36 | 0:12:38 | |
You've got to get to the bottom of this, Ted. | 0:12:38 | 0:12:40 | |
I don't want my last, most important case to end in failure. | 0:12:40 | 0:12:43 | |
There are things I can do to help. | 0:12:43 | 0:12:45 | |
If you say so. | 0:12:45 | 0:12:47 | |
This is now a voluntary intelligence interview. | 0:12:49 | 0:12:52 | |
-Go and make sure they don't cock up bail. -You sure? -Yes. | 0:12:52 | 0:12:55 | |
What's he up to? | 0:12:56 | 0:12:58 | |
Oldest trick in the book. | 0:12:58 | 0:13:00 | |
You've got the gunmen but you need the people who ordered the ambush. | 0:13:08 | 0:13:13 | |
I can be of help. | 0:13:13 | 0:13:15 | |
And if your information was to lead to a breakthrough... | 0:13:17 | 0:13:20 | |
Then it wouldn't be too much to ask for the CPS to | 0:13:20 | 0:13:22 | |
look at dropping the charge against me. | 0:13:22 | 0:13:24 | |
With a nudge from me? | 0:13:24 | 0:13:26 | |
Lindsay Denton was following me the evening the photographs were taken, | 0:13:29 | 0:13:34 | |
irrespective of what she says or what the mobile phone evidence says. | 0:13:34 | 0:13:38 | |
I am sick to my back teeth of this mud-slinging between you | 0:13:38 | 0:13:41 | |
and your bit on the side. I am talking about a conspiracy here | 0:13:41 | 0:13:44 | |
in which four police officers were killed! | 0:13:44 | 0:13:47 | |
Listen to me, Ted. Listen. | 0:13:47 | 0:13:49 | |
I gave Carly Kirk a lift to Edge Park Railway Station. | 0:13:52 | 0:13:57 | |
That's when I saw Lindsay Denton. There'll be CCTV. | 0:13:57 | 0:14:01 | |
Now, her being there can only mean that she knows | 0:14:01 | 0:14:05 | |
more about the girl, the...entrapment, the ambush than she's letting on. | 0:14:05 | 0:14:08 | |
I'm not being vindictive, Ted. | 0:14:10 | 0:14:13 | |
I just want the guilty parties brought to justice. | 0:14:13 | 0:14:17 | |
Now, Edge Park's a small station. | 0:14:19 | 0:14:21 | |
This is the only camera that faces away from the platforms. | 0:14:21 | 0:14:24 | |
Now, there's no trains for half an hour so nothing's coming in or out | 0:14:24 | 0:14:27 | |
but then what appears to be Dryden's vehicle, | 0:14:27 | 0:14:30 | |
carrying him and Carly, enters. | 0:14:30 | 0:14:33 | |
15 minutes later, Dryden's vehicle exits at high speed. | 0:14:33 | 0:14:38 | |
Passenger seat's empty. No Carly. But if we keep going... | 0:14:38 | 0:14:42 | |
..shortly after, an unidentified vehicle exits the car park. | 0:14:45 | 0:14:50 | |
But if we rewind... | 0:14:50 | 0:14:51 | |
..that same vehicle is seen entering the car park | 0:14:54 | 0:14:58 | |
15 minutes before Dryden's. | 0:14:58 | 0:15:01 | |
This is the vehicle used to obtain the photos of Dryden and Carly? | 0:15:01 | 0:15:04 | |
Most likely. | 0:15:04 | 0:15:05 | |
Do we have any sighting of Denton at all? | 0:15:05 | 0:15:08 | |
No. | 0:15:08 | 0:15:10 | |
-No. -She could've been there but just knew how to avoid the cameras. | 0:15:12 | 0:15:16 | |
Dryden didn't. What makes Denton so smart? | 0:15:16 | 0:15:19 | |
Because she is, Steve. | 0:15:19 | 0:15:21 | |
Well, I see nothing here to incriminate Denton. | 0:15:21 | 0:15:24 | |
-Dot, have you got a minute? -Sir. | 0:15:24 | 0:15:26 | |
Get ready, you two, we've got a meeting to go to. | 0:15:26 | 0:15:28 | |
Yes, sir. | 0:15:28 | 0:15:30 | |
Now listen, you and I both know that Prasad is a lying so-and-so | 0:15:33 | 0:15:37 | |
but he's saying no to Cole being the Caddy. | 0:15:37 | 0:15:39 | |
Now, the Caddy, as you know, is the missing link | 0:15:39 | 0:15:42 | |
between the criminal parties and the corrupt officers, I'm sure of it. | 0:15:42 | 0:15:46 | |
And he's your responsibility, Matthew. | 0:15:46 | 0:15:48 | |
Sir. Yeah, I'm...I'm on it. | 0:15:48 | 0:15:51 | |
-Yeah. -Sir. | 0:15:51 | 0:15:53 | |
-I will return to it. -Yes, sir. | 0:15:53 | 0:15:56 | |
You found a lump on Akers' car, and you hid it from us. | 0:16:06 | 0:16:09 | |
There were irregularities with the evidence. | 0:16:09 | 0:16:12 | |
What irregularities? | 0:16:12 | 0:16:13 | |
Forensics on the tracking device were inconclusive | 0:16:13 | 0:16:16 | |
due to fire damage. | 0:16:16 | 0:16:18 | |
Is that a good enough reason to not share the evidence? | 0:16:19 | 0:16:22 | |
We'd appreciate those reports. | 0:16:25 | 0:16:27 | |
Jolly? | 0:16:30 | 0:16:31 | |
I'll e-mail them today. | 0:16:31 | 0:16:33 | |
It's all right, have mine. | 0:16:33 | 0:16:35 | |
Ta. | 0:16:36 | 0:16:38 | |
-Thank you, Detective Chief Superintendent. -Mm. | 0:16:38 | 0:16:40 | |
We are not the enemy. | 0:16:45 | 0:16:46 | |
Why don't you try telling that to Mike Dryden, eh? | 0:16:46 | 0:16:49 | |
Best boss I've ever had. | 0:16:49 | 0:16:51 | |
Come on. | 0:16:52 | 0:16:53 | |
So, this is where the ambush happened. | 0:17:22 | 0:17:25 | |
Three of our own killed in cold blood. | 0:17:25 | 0:17:28 | |
Poor buggers. | 0:17:28 | 0:17:29 | |
See, I wondered if you might recognise this place. | 0:17:29 | 0:17:32 | |
Me? Why? | 0:17:32 | 0:17:34 | |
It's because of what we talked about last time - the Caddy. | 0:17:34 | 0:17:39 | |
-Jeremy Cole. -Right. | 0:17:39 | 0:17:41 | |
So. Cole. He knew this was the right place for the set-up. | 0:17:41 | 0:17:45 | |
Fast roads, in and out, far enough out for there to be | 0:17:45 | 0:17:48 | |
no witnesses, not so far that you'd think you'd en route to Timbuktu. | 0:17:48 | 0:17:52 | |
Makes sense. | 0:17:52 | 0:17:53 | |
Now, here's the thing. | 0:17:53 | 0:17:55 | |
If you could go the extra mile for me, say you came here with Cole, | 0:17:55 | 0:18:00 | |
we could all sign off from this happy. | 0:18:00 | 0:18:02 | |
How's that work? | 0:18:03 | 0:18:05 | |
Cole brought you here, told you he had underworld connections, | 0:18:05 | 0:18:09 | |
had had since he was a lad. | 0:18:09 | 0:18:11 | |
Thought you might be susceptible to earning a few quid. | 0:18:11 | 0:18:14 | |
-Problem? -It's beginning to sound like something I'd be smart to | 0:18:17 | 0:18:21 | |
-stay well out of. -Me too, mate. But I can't. | 0:18:21 | 0:18:23 | |
But that's Anti-Corruption for you. | 0:18:26 | 0:18:29 | |
Hastings never lets anything drop, does he? | 0:18:29 | 0:18:32 | |
Sorry. | 0:18:32 | 0:18:33 | |
You see, now you've got me worried. | 0:18:36 | 0:18:39 | |
-No need. -No, but I am, though, I am. | 0:18:39 | 0:18:41 | |
Mate... | 0:18:41 | 0:18:43 | |
Am I, though? | 0:18:44 | 0:18:46 | |
A mate? Sure. | 0:18:46 | 0:18:48 | |
Yeah? | 0:18:51 | 0:18:52 | |
OK, then. | 0:19:01 | 0:19:02 | |
"OK, then," what? | 0:19:06 | 0:19:08 | |
-I can rely on you. -To...? | 0:19:08 | 0:19:09 | |
To provide a statement. | 0:19:09 | 0:19:11 | |
You provide a statement saying Cole boasted of underworld connections | 0:19:11 | 0:19:16 | |
and attempted to recruit you into | 0:19:16 | 0:19:18 | |
a clandestine network of corrupt police officers. | 0:19:18 | 0:19:21 | |
GRUNTING | 0:19:30 | 0:19:32 | |
HE COUGHS | 0:19:33 | 0:19:35 | |
HE PANTS | 0:19:45 | 0:19:47 | |
DOOR CLOSES | 0:19:55 | 0:19:58 | |
ENGINE STARTS | 0:19:58 | 0:20:00 | |
Shit! | 0:20:00 | 0:20:01 | |
Better not overdo it. | 0:20:34 | 0:20:35 | |
You said you got rid of a cat because of Dryden. | 0:20:42 | 0:20:44 | |
Why would you bring that up again? | 0:20:46 | 0:20:48 | |
Because AC-12 can access an officer's medical records. | 0:20:48 | 0:20:51 | |
It wasn't a cat. | 0:20:57 | 0:20:58 | |
-Are you going to sit in judgment? -No. | 0:21:01 | 0:21:03 | |
First AC-12 make a case against me | 0:21:05 | 0:21:07 | |
because I spent all my money caring for my mother. And now I'm what? | 0:21:07 | 0:21:10 | |
I'm sorry. | 0:21:10 | 0:21:11 | |
Must've been very upsetting for you. | 0:21:14 | 0:21:16 | |
You think? Bringing something... alive and lovely into this place... | 0:21:16 | 0:21:22 | |
SHE SIGHS | 0:21:22 | 0:21:24 | |
What happened? | 0:21:26 | 0:21:27 | |
Mike and his wife, | 0:21:29 | 0:21:31 | |
they didn't have kids, it wasn't part of the plan. | 0:21:31 | 0:21:34 | |
Did you talk to him about it? | 0:21:35 | 0:21:37 | |
I tried. He denied it was his. | 0:21:37 | 0:21:40 | |
It must've been very difficult, coping on your own. | 0:21:43 | 0:21:47 | |
It's the worst thing I've ever done. | 0:21:47 | 0:21:49 | |
Will be as long as I live. | 0:21:51 | 0:21:52 | |
I'd better go. | 0:22:02 | 0:22:04 | |
-You should get some rest. -Yeah. | 0:22:16 | 0:22:18 | |
I don't sleep. | 0:22:20 | 0:22:21 | |
Do you? | 0:22:22 | 0:22:24 | |
ENGINE STARTS | 0:23:00 | 0:23:02 | |
-Morning, sir. -Morning. | 0:23:07 | 0:23:09 | |
So I've had a bit of a problem with my job motor. | 0:23:09 | 0:23:12 | |
See, my friend, his broke down, so I lent it him, | 0:23:12 | 0:23:15 | |
tried to do him a favour. | 0:23:15 | 0:23:16 | |
Now, the last thing I want to do is put a bloke in it, | 0:23:16 | 0:23:20 | |
-but I can't get hold of him... -DC Morton? | 0:23:20 | 0:23:23 | |
Yeah. | 0:23:23 | 0:23:24 | |
DC Morton's just returning your service vehicle now, sir. | 0:23:24 | 0:23:27 | |
Can you sign me back out? | 0:23:27 | 0:23:29 | |
Find your way home all right? | 0:23:48 | 0:23:50 | |
Eventually. | 0:23:50 | 0:23:51 | |
All got a bit...unnecessary, don't you think? | 0:23:53 | 0:23:55 | |
Well, I don't know what to think, to be honest, mate. | 0:23:57 | 0:24:00 | |
Disability benefits, | 0:24:00 | 0:24:03 | |
all the cushy assignments, none of the brass dare touch me. | 0:24:03 | 0:24:08 | |
Right. | 0:24:08 | 0:24:09 | |
You know my secrets. | 0:24:11 | 0:24:13 | |
Now I know yours. | 0:24:15 | 0:24:17 | |
This was hidden under the back seat. Unregistered pay-as-you-go. | 0:24:17 | 0:24:21 | |
Lots of interesting numbers. | 0:24:23 | 0:24:25 | |
I made a note - won't say where - | 0:24:25 | 0:24:28 | |
just in case someone fancies digging out your call history. | 0:24:28 | 0:24:31 | |
Plus all the details about last night in case something happens to me. | 0:24:31 | 0:24:35 | |
That was in the past. | 0:24:38 | 0:24:39 | |
I'm clean now. | 0:24:41 | 0:24:42 | |
Me too. | 0:24:45 | 0:24:46 | |
But seems daft to blow the whistle on each other. | 0:24:50 | 0:24:53 | |
Thank you once again, DI Denton. | 0:25:19 | 0:25:21 | |
We've received the forensics report on the tracker device found | 0:25:23 | 0:25:26 | |
under the front left wheel arch of Akers' vehicle. | 0:25:26 | 0:25:30 | |
There are some irregularities that need to be explained. | 0:25:30 | 0:25:32 | |
Irregularities? | 0:25:32 | 0:25:33 | |
Well, the tracker would be expected to retain paint | 0:25:33 | 0:25:36 | |
and metal residues transferred during its prolonged contact | 0:25:36 | 0:25:39 | |
with the under-surface of Akers' vehicle. | 0:25:39 | 0:25:41 | |
And it doesn't. | 0:25:41 | 0:25:43 | |
Instead there's a mix of residues, | 0:25:43 | 0:25:46 | |
a proportion of which are consistent with the underside of | 0:25:46 | 0:25:49 | |
service vehicle - registration number NV54 OFT. | 0:25:49 | 0:25:54 | |
This being the service vehicle | 0:25:54 | 0:25:56 | |
you were driving on the night of the ambush. | 0:25:56 | 0:25:58 | |
Uh... | 0:25:58 | 0:26:00 | |
Obviously this is a... very peculiar finding. | 0:26:00 | 0:26:04 | |
ARNOTT CLEARS THROAT I don't know very much about it, but I wonder if... | 0:26:05 | 0:26:09 | |
if possibly exposure to the very high temperatures of the fire have caused an error. | 0:26:09 | 0:26:15 | |
Open flames typically reach 900 degrees Celsius. | 0:26:15 | 0:26:18 | |
You just said you didn't know much about it. | 0:26:21 | 0:26:24 | |
No, I...I didn't, I was just taken aback by the heat of the fire | 0:26:24 | 0:26:27 | |
at the time and it's something I... looked up afterwards. | 0:26:27 | 0:26:30 | |
Well, picking up on the forensics, though, | 0:26:30 | 0:26:32 | |
let's speculate on whether the tracker might not have | 0:26:32 | 0:26:34 | |
been on Akers' vehicle prior to it being found there that night. | 0:26:34 | 0:26:38 | |
You were a variable. Maybe you'd get suspicious and ruin the plan. | 0:26:38 | 0:26:41 | |
So they put a tracker on your car. | 0:26:41 | 0:26:43 | |
That's not what happened. | 0:26:44 | 0:26:46 | |
Or you were a scapegoat. Left alive to carry the blame. | 0:26:46 | 0:26:48 | |
And the tracker would only add to that. | 0:26:48 | 0:26:50 | |
As I just said, that's not what happened. | 0:26:50 | 0:26:53 | |
And yet, DI Denton, that's what the forensics are implying. | 0:26:53 | 0:26:57 | |
With respect, sir, this conversation can't take place. | 0:26:57 | 0:26:59 | |
You're asking DI Denton questions relating to | 0:26:59 | 0:27:01 | |
the charge of conspiracy to murder, | 0:27:01 | 0:27:03 | |
questions specifically off-limits under legal process. | 0:27:03 | 0:27:06 | |
Nobody's accusing Lindsay of anything here. | 0:27:06 | 0:27:08 | |
She's answering purely as a witness, DS Arnott. That right? | 0:27:08 | 0:27:13 | |
Yeah, of course. | 0:27:13 | 0:27:14 | |
Was it possible that a tracker could've been placed | 0:27:14 | 0:27:17 | |
under your car without your knowledge? | 0:27:17 | 0:27:19 | |
It's possible. | 0:27:19 | 0:27:21 | |
Because, if you were sure it couldn't be there, | 0:27:21 | 0:27:23 | |
that would mean you'd checked - and why would you do that? | 0:27:23 | 0:27:26 | |
SHE SIGHS | 0:27:31 | 0:27:33 | |
Look, I...I'm sorry, do you mind if I just take a loo break? | 0:27:33 | 0:27:37 | |
-Of course. -Thank you. | 0:27:39 | 0:27:40 | |
What the hell's this? | 0:27:49 | 0:27:51 | |
Well, we have on record the time Denton radioed in status zero. | 0:27:51 | 0:27:55 | |
Various figures are bandied about but the best estimate is between | 0:27:55 | 0:27:58 | |
four and five minutes elapsed before the blue lights arrived. | 0:27:58 | 0:28:02 | |
Now, if you were her, what would you do in that time? | 0:28:02 | 0:28:05 | |
My bet is, she found the tracker and she moved it. | 0:28:07 | 0:28:09 | |
Because that's the one thing that would prove she was part | 0:28:09 | 0:28:12 | |
of the ambush conspiracy before she got the emergency call that night. | 0:28:12 | 0:28:15 | |
Conspirator or scapegoat, either way, she was known to the ambushers. | 0:28:15 | 0:28:20 | |
FOOTSTEPS APPROACH | 0:28:33 | 0:28:36 | |
I like your necklace. | 0:28:39 | 0:28:40 | |
Sorry? | 0:28:42 | 0:28:44 | |
Your necklace. It's really pretty. | 0:28:44 | 0:28:47 | |
I can't explain the irregularities on the forensics. | 0:29:16 | 0:29:20 | |
But you must accept it's possible that somebody may have placed | 0:29:20 | 0:29:23 | |
the tracker on your vehicle without your knowledge? | 0:29:23 | 0:29:25 | |
I don't, actually, DC Fleming. | 0:29:25 | 0:29:27 | |
Because that would mean that I was known to the conspirators | 0:29:27 | 0:29:30 | |
prior to the ambush, and I wasn't. | 0:29:30 | 0:29:32 | |
Well, then why would there be an order to spare you? | 0:29:33 | 0:29:35 | |
-An order to spare me? -Kate, you can't ask this. | 0:29:37 | 0:29:40 | |
I'm sorry, did somebody say there was an order to spare me? | 0:29:40 | 0:29:44 | |
DI Denton, it would help us considerably | 0:29:44 | 0:29:46 | |
if you would be prepared to address the issue. | 0:29:46 | 0:29:49 | |
-I mean, if you'd rather not... -I'm sorry, sir. I just... | 0:29:49 | 0:29:53 | |
I just always wondered if I was lucky. | 0:29:53 | 0:29:56 | |
But now I realise they... they must've known | 0:29:56 | 0:29:58 | |
I had nothing to do with it, and...they planned to let me go. | 0:29:58 | 0:30:02 | |
So you were known to them. | 0:30:02 | 0:30:04 | |
They could have used you to track the convoy. | 0:30:04 | 0:30:06 | |
Which would mean there was a tracker and it had to have been moved. | 0:30:06 | 0:30:09 | |
Could've been a tracker, could've been moved. | 0:30:09 | 0:30:12 | |
There's no "could've" about it, DI Denton, that's what forensics says. | 0:30:12 | 0:30:15 | |
Yes, but, as a word to the wise, sir, | 0:30:15 | 0:30:17 | |
it's legally unacceptable for you to ask me if I moved it. | 0:30:17 | 0:30:20 | |
Do you know who moved it? | 0:30:23 | 0:30:25 | |
Very good. No, I don't. | 0:30:25 | 0:30:28 | |
Was it moved before the blue lights arrived? | 0:30:28 | 0:30:31 | |
Akers' car was on fire. | 0:30:31 | 0:30:33 | |
Nobody could get near that car until the fire was out. | 0:30:33 | 0:30:36 | |
It would be possible to transfer the tracker using | 0:30:36 | 0:30:39 | |
some kind of implement that would extend a person's reach. | 0:30:39 | 0:30:42 | |
Hmm. And was such an implement found at the scene? | 0:30:42 | 0:30:45 | |
SHE SIGHS | 0:30:45 | 0:30:47 | |
-No. -No. | 0:30:48 | 0:30:50 | |
Right, is there anything else? | 0:30:56 | 0:30:58 | |
No. Thank you, DI Denton, that will be all. | 0:31:00 | 0:31:02 | |
Well done, Kate. You gave it your best shot. | 0:31:12 | 0:31:14 | |
Nicking criminals is hard enough. | 0:31:23 | 0:31:25 | |
Nicking coppers - God give me strength. | 0:31:25 | 0:31:27 | |
PHONE RINGS | 0:31:45 | 0:31:47 | |
DS Arnott. | 0:31:53 | 0:31:54 | |
What? I'm on my way. | 0:31:56 | 0:31:58 | |
DOG BARKS | 0:32:05 | 0:32:07 | |
-Cheers, mate. Thanks for the call. -No problem. | 0:32:07 | 0:32:10 | |
Kate, let's go. | 0:32:10 | 0:32:11 | |
The bastard's changed the locks. I bloody live here! | 0:32:11 | 0:32:14 | |
Let's get you out of here, mate. | 0:32:14 | 0:32:16 | |
The last thing I need right now is you. | 0:32:16 | 0:32:18 | |
-These two uniforms are doing you a favour. So am I. -I live here, Steve! | 0:32:18 | 0:32:20 | |
Kate, move. | 0:32:20 | 0:32:22 | |
POLICEMAN: All right? | 0:32:23 | 0:32:25 | |
I've got her, mate. Thanks. | 0:32:25 | 0:32:26 | |
What's going on? | 0:32:29 | 0:32:31 | |
I just wanted to see my son. | 0:32:31 | 0:32:33 | |
You will. Just not in the middle of the night. | 0:32:33 | 0:32:35 | |
Well, I haven't got anywhere else to go. | 0:32:35 | 0:32:37 | |
Where've you been staying? | 0:32:37 | 0:32:39 | |
Kate. | 0:32:39 | 0:32:40 | |
I was undercover on Denton and I blew it. | 0:32:43 | 0:32:45 | |
And now we're blowing the whole case. | 0:32:45 | 0:32:47 | |
I need to close this, Steve, or I've got nothing. | 0:32:47 | 0:32:49 | |
-Listen... -You were shagging the nurse and now you're shagging | 0:32:49 | 0:32:52 | |
-the prime suspect. -I'm not. -I saw you together. | 0:32:52 | 0:32:54 | |
Your undercover failed because we underestimated Lindsay. | 0:32:54 | 0:32:57 | |
Mine's succeeding... | 0:32:57 | 0:32:58 | |
because she underestimates me just as much as you do. | 0:32:58 | 0:33:01 | |
What? | 0:33:01 | 0:33:02 | |
I think you're right about her. OK? I think she done it. | 0:33:04 | 0:33:07 | |
SHE BREATHES UNSTEADILY | 0:33:09 | 0:33:11 | |
You OK? | 0:33:13 | 0:33:14 | |
No. | 0:33:16 | 0:33:17 | |
(Come here. All right. It's all right. You'll be all right.) | 0:33:20 | 0:33:25 | |
Cheers, Steve. | 0:33:31 | 0:33:32 | |
Well, we're definitely missing something. | 0:33:33 | 0:33:36 | |
The scene of the ambush has been gone through every which way. | 0:33:36 | 0:33:39 | |
There aren't any forensics that incriminate Lindsay. | 0:33:39 | 0:33:42 | |
Look, let's scrap the ambush for a bit, we need to go back further. | 0:33:43 | 0:33:47 | |
We know she was there at City Hall on the night of the 16th. | 0:33:47 | 0:33:51 | |
Let's assume Lindsay did follow Dryden | 0:33:51 | 0:33:53 | |
and Carly to the train station, right. | 0:33:53 | 0:33:55 | |
There was limited CCTV coverage and she's clever enough to avoid | 0:33:55 | 0:33:58 | |
the camera, but she does witness the sting on Dryden involving Carly. | 0:33:58 | 0:34:02 | |
I mean, she's always denied a connection to Tommy. | 0:34:02 | 0:34:05 | |
But this would be it, 20 days before the ambush. | 0:34:05 | 0:34:07 | |
Carly's the connection. If Lindsay was there, | 0:34:07 | 0:34:09 | |
she would have known about Carly much earlier than she claims. | 0:34:09 | 0:34:13 | |
That would leave a trail. | 0:34:13 | 0:34:14 | |
MACHINE BEEPS | 0:34:14 | 0:34:16 | |
Get dressed. | 0:34:16 | 0:34:18 | |
You break a girl's heart. | 0:34:18 | 0:34:20 | |
KNOCK AT DOOR | 0:34:33 | 0:34:35 | |
-ARNOTT: -May we have a word, please, sir? | 0:34:35 | 0:34:37 | |
-DS Arnott, sir. -DC Fleming. | 0:34:43 | 0:34:46 | |
-You were here undercover. -Yes, sir. | 0:34:47 | 0:34:50 | |
Still spying on us? | 0:34:50 | 0:34:52 | |
Sir, we've got a few questions in regard to | 0:34:52 | 0:34:54 | |
our investigation into DI Denton. | 0:34:54 | 0:34:56 | |
I'd like my Superintendents' Association rep here | 0:34:56 | 0:34:58 | |
before I address your questions. | 0:34:58 | 0:35:00 | |
It's your prerogative, sir, if you want to go down that route. | 0:35:00 | 0:35:02 | |
Or you can continue as a witness | 0:35:02 | 0:35:04 | |
and AC-12 will note your cooperation within your performance review. | 0:35:04 | 0:35:08 | |
We hear you're applying for the Executive Officers' course. | 0:35:08 | 0:35:11 | |
Sir, with regard to DI Denton, we know she was | 0:35:12 | 0:35:15 | |
interested in the disappearance of Carly Kirk. | 0:35:15 | 0:35:17 | |
It's one of the missing persons cases placed on 28-day review | 0:35:20 | 0:35:24 | |
and placed within Denton's brief. | 0:35:24 | 0:35:25 | |
Did she ever show any interest in the case before then, sir? | 0:35:27 | 0:35:30 | |
No. No, she didn't. | 0:35:30 | 0:35:33 | |
As far as I know, it was only when I put her on the 28s, | 0:35:33 | 0:35:35 | |
after the ambush. | 0:35:35 | 0:35:37 | |
Right. | 0:35:37 | 0:35:38 | |
Who dealt with the case originally? | 0:35:38 | 0:35:40 | |
Response officer was Sergeant O'Neill. | 0:35:40 | 0:35:43 | |
We were at 4th Street today. | 0:35:50 | 0:35:52 | |
Really? | 0:35:52 | 0:35:54 | |
We're looking at the Duty Sergeant. | 0:35:54 | 0:35:56 | |
-O'Neill? -Yeah. | 0:35:56 | 0:35:58 | |
I checked his record. | 0:36:00 | 0:36:02 | |
Seen you had a run-in with him last year, | 0:36:02 | 0:36:05 | |
got him disciplined for misuse of his work computer. | 0:36:05 | 0:36:08 | |
Yeah. There was never any love lost between us two. | 0:36:08 | 0:36:11 | |
We know he took the call from Akers the night of the ambush. | 0:36:12 | 0:36:15 | |
Could he have been in on it, let you take the blame? | 0:36:17 | 0:36:21 | |
I don't see how. Do you want another drink? | 0:36:21 | 0:36:24 | |
Yeah. | 0:36:24 | 0:36:25 | |
RECORDER BEEPS | 0:36:33 | 0:36:35 | |
What duties did you carry out in connection with | 0:36:40 | 0:36:42 | |
the disappearance of Carly Kirk? | 0:36:42 | 0:36:44 | |
Uh... | 0:36:46 | 0:36:48 | |
I was the initial response officer. | 0:36:48 | 0:36:50 | |
As soon as we found out about her disappearance, | 0:36:52 | 0:36:55 | |
I organised the interview with her foster parents, her mates. | 0:36:55 | 0:36:59 | |
I organised the door-to-door, but it were a dead end. | 0:36:59 | 0:37:03 | |
She went on a 28-day review after that | 0:37:03 | 0:37:05 | |
and I had nowt to do with the case. | 0:37:05 | 0:37:07 | |
We've uncovered information that Carly Kirk was involved in | 0:37:09 | 0:37:12 | |
a blackmail conspiracy with a man using the name of Alex Campbell. | 0:37:12 | 0:37:16 | |
As part of our investigation, we seized your work computer. | 0:37:18 | 0:37:21 | |
On the hard drive we found evidence of a police database search | 0:37:21 | 0:37:24 | |
carried out on the 25th August of this year | 0:37:24 | 0:37:26 | |
in respect of the name Alex Campbell. | 0:37:26 | 0:37:29 | |
Sergeant, why were you gathering information on Alex Campbell? | 0:37:29 | 0:37:33 | |
I wasn't, sir. | 0:37:34 | 0:37:35 | |
You deny it? | 0:37:37 | 0:37:38 | |
Yes, sir. | 0:37:39 | 0:37:41 | |
Sergeant O'Neill has a history of misconduct. | 0:37:41 | 0:37:43 | |
A yellow notice for using his work computer | 0:37:43 | 0:37:46 | |
to access online gambling sites. | 0:37:46 | 0:37:47 | |
Yellow notice already. Two strikes and you're out. | 0:37:47 | 0:37:50 | |
-No job, no pension. -On the night of the ambush, | 0:37:50 | 0:37:52 | |
Sergeant O'Neill was the Duty Sergeant at 4th Street Station. | 0:37:52 | 0:37:55 | |
You lost two good mates that night. | 0:37:55 | 0:37:57 | |
Come on, why were you gathering information on Alex Campbell? | 0:37:57 | 0:38:00 | |
I've no need to tell you, Sergeant, | 0:38:02 | 0:38:04 | |
conspiracy to murder carries a life sentence. | 0:38:04 | 0:38:07 | |
This will not be a red notice. | 0:38:07 | 0:38:09 | |
I will go for the full criminal prosecution. | 0:38:09 | 0:38:11 | |
You need to start talking. | 0:38:16 | 0:38:17 | |
Now. | 0:38:19 | 0:38:21 | |
Hi, ma'am, how are you? | 0:38:31 | 0:38:32 | |
Yeah, fine. | 0:38:32 | 0:38:34 | |
Would you be prepared to accompany me to a crime scene? | 0:38:34 | 0:38:36 | |
It may help us find Carly Kirk. | 0:38:36 | 0:38:39 | |
-Where? -Edge Park Railway Station. | 0:38:39 | 0:38:41 | |
Yeah. Absolutely. | 0:38:43 | 0:38:44 | |
When I worked with you, | 0:39:02 | 0:39:03 | |
I saw first-hand how much it meant to you finding Carly. | 0:39:03 | 0:39:05 | |
Just doing my job. | 0:39:05 | 0:39:07 | |
You don't have to put up a front, ma'am. | 0:39:07 | 0:39:10 | |
With missing persons, sometimes you feel a connection. | 0:39:10 | 0:39:12 | |
We're not machines. | 0:39:12 | 0:39:13 | |
Well, now we now know that Carly might be alive, | 0:39:16 | 0:39:18 | |
her visit here with Dryden may be crucial to finding her. | 0:39:18 | 0:39:20 | |
I'd like to find her, just to know that she's OK. | 0:39:20 | 0:39:24 | |
I think you were here that evening. | 0:39:27 | 0:39:29 | |
I think you can help us find her. Who else was here? | 0:39:31 | 0:39:35 | |
I wouldn't know. | 0:39:36 | 0:39:37 | |
Alex Campbell, aka Tommy Hunter - the protected witness. | 0:39:38 | 0:39:41 | |
I'm sorry, Kate, but I can't help you. | 0:39:41 | 0:39:43 | |
Carly's in terrible danger. | 0:39:43 | 0:39:45 | |
God only knows what might be happening to her. | 0:39:45 | 0:39:47 | |
What happened here, Lindsay? | 0:39:49 | 0:39:51 | |
I don't know because I wasn't here. | 0:39:51 | 0:39:53 | |
Why don't you just tell me the truth? | 0:39:58 | 0:40:01 | |
I want to go home now. | 0:40:07 | 0:40:10 | |
INDISTINCT CHATTER | 0:40:43 | 0:40:44 | |
Thanks. | 0:40:44 | 0:40:45 | |
INAUDIBLE SPEECH | 0:40:59 | 0:41:02 | |
-Hi. -Hi. | 0:41:23 | 0:41:24 | |
I like your necklace. | 0:41:27 | 0:41:29 | |
Sorry? | 0:41:29 | 0:41:31 | |
Your necklace. It's really pretty. | 0:41:31 | 0:41:33 | |
Thanks. My mum gave it to me. | 0:41:33 | 0:41:36 | |
Lucky you. | 0:41:36 | 0:41:38 | |
I don't think it's anything special. It's just a cheap one. | 0:41:38 | 0:41:41 | |
I meant that you have a mum that gives you nice things. | 0:41:41 | 0:41:44 | |
ENGINE STARTS | 0:42:01 | 0:42:03 | |
Get out. | 0:42:27 | 0:42:28 | |
TYRES SCREECH | 0:42:43 | 0:42:45 | |
What did you do? | 0:42:48 | 0:42:50 | |
... off! | 0:42:50 | 0:42:52 | |
Tom, let's just get her in the car. Come on. | 0:42:55 | 0:42:57 | |
You wee tramp! | 0:42:57 | 0:42:59 | |
CARLY SCREAMS | 0:42:59 | 0:43:00 | |
Come here. Come here to me. You idiot. | 0:43:00 | 0:43:03 | |
CARLY SCREAMS | 0:43:03 | 0:43:04 | |
You tramp! Come here, you. To me! | 0:43:04 | 0:43:08 | |
Bring her to me! | 0:43:08 | 0:43:10 | |
HE SIGHS | 0:44:02 | 0:44:04 | |
Been messing with my computer? | 0:44:11 | 0:44:13 | |
You been up to your old habits? | 0:44:13 | 0:44:15 | |
I should report you. | 0:44:16 | 0:44:17 | |
And have somebody trawling through your hard drive? | 0:44:17 | 0:44:20 | |
With your track record? | 0:44:20 | 0:44:22 | |
Alex Campbell? | 0:44:33 | 0:44:35 | |
I need to get to the chemist. | 0:44:35 | 0:44:37 | |
DI Denton. This vehicle's registered to Alex Campbell. | 0:44:37 | 0:44:41 | |
My apologies. How can I help you, Inspector? | 0:44:42 | 0:44:45 | |
The vehicle's linked to a reported assault on a girl. | 0:44:45 | 0:44:48 | |
Is there a problem here? | 0:44:52 | 0:44:53 | |
No. No problem. Think I must have the wrong person. | 0:44:58 | 0:45:02 | |
You have a good day, Inspector. | 0:45:04 | 0:45:06 | |
KNOCK ON DOOR | 0:45:23 | 0:45:24 | |
Sorry to disturb you at home, ma'am. Can I come in, please? | 0:45:33 | 0:45:37 | |
What do you know about Mr Campbell, ma'am? | 0:45:49 | 0:45:51 | |
I'd rather not say. | 0:45:51 | 0:45:52 | |
You left pretty sharpish. | 0:45:52 | 0:45:54 | |
Maybe you weren't acting in a... official capacity. | 0:45:54 | 0:45:58 | |
I shouldn't have got involved. | 0:45:58 | 0:46:00 | |
You are involved, ma'am. | 0:46:00 | 0:46:02 | |
Meaning? | 0:46:02 | 0:46:03 | |
Meaning...that I was hoping we could develop a common purpose. | 0:46:03 | 0:46:07 | |
I don't think so. | 0:46:07 | 0:46:08 | |
The girl. You know she's only 15? | 0:46:08 | 0:46:11 | |
Girls, drugs, guns. He's been into the lot. | 0:46:13 | 0:46:17 | |
And he still is, and we can't touch him for it. | 0:46:17 | 0:46:20 | |
Right. | 0:46:20 | 0:46:22 | |
This girl. They've drugged her. They've pimped her. | 0:46:22 | 0:46:25 | |
They've beat her. | 0:46:25 | 0:46:27 | |
There isn't anything they haven't done to her, and won't keep doing. | 0:46:27 | 0:46:30 | |
So let's start talking about saving this girl's life. | 0:46:33 | 0:46:37 | |
I'll arrest him. I'll bring him into 4th Street Station. | 0:46:38 | 0:46:41 | |
It's not going to happen. | 0:46:41 | 0:46:44 | |
He's got immunity. He's untouchable. | 0:46:44 | 0:46:46 | |
-He can't get away with this. -No, he can't. | 0:46:46 | 0:46:48 | |
What are you suggesting? | 0:46:50 | 0:46:51 | |
I don't know if I can trust you. | 0:46:53 | 0:46:55 | |
If it comes to saving the life of a 15-year-old girl, | 0:46:57 | 0:47:00 | |
then yes, you can. | 0:47:00 | 0:47:01 | |
It's got to be done right. | 0:47:03 | 0:47:05 | |
He's smart. He won't be taken in easily. | 0:47:06 | 0:47:09 | |
You'll get involved when you're on call as Duty Inspector. | 0:47:12 | 0:47:16 | |
-No. -There are other parties interested in him. | 0:47:16 | 0:47:20 | |
The less you know, the better, for your own good. | 0:47:20 | 0:47:24 | |
You'll get the information you need about the girl. | 0:47:24 | 0:47:27 | |
After that... do you care what happens to him? | 0:47:27 | 0:47:31 | |
Do you? Really? | 0:47:31 | 0:47:33 | |
And obviously we can help you in other ways. | 0:47:38 | 0:47:40 | |
Don't tell me you don't need it. | 0:47:43 | 0:47:44 | |
No. | 0:47:48 | 0:47:50 | |
We're already involved in this together, Lindsay. | 0:47:50 | 0:47:52 | |
There'll be a nice, calm, orderly handover of the witness. | 0:47:55 | 0:48:01 | |
No heroics. Definitely no guns. | 0:48:01 | 0:48:04 | |
Everybody walks away. | 0:48:04 | 0:48:07 | |
Everybody wins. | 0:48:07 | 0:48:09 | |
But before I leave here tonight... | 0:48:11 | 0:48:13 | |
I need the reassurance that you have got as much to lose as I do. | 0:48:13 | 0:48:17 | |
Take the money. | 0:48:20 | 0:48:21 | |
Enjoy it. | 0:48:26 | 0:48:27 | |
She's in. | 0:48:47 | 0:48:48 | |
She want to know names? | 0:48:49 | 0:48:51 | |
No. | 0:48:51 | 0:48:53 | |
Good. | 0:48:53 | 0:48:54 | |
Good for her. | 0:48:55 | 0:48:57 | |
'All that money getting me in here.' | 0:49:05 | 0:49:08 | |
You've got your own life to think of. | 0:49:09 | 0:49:12 | |
No. Mum, don't. | 0:49:12 | 0:49:13 | |
-My life's finished. -Don't say that. | 0:49:15 | 0:49:18 | |
I have to say it. | 0:49:18 | 0:49:19 | |
You've got to live yours, before it passes you by. | 0:49:21 | 0:49:25 | |
Fuck this. | 0:49:57 | 0:49:59 | |
TYRES SCREECH | 0:50:00 | 0:50:03 | |
What's she playing at? | 0:50:03 | 0:50:05 | |
-What's happening? -I don't know. | 0:50:05 | 0:50:07 | |
SHE SCREAMS | 0:50:18 | 0:50:19 | |
TYRES SCREECH | 0:50:19 | 0:50:21 | |
CRASH | 0:50:21 | 0:50:22 | |
No! | 0:50:22 | 0:50:24 | |
LOUD CRASH | 0:50:24 | 0:50:26 | |
GUNSHOTS, SCREAMING | 0:50:26 | 0:50:29 | |
AKERS SCREAMS | 0:50:38 | 0:50:41 | |
THEY BOTH SCREAM | 0:50:41 | 0:50:44 | |
Shit. | 0:51:03 | 0:51:05 | |
Shit. | 0:51:06 | 0:51:08 | |
SHE GRUNTS | 0:51:19 | 0:51:21 | |
SIRENS APPROACH | 0:51:56 | 0:51:58 | |
DOG BARKS | 0:52:34 | 0:52:36 | |
Anything to say, ma'am? | 0:52:40 | 0:52:41 | |
Hello, Inspector. | 0:52:50 | 0:52:51 | |
There were interesting findings on Sergeant O'Neill's computer. | 0:52:52 | 0:52:56 | |
You used it to get information on Tommy Hunter, | 0:52:56 | 0:52:58 | |
a full two weeks before the ambush. | 0:52:58 | 0:53:01 | |
O'Neill's lying. | 0:53:01 | 0:53:03 | |
He was the one that was in on the conspiracy, not me. | 0:53:03 | 0:53:05 | |
You told me he wasn't. | 0:53:05 | 0:53:07 | |
In fact, you made a point of directing me away from him | 0:53:07 | 0:53:09 | |
as a line of inquiry - to stop us checking his computer. | 0:53:09 | 0:53:12 | |
Come upstairs, ma'am. | 0:53:14 | 0:53:16 | |
You also made a special point of personally collecting | 0:53:23 | 0:53:25 | |
your mum's belongings. | 0:53:25 | 0:53:27 | |
You even mentioned them straight after you found out she was dead. | 0:53:27 | 0:53:30 | |
Strange it'd be the first thing you'd think of. | 0:53:30 | 0:53:33 | |
Open the overnight bag. | 0:53:34 | 0:53:36 | |
Unzip the compartment. | 0:53:40 | 0:53:42 | |
Lindsay Denton, we're hereby returning you to custody. | 0:53:46 | 0:53:49 | |
Who are you two to judge me? | 0:53:49 | 0:53:52 | |
You don't know me. | 0:53:55 | 0:53:56 | |
Well done, you two. | 0:54:07 | 0:54:09 | |
-Thanks, sir. -Well done. -Thanks, sir. | 0:54:09 | 0:54:11 | |
-Yeah. Top job, the pair of you. -Cheers, Dot. | 0:54:11 | 0:54:13 | |
Dot, your report on the Caddy - that's coming along OK, yeah? | 0:54:13 | 0:54:17 | |
Yes, it is, sir. That Cole was a nasty piece of work. | 0:54:17 | 0:54:21 | |
Wish I could finish the job. | 0:54:21 | 0:54:22 | |
Still, I expect that'll go to my replacement now, eh? | 0:54:22 | 0:54:25 | |
I've been meaning to say, your secondment from AC-9, | 0:54:25 | 0:54:29 | |
you fitted in really well. | 0:54:29 | 0:54:30 | |
How would you like to make that permanent? | 0:54:30 | 0:54:32 | |
What can I say, sir? I'm your man. | 0:54:32 | 0:54:35 | |
Good lad. | 0:54:36 | 0:54:37 | |
Want another? | 0:54:56 | 0:54:58 | |
Yeah, go on. | 0:54:58 | 0:54:59 | |
It's fine. We can do this another time. | 0:55:07 | 0:55:10 | |
You going to go home? | 0:55:10 | 0:55:12 | |
I'll sort something out. | 0:55:12 | 0:55:14 | |
-You all right? -Yeah. -Shall we get going? | 0:55:20 | 0:55:23 | |
Look... | 0:55:28 | 0:55:29 | |
This is great. Can we do it tomorrow night? | 0:55:30 | 0:55:33 | |
Sure. | 0:55:37 | 0:55:38 | |
Excuse me. Can we have the same again, please? | 0:55:55 | 0:55:58 | |
NO AUDIBLE SPEECH | 0:57:20 | 0:57:24 |