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This programme contains some scenes from the start which some viewers may find upsetting | 0:00:02 | 0:00:06 | |
My stop's right over there. Don't miss this one. | 0:00:06 | 0:00:10 | |
Bye. | 0:00:10 | 0:00:11 | |
-Bye. -Ciao! | 0:00:11 | 0:00:13 | |
Wait! | 0:00:20 | 0:00:21 | |
Wait! | 0:00:21 | 0:00:23 | |
Christ. | 0:00:35 | 0:00:36 | |
Police. | 0:00:38 | 0:00:39 | |
BRAKES SCREECH | 0:00:43 | 0:00:45 | |
Let me go! | 0:00:45 | 0:00:47 | |
No! | 0:00:47 | 0:00:48 | |
No, no! Let me go! | 0:00:48 | 0:00:50 | |
Let me go! | 0:00:50 | 0:00:51 | |
Let me go! | 0:00:54 | 0:00:56 | |
PHONE RINGS | 0:01:16 | 0:01:19 | |
I'll get that, shall I? | 0:01:22 | 0:01:24 | |
Have you even done your homework yet, Ollie? | 0:01:24 | 0:01:27 | |
-Hello. -Sorry to trouble you at home, ma'am, | 0:01:29 | 0:01:31 | |
but we've just picked up a bystander triple-9 on an active abduction | 0:01:31 | 0:01:34 | |
-of a young female in the Moss Heath area. -They've got all-patrol obs? | 0:01:34 | 0:01:37 | |
Yes, ma'am, they're definitely doing that. | 0:01:37 | 0:01:38 | |
Make sure obs goes out to surrounding forces. | 0:01:38 | 0:01:40 | |
I'll patch in en route. I'm coming in. | 0:01:40 | 0:01:42 | |
Sorry to have called you at home, ma'am. | 0:01:42 | 0:01:44 | |
No, this is what we needed. | 0:01:44 | 0:01:46 | |
We've being looking for him for months. | 0:01:46 | 0:01:48 | |
We're going to get this bastard, yeah? | 0:01:48 | 0:01:50 | |
-Come on, let's go! -Go, go, go! | 0:01:50 | 0:01:52 | |
Nick, where are you? | 0:01:52 | 0:01:53 | |
Sorry, last meeting overran. | 0:01:53 | 0:01:54 | |
I just got the call and you're not home! | 0:01:54 | 0:01:56 | |
-I'm literally ten minutes away. -OK, the kids are waiting for you. | 0:01:56 | 0:02:00 | |
And I put the bins out. | 0:02:00 | 0:02:01 | |
SIREN BLARES | 0:02:03 | 0:02:04 | |
Ma'am. | 0:02:24 | 0:02:26 | |
DCI Huntley. | 0:02:26 | 0:02:28 | |
-Is it the vehicle? -Yes, ma'am, reported stolen this morning. | 0:02:28 | 0:02:31 | |
The bystander that witnessed the abduction described | 0:02:31 | 0:02:33 | |
a suspect of average height and build, wearing a dark balaclava. | 0:02:33 | 0:02:36 | |
It's him, he could be right here. | 0:02:36 | 0:02:38 | |
-Yes, ma'am. -OK, let's get a decision log up and running. | 0:02:38 | 0:02:41 | |
Cordons established, with time, SO DCI Huntley arrives, takes command | 0:02:41 | 0:02:45 | |
of initial scene management, with time. | 0:02:45 | 0:02:47 | |
-Sorry, boss. -Anyone see the driver, passenger? | 0:02:49 | 0:02:52 | |
Just done a sweep, boss. No witnesses as yet. | 0:02:52 | 0:02:54 | |
Missed him by minutes. PHONE RINGS | 0:02:54 | 0:02:56 | |
Christ! News travels. | 0:02:59 | 0:03:01 | |
Come on, come on, let's start house-to-house. | 0:03:05 | 0:03:07 | |
-Ma'am. -Get a pair of GPDs. -OK, guys, with me. | 0:03:07 | 0:03:09 | |
House-to-house and GPDs, note start time. | 0:03:09 | 0:03:12 | |
Delta X-ray 8912. Dog unit, please, Borogrove Estate. | 0:03:12 | 0:03:14 | |
Have you seen a young woman accompanied by | 0:03:18 | 0:03:20 | |
a man who might have been wearing a balaclava? | 0:03:20 | 0:03:21 | |
Detective Chief Inspector Huntley, sorry to disturb your evening. | 0:03:21 | 0:03:24 | |
We're conducting house-to-house enquiries relating | 0:03:24 | 0:03:27 | |
to a vehicle found abandoned on the estate that may have been | 0:03:27 | 0:03:29 | |
involved in the abduction of a young woman. | 0:03:29 | 0:03:31 | |
Boss! Boss! The dogs are on to something! | 0:03:31 | 0:03:33 | |
Pull the dogs back. | 0:03:56 | 0:03:57 | |
Neil, get Control. | 0:03:58 | 0:04:00 | |
Delta X-ray, stand by for an active message from Delta X-ray Zero Two. | 0:04:00 | 0:04:03 | |
-RADIO: -Delta X-ray received. | 0:04:03 | 0:04:05 | |
This is SIO on the Trapdoor search currently ongoing on the | 0:04:05 | 0:04:07 | |
Borogrove Estate. | 0:04:07 | 0:04:08 | |
-Get back! -Are you all right? | 0:04:10 | 0:04:12 | |
DOGS BARK | 0:04:12 | 0:04:14 | |
Round the back! | 0:04:15 | 0:04:16 | |
We can't lose him! He was right here! | 0:04:17 | 0:04:19 | |
Neil, get the dogs down there, he could have made a run for it! | 0:04:19 | 0:04:22 | |
-WOMAN SCREAMS: -Help! | 0:04:22 | 0:04:23 | |
Help! | 0:04:26 | 0:04:27 | |
SHE COUGHS | 0:04:28 | 0:04:29 | |
Get the cutters! | 0:04:34 | 0:04:35 | |
Listen to me, we're going to get you free. What's your name? | 0:04:35 | 0:04:38 | |
It's Hana. | 0:04:38 | 0:04:39 | |
HANA SCREAMS AND CRIES | 0:04:41 | 0:04:42 | |
Come on! | 0:04:45 | 0:04:46 | |
Cutters, ma'am! | 0:04:46 | 0:04:48 | |
SIRENS BLARE | 0:04:52 | 0:04:54 | |
-The ambulance will be here in a minute. -Perfect. | 0:05:02 | 0:05:06 | |
Constable, will you record this on your body-cam? | 0:05:06 | 0:05:09 | |
Hana, can you give us a description of your attacker? | 0:05:09 | 0:05:12 | |
No, I never saw his face. | 0:05:12 | 0:05:14 | |
He wore a... | 0:05:14 | 0:05:15 | |
A balacla...? | 0:05:15 | 0:05:17 | |
Something covering his face? | 0:05:17 | 0:05:19 | |
Yes, like, dark, with two holes for the eyes. | 0:05:19 | 0:05:23 | |
What did his voice sound like? Accent, etc? | 0:05:23 | 0:05:26 | |
Um, he never spoke. | 0:05:26 | 0:05:29 | |
What happened to your ears? | 0:05:29 | 0:05:31 | |
He tore out my earrings. | 0:05:31 | 0:05:33 | |
All right. Thank you, Hana. | 0:05:33 | 0:05:35 | |
The paramedics are going to take very good care of you. | 0:05:35 | 0:05:38 | |
Boss, no sign of him in the back alley. | 0:05:40 | 0:05:42 | |
-Dogs are still out there. -Right. | 0:05:42 | 0:05:44 | |
Let's lock down all exit roads in a one-mile radius, | 0:05:44 | 0:05:47 | |
put out all patrol obs on our suspect | 0:05:47 | 0:05:48 | |
and find out whose house this is. | 0:05:48 | 0:05:50 | |
Yes, ma'am. | 0:05:50 | 0:05:51 | |
Tim Ifield, Forensic Coordinator. | 0:05:53 | 0:05:55 | |
Hey, Tim. | 0:06:02 | 0:06:03 | |
Listen, I'm not being funny, but that scene log has got | 0:06:03 | 0:06:07 | |
every Tom, Dick and Harry going. | 0:06:07 | 0:06:09 | |
Your officers, they're traipsing all over every blade of grass | 0:06:09 | 0:06:12 | |
before MY team's had a chance to secure evidence. | 0:06:12 | 0:06:14 | |
This is a live search for a suspect and THAT takes priority. | 0:06:14 | 0:06:18 | |
I'll send you in to do an initial survey the moment the | 0:06:18 | 0:06:20 | |
FARS OIC declare the building safe. | 0:06:20 | 0:06:22 | |
Fine, yeah, ready when you are. | 0:06:22 | 0:06:23 | |
And I'll need one of your FIs to process the witness. | 0:06:23 | 0:06:25 | |
Yeah, that's what we're here for. | 0:06:25 | 0:06:28 | |
Ma'am, electoral roll gives residents as Eileen Farmer, | 0:06:28 | 0:06:31 | |
born 1946, and Michael Farmer, born 1993. | 0:06:31 | 0:06:35 | |
Neighbours say they haven't seen Eileen for ages. | 0:06:35 | 0:06:37 | |
And Michael, the grandson, they describe him as a loner, | 0:06:37 | 0:06:40 | |
rarely seen out on the estate. | 0:06:40 | 0:06:41 | |
PNCd Michael Farmer. He's on the Sex Offenders Register. | 0:06:41 | 0:06:45 | |
Bingo. | 0:06:45 | 0:06:46 | |
Hold the line, please. | 0:07:06 | 0:07:08 | |
Michael Farmer just clocked on for the night shift. | 0:07:08 | 0:07:10 | |
Just too late for an alibi. | 0:07:10 | 0:07:11 | |
Right, well, we can take my car, ma'am. | 0:07:11 | 0:07:13 | |
No, no-one who's been at the crime scene can have any contact with | 0:07:13 | 0:07:16 | |
-Michael Farmer until he's been fully forensically processed. -Right. | 0:07:16 | 0:07:19 | |
No way some smart arse defence barrister's going to get to confuse | 0:07:19 | 0:07:22 | |
a jury about cross-contamination of forensic evidence. | 0:07:22 | 0:07:25 | |
Please do nothing to alert Mr Farmer. | 0:07:25 | 0:07:28 | |
Police officers will be arriving in the next few minutes. | 0:07:28 | 0:07:31 | |
SIRENS BLARE | 0:07:31 | 0:07:33 | |
Which one's Michael? | 0:07:38 | 0:07:39 | |
He's down there. | 0:07:39 | 0:07:41 | |
Michael Farmer, I'm arresting you on suspicion of abduction | 0:07:42 | 0:07:45 | |
and attempted murder. | 0:07:45 | 0:07:46 | |
-Stop! -Received Delta Charlie Two Zero. -Stop! | 0:07:48 | 0:07:51 | |
We have a male making off from us. | 0:07:51 | 0:07:53 | |
Hold it, mate, hold it! | 0:07:55 | 0:07:57 | |
Calm down, calm down. | 0:07:58 | 0:08:00 | |
-RADIO: -Delta Charlie Two-Zero. | 0:08:00 | 0:08:01 | |
Are you in position for an update on the suspect? | 0:08:01 | 0:08:03 | |
Delta Charlie Two-Zero, one under arrest identified as Michael Farmer. | 0:08:03 | 0:08:07 | |
Confirmed. One under arrest identified as Michael Farmer. | 0:08:07 | 0:08:10 | |
Forensic deployment en route. Suspect is cooperating. | 0:08:10 | 0:08:14 | |
-MALE INTERVIEWER: -Michael, why did you run from our arresting officers? | 0:08:14 | 0:08:17 | |
I was frightened. | 0:08:19 | 0:08:20 | |
Please can you help us with where you were | 0:08:22 | 0:08:24 | |
between 8pm and 10pm last night? | 0:08:24 | 0:08:25 | |
I went to visit my nan. | 0:08:32 | 0:08:34 | |
Which would be where, please, Michael? | 0:08:34 | 0:08:36 | |
At the nursing home. | 0:08:36 | 0:08:38 | |
-FEMALE INTERVIEWER: -How long did you stay | 0:08:39 | 0:08:41 | |
at the nursing home, please, Michael? | 0:08:41 | 0:08:43 | |
Half-past seven till half-past eight. | 0:08:44 | 0:08:47 | |
Visiting time. | 0:08:47 | 0:08:48 | |
And then where did you go, Michael? | 0:08:48 | 0:08:50 | |
Nowhere. | 0:08:51 | 0:08:53 | |
Can you help us with what you mean by "nowhere", please, Michael? | 0:08:53 | 0:08:55 | |
After visiting Nan, I go and eat me sandwiches and have me drink. | 0:08:55 | 0:08:59 | |
Where did you do that, Michael? | 0:08:59 | 0:09:01 | |
Sat on a wall. | 0:09:03 | 0:09:06 | |
Why didn't you stay with your nan instead? | 0:09:06 | 0:09:08 | |
You're not allowed... | 0:09:10 | 0:09:11 | |
..after half-past eight. | 0:09:13 | 0:09:15 | |
If you had your phone with you, that could help prove your whereabouts. | 0:09:15 | 0:09:18 | |
-LAWYER: -Unfortunately, Mr Farmer's phone isn't a smartphone. | 0:09:18 | 0:09:23 | |
But surely, Mr Morganstaff, you realise that you can locate | 0:09:23 | 0:09:26 | |
any mobile SIM via triangulation of relative signal strength. | 0:09:26 | 0:09:30 | |
Yeah. | 0:09:34 | 0:09:36 | |
Would you like to take a break, Michael? | 0:09:37 | 0:09:39 | |
Ah, Roz, I'm glad I caught you. | 0:09:42 | 0:09:43 | |
Tim, they're about to go back in with the suspect. | 0:09:46 | 0:09:48 | |
About to. Now, these appear to have been the most significant find | 0:09:48 | 0:09:51 | |
-at the crime scene. -I'm up to speed on the forensics. | 0:09:51 | 0:09:53 | |
There's a very subtle point you've probably missed. | 0:09:53 | 0:09:56 | |
Trust me, I haven't. | 0:09:56 | 0:09:58 | |
Boss, the duty solicitor says Farmer's ready to carry on. | 0:09:58 | 0:10:01 | |
Great. Thanks, Neil. | 0:10:01 | 0:10:03 | |
Tim, e-mail me your concerns. | 0:10:03 | 0:10:04 | |
I know my place. | 0:10:06 | 0:10:07 | |
Tim, I will read them. | 0:10:07 | 0:10:10 | |
Absolutely. | 0:10:10 | 0:10:11 | |
What was all that about, boss? | 0:10:19 | 0:10:21 | |
As you were. | 0:10:35 | 0:10:36 | |
Is DCI Huntley, um...? | 0:10:50 | 0:10:52 | |
Expecting me? No. | 0:10:52 | 0:10:54 | |
As you were. | 0:10:54 | 0:10:55 | |
That'll be all. | 0:11:00 | 0:11:01 | |
-MALE INTERVIEWER: -So from half-past eight to a quarter to ten, | 0:11:01 | 0:11:04 | |
-you were just sitting on a wall? -FARMER: -Yes. | 0:11:04 | 0:11:06 | |
-FEMALE INTERVIEWER: -Where was the wall? | 0:11:06 | 0:11:08 | |
Sir. | 0:11:08 | 0:11:09 | |
I can't remember. | 0:11:09 | 0:11:11 | |
Did anybody see you while you were sitting on this wall? | 0:11:11 | 0:11:14 | |
I don't think so. | 0:11:16 | 0:11:17 | |
Anything? | 0:11:17 | 0:11:19 | |
Convicted sex offender. | 0:11:19 | 0:11:22 | |
We're just hearing now he has nothing in way of an alibi. | 0:11:22 | 0:11:24 | |
Good. | 0:11:24 | 0:11:26 | |
-FEMALE INTERVIEWER: -You were on this wall for over an hour, | 0:11:26 | 0:11:29 | |
but you can't remember where it was? | 0:11:29 | 0:11:30 | |
No. | 0:11:35 | 0:11:37 | |
-MALE INTERVIEWER: -Right, OK. | 0:11:37 | 0:11:39 | |
Think we'll be able to charge him within the 36 hours? | 0:11:39 | 0:11:42 | |
Was there anybody there with you? | 0:11:42 | 0:11:45 | |
There's a lot of evidence to go through. | 0:11:45 | 0:11:48 | |
You're right to be meticulous, but we need a breakthrough. | 0:11:48 | 0:11:53 | |
They've been killing us on Twitter. | 0:11:53 | 0:11:56 | |
There hasn't been a single moment I've regretted my choice of SIO. | 0:11:56 | 0:11:59 | |
-MALE INTERVIEWER: -Think very carefully, please, Michael. | 0:11:59 | 0:12:01 | |
Thank you, sir. | 0:12:01 | 0:12:03 | |
But I've stuck my neck out. | 0:12:03 | 0:12:05 | |
Plenty would have taken you off this case by now. | 0:12:05 | 0:12:07 | |
-FEMALE INTERVIEWER: -There wasn't a young woman there? | 0:12:07 | 0:12:10 | |
-No. -You sure? | 0:12:10 | 0:12:11 | |
Yes. | 0:12:14 | 0:12:16 | |
I have every confidence in you. | 0:12:16 | 0:12:17 | |
-MALE INTERVIEWER: -There's something else we want to talk about, a fire. | 0:12:17 | 0:12:21 | |
What can you tell us about that? | 0:12:21 | 0:12:23 | |
-FEMALE INTERVIEWER: -A fire, in your house, Michael. | 0:12:23 | 0:12:27 | |
-A big fire. -I don't know. | 0:12:27 | 0:12:29 | |
-MALE INTERVIEWER: -So you're saying you had nothing to do | 0:12:29 | 0:12:31 | |
with this fire? | 0:12:31 | 0:12:33 | |
No. | 0:12:35 | 0:12:36 | |
I'm going to show you some photographs now. | 0:12:38 | 0:12:40 | |
-FEMALE INTERVIEWER: -Baswinder Kaur. | 0:12:42 | 0:12:44 | |
Her dismembered body was found on the 11th of November. | 0:12:44 | 0:12:47 | |
A hairgrip. | 0:12:47 | 0:12:49 | |
Ever seen either of these before, Michael? | 0:12:49 | 0:12:52 | |
I'm not sure. | 0:12:57 | 0:12:58 | |
Leonie Collersdale. | 0:13:00 | 0:13:02 | |
Last seen 25th of January. No-one's seen her since. | 0:13:02 | 0:13:05 | |
A necklace. | 0:13:07 | 0:13:08 | |
Seen this or Leonie before? | 0:13:09 | 0:13:12 | |
PHONE BEEPS | 0:13:12 | 0:13:13 | |
I'm not sure. | 0:13:14 | 0:13:15 | |
Hana Reznikova abducted last night. | 0:13:17 | 0:13:19 | |
Her earrings. | 0:13:20 | 0:13:22 | |
Have you seen them before? | 0:13:22 | 0:13:24 | |
I'm not sure. | 0:13:24 | 0:13:26 | |
-Is this you, Michael? -This is very important, Michael. | 0:13:28 | 0:13:32 | |
Please, think carefully. | 0:13:33 | 0:13:35 | |
This is a photo of a man captured on the evening | 0:13:35 | 0:13:38 | |
of the 25th of January when Leonie disappeared. | 0:13:38 | 0:13:42 | |
Could this be you at all? | 0:13:42 | 0:13:43 | |
I'm not sure. | 0:13:49 | 0:13:50 | |
A 24-year-old man has been charged in connection | 0:13:54 | 0:13:56 | |
with the murder of Baswinder Kaur, | 0:13:56 | 0:13:59 | |
the disappearance of Leonie Collersdale | 0:13:59 | 0:14:02 | |
and the abduction and attempted murder of a third woman. | 0:14:02 | 0:14:06 | |
The third victim was rescued from an address | 0:14:06 | 0:14:08 | |
in the Moss Heath area late last night. | 0:14:08 | 0:14:11 | |
She's currently safe and well and assisting our inquiry. | 0:14:11 | 0:14:14 | |
Baswinder Kaur's dismembered body was found in November last year, | 0:14:14 | 0:14:18 | |
with Leonie Collersdale's disappearance also in the | 0:14:18 | 0:14:20 | |
Moss Heath area ten weeks later. | 0:14:20 | 0:14:23 | |
Police quickly suspected there was a connection. | 0:14:23 | 0:14:25 | |
The hunt for the suspect, code-named Operation Trapdoor, | 0:14:25 | 0:14:28 | |
had made scant progress until now. | 0:14:28 | 0:14:31 | |
"Until now!" | 0:14:31 | 0:14:32 | |
-I want to thank members of... -VOICE DROWNED BY LAUGHTER AND CHEERS | 0:14:32 | 0:14:35 | |
And my officers for their courageous actions | 0:14:35 | 0:14:37 | |
in rescuing this young woman from a terrifying ordeal. | 0:14:37 | 0:14:41 | |
I would also like to pay tribute... | 0:14:41 | 0:14:43 | |
Well done, everyone. Great work. Well done. | 0:14:43 | 0:14:45 | |
-Thanks, boss. -Thanks, ma'am. | 0:14:45 | 0:14:47 | |
They've worked tirelessly during these dark months to crack this | 0:14:47 | 0:14:50 | |
most challenging case. | 0:14:50 | 0:14:52 | |
And, finally, at this time, our thoughts are with the | 0:14:52 | 0:14:56 | |
families of the two young women, who are the tragic victims | 0:14:56 | 0:14:59 | |
of these senseless crimes. | 0:14:59 | 0:15:01 | |
They should throw away the key. | 0:15:01 | 0:15:03 | |
Full marks to the ACC for his Crimewatch audition. | 0:15:03 | 0:15:07 | |
All right, everybody. Come on. | 0:15:07 | 0:15:09 | |
Back to work. | 0:15:09 | 0:15:10 | |
Hello, Superintendent Hastings, AC-12. | 0:15:12 | 0:15:15 | |
Roz? | 0:15:37 | 0:15:38 | |
Roz? | 0:15:41 | 0:15:43 | |
Hey. | 0:15:54 | 0:15:55 | |
I heard the news. | 0:16:00 | 0:16:01 | |
Sorry about last night. | 0:16:03 | 0:16:05 | |
If I'd known... | 0:16:05 | 0:16:06 | |
Hey, hey, hey, hey. | 0:16:07 | 0:16:09 | |
Hey, what's wrong? | 0:16:10 | 0:16:11 | |
Nothing. | 0:16:13 | 0:16:14 | |
The opposite. | 0:16:16 | 0:16:17 | |
It's over. | 0:16:17 | 0:16:19 | |
Finally... | 0:16:21 | 0:16:22 | |
..it's over. | 0:16:23 | 0:16:25 | |
Sorry, Sarge, I know you're just heading out the door. | 0:16:36 | 0:16:39 | |
What's up? | 0:16:39 | 0:16:40 | |
There's someone down in reception wants to talk to you. | 0:16:40 | 0:16:43 | |
To AC-12? | 0:16:43 | 0:16:45 | |
No, he said only DS Arnott. | 0:16:45 | 0:16:47 | |
Won't give a name, won't say what it's about. | 0:16:47 | 0:16:48 | |
OK, the case against Michael Farmer. | 0:17:16 | 0:17:18 | |
The crucial finding at the crime scene was | 0:17:18 | 0:17:20 | |
a collection of three items. | 0:17:20 | 0:17:22 | |
Now, the third victim, the one who was rescued, | 0:17:22 | 0:17:25 | |
told officers that the suspect forcibly removed her earrings. | 0:17:25 | 0:17:29 | |
Now, these earrings were identified by the victim as belonging | 0:17:29 | 0:17:33 | |
to her, and the blood matched hers. | 0:17:33 | 0:17:35 | |
That seems pretty sound to me. | 0:17:36 | 0:17:38 | |
It does, DS Arnott. | 0:17:38 | 0:17:40 | |
Significantly, highly significantly, these earrings were | 0:17:40 | 0:17:43 | |
supposedly kept with items belonging to the previous victims. | 0:17:43 | 0:17:47 | |
Why supposedly? | 0:17:47 | 0:17:48 | |
How forensically minded are you? | 0:17:48 | 0:17:50 | |
I manage OK. | 0:17:51 | 0:17:53 | |
Because some officers, honestly, they think the forensics | 0:17:53 | 0:17:55 | |
are cut-and-dried. But, let me tell you, that is not always the case. | 0:17:55 | 0:17:58 | |
Forensics have to be interpreted carefully. | 0:17:58 | 0:18:01 | |
I mean, in court, a so-called expert pops up | 0:18:01 | 0:18:04 | |
and the jury stops listening to the rest of the evidence. | 0:18:04 | 0:18:07 | |
Look, Tim, it's late. | 0:18:07 | 0:18:08 | |
So, I asked the submissions team at the laboratory to carry out | 0:18:10 | 0:18:13 | |
a simple environmental profile on these items. | 0:18:13 | 0:18:15 | |
Other items recovered from the crime scene - | 0:18:15 | 0:18:17 | |
a hairgrip belonging to Baswinder Kaur | 0:18:17 | 0:18:20 | |
and a necklace belonging to Leonie Collersdale | 0:18:20 | 0:18:23 | |
bore a characteristic pattern of carpet fibre deposits. | 0:18:23 | 0:18:27 | |
Now, as residents walk around... | 0:18:27 | 0:18:28 | |
Tiny amounts of carpet fibres are thrown into the air | 0:18:28 | 0:18:30 | |
and settle on objects in the immediate vicinity. | 0:18:30 | 0:18:32 | |
This gives an indication of how long the objects have been | 0:18:32 | 0:18:35 | |
in said location. | 0:18:35 | 0:18:36 | |
Exactly. | 0:18:36 | 0:18:38 | |
No carpet fibre deposits were found on any of the items | 0:18:38 | 0:18:41 | |
connecting the crime scene to the previous victims. | 0:18:41 | 0:18:44 | |
None of the suspect's DNA either. | 0:18:44 | 0:18:46 | |
Now, I'm worried... | 0:18:46 | 0:18:48 | |
Well, you know what I'm worried about. | 0:18:48 | 0:18:50 | |
That they were planted there. | 0:18:50 | 0:18:52 | |
One more thing. | 0:18:56 | 0:18:57 | |
All shoe prints in the house matched footwear seized from the resident | 0:18:57 | 0:19:02 | |
of the house, apart from this one. | 0:19:02 | 0:19:05 | |
It's a boot print that doesn't relate to him or to anyone | 0:19:05 | 0:19:07 | |
who attended the crime scene after the scene was cordoned off | 0:19:07 | 0:19:10 | |
for forensic deployment. | 0:19:10 | 0:19:12 | |
Someone else was in the house around the time of the offence. | 0:19:12 | 0:19:17 | |
Why haven't you taken all this to the SIO on Trapdoor? | 0:19:17 | 0:19:21 | |
DCI Huntley? | 0:19:21 | 0:19:22 | |
I tried. God knows, I tried. | 0:19:22 | 0:19:25 | |
Evidence may have been planted, evidence may have been suppressed. | 0:19:25 | 0:19:28 | |
The man they've charged could well be innocent. | 0:19:28 | 0:19:30 | |
And I've come to you because, well, you're AC-12, this is what you do. | 0:19:30 | 0:19:35 | |
Timothy Ifield, forensic coordinator, | 0:19:39 | 0:19:41 | |
15 years' experience as an FI, promoted to Grade G two years ago | 0:19:41 | 0:19:45 | |
on the back of first-class performance reviews. | 0:19:45 | 0:19:47 | |
He came to us to report concerns about an investigation | 0:19:47 | 0:19:50 | |
-led by DCI Roz Huntley. -Operation Trapdoor. | 0:19:50 | 0:19:53 | |
He came to me, actually, sir. | 0:19:53 | 0:19:55 | |
Huntley's got no history | 0:19:55 | 0:19:56 | |
of misconduct or corruption allegations. | 0:19:56 | 0:19:58 | |
None of her team do either. | 0:19:58 | 0:19:59 | |
And on the database, none of them show any previous link | 0:19:59 | 0:20:02 | |
-to the suspect. -Michael Farmer? -Yes, sir. | 0:20:02 | 0:20:04 | |
Farmer's a convicted sex offender, who allegedly abducted | 0:20:04 | 0:20:07 | |
a young woman in Moss Heath and left her to die in a burning house. | 0:20:07 | 0:20:09 | |
And at his home, trophies were found linking to the previous victims. | 0:20:09 | 0:20:13 | |
Tim Ifield claims that DCI Huntley disregarded forensic evidence | 0:20:13 | 0:20:16 | |
that casts doubt on Michael Farmer's guilt. | 0:20:16 | 0:20:18 | |
Bearing in mind, sir, Huntley must have discussed the evidence with | 0:20:18 | 0:20:21 | |
other officers, he must have presented it | 0:20:21 | 0:20:23 | |
-to the Crown Prosecutor. -Well, we can't know details | 0:20:23 | 0:20:25 | |
-until we start digging, sir. -Right. | 0:20:25 | 0:20:28 | |
Sir, how we treat Tim Ifield's claims speaks volumes about anyone | 0:20:28 | 0:20:31 | |
that witnesses corruption or is in two minds about coming forward. | 0:20:31 | 0:20:34 | |
See what happens when you become a DS? | 0:20:34 | 0:20:36 | |
You start worrying how things look. | 0:20:36 | 0:20:38 | |
Hang the finer points. | 0:20:38 | 0:20:40 | |
A young lad might go to prison for a crime he didn't commit. | 0:20:40 | 0:20:43 | |
And if police wrongdoing is part of it, I want to know. | 0:20:43 | 0:20:46 | |
Sir. | 0:20:46 | 0:20:47 | |
That could've gone better. | 0:20:53 | 0:20:54 | |
My promotion shouldn't be an issue, Steve. | 0:20:54 | 0:20:56 | |
All I mean is, next time let's get our ducks in | 0:20:56 | 0:20:58 | |
a row before we talk to the gaffer. | 0:20:58 | 0:20:59 | |
You're not getting any argument from me. | 0:20:59 | 0:21:02 | |
Sorry, ma'am. | 0:21:16 | 0:21:17 | |
There's a DS here from East Mids, says you should know all about it. | 0:21:17 | 0:21:20 | |
All about what? | 0:21:20 | 0:21:21 | |
Sorry, ma'am. | 0:21:21 | 0:21:23 | |
-Where? -Incident Room. | 0:21:24 | 0:21:25 | |
-Neil, I'll take those. -Cheers, boss. -Thank you. | 0:21:32 | 0:21:35 | |
DCI Huntley. | 0:21:39 | 0:21:40 | |
DS Kate Flynn. Congratulations on closing the case, ma'am. | 0:21:40 | 0:21:43 | |
Great job. | 0:21:43 | 0:21:45 | |
Thank you. | 0:21:45 | 0:21:46 | |
I'm afraid you've caught me unawares. | 0:21:46 | 0:21:49 | |
Oh, sorry, ma'am. I thought the liaison had been agreed. | 0:21:49 | 0:21:51 | |
It's news to me. | 0:21:51 | 0:21:53 | |
I'm Missing Persons over at East Mids, looking into a | 0:21:53 | 0:21:56 | |
disappearance with similarities with the first two victims in your case. | 0:21:56 | 0:21:59 | |
Like yours, she's got juvenile offences | 0:21:59 | 0:22:02 | |
and on-off history of prostitution. | 0:22:02 | 0:22:04 | |
Everything we've put out to the public has played down those | 0:22:04 | 0:22:07 | |
girls' difficult upbringings, at my insistence. | 0:22:07 | 0:22:09 | |
Prostitution is not a factor in these cases. | 0:22:09 | 0:22:12 | |
The victims could have been any woman. | 0:22:12 | 0:22:14 | |
No-one at this station calls those girls prostitutes. | 0:22:14 | 0:22:17 | |
We call them Baswinder and Leonie. | 0:22:17 | 0:22:19 | |
Yes, ma'am. I didn't mean to cause any offence. | 0:22:19 | 0:22:21 | |
Hana Reznikova works two jobs, all hours, cleaner and waitress. | 0:22:21 | 0:22:26 | |
Yes, ma'am. Still, my gaffer's asked me to rule out any connection. | 0:22:26 | 0:22:29 | |
He said he'd sent you an e-mail. | 0:22:29 | 0:22:31 | |
It's all been a bit hectic here. | 0:22:31 | 0:22:33 | |
Rikki Neville, 21-year-old, last seen just before Christmas. | 0:22:33 | 0:22:37 | |
What do you need from us? | 0:22:37 | 0:22:39 | |
Thank you, ma'am. | 0:22:39 | 0:22:41 | |
We've arranged a post-charge interview with Michael Farmer, | 0:22:41 | 0:22:43 | |
just to put some questions about my case. | 0:22:43 | 0:22:47 | |
Fine. | 0:22:47 | 0:22:48 | |
I'll just wait here until one of your team's available, ma'am. | 0:22:50 | 0:22:54 | |
You know what, interviewing Farmer... | 0:22:54 | 0:22:56 | |
perhaps it would help if I was there? | 0:22:56 | 0:22:59 | |
Yeah. Very good, ma'am. | 0:22:59 | 0:23:01 | |
Right. | 0:23:40 | 0:23:42 | |
Um... | 0:23:42 | 0:23:44 | |
Michael, my name's Kate Flynn, I'm a Detective Sergeant on the | 0:23:44 | 0:23:47 | |
East Midlands Constabulary. | 0:23:47 | 0:23:49 | |
You remember DCI Huntley from Polk Avenue Police Station? | 0:23:49 | 0:23:51 | |
Hello, Michael. | 0:23:51 | 0:23:53 | |
Thank you for speaking to us today. | 0:23:53 | 0:23:55 | |
How are you, Michael? | 0:23:55 | 0:23:58 | |
Been in a fight? | 0:23:58 | 0:23:59 | |
I had one of my falls. | 0:24:00 | 0:24:02 | |
It can be tough in prison if you're in for certain kinds | 0:24:02 | 0:24:05 | |
of offences, even if you're only on remand. | 0:24:05 | 0:24:07 | |
We can speak to the Offender Management Officer, | 0:24:07 | 0:24:09 | |
explain that you're helping us. | 0:24:09 | 0:24:11 | |
And maybe that way they can do more to protect you. | 0:24:11 | 0:24:13 | |
Thank you. | 0:24:13 | 0:24:15 | |
Right, now first I need to remind you that you remain under caution. | 0:24:15 | 0:24:18 | |
What that means is you shouldn't say anything unless you're OK | 0:24:22 | 0:24:25 | |
for it to be used against you in court. | 0:24:25 | 0:24:28 | |
You can avoid a question by saying no comment | 0:24:28 | 0:24:30 | |
and you can stop the interview at any time. | 0:24:30 | 0:24:33 | |
I need to ask you about your whereabouts in the two weeks | 0:24:35 | 0:24:37 | |
after New Year. | 0:24:37 | 0:24:38 | |
Did you travel to the Leicester area in early January? | 0:24:38 | 0:24:42 | |
Um... | 0:24:42 | 0:24:43 | |
Don't remember. | 0:24:46 | 0:24:48 | |
You don't remember ever leaving town? | 0:24:48 | 0:24:50 | |
I don't get out much. | 0:24:51 | 0:24:52 | |
You didn't take a bus or a train out of town at all? | 0:24:52 | 0:24:57 | |
It was a while ago. I'm sorry. | 0:24:57 | 0:25:00 | |
I might've forgotten. | 0:25:00 | 0:25:02 | |
What about driving? | 0:25:02 | 0:25:04 | |
-Uh... -Do you ever drive out of town at all, Michael? | 0:25:04 | 0:25:07 | |
Michael? | 0:25:08 | 0:25:09 | |
No. | 0:25:11 | 0:25:12 | |
Here's a photo. | 0:25:15 | 0:25:17 | |
This is the girl I'm asking you about. | 0:25:17 | 0:25:19 | |
She looks a bit like Hana Reznikova, doesn't she? | 0:25:19 | 0:25:22 | |
Similar age, same sort of hair, I mean. | 0:25:22 | 0:25:24 | |
I... | 0:25:25 | 0:25:27 | |
Michael... | 0:25:27 | 0:25:28 | |
did you steal anything from her? | 0:25:28 | 0:25:31 | |
I, um... | 0:25:31 | 0:25:32 | |
DCI Huntley's explained to me that Hana Reznikova was wearing | 0:25:32 | 0:25:35 | |
a set of earrings that were found in your house. | 0:25:35 | 0:25:38 | |
And this girl, someone reckons they saw her getting into | 0:25:38 | 0:25:40 | |
a car with a stranger, | 0:25:40 | 0:25:41 | |
which is what's alleged to have happened with Hana Reznikova. | 0:25:41 | 0:25:45 | |
I don't want to get in more trouble. | 0:25:45 | 0:25:47 | |
Michael, you can answer however you like. | 0:25:47 | 0:25:49 | |
If you want to change your story, you can, but it's important | 0:25:49 | 0:25:52 | |
that you know that changing answers may harm your defence in court. | 0:25:52 | 0:25:57 | |
That's correct, Michael. | 0:25:57 | 0:25:58 | |
The reason I'm asking you about the car, Michael, is because this | 0:26:02 | 0:26:05 | |
is what's alleged to have happened with Hana Reznikova. | 0:26:05 | 0:26:09 | |
I don't want to get things wrong. | 0:26:11 | 0:26:13 | |
I get... | 0:26:13 | 0:26:15 | |
I get muddled sometimes. | 0:26:15 | 0:26:16 | |
What do you get muddled about, Michael? | 0:26:19 | 0:26:21 | |
Do you want to stop the interview, Michael? | 0:26:27 | 0:26:30 | |
Yes, please. | 0:26:32 | 0:26:33 | |
OK. We'll leave it there. | 0:26:33 | 0:26:35 | |
-Is that all right, DS Flynn? -Yeah, of course, ma'am, no problem. | 0:26:38 | 0:26:42 | |
Thanks, everyone. | 0:26:44 | 0:26:45 | |
Did I do all right? | 0:26:57 | 0:26:58 | |
In what way? | 0:27:00 | 0:27:01 | |
You said if I did well, you'd... | 0:27:02 | 0:27:04 | |
..you'd tell them to look after me better. | 0:27:05 | 0:27:08 | |
Yeah, I will. | 0:27:09 | 0:27:10 | |
Sorry about that, ma'am. | 0:27:23 | 0:27:24 | |
I hope I haven't wasted your time. | 0:27:24 | 0:27:26 | |
No, not at all. | 0:27:26 | 0:27:28 | |
Do you mind if I ask you some questions now? | 0:27:28 | 0:27:29 | |
It would be good to beat the traffic home. | 0:27:29 | 0:27:31 | |
Look, I don't mean to be presumptuous, | 0:27:31 | 0:27:33 | |
but you're barking up the wrong tree. | 0:27:33 | 0:27:35 | |
Why would you say that, ma'am? | 0:27:35 | 0:27:37 | |
Farmer took trophies from each of his victims. | 0:27:37 | 0:27:39 | |
We did a thorough search of the house, the fire's investigator | 0:27:39 | 0:27:42 | |
found no evidence of similar items incinerated in the fire. | 0:27:42 | 0:27:45 | |
Three trophies, three victims. | 0:27:45 | 0:27:47 | |
Whatever happened to your missing girl, she was not the fourth. | 0:27:47 | 0:27:50 | |
I'm sorry if you've had a wasted journey. | 0:27:50 | 0:27:53 | |
No, not at all, ma'am. | 0:27:53 | 0:27:54 | |
I really appreciate the time you've given me. | 0:27:54 | 0:27:56 | |
You're welcome. | 0:27:56 | 0:27:58 | |
-Goodbye. -Bye. | 0:27:58 | 0:27:59 | |
All right? | 0:28:21 | 0:28:22 | |
I interviewed Farmer. | 0:28:25 | 0:28:26 | |
One uncontrolled crime of passion, that I can imagine. | 0:28:26 | 0:28:29 | |
But two or three, leaving no clues for months? | 0:28:29 | 0:28:31 | |
According to his medical records, he was diagnosed with | 0:28:31 | 0:28:33 | |
learning difficulties when he was 11. | 0:28:33 | 0:28:36 | |
That doesn't necessarily mean he was incapable | 0:28:36 | 0:28:38 | |
of committing the offences. | 0:28:38 | 0:28:39 | |
True, but he was meant to have stolen the car used | 0:28:39 | 0:28:41 | |
to abduct Hana Reznikova. I'm not even convinced he can drive. | 0:28:41 | 0:28:44 | |
His solicitor bring that up? | 0:28:44 | 0:28:46 | |
Don't even get me started on the solicitor. | 0:28:46 | 0:28:48 | |
You pressed Huntley on the driving? | 0:28:48 | 0:28:49 | |
I know how to run an undercover. | 0:28:49 | 0:28:51 | |
Never said you didn't. | 0:28:51 | 0:28:53 | |
Well, we could leave it to you, | 0:28:53 | 0:28:54 | |
but I don't want us to all end up in court again. | 0:28:54 | 0:28:57 | |
Don't worry, mate. We'll get there. | 0:28:57 | 0:28:59 | |
-Right. -Night, mate. | 0:29:01 | 0:29:02 | |
-Yep? -Tim Ifield's raised legitimate questions, don't get me wrong, sir. | 0:29:14 | 0:29:17 | |
I've looked at the electronic submissions to the CPS. | 0:29:17 | 0:29:19 | |
The MG3, MG5 and all the MG11s are by the book. | 0:29:19 | 0:29:22 | |
The MG6 initial disclosure is what I'd expect at this stage. | 0:29:22 | 0:29:25 | |
But signal strength triangulation places Michael's mobile phone | 0:29:25 | 0:29:28 | |
in the vicinity of his grandmother's nursing home and not the | 0:29:28 | 0:29:31 | |
abduction of Hana Reznikova. | 0:29:31 | 0:29:32 | |
Right. Well, we all know how this works. | 0:29:32 | 0:29:34 | |
There's a chain of evidence, | 0:29:34 | 0:29:36 | |
it starts with the investigating team, goes on to the | 0:29:36 | 0:29:38 | |
Senior Investigating Officer, who presents it to the Crown Prosecutor. | 0:29:38 | 0:29:41 | |
The Prosecutor can only consider the evidence put in front of her. | 0:29:41 | 0:29:44 | |
What we don't know is how Huntley presented it all when she | 0:29:44 | 0:29:47 | |
-made the case for charging Farmer. -Exactly. | 0:29:47 | 0:29:49 | |
Nothing in Huntley's record suggests she's ever done anything | 0:29:49 | 0:29:51 | |
like this before. | 0:29:51 | 0:29:53 | |
And she can't have a grudge against Farmer, | 0:29:53 | 0:29:54 | |
she's got no connection to him. | 0:29:54 | 0:29:56 | |
Maybe on the balance of evidence, | 0:29:56 | 0:29:57 | |
she believes Michael Farmer's guilty. | 0:29:57 | 0:29:59 | |
She's just an honest copper getting on with the job. | 0:29:59 | 0:30:01 | |
Yep, the job she's been given. | 0:30:01 | 0:30:04 | |
Sir? | 0:30:04 | 0:30:05 | |
Well, Huntley's superiors, they won't have been kept in the dark | 0:30:05 | 0:30:08 | |
about such a high profile case. | 0:30:08 | 0:30:09 | |
I mean, one girl dead, one presumed. | 0:30:09 | 0:30:11 | |
One by the grace of God. | 0:30:11 | 0:30:13 | |
No progress for months. | 0:30:13 | 0:30:15 | |
Senior officers only get told what they want to hear, sir. | 0:30:15 | 0:30:17 | |
Yeah, well, I must be the exception. | 0:30:17 | 0:30:20 | |
Sir, I managed to check the electronic door entry | 0:30:20 | 0:30:23 | |
download to Polk Avenue the night of Michael Farmer's questioning. | 0:30:23 | 0:30:26 | |
And it shows access via the warrant card registered to | 0:30:26 | 0:30:28 | |
Assistant Chief Constable Hilton. | 0:30:28 | 0:30:31 | |
Right. | 0:30:33 | 0:30:35 | |
OK. Thanks, you two. | 0:30:35 | 0:30:37 | |
Sir. | 0:30:37 | 0:30:38 | |
I'll be right out. | 0:30:41 | 0:30:42 | |
I don't know if this is a good time, sir, but I've been | 0:30:47 | 0:30:49 | |
a DS for over five years now and I hope I've proved myself. | 0:30:49 | 0:30:52 | |
I've recently passed the National Inspectors' Exam. | 0:30:52 | 0:30:54 | |
Yes, I was aware. | 0:30:54 | 0:30:56 | |
Well, I feel I'm right for a promotion, sir, if you'll back me? | 0:30:56 | 0:30:59 | |
Full marks for ambition, son. | 0:30:59 | 0:31:02 | |
Rest assured, I will give it due consideration. | 0:31:02 | 0:31:04 | |
Sir. | 0:31:06 | 0:31:08 | |
The sea bass for me. | 0:31:20 | 0:31:22 | |
And I'll have the sirloin steak, medium-rare, no sauce. | 0:31:24 | 0:31:27 | |
You didn't fancy some vino, did you, Ted? | 0:31:29 | 0:31:31 | |
Oh, no, no, no. A bit too early for me, sir. | 0:31:31 | 0:31:33 | |
Although you might consider that recent successes | 0:31:33 | 0:31:35 | |
merit a glass of bubbly? | 0:31:35 | 0:31:37 | |
It's a bit early for me too, but certainly a cloud's been lifted. | 0:31:38 | 0:31:42 | |
Yes, well, I mean, expectations are so high from the public these days. | 0:31:42 | 0:31:45 | |
I mean, they think that forensic science is going to | 0:31:45 | 0:31:47 | |
lead us directly to the door of the offender, you know. | 0:31:47 | 0:31:49 | |
Public trust has been restored, | 0:31:49 | 0:31:51 | |
the Chief Constable and the PCC have dialled down their rabid anxiety. | 0:31:51 | 0:31:55 | |
So, we can relax and enjoy a pleasant lunch. | 0:31:56 | 0:31:59 | |
But, I mean, it is a very trying situation, you know, | 0:32:01 | 0:32:05 | |
and that level of anxiety starts to filter down through the ranks. | 0:32:05 | 0:32:09 | |
How so? | 0:32:09 | 0:32:10 | |
Well, you said yourself, sir, public trust, | 0:32:10 | 0:32:12 | |
expectation of getting a result can sometimes lead to | 0:32:12 | 0:32:15 | |
undue pressure on a detective to close a case. | 0:32:15 | 0:32:18 | |
Well, I don't think that's always such a bad thing. | 0:32:18 | 0:32:20 | |
Sometimes you've got to light a fire. | 0:32:20 | 0:32:22 | |
Indeed, sir. | 0:32:23 | 0:32:24 | |
Indeed. | 0:32:25 | 0:32:27 | |
However, a detective under that kind of undue pressure can sometimes bend | 0:32:27 | 0:32:30 | |
the facts to suit the expectations of his, or her, superiors. | 0:32:30 | 0:32:35 | |
I've got better antennae than that. | 0:32:36 | 0:32:38 | |
You know we can't be micromanagers, Ted. | 0:32:38 | 0:32:41 | |
-We trust our officers... -HILTON'S PHONE VIBRATES | 0:32:41 | 0:32:43 | |
..to conduct themselves with professionalism and integrity. | 0:32:43 | 0:32:46 | |
Sorry. | 0:32:46 | 0:32:48 | |
ACC Hilton. | 0:32:48 | 0:32:49 | |
Steve. | 0:33:02 | 0:33:03 | |
How do you know when an executive officer's telling lies? | 0:33:08 | 0:33:10 | |
His lips move. | 0:33:10 | 0:33:12 | |
There may be something in this. I sincerely hope not, | 0:33:12 | 0:33:15 | |
but I'm relying on you and Kate to get to the bottom of it. | 0:33:15 | 0:33:18 | |
As of now, we are investigating Roz Huntley's charging | 0:33:18 | 0:33:21 | |
of Michael Farmer. | 0:33:21 | 0:33:23 | |
-Sir. -Good. | 0:33:23 | 0:33:24 | |
DOORBELL RINGS | 0:33:49 | 0:33:50 | |
Jade Hopkirk? | 0:33:53 | 0:33:54 | |
-What's he done now? -No-one's in any trouble, miss. | 0:33:54 | 0:33:57 | |
Would it be possible to talk to you inside, please? | 0:33:57 | 0:34:00 | |
Free country. | 0:34:00 | 0:34:01 | |
I appreciate this may be a difficult subject for you, Jade, | 0:34:14 | 0:34:16 | |
but I'm here to talk to you about Michael Farmer. | 0:34:16 | 0:34:19 | |
All right. | 0:34:20 | 0:34:22 | |
Do you mind if I ask, how did you know Mr Farmer? | 0:34:22 | 0:34:25 | |
Just from the estate. | 0:34:25 | 0:34:28 | |
I don't mean to push. | 0:34:28 | 0:34:29 | |
Could you tell me a bit more, please? | 0:34:29 | 0:34:32 | |
We used to walk the same way home from school. | 0:34:32 | 0:34:35 | |
That's how it started, I suppose. | 0:34:35 | 0:34:37 | |
According to records I've accessed in relation to my inquiry, | 0:34:37 | 0:34:40 | |
a complaint about Michael Farmer was made on 18th June 2009 | 0:34:40 | 0:34:44 | |
by your mother, alleging Michael Farmer raped you. | 0:34:44 | 0:34:47 | |
Why you asking me all this now? | 0:34:48 | 0:34:50 | |
This relates to a new inquiry. | 0:34:50 | 0:34:52 | |
I'm not at liberty to say more. | 0:34:52 | 0:34:55 | |
I am sorry for bringing up a traumatic experience, Jade. | 0:34:55 | 0:34:59 | |
Thank you. | 0:34:59 | 0:35:00 | |
At the time, you were 15 years old? | 0:35:01 | 0:35:03 | |
-Yeah. -And Mr Farmer, he was 16? | 0:35:03 | 0:35:07 | |
Yeah. | 0:35:07 | 0:35:08 | |
And this offence took place in Michael Farmer's home? | 0:35:08 | 0:35:10 | |
His grandma was out. We were alone, listening to music and that. | 0:35:10 | 0:35:14 | |
Was there a friendship of some sort before the attack took place? | 0:35:16 | 0:35:19 | |
I thought he just wanted to be friends. | 0:35:19 | 0:35:22 | |
But you made clear to Michael Farmer you didn't want to have | 0:35:22 | 0:35:24 | |
intercourse with him? | 0:35:24 | 0:35:25 | |
Yeah. | 0:35:27 | 0:35:28 | |
BABY CRIES | 0:35:28 | 0:35:29 | |
In his initial statement, Michael claims you went along? | 0:35:31 | 0:35:34 | |
Yeah, and then he said he'd done it, so what's the problem? | 0:35:34 | 0:35:36 | |
-Morning, boss. -Hey, Neil, how's it going? | 0:35:54 | 0:35:57 | |
Sorry, boss, the DS from East Mids. | 0:35:57 | 0:35:59 | |
How long do you want to give her? | 0:35:59 | 0:36:01 | |
You've lost me. | 0:36:01 | 0:36:03 | |
To go through the interviews with Farmer and the witness statements. | 0:36:03 | 0:36:07 | |
Do you mind telling me what's going on here? | 0:36:15 | 0:36:19 | |
My gaffer wasn't happy with what I got out of Farmer. | 0:36:19 | 0:36:21 | |
He said there was holes in his statement. | 0:36:21 | 0:36:23 | |
He wants more before we can rule him out. | 0:36:23 | 0:36:25 | |
Sorry, ma'am, I... Your team seemed fine with it. | 0:36:25 | 0:36:28 | |
I didn't want to disturb you at home. | 0:36:28 | 0:36:30 | |
I'm the SIO. | 0:36:30 | 0:36:31 | |
You ask me. | 0:36:31 | 0:36:33 | |
Yes, ma'am, I'm sorry. I meant no disrespect. | 0:36:33 | 0:36:36 | |
I'd like you to desist, please, | 0:36:36 | 0:36:37 | |
while I take this up with your senior officer. | 0:36:37 | 0:36:40 | |
Yeah. As you wish, ma'am. | 0:36:40 | 0:36:41 | |
I'll get someone to do that. | 0:36:43 | 0:36:45 | |
Very good, ma'am. | 0:36:45 | 0:36:46 | |
As you know, ma'am, I'm only here to solve a crime. | 0:36:54 | 0:36:56 | |
We're both on the same side. | 0:36:56 | 0:36:58 | |
Of course. | 0:36:58 | 0:36:59 | |
I'm very sorry, ma'am. | 0:36:59 | 0:37:01 | |
OK. | 0:37:01 | 0:37:02 | |
-Hello, switch. -DCI Huntley. | 0:37:14 | 0:37:17 | |
Can you put me through to Missing Persons at the | 0:37:17 | 0:37:19 | |
East Midlands Constabulary? | 0:37:19 | 0:37:20 | |
DS Flynn's interfering with my investigation. | 0:37:31 | 0:37:33 | |
I'd rather she was denied further access to our files. | 0:37:33 | 0:37:35 | |
I'm sorry to hear that, DCI Huntley, | 0:37:35 | 0:37:37 | |
but I need to speak to my Chief Superintendent. | 0:37:37 | 0:37:40 | |
DS Flynn's secondment is an important line of inquiry for us. | 0:37:40 | 0:37:44 | |
I appreciate that, but I'm finding her a disruptive influence. | 0:37:44 | 0:37:46 | |
Huntley's call was intercepted by our undercover ops handling service. | 0:37:46 | 0:37:50 | |
They're on standby to go over Huntley's head and push Kate | 0:37:50 | 0:37:52 | |
-back on her. -Yes, well, she certainly sounds rattled. | 0:37:52 | 0:37:54 | |
Huntley's definitely hiding something about how the case | 0:37:54 | 0:37:57 | |
against Farmer was handled. What, I don't know. | 0:37:57 | 0:38:00 | |
Steve, you're going to look into the original conviction that got | 0:38:00 | 0:38:02 | |
Farmer put on the Sex Offenders Register, right? | 0:38:02 | 0:38:05 | |
Erm, yeah. It checks out. | 0:38:05 | 0:38:07 | |
Which suggests that maybe Huntley's got the right man after all. | 0:38:07 | 0:38:11 | |
Makes me think twice about moving Kate's undercover | 0:38:11 | 0:38:13 | |
up to the next level. | 0:38:13 | 0:38:15 | |
Er, no, no. | 0:38:15 | 0:38:17 | |
I agree with Kate, sir. It's still worth digging deeper. | 0:38:17 | 0:38:20 | |
Right, well, you're my best team. | 0:38:22 | 0:38:24 | |
If that's what you both think. | 0:38:24 | 0:38:26 | |
-Let's turn the screw. -BOTH: -Sir. | 0:38:26 | 0:38:28 | |
Someone to see you, ma'am. | 0:38:38 | 0:38:40 | |
DS Arnott, ma'am. | 0:38:42 | 0:38:44 | |
AC-12. | 0:38:44 | 0:38:45 | |
Who are you here to see? | 0:38:48 | 0:38:49 | |
I'm making enquiries into Operation Trapdoor. | 0:38:49 | 0:38:52 | |
In regards to what? | 0:38:52 | 0:38:53 | |
Just opening our inquiry, ma'am. It's too early to say. | 0:38:53 | 0:38:57 | |
Then why are you here in person? | 0:38:58 | 0:39:00 | |
A courtesy call. | 0:39:00 | 0:39:01 | |
Just passing. | 0:39:01 | 0:39:03 | |
I'll see you again, DCI Huntley. | 0:39:03 | 0:39:05 | |
May I ask what you're doing here? | 0:39:21 | 0:39:22 | |
We haven't been able to rule out Michael Farmer's involvement | 0:39:22 | 0:39:25 | |
in a number of unsolved crimes within the jurisdiction of the | 0:39:25 | 0:39:28 | |
East Midlands Constabulary, so we're creating a bilateral task force. | 0:39:28 | 0:39:33 | |
I've been placed on temporary secondment to your team, ma'am. | 0:39:33 | 0:39:36 | |
You push from the inside, I'll push from the outside. | 0:39:44 | 0:39:47 | |
She'll crack. | 0:39:47 | 0:39:48 | |
Thank you for seeing me, sir. | 0:40:14 | 0:40:15 | |
My pleasure. Thanks, Jan. | 0:40:15 | 0:40:17 | |
How can I help? | 0:40:17 | 0:40:18 | |
I wonder if you have any idea why AC-12 are examining | 0:40:21 | 0:40:24 | |
Operation Trapdoor? | 0:40:24 | 0:40:26 | |
Um... | 0:40:27 | 0:40:29 | |
I'm not corrupt, sir. | 0:40:29 | 0:40:30 | |
Nor are my team. | 0:40:31 | 0:40:33 | |
All procedures were followed. | 0:40:33 | 0:40:36 | |
Evidence met the threshold test, met and surpassed it. | 0:40:36 | 0:40:39 | |
I stuck with you on this because you're better than your record. | 0:40:39 | 0:40:43 | |
Your career break, I mean. | 0:40:43 | 0:40:45 | |
All those years out being a full-time mum. | 0:40:45 | 0:40:47 | |
Some would worry that had cost you your edge. | 0:40:47 | 0:40:50 | |
But I have the advantage of knowing first-hand how good you are. | 0:40:50 | 0:40:55 | |
Thank you very much, sir. | 0:40:55 | 0:40:56 | |
There's a lot of evidence, pro and con, a lot of facts. | 0:40:56 | 0:41:01 | |
You've got what it takes to cut through all that. | 0:41:01 | 0:41:04 | |
There's facts... | 0:41:05 | 0:41:07 | |
and then there's the truth. | 0:41:07 | 0:41:09 | |
I know you won't let me down. | 0:41:10 | 0:41:12 | |
Yes, sir. | 0:41:12 | 0:41:14 | |
Hi, Jane. Can I take a look at the forensic reports on these | 0:41:35 | 0:41:39 | |
particular items of evidence? | 0:41:39 | 0:41:40 | |
I've lost track of the e-mails. | 0:41:40 | 0:41:42 | |
All the reference numbers are down there. | 0:41:42 | 0:41:45 | |
No problem, coming right up. | 0:41:45 | 0:41:46 | |
-Everything all right, Tim? -Hi, Roz. -Why don't you guys go in? | 0:41:55 | 0:41:58 | |
Yeah, yeah, all good. | 0:41:58 | 0:41:59 | |
Right, then. Have a good day. | 0:42:07 | 0:42:08 | |
You too. | 0:42:08 | 0:42:10 | |
-Morning. -Morning. | 0:42:17 | 0:42:20 | |
Your friend's been here a couple of hours already. | 0:42:20 | 0:42:22 | |
-Friend? -I put him in the meeting room. | 0:42:22 | 0:42:25 | |
Tim. | 0:42:40 | 0:42:41 | |
PC Bindra said I could wait till you arrived. | 0:42:41 | 0:42:43 | |
Or you can make an appointment. | 0:42:43 | 0:42:45 | |
I'd rather people didn't know I was coming here. | 0:42:45 | 0:42:47 | |
So what have you discovered so far? | 0:42:47 | 0:42:49 | |
Well, the inquiry's ongoing so it would be inappropriate to... | 0:42:49 | 0:42:52 | |
So you're investigating. Great. | 0:42:52 | 0:42:53 | |
Well, this'll help. | 0:42:53 | 0:42:55 | |
Now, I was only responsible for coordinating the | 0:42:55 | 0:42:58 | |
forensic deployment in Michael Farmer's house. | 0:42:58 | 0:43:00 | |
But I've been able to access reports into the evidence obtained | 0:43:00 | 0:43:05 | |
from Hana Reznikova, the alleged victim, and Michael Farmer himself. | 0:43:05 | 0:43:09 | |
If Michael Farmer had bundled Hana Reznikova into his car and | 0:43:09 | 0:43:11 | |
dragged her into his house, you'd imagine that some of his | 0:43:11 | 0:43:15 | |
clothes' fibres would have been detected on her clothing, | 0:43:15 | 0:43:17 | |
wouldn't you? | 0:43:17 | 0:43:18 | |
Yeah, of course. | 0:43:19 | 0:43:20 | |
The clothing worn by Hana Reznikova shows no fibres | 0:43:20 | 0:43:23 | |
detected that match the clothing worn by Michael Farmer, | 0:43:23 | 0:43:27 | |
only black fibres from a cotton and polyester blend, | 0:43:27 | 0:43:30 | |
that could have come from a black jacket like her abductor | 0:43:30 | 0:43:32 | |
was wearing. | 0:43:32 | 0:43:34 | |
Farmer was wearing different clothing when he was arrested. | 0:43:34 | 0:43:36 | |
He could have disposed of the black jacket. | 0:43:36 | 0:43:38 | |
No black fibres were found on Michael Farmer's clothing | 0:43:38 | 0:43:41 | |
or in his house. | 0:43:41 | 0:43:42 | |
No fibres from a balaclava were found in his hair. | 0:43:42 | 0:43:46 | |
Now, Roz Huntley is too clever for all this to have been missed. | 0:43:47 | 0:43:51 | |
I feel like I'm alone. | 0:43:53 | 0:43:54 | |
Like no-one else at Polk Avenue realises what's really going on. | 0:43:54 | 0:43:58 | |
I mean, of all people, you know what that feels like. | 0:43:58 | 0:44:01 | |
-Sorry? -You were a whistle-blower. | 0:44:01 | 0:44:04 | |
You know, you refused to go along with the cover-up into the | 0:44:04 | 0:44:06 | |
shooting of Karim Ali and you testified against your | 0:44:06 | 0:44:08 | |
colleagues at the inquest. | 0:44:08 | 0:44:09 | |
That is why I insisted on meeting only you. | 0:44:09 | 0:44:12 | |
Because you'd understand. | 0:44:12 | 0:44:14 | |
You understand what I'm thinking. | 0:44:14 | 0:44:17 | |
Now, either the forensic investigators were silenced | 0:44:17 | 0:44:20 | |
by Roz Huntley... | 0:44:20 | 0:44:22 | |
..or they're in on the conspiracy too. | 0:44:23 | 0:44:25 | |
"Conspiracy"? | 0:44:25 | 0:44:27 | |
To do what? | 0:44:27 | 0:44:28 | |
To ignore evidence pointing at another suspect. | 0:44:28 | 0:44:31 | |
I mean, you've seen the balaclava photo? | 0:44:31 | 0:44:34 | |
Of course. | 0:44:34 | 0:44:35 | |
It's been released to the press, so it's in the public domain. | 0:44:35 | 0:44:38 | |
Right, well, this is the CCTV image of a suspicious figure wearing | 0:44:38 | 0:44:41 | |
a balaclava and black jacket seen in the vicinity of the | 0:44:41 | 0:44:43 | |
disappearance of the second victim. | 0:44:43 | 0:44:45 | |
Leonie Collersdale. Last seen 25th of January. | 0:44:45 | 0:44:47 | |
Now, I've got some software that can analyse his biometrics. | 0:44:47 | 0:44:51 | |
This has all been tried. | 0:44:51 | 0:44:52 | |
Because of the high angle, the figure's height can't be | 0:44:52 | 0:44:54 | |
estimated without a wide margin of error. | 0:44:54 | 0:44:56 | |
Correct. Now, vertical measurements are highly unreliable. | 0:44:56 | 0:45:00 | |
Horizontal ones aren't. | 0:45:00 | 0:45:02 | |
Such as foot size. | 0:45:02 | 0:45:04 | |
This is 27.5cm, the equivalent to a UK size ten. | 0:45:04 | 0:45:09 | |
Now, the footwear seized from Michael Farmer's home and belonging | 0:45:11 | 0:45:13 | |
to him was all a UK size eight. | 0:45:13 | 0:45:15 | |
You believe this can't be Michael Farmer? | 0:45:17 | 0:45:20 | |
Not only that. | 0:45:20 | 0:45:21 | |
The boot print captured from the kitchen floor | 0:45:21 | 0:45:23 | |
of Michael Farmer's home was also a UK size ten. | 0:45:23 | 0:45:27 | |
This is the man I'm convinced killed Baswinder Kaur, Leonie Collersdale, | 0:45:35 | 0:45:40 | |
and abducted Hana Reznikova, | 0:45:40 | 0:45:41 | |
and framed Michael Farmer for everything, | 0:45:41 | 0:45:43 | |
and Roz Huntley has stopped everyone looking for him. | 0:45:43 | 0:45:46 | |
Jodie? | 0:45:58 | 0:45:59 | |
Anything I can do, ma'am? | 0:46:05 | 0:46:07 | |
Yes. Some of the forensics in the Michael Farmer case, | 0:46:08 | 0:46:12 | |
I'd like them reprocessed. | 0:46:12 | 0:46:13 | |
Sure. | 0:46:15 | 0:46:17 | |
-I'll e-mail a list of which ones. -OK, no problem. | 0:46:17 | 0:46:19 | |
Hello. | 0:47:04 | 0:47:06 | |
Would you like to order from the breakfast menu? | 0:47:06 | 0:47:08 | |
Uh, right, um... | 0:47:08 | 0:47:10 | |
No, I'll just have a cup of tea, please. | 0:47:10 | 0:47:12 | |
OK, we have Earl Grey, English breakfast, peppermint tea? | 0:47:12 | 0:47:15 | |
Yeah, Earl Grey. | 0:47:15 | 0:47:16 | |
-Earl Grey. OK, take a seat, sir, I'll bring it over. -Thanks. | 0:47:18 | 0:47:21 | |
That's me, sir, if you're interested. | 0:47:59 | 0:48:01 | |
Yeah, maybe we should fix a time for you to come round | 0:48:03 | 0:48:06 | |
and size up my flat? | 0:48:06 | 0:48:07 | |
Great! I'll check my diary. | 0:48:09 | 0:48:11 | |
Just don't leave before we make an appointment. | 0:48:12 | 0:48:14 | |
I won't. | 0:48:14 | 0:48:15 | |
Sorry, ma'am, but I thought you should know about this. | 0:48:52 | 0:48:54 | |
When I looked at the forensic reports on Michael Farmer's | 0:48:54 | 0:48:57 | |
-and Hana Reznikova's clothing... -Yes? | 0:48:57 | 0:48:59 | |
Last one to tell tales, but Tim Ifield signed out the reports. | 0:48:59 | 0:49:03 | |
He's been looking at them too. | 0:49:03 | 0:49:05 | |
Thanks, Jodie. | 0:49:08 | 0:49:09 | |
Are you OK, ma'am? Fancy a cuppa? | 0:49:15 | 0:49:17 | |
-No, thank you. -OK. | 0:49:18 | 0:49:20 | |
-REPORTER: -Having come under fierce criticism | 0:49:26 | 0:49:28 | |
for failing to capture the murderer, | 0:49:28 | 0:49:29 | |
Central Police are now being praised for their breakthrough. | 0:49:29 | 0:49:33 | |
Police and Crime Commissioner Paula... | 0:49:33 | 0:49:35 | |
You all right? | 0:50:02 | 0:50:03 | |
I need to go back to work. | 0:50:03 | 0:50:04 | |
What's wrong with Mum? | 0:50:14 | 0:50:16 | |
DOORBELL RINGS | 0:50:41 | 0:50:44 | |
KNOCK ON DOOR | 0:51:20 | 0:51:22 | |
Oh, Roz? | 0:51:32 | 0:51:33 | |
I was ringing that bell for ages. You need to get it fixed. | 0:51:33 | 0:51:36 | |
It's... It's silent. It's all controlled by my computer. | 0:51:36 | 0:51:39 | |
For God's sake. | 0:51:40 | 0:51:41 | |
Can I come in? | 0:51:46 | 0:51:48 | |
Um, yeah, yeah, of course. | 0:51:48 | 0:51:49 | |
Is everything OK? | 0:51:49 | 0:51:52 | |
No. | 0:51:53 | 0:51:55 | |
That's what I want to talk about. | 0:51:55 | 0:51:58 | |
OK. Can I get you a tea or a coffee? | 0:51:58 | 0:52:00 | |
I'm not staying. | 0:52:00 | 0:52:02 | |
I'm just going to ask you, straight up - | 0:52:02 | 0:52:04 | |
what the hell is going on? | 0:52:04 | 0:52:05 | |
I'm not sure what you mean. | 0:52:07 | 0:52:08 | |
I'm the Senior Investigating Officer. | 0:52:08 | 0:52:10 | |
You're the forensic coordinator. | 0:52:10 | 0:52:12 | |
You have your area of expertise, but fundamentally you answer to me. | 0:52:12 | 0:52:16 | |
Yes. | 0:52:16 | 0:52:17 | |
So why are you questioning my evaluation of forensic evidence? | 0:52:17 | 0:52:20 | |
Look, I can see you're upset, | 0:52:20 | 0:52:22 | |
but wouldn't it be better if we discussed this at work? | 0:52:22 | 0:52:24 | |
I want to discuss it now. | 0:52:24 | 0:52:25 | |
You've come to my home, at night, you're clearly emotional. | 0:52:25 | 0:52:29 | |
Don't make out I'm in the wrong, Tim. | 0:52:29 | 0:52:31 | |
You're the one going behind my back. | 0:52:31 | 0:52:33 | |
See? You know exactly what I'm referring to. | 0:52:40 | 0:52:43 | |
I had no choice. | 0:52:43 | 0:52:44 | |
You had the choice to talk to me. | 0:52:45 | 0:52:48 | |
-I tried. -Oh, don't give me that. | 0:52:48 | 0:52:50 | |
You made some half-hearted effort to discuss a couple of | 0:52:50 | 0:52:53 | |
minor anomalies in the evidence recovered | 0:52:53 | 0:52:54 | |
-from Michael Farmer's house. -They're hardly minor. | 0:52:54 | 0:52:57 | |
Cases of this complexity create mountains of evidence. | 0:52:57 | 0:53:00 | |
It takes the experience of a good SIO | 0:53:00 | 0:53:02 | |
to cut through all that and recognise the truth. | 0:53:02 | 0:53:04 | |
The evidence is the truth! | 0:53:04 | 0:53:07 | |
You think Michael Farmer's innocent, I know that he is guilty. | 0:53:07 | 0:53:10 | |
There's a pattern of institutional blindness, led by you, | 0:53:10 | 0:53:12 | |
into the possibility of another suspect. | 0:53:12 | 0:53:15 | |
What other suspect? There is no other suspect! | 0:53:15 | 0:53:17 | |
Balaclava Man! | 0:53:17 | 0:53:19 | |
He committed the previous murders and he planted evidence | 0:53:19 | 0:53:21 | |
in Michael Farmer's house. | 0:53:21 | 0:53:22 | |
Michael Farmer is Balaclava Man, and those items were trophies. | 0:53:22 | 0:53:26 | |
Of course they would have appeared different to other household items. | 0:53:26 | 0:53:29 | |
And the boot print - so what? | 0:53:29 | 0:53:30 | |
It's a house on a busy estate, who knows who coming and going. | 0:53:30 | 0:53:34 | |
You are taking your narrow view of your own specialism, | 0:53:34 | 0:53:37 | |
writing off all other parts of the case that I, as SIO, | 0:53:37 | 0:53:40 | |
am in a better position to evaluate. | 0:53:40 | 0:53:42 | |
Listen, I can see you're angry, but I think you should leave. | 0:53:42 | 0:53:45 | |
Who the hell do you think you are? | 0:53:45 | 0:53:47 | |
-Don't you push me. -I'm not the one pushing. | 0:53:47 | 0:53:49 | |
Can't you see I'm right about Michael Farmer? | 0:53:49 | 0:53:51 | |
No, actually, what I see is someone who can't admit that she's wrong! | 0:53:51 | 0:53:55 | |
This is my life, my career, | 0:53:55 | 0:53:57 | |
and I will not have some sad little wanker mess that up! | 0:53:57 | 0:54:00 | |
Is that how you see Michael Farmer? | 0:54:00 | 0:54:01 | |
Some "sad little wanker" that you can frame and lock him up? | 0:54:01 | 0:54:04 | |
I did not frame him. | 0:54:04 | 0:54:06 | |
You made sure an INNOCENT man is charged! | 0:54:06 | 0:54:09 | |
What do you know about anything? | 0:54:09 | 0:54:10 | |
And what gives you the right to say that he's innocent? | 0:54:10 | 0:54:13 | |
What have you got against Michael Farmer, except him being | 0:54:13 | 0:54:15 | |
retarded enough for you to frame?! | 0:54:15 | 0:54:18 | |
Argh! | 0:54:18 | 0:54:19 | |
You just assaulted a police officer. | 0:54:22 | 0:54:24 | |
Oh, no, no, no. | 0:54:24 | 0:54:26 | |
-You're staying. -I'm leaving. | 0:54:26 | 0:54:28 | |
No, no, let's talk about this. Just stay. | 0:54:28 | 0:54:30 |