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-Glasgow's my home. I want to stay. -You're staying? | 0:00:02 | 0:00:04 | |
It just feels like Frankie's needling her way into my life. | 0:00:04 | 0:00:08 | |
This is Frankie. Frankie's doing the photos for our new brochure. | 0:00:08 | 0:00:11 | |
-I thought this might be one for Jay to take charge of actually. -Jay? | 0:00:11 | 0:00:15 | |
Easier to be the scarlet woman than come out of the closet, I suppose. | 0:00:15 | 0:00:19 | |
-I do love him. -We don't want to cause a scene, do we? | 0:00:19 | 0:00:21 | |
I think you've managed that already, sweetheart. Aaargh! | 0:00:21 | 0:00:25 | |
-I'm now dumped and homeless. -I can help you find somewhere. | 0:00:25 | 0:00:29 | |
-You're moving in with Frankie? -Yeah. | 0:00:29 | 0:00:31 | |
-Who's that then? -That's Hayley, the fit intern. | 0:00:31 | 0:00:35 | |
She's been flirting with me non-stop. | 0:00:35 | 0:00:37 | |
Hayley... Hayley. | 0:00:39 | 0:00:41 | |
It's ketamine. | 0:00:41 | 0:00:43 | |
The album she made of you as a kid, it's gone. | 0:00:43 | 0:00:47 | |
Who the hell would want my photos? Something was sent here. | 0:00:47 | 0:00:50 | |
A photo album? Sent to someone called Annie Cawthorne. | 0:00:50 | 0:00:52 | |
We have got copies of most of the documents you requested. | 0:00:52 | 0:00:55 | |
Your parents' death certificates along with your sister's. | 0:00:55 | 0:00:58 | |
Little Francesca. Tragic losing someone so young. | 0:00:58 | 0:01:01 | |
This programme contains strong language and some scenes of a sexual nature. | 0:01:01 | 0:01:04 | |
-Is that all you've got? -Yep. All my worldly goods. | 0:01:36 | 0:01:39 | |
Yeah, I'm the same. Just got a few bits. | 0:01:39 | 0:01:42 | |
What? | 0:01:44 | 0:01:47 | |
Tess, what is all this? | 0:01:47 | 0:01:49 | |
-It's my life. -Is that everything? | 0:01:49 | 0:01:51 | |
Absolutely everything. | 0:01:51 | 0:01:54 | |
Oh, shit. I left my sponge bag in the bathroom. | 0:01:54 | 0:01:57 | |
-I'll get it. -Thank you. | 0:01:57 | 0:01:59 | |
-Oh, and there's a book on that weird shelf thing. -All right. | 0:02:01 | 0:02:05 | |
And a jumper on the clothes horse by my room. | 0:02:05 | 0:02:08 | |
And the mascara. | 0:02:08 | 0:02:09 | |
-Oh, shit! Sorry. -It's all right. | 0:02:25 | 0:02:28 | |
-I'm just looking for Tess's bag. -It's OK. | 0:02:28 | 0:02:32 | |
No. Um... | 0:02:32 | 0:02:33 | |
I'm Sam. | 0:02:36 | 0:02:37 | |
Yeah. | 0:02:38 | 0:02:40 | |
And you must be...Frankie? | 0:02:40 | 0:02:42 | |
Yeah, Cat's told me all about you. It's nice to finally meet you. | 0:02:42 | 0:02:47 | |
Yeah. | 0:02:48 | 0:02:49 | |
Yeah. | 0:02:49 | 0:02:51 | |
What the hell are you doing? | 0:03:10 | 0:03:12 | |
Sorry, I was just... And your door was...? | 0:03:12 | 0:03:15 | |
What? Open? | 0:03:15 | 0:03:17 | |
-Sorry. -Frankie... | 0:03:18 | 0:03:21 | |
I don't want to fight all the time. It's boring. | 0:03:22 | 0:03:25 | |
Yeah, I agree. | 0:03:25 | 0:03:27 | |
Shit, I remember that! | 0:03:32 | 0:03:35 | |
Your gran's house. | 0:03:36 | 0:03:38 | |
Officially the ugliest vase ever. | 0:03:38 | 0:03:40 | |
I can't bring myself to chuck it out. | 0:03:40 | 0:03:42 | |
It was the one last thing she gave me before she died. | 0:03:42 | 0:03:44 | |
Are you OK? | 0:03:46 | 0:03:48 | |
-Yeah. -Sure? | 0:03:48 | 0:03:51 | |
Yeah, I'm fine. | 0:03:52 | 0:03:54 | |
We used to raid her drinks cabinet when she was at church | 0:03:55 | 0:03:58 | |
and mix cocktails in it. Remember? What was it again? | 0:03:58 | 0:04:01 | |
Sambuca and Um Bongo... | 0:04:01 | 0:04:03 | |
They drink it in the Congo. | 0:04:03 | 0:04:05 | |
Which somehow I seriously doubt. | 0:04:05 | 0:04:07 | |
Sam, this is Frankie. Frankie, Sam. | 0:04:07 | 0:04:11 | |
We met. | 0:04:11 | 0:04:13 | |
Do you mind if I borrow this? I've got court this morning. | 0:04:13 | 0:04:16 | |
What are you planning to do? Flash the judge? | 0:04:16 | 0:04:18 | |
You got to use what you got. | 0:04:18 | 0:04:21 | |
Yeah, I'd better go. The driver will be doing his nut with Tess. | 0:04:22 | 0:04:25 | |
I'll come and see her off. | 0:04:25 | 0:04:27 | |
Bye bye, roomie. | 0:04:27 | 0:04:28 | |
Love you. | 0:04:30 | 0:04:31 | |
Love you, too. | 0:04:31 | 0:04:32 | |
Bye. | 0:04:36 | 0:04:38 | |
Oh, my God! "Love in the afternoon." | 0:04:39 | 0:04:43 | |
Come on. | 0:04:45 | 0:04:46 | |
Ugh! | 0:04:49 | 0:04:51 | |
Want to meet for lunch? | 0:05:04 | 0:05:06 | |
I doubt I'll be finished. These things have a habit of dragging on. | 0:05:06 | 0:05:09 | |
-I'd love to watch you in court. -Yeah? | 0:05:09 | 0:05:12 | |
-It's just like it is on the telly. -Really? -Oh, yeah. | 0:05:12 | 0:05:16 | |
Yeah, good looking jury, a wise old beak. | 0:05:16 | 0:05:18 | |
Me on the stand, being viciously cross-examined | 0:05:18 | 0:05:20 | |
by a curiously sexy Glenn Close. | 0:05:20 | 0:05:23 | |
Shit! | 0:05:29 | 0:05:31 | |
-What? -My boss. I don't want to be late. | 0:05:31 | 0:05:34 | |
-Not when he's so pleased with me already. I'll call you later. -OK. | 0:05:34 | 0:05:38 | |
Give my regards to Glenn! | 0:05:38 | 0:05:40 | |
Morning. | 0:05:44 | 0:05:45 | |
Morning. My office, five minutes. | 0:05:45 | 0:05:48 | |
Is this it? | 0:05:54 | 0:05:56 | |
I guess so. | 0:05:56 | 0:05:57 | |
Is it legit? | 0:05:58 | 0:06:00 | |
Oh, my God! This is amazing! | 0:06:06 | 0:06:11 | |
Nice one, Sadie. | 0:06:14 | 0:06:16 | |
-You should shag a letting agent more often. -Yeah! | 0:06:18 | 0:06:21 | |
Uh! | 0:06:21 | 0:06:23 | |
My world may be turning to shit, but yes, we have some bongos. | 0:06:23 | 0:06:27 | |
So, no doubt you heard our bright young intern | 0:06:31 | 0:06:33 | |
-had an attack of the vapours in the office? -Yeah. | 0:06:33 | 0:06:36 | |
Yeah, she hasn't been back. Is she still ill? | 0:06:36 | 0:06:39 | |
Ill? Yeah, well that's what I assumed. Ketamine. | 0:06:39 | 0:06:43 | |
-Sorry? -Commonly prescribed by vets as a horse tranquiliser. | 0:06:43 | 0:06:47 | |
It seems like it's the drug of choice for our Hayley. | 0:06:47 | 0:06:49 | |
Shit! Really? I had no idea. | 0:06:49 | 0:06:53 | |
-No? -No! Course not. | 0:06:53 | 0:06:56 | |
I can't believe it. She's bright and keen and good at her job. | 0:06:56 | 0:07:00 | |
Not any more. I had to fire her. | 0:07:00 | 0:07:02 | |
You see, the thing is, Cat, you interviewed her, hm? | 0:07:02 | 0:07:06 | |
You recommended her, she's your protege. | 0:07:06 | 0:07:08 | |
I thought you might've noticed she was taking drugs in the office. | 0:07:08 | 0:07:10 | |
I didn't notice anything. Obviously. If I had, I would've done something. | 0:07:10 | 0:07:14 | |
Yeah, you have been a bit distracted lately. | 0:07:14 | 0:07:17 | |
Is that your new squeeze I saw this morning? | 0:07:18 | 0:07:20 | |
-Her name's Sam. -Sam? Yeah, that's right, yeah. | 0:07:20 | 0:07:23 | |
Which of the noble Sapphic professions does Sam belong to? | 0:07:23 | 0:07:27 | |
Social worker? PE teacher? Freelance yoghurt maker? | 0:07:27 | 0:07:30 | |
-She's a Detective Sergeant. -Oh! | 0:07:30 | 0:07:33 | |
Well, maybe she'll be able to give you a few pointers next time. | 0:07:33 | 0:07:37 | |
How to spot suspicious behaviour? | 0:07:37 | 0:07:39 | |
So what it's like working at Cat and Jay's? | 0:07:40 | 0:07:44 | |
Fascinating. I'm the Annie Leibovitz of architectural photography. | 0:07:44 | 0:07:48 | |
Well, at least you've got a job. | 0:07:48 | 0:07:50 | |
What are you up to today? | 0:07:50 | 0:07:52 | |
Thought I'd take a spin round the Italian Centre. | 0:07:52 | 0:07:55 | |
New handbag, haircut. | 0:07:55 | 0:07:57 | |
-Just a bit of fun with my never-ending disposable income. -Enjoy that. -I will. | 0:07:57 | 0:08:01 | |
-Then again, I might just watch Lou on the telly and drink my own body weight in gin. -Tess, get over it! | 0:08:01 | 0:08:06 | |
-Plenty more lesbians in the loch. -Mm? You reckon! | 0:08:06 | 0:08:09 | |
Trouble with you is you don't know where to look. | 0:08:09 | 0:08:11 | |
Ah. | 0:08:18 | 0:08:19 | |
There you go. "What you want, when you want it." | 0:08:21 | 0:08:24 | |
Easy as ordering a pizza. | 0:08:24 | 0:08:25 | |
No. Absolutely not. I'm not that desperate. | 0:08:25 | 0:08:28 | |
It's full of skanks and psychos. | 0:08:28 | 0:08:30 | |
-What d'you want your user name to be? -Clitoris. | 0:08:30 | 0:08:33 | |
-And how are you spelling that? -Frankie, I don't want to do it. | 0:08:33 | 0:08:36 | |
What's the alternative? | 0:08:36 | 0:08:37 | |
-Sitting round here, pining after someone you can't have? -Yeah. | 0:08:37 | 0:08:41 | |
It doesn't work. | 0:08:41 | 0:08:43 | |
Just put a profile up and see what happens. | 0:08:43 | 0:08:46 | |
Ah, OK. | 0:08:47 | 0:08:49 | |
What you looking for? | 0:08:49 | 0:08:50 | |
Friendship first? Fun? | 0:08:50 | 0:08:53 | |
Fisting? | 0:08:53 | 0:08:55 | |
Fisting. | 0:08:56 | 0:08:58 | |
Did you know about Hayley? | 0:09:01 | 0:09:03 | |
Hayley? What about her? | 0:09:03 | 0:09:05 | |
She was off her tits. Ketamine, for chrissake. | 0:09:05 | 0:09:08 | |
-Who said that? -Alistair. | 0:09:08 | 0:09:10 | |
That's why she keeled over the other day. | 0:09:10 | 0:09:12 | |
Did you know she was on something? | 0:09:12 | 0:09:14 | |
-No, of course not. How would I know? -Exactly! | 0:09:14 | 0:09:18 | |
Why would you take drugs in the office anyway? Stupid girl! | 0:09:18 | 0:09:21 | |
God, I hope she's all right. | 0:09:21 | 0:09:23 | |
I don't know why you're so worried. It's not your fault. | 0:09:23 | 0:09:26 | |
That's not what Alistair thinks. | 0:09:26 | 0:09:28 | |
He's been weird with me ever since I turned down his weekend cottage. | 0:09:28 | 0:09:32 | |
Sheep shagging in Shetland. | 0:09:32 | 0:09:34 | |
Then he finally susses I'm gay, | 0:09:34 | 0:09:35 | |
it's given him a whole new stick to beat me with. | 0:09:35 | 0:09:37 | |
Listen, don't worry about it, it'll all blow over. | 0:09:37 | 0:09:40 | |
I was right. | 0:10:04 | 0:10:05 | |
I've just been browsing members in this area and they're all... | 0:10:05 | 0:10:09 | |
-What's that? -Nothing. | 0:10:09 | 0:10:11 | |
Are you OK? | 0:10:11 | 0:10:14 | |
I'm going to go to work. | 0:10:14 | 0:10:16 | |
-Listen, don't tell Cat about Hayley, OK? -Why? | 0:10:36 | 0:10:39 | |
Alistair's blaming her, | 0:10:39 | 0:10:40 | |
she doesn't need to know I had anything to do with it. | 0:10:40 | 0:10:43 | |
What? So Cat takes all the flak while you waltz away? | 0:10:43 | 0:10:45 | |
It's not like that. | 0:10:45 | 0:10:47 | |
Ssh. | 0:10:47 | 0:10:48 | |
Hiya. | 0:10:48 | 0:10:49 | |
Oh! | 0:10:49 | 0:10:51 | |
Thanks. | 0:10:51 | 0:10:53 | |
I've downloaded the images from the Haybridge Court Project, | 0:10:54 | 0:10:58 | |
so we can take a look at them now. | 0:10:58 | 0:11:00 | |
-What? -You. Straight to business. It's not like you. | 0:11:01 | 0:11:05 | |
What's that supposed to mean? | 0:11:05 | 0:11:07 | |
-Frankie. -I'm just trying to do my job, all right? Christ! | 0:11:07 | 0:11:12 | |
What's the matter? | 0:11:13 | 0:11:16 | |
Frankie, what's going on? And don't say nothing. | 0:11:27 | 0:11:30 | |
Nothing. | 0:11:30 | 0:11:31 | |
You're a crap liar. Come on, you're all over the place. | 0:11:31 | 0:11:35 | |
All right. You want to know what's going on? | 0:11:39 | 0:11:43 | |
I'm dead. | 0:11:46 | 0:11:47 | |
What? | 0:11:47 | 0:11:49 | |
I don't understand, the date on this...? | 0:11:55 | 0:11:59 | |
-The same day my parents died. -The car crash. | 0:11:59 | 0:12:01 | |
Francesca Alan died on the same day as her parents. | 0:12:01 | 0:12:06 | |
But you survived. Your aunt and uncle... | 0:12:06 | 0:12:08 | |
Took me in. Little orphan Frankie. | 0:12:08 | 0:12:10 | |
No, no, they didn't because she was dead. | 0:12:10 | 0:12:13 | |
Frankie... | 0:12:17 | 0:12:18 | |
Fuck! This is... | 0:12:18 | 0:12:20 | |
So you're not who they said, who they told you you were? | 0:12:22 | 0:12:25 | |
-It's a total mindfuck. -Yeah. | 0:12:25 | 0:12:28 | |
Yeah, it is. | 0:12:28 | 0:12:30 | |
But you know what? I'm not even surprised. | 0:12:30 | 0:12:34 | |
What d'you mean? | 0:12:34 | 0:12:36 | |
I always knew that there was something that they weren't telling me, some secret. | 0:12:37 | 0:12:43 | |
Conversations would stop when I walked into rooms, | 0:12:43 | 0:12:46 | |
closed doors and whisperings and... | 0:12:46 | 0:12:48 | |
I'm just trying to make sense of it. | 0:12:48 | 0:12:51 | |
This... And the photo album. | 0:12:51 | 0:12:55 | |
So who is she? Your aunt wanted her to have the photos. | 0:12:55 | 0:12:59 | |
Do you think she could be your mother? | 0:13:01 | 0:13:06 | |
Your real mother? | 0:13:06 | 0:13:08 | |
-Frankie, it's OK. -No, it's not! | 0:13:10 | 0:13:14 | |
That's the one thing it's not. | 0:13:14 | 0:13:17 | |
Later in the programme we'll be talking to life coach Debbie Spatz, | 0:13:19 | 0:13:22 | |
about the joy of spontaneous living. | 0:13:22 | 0:13:24 | |
What the hell does Lou know about spontaneous living? Scheming witch! | 0:13:24 | 0:13:28 | |
Mute her! Mute her! | 0:13:28 | 0:13:30 | |
Look at how much make-up they've put on to cover the bruise! | 0:13:32 | 0:13:35 | |
Don't mess with The Fist! | 0:13:35 | 0:13:37 | |
Feeble exterior of a young Woody Allen, | 0:13:37 | 0:13:39 | |
awesome fire power of Vin Diesel. | 0:13:39 | 0:13:41 | |
COMPUTER PINGS | 0:13:41 | 0:13:43 | |
What's that? | 0:13:43 | 0:13:44 | |
Nothing. It's Frankie trying to get me back on the scene. | 0:13:44 | 0:13:48 | |
-Internet dating? -I know. | 0:13:48 | 0:13:49 | |
Seriously, I mean, you should look at some of these girls. | 0:13:49 | 0:13:53 | |
Most of them are just desperate hets after a free lezzy floor show. | 0:13:53 | 0:13:56 | |
-How can you tell? -Easy, look. | 0:13:56 | 0:13:58 | |
Like hell she's bi. | 0:14:03 | 0:14:04 | |
Why the hell do they have to have a dog in the picture? | 0:14:04 | 0:14:07 | |
I do find spaniels particularly erotic. | 0:14:07 | 0:14:10 | |
Oh, and then there's this one. My favourite. | 0:14:10 | 0:14:13 | |
Berlin Mary. "Back in Glasgow. Zis time I am super horny. | 0:14:13 | 0:14:18 | |
"First we will have the sex. Then we will proceed to the next level." | 0:14:18 | 0:14:23 | |
COMPUTER PINGS | 0:14:23 | 0:14:24 | |
-What's that? -It just means someone's interested. | 0:14:24 | 0:14:27 | |
Don't get excited, it'll just be another minger. | 0:14:27 | 0:14:31 | |
-She's all right. -Really? | 0:14:31 | 0:14:34 | |
She is, isn't she? She's hot. | 0:14:34 | 0:14:37 | |
Do you think she's hot? | 0:14:37 | 0:14:38 | |
COMPUTER PINGS | 0:14:38 | 0:14:40 | |
-She wants to chat. I can't do it, my fingers are sweaty. You do it. -No! | 0:14:40 | 0:14:43 | |
Go on, you're the writer. Write something funny, witty, sexy | 0:14:43 | 0:14:46 | |
so she'll think I'm fantastic and want to go out with me. | 0:14:46 | 0:14:49 | |
-Actually, I have to go. -What? Where are you going? | 0:14:49 | 0:14:51 | |
-I've got a date. -What? | 0:14:51 | 0:14:53 | |
At three o'clock in the afternoon? You never said. | 0:14:53 | 0:14:55 | |
-I don't tell you everything. -Except that you do. | 0:14:55 | 0:14:59 | |
Who's the lucky girl? | 0:14:59 | 0:15:00 | |
Melanie. In my creative writing class. | 0:15:00 | 0:15:04 | |
She's really nice. | 0:15:04 | 0:15:05 | |
Obsessed with Philip Roth. | 0:15:05 | 0:15:07 | |
Oh, I love him! Pulp Fiction. That scene in the diner. Remember? | 0:15:07 | 0:15:11 | |
No, that's Tim Roth. | 0:15:11 | 0:15:12 | |
I'm talking about Philip Roth. Celebrated New York Jewish novelist, | 0:15:12 | 0:15:16 | |
not a bloody actor. | 0:15:16 | 0:15:17 | |
All right! Don't get punchy. | 0:15:17 | 0:15:18 | |
-Is this what you're going to be like since your little street fight? -I'm off. Enjoy your internet date. | 0:15:18 | 0:15:24 | |
I never said I was going to meet her! | 0:15:24 | 0:15:26 | |
Why don't I talk to Sam? | 0:15:34 | 0:15:35 | |
-No. -Why not? Least she could see if Annie Cawthorne's ever come up? | 0:15:35 | 0:15:40 | |
You have an address for her. | 0:15:40 | 0:15:41 | |
Don't tell her. I don't want anyone to know, OK? | 0:15:41 | 0:15:44 | |
Then how else are you going to find out who she is? | 0:15:44 | 0:15:47 | |
Do you think she'd even do it? | 0:15:48 | 0:15:50 | |
Probably, if I asked her. | 0:15:50 | 0:15:52 | |
You've got her wrapped around your finger, have you? | 0:15:52 | 0:15:55 | |
No. Sam's a grown-up. | 0:15:55 | 0:15:58 | |
In fact this might be my first attempt at a grown-up relationship. | 0:15:58 | 0:16:02 | |
And before you say it, that doesn't mean it's boring. | 0:16:02 | 0:16:05 | |
Yeah, I wasn't going to say that. I'm pleased for you. | 0:16:05 | 0:16:09 | |
No, you're not! | 0:16:09 | 0:16:10 | |
Well, someone should be happy. It might as well be you. | 0:16:10 | 0:16:13 | |
So how's the new place? | 0:16:16 | 0:16:18 | |
It's mental. Massive. | 0:16:18 | 0:16:20 | |
You should drop by sometime, take a look. | 0:16:20 | 0:16:23 | |
Yeah. Yeah, I might. | 0:16:23 | 0:16:25 | |
Maths homework? | 0:16:33 | 0:16:35 | |
Becky's arranged for us to see a mortgage adviser. | 0:16:35 | 0:16:37 | |
God, it's fun all the way with you two. | 0:16:37 | 0:16:40 | |
Oh, God! | 0:16:40 | 0:16:42 | |
You know how long it's going to take me to pay this...thing off? | 0:16:42 | 0:16:46 | |
30 years! | 0:16:46 | 0:16:48 | |
30 years of fucking wage slaving. | 0:16:48 | 0:16:52 | |
Not to mention your other costs. | 0:16:52 | 0:16:54 | |
-What? -Your nanny. Your vets bills. | 0:16:54 | 0:16:57 | |
Your 2.4 are going to want a pet. | 0:16:57 | 0:16:59 | |
Hi, Sam, it's me. | 0:17:03 | 0:17:04 | |
Good. Can you do me a favour? | 0:17:04 | 0:17:07 | |
I just need you to look someone up. Is that OK? | 0:17:07 | 0:17:09 | |
Oh, it's not for me. | 0:17:09 | 0:17:12 | |
It's for one of the secretaries. | 0:17:12 | 0:17:14 | |
Annie Cawthorne. | 0:17:14 | 0:17:16 | |
48 Claydon Court... | 0:17:17 | 0:17:19 | |
Ashmill Estate... | 0:17:21 | 0:17:23 | |
Glasgow. | 0:17:23 | 0:17:24 | |
Talk to anyone who's done internet dating, | 0:17:26 | 0:17:28 | |
-we've all got war stories. -And you? | 0:17:28 | 0:17:30 | |
Right, the worst was this teacher. Faye. | 0:17:30 | 0:17:34 | |
Great profile, talked for ages online. | 0:17:34 | 0:17:36 | |
In the flesh she was like something out of Jane Austen. | 0:17:36 | 0:17:39 | |
-Yeah, but underneath the corset...? -We didn't get that far, believe me. | 0:17:39 | 0:17:43 | |
I knew as soon as I met her | 0:17:43 | 0:17:45 | |
she didn't have the right sense of adventure. | 0:17:45 | 0:17:48 | |
-You're adventurous, aren't you, Tess? -Mmm, yeah, course. | 0:17:49 | 0:17:54 | |
You want another? | 0:17:54 | 0:17:55 | |
Yeah. I'll get them. | 0:17:55 | 0:17:57 | |
You stay here and enjoy the view. | 0:17:57 | 0:17:59 | |
Two Ezos, please. | 0:18:04 | 0:18:06 | |
Hi. | 0:18:08 | 0:18:09 | |
Hi. | 0:18:09 | 0:18:11 | |
You look familiar. | 0:18:12 | 0:18:14 | |
No, I don't think so. Maybe. | 0:18:15 | 0:18:18 | |
Ooh. | 0:18:22 | 0:18:24 | |
So then I did my dissertation | 0:18:30 | 0:18:32 | |
on post-modern identity in the American novel | 0:18:32 | 0:18:35 | |
-and that's when I really fell in love with Roth. -Wow. | 0:18:35 | 0:18:39 | |
What? | 0:18:41 | 0:18:43 | |
You've got a bit of crisp on your lip. | 0:18:43 | 0:18:45 | |
There? | 0:18:45 | 0:18:46 | |
No, it's just underneath. | 0:18:46 | 0:18:49 | |
Do you want me to? | 0:18:49 | 0:18:50 | |
Thanks. | 0:18:53 | 0:18:54 | |
I had a date in a coffee shop once | 0:18:56 | 0:18:59 | |
and I thought it had gone really well, but when I went to the loos, | 0:18:59 | 0:19:03 | |
I realised I had chocolate from my cappuccino all over my lip. | 0:19:03 | 0:19:07 | |
A little cocoa Hitler moustache? | 0:19:07 | 0:19:09 | |
No, big curly whirly impresario affair. | 0:19:09 | 0:19:13 | |
Fetching! | 0:19:13 | 0:19:14 | |
I've got a friend called Tess. | 0:19:16 | 0:19:18 | |
She's an actress. | 0:19:18 | 0:19:20 | |
She did this play once where she had to wear a false beard, | 0:19:20 | 0:19:24 | |
a big bushy white thing. | 0:19:24 | 0:19:26 | |
Trouble is, they stuck it on with the wrong stuff, superglue or something, | 0:19:26 | 0:19:30 | |
she was wispy for weeks. | 0:19:30 | 0:19:32 | |
Oh, my God! | 0:19:32 | 0:19:33 | |
No, she liked it. She said it made her feel Christmassy. | 0:19:33 | 0:19:36 | |
She sounds mental. | 0:19:36 | 0:19:38 | |
Yeah, she is. She's great, but she's also...frustrating. | 0:19:38 | 0:19:44 | |
She's one of these people who can't see what's right in front of her, you know? | 0:19:45 | 0:19:49 | |
Like she can't appreciate what she's already got. | 0:19:49 | 0:19:52 | |
Do you want another? | 0:19:57 | 0:19:59 | |
Er... Yeah! | 0:19:59 | 0:20:00 | |
Over the top, over the top. | 0:20:16 | 0:20:17 | |
Whoa! | 0:20:28 | 0:20:30 | |
-Turn it round. -Eh? | 0:20:31 | 0:20:32 | |
The other way. | 0:20:32 | 0:20:34 | |
Um... | 0:20:34 | 0:20:35 | |
What the fuck? | 0:20:37 | 0:20:38 | |
All right, hen. | 0:20:41 | 0:20:42 | |
Sorry, um... Who is this? | 0:20:42 | 0:20:46 | |
This is Dougie. | 0:20:46 | 0:20:47 | |
Douglas. | 0:20:47 | 0:20:49 | |
My husband, but don't worry, he just likes to watch. Now where were we? | 0:20:49 | 0:20:53 | |
No, no, no, I'm sorry. I thought you were gay. | 0:20:53 | 0:20:56 | |
We're more... | 0:20:56 | 0:20:58 | |
bi-curious. | 0:20:58 | 0:20:59 | |
BANGING | 0:20:59 | 0:21:00 | |
Whoa! What was that? | 0:21:00 | 0:21:02 | |
-It's just Lady. -What lady? | 0:21:02 | 0:21:03 | |
No, Lady! Our Allie. Our German Shepherd. | 0:21:03 | 0:21:07 | |
Goes a bit frantic when we shut him in the kitchen. | 0:21:07 | 0:21:09 | |
Um, I think I'm... | 0:21:09 | 0:21:11 | |
You see! This is my problem. | 0:21:14 | 0:21:16 | |
Why don't you look at me like that any more? | 0:21:16 | 0:21:20 | |
HOWLING | 0:21:20 | 0:21:22 | |
It's like Roth's books. | 0:21:22 | 0:21:24 | |
-They're almost anti-love stories. -Yeah. | 0:21:24 | 0:21:27 | |
-You know? The pain, the... -The inescapable despair of desire. | 0:21:27 | 0:21:32 | |
-Yeah. How... How love fractures us. -Yeah. -Leaves us in pieces. -Doomed. | 0:21:32 | 0:21:37 | |
It's doomed to failure. | 0:21:37 | 0:21:39 | |
I just find it... | 0:21:40 | 0:21:42 | |
-Captivating. -Depressing. | 0:21:42 | 0:21:44 | |
Another drink? | 0:21:49 | 0:21:50 | |
Erm... No, I'd better not. I've got an early lecture tomorrow. | 0:21:50 | 0:21:54 | |
You're good. I've a friend called Tess. She doesn't know when to stop. | 0:21:54 | 0:21:58 | |
Spirits and then shots and that's when she gets really wild. | 0:21:58 | 0:22:02 | |
You know, like really self obsessed. | 0:22:02 | 0:22:04 | |
Like she's the only one in the world, the only one that matters. | 0:22:04 | 0:22:08 | |
Are you going already? | 0:22:09 | 0:22:11 | |
It's been great. | 0:22:12 | 0:22:14 | |
A really great date. | 0:22:14 | 0:22:16 | |
Can we do this again? | 0:22:19 | 0:22:20 | |
Look, I'll call you. | 0:22:20 | 0:22:21 | |
You see, this is marriage, Tess. | 0:22:29 | 0:22:31 | |
First the excitement goes, then the passion. | 0:22:32 | 0:22:35 | |
-Baby, dunnae... -Don't "baby" me, I'm serious. | 0:22:35 | 0:22:38 | |
Um, can I just... | 0:22:38 | 0:22:39 | |
Thanks. | 0:22:42 | 0:22:43 | |
That's why we thought about the internet dating. | 0:22:43 | 0:22:45 | |
It hasn't gone as well as we hoped, has it, Doug? | 0:22:45 | 0:22:48 | |
Douglas, at least look at me while I'm talking to you! | 0:22:48 | 0:22:52 | |
-Well, look, I... I think it's really great that you're trying. -Do you? | 0:22:52 | 0:22:56 | |
Yeah, yeah! | 0:22:56 | 0:22:58 | |
Anything you can do to keep the passion alive. | 0:22:58 | 0:23:01 | |
It's like cooking, isn't it? | 0:23:01 | 0:23:03 | |
You can have shepherd's pie every night, | 0:23:03 | 0:23:05 | |
but why not add a little spice? | 0:23:05 | 0:23:07 | |
Some chilli, pepper, a bit of turmeric... | 0:23:07 | 0:23:13 | |
Aye, that's very good. That's very profound. | 0:23:14 | 0:23:17 | |
You should be on the television, Tess. You're very good at this. | 0:23:17 | 0:23:21 | |
Cos that's all I want. | 0:23:21 | 0:23:23 | |
To make Dougie happy. | 0:23:23 | 0:23:25 | |
Aye, me too, Hen. | 0:23:25 | 0:23:27 | |
Me, too. | 0:23:27 | 0:23:29 | |
Um... | 0:23:29 | 0:23:30 | |
I'll just let myself out. | 0:23:30 | 0:23:32 | |
Sorry, I didn't realise it had gotten so late. | 0:23:38 | 0:23:43 | |
I should've rung you. | 0:23:43 | 0:23:44 | |
It's all right. You OK? | 0:23:44 | 0:23:46 | |
Just about. Their defence barrister is a bitch in horsehair. | 0:23:46 | 0:23:51 | |
My brain hurts. | 0:23:51 | 0:23:53 | |
Poor brain. | 0:23:54 | 0:23:55 | |
-Do you want a drink? -Yes. | 0:23:56 | 0:23:59 | |
-Sam? -Mmm? | 0:24:03 | 0:24:05 | |
I was just wondering if you had a chance | 0:24:05 | 0:24:07 | |
to do that thing for me, look up that name? | 0:24:07 | 0:24:10 | |
Mm, I did. | 0:24:10 | 0:24:12 | |
Great, thank you so much. | 0:24:12 | 0:24:14 | |
So did you find anything out? | 0:24:16 | 0:24:17 | |
The only Cawthorne registered to that address | 0:24:19 | 0:24:22 | |
is an alias for an Alma Carter. | 0:24:22 | 0:24:24 | |
Alias? She's a criminal? | 0:24:24 | 0:24:26 | |
Yeah, small time. | 0:24:26 | 0:24:28 | |
She's got a couple of priors for theft, | 0:24:28 | 0:24:30 | |
but we're talking way back, 30 years or more. | 0:24:30 | 0:24:33 | |
Thanks. Thanks for doing that. | 0:24:33 | 0:24:36 | |
No problem. | 0:24:38 | 0:24:39 | |
Who did you say it was for? | 0:24:42 | 0:24:45 | |
You said it was someone at work? | 0:24:45 | 0:24:46 | |
Yeah. Yeah, just one of the secretaries. | 0:24:46 | 0:24:49 | |
She's having a few family issues. | 0:24:49 | 0:24:50 | |
It's nice of you to help her. | 0:24:52 | 0:24:53 | |
SIREN | 0:24:57 | 0:24:59 | |
DOOR BUZZES | 0:24:59 | 0:25:01 | |
-Hey. -Don't look too pleased to see me. | 0:25:14 | 0:25:17 | |
-Sorry. -Or were you expecting someone else? | 0:25:17 | 0:25:20 | |
No, I just... I didn't know you were coming, that's all. | 0:25:20 | 0:25:23 | |
Wanted to see how you were settling in? Like it? | 0:25:23 | 0:25:26 | |
Yeah, it's all right. Yeah. | 0:25:26 | 0:25:28 | |
All right? It fucking rocks! | 0:25:28 | 0:25:31 | |
Do you know how lucky you are to be shagging me? | 0:25:31 | 0:25:33 | |
To another satisfied client. | 0:25:36 | 0:25:39 | |
What? | 0:25:53 | 0:25:54 | |
Let's just have a drink, yeah? | 0:25:54 | 0:25:56 | |
Don't worry, I can multi-task. | 0:25:56 | 0:25:59 | |
Yeah. Sadie, don't. | 0:25:59 | 0:26:02 | |
Come on, is this all the thanks I'm going to get? | 0:26:02 | 0:26:05 | |
What? So I've got to fuck you just cos you found me a flat? | 0:26:05 | 0:26:07 | |
Cos I didn't ask you to. | 0:26:07 | 0:26:09 | |
For God's sake, that's not what I meant. | 0:26:09 | 0:26:12 | |
-What's wrong with you tonight? -Nothing's wrong with me. | 0:26:12 | 0:26:14 | |
I'm just not in the mood. | 0:26:14 | 0:26:16 | |
Suit yourself. | 0:26:20 | 0:26:22 | |
Your loss. | 0:26:22 | 0:26:24 | |
What did I do to deserve this? | 0:26:42 | 0:26:44 | |
I just felt like it. | 0:26:44 | 0:26:46 | |
Ah, that is good. | 0:26:49 | 0:26:51 | |
Mm, my first and last decent cup of the day. | 0:26:51 | 0:26:55 | |
The coffee at court tastes vile. | 0:26:55 | 0:26:57 | |
I can make you a flask? | 0:26:57 | 0:26:59 | |
Let's wait till we're really middle-aged. | 0:26:59 | 0:27:01 | |
Hey, don't forget this Annie Cawthorne stuff. | 0:27:03 | 0:27:07 | |
Want some? | 0:27:17 | 0:27:18 | |
I made it for you. | 0:27:18 | 0:27:20 | |
Yeah, and I want to share it. | 0:27:20 | 0:27:22 | |
-Oh, shit. -What? | 0:27:28 | 0:27:29 | |
Oh, God! | 0:27:29 | 0:27:32 | |
-What's the problem? -Lunch with my parents! Today! | 0:27:32 | 0:27:36 | |
-That's the problem. -Your parents? | 0:27:36 | 0:27:38 | |
-You could come with me. -What? | 0:27:40 | 0:27:43 | |
You're my girlfriend. You should meet my parents. | 0:27:45 | 0:27:47 | |
Are you sure? | 0:27:50 | 0:27:51 | |
I'm sure. | 0:27:52 | 0:27:53 | |
I'll call you later. | 0:27:53 | 0:27:55 | |
Shit! | 0:28:33 | 0:28:34 | |
Now you remember the time, right? | 0:28:45 | 0:28:47 | |
And please try to stay tidy because we need to look serious and committed. | 0:28:47 | 0:28:51 | |
Committed? You should be in that tie. | 0:28:51 | 0:28:53 | |
Thanks, Frankie, always nice to have your support. | 0:28:53 | 0:28:56 | |
We're meeting our financial advisor later. | 0:28:56 | 0:28:57 | |
Three o'clock. Don't be late. | 0:28:57 | 0:28:59 | |
I won't. | 0:28:59 | 0:29:01 | |
Dead Man Walking. | 0:29:04 | 0:29:07 | |
It's a mortgage, Frankie. Not a death sentence. | 0:29:07 | 0:29:10 | |
Yeah. Loving the noose. | 0:29:10 | 0:29:12 | |
Look, you can take the piss all you want but this is not the end for me, all right? | 0:29:12 | 0:29:15 | |
I have options. Choices. It's not like I'm stuck on a path. | 0:29:15 | 0:29:19 | |
-It's not like I can't get off if I want to. -And do you? | 0:29:19 | 0:29:23 | |
You know Hayley? | 0:29:27 | 0:29:29 | |
-She snogged me. -Did she? No wonder she had to take drugs. -Frankie? | 0:29:29 | 0:29:34 | |
Um, Sam looked up that thing you wanted. | 0:29:34 | 0:29:37 | |
Annie Cawthorne's an alias for somebody called Alma Carter. | 0:29:41 | 0:29:46 | |
She has convictions. | 0:29:46 | 0:29:48 | |
Theft, but they're ancient, like 30 years ago. | 0:29:48 | 0:29:52 | |
-She's a criminal? -Was. | 0:29:52 | 0:29:54 | |
Was. Sam said that these things on the record, they're from ages ago, | 0:29:54 | 0:29:59 | |
-so they probably don't count. -Great. That's just great. So I'm dead, | 0:29:59 | 0:30:03 | |
I'm connected to a criminal and there's some strange drug dealer bloke that keeps following me. | 0:30:03 | 0:30:08 | |
What bloke? | 0:30:08 | 0:30:09 | |
-Where are you going? -Where do you think? -Frankie. | 0:30:11 | 0:30:15 | |
And how dare they use me to spice up their marriage? | 0:30:29 | 0:30:33 | |
Like I'm some kind of lesbian court jester. | 0:30:33 | 0:30:36 | |
Tess, will you hurry up! My mum's booked the table. | 0:30:36 | 0:30:38 | |
All these crazy femmes who turn out to be straight and I never notice, I never guess. | 0:30:38 | 0:30:41 | |
"Sense of adventure"? | 0:30:41 | 0:30:43 | |
That was not an adventure. | 0:30:43 | 0:30:45 | |
-And you know the worst thing? -Fine, I'll just wait then. | 0:30:45 | 0:30:47 | |
The worse thing is, I got hit on! | 0:30:47 | 0:30:49 | |
I passed up a really fit lesbian and for what? | 0:30:49 | 0:30:53 | |
A heterosexual freak show. | 0:30:53 | 0:30:56 | |
Tess, what the hell are you looking at? | 0:30:58 | 0:31:00 | |
Nothing. Birds. | 0:31:00 | 0:31:02 | |
Flying up in the thing... | 0:31:02 | 0:31:04 | |
Right, OK, I'm ready. | 0:31:04 | 0:31:06 | |
Where's my coat? | 0:31:06 | 0:31:08 | |
Tiramisu with Judy and Gerry. | 0:31:10 | 0:31:12 | |
Who could say no? | 0:31:12 | 0:31:14 | |
I think this is lovely. | 0:31:14 | 0:31:18 | |
Gerry, for goodness' sake. | 0:31:18 | 0:31:20 | |
He likes to build things. ..Gerry? I was just saying, | 0:31:20 | 0:31:24 | |
this is lovely, isn't it? | 0:31:24 | 0:31:25 | |
Yes, it's nice to see you all. | 0:31:25 | 0:31:29 | |
Thank you for making a... | 0:31:29 | 0:31:31 | |
you know. | 0:31:31 | 0:31:33 | |
And to meet Cat's new girlfriend. | 0:31:33 | 0:31:36 | |
Super! And a police woman? | 0:31:36 | 0:31:39 | |
Have you been at "the nick" this morning, Sam? | 0:31:39 | 0:31:42 | |
Um, actually I've been in court, giving evidence against a serial rapist. | 0:31:42 | 0:31:49 | |
Rape. Now that is not very nice. | 0:31:49 | 0:31:52 | |
Conjunctivitis is not very nice, Mother. | 0:31:52 | 0:31:55 | |
But rape, I think, qualifies as something slightly worse than that. | 0:31:55 | 0:32:00 | |
She takes things very literally, our Catherine, always has. | 0:32:00 | 0:32:03 | |
I think she might be slightly autistic. | 0:32:03 | 0:32:06 | |
So, the police service? | 0:32:41 | 0:32:44 | |
-That must be very rewarding, decent salary? -Mum! Please. | 0:32:44 | 0:32:48 | |
It's OK. When you join up, you know what you let yourself in for. | 0:32:48 | 0:32:52 | |
Public service pay and a polyester uniform. Winning combination. | 0:32:52 | 0:32:56 | |
Super! | 0:32:56 | 0:32:58 | |
Of course Ed's doing so well writing his very own science book. | 0:32:58 | 0:33:02 | |
-Science fiction, Mum. -That's what I said, darling. | 0:33:02 | 0:33:06 | |
And Tess, still acting? | 0:33:06 | 0:33:08 | |
Oh, you know me, Judy. I just go with the flow, like a piece of driftwood. | 0:33:08 | 0:33:12 | |
Ha-ha. Such a free spirit. | 0:33:12 | 0:33:16 | |
And then there's Cat with her... | 0:33:16 | 0:33:19 | |
architecture. | 0:33:19 | 0:33:21 | |
You see, that's the problem. | 0:33:21 | 0:33:23 | |
Very long training, expensive. | 0:33:23 | 0:33:26 | |
It's a big investment for everyone for uncertain rewards. | 0:33:26 | 0:33:29 | |
Still, you always put your dreams on hold for your children, don't you? | 0:33:29 | 0:33:34 | |
It must be worth it, Judy? | 0:33:34 | 0:33:36 | |
You know, seeing all that Catherine's achieved and knowing she couldn't have done it without you? | 0:33:36 | 0:33:41 | |
Well, yes. | 0:33:41 | 0:33:43 | |
Exactly, yes. And we're all very proud, yes. | 0:33:43 | 0:33:49 | |
So? | 0:33:56 | 0:33:57 | |
-Little Francesca. -Can I come in? | 0:33:57 | 0:34:00 | |
You turned your back on us, young lady. | 0:34:00 | 0:34:03 | |
Our door's always been open to you. | 0:34:03 | 0:34:06 | |
I'm sorry. | 0:34:16 | 0:34:19 | |
The funeral. I was out of line. | 0:34:19 | 0:34:21 | |
I want to ask you something. | 0:34:25 | 0:34:28 | |
About me... | 0:34:28 | 0:34:30 | |
-where I came from. -New York, wasn't it? | 0:34:30 | 0:34:33 | |
-I find it hard to keep up with you girls. -As a baby. Where you got me. | 0:34:33 | 0:34:38 | |
The birds and the bees, Francesca. | 0:34:38 | 0:34:41 | |
Isn't it a bit late for all that? | 0:34:41 | 0:34:42 | |
I'm not Francesca though, am I? | 0:34:42 | 0:34:45 | |
-Where did you get this? -The registry office. | 0:35:03 | 0:35:06 | |
Everything we did was in your best interests. | 0:35:13 | 0:35:17 | |
And who is Alma Carter? | 0:35:25 | 0:35:26 | |
Is she my mother? | 0:35:26 | 0:35:29 | |
My real mother? | 0:35:29 | 0:35:31 | |
I don't know who you're talking about. I've never heard of this. | 0:35:31 | 0:35:33 | |
Alma Carter! Aunt Carol sent her my photo album before she died. | 0:35:33 | 0:35:38 | |
I'm sorry. | 0:35:38 | 0:35:41 | |
Jesus, am I even related to you at all? Are you anything to do with me? | 0:35:41 | 0:35:45 | |
Oh, hello, Gillian. | 0:35:45 | 0:35:47 | |
You remember my niece? | 0:35:47 | 0:35:50 | |
I'd like to help you so I'm telling you this for your own good. | 0:35:52 | 0:35:56 | |
Stop looking, asking questions. | 0:35:56 | 0:35:59 | |
You won't like the answer. | 0:35:59 | 0:36:02 | |
Alma Carter's not interested. | 0:36:02 | 0:36:04 | |
Not then. | 0:36:04 | 0:36:06 | |
Not now. | 0:36:06 | 0:36:08 | |
She didn't want you. | 0:36:08 | 0:36:11 | |
Excuse me. Could we have the bill, please? | 0:36:43 | 0:36:46 | |
Yeah, sure. | 0:36:46 | 0:36:48 | |
Oh, you might want to powder your nose if you're in there, darling. | 0:36:48 | 0:36:52 | |
She's such an attractive girl Tess, don't you think, Gerry? | 0:36:56 | 0:36:59 | |
And these two make a very attractive couple. | 0:36:59 | 0:37:03 | |
-Have you thought about it, Edward? She could be the one? -What? | 0:37:03 | 0:37:08 | |
No, no, she's not the one, Mother. | 0:37:08 | 0:37:09 | |
There is no one, OK? | 0:37:09 | 0:37:12 | |
I'm not seeing anyone, not going anywhere... I'm stuck. | 0:37:12 | 0:37:15 | |
Sorry, isn't Tess...? | 0:37:15 | 0:37:16 | |
Gay? Yes, she is. As my mother is only too well aware. | 0:37:16 | 0:37:19 | |
I think we're all a bit gay, dear, aren't we? | 0:37:19 | 0:37:22 | |
That's the trouble with Ed, he lets everything become an obstacle. | 0:37:22 | 0:37:27 | |
PHONE RINGS | 0:37:27 | 0:37:29 | |
Excuse me. | 0:37:29 | 0:37:31 | |
Hello? | 0:37:36 | 0:37:37 | |
-Yeah? -Sadie, where are you? | 0:37:58 | 0:38:01 | |
Oi! You stopped being a moody twat then, have you? | 0:38:17 | 0:38:21 | |
-Whose is this place? -Last night's conquest. | 0:38:23 | 0:38:26 | |
A tragic little banker called Josephine that I picked up at Babylon. | 0:38:26 | 0:38:30 | |
She was a crap shag though. All toys and no imagination. | 0:38:30 | 0:38:33 | |
Oh, yeah? | 0:38:33 | 0:38:35 | |
So this Josephine, where is she now? | 0:38:38 | 0:38:40 | |
Don't tell me you've left her tied up upstairs? | 0:38:40 | 0:38:43 | |
No, she got an early flight to Charles de Gaulle this morning, | 0:38:43 | 0:38:47 | |
leaving yours truly holding the keys. | 0:38:47 | 0:38:50 | |
-Thank you. -For what? -You were great. The way you handled my mother! | 0:38:56 | 0:39:01 | |
Ah well, I guess I've just had a lot of practice dealing with... | 0:39:01 | 0:39:04 | |
-Psychopaths? -Cat, your mother's not a psycho. | 0:39:04 | 0:39:07 | |
-She's just more borderline personality disorder. -Really? | 0:39:07 | 0:39:10 | |
-So what does that make me? -You? | 0:39:10 | 0:39:13 | |
Where do I start? | 0:39:13 | 0:39:15 | |
I can't do this. | 0:39:26 | 0:39:29 | |
You seem to be doing all right. | 0:39:29 | 0:39:31 | |
No, I can't. It's... | 0:39:31 | 0:39:33 | |
You've been so great today and it just... | 0:39:33 | 0:39:36 | |
makes me feel even shittier. | 0:39:36 | 0:39:38 | |
-I lied to you. -About what? | 0:39:41 | 0:39:44 | |
That name. It wasn't for one of the secretaries. | 0:39:44 | 0:39:48 | |
It was for Frankie. | 0:39:48 | 0:39:50 | |
Of course it was. | 0:39:50 | 0:39:53 | |
I was just wondering when you were going to tell me. | 0:39:53 | 0:39:55 | |
You knew? | 0:39:57 | 0:39:58 | |
What's my job? | 0:39:58 | 0:40:01 | |
I know! And I'm a terrible liar. It's just... | 0:40:01 | 0:40:05 | |
-Frankie asked me not to tell anyone. -About what? | 0:40:05 | 0:40:09 | |
Oh, nothing. It's just she doesn't want anyone to know about her stuff. | 0:40:09 | 0:40:13 | |
Cat, is there, um... Is there anything that I need to worry about? | 0:40:13 | 0:40:18 | |
You and Frankie, you know, you obviously go back a long way and... | 0:40:18 | 0:40:23 | |
She's... She's a friend, that's all. Not even a very good one. | 0:40:23 | 0:40:28 | |
OK. | 0:40:29 | 0:40:31 | |
But you have absolutely nothing to worry about. | 0:40:31 | 0:40:34 | |
OK! | 0:40:34 | 0:40:36 | |
Just don't lie to me again. | 0:40:38 | 0:40:40 | |
Do you want to go for a drink? Yeah? | 0:40:46 | 0:40:49 | |
MUSIC BLARING | 0:40:49 | 0:40:53 | |
On your marks! Get your car keys! | 0:40:58 | 0:41:01 | |
Good stuff. | 0:41:31 | 0:41:33 | |
Private prescription, maximum strength. | 0:41:33 | 0:41:37 | |
Question is, how many do I need? | 0:41:39 | 0:41:42 | |
Depends on how much you want to forget. | 0:41:44 | 0:41:46 | |
Look at you. Two cocktails and you're anybody's. | 0:41:57 | 0:42:01 | |
Not anybody's. Yours. | 0:42:01 | 0:42:05 | |
The taxi driver won't like it. | 0:42:42 | 0:42:45 | |
He's a Daily Mail reader. | 0:42:45 | 0:42:47 | |
Fuck him. | 0:42:47 | 0:42:49 | |
No, don't fuck him. | 0:42:53 | 0:42:56 | |
Fuck me. | 0:42:56 | 0:42:57 | |
Frankie? | 0:43:56 | 0:43:58 | |
What the fuck are you doing? | 0:43:58 | 0:44:00 | |
Rape. Now that's not very nice. | 0:44:04 | 0:44:08 | |
Genocide, also not very nice. | 0:44:09 | 0:44:12 | |
-Right, I'm off. -No, no, no, no! I haven't said the best bit! | 0:44:12 | 0:44:16 | |
The best bit was when your mum accused Cat of being autistic. | 0:44:16 | 0:44:20 | |
And then there was your dad, counting cutlery like he's in fucking Rainman. | 0:44:20 | 0:44:25 | |
Yay! He smiles! | 0:44:25 | 0:44:27 | |
You know, you're my best audience, Ed. | 0:44:28 | 0:44:31 | |
In fact you're my only audience, so you must never leave me. | 0:44:31 | 0:44:35 | |
-Do you know what else my mum said? -What? | 0:44:39 | 0:44:42 | |
-She said we'd make a really attractive couple. -Mental! | 0:44:42 | 0:44:47 | |
Yeah. | 0:44:47 | 0:44:48 | |
DOOR BUZZER I'll get it. | 0:44:51 | 0:44:54 | |
Surprise! Ho, ho, ho! Nice pad! | 0:44:57 | 0:45:01 | |
-All right, babe? -Jay! | 0:45:01 | 0:45:03 | |
Let's get the party started! | 0:45:03 | 0:45:06 | |
Look at the size of this place! | 0:45:12 | 0:45:13 | |
Shave for me. | 0:45:45 | 0:45:47 | |
What? | 0:45:47 | 0:45:48 | |
Everything. | 0:45:50 | 0:45:53 | |
Shave it all off. | 0:45:53 | 0:45:54 | |
I've only got a landing strip. | 0:45:54 | 0:45:57 | |
Open your legs. | 0:46:21 | 0:46:23 | |
Wider. | 0:46:25 | 0:46:27 | |
Lift your head up. | 0:46:56 | 0:46:58 | |
Put your arm behind your head. | 0:46:59 | 0:47:03 | |
KNOCK ON DOOR | 0:47:36 | 0:47:38 | |
Hello? | 0:47:38 | 0:47:41 | |
Josephine, is that you? | 0:47:41 | 0:47:44 | |
It's me, Lainie, I'm here to feed your fish. | 0:47:44 | 0:47:46 | |
Look, this is a mistake. | 0:47:49 | 0:47:52 | |
We're friends of Jackie's... Josephine's. | 0:47:52 | 0:47:55 | |
That's not true. I've been cleaning here for three years. | 0:47:55 | 0:47:59 | |
I've never seen these people before in my life. | 0:47:59 | 0:48:01 | |
-She's lying. -How would you know? | 0:48:01 | 0:48:04 | |
We were together last night. | 0:48:04 | 0:48:06 | |
Quite the squealer is Josephine. | 0:48:06 | 0:48:09 | |
I think the best thing would be for you two to come down to the station. | 0:48:09 | 0:48:12 | |
We'll try and sort all this out, get in touch with the owner. | 0:48:12 | 0:48:14 | |
-Paris, you say? -No, no. You don't want to do that. -And why's that? | 0:48:14 | 0:48:19 | |
Call Sam Murray. She's a detective sergeant. She'll sort this out. | 0:48:19 | 0:48:22 | |
-Is that right? -Yeah, cos this isn't what it looks like and I wouldn't want you to make a mistake. | 0:48:24 | 0:48:31 | |
No! Look... | 0:48:39 | 0:48:40 | |
-What are you doing? -Just leave me to deal with this. | 0:48:40 | 0:48:42 | |
I know what I'm doing. | 0:48:42 | 0:48:44 | |
Tess, have we got any crisps? | 0:49:13 | 0:49:18 | |
Sweeties? Brownie mix? Anything? | 0:49:18 | 0:49:22 | |
Tess? | 0:49:22 | 0:49:24 | |
-What you looking at? -Oh, nothing. Just another missed opportunity. | 0:49:24 | 0:49:29 | |
-How much have you had to drink? -Not enough. | 0:49:32 | 0:49:35 | |
Cheers. | 0:49:38 | 0:49:40 | |
They were left in the house, Clive. It's implied consent. | 0:49:42 | 0:49:45 | |
I'm just sorry you got dragged into it. | 0:49:45 | 0:49:47 | |
OK. | 0:49:47 | 0:49:49 | |
Tell me why should I do this? Why should I have to vouch for you two? | 0:49:55 | 0:50:00 | |
-Who is this, Frankie? -This? | 0:50:00 | 0:50:03 | |
This is Sadie. My girlfriend. | 0:50:03 | 0:50:06 | |
Your girlfriend, Frankie? | 0:50:06 | 0:50:09 | |
-Your standards are dropping. -Piss off. | 0:50:09 | 0:50:12 | |
Just clean up this mess and get the hell out of here. | 0:50:12 | 0:50:16 | |
I'm so, so sorry. | 0:50:19 | 0:50:22 | |
-You cheated! -Suck it up. | 0:50:39 | 0:50:42 | |
-Yay! -Stranger! | 0:50:45 | 0:50:47 | |
-What happened to you? -Not much. | 0:50:49 | 0:50:52 | |
How was your day? | 0:50:52 | 0:50:54 | |
-Fabulous. -You didn't get your mortgage then? | 0:50:54 | 0:50:57 | |
No. We did. | 0:50:57 | 0:51:00 | |
Oh, my God. I need my bed. | 0:51:13 | 0:51:16 | |
-The room's spinning. -Have a glass of water. | 0:51:17 | 0:51:20 | |
-Have a go on this bad boy. -No, thanks. | 0:51:20 | 0:51:23 | |
Ed, you can stay in my bed if you want. | 0:51:23 | 0:51:26 | |
I'm going to go home. Get the last bus. | 0:51:27 | 0:51:31 | |
You should stay. The state she's in you won't even need rohypnol. | 0:51:31 | 0:51:36 | |
-Piss off, Frankie. -See you later, Teddy boy. | 0:51:36 | 0:51:40 | |
See ya. | 0:51:43 | 0:51:44 | |
So...what do you want to do now? | 0:51:49 | 0:51:54 | |
I want another drink. | 0:51:56 | 0:51:58 | |
-What's...? -I'm sure I saw something. | 0:51:59 | 0:52:02 | |
Yeah, is that... What's that? Is that tequila? | 0:52:02 | 0:52:04 | |
Looks like tequila! | 0:52:04 | 0:52:07 | |
Urgh, it smells like Domestos. | 0:52:07 | 0:52:09 | |
Aaah! | 0:52:11 | 0:52:12 | |
Christ, I shouldn't drink any more. | 0:52:16 | 0:52:20 | |
Who said? | 0:52:20 | 0:52:22 | |
PHONE RINGS | 0:52:24 | 0:52:26 | |
Oh! | 0:52:26 | 0:52:27 | |
Ring ring! | 0:52:27 | 0:52:29 | |
Becky. | 0:52:29 | 0:52:32 | |
Uh-oh. What's going on with you two? | 0:52:35 | 0:52:37 | |
Nothing, nothing. It's all good. | 0:52:37 | 0:52:40 | |
I love Becky. I do... | 0:52:40 | 0:52:43 | |
At least I think I do. I'm pretty sure... | 0:52:43 | 0:52:46 | |
But how do you know? How do you know? | 0:52:46 | 0:52:49 | |
You're asking me? | 0:52:49 | 0:52:52 | |
It's just this... | 0:52:52 | 0:52:53 | |
It's just this moving in thing. | 0:52:53 | 0:52:56 | |
I just feel as if I'm being pushed, like I'm signing my life away for something I'm not even sure I want. | 0:52:56 | 0:53:00 | |
It's like my heart says one thing but my cock's saying another. | 0:53:00 | 0:53:04 | |
Am I making...? I'm... | 0:53:04 | 0:53:06 | |
I'm not making any sense, am I? | 0:53:06 | 0:53:08 | |
Oh, God, I'm pissed. | 0:53:12 | 0:53:13 | |
Get you! | 0:53:17 | 0:53:19 | |
You're so... | 0:53:19 | 0:53:21 | |
controlled. Got it all together. | 0:53:21 | 0:53:24 | |
-You what? -Good old Frankie. Doesn't say anything. | 0:53:25 | 0:53:29 | |
Doesn't get sucked in. Fuck and run Frankie. | 0:53:29 | 0:53:33 | |
You don't know anything. | 0:53:38 | 0:53:40 | |
So, tell me, Frankie, this love thing. | 0:53:40 | 0:53:46 | |
Is there someone...anyone... | 0:53:46 | 0:53:49 | |
that grabs your heart and fucks with your head? | 0:53:49 | 0:53:54 | |
Cos I don't know if I can do it. | 0:53:55 | 0:53:57 | |
Frankie? | 0:54:02 | 0:54:04 | |
Cat. It's always been Cat. | 0:54:10 | 0:54:14 | |
Of course it has. | 0:54:17 | 0:54:19 | |
Oi... | 0:54:24 | 0:54:26 | |
Oh, Christ. | 0:54:26 | 0:54:29 | |
Hey... | 0:54:29 | 0:54:30 | |
Poor Frankie. | 0:54:38 | 0:54:42 | |
Poor pissed Frankie | 0:54:42 | 0:54:44 | |
with her sad eyes. | 0:54:44 | 0:54:46 | |
-You saw. -Couldn't help it. | 0:55:56 | 0:56:00 | |
-It was nothing. -It was Jay! | 0:56:00 | 0:56:02 | |
It was a fucking mistake! | 0:56:02 | 0:56:03 | |
When did you know that you loved her? When does anyone know? | 0:56:03 | 0:56:07 | |
There's not much to celebrate. | 0:56:07 | 0:56:10 | |
-It's your 30th! -Exactly. -Why don't we just do it at my flat? | 0:56:10 | 0:56:12 | |
As long as it doesn't get too messy again. | 0:56:12 | 0:56:14 | |
-Strolling down memory lane behind Sam's back... -I was working! | 0:56:14 | 0:56:18 | |
-Why didn't he just like go for it with her? -Would she reciprocate? | 0:56:18 | 0:56:22 | |
Well, you're the writer. Make it happen. | 0:56:22 | 0:56:24 |