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This programme contains strong language and some scenes of a sexual nature | 0:00:02 | 0:00:06 | |
I'm not supposed to tell you, but her aunt died. That's why she's over. | 0:00:06 | 0:00:09 | |
Frankie, stop! I said stop! | 0:00:09 | 0:00:13 | |
Tom, this is Tess. | 0:00:13 | 0:00:14 | |
Tess is an old school friend. | 0:00:14 | 0:00:17 | |
It's her first time with a woman. She's bound to be a bit anxious. | 0:00:17 | 0:00:20 | |
Aunt Carol wanted to tell me something before she died. | 0:00:20 | 0:00:22 | |
If she had anything to say to you, she'd have told me. | 0:00:22 | 0:00:25 | |
No, wait! I just want to talk to you! | 0:00:27 | 0:00:30 | |
It's for Becky. It's our two-year anniversary tomorrow. | 0:00:30 | 0:00:33 | |
-I'm Sadie, by the way. -Frankie. | 0:00:35 | 0:00:38 | |
A necklace doesn't just go walkabout. Who the hell could have taken it? | 0:00:39 | 0:00:43 | |
What time did you get in last night? | 0:01:14 | 0:01:16 | |
It must have been about...ten-ish. | 0:01:16 | 0:01:18 | |
It was about three, wasn't it? | 0:01:18 | 0:01:21 | |
I feel like shit. | 0:01:21 | 0:01:22 | |
Well, I'm on earlies from tomorrow, so I'll stay at my place tonight. | 0:01:23 | 0:01:27 | |
Don't do that, babe. I feel like I've hardly seen you lately. | 0:01:27 | 0:01:30 | |
Funny that, isn't it? > | 0:01:30 | 0:01:32 | |
-Is that a new top? -Yeah. I got it to go with my necklace. | 0:01:32 | 0:01:36 | |
I'll see you later. | 0:01:39 | 0:01:41 | |
WOMAN MOANS | 0:01:44 | 0:01:46 | |
You do think they're noises of ecstasy, don't you? | 0:01:53 | 0:01:56 | |
I'd feel terrible if we found Tess bludgeoned to death. | 0:01:56 | 0:01:59 | |
It'd scupper my chances of promotion, for a start. | 0:01:59 | 0:02:01 | |
I'm going to be late if I don't get a move on. Shit, I am so under-prepared. | 0:02:01 | 0:02:05 | |
How can you say that? You've been working on this for ages. | 0:02:05 | 0:02:08 | |
You are so talented, just give yourself a bit of credit. | 0:02:08 | 0:02:11 | |
-Morning! -How come you're up so early? | 0:02:13 | 0:02:16 | |
Embracing the day. Isn't it gorgeous? | 0:02:16 | 0:02:18 | |
-And that's all, is it? Just your innate lust for life. -Lou stayed over last night. | 0:02:18 | 0:02:22 | |
-She didn't?(!) -We always stay at hers. I think it's a real breakthrough, don't you? -Huge. | 0:02:22 | 0:02:26 | |
-You're going to be adopting orphans next. -Does Lou want a cuppa? | 0:02:26 | 0:02:29 | |
I'll just go and ask her. | 0:02:29 | 0:02:31 | |
It's like living with a toddler. | 0:02:32 | 0:02:35 | |
Who has lots of noisy sex. | 0:02:35 | 0:02:38 | |
-What's with all the photography CVs? -We're looking for someone to do the new brochure at work. | 0:02:54 | 0:02:59 | |
Come off it! | 0:03:01 | 0:03:03 | |
Why not?! | 0:03:03 | 0:03:05 | |
Aside from the glaringly obvious issue of you and Cat, it's hardly New York avant-garde is it? | 0:03:05 | 0:03:10 | |
-Anyway, I thought you wanted to get back there as soon as possible. -Yeah, all right, I get the hint. | 0:03:10 | 0:03:15 | |
What day is it today? | 0:03:18 | 0:03:20 | |
Please don't say it's Tuesday... | 0:03:20 | 0:03:22 | |
-Tuesday. -Fuck! Fuck! | 0:03:22 | 0:03:24 | |
The elevation plans are complete, which my colleague Jay will show you when he gets here. | 0:03:49 | 0:03:53 | |
He shouldn't be too long. | 0:03:53 | 0:03:54 | |
Here's your Cassidy and Moore notes. They're waiting in there. | 0:04:00 | 0:04:04 | |
-I'll take these. -Thanks. | 0:04:04 | 0:04:05 | |
You're a darling. | 0:04:07 | 0:04:08 | |
I'd tuck your shirt in too, if I were you. | 0:04:09 | 0:04:12 | |
DOOR OPENS | 0:04:15 | 0:04:17 | |
-I'm so sorry. -Why don't you just take a seat and then we can get started. | 0:04:17 | 0:04:21 | |
Unforeseen disaster, I'm afraid. | 0:04:21 | 0:04:25 | |
One of the children... | 0:04:25 | 0:04:26 | |
It was amazing! | 0:04:28 | 0:04:31 | |
Went out, came back to mine early, went to bed, and then she did the... | 0:04:31 | 0:04:36 | |
-All right, we get the picture. -The royal visit. | 0:04:36 | 0:04:38 | |
So did Cat get her best china out, then? | 0:04:38 | 0:04:40 | |
Oh, we didn't see her. She was in bed with Sam when we got in. | 0:04:40 | 0:04:43 | |
-Is that still on, is it? -Yeah. | 0:04:45 | 0:04:48 | |
I've got high hopes, actually. She's great, isn't she? | 0:04:48 | 0:04:52 | |
Yeah, she's all right. | 0:04:52 | 0:04:54 | |
-You hate her. -I do not! -Yes, you do. That's your hating someone face. | 0:04:54 | 0:04:58 | |
It isn't, stop shit-stirring! | 0:04:58 | 0:05:00 | |
She's fine. I just think three's a crowd in that flat, that's all. | 0:05:00 | 0:05:04 | |
Yeah, tell me about it. | 0:05:04 | 0:05:05 | |
I can't put anything down without Cat sweeping it away five seconds later. | 0:05:05 | 0:05:09 | |
-She's like a bloody whirling dervish. -Watch it, that's my sister you're bitching about. | 0:05:09 | 0:05:13 | |
I'm not slagging her off. | 0:05:13 | 0:05:14 | |
I'm just pointing out that she's very tidy. It's a compliment. | 0:05:14 | 0:05:18 | |
Well, why don't we get somewhere together? | 0:05:18 | 0:05:20 | |
-Are you staying? -I thought I might stick around for a while. | 0:05:20 | 0:05:24 | |
Great! It'll be just like the old days. | 0:05:24 | 0:05:27 | |
And I might get to see Lou Foster in the buff. | 0:05:27 | 0:05:30 | |
Er, no, there will be no funny business like that. Ground rule number one. | 0:05:30 | 0:05:34 | |
Come on, share and share alike! | 0:05:34 | 0:05:36 | |
No! | 0:05:36 | 0:05:37 | |
Anyway... | 0:05:37 | 0:05:39 | |
Yeah, I should be going. | 0:05:39 | 0:05:41 | |
Where are you going? | 0:05:41 | 0:05:43 | |
I have things to see, people to do. | 0:05:43 | 0:05:46 | |
Can't sit around here all day, can we? | 0:05:46 | 0:05:48 | |
-Well, that went OK, didn't it? -Save it, Jay. | 0:05:48 | 0:05:51 | |
Come on, there's no harm done. | 0:05:51 | 0:05:53 | |
You don't think it looks just a teeny bit bad to potential clients? | 0:05:53 | 0:05:56 | |
I've worked my arse off to get them in a room with us and you keep them waiting 45 minutes! | 0:05:56 | 0:06:01 | |
They were fine about it, when I mentioned the kids! | 0:06:01 | 0:06:03 | |
-Which you might have got away with if you hadn't smelt like a brewery. -I'm sorry. | 0:06:03 | 0:06:07 | |
-I was out with Frankie last night. It won't happen again. -Too bloody right. | 0:06:07 | 0:06:11 | |
-You knew how important this was. -Hey. | 0:06:11 | 0:06:13 | |
-How did it go with Cassidy and Moore? -Good. Really well, I think. | 0:06:13 | 0:06:16 | |
Oh, yeah, it's in the bag. | 0:06:16 | 0:06:18 | |
Excellent. | 0:06:18 | 0:06:20 | |
-Are you OK, Cat? -Yeah, why? | 0:06:21 | 0:06:24 | |
-You just look a little worn out, that's all. -I'm fine. | 0:06:24 | 0:06:27 | |
Can I borrow you for a few minutes? There's someone I'd like you to meet. | 0:06:27 | 0:06:31 | |
Wonderful portfolio. | 0:06:31 | 0:06:33 | |
Very edgy. I think she'll do an excellent job. | 0:06:33 | 0:06:35 | |
-Can she start straight away? -Yeah. She's terribly enthusiastic. | 0:06:35 | 0:06:39 | |
Cat, this is Frankie. | 0:06:40 | 0:06:42 | |
Frankie'll be doing the photos for our new brochure. | 0:06:42 | 0:06:45 | |
Hi, Cat. | 0:06:45 | 0:06:47 | |
-Hi. -I thought it'd be a good idea if you were to take Frankie on to site this afternoon. | 0:06:47 | 0:06:51 | |
Maybe you could familiarise yourself with our latest projects. | 0:06:51 | 0:06:54 | |
Can't wait. | 0:06:54 | 0:06:56 | |
Excellent. | 0:06:56 | 0:06:58 | |
PHONE RINGS | 0:07:01 | 0:07:02 | |
Good morning, Stenbridge Insurance. | 0:07:02 | 0:07:04 | |
Joe Klein? Certainly, sir. | 0:07:04 | 0:07:06 | |
Can I ask who's calling? | 0:07:06 | 0:07:07 | |
Please hold on a second, Mr Simpson. | 0:07:07 | 0:07:09 | |
Just putting you through now. | 0:07:12 | 0:07:14 | |
It's not a problem. | 0:07:14 | 0:07:16 | |
So how do you fancy having a wee go by yourself? | 0:07:16 | 0:07:18 | |
I think I'm ready. | 0:07:18 | 0:07:20 | |
Super. Now, we won't do a live call just yet, OK? | 0:07:20 | 0:07:23 | |
-So let's do a dry run first, shall we? -Yeah. Best be on the safe side. | 0:07:23 | 0:07:27 | |
Exactly. Exactly. | 0:07:27 | 0:07:29 | |
Bring-bring, bring-bring. | 0:07:29 | 0:07:30 | |
Hello, Stenbridge Insurance. | 0:07:30 | 0:07:32 | |
It's "good morning, good afternoon and good evening," OK? Not "Hello". | 0:07:32 | 0:07:37 | |
-Sorry. -It's not a problem, go again. | 0:07:37 | 0:07:39 | |
-Um, good morning, good afternoon or good evening. -Exactly. OK. | 0:07:39 | 0:07:43 | |
Bring-bring, bring-bring. | 0:07:45 | 0:07:46 | |
Good morning, good afternoon. Oh, shit. Ah, sorry. | 0:07:46 | 0:07:50 | |
Shall we go from the top? | 0:07:50 | 0:07:52 | |
(Hey, thank you for earlier. You're a bloody life-saver.) | 0:07:57 | 0:08:00 | |
No worries. | 0:08:00 | 0:08:01 | |
-You're looking a bit better now. -Was I that rough? | 0:08:01 | 0:08:04 | |
Not your usual debonair self, let's put it that way. | 0:08:04 | 0:08:08 | |
I don't know if debonair's the right description. | 0:08:08 | 0:08:11 | |
What are you playing at?! | 0:08:14 | 0:08:16 | |
What? | 0:08:16 | 0:08:18 | |
Frankie, our new photographer. I assume you put her forward? | 0:08:18 | 0:08:22 | |
-No! -Oh, come off it, Jay. | 0:08:22 | 0:08:24 | |
How else did she find out about the job? | 0:08:24 | 0:08:28 | |
I... Shit, shit. | 0:08:28 | 0:08:29 | |
She saw the CVs. I warned her not to even think about it. | 0:08:29 | 0:08:32 | |
If she's been hired, it's over my head. | 0:08:32 | 0:08:34 | |
Well, I'm not going to rise to it. | 0:08:34 | 0:08:36 | |
I'm going to be totally professional, I'm just going to do my job. | 0:08:36 | 0:08:40 | |
Gosh, it's very open, isn't it? | 0:08:50 | 0:08:53 | |
Sorry. Do I sound like an idiot? | 0:08:53 | 0:08:55 | |
It's just, I've never been in a gay bar before. | 0:08:55 | 0:08:57 | |
Well, I have been in a gay bar, just not like this. Not as a...a... | 0:08:57 | 0:09:01 | |
-Gay woman? -Aye. | 0:09:01 | 0:09:04 | |
Is this hidden enough? There's a broom cupboard over there if you feel too exposed. | 0:09:05 | 0:09:09 | |
Sorry. Look, I know this is a big deal for you. | 0:09:10 | 0:09:15 | |
Don't be. It's just a bar. I'm fine, really. | 0:09:15 | 0:09:19 | |
-You're not freaking out? -Maybe just a little bit. Is that OK? | 0:09:23 | 0:09:27 | |
Course. I just thought you'd be curious | 0:09:27 | 0:09:30 | |
to see what dens of iniquity me and my sort fraternise in. | 0:09:30 | 0:09:33 | |
-We can absolutely go somewhere else. -No, no! No, I like it. I do. | 0:09:33 | 0:09:37 | |
Watch it. That was very nearly a public display of affection. | 0:09:41 | 0:09:45 | |
When in Rome... | 0:09:52 | 0:09:53 | |
Sorry I'm late. I had to get out for a bit. | 0:09:59 | 0:10:01 | |
-I don't know how you stand it being cooped up in there all day. -It's called having a job. | 0:10:01 | 0:10:05 | |
Yeah. He's a peculiar specimen, Alistair, isn't he? | 0:10:05 | 0:10:08 | |
Are you up to speed with what we're doing this afternoon? | 0:10:08 | 0:10:11 | |
-You point, I click. -Any questions? Things you need to know? | 0:10:11 | 0:10:14 | |
I'm used to working with hysterical art directors, | 0:10:14 | 0:10:17 | |
I can manage a cavity wall and some concrete flooring. | 0:10:17 | 0:10:20 | |
CAMERA WHIRS AND CLICKS | 0:10:22 | 0:10:24 | |
You've done a brilliant job. It looks great. | 0:10:27 | 0:10:30 | |
We've exploited the vernacular window proportions with balconies to the courtyard, | 0:10:30 | 0:10:34 | |
so we need images of that for the brochure. Also we need to look at the sustainable design features... | 0:10:34 | 0:10:39 | |
What? | 0:10:39 | 0:10:41 | |
"Vernacular window proportions"? | 0:10:41 | 0:10:44 | |
Well, what else do you want me to say? | 0:10:44 | 0:10:47 | |
I'm just adjusting, that's all. | 0:10:47 | 0:10:49 | |
-To what? -You. | 0:10:49 | 0:10:52 | |
In work mode. | 0:10:52 | 0:10:54 | |
I've never seen it before. | 0:10:54 | 0:10:56 | |
It's nice. | 0:10:56 | 0:10:57 | |
Any more architectural jargon you want to sling my way? | 0:10:59 | 0:11:03 | |
OK. Um, there's outside shots, obviously, | 0:11:03 | 0:11:06 | |
and a few to match the "before" photographs Alistair should have given you already. | 0:11:06 | 0:11:10 | |
-I'll be over there if you need anything. -What, you're not staying with me? | 0:11:10 | 0:11:14 | |
This is much less fun than I imagined. | 0:11:14 | 0:11:17 | |
-This is work, Frankie. -Yes, I know, Cat. | 0:11:17 | 0:11:19 | |
And when you've had your kicks, you'll go skipping back to New York. | 0:11:19 | 0:11:23 | |
Yeah, well, I'm not going back. | 0:11:23 | 0:11:25 | |
-What? -Glasgow's my home. | 0:11:25 | 0:11:28 | |
I want to stay. | 0:11:28 | 0:11:30 | |
You're staying? | 0:11:30 | 0:11:32 | |
I have tried getting in touch with you, but you just keep blanking me. | 0:11:32 | 0:11:37 | |
Can't we just be friends? | 0:11:37 | 0:11:39 | |
We're not 12. Why would I want to be friends with you anyway? | 0:11:39 | 0:11:43 | |
My real friends want me to be happy. | 0:11:43 | 0:11:45 | |
I want you to be happy. | 0:11:45 | 0:11:46 | |
You don't. You're all about distractions, Frankie. | 0:11:46 | 0:11:49 | |
Anything that takes you away from having to deal with your own shit. | 0:11:49 | 0:11:53 | |
Can I ask you something? | 0:12:04 | 0:12:05 | |
-Go ahead. -Um, how do you feel about, | 0:12:05 | 0:12:09 | |
um, coming back to mine, we could spend the day in bed, | 0:12:09 | 0:12:13 | |
-I could wear the new lingerie you bought for me... -I can't. | 0:12:13 | 0:12:16 | |
I've got something on now, but, um... | 0:12:16 | 0:12:19 | |
I could always come round later, unless you've got plans? | 0:12:19 | 0:12:22 | |
It is Scrabble night, but I'm prepared to make the exception. | 0:12:22 | 0:12:26 | |
Great. Well, I'll see you later then. | 0:12:26 | 0:12:28 | |
Yeah, see you later. | 0:12:28 | 0:12:30 | |
Um, Lou! | 0:12:34 | 0:12:36 | |
I know... I know this is huge for you, I know it is, but... | 0:12:36 | 0:12:39 | |
it's going to be fine. We're going to be fine. | 0:12:39 | 0:12:42 | |
Yeah. | 0:12:42 | 0:12:43 | |
And I know it doesn't really compare, but I came out | 0:12:43 | 0:12:47 | |
when I was pissed as a fart at my mum's 50th birthday party. | 0:12:47 | 0:12:50 | |
It's not quite in the public eye, but still... Anyway, I'm waffling. | 0:12:50 | 0:12:54 | |
You're beautiful. | 0:12:54 | 0:12:56 | |
I'll see you tonight. | 0:12:56 | 0:12:58 | |
See you. | 0:12:59 | 0:13:00 | |
DOOR OPENS | 0:13:18 | 0:13:20 | |
-Hi. -Hi. | 0:13:20 | 0:13:22 | |
Is Becky in bed? | 0:13:22 | 0:13:24 | |
Yeah. She said if you had a dog, your dinner would be in it. | 0:13:24 | 0:13:28 | |
And not to wake her up. | 0:13:28 | 0:13:29 | |
Shit. I got stuck with clients. | 0:13:29 | 0:13:32 | |
Is she really pissed off with me? | 0:13:33 | 0:13:35 | |
Yeah, but it's nothing a bit of grovelling tomorrow won't fix. | 0:13:35 | 0:13:38 | |
I'm getting pretty good at that. | 0:13:38 | 0:13:40 | |
You may be a crap boyfriend, but you're a fabulous friend. | 0:13:42 | 0:13:46 | |
What have I done? | 0:13:46 | 0:13:48 | |
It's what you're about to do. Come on! | 0:13:48 | 0:13:50 | |
Come on! | 0:13:52 | 0:13:53 | |
VACUUM CLEANER ON | 0:13:54 | 0:13:56 | |
VACUUM CLEANER OFF | 0:14:03 | 0:14:04 | |
Who are you and what have you done with Tess? | 0:14:05 | 0:14:07 | |
Lou's coming over. | 0:14:07 | 0:14:09 | |
Today she kissed me in public. | 0:14:09 | 0:14:11 | |
-This is, like, definitely happening, Cat. She's actually my girlfriend! -OMG! -Don't take the piss! | 0:14:11 | 0:14:18 | |
I'm allowed to be all girly. | 0:14:18 | 0:14:20 | |
I spent my teens fake squealing for spotty boys, | 0:14:20 | 0:14:23 | |
and now it's 100% genuine. | 0:14:23 | 0:14:26 | |
But you're nearly 30. | 0:14:26 | 0:14:27 | |
Stop being a killjoy! | 0:14:27 | 0:14:29 | |
We're having a romantic night in. | 0:14:29 | 0:14:30 | |
Posh nibbles and Prosecco, which is, in my book, practically civil partnership, | 0:14:30 | 0:14:34 | |
and the good news doesn't stop there... | 0:14:34 | 0:14:37 | |
-You're going to clean the bathroom too? -Even better! | 0:14:37 | 0:14:40 | |
-I'm never going to mess the bathroom up ever again. I'm moving out! -Isn't it a bit soon? | 0:14:40 | 0:14:44 | |
Not with Lou. Not yet anyway, no. | 0:14:44 | 0:14:46 | |
You've been so brilliant letting me stay here, Cat. | 0:14:46 | 0:14:49 | |
-And I know I'm a nightmare, messing everything up and getting in the way... -You don't get in the way! | 0:14:49 | 0:14:55 | |
Yeah, yeah, but you need your own space, especially now you're with Sam. Which is totally fine. | 0:14:55 | 0:15:00 | |
And I mentioned it to Frankie today, and she's looking for somewhere too. | 0:15:00 | 0:15:04 | |
-You're moving in with Frankie? -Yeah. | 0:15:04 | 0:15:07 | |
Is that all right? | 0:15:07 | 0:15:08 | |
I can't face moving in with a random. | 0:15:08 | 0:15:11 | |
Do you feel weird? | 0:15:11 | 0:15:13 | |
No. | 0:15:13 | 0:15:14 | |
No! | 0:15:14 | 0:15:16 | |
No, not at all. | 0:15:16 | 0:15:18 | |
No. | 0:15:18 | 0:15:19 | |
Cool... | 0:15:19 | 0:15:21 | |
I can't stay here forever, can I? | 0:15:21 | 0:15:23 | |
And I'll still be round all the time. | 0:15:23 | 0:15:26 | |
Yeah...yeah. You and Lou can have the living room to yourselves tonight. | 0:15:27 | 0:15:32 | |
-I'll stay out of your way. -You don't have to do that. | 0:15:32 | 0:15:34 | |
Cat, you are OK, aren't you? | 0:15:34 | 0:15:36 | |
Course! | 0:15:36 | 0:15:38 | |
Jesus, Frankie, I know you have a knack for seeking out | 0:15:52 | 0:15:55 | |
the edgier nightspots in town, but this is taking the piss! | 0:15:55 | 0:15:58 | |
-Ten more minutes, then we'll go, all right? -At least tell me what I'm here for! | 0:15:58 | 0:16:02 | |
-Back up. -You're going to have to do better than that, all right? | 0:16:02 | 0:16:05 | |
Hey. | 0:16:05 | 0:16:06 | |
Wait, I just want to talk to you, just a few questions. | 0:16:06 | 0:16:09 | |
-Frankie... -Who are you? Police or something? -No. | 0:16:09 | 0:16:12 | |
Then what the fuck do you want? | 0:16:12 | 0:16:13 | |
Something was sent here. A photo album - pictures of me as a kid. | 0:16:13 | 0:16:17 | |
Sent to someone called Annie Cawthorne. Do you know her? | 0:16:17 | 0:16:20 | |
No. Never heard of her. | 0:16:22 | 0:16:24 | |
-But you do live here? -No. | 0:16:24 | 0:16:27 | |
-Then what are you doing here? -Frankie, will you just let the guy | 0:16:27 | 0:16:30 | |
-get on with whatever it is he's doing? -Frankie? | 0:16:30 | 0:16:32 | |
Yeah. | 0:16:33 | 0:16:35 | |
Is that not a guy's name? | 0:16:35 | 0:16:36 | |
Francesca. | 0:16:36 | 0:16:38 | |
Yeah, well, you should say that then. That's a lot nicer. | 0:16:38 | 0:16:41 | |
So you haven't seen anything here for Annie Cawthorne? | 0:16:41 | 0:16:44 | |
No. | 0:16:45 | 0:16:46 | |
All right, thanks. | 0:16:46 | 0:16:48 | |
I'm sorry. | 0:16:49 | 0:16:50 | |
Do you guys smoke weed? | 0:16:51 | 0:16:53 | |
Just that, if you want to come in, I can sort youse out. | 0:16:53 | 0:16:56 | |
No, no, we're OK. Thanks. | 0:16:56 | 0:16:58 | |
Yeah, all right. | 0:16:58 | 0:17:00 | |
-Cheers. -Cheers, mate. | 0:17:40 | 0:17:42 | |
So who lived here before, then? | 0:17:45 | 0:17:47 | |
How the fuck should I know? | 0:17:47 | 0:17:48 | |
It's derelict, so I deal from here. | 0:17:48 | 0:17:51 | |
And no-one else comes here? | 0:17:53 | 0:17:54 | |
There's a few smackheads from time to time, but... | 0:17:54 | 0:17:57 | |
I don't think there's going to be anyone interested in your wee baby photos. | 0:17:57 | 0:18:01 | |
Sit down if you want. | 0:18:02 | 0:18:04 | |
Sorry, mate. I didn't catch your name. | 0:18:07 | 0:18:09 | |
Er, I didn't say what it was. | 0:18:09 | 0:18:11 | |
OK, that'll be why, then(!) | 0:18:13 | 0:18:15 | |
I'm Jay. | 0:18:15 | 0:18:17 | |
Are you two together? | 0:18:17 | 0:18:19 | |
No, no, no. She's a lesbo. | 0:18:19 | 0:18:22 | |
Straight up? | 0:18:23 | 0:18:24 | |
I'm not saying anything. I'm not like one of these, what do you call it - a homophobic, er... | 0:18:26 | 0:18:30 | |
It doesn't... | 0:18:30 | 0:18:32 | |
Look, I've only got skunk and it's my last, so... | 0:18:32 | 0:18:35 | |
I mean, if you want some, you'll just have to share with me. | 0:18:35 | 0:18:38 | |
Great. OK, thanks. | 0:18:38 | 0:18:40 | |
Great. Let's see what you're made of. | 0:18:40 | 0:18:42 | |
I found these keys the last time I was here. Are they yours? | 0:18:50 | 0:18:53 | |
Never seen them before. | 0:18:55 | 0:18:56 | |
Can I use your toilet? | 0:19:10 | 0:19:11 | |
Yeah, it's upstairs. | 0:19:11 | 0:19:13 | |
First on the left. | 0:19:13 | 0:19:15 | |
It was only ever meant to be a temporary thing with Tess. | 0:20:27 | 0:20:30 | |
-I just didn't expect it to be so sudden. -Are you all right? | 0:20:30 | 0:20:34 | |
Yeah! God, completely. | 0:20:34 | 0:20:38 | |
You are allowed to be pissed off. | 0:20:38 | 0:20:40 | |
-I'm not pissed off. Why would I be pissed off? -All right. Just... | 0:20:40 | 0:20:43 | |
try to relax. | 0:20:43 | 0:20:45 | |
-OK. Sorry. -Yeah? | 0:20:45 | 0:20:47 | |
It just feels like Frankie's needling her way into my life. | 0:21:00 | 0:21:03 | |
First work, now this...and it was her fault Jay was late this morning! | 0:21:03 | 0:21:07 | |
If I lose out on this job because of her, I swear to God... | 0:21:07 | 0:21:10 | |
Cat, you're really not into this, are you? | 0:21:10 | 0:21:13 | |
No! Yeah, I am! I am. | 0:21:13 | 0:21:16 | |
Go on. Carry on. | 0:21:16 | 0:21:17 | |
Yeah? Sure? | 0:21:17 | 0:21:19 | |
OK. | 0:21:19 | 0:21:21 | |
It's like that bloody film, Gaslight. I'm the one who ends up sounding mental. | 0:21:32 | 0:21:36 | |
I think it's work stress. | 0:21:39 | 0:21:41 | |
-Are you OK? -I'm fine. | 0:21:50 | 0:21:52 | |
Sorry. | 0:21:54 | 0:21:56 | |
Ugh. | 0:22:01 | 0:22:02 | |
Can we just stick to pretentious bars from now on? | 0:22:02 | 0:22:06 | |
I am totally over squats. | 0:22:06 | 0:22:09 | |
Sure. | 0:22:09 | 0:22:11 | |
But thank you for coming, though. | 0:22:11 | 0:22:13 | |
Are you all right? | 0:22:15 | 0:22:17 | |
Yeah. | 0:22:17 | 0:22:19 | |
I just felt a bit weird in that flat. | 0:22:19 | 0:22:21 | |
Made me feel like I was crawling with fleas. | 0:22:21 | 0:22:23 | |
-Are you going to tell me why the hell we were there, or...? -No. | 0:22:23 | 0:22:27 | |
Ah, God! | 0:22:27 | 0:22:29 | |
-I'm going to feel like shit tomorrow. -It is tomorrow. | 0:22:29 | 0:22:34 | |
Hey, babe, did we wake you up? | 0:22:34 | 0:22:36 | |
Yeah! I always sleep in my uniform(!) | 0:22:36 | 0:22:38 | |
Oh, you stink! | 0:22:38 | 0:22:40 | |
-I love you. -What happened to dinner? | 0:22:40 | 0:22:42 | |
Baby, I'm so sorry. | 0:22:42 | 0:22:44 | |
I got caught up at work. I didn't... | 0:22:44 | 0:22:47 | |
-I didn't want to disturb you. -See, that's what I love about you, Jay. You're just so thoughtful. | 0:22:47 | 0:22:52 | |
Frankie, I don't suppose you've had any joy tracking down my necklace, have you? | 0:22:52 | 0:22:56 | |
No. But I'll keep trying. Sorry. | 0:22:58 | 0:23:01 | |
If you wouldn't mind. | 0:23:03 | 0:23:05 | |
-What are you on about, "keep trying"? You haven't done anything! -How do you know? | 0:23:09 | 0:23:14 | |
Because I know you, Frankie! | 0:23:14 | 0:23:15 | |
It's not that she didn't turn up, it's that she didn't bother to call. | 0:23:45 | 0:23:48 | |
-It's like I'm not even worth a phone call. -Have you tried calling her? | 0:23:48 | 0:23:52 | |
I've got repetitive strain injury from calling her so much! | 0:23:52 | 0:23:55 | |
-Do you think I scared her off? -No, I'm sure there's a decent explanation. | 0:23:55 | 0:23:58 | |
-Like an accident? -Yeah. | 0:23:58 | 0:24:00 | |
-What? -No! Like she's lost her phone or something. | 0:24:00 | 0:24:03 | |
She's got three. I've tried them all. | 0:24:03 | 0:24:05 | |
This is...this is so depressing. | 0:24:05 | 0:24:07 | |
How can you be depressed on a day like this? Look at it! | 0:24:07 | 0:24:10 | |
I do apologise, but when you're jobless and potentially relationship-less, | 0:24:10 | 0:24:14 | |
-it's hard to wake up happy, just because it's not pissing it down. -Well, I'm in the same boat as you | 0:24:14 | 0:24:19 | |
and I'm not complaining. | 0:24:19 | 0:24:21 | |
I don't understand it, though. It's like everything's been going so well. | 0:24:21 | 0:24:25 | |
I licked her pussy five times the other night, and this is the thanks I get. | 0:24:26 | 0:24:31 | |
I mean... | 0:24:31 | 0:24:33 | |
-I'm so sorry. | 0:24:33 | 0:24:35 | |
Mrs Smith. Sorry to keep you waiting. | 0:25:43 | 0:25:47 | |
Got your attention then. | 0:25:59 | 0:26:02 | |
# She | 0:26:11 | 0:26:12 | |
# She | 0:26:14 | 0:26:16 | |
# She | 0:26:16 | 0:26:18 | |
# Could have been an astronaut | 0:26:18 | 0:26:21 | |
# But she's frightened of the callow robot | 0:26:21 | 0:26:25 | |
# I thought that she could cope | 0:26:25 | 0:26:28 | |
# Pushing the envelope here... # | 0:26:29 | 0:26:32 | |
SHE MOANS | 0:26:33 | 0:26:35 | |
KNOCK ON DOOR | 0:26:35 | 0:26:36 | |
-Alastair? Can I have a word, please? -Yeah, of course. | 0:26:36 | 0:26:39 | |
It's...a bit delicate. Um, it's... | 0:26:41 | 0:26:46 | |
It's about Frankie. | 0:26:49 | 0:26:51 | |
We have a history. | 0:26:51 | 0:26:54 | |
-Go on. -I feel | 0:26:54 | 0:26:56 | |
completely unprofessional bringing this to your attention, but | 0:26:56 | 0:26:59 | |
at the same time, I'd hate for it to affect my work. | 0:26:59 | 0:27:02 | |
I'm not saying anything negative about Frankie, she's a very good photographer. | 0:27:02 | 0:27:04 | |
Cat, don't worry. | 0:27:04 | 0:27:07 | |
I'll make sure you two don't have to work side by side. | 0:27:09 | 0:27:11 | |
And I'll be discreet. | 0:27:11 | 0:27:13 | |
Thank you. | 0:27:13 | 0:27:15 | |
I hope you don't think I'm being dramatic or... | 0:27:15 | 0:27:18 | |
When was the last time you had a holiday? Hmm? | 0:27:18 | 0:27:19 | |
-A break from work? -Um... | 0:27:19 | 0:27:21 | |
You've been overdoing it lately. | 0:27:21 | 0:27:24 | |
You've really been putting yourself through the mill. | 0:27:24 | 0:27:27 | |
Listen, I've got this little cottage in Shetland. | 0:27:27 | 0:27:29 | |
It's nothing too palatial but it's got everything you need. | 0:27:29 | 0:27:33 | |
But more importantly it's right in the middle of nowhere. | 0:27:33 | 0:27:35 | |
It's perfect for a break. | 0:27:35 | 0:27:37 | |
You would be more than welcome to use it. | 0:27:37 | 0:27:39 | |
-Really? -Mm. I get there whenever I can. | 0:27:39 | 0:27:43 | |
OK, thanks. Well, I'll have a word with my partner, Sam, and see if we can arrange a weekend. | 0:27:43 | 0:27:49 | |
I've never heard you mention him before. | 0:27:49 | 0:27:51 | |
How long's he been on the scene? | 0:27:51 | 0:27:52 | |
SHE and I have been seeing each other a few weeks now. | 0:27:52 | 0:27:56 | |
Early days. | 0:27:58 | 0:27:59 | |
Right, well, I hope you'll feel better about things. | 0:28:02 | 0:28:04 | |
-I'd better crack on. -Of course. | 0:28:04 | 0:28:06 | |
Thanks again. | 0:28:06 | 0:28:09 | |
As cunning plans go, it wasn't quite my best. | 0:28:17 | 0:28:20 | |
Plan? | 0:28:20 | 0:28:22 | |
I thought the necklace was yours. | 0:28:22 | 0:28:24 | |
You could have just asked for my number. | 0:28:27 | 0:28:29 | |
Well, it's a bit more fun this way, though, don't you think? | 0:28:29 | 0:28:32 | |
SHE LAUGHS | 0:28:33 | 0:28:34 | |
PHONE RINGS | 0:28:34 | 0:28:36 | |
PHONE RINGS | 0:28:39 | 0:28:41 | |
PHONE RINGS | 0:28:41 | 0:28:47 | |
DIALLING TONE | 0:29:01 | 0:29:02 | |
ANSWERING MACHINE: 'Hi, it's Lou. You know what to do after the beep.' | 0:29:02 | 0:29:05 | |
Hi, it's me again. | 0:29:05 | 0:29:08 | |
Um, listen... | 0:29:08 | 0:29:10 | |
Are you OK? I'm sorry if I was too full-on yesterday, but... | 0:29:10 | 0:29:15 | |
I know you're really busy, but if you could just send me a text or... | 0:29:15 | 0:29:19 | |
I've got to go. OK, bye. | 0:29:19 | 0:29:22 | |
Company policy. | 0:29:22 | 0:29:25 | |
Personal calls are strictly prohibited | 0:29:25 | 0:29:27 | |
on reception, but I think I did run through that with you earlier. | 0:29:27 | 0:29:30 | |
Yeah. It was an emergency. | 0:29:30 | 0:29:32 | |
Then you inform me and you take an emergency break, making sure that you log it into the...? | 0:29:32 | 0:29:37 | |
-Emergency book. -Precisely that. | 0:29:37 | 0:29:41 | |
How are you with coffees? | 0:29:42 | 0:29:44 | |
Great. Milk and two sugars, thanks. | 0:29:44 | 0:29:46 | |
Making them. | 0:29:46 | 0:29:48 | |
Yeah. | 0:29:48 | 0:29:50 | |
With the new procedure, we can ensure that all personal service agents | 0:29:50 | 0:29:54 | |
are able to effectively manage customer portfolios. | 0:29:54 | 0:29:57 | |
It's through utilising customer insight | 0:29:57 | 0:30:01 | |
and our business platform that we can create behaviour-triggered marketing programs. | 0:30:01 | 0:30:07 | |
If you'd like to turn to page two of your pack... | 0:30:07 | 0:30:10 | |
-You have got to help me. -What have you done? -Nothing. | 0:30:10 | 0:30:13 | |
That's the point. I have done absolutely nothing with my life. | 0:30:13 | 0:30:16 | |
Unlike Janet Cook, the biggest loser in my school, | 0:30:16 | 0:30:18 | |
who is upstairs barking orders at a room full of people. | 0:30:18 | 0:30:21 | |
-Not such a loser now, then. -I mean, | 0:30:21 | 0:30:24 | |
that's karma, isn't it? | 0:30:24 | 0:30:26 | |
Have one of the girls who called you Crusty Cook behind your back become your servant 15 years later. | 0:30:26 | 0:30:31 | |
I'm going to have to pull a sickie. | 0:30:31 | 0:30:33 | |
I can't cope with this, not with the Lou crisis. | 0:30:33 | 0:30:35 | |
You're prepared to lose out on 200 quid to avoid losing face in front of a school geek? | 0:30:35 | 0:30:39 | |
-Yeah, absolutely! -That is ridiculous. | 0:30:39 | 0:30:42 | |
Well, I'm having an awful time. | 0:30:42 | 0:30:44 | |
The receptionist is a complete bitch. | 0:30:44 | 0:30:46 | |
Or you could swap with me. You go on reception and I'll come down here. | 0:30:47 | 0:30:49 | |
You can't just chop and change willy nilly. | 0:30:49 | 0:30:53 | |
-Well, why not? -You're the pretty receptionist. | 0:30:53 | 0:30:55 | |
I'm the post boy. Them's the rules. | 0:30:55 | 0:30:57 | |
-Sexist tosser. -I didn't say they were my rules. | 0:30:57 | 0:30:59 | |
Oh, please! Just say I've got photosensitive eyes or something. | 0:30:59 | 0:31:03 | |
I don't know, flirt with her. | 0:31:03 | 0:31:05 | |
Oh, come on, you can do it. | 0:31:05 | 0:31:07 | |
They've got biscuits. | 0:31:07 | 0:31:08 | |
No! | 0:31:13 | 0:31:15 | |
How did you find that? | 0:31:15 | 0:31:16 | |
Only by searching the length and breadth of Glasgow. I thank you. | 0:31:16 | 0:31:19 | |
Out of the dog-house and into the love-nest. | 0:31:19 | 0:31:22 | |
I should have a shower first. You look like shit. | 0:31:22 | 0:31:24 | |
Hiya. | 0:31:24 | 0:31:26 | |
Who's that, then? | 0:31:26 | 0:31:28 | |
It's Hayley the fit intern. | 0:31:28 | 0:31:30 | |
-Is that her full title? -She's been flirting with me non-stop. | 0:31:30 | 0:31:33 | |
-There's definite chemistry there. -Yeah, in your dreams. | 0:31:33 | 0:31:36 | |
Not that I'd do anything about it, for obvious reasons. | 0:31:36 | 0:31:38 | |
-Number one being you're about 20 years too old for her. -Piss off! | 0:31:38 | 0:31:42 | |
She doesn't fancy you, Jay. She's just trying to climb the ladder. | 0:31:42 | 0:31:45 | |
She doesn't flirt with Alistair. | 0:31:45 | 0:31:47 | |
Anyway, why wouldn't she fancy me? | 0:31:47 | 0:31:49 | |
She's young. It's like flirting with a teacher. | 0:31:49 | 0:31:51 | |
All I'm saying is, if I wanted it, I could get it. | 0:31:51 | 0:31:55 | |
Heavy night... | 0:32:06 | 0:32:08 | |
You still go out, then? | 0:32:08 | 0:32:10 | |
Easy, I'm only 29! | 0:32:10 | 0:32:12 | |
Have to knock it on the head soon, though. Can't be getting caned into your 30s. | 0:32:12 | 0:32:16 | |
-Look at Keith Richards. -What? | 0:32:16 | 0:32:18 | |
He's about 70. | 0:32:18 | 0:32:19 | |
Yeah, but he's looked exactly the same for years. | 0:32:19 | 0:32:23 | |
I've been out every night this week. | 0:32:24 | 0:32:27 | |
Can you tell? | 0:32:27 | 0:32:28 | |
No. | 0:32:31 | 0:32:33 | |
When I hit 30, though, no way. | 0:32:33 | 0:32:36 | |
I see, I see. So there's a moral to this story, isn't there? | 0:32:36 | 0:32:39 | |
We should get as wasted as possible before it's too late. | 0:32:39 | 0:32:42 | |
Yeah, not quite what I meant. | 0:32:42 | 0:32:44 | |
All right, well, maybe not wasted but what about a bit of a buzz now and then? | 0:32:44 | 0:32:48 | |
Yeah, that's definitely allowed. | 0:32:49 | 0:32:51 | |
You're joking. | 0:32:57 | 0:32:58 | |
I try not to make a habit of it, but I am in dire need of a pick me up. | 0:32:58 | 0:33:03 | |
Come on! | 0:33:03 | 0:33:05 | |
Desperate times... | 0:33:05 | 0:33:07 | |
That is so kind of you, Moira. | 0:33:09 | 0:33:11 | |
Listen, my cousin is mentally ill, OK? So I've got first-hand experience. | 0:33:11 | 0:33:14 | |
You understand. | 0:33:14 | 0:33:16 | |
Yes. | 0:33:16 | 0:33:17 | |
Sorted. So if anyone asks, you've got severe agoraphobia | 0:33:20 | 0:33:23 | |
brought on by a breakdown since your last partner left you. | 0:33:23 | 0:33:27 | |
Brilliant! | 0:33:27 | 0:33:28 | |
Go on! | 0:33:30 | 0:33:31 | |
Hi. Can I get you anything? | 0:33:49 | 0:33:53 | |
A4 Jiffy? | 0:33:53 | 0:33:54 | |
There you go. | 0:33:57 | 0:33:58 | |
This is a first. | 0:34:07 | 0:34:08 | |
Snorting coke at work or being in a toilet cubicle with an impressionable young intern? | 0:34:08 | 0:34:14 | |
Ssh, ssh! | 0:34:18 | 0:34:21 | |
HE MOUTHS | 0:34:22 | 0:34:23 | |
# You caught | 0:34:26 | 0:34:29 | |
# My attention | 0:34:29 | 0:34:31 | |
# You, ooh | 0:34:33 | 0:34:38 | |
# You | 0:34:41 | 0:34:44 | |
# Ooh, ah-ha | 0:34:50 | 0:34:54 | |
# Ah-ha... # | 0:34:54 | 0:34:56 | |
Ladies first. | 0:34:56 | 0:34:58 | |
SHE SNORTS | 0:35:02 | 0:35:04 | |
# Ooh, I go on | 0:35:04 | 0:35:08 | |
# Ooh, still in my thoughts | 0:35:10 | 0:35:16 | |
# You, ooh, ooh | 0:35:18 | 0:35:23 | |
# You... # | 0:35:25 | 0:35:28 | |
-What's up? -I... -Hayley? | 0:35:31 | 0:35:34 | |
I feel a bit funny. | 0:35:34 | 0:35:36 | |
Funny? What do you mean? Hayley...? | 0:35:36 | 0:35:39 | |
What the fuck is this stuff? | 0:35:41 | 0:35:43 | |
It's just coke. Hayley...? | 0:35:43 | 0:35:45 | |
Oh, these are very good, aren't they, Cat? | 0:35:46 | 0:35:50 | |
-What about this one? | 0:35:50 | 0:35:51 | |
MOBILE PHONE RINGS | 0:35:51 | 0:35:54 | |
-Yeah? -Very talented, isn't she? | 0:35:54 | 0:35:56 | |
-She is, yeah. -Where are you? | 0:35:56 | 0:35:58 | |
Maybe we should think about offering her something more permanent. | 0:35:58 | 0:36:01 | |
-Hayley? -Which one are you in? | 0:36:06 | 0:36:08 | |
-Middle one. -All right. | 0:36:08 | 0:36:10 | |
Jesus! What have you done? | 0:36:10 | 0:36:11 | |
I don't know what happened to her. It was just one line. | 0:36:11 | 0:36:14 | |
-Go. I'll call an ambulance. -Ambulance? | 0:36:14 | 0:36:18 | |
I'll just clear my desk now, shall I? | 0:36:18 | 0:36:19 | |
Alistair cannot find out about this. | 0:36:19 | 0:36:21 | |
Yeah, but we can't leave her. Anything could be happening. | 0:36:21 | 0:36:23 | |
Let's just hang on a minute and see if she comes round. | 0:36:23 | 0:36:26 | |
Jesus, Hayley, come on! | 0:36:30 | 0:36:33 | |
That is not coke. | 0:36:34 | 0:36:36 | |
Oh, fuck. | 0:36:42 | 0:36:44 | |
It's ketamine! | 0:36:44 | 0:36:46 | |
Jesus, what else have you got in there? | 0:36:46 | 0:36:48 | |
Oh, look, she might be chewing the carpet for a few hours | 0:36:48 | 0:36:51 | |
-but at least she's not going to die. -What are we going to do? | 0:36:51 | 0:36:53 | |
She's got to go home back to her flat. | 0:36:53 | 0:36:56 | |
And someone's got to look after her for a while. | 0:36:56 | 0:37:00 | |
No way. No, I have got family shit to deal with. It's important. | 0:37:00 | 0:37:03 | |
-I'm begging you. -No! | 0:37:03 | 0:37:05 | |
Look, tell her to take the day off tomorrow, right? And ring me! | 0:37:08 | 0:37:11 | |
Let me know she's all right. | 0:37:11 | 0:37:13 | |
I owe you big time. | 0:37:15 | 0:37:17 | |
I bet you say that to all the presenters. | 0:37:44 | 0:37:46 | |
Only the very beautiful ones. | 0:37:46 | 0:37:48 | |
Oh, you're making me blush. | 0:37:48 | 0:37:51 | |
So you play a villain in the movie... | 0:37:51 | 0:37:54 | |
Hi. I don't know why you called Moira a bitch. She's hysterical. | 0:37:54 | 0:37:58 | |
I'm having a brilliant time with her. | 0:37:58 | 0:37:59 | |
-Result. -How are you getting on? | 0:37:59 | 0:38:01 | |
Well, Lou's definitely not dead. | 0:38:01 | 0:38:04 | |
And you've worked with a lot of big-name actors... | 0:38:04 | 0:38:06 | |
-There you go. Panic over. -Yeah, phew, she's actually just avoiding me. | 0:38:06 | 0:38:10 | |
-She's a busy woman, isn't she? -What, and I'm not? | 0:38:10 | 0:38:12 | |
Well, no, you're not, are you? I'd better get back. | 0:38:12 | 0:38:16 | |
-Moira's made me a cuppa. -Oh, God, don't let it get cold. | 0:38:16 | 0:38:18 | |
KNOCK ON DOOR | 0:38:24 | 0:38:25 | |
What did you forget? Some Post-It notes to write love messages on for Moira? | 0:38:25 | 0:38:30 | |
Janet! Oh, my God! | 0:38:30 | 0:38:33 | |
Tess Roberts! I do not believe it! | 0:38:33 | 0:38:35 | |
I know! | 0:38:35 | 0:38:37 | |
-How mad! -How are you? -Yeah, yeah, really good. | 0:38:37 | 0:38:41 | |
What are you up to these days? | 0:38:41 | 0:38:44 | |
-Um, still acting. -Oh, are you? | 0:38:44 | 0:38:46 | |
That's great. How's it going? | 0:38:46 | 0:38:49 | |
Fantastic, actually. | 0:38:49 | 0:38:50 | |
So what are your latest projects, then? Is that what you say, in the biz? | 0:38:51 | 0:38:56 | |
Projects, yeah. | 0:38:56 | 0:38:57 | |
Um, it's been a bit quiet lately, but it's been like that for everyone. | 0:38:57 | 0:39:01 | |
Like, this year's been really slow. But I did an episode of The Bill. | 0:39:01 | 0:39:03 | |
No really? Who did you play? | 0:39:03 | 0:39:06 | |
I was a corpse that they pulled out the river at the beginning but there | 0:39:06 | 0:39:08 | |
was like a whole story around me which was...which was fantastic. | 0:39:08 | 0:39:11 | |
Oh, I knew you'd make it. | 0:39:11 | 0:39:14 | |
So are you married then? Any kiddies? | 0:39:14 | 0:39:17 | |
No. No, none. | 0:39:17 | 0:39:19 | |
-Boyfriend? -No, I'm gay, actually. | 0:39:19 | 0:39:22 | |
Oh, good for you! | 0:39:22 | 0:39:25 | |
I never would have guessed. | 0:39:25 | 0:39:27 | |
So, have you got a...a whatsit - a partner? | 0:39:27 | 0:39:33 | |
Er, I'm sort of | 0:39:33 | 0:39:36 | |
having a... No, no. How about you? | 0:39:36 | 0:39:38 | |
Chris. He's just my absolute soul mate. | 0:39:40 | 0:39:44 | |
I'm absolutely pooped. | 0:39:44 | 0:39:46 | |
I mean, what with running this place and trying to organise the wedding. | 0:39:46 | 0:39:50 | |
Plus we're in the middle of buying - you know what a complete hassle that is. | 0:39:50 | 0:39:52 | |
Oh, God, don't get me started. | 0:39:52 | 0:39:55 | |
It's really lovely seeing you. | 0:39:55 | 0:39:59 | |
-Are you with us for long? -Er, couple of days. | 0:39:59 | 0:40:02 | |
-We should try and do lunch. -Mmm. | 0:40:02 | 0:40:05 | |
Could you make sure this goes special delivery, please? | 0:40:06 | 0:40:10 | |
-It's very important. -No problem. | 0:40:10 | 0:40:14 | |
Star! Thank you. | 0:40:14 | 0:40:16 | |
Catch you later then. | 0:40:16 | 0:40:19 | |
MOBILE PHONE RINGS | 0:40:24 | 0:40:27 | |
-What? -'How is she?' | 0:40:27 | 0:40:29 | |
In bed listening to Ibiza Chilled Classics Volume One. | 0:40:29 | 0:40:32 | |
-'Thank Christ for that.' -Yeah, I still think you're a prick. | 0:40:32 | 0:40:35 | |
-Sorry to keep you. Slight emergency at the archive repository's technology watch function. -Nightmare. | 0:40:42 | 0:40:48 | |
Indeed. Life was a lot simpler when everything was manual. | 0:40:48 | 0:40:52 | |
Anyway, first things first. | 0:40:52 | 0:40:54 | |
I'll need all the information you have about your relatives. | 0:40:54 | 0:40:56 | |
Yeah, I've got my parents' names and the date of their death. | 0:40:56 | 0:41:01 | |
I've also got this address. | 0:41:01 | 0:41:04 | |
I'm not sure but I think I used to live there when I was a kid. | 0:41:04 | 0:41:07 | |
Could you see if it matches up with my parents' details? | 0:41:09 | 0:41:12 | |
It's all rather a puzzle, isn't it? | 0:41:12 | 0:41:14 | |
-Yeah. -Okey-dokey, leave it with me, Ms Hallum. -Alan. | 0:41:14 | 0:41:18 | |
No, Ralph. | 0:41:18 | 0:41:21 | |
Hey, Cat. | 0:41:33 | 0:41:35 | |
I've just heard back from Cassidy and Moore. | 0:41:35 | 0:41:37 | |
Following yesterday's meeting with you and Jay, they want to go ahead. | 0:41:37 | 0:41:41 | |
That's brilliant. | 0:41:41 | 0:41:43 | |
Yeah, well done. It's a big project. Thanks for bringing it in. | 0:41:43 | 0:41:46 | |
-I'm really looking forward to getting started. -Yeah, well... | 0:41:46 | 0:41:49 | |
-I thought this might be one for Jay to take charge of, actually. -Jay? | 0:41:49 | 0:41:54 | |
-Why? -Well, in light of our conversation earlier, I know you've got an awful lot of other things... | 0:41:54 | 0:41:57 | |
I can cope. | 0:41:57 | 0:41:59 | |
I don't want you to simply cope, Cat. | 0:41:59 | 0:42:02 | |
I've fought for this. It means a lot. | 0:42:02 | 0:42:04 | |
I did bring it in, Alistair. | 0:42:04 | 0:42:06 | |
Yeah, well, that's not strictly how we operate, is it? | 0:42:06 | 0:42:08 | |
Look, it's not a slight against you, Cat, it's quite the opposite. | 0:42:08 | 0:42:12 | |
It's my duty to look after you. | 0:42:12 | 0:42:15 | |
I don't want to be accused of running my poor staff into the ground, do I? | 0:42:15 | 0:42:17 | |
You're not running me anywhere. This is my project. | 0:42:17 | 0:42:19 | |
Yeah, and you will get the credit for winning the contract - don't worry. | 0:42:19 | 0:42:23 | |
It's just that Jay's got more head space to manage it, that's all. | 0:42:23 | 0:42:26 | |
That's all? Alistair, you're making it... | 0:42:26 | 0:42:28 | |
It's been decided. OK? | 0:42:28 | 0:42:31 | |
It's just unbelievable. I do all the leg work, he turns up, 45 minutes late, hungover | 0:42:40 | 0:42:46 | |
and he still manages to land the account. It's a man's bloody world, all right. | 0:42:46 | 0:42:49 | |
Forget it. It's not worth getting wound up about. | 0:42:49 | 0:42:51 | |
Oh, no, it's nothing at all, is it? | 0:42:51 | 0:42:53 | |
Just out-and-out sexism in the work place. Keep your trap shut and your head down like a good little girl. | 0:42:53 | 0:42:57 | |
That's not what I meant. | 0:42:57 | 0:42:59 | |
Honestly, today has the been the absolute day from hell. | 0:42:59 | 0:43:02 | |
OK, so why don't you just relax and enjoy being here with me? Look, my shift starts in a couple of hours. | 0:43:02 | 0:43:08 | |
Frankie has got a lot to answer for. | 0:43:08 | 0:43:12 | |
We're not back on her again, are we? | 0:43:12 | 0:43:14 | |
Christ, Cat. Can you not just leave it behind? So you had a shit day. | 0:43:14 | 0:43:18 | |
Just write it off and move on. | 0:43:18 | 0:43:20 | |
Oh, I'm sorry I'm not as calm and sorted as you are. | 0:43:20 | 0:43:22 | |
I get stressed, OK? | 0:43:22 | 0:43:25 | |
What exactly is it you think I do, Cat? Hm? | 0:43:25 | 0:43:28 | |
Sit around eating doughnuts? | 0:43:28 | 0:43:30 | |
-No. -This week alone I've seen two dead bodies. | 0:43:30 | 0:43:33 | |
I've dealt with three grieving families. | 0:43:33 | 0:43:35 | |
I've been involved in a drugs raid and I've had more sexist, lascivious comments | 0:43:35 | 0:43:38 | |
chucked at me than you've had in your entire bloody career. | 0:43:38 | 0:43:42 | |
Don't fucking talk to me about stress. | 0:43:42 | 0:43:46 | |
It's one project. One. | 0:43:48 | 0:43:49 | |
And an annoying ex-girlfriend. | 0:43:49 | 0:43:51 | |
Get over yourself. | 0:43:51 | 0:43:53 | |
I can't believe you just left like that. | 0:43:59 | 0:44:01 | |
Moira was absolutely livid. You know she'll never have you back. | 0:44:01 | 0:44:04 | |
Not fucking bothered. Ask her if I can have that in writing. | 0:44:04 | 0:44:08 | |
And Janet, ugh! "Yeah, Chris. | 0:44:08 | 0:44:11 | |
"He's my absolute bloody soul mate. | 0:44:11 | 0:44:13 | |
"We're completely in love." | 0:44:13 | 0:44:16 | |
How come she's got everything and I've got nothing? | 0:44:16 | 0:44:19 | |
So Janet's got a big house, sports car, millionaire boyfriend. Do you really want all that shit? | 0:44:19 | 0:44:23 | |
Yeah. Except the boyfriend. | 0:44:23 | 0:44:25 | |
OK, I don't want all those things but d'you know what? | 0:44:25 | 0:44:28 | |
I'd like one of them. Just fucking one of them. | 0:44:28 | 0:44:30 | |
You've got your Vivienne Westwood dress. | 0:44:30 | 0:44:32 | |
Yeah, that is true. | 0:44:32 | 0:44:34 | |
You should have seen her, Ed, going all gooey eyed over some prick with a sock down his pants. | 0:44:34 | 0:44:40 | |
"Er, yeah, Janet, I do have a girlfriend. | 0:44:40 | 0:44:42 | |
"There she is on the telly grabbing some actor's cock." | 0:44:42 | 0:44:45 | |
She's supposed to be flirty with the guests. It's her job, isn't it? | 0:44:45 | 0:44:48 | |
-It's her! -What does it say? | 0:44:50 | 0:44:53 | |
"So sorry about last night, sweetheart. Having a nightmare. | 0:44:53 | 0:44:56 | |
"Will explain. Miss you. Kiss." | 0:44:56 | 0:44:58 | |
That is good, isn't it? | 0:45:00 | 0:45:02 | |
-Yeah. -Why are you saying it like that? | 0:45:02 | 0:45:05 | |
It's good! "Miss you, kiss." That is definitely good. | 0:45:05 | 0:45:07 | |
OK, yeah. It's good. | 0:45:07 | 0:45:09 | |
Have you got your car? | 0:45:11 | 0:45:13 | |
-Yeah. Why? -We're going out. | 0:45:13 | 0:45:15 | |
What? Now? | 0:45:15 | 0:45:17 | |
KNOCK ON DOOR | 0:45:20 | 0:45:21 | |
Come in. | 0:45:21 | 0:45:23 | |
Visitor for you, Sarge. A Cat Mackenzie? | 0:45:25 | 0:45:27 | |
Send her in. Oh, and, Paul, I'm still waiting for that crime report. | 0:45:27 | 0:45:32 | |
If you could hurry it up, please. | 0:45:32 | 0:45:34 | |
I was bang out of order, I'm sorry. | 0:45:40 | 0:45:42 | |
I have been selfish and thoughtless. | 0:45:42 | 0:45:44 | |
And I know how difficult your job must be - or maybe I don't. | 0:45:44 | 0:45:47 | |
Obviously, I've no idea because you just get on with it while | 0:45:47 | 0:45:50 | |
-I moan about everything and you're...you're right, nobody died. It's no big... -Cat... | 0:45:50 | 0:45:54 | |
I just wanted to apologise. You were absolutely right, I deserved it. | 0:45:54 | 0:45:58 | |
Come here. | 0:46:06 | 0:46:07 | |
You can be quite scary, you know. | 0:46:16 | 0:46:18 | |
Can I? | 0:46:19 | 0:46:22 | |
In a good way. | 0:46:22 | 0:46:24 | |
I liked watching you then, at your desk. | 0:46:26 | 0:46:29 | |
I felt like I'd been hauled in for questioning. | 0:46:29 | 0:46:32 | |
Did you worry what I might do to you? | 0:46:34 | 0:46:36 | |
Do you want me to show you? | 0:46:41 | 0:46:42 | |
SHE SIGHS | 0:46:54 | 0:46:56 | |
SHE MOANS | 0:46:59 | 0:47:00 | |
SHE MOANS | 0:47:09 | 0:47:13 | |
CAR ENGINE STOPS | 0:47:24 | 0:47:25 | |
-OK. How's my face? Make-up and everything? -It's lovely. | 0:47:26 | 0:47:29 | |
-You look lovely. -OK. | 0:47:29 | 0:47:31 | |
Will you wait here in case she's not in? | 0:47:33 | 0:47:35 | |
Are you sure this is a good idea? | 0:47:38 | 0:47:40 | |
Yeah, why not? She's stressed. | 0:47:40 | 0:47:42 | |
I'm her girlfriend. It's my job to help her unwind when she's stressed. | 0:47:42 | 0:47:46 | |
OK, wish me luck. | 0:47:46 | 0:47:49 | |
Good luck. | 0:47:49 | 0:47:50 | |
DOORBELL RINGS | 0:48:03 | 0:48:04 | |
DOORBELL RINGS | 0:48:09 | 0:48:11 | |
-You're so bad. So are you coming up? -Yeah, I think I have the energy. | 0:48:17 | 0:48:20 | |
Oh, yeah! | 0:48:23 | 0:48:24 | |
-Um... -Tess...what, what are you doing here? | 0:48:26 | 0:48:29 | |
I just... I came to see if you were OK. | 0:48:29 | 0:48:32 | |
-I didn't think we'd be seeing you again in a hurry. -Why? | 0:48:32 | 0:48:35 | |
-Because I'm just one big fucking joke to you - is that it? -Tess... | 0:48:35 | 0:48:39 | |
-Steady on. -Come on, Tess. Let's go. | 0:48:39 | 0:48:41 | |
Why couldn't you have just told me? | 0:48:43 | 0:48:46 | |
Told her what? | 0:48:46 | 0:48:48 | |
Who the hell is this? | 0:48:48 | 0:48:50 | |
Is it him? Are you fucking him? | 0:48:50 | 0:48:53 | |
-No! -God, no, it's nothing to do with me. | 0:48:53 | 0:48:54 | |
Try again, Tom. | 0:48:54 | 0:48:57 | |
Oh, Jesus Christ, Lou... | 0:48:59 | 0:49:01 | |
Please, just...just give us a minute. Please. | 0:49:04 | 0:49:07 | |
-I don't know what to say. -Oh, I'm sorry. | 0:49:19 | 0:49:20 | |
This must be really difficult for you. | 0:49:20 | 0:49:22 | |
-It is. -Please, just spare me the bullshit, Lou. | 0:49:22 | 0:49:27 | |
If you have any feelings for me... | 0:49:27 | 0:49:29 | |
Course I do! | 0:49:29 | 0:49:31 | |
So what is it then? | 0:49:31 | 0:49:34 | |
Are you... Are you too much of a coward to deal with it? | 0:49:34 | 0:49:38 | |
No, it's not like that. But... It's just... | 0:49:38 | 0:49:42 | |
I think things are going to be different now between Tom and I. | 0:49:45 | 0:49:48 | |
He's promised he's going to leave his wife. | 0:49:50 | 0:49:53 | |
-Oh, Lou! -I know how that makes me sound but I've got to give it a go. | 0:49:53 | 0:49:58 | |
Yeah. | 0:49:58 | 0:50:01 | |
Best stick with what you know, eh? | 0:50:01 | 0:50:03 | |
Easier to be the scarlet woman than come out the closet, I suppose. | 0:50:03 | 0:50:08 | |
I do love him. | 0:50:08 | 0:50:09 | |
Do you, though? | 0:50:11 | 0:50:13 | |
You don't. | 0:50:15 | 0:50:16 | |
It's not too late. | 0:50:16 | 0:50:18 | |
Look, we can... We can figure it out. I'll help you. | 0:50:20 | 0:50:23 | |
Please. | 0:50:27 | 0:50:29 | |
-It's not too late. -Please, Tess. | 0:50:29 | 0:50:31 | |
-What? -I'm sorry. I can't do this. | 0:50:31 | 0:50:33 | |
I can't. | 0:50:33 | 0:50:36 | |
Tess, are you OK? | 0:50:36 | 0:50:39 | |
Can we get in the bloody house? | 0:50:39 | 0:50:42 | |
Lou? Now, please. | 0:50:42 | 0:50:45 | |
Yeah, we don't want to cause a scene, do we? | 0:50:45 | 0:50:46 | |
No, I think you've managed that already, sweetheart. Run along, eh? | 0:50:46 | 0:50:50 | |
Excuse me, who do you think you're talking to? | 0:50:50 | 0:50:52 | |
-What is it to you? -I don't want you speaking to my friend like she's an inconsequential piece of crap. | 0:50:52 | 0:50:56 | |
-You said it. | 0:50:56 | 0:50:58 | |
Shit, are you OK? | 0:51:01 | 0:51:03 | |
Are you all right? | 0:51:04 | 0:51:05 | |
Get away from me or I'll call the police! Oh, I'm bleeding... | 0:51:05 | 0:51:09 | |
Did you see him go down? | 0:51:15 | 0:51:17 | |
I know I say it myself, but that was some right hook. | 0:51:17 | 0:51:20 | |
Oh, Tess... | 0:51:20 | 0:51:22 | |
SHE SOBS | 0:51:22 | 0:51:24 | |
Tess, come on... | 0:51:27 | 0:51:28 | |
Let's go. | 0:51:34 | 0:51:35 | |
Wow, this is a nice surprise. | 0:51:39 | 0:51:41 | |
I didn't expect to see you again so soon. | 0:51:41 | 0:51:44 | |
Well, I was at a loose end. | 0:51:44 | 0:51:46 | |
Flatterer. | 0:51:46 | 0:51:48 | |
Tell you what, I need this drink. | 0:51:48 | 0:51:50 | |
I've had the most manic day. | 0:51:50 | 0:51:52 | |
Five different viewings all in different parts of Glasgow. | 0:51:52 | 0:51:55 | |
Knack-er-ing. | 0:51:55 | 0:51:57 | |
There was this one couple who were a total nightmare. | 0:51:59 | 0:52:01 | |
They couldn't agree on anything. | 0:52:01 | 0:52:03 | |
They're getting married next year. | 0:52:03 | 0:52:05 | |
INAUDIBLE | 0:52:10 | 0:52:13 | |
He looked fatter than he did on telly, didn't he? | 0:52:26 | 0:52:29 | |
-I know they say the camera adds ten pounds but... -Ed, please can we move on? | 0:52:29 | 0:52:32 | |
I'm just trying to point out that you're a better catch then he is. | 0:52:32 | 0:52:34 | |
I don't care if he's famous or not. | 0:52:34 | 0:52:36 | |
-Thank you. -Imagine if this got out. We could make a shit load of money. | 0:52:36 | 0:52:39 | |
-Er, kiss and tell isn't really my kind of thing. -It's one way of coming out to your gran, though. | 0:52:39 | 0:52:44 | |
It wouldn't have to be kiss and tell. You could do it anonymously. | 0:52:44 | 0:52:48 | |
Tip the press off. | 0:52:48 | 0:52:50 | |
Well, I might be desperate but I'm not that desperate. | 0:52:50 | 0:52:53 | |
More fool you. | 0:52:53 | 0:52:55 | |
Er, sorry. Happy and committed couples are banned from this area of the bar. | 0:52:55 | 0:52:58 | |
This section is for fuck-ups only. | 0:52:58 | 0:53:00 | |
Who says I'm committed anyway? | 0:53:00 | 0:53:02 | |
We're only staying for one. I've booked us a table at Chardon D'or. | 0:53:02 | 0:53:06 | |
Wow! What's the occasion? | 0:53:06 | 0:53:09 | |
Does there need to be one? | 0:53:09 | 0:53:10 | |
Ah! | 0:53:10 | 0:53:12 | |
-Oh, sorry. We haven't met before, have we? -This is Sadie. | 0:53:12 | 0:53:14 | |
Sadie is an old friend of mine. This is Jay and Becky who I'm staying with at the moment. | 0:53:14 | 0:53:18 | |
-Hi. -Hiya. | 0:53:18 | 0:53:20 | |
Nice necklace. | 0:53:20 | 0:53:22 | |
Thanks. | 0:53:22 | 0:53:24 | |
We got your text. How are you? | 0:53:24 | 0:53:27 | |
-She'll be fine. -What happened? | 0:53:27 | 0:53:29 | |
I caught my so-called girlfriend in the arms of her cheeseball co-star, | 0:53:29 | 0:53:33 | |
with his gelled hair and his blinding teeth... | 0:53:33 | 0:53:36 | |
And tan to rival David Dickinson's. | 0:53:36 | 0:53:37 | |
So utterly predictable. | 0:53:37 | 0:53:39 | |
I mean, I'm now dumped and homeless... | 0:53:39 | 0:53:43 | |
-Well, I thought we were going to move in together? -Yeah, but when? | 0:53:43 | 0:53:46 | |
I can't stay at Cat's, now that her and Sam are pinned to each other in their matching pyjamas. | 0:53:46 | 0:53:50 | |
-I can help you find somewhere. -Yeah? | 0:53:50 | 0:53:53 | |
In fact, I know just the place. | 0:53:53 | 0:53:56 | |
Well, there you go. | 0:53:56 | 0:53:58 | |
Every cloud... | 0:53:58 | 0:53:59 | |
MOBILE PHONE BEEPS | 0:54:04 | 0:54:06 | |
Oh, shit. Sadie... | 0:54:47 | 0:54:50 | |
Oh, God. | 0:54:50 | 0:54:53 | |
We exhausted every avenue but I'm afraid we couldn't | 0:55:10 | 0:55:12 | |
find anything to link your parents to the address you gave. | 0:55:12 | 0:55:15 | |
Are you sure? | 0:55:17 | 0:55:19 | |
We have got copies of most of the documents you requested, though. | 0:55:19 | 0:55:23 | |
Your parents' death certificates along with your sister's. | 0:55:23 | 0:55:25 | |
I don't have a sister. | 0:55:25 | 0:55:27 | |
Well, I don't see how there can have been a mistake. | 0:55:27 | 0:55:29 | |
These are your parents' death certificates. | 0:55:29 | 0:55:33 | |
Lindsey Alan...Robert Alan and little Francesca... | 0:55:33 | 0:55:39 | |
Francesca? | 0:55:40 | 0:55:41 | |
I am sorry. Tragic losing someone so young. | 0:55:42 | 0:55:45 | |
Oh. Shit. Sorry. | 0:56:34 | 0:56:36 | |
Is that your new squeeze I saw this morning? | 0:56:36 | 0:56:38 | |
Her name's Sam. | 0:56:38 | 0:56:39 | |
-What's that? -Frankie trying to get me back on the scene. -Internet dating? | 0:56:39 | 0:56:43 | |
You're adventurous, aren't you Tess? | 0:56:43 | 0:56:45 | |
-You want to know what's going on? I'm dead. -What's the problem? | 0:56:45 | 0:56:48 | |
Lunch, my parents. Today. | 0:56:48 | 0:56:50 | |
Well, well, well. Little Francesca. | 0:56:53 | 0:56:56 | |
Everything we did was in your best interests. | 0:56:56 | 0:57:00 | |
# You're such an unusual force | 0:57:00 | 0:57:02 | |
# I'm trying to fight | 0:57:02 | 0:57:05 | |
# A ghost playing tricks with my mind | 0:57:07 | 0:57:10 | |
# And breathing down my back | 0:57:10 | 0:57:13 | |
# Saying | 0:57:14 | 0:57:15 | |
# Forget about the fights | 0:57:15 | 0:57:18 | |
# Forget about the times I let you down | 0:57:18 | 0:57:20 | |
# And please | 0:57:22 | 0:57:23 | |
# Come a little closer to me | 0:57:23 | 0:57:25 | |
# And grab my hand... # | 0:57:25 | 0:57:28 |