Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-My aunt died. -"It's Auntie Carol. Come home. | 0:00:02 | 0:00:04 | |
"There's something I need to tell you face to face." | 0:00:04 | 0:00:06 | |
-We haven't seen each other in two years, I thought... -You'd waltz back in and everything would be OK? | 0:00:06 | 0:00:11 | |
-Why are you in Glasgow? -Frankie was two years ago. How much more ready can you be? | 0:00:11 | 0:00:15 | |
Hi. You're Cat. | 0:00:15 | 0:00:18 | |
I'm really sorry, I've got to dash. I'll catch you later? | 0:00:18 | 0:00:21 | |
-Carol wanted to tell me something. Do you know what? -If she had anything to say to you, she'd have told me. | 0:00:21 | 0:00:26 | |
Have you checked out Lou Foster yet? Presents Afternoons with Lou and Tom. | 0:00:26 | 0:00:30 | |
-Thought she'd be your type. -She's everyone's type, but straight. | 0:00:30 | 0:00:34 | |
I've wanted to kiss a woman forever. And you're gorgeous. | 0:00:34 | 0:00:38 | |
-I really missed you. -I really missed you, too. | 0:00:39 | 0:00:44 | |
THIS PROGRAMME CONTAINS STRONG LANGUAGE & SCENES OF A SEXUAL NATURE | 0:00:45 | 0:00:55 | |
ECSTATIC MOANING | 0:01:20 | 0:01:23 | |
-Right about... -SHE MOANS | 0:01:27 | 0:01:29 | |
SHE MOANS | 0:01:33 | 0:01:36 | |
So, how did you get to be so good at that? | 0:01:48 | 0:01:51 | |
Er, I took classes at the local education college. | 0:01:51 | 0:01:56 | |
SHE LAUGHS | 0:01:56 | 0:01:58 | |
Shit. I've got to get to the studio. Sorry. | 0:02:17 | 0:02:21 | |
So, then, what are you up to today? | 0:02:28 | 0:02:31 | |
Er...usual hectic timetable. | 0:02:31 | 0:02:37 | |
Dole office followed by a bit of lunchtime telly, | 0:02:37 | 0:02:41 | |
-maybe an afternoon nap. -Still no word from your agent? -No. | 0:02:41 | 0:02:45 | |
-I'm beginning to think I should just quit, try my hand at something else. -Don't say that. Things will pick up. | 0:02:45 | 0:02:50 | |
Actually, I was thinking, you know you mentioned two runners had dropped out of your show? | 0:02:50 | 0:02:56 | |
Oh, you wouldn't want to do that. It's really shitty work. | 0:02:56 | 0:03:00 | |
-You've got such a busy schedule, we'd get to spend more time together. -Erm... | 0:03:00 | 0:03:04 | |
-I'll put a word in with the production manager. -OK. | 0:03:05 | 0:03:08 | |
Tess, look, you wouldn't be able to tell anyone about us. | 0:03:08 | 0:03:11 | |
-No. God, I completely understand. I'd say we were just friends. -Great. | 0:03:11 | 0:03:16 | |
SHE LOCKS THE DOOR | 0:03:19 | 0:03:22 | |
SHOWER RUNS | 0:03:22 | 0:03:24 | |
VIBRATOR BUZZES | 0:03:31 | 0:03:34 | |
# This is my home | 0:03:34 | 0:03:36 | |
# The place where I'm lonely | 0:03:36 | 0:03:40 | |
# This is my home | 0:03:53 | 0:03:55 | |
# The place where I'm lonely | 0:03:55 | 0:03:59 | |
# Ghost...is...not...real | 0:04:02 | 0:04:07 | |
# This is my home | 0:04:12 | 0:04:14 | |
# The one and sweet home | 0:04:14 | 0:04:18 | |
# Ghost...is...not...real | 0:04:21 | 0:04:26 | |
# This is my home... | 0:04:27 | 0:04:29 | |
-Morning! -Tess, why is there a pair of dirty socks under the kitchen table? | 0:04:30 | 0:04:35 | |
Er, they made a break for freedom | 0:04:35 | 0:04:37 | |
-and escaped from the washing machine. -I don't mean to seem rude, but can you put things away? | 0:04:37 | 0:04:41 | |
-This has been here so long, it's virtually an installation! -Look at me, putting them away. There you go. | 0:04:41 | 0:04:47 | |
Look, you don't have to go to the funeral if you don't want to. You don't owe Frankie anything. | 0:04:48 | 0:04:54 | |
It's her aunt's funeral and I want to be a grown-up about this. | 0:04:54 | 0:04:57 | |
I've avoided her long enough. If I want to move on, | 0:04:57 | 0:05:00 | |
I need to be able to be around her without it doing my head in. How was your night? | 0:05:00 | 0:05:04 | |
Let's just say I didn't get much sleep. | 0:05:04 | 0:05:08 | |
-Has she gone down on you yet? -Look, it's her first time with a woman. She's bound to be anxious. | 0:05:08 | 0:05:12 | |
-Doesn't make her straight. -So she's a total pillow princess and you're putting in all the elbow grease. | 0:05:12 | 0:05:18 | |
Well, at least I'm not sitting round moping about Chloe anymore. | 0:05:18 | 0:05:22 | |
And she's trying to get me a job at her show, | 0:05:22 | 0:05:25 | |
-so she's obviously not that uptight about us. -She's going to tell people she's seeing you? -No. But... | 0:05:25 | 0:05:31 | |
Why don't you ask her to dinner with Ed and me? Something low-key, coax her out of the closet. | 0:05:31 | 0:05:35 | |
Good idea. Maybe I will. | 0:05:35 | 0:05:38 | |
CAMERA CLICKS | 0:05:48 | 0:05:50 | |
We're going to be late. It starts in half an hour. | 0:05:58 | 0:06:00 | |
It's not like my family can form a worse impression of me. | 0:06:00 | 0:06:03 | |
You are all right, aren't you? I mean, about going to this? | 0:06:04 | 0:06:07 | |
Yeah, fine, I liked your aunt. I'm happy to pay my respects. | 0:06:07 | 0:06:11 | |
-Nice outfit. -What, this? I just drag it out of the cupboard for funerals and interviews. | 0:06:12 | 0:06:17 | |
I see you dressed for the occasion. | 0:06:17 | 0:06:20 | |
Well, I was going to wear the twinset and pearls but I thought better of it. | 0:06:20 | 0:06:24 | |
Excuse me. Could you tell me where I could find the production manager, Mark Simons? | 0:06:34 | 0:06:39 | |
Just down there. Short, stocky guy. | 0:06:39 | 0:06:41 | |
Fuck him! No, seriously, fuck him! | 0:06:45 | 0:06:48 | |
He should be paying me for staring at his great big fat fucking face! | 0:06:50 | 0:06:53 | |
Well, he can fuck off, then! | 0:06:53 | 0:06:56 | |
-Tell him from me, Mark said fuck off! -Hi. | 0:06:56 | 0:06:59 | |
-Hang on, Jerry. -I'm Tess Roberts. Lou Foster mentioned me about the runner's job. | 0:06:59 | 0:07:05 | |
-Yeah, I remember. The actress. -That's what I've been doing but... -Can you make tea? -Yeah. | 0:07:05 | 0:07:10 | |
-Can you start today? I've had two idiots bail on me. -Yeah. -Great. See the production secretary. | 0:07:10 | 0:07:15 | |
Then find Jamie, the other runner. He'll show you the ropes. | 0:07:15 | 0:07:18 | |
Oh, and when you find that no-good son of mine, if he's listening to his iPod and reading magazines, | 0:07:18 | 0:07:23 | |
tell the lazy little shit to do some fucking work! | 0:07:23 | 0:07:26 | |
Sorry, Jerry. | 0:07:26 | 0:07:28 | |
Mostly people just ask you to get shit, like drinks and stuff. | 0:07:28 | 0:07:33 | |
But they always want it yesterday, cos it's live television | 0:07:33 | 0:07:36 | |
so they're always freaking out. | 0:07:36 | 0:07:38 | |
Ah, and you have to wear this. | 0:07:39 | 0:07:43 | |
So they know you're a runner. | 0:07:43 | 0:07:46 | |
May we who mourn be reunited one day with Carol. | 0:07:48 | 0:07:52 | |
Together, may we meet Jesus Christ when he who is our life... | 0:07:52 | 0:07:57 | |
You don't have to do this. | 0:07:57 | 0:07:59 | |
We read in the sacred scripture... | 0:07:59 | 0:08:01 | |
No, sod it. I'm here now. | 0:08:01 | 0:08:04 | |
..says the Lord, | 0:08:04 | 0:08:06 | |
inherit the kingdom prepared for you since the foundation of the world | 0:08:06 | 0:08:11 | |
in sure and certain hope of the resurrection to eternal life through our Lord, Jesus Christ. | 0:08:11 | 0:08:17 | |
We commend to almighty God our sister, Carol, | 0:08:17 | 0:08:21 | |
and we commit her body to the ground, its resting place. | 0:08:21 | 0:08:24 | |
Earth to earth. Ashes to ashes. | 0:08:24 | 0:08:27 | |
Dust to dust. | 0:08:27 | 0:08:29 | |
The Lord bless her and keep her. | 0:08:31 | 0:08:34 | |
The Lord make his face to shine upon her | 0:08:34 | 0:08:37 | |
-and be gracious to her. -Wait here. | 0:08:37 | 0:08:40 | |
-Frankie! -The Lord lift up his countenance upon her and give her peace. | 0:08:40 | 0:08:43 | |
-Can I have that, please? -No. | 0:08:43 | 0:08:46 | |
Forget it! | 0:08:49 | 0:08:51 | |
LOW CHATTER | 0:09:15 | 0:09:18 | |
They always look like that. | 0:09:44 | 0:09:46 | |
-Brassy and vacuous. Bet he had that one on the go while she was dying. -What does she see in him? | 0:09:46 | 0:09:51 | |
He can be quite charming when you first meet him. Takes a while to realise he's a piece of work. | 0:09:51 | 0:09:57 | |
Hi, Frankie. Cat. Thought it was you. | 0:09:57 | 0:10:00 | |
-How are you? -I'm fine, thanks. I'm sorry about your mum. | 0:10:00 | 0:10:04 | |
She was always lovely to me. | 0:10:04 | 0:10:06 | |
Thanks. I thought it might be easier cos we knew she was ill for a long time before she died, | 0:10:06 | 0:10:11 | |
-but it doesn't really make any difference. -How long? | 0:10:11 | 0:10:14 | |
-How long was she ill for, Karen? -We didn't know where you were. | 0:10:15 | 0:10:19 | |
Found me when you wanted to, though, didn't you? Did he tell you not to contact me? | 0:10:19 | 0:10:23 | |
Frankie, don't. He's not like he is with you with me. We get on. | 0:10:23 | 0:10:27 | |
Yeah, I noticed. You haven't been written out of history like I have. | 0:10:27 | 0:10:30 | |
-I would've put pictures of you up, but we don't have them. -He got rid of them? | 0:10:30 | 0:10:34 | |
No. She did. The album she made of you as a kid, it's gone. | 0:10:34 | 0:10:40 | |
She told the lawyer handling the will to send it to someone. | 0:10:40 | 0:10:43 | |
-Who the hell would want my photos? -I don't know. | 0:10:45 | 0:10:48 | |
-Does he know where they are? -No. I asked him and he doesn't. | 0:10:48 | 0:10:52 | |
Look, I really need to go and say hello to people. | 0:10:53 | 0:10:58 | |
See you later. OK? | 0:10:58 | 0:11:01 | |
MUFFLED VOICES | 0:11:06 | 0:11:09 | |
-No, this girl was saying... -Hi. | 0:11:16 | 0:11:19 | |
-Oh! Hi. -They said you wanted a coffee. | 0:11:19 | 0:11:22 | |
Thanks. I, er, didn't think they'd get you started so soon. | 0:11:22 | 0:11:26 | |
Well, Mark was stressed about losing the other runner, so... | 0:11:26 | 0:11:30 | |
Mark's generally stressed about something. | 0:11:30 | 0:11:33 | |
Sorry, erm, Tom, this is Tess. | 0:11:34 | 0:11:37 | |
-Hi. -Tess is an old school friend and an actress. She's going to be doing a bit of running for the show | 0:11:37 | 0:11:42 | |
-while she's resting. -Old school chums, eh? So, what was Lou like at school? | 0:11:42 | 0:11:47 | |
-I bet she was a bit of a heartbreaker. -Don't be silly, Tom, I was no such thing. | 0:11:47 | 0:11:51 | |
-Come on! -Tom, don't you have to get to makeup? We're on in an hour. -Yes. | 0:11:51 | 0:11:54 | |
I'll leave you two to reminisce about the good old days. Nice to meet you, Tess. | 0:11:54 | 0:11:58 | |
I'll, er, see you later, alligator. | 0:11:58 | 0:12:03 | |
You two seem to get on well. | 0:12:06 | 0:12:08 | |
Oh, you're not jealous of Tom, are you? | 0:12:08 | 0:12:11 | |
He's sweet, but he looks like a potato. | 0:12:11 | 0:12:13 | |
-I couldn't blame him if he did fancy you. -Tess! What are you doing? | 0:12:13 | 0:12:17 | |
-Sorry. The door was shut, I thought... -You thought wrong! | 0:12:17 | 0:12:20 | |
-If someone came in, it'd be all over the studio in two minutes! -I'm sorry. I won't do it again. | 0:12:20 | 0:12:25 | |
I guess I'll see you later. | 0:12:28 | 0:12:30 | |
-Erm, is it all right if I leave my bag here? -Yeah, it's fine. | 0:12:30 | 0:12:34 | |
LOW CHATTER | 0:12:39 | 0:12:42 | |
Look at him. Doing the nice guy routine. | 0:12:46 | 0:12:49 | |
-Can't believe he didn't want me to know my aunt was ill. -I'll get you a glass. -I'm fine with this. | 0:12:49 | 0:12:55 | |
What? I won't be getting any inheritance. Might as well cash in. | 0:12:59 | 0:13:03 | |
-I think we should go now. -You know, you are looking really good in that. | 0:13:03 | 0:13:09 | |
What are you doing? | 0:13:09 | 0:13:12 | |
Remember when we got these? | 0:13:12 | 0:13:14 | |
I never thought you'd go through with it. | 0:13:14 | 0:13:16 | |
-Frankie, stop. -Come on, we're making their day. | 0:13:19 | 0:13:23 | |
I said stop! | 0:13:23 | 0:13:25 | |
Outside! Now! | 0:13:26 | 0:13:29 | |
What is wrong with you? | 0:13:32 | 0:13:35 | |
-We didn't bring you up to be like this! -You did not bring me up at all! | 0:13:35 | 0:13:38 | |
I don't know why you bothered to come. She didn't love you, you know? Not like her own kid. | 0:13:38 | 0:13:44 | |
Even as a little girl, it was obvious you were damaged goods. | 0:13:45 | 0:13:49 | |
Fuck you! | 0:13:50 | 0:13:52 | |
Yep. No worries. I'm on it. Right, OK, the celebrity booker needs a latte | 0:13:58 | 0:14:03 | |
and a special macchiato and a decaf frappe cappuccino for her guests. | 0:14:03 | 0:14:07 | |
Oh, and Bob the cameraman wants a skinny cinnamon latte. | 0:14:07 | 0:14:10 | |
Right, I've got to get back, they probably need me on the floor. | 0:14:10 | 0:14:14 | |
Oh, shit. What was... | 0:14:19 | 0:14:22 | |
Excuse me, do you know where I'll find Bob the cameraman? | 0:14:29 | 0:14:32 | |
Over there, doll. He's the good-looking bastard with the blond hair. | 0:14:32 | 0:14:36 | |
-Can't miss him. -OK. Thanks. | 0:14:36 | 0:14:38 | |
Excuse me. Coming through. | 0:14:41 | 0:14:44 | |
-So, how are things going with your girlfriend? -Which one? | 0:14:44 | 0:14:48 | |
-THEY LAUGH -Coming through. | 0:14:48 | 0:14:51 | |
-He said he was coming through. She didn't get out of the way. -Jesus. | 0:14:56 | 0:14:59 | |
Jesus! What the fuck are you doing? | 0:14:59 | 0:15:02 | |
I was just trying to get Bob's coffee order. | 0:15:02 | 0:15:04 | |
Coffee? Do you know how much this is worth? | 0:15:04 | 0:15:07 | |
Thanks to you, I have to do a wedding cake feature without a cake! | 0:15:07 | 0:15:11 | |
Erm, I think the bottom tier's OK, actually. | 0:15:11 | 0:15:14 | |
Are you OK? | 0:15:35 | 0:15:37 | |
I went to live with him when I was three, I'm used to it. | 0:15:37 | 0:15:40 | |
That's doesn't make it all right. | 0:15:40 | 0:15:42 | |
He's hiding something from me, I know he is. | 0:15:44 | 0:15:46 | |
-Don't let him get to you. That's what he wants. -What do you know? | 0:15:47 | 0:15:52 | |
I know what difficult families are like. | 0:15:52 | 0:15:54 | |
Oh, really? What did yours do? Cheat at Monopoly? Or send you to ballet classes? | 0:15:54 | 0:15:59 | |
I know you're upset. | 0:16:02 | 0:16:04 | |
I came here because I want to help and taking things out on me isn't going to make it better. | 0:16:04 | 0:16:09 | |
You're all so fucking reasonable, aren't you? What makes you think you're qualified to help anyone? | 0:16:09 | 0:16:15 | |
Do you know how much I missed you? | 0:16:20 | 0:16:23 | |
Now I wonder why I bothered. | 0:16:25 | 0:16:28 | |
-SHE LOCKS THE DOOR -Are you OK? | 0:16:46 | 0:16:49 | |
-Erm, I just came to get my bag. -You don't want to take any notice of what Mark says. | 0:16:49 | 0:16:53 | |
-He's like that with everyone. -Yeah. | 0:16:53 | 0:16:55 | |
Come here. | 0:16:55 | 0:16:57 | |
-Come on. -Oh, so this is OK now, is it? | 0:16:57 | 0:17:01 | |
It isn't just about me, it's about you, too. | 0:17:01 | 0:17:04 | |
If the tabloids got hold of this, you'd be miserable, too. Come on, don't be angry. I'm sorry. | 0:17:04 | 0:17:10 | |
How about... you come over to mine tonight | 0:17:10 | 0:17:14 | |
and...I can make it up to you. | 0:17:14 | 0:17:17 | |
Actually, I was thinking maybe you come to mine, have dinner with Ed and Cat. They'd love to meet you. | 0:17:17 | 0:17:24 | |
-Yeah, right, why not? -Amazing. | 0:17:24 | 0:17:28 | |
Hi, Tess. Not great. | 0:17:32 | 0:17:35 | |
Bloody Frankie, that's what. I'd forgotten how totally impossible she is. | 0:17:35 | 0:17:39 | |
I'll tell you about it later. | 0:17:39 | 0:17:41 | |
Lou? Tonight? | 0:17:42 | 0:17:44 | |
No, no, that's fine. OK, I'll see you then. Bye. | 0:17:46 | 0:17:49 | |
Hey! Hey! Hey, give it back! | 0:17:55 | 0:17:57 | |
Give me...it back! Give me my phone! | 0:17:58 | 0:18:02 | |
-Hey! -Stop hitting me! Argh! Stop hitting me! | 0:18:02 | 0:18:06 | |
This is bloody ridiculous! I'm the victim here! You can't genuinely be taking him seriously. | 0:18:06 | 0:18:11 | |
-The situation is this. Because he's saying you assaulted him... -Assault? | 0:18:17 | 0:18:21 | |
I was trying to retrieve my mobile which he stole from me! | 0:18:21 | 0:18:25 | |
Is everything all right here? | 0:18:25 | 0:18:27 | |
We brought in a Peter McGuigan, sarge. He's alleging this lady assaulted him. | 0:18:27 | 0:18:31 | |
-She says she only hit him after he stole... -There's no "she said" about it. He did steal my mobile. | 0:18:31 | 0:18:36 | |
-Why don't you two go and talk to Peter and I'll deal with this. -Whatever you say, sarge. | 0:18:36 | 0:18:41 | |
-Are you OK? -Oh, yeah. I love it when I'm the victim of a crime and then I get interrogated. | 0:18:46 | 0:18:51 | |
They didn't rough you up, did they? You know what the police are like. | 0:18:51 | 0:18:54 | |
Oh, you've come to gloat. It's not enough that some little shit steals from me, now you're laughing at me. | 0:18:54 | 0:19:00 | |
-Thought you might need my help. I can go... -You have a habit of walking out. | 0:19:00 | 0:19:04 | |
-Only when people imply I'm a thug on the very first date. -Look, for what it's worth, | 0:19:04 | 0:19:08 | |
I'd had a shit day, and I really liked you, so I got nervous and I messed things up. It's not a crime! | 0:19:08 | 0:19:14 | |
Just for the record, I don't usually behave like a freak! | 0:19:14 | 0:19:17 | |
-Apart from beating up minors? -He stole my mobile! | 0:19:17 | 0:19:20 | |
Look, I know the boy. He's always on the rob, and mobiles are his speciality. | 0:19:22 | 0:19:29 | |
With his record, he isn't going to get very far with this assault story. | 0:19:29 | 0:19:34 | |
Oh, so I'm not going to be charged with anything? | 0:19:34 | 0:19:36 | |
Not unless you've got a history of violence. | 0:19:37 | 0:19:40 | |
My officers will just need to take a statement and then you're out of here. | 0:19:41 | 0:19:46 | |
Thanks for looking out for me. You don't have to do that. | 0:19:46 | 0:19:49 | |
Sorry about having a go earlier. I was a nightmare date. | 0:19:49 | 0:19:53 | |
And it isn't a crime not to fancy someone. | 0:19:53 | 0:19:56 | |
I never said I didn't fancy you. | 0:19:56 | 0:19:58 | |
How about another date tomorrow? | 0:19:59 | 0:20:01 | |
Wine's in the fridge, trifle's in the fridge, lasagne's ready in ten minutes. | 0:20:02 | 0:20:07 | |
Shit. I need to put the nuts on the trifle. Where are the nuts? | 0:20:07 | 0:20:11 | |
-Don't tell me I left my shopping in the supermarket again. -That's a disaster. | 0:20:12 | 0:20:17 | |
If my girlfriend served me trifle with no nuts, ooh, that would be it. | 0:20:17 | 0:20:21 | |
Don't take the piss, I want it to be nice. | 0:20:21 | 0:20:24 | |
And don't call her my girlfriend. We're not at that stage. Damn it, where are they? | 0:20:24 | 0:20:28 | |
I love you, you're a genius. | 0:20:30 | 0:20:32 | |
-If you grumble about the mess, I'm going to call the police. -Ha-ha. | 0:20:34 | 0:20:39 | |
So what was the argument with your uncle about? | 0:20:42 | 0:20:45 | |
I think we can safely say I'm a disappointment to him. | 0:20:45 | 0:20:48 | |
Which is good, because if he approved of me, I'd be really worried. | 0:20:48 | 0:20:53 | |
How did it go with Cat? | 0:20:55 | 0:20:57 | |
-Shit. -Is that all I get? Shit? | 0:20:58 | 0:21:01 | |
What is this, on the coach with Jay Adams? | 0:21:01 | 0:21:05 | |
I'm bored of me. Tell me about you. How's the gripping world of architecture? | 0:21:05 | 0:21:10 | |
Great, yeah. I skived off this afternoon, went shopping. | 0:21:10 | 0:21:15 | |
Yeah, I can see you in these. | 0:21:20 | 0:21:22 | |
-It's a different look, but definitely good. -Yes, yes. They're for Becky. | 0:21:22 | 0:21:26 | |
It's our two-year anniversary tomorrow. | 0:21:26 | 0:21:29 | |
-32C? -Mm-hm. -Nice. | 0:21:30 | 0:21:34 | |
Well, these are obviously her present for you. Did you get her anything? | 0:21:34 | 0:21:38 | |
-Jesus! I've never known you buy a woman a hamburger before! -Becky's different. | 0:21:46 | 0:21:50 | |
Look at Jay, gone all romantic. | 0:21:50 | 0:21:53 | |
We should get you an Enrique Iglesias album. | 0:21:53 | 0:21:57 | |
Yeah, yeah, piss off. | 0:21:57 | 0:21:59 | |
Seriously, though, how come Becky's the one? | 0:21:59 | 0:22:03 | |
I don't know. She doesn't let me get away with any crap, for a start. | 0:22:03 | 0:22:08 | |
She can drink me under the table. She's smart. | 0:22:08 | 0:22:12 | |
I don't know. I'm just in love with her. You can't explain that, can you? | 0:22:13 | 0:22:17 | |
Go on, then, slay me. I know you want to. | 0:22:18 | 0:22:20 | |
No, I get it. | 0:22:20 | 0:22:22 | |
-So is this it, then? Marriage, kids, mortgage, all that? -Yeah. | 0:22:26 | 0:22:33 | |
Yeah, I guess it is. | 0:22:33 | 0:22:35 | |
Listen, I'm 30, right? I can't shag around forever. | 0:22:35 | 0:22:40 | |
-Ed, fingers! -You realise you sound exactly like mum? | 0:22:44 | 0:22:49 | |
-We do have a real life celebrity coming. She doesn't want your dirty mess on her food. -I'm not dirty. | 0:22:49 | 0:22:54 | |
-I haven't even pleasured myself today. -Way, way too much information. | 0:22:54 | 0:22:58 | |
Well, I think we're going to way too much trouble for someone who won't even admit she's seeing Tess. | 0:22:58 | 0:23:03 | |
Oh! You're total heroes! | 0:23:03 | 0:23:07 | |
-How do I look? -Gorgeous. -Great. | 0:23:07 | 0:23:10 | |
Right, er, she's late. I'm going to put the lasagne on the table | 0:23:10 | 0:23:14 | |
-and then we can eat once she gets here. -MOBILE PHONE RINGS | 0:23:14 | 0:23:18 | |
She probably can't find the flat. | 0:23:18 | 0:23:20 | |
Hi! Are you lost? | 0:23:21 | 0:23:24 | |
Oh, right. Right, OK. Erm... | 0:23:25 | 0:23:30 | |
Well, if you're sure... | 0:23:31 | 0:23:33 | |
Yeah. | 0:23:34 | 0:23:36 | |
Yeah, OK, I'll see you tomorrow. | 0:23:36 | 0:23:39 | |
OK, bye. | 0:23:39 | 0:23:41 | |
Erm... | 0:23:42 | 0:23:44 | |
She's not coming. | 0:23:45 | 0:23:47 | |
-You're kidding? -No, she said she's exhausted. | 0:23:47 | 0:23:51 | |
Oh, come on. Too exhausted to eat a bit of dinner? That's totally lame. | 0:23:51 | 0:23:54 | |
Yeah, erm... Maybe I pushed her too hard, I don't know. | 0:23:54 | 0:23:58 | |
-Don't do that. That's what I did with Frankie, blamed myself for her crap behaviour. -Lou isn't Frankie. | 0:23:58 | 0:24:03 | |
-Yeah, but... -Just leave it, OK? | 0:24:03 | 0:24:05 | |
DOOR SLAMS | 0:24:08 | 0:24:10 | |
Karen, hi, it's Frankie. Yeah, I'm all right. I was wondering if you could remember the name | 0:24:26 | 0:24:31 | |
of the lawyer that's dealing with Auntie's will. Yeah. | 0:24:31 | 0:24:34 | |
-If the cop rings and you miss her call, she will leave a message. -But you think she will ring? | 0:24:47 | 0:24:52 | |
-Not at eight in the morning. Not unless she's a stalker. -I just want things to be easy this time. | 0:24:52 | 0:24:57 | |
Come on, what do you reckon? Afternoon? Just before she wants to meet? | 0:24:57 | 0:25:02 | |
-I really don't know, Cat. -Sorry. Are you OK? -Yeah, great! | 0:25:02 | 0:25:06 | |
My bright idea to mix business with pleasure is really working out. | 0:25:06 | 0:25:10 | |
-You going to talk to her about last night? -I don't know what I'm going to do | 0:25:10 | 0:25:16 | |
and I'm really not in the mood for a lecture. | 0:25:16 | 0:25:18 | |
Where's my mobile? | 0:25:30 | 0:25:32 | |
WASHING MACHINE CLUNKS | 0:25:32 | 0:25:35 | |
Erm... | 0:25:40 | 0:25:42 | |
KNOCK AT DOOR | 0:25:42 | 0:25:44 | |
Look, I'm sorry about last night. | 0:25:47 | 0:25:49 | |
But I told you where I'm at right now and if you can't handle it, | 0:25:49 | 0:25:53 | |
-there's nothing I can do about it. -It just would've been nice to have a bit of notice, that's all. -Sorry. | 0:25:53 | 0:25:59 | |
I just didn't realise how I felt until I got home and I was just so tired, I needed an early night. | 0:25:59 | 0:26:05 | |
-Thinking of starting a family? -What? Oh, no. | 0:26:10 | 0:26:14 | |
We're interviewing the author this afternoon. She's some bloody boring child psychologist. | 0:26:14 | 0:26:20 | |
Oh, I'm surprised to see you in one piece this morning. Bob drank so much he's called in sick. | 0:26:22 | 0:26:29 | |
-You could always dial 999. -Ha-ha. | 0:26:45 | 0:26:48 | |
-Can I borrow your mobile? -I swear, the devil sends these interns here to distract me. | 0:26:52 | 0:26:57 | |
No, they're sent here to learn, and I hired her so no leading her astray. | 0:26:57 | 0:27:01 | |
-You spoil all my fun. -Mobile! | 0:27:01 | 0:27:04 | |
Send the cop my love. | 0:27:06 | 0:27:08 | |
-So, how can I help you? -Apparently, my aunt asked you to send someone a photo album after she died. | 0:27:10 | 0:27:16 | |
-Yes, I remember. -They sent me to fix the problem with the windows. | 0:27:16 | 0:27:20 | |
I'm with a client. I'll be out of the office later, you can do it then. | 0:27:20 | 0:27:24 | |
-Sorry, you were saying. -The photo album. I want to know who she sent it to. | 0:27:25 | 0:27:29 | |
Your aunt was very explicit about not passing that information on. | 0:27:31 | 0:27:35 | |
But I'm her niece. She brought me up. | 0:27:35 | 0:27:38 | |
-It's my childhood photo album. -That doesn't make any difference. | 0:27:38 | 0:27:42 | |
-She was my client and I'm legally obliged to respect her wishes. -You're joking, right? -I'm afraid not. | 0:27:42 | 0:27:47 | |
I can find someone to help you contest the will if you like. | 0:27:47 | 0:27:51 | |
-But that can be a lengthy procedure. -And some rich twat lines their pockets? | 0:27:51 | 0:27:55 | |
Piss off. I'll find out some other way. | 0:27:55 | 0:27:59 | |
-Haven't you rung yet? -I'm going to look like an idiot! | 0:28:09 | 0:28:12 | |
-Yesterday my mobile was stolen, today it's in the wash. -Give me that. | 0:28:12 | 0:28:16 | |
-Wha... What are you doing? Jay! -I need my phone back. | 0:28:16 | 0:28:19 | |
-You're going to be in here all day. -No, no, no! -Hi. Hi. | 0:28:19 | 0:28:23 | |
-Can I speak to Detective Sergeant Murray, please? -Oh, God. | 0:28:23 | 0:28:26 | |
Thanks. | 0:28:27 | 0:28:29 | |
Hello? | 0:28:32 | 0:28:34 | |
Hi. It's Cat. | 0:28:35 | 0:28:37 | |
That's you, mate. | 0:28:43 | 0:28:46 | |
Hey. I want you to do me a favour. | 0:28:49 | 0:28:52 | |
Well, I don't even know you. | 0:28:52 | 0:28:54 | |
Well, I'd be very...very grateful. | 0:28:54 | 0:29:00 | |
I need a name and address. | 0:29:00 | 0:29:02 | |
Why do I always end up with women who treat me like shit? | 0:29:02 | 0:29:06 | |
Well, I'm not going to stand for it this time. | 0:29:08 | 0:29:12 | |
-Oh, I've got to go. Bye. Sorry, I was... -Getting paid to chat to your mates, I can see that. | 0:29:12 | 0:29:16 | |
Look, the celebrity booker's sick. We need someone to get out to the airport and pick up Marie Chambers. | 0:29:16 | 0:29:22 | |
Her flight's delayed, so get a taxi ASAP and get her back here fast. | 0:29:22 | 0:29:25 | |
And no mistakes this time! Another fiasco like yesterday and you're out of a job. | 0:29:25 | 0:29:31 | |
Erm... | 0:29:32 | 0:29:34 | |
PHONE RINGS | 0:29:42 | 0:29:45 | |
"Hi, this is Cat. Leave me a message." | 0:29:45 | 0:29:48 | |
-Name's Annie Cawthorne. That's an address. -Great. Thank you. | 0:29:59 | 0:30:04 | |
It's a pretty rough estate on the Southside. | 0:30:04 | 0:30:07 | |
-So what's this all about, anyway? -Oh, just some boring family stuff. | 0:30:07 | 0:30:10 | |
-You wouldn't be interested. -I might be. | 0:30:10 | 0:30:13 | |
Why don't you, er, tell me about it over a pint? | 0:30:13 | 0:30:15 | |
Sorry, can't. Places to go, people to see. | 0:30:15 | 0:30:19 | |
-But I thought you said that we were going... -I said that I'd be very grateful. And I am. So thank you. | 0:30:19 | 0:30:26 | |
-Bitch. -Tell me something I don't know. | 0:30:26 | 0:30:29 | |
I just really want it to go well this time. I'm hopeless at flirting. | 0:30:34 | 0:30:38 | |
I get nervous and then I get too heavy. | 0:30:38 | 0:30:41 | |
-Please, come on, Jay, you're great at this stuff. -OK! OK. | 0:30:41 | 0:30:45 | |
Why not try asking her what's the most interesting thing she's ever done with her truncheon. | 0:30:45 | 0:30:51 | |
-Jay, I am serious. -All right, I'm being serious now. General knowledge. | 0:30:51 | 0:30:57 | |
-What's the capital of Australia? -I hate you. I really hate you. -It's interesting! | 0:30:57 | 0:31:01 | |
Most people think it's Sydney. But it's not. | 0:31:01 | 0:31:05 | |
Marie... | 0:31:21 | 0:31:23 | |
Erm... | 0:31:37 | 0:31:39 | |
Excuse me. Are you... Are you Marie Chambers? | 0:31:40 | 0:31:44 | |
-Marie Chambers? -Yes. I heard you the first time. -Sorry. -I'm not bloody deaf. | 0:31:47 | 0:31:53 | |
Ooh! Erm, are you OK? Are you OK? I'll just... | 0:31:55 | 0:32:00 | |
It's just this way. Just... | 0:32:03 | 0:32:05 | |
Oh! Wobbly lino. Somebody should do something about that. | 0:32:05 | 0:32:10 | |
DISTANT SIREN | 0:32:14 | 0:32:17 | |
SHE KNOCKS ON DOOR | 0:32:55 | 0:32:57 | |
Hello? | 0:33:00 | 0:33:02 | |
Hello? | 0:33:04 | 0:33:06 | |
No, wait! | 0:33:47 | 0:33:49 | |
Wait! I just want to talk to you! | 0:34:03 | 0:34:06 | |
Hi, Mark, it's Tess again. Listen, I think.... | 0:34:29 | 0:34:32 | |
Don't think! Just get her the fuck over here! We go live in 20 minutes! | 0:34:32 | 0:34:35 | |
"Hi, this is Cat. Leave me a message." | 0:34:53 | 0:34:55 | |
We're really late and you're on the air in, like, ten minutes. | 0:35:00 | 0:35:04 | |
Why don't you take a seat here? | 0:35:09 | 0:35:12 | |
And...erm... I'll go and see about the drink. | 0:35:13 | 0:35:20 | |
Marie? Erm...Dr Chambers? | 0:35:28 | 0:35:32 | |
-Shit. You are really late. -SHE SNORES | 0:35:33 | 0:35:37 | |
-What's up with her? -She's drunk! She can't go on. | 0:35:37 | 0:35:40 | |
-Shit. Shit, shit, shit, shit, shit. -"Two minute call for Marie Chambers." | 0:35:40 | 0:35:44 | |
-What are we going to do? -You do it. | 0:35:44 | 0:35:47 | |
-What? -You're an actress. You do it. | 0:35:47 | 0:35:50 | |
It's only daytime telly. I was an ASBO teen on a difficult neighbours feature. It was fine! | 0:35:50 | 0:35:55 | |
Just...make some shit up. Or do you want to get the sack? | 0:35:55 | 0:35:59 | |
-Cos you so will. -SHE SNORES | 0:35:59 | 0:36:01 | |
If they go live without a guest, Lou will fall apart. | 0:36:01 | 0:36:05 | |
"Marie Chambers due on set." | 0:36:05 | 0:36:07 | |
-Have you actually read this? -Aye. Shite. | 0:36:11 | 0:36:14 | |
"VT due to end in ten, nine, eight, | 0:36:14 | 0:36:18 | |
"seven, six, five, | 0:36:18 | 0:36:22 | |
"four, three..." | 0:36:22 | 0:36:24 | |
-"OK, and Marie's all set. Let's go to introductions." -Today's phone-in feature | 0:36:24 | 0:36:29 | |
is with Marie Chambers, the award-winning author of The Crucial Years - Your Child From 0 To 7. | 0:36:29 | 0:36:35 | |
I'm sure you're all dying to meet her. Come on in, Marie. | 0:36:35 | 0:36:38 | |
Marie's drunk. Trust me, I'll get you through. | 0:36:41 | 0:36:46 | |
Well, Marie, it's a pleasure to finally meet you. | 0:36:47 | 0:36:50 | |
Tom and I are huge fans of your work and we're delighted you're here today. | 0:36:50 | 0:36:54 | |
-Thank you. I'm delighted to be here. -"OK, Lou, we're running late, let's go to phone-in." | 0:36:54 | 0:36:58 | |
Right, I know loads of our viewers will want to talk to you. Shall we see who has the first question? | 0:36:58 | 0:37:04 | |
-We have Lyn from Balmedie on line one. -Hi, Lyn. | 0:37:04 | 0:37:09 | |
-Hi, Lyn. -Hi, Lyn. -"Hi, Marie. My little boy is four months old | 0:37:09 | 0:37:13 | |
"but he still cries continuously through the night. | 0:37:13 | 0:37:16 | |
-"I was wondering what you'd suggest. We're getting desperate." -Well... | 0:37:16 | 0:37:21 | |
I can imagine if someone kept me up all night, I'd be pretty desperate, too. | 0:37:22 | 0:37:28 | |
Unless they were hot, obviously. I mean a hot adult, not a baby. | 0:37:28 | 0:37:33 | |
Anyway, erm, what I would suggest is reading to him. | 0:37:33 | 0:37:39 | |
That should settle him. Has he heard Watership Down? | 0:37:39 | 0:37:43 | |
-"He's four months old." -Yeah, well, advanced literature can be extremely stimulating to the young mind. | 0:37:43 | 0:37:50 | |
It's like people in comas, isn't it? They don't seem... like they're listening... | 0:37:50 | 0:37:56 | |
..but they are. | 0:37:57 | 0:37:59 | |
Anyway, thank you, Lyn. We've now got Joanne from Stromeferry. | 0:38:00 | 0:38:04 | |
-Hi, Joanne. -"Hi, Marie. My son, Johnny, is seven and he's constantly acting out. | 0:38:04 | 0:38:10 | |
-"We've tried to give him reassurance but he's not getting any better." -Well, it sounds like Johnny's | 0:38:10 | 0:38:15 | |
a bit of a handful. Some kids are just brats, aren't they, and there's not much you can do about it, | 0:38:15 | 0:38:21 | |
except maybe, er, boarding school. That would... Or a really scary nanny. | 0:38:21 | 0:38:28 | |
"OK, wrap it up! She's not Marie Chambers! Run the bloody makeup feature!" | 0:38:28 | 0:38:31 | |
Well, thank you, Marie. That was enlightening, but I'm afraid it's all we've got time for. | 0:38:31 | 0:38:36 | |
Now let's take a wee look at how Julianne got on with her makeover from earlier on. | 0:38:36 | 0:38:42 | |
Have you lost your mind?! What the fuck were you thinking?! | 0:38:43 | 0:38:46 | |
-Marie was drunk. I tried to tell you. -Not bloody hard enough, obviously! | 0:38:46 | 0:38:52 | |
Jesus! Where did you come from?! | 0:38:52 | 0:38:55 | |
You're an imbecile. Get out. You're sacked! | 0:38:55 | 0:38:59 | |
I never want to see your face again! | 0:38:59 | 0:39:02 | |
-Hey. -Hey. -Someone's looking sharp. | 0:39:11 | 0:39:14 | |
Don't I always? I'm picking Becky up from work. It's our anniversary dinner and I am late. | 0:39:14 | 0:39:19 | |
-Help yourself to anything you want. -Actually, I want Cat's new address. | 0:39:19 | 0:39:23 | |
-I was going to ask her about something. -It's 92 McClure Street, but it's not the best night. | 0:39:23 | 0:39:28 | |
-She's on another date with that cop. -Whatever. It can wait. -Laters. | 0:39:28 | 0:39:33 | |
Hey. I, er, heard about what happened with Mark. I'm really sorry. | 0:39:46 | 0:39:50 | |
Sod it, I don't care about this stupid job. It was never going anywhere. | 0:39:50 | 0:39:54 | |
What I am upset about is you lying to me. | 0:39:54 | 0:39:58 | |
Well, hang on a second, I was tired but then... | 0:39:58 | 0:40:00 | |
So you thought you'd blow me out and make me look like a fool in front of all my friends? | 0:40:00 | 0:40:05 | |
It's one thing you saying I'm your school chum, it's a whole other thing you bullshitting me. | 0:40:05 | 0:40:09 | |
And by the way, I don't give a shit about what the tabloids say. | 0:40:09 | 0:40:13 | |
It's you who's the coward here, because that's what it comes down to, you're a complete coward. | 0:40:13 | 0:40:19 | |
LOU SOBS | 0:40:19 | 0:40:21 | |
Come on, don't cry. | 0:40:23 | 0:40:26 | |
No, you're right. I am a coward. | 0:40:26 | 0:40:30 | |
Look, I was going to come last night, I really was. I got ready and then I just bottled it. | 0:40:31 | 0:40:38 | |
I felt terrible, and that's why I went for a drink. | 0:40:38 | 0:40:42 | |
But if you're fed up with me, I'd understand. | 0:40:45 | 0:40:49 | |
I never said that. | 0:40:49 | 0:40:51 | |
It's OK. | 0:40:53 | 0:40:55 | |
-It's not like I'm perfect. -SHE LAUGHS -No, but you're very funny. | 0:40:57 | 0:41:01 | |
-It wasn't funny, it was lunatic. -Well, you were a damn sight more interesting than she would've been. | 0:41:01 | 0:41:07 | |
Erm... | 0:41:07 | 0:41:09 | |
Look, Tess... | 0:41:09 | 0:41:13 | |
-..I do really like you, you know? -I really like you, too. | 0:41:15 | 0:41:19 | |
-KNOCK AT DOOR -Lou! | 0:41:33 | 0:41:36 | |
THEY LAUGH | 0:41:36 | 0:41:39 | |
-Lou, are you there? -Shit! | 0:41:39 | 0:41:41 | |
-Want to come back to mine? -Sure. | 0:41:41 | 0:41:44 | |
DOOR BUZZER | 0:42:05 | 0:42:07 | |
Can I come in? | 0:42:18 | 0:42:20 | |
-I tried to call. -Oh. Tess put my mobile in the washing machine. | 0:42:26 | 0:42:32 | |
SHE LAUGHS | 0:42:32 | 0:42:33 | |
Er, I'm here because I wanted to ask you something. | 0:42:40 | 0:42:43 | |
-Do you remember my auntie ever talking about an Annie Cawthorne? -Don't think so. Why? | 0:42:43 | 0:42:48 | |
It's a bit of a long story. Do you want to go for a drink? I owe you a pint after yesterday. | 0:42:48 | 0:42:52 | |
-Sorry, I can't, I'm going out. -Oh, come on! | 0:42:52 | 0:42:55 | |
-I'm not being funny, but you're not seriously interested in a cop, are you? -So you know I'm going on a date. | 0:42:55 | 0:43:02 | |
-But you thought you'd just turn up anyway. -Like I said, I needed to ask you something. | 0:43:02 | 0:43:07 | |
I can't believe you. Shame you weren't ever this interested when you had my full attention. | 0:43:07 | 0:43:11 | |
Yeah, I should go. I'll fill you in another time. | 0:43:13 | 0:43:16 | |
Wait. Seeing as you're here, there's something I want to ask you. | 0:43:16 | 0:43:20 | |
Why did you do it, Frankie? Why did you get me to leave my girlfriend and then piss off to the States? | 0:43:20 | 0:43:25 | |
-I told you, I wasn't ready. -Yeah, I remember. | 0:43:25 | 0:43:28 | |
Only you persuaded me, you pursued me. | 0:43:28 | 0:43:31 | |
So "I wasn't ready" doesn't really make sense. | 0:43:32 | 0:43:34 | |
-You weren't going to stay with her anyway. -Ah, and that makes it OK, does it? -I'm sorry. | 0:43:34 | 0:43:39 | |
For fucking me over or for being a fuck up? If you want company, go and shag that receptionist. | 0:43:39 | 0:43:44 | |
Or is she another one of your hit and runs? Anyway, like I said, I have to go out. | 0:43:44 | 0:43:48 | |
And yeah, I do want to date a cop. She's honest and kind. And that's what I'm after these days. | 0:43:49 | 0:43:55 | |
DOOR SHUTS | 0:44:06 | 0:44:08 | |
So, why architecture? | 0:44:30 | 0:44:32 | |
Well, I'm quite arty, so I like that about it. | 0:44:32 | 0:44:37 | |
And you need to be precise, so that's good. | 0:44:37 | 0:44:41 | |
I'm very tidy. I even iron my socks. I drive my flatmate mad. | 0:44:41 | 0:44:46 | |
-Are you OK? -Yeah, fine. Why? | 0:44:46 | 0:44:50 | |
You just seem a bit anxious, that's all. | 0:44:50 | 0:44:53 | |
Sorry. It's not you, I'm just... Dates make me nervous. | 0:44:54 | 0:45:00 | |
I'm bad at small talk, hopeless at flirting and I haven't been on one in a while, so I'm really rusty. | 0:45:00 | 0:45:05 | |
That's OK. I tried on four different outfits before I came out | 0:45:05 | 0:45:08 | |
-and then I nearly left the price tag in my shirt. -How much did you cost? | 0:45:08 | 0:45:12 | |
£34.99. I'm very affordable. Almost a bargain. | 0:45:12 | 0:45:15 | |
Well, it looks great on you. | 0:45:15 | 0:45:18 | |
-The shirt. -So you can flirt. | 0:45:18 | 0:45:21 | |
-That's not very advanced. -Maybe you just need some more practice. | 0:45:21 | 0:45:25 | |
-Try me again. -Great smile. | 0:45:25 | 0:45:29 | |
Yep, you're coming along very nicely. | 0:45:33 | 0:45:35 | |
So how come you haven't dated in a while? | 0:45:38 | 0:45:40 | |
I had a really bad breakup with someone, my best friend, in fact. | 0:45:42 | 0:45:47 | |
We got involved and it sort of crashed and burned. | 0:45:47 | 0:45:50 | |
The ex you'd run into the last time we had a drink. | 0:45:50 | 0:45:53 | |
But you're over it now? | 0:45:54 | 0:45:57 | |
Yep, I think I really am. | 0:45:58 | 0:46:01 | |
I'm fed up of making the same mistakes. I want to date someone well-adjusted for a change. | 0:46:01 | 0:46:06 | |
Sounds like a good plan. I should fix you up with someone. | 0:46:06 | 0:46:09 | |
# Crashing | 0:46:11 | 0:46:13 | |
# And crashing | 0:46:13 | 0:46:16 | |
# Crashing | 0:46:16 | 0:46:19 | |
# And crashing | 0:46:19 | 0:46:21 | |
# Picking up | 0:46:22 | 0:46:25 | |
# The glittering parcel | 0:46:27 | 0:46:31 | |
Actually, I'm...I'm really glad we're giving this another go. | 0:46:36 | 0:46:40 | |
That is such a relief, cos I'm bursting for the loo | 0:46:40 | 0:46:43 | |
and I was really worried you wouldn't be here when I got back. | 0:46:43 | 0:46:47 | |
-SHE LAUGHS -I'm not going anywhere. | 0:46:47 | 0:46:51 | |
# Crashing and crashing | 0:46:54 | 0:46:57 | |
# Shouldn't do it | 0:47:00 | 0:47:03 | |
# Shouldn't do it | 0:47:03 | 0:47:05 | |
# Shouldn't do it | 0:47:05 | 0:47:08 | |
# Shouldn't do it | 0:47:08 | 0:47:10 | |
# I never had the patience | 0:47:11 | 0:47:14 | |
# For the lure of the west | 0:47:14 | 0:47:17 | |
# Never had the patience | 0:47:22 | 0:47:24 | |
# For the lure of the west | 0:47:24 | 0:47:27 | |
# The look of love | 0:47:42 | 0:47:46 | |
# Is a 20-20 vision converter | 0:47:47 | 0:47:51 | |
# The look of love | 0:47:53 | 0:47:57 | |
# Is a stone cold sucker's illusion | 0:47:58 | 0:48:03 | |
# God of magic | 0:48:04 | 0:48:08 | |
# God, you are magic | 0:48:09 | 0:48:13 | |
# So damn cold | 0:48:15 | 0:48:18 | |
TESS MOANS ECSTATICALLY | 0:48:27 | 0:48:30 | |
Turn over. | 0:48:38 | 0:48:40 | |
# The frost and the fire | 0:48:40 | 0:48:41 | |
# The fire and the frost | 0:48:41 | 0:48:44 | |
# The fire and the frost | 0:48:44 | 0:48:47 | |
# It's not the man | 0:48:47 | 0:48:49 | |
# It's not the man | 0:48:49 | 0:48:52 | |
# It's not the man, it's the sun | 0:48:52 | 0:48:56 | |
# And I never had the patience | 0:48:58 | 0:49:01 | |
# For the lure of the west | 0:49:01 | 0:49:04 | |
# No, I never had the patience | 0:49:09 | 0:49:11 | |
# For the lure of the west | 0:49:11 | 0:49:14 | |
Any good? | 0:49:25 | 0:49:27 | |
Nah. Horoscopes are bollocks, but I like them because I'm Scorpio. | 0:49:29 | 0:49:36 | |
Apparently, I'm mysterious and sexy. | 0:49:36 | 0:49:39 | |
If I was a Virgo, I'd probably hate them. | 0:49:40 | 0:49:43 | |
-What are you? -Virgo. SHE LAUGHS | 0:49:44 | 0:49:48 | |
Sod it. Tact's never been my strong suit, but life's too short to get embarrassed, don't you think? | 0:49:48 | 0:49:53 | |
So do you often steal stuff? | 0:49:54 | 0:49:57 | |
Yeah, all the time. Although, I'm very ethical. | 0:49:58 | 0:50:03 | |
I only rob from the big chains and the rich. | 0:50:03 | 0:50:05 | |
-Sort of a modern-day Robin Hood? -Ooh! I like that! | 0:50:05 | 0:50:10 | |
-Next time I get nicked, that's what I'm going to tell them. -So is there a Maid Marian? | 0:50:11 | 0:50:16 | |
-What makes you think I don't fuck my merry men? -Call is female intuition. | 0:50:19 | 0:50:23 | |
Nah. There's no Maid Marian. | 0:50:25 | 0:50:28 | |
I think she might cramp my style. | 0:50:28 | 0:50:30 | |
-I'm Sadie, by the way. -Frankie. | 0:50:33 | 0:50:37 | |
FRANKIE LAUGHS | 0:50:40 | 0:50:42 | |
Nice pad. | 0:50:48 | 0:50:50 | |
Well, you weren't kidding when you said you were tidy. | 0:50:54 | 0:50:58 | |
Do you want a drink? I've got tea, coffee, beer, wine. | 0:51:00 | 0:51:04 | |
A beer. A beer would be great, thank you. | 0:51:04 | 0:51:06 | |
-Casing the joint? -Nah. I'm just nosy. | 0:51:07 | 0:51:11 | |
-So does he rent or is it on a mortgage? -What? | 0:51:17 | 0:51:21 | |
Sorry. I'm an estate agent. | 0:51:21 | 0:51:23 | |
I guess you must have to be quite brave doing your job. | 0:51:23 | 0:51:27 | |
-SHE LAUGHS -No, not really. | 0:51:27 | 0:51:30 | |
I'm a DS, Detective Sergeant, so mostly I just sit behind a desk and get other people to be brave for me. | 0:51:30 | 0:51:36 | |
I remember when I first joined up and I was on the beat and I get a call to chase a suspect | 0:51:40 | 0:51:45 | |
so I'm running around, I'm trying to find him and then I suddenly thought, | 0:51:45 | 0:51:50 | |
"Shit, what am I going to do if I actually catch him?" | 0:51:50 | 0:51:53 | |
-So what do you do? -I'm a photographer. | 0:51:53 | 0:51:56 | |
Oh. That's much more glamorous. | 0:51:56 | 0:51:59 | |
And did you catch him? | 0:51:59 | 0:52:02 | |
No. I stopped looking and hid behind some bushes. | 0:52:02 | 0:52:07 | |
But you still made detective. | 0:52:07 | 0:52:09 | |
Yeah, I guess I'm pretty good at lots of other things. | 0:52:09 | 0:52:14 | |
-I'm very photogenic. Do you want to take some snaps? -I don't mix business with pleasure. | 0:52:15 | 0:52:21 | |
Were you hoping for stories of how big and butch I am? | 0:52:21 | 0:52:24 | |
Not really. I think, if you were genuinely fearless, it might be a bit intimidating. | 0:52:25 | 0:52:31 | |
You're right. Look at me, boring on about work. | 0:52:31 | 0:52:35 | |
So, what shall we do instead, I wonder? | 0:52:37 | 0:52:40 | |
-Fancy a fuck? -Always. | 0:52:40 | 0:52:45 | |
I can be brave sometimes. | 0:52:46 | 0:52:49 | |
Yeah? | 0:52:49 | 0:52:51 | |
ECSTATIC MOANING | 0:53:03 | 0:53:06 | |
ECSTATIC MOANING | 0:53:13 | 0:53:15 | |
-MUFFLED MOANS -Do you think they're ever going to stop? | 0:53:21 | 0:53:24 | |
Maybe we should make our own noise. | 0:53:26 | 0:53:29 | |
-Drown them out. -Jay. | 0:53:29 | 0:53:32 | |
I've got to get up in five hours. | 0:53:32 | 0:53:34 | |
SHE SCREAMS AND MOANS | 0:53:37 | 0:53:39 | |
Shall I call you a cab? | 0:54:20 | 0:54:22 | |
I didn't bring any cash with me. Do you mind if I kip here? | 0:54:22 | 0:54:26 | |
Yeah, whatever. | 0:54:29 | 0:54:31 | |
MUFFLED VOICES | 0:55:05 | 0:55:08 | |
It's gone. It was in the bathroom. I put it back in its box. | 0:55:10 | 0:55:13 | |
It must be here. A necklace doesn't just go walkabout. | 0:55:13 | 0:55:17 | |
-It isn't cos I've looked everywhere. -Who the hell could've taken it? | 0:55:17 | 0:55:20 | |
-Frankie wouldn't have touched it. -She had someone here last night. | 0:55:20 | 0:55:25 | |
Morning. | 0:55:52 | 0:55:54 | |
Morning. | 0:55:55 | 0:55:56 | |
-I wouldn't take you for the tattoo type. -Oh, I'm not really. | 0:56:01 | 0:56:06 | |
It wasn't my idea. | 0:56:08 | 0:56:10 | |
Whose was it? | 0:56:12 | 0:56:14 | |
No-one important. | 0:56:23 | 0:56:25 | |
Cat, this is Frankie. She'll be doing the photos for our brochure. | 0:56:33 | 0:56:37 | |
Something was sent here. A photo album sent to Annie Cawthorne. | 0:56:37 | 0:56:40 | |
Tell me why the hell you were there. | 0:56:40 | 0:56:43 | |
-I know this is huge for you, I know it is, but we're going to be fine. -Yeah. | 0:56:43 | 0:56:48 | |
If I lose out on this job because of her, I swear to God! | 0:56:48 | 0:56:51 | |
-Who's that, then? -It's Hayley, the fit intern. -Is that her full title? | 0:56:51 | 0:56:56 | |
Got your attention, then? | 0:56:56 | 0:56:57 | |
Subtitles by Red Bee Media Ltd | 0:57:02 | 0:57:06 |