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| Line | From | To | |
|---|---|---|---|
So...is this everything? | 0:00:32 | 0:00:35 | |
Yeah. I don't like clutter. | 0:00:35 | 0:00:37 | |
Oh, no, no. Don't worry. I'm not fanatical or anything. | 0:00:37 | 0:00:40 | |
It's just when you see so many people snuff it, | 0:00:40 | 0:00:43 | |
you realise only junk gets left behind. | 0:00:43 | 0:00:45 | |
You know, I might have a clear-out. | 0:00:45 | 0:00:48 | |
Lead a more minimalist lifestyle. | 0:00:48 | 0:00:50 | |
Yeah. Now I've heard everything. | 0:00:50 | 0:00:52 | |
Shut up. I might. | 0:00:52 | 0:00:53 | |
Morning, birthday girl. | 0:01:01 | 0:01:03 | |
Take a seat. | 0:01:09 | 0:01:11 | |
Mmm. | 0:01:11 | 0:01:12 | |
Today, you are having the full birthday breakfast experience. | 0:01:12 | 0:01:15 | |
We've even got jam and marmalade in little pots, | 0:01:15 | 0:01:18 | |
like you get at a hotel. | 0:01:18 | 0:01:19 | |
To be fair, they're eggcups, but you get the idea. | 0:01:19 | 0:01:23 | |
Do I open it now? | 0:01:23 | 0:01:25 | |
You can do whatever you want. It's your birthday. | 0:01:25 | 0:01:27 | |
How did you know I wanted this? | 0:01:30 | 0:01:32 | |
Rigorous detective work. No. | 0:01:32 | 0:01:34 | |
I heard you telling Tess and I gave her a call. | 0:01:34 | 0:01:38 | |
-Do you like it? -I love it! | 0:01:38 | 0:01:40 | |
Thank you. | 0:01:40 | 0:01:41 | |
(CHUCKLES) It's meant to make you happy, not sad. | 0:01:41 | 0:01:44 | |
I'm not sad. | 0:01:44 | 0:01:46 | |
I bloody hate DIY. | 0:01:48 | 0:01:51 | |
Tell you what, you got the right idea, going out with a spark. | 0:01:52 | 0:01:55 | |
I bet she does everything like this. | 0:01:55 | 0:01:57 | |
Oh, yeah. She would. Only we're not together any more. | 0:01:57 | 0:02:01 | |
Oh, shit. | 0:02:02 | 0:02:03 | |
Um, sorry. | 0:02:03 | 0:02:05 | |
It's OK. We weren't together long. | 0:02:05 | 0:02:07 | |
It was a...she says 'to-mah-to', I say 'to-may-to' situation. | 0:02:07 | 0:02:10 | |
-So I called the whole thing off. -Let me guess. | 0:02:10 | 0:02:13 | |
You were being weird and avoiding her. | 0:02:13 | 0:02:17 | |
So she forced you to dump her? | 0:02:17 | 0:02:18 | |
How did...? | 0:02:18 | 0:02:19 | |
Well, you know, you're messy, | 0:02:19 | 0:02:20 | |
which means you're probably more of an avoider than a confronter. | 0:02:20 | 0:02:23 | |
So, um, are you seeing anyone at the moment or...? | 0:02:25 | 0:02:29 | |
Oh, no - spent my twenties sleeping with the wrong women - | 0:02:29 | 0:02:32 | |
Frankie being a prime example - | 0:02:32 | 0:02:35 | |
which is a sure-fire way to end up single. | 0:02:35 | 0:02:37 | |
PHONE BEEPS | 0:02:41 | 0:02:43 | |
I'm off for a run. | 0:02:46 | 0:02:48 | |
I'll see you later. | 0:02:48 | 0:02:49 | |
-See you. -Don't you dare clear up that mess. I'll do it. | 0:02:49 | 0:02:53 | |
Oh... | 0:02:53 | 0:02:55 | |
DOOR CLOSES | 0:02:56 | 0:02:57 | |
Can't stay long. Gotta be somewhere. | 0:03:04 | 0:03:07 | |
So do you want to yell at me again? | 0:03:07 | 0:03:09 | |
No. | 0:03:09 | 0:03:10 | |
I...I wanted to say I'm sorry. You're right. I was a cock. | 0:03:10 | 0:03:15 | |
You're not getting back in my pants, if that's what you think. | 0:03:15 | 0:03:17 | |
-It's not what I want. -Charmed, I'm sure. | 0:03:17 | 0:03:20 | |
Nah...I would. | 0:03:20 | 0:03:21 | |
I would want to. | 0:03:21 | 0:03:23 | |
I... | 0:03:23 | 0:03:25 | |
I think you know I'm into someone else. | 0:03:25 | 0:03:27 | |
-How is Cat? -Still married. | 0:03:28 | 0:03:30 | |
I'm working on it. | 0:03:30 | 0:03:32 | |
So are we mates? | 0:03:32 | 0:03:35 | |
Mmm. Sod it. Why not? | 0:03:35 | 0:03:38 | |
So...how are you? | 0:03:47 | 0:03:49 | |
Just chipper, apart from being broke and jobless. | 0:03:50 | 0:03:55 | |
Well, I just might be able to help out with that. | 0:03:56 | 0:03:58 | |
(HACKING COUGH) | 0:04:09 | 0:04:10 | |
Hey, are you OK? | 0:04:12 | 0:04:13 | |
-It's Lexy, isn't it? -Hi. | 0:04:13 | 0:04:15 | |
My God. This isn't embarrassing at all. | 0:04:15 | 0:04:17 | |
I was hoping I wouldn't run into anyone. | 0:04:17 | 0:04:19 | |
(PANTS) I'm a bit new to the whole running thing. | 0:04:19 | 0:04:23 | |
The more you do, the easier it gets. | 0:04:23 | 0:04:25 | |
IF I do any more. | 0:04:25 | 0:04:26 | |
Oh, God - sometimes, I can't wait till we're 80 | 0:04:26 | 0:04:28 | |
and I can just throw self-improvement to the wind. | 0:04:28 | 0:04:31 | |
Yeah. | 0:04:31 | 0:04:32 | |
Buy a stair lift and eat doughnuts all day. | 0:04:32 | 0:04:34 | |
Don't forget the motorised wheelchair. | 0:04:34 | 0:04:36 | |
Oh, God. Now you're just talking dirty. | 0:04:36 | 0:04:38 | |
Don't let yourself cool down too much. | 0:04:39 | 0:04:41 | |
I'm, uh...I'm heading that way if you want to run together? | 0:04:41 | 0:04:43 | |
Oh, no, no. You're really fit. | 0:04:43 | 0:04:45 | |
Um, I mean you're really healthy. | 0:04:45 | 0:04:48 | |
And I just quit smoking, | 0:04:48 | 0:04:50 | |
so I've got the lung capacity of a small hamster. | 0:04:50 | 0:04:52 | |
I better go. You sure you don't want to...? | 0:04:52 | 0:04:54 | |
Yeah, no, no. I'm cool. | 0:04:54 | 0:04:56 | |
-All right. See you. -Go for it. | 0:04:56 | 0:04:58 | |
Now he comes here every day, | 0:05:07 | 0:05:08 | |
and he doesn't look at me, doesn't see me. | 0:05:08 | 0:05:11 | |
I have no hope at all. None. | 0:05:11 | 0:05:14 | |
Oh, God. Give me strength... | 0:05:14 | 0:05:16 | |
Sorry. Sorry. | 0:05:16 | 0:05:17 | |
Um, I was wondering if Tess could leave a pause | 0:05:17 | 0:05:20 | |
after, "It's so painful." | 0:05:20 | 0:05:22 | |
Otherwise, I don't get a chance to react. | 0:05:22 | 0:05:24 | |
MAN: Right. Right. | 0:05:24 | 0:05:26 | |
Um, what...what kind of reaction were you looking for? | 0:05:26 | 0:05:29 | |
Well, even though this is a big speech for Sonya, | 0:05:29 | 0:05:34 | |
in a way, this scene is just as much about Elena | 0:05:34 | 0:05:37 | |
and her conflict over Astrov. | 0:05:37 | 0:05:39 | |
And I just think that if the audience could see my reaction, | 0:05:39 | 0:05:41 | |
that might be helpful. | 0:05:41 | 0:05:43 | |
Right. Tess, could we try that with a pause? | 0:05:45 | 0:05:47 | |
Sure. | 0:05:50 | 0:05:51 | |
(CLEARS THROAT) Oh, it's so painful. | 0:05:55 | 0:05:58 | |
I have no hope at all. None. | 0:06:00 | 0:06:03 | |
Oh, God. Give me strength. | 0:06:03 | 0:06:06 | |
I have been praying all night... | 0:06:06 | 0:06:08 | |
Sorry. Sorry, sorry. | 0:06:08 | 0:06:10 | |
Oh. | 0:06:10 | 0:06:11 | |
Is...is Tess going to walk upstage on the night? | 0:06:11 | 0:06:16 | |
It's just...it sort of pulls all the focus onto Sonya. | 0:06:16 | 0:06:20 | |
Well, it is a really big moment for Sonya. | 0:06:20 | 0:06:23 | |
Yes. But as I said before, this scene isn't all about Sonya, Tess. | 0:06:23 | 0:06:28 | |
And it makes it very difficult for me to do my job. | 0:06:28 | 0:06:32 | |
Right. Uh... | 0:06:32 | 0:06:33 | |
Maybe, uh, you could both come upstage. | 0:06:33 | 0:06:38 | |
Well, if...if Tess is all right with that? | 0:06:38 | 0:06:41 | |
-Sure. That's fine. -Great. | 0:06:43 | 0:06:45 | |
(CLEARS THROAT) | 0:06:47 | 0:06:48 | |
Well, if you don't tell me which restaurant we're going to, | 0:06:50 | 0:06:52 | |
how will I know what to wear? | 0:06:52 | 0:06:54 | |
A negligee and a pair of killer heels should do it. | 0:06:54 | 0:06:56 | |
Look, just don't wear jeans or trainers. | 0:06:56 | 0:06:59 | |
That's where I'm going - in there. | 0:06:59 | 0:07:01 | |
Are you OK? | 0:07:02 | 0:07:03 | |
Yeah. | 0:07:03 | 0:07:04 | |
-I'll see you tonight. -Mmm. | 0:07:04 | 0:07:06 | |
I'll see you. Table's booked for 7:30. | 0:07:06 | 0:07:08 | |
-OK. -OK. | 0:07:08 | 0:07:09 | |
Bye. | 0:07:10 | 0:07:12 | |
I've always considered being doubled-over, gasping for breath | 0:07:31 | 0:07:33 | |
a rather sexy look. | 0:07:33 | 0:07:35 | |
Anyway, she's got a bloody girlfriend, which is just my luck. | 0:07:35 | 0:07:38 | |
One day, I'm going to fancy someone who isn't unstable or taken. | 0:07:38 | 0:07:42 | |
MOBILE PHONE RINGS | 0:07:42 | 0:07:44 | |
Hello? | 0:07:45 | 0:07:47 | |
Hello? | 0:07:49 | 0:07:50 | |
Oh. Third bloody call today. They could at least say something. | 0:07:51 | 0:07:55 | |
Did you see that? | 0:07:55 | 0:07:56 | |
-What? -New radiologist. | 0:07:56 | 0:07:59 | |
Not even so much as a glance in my direction. | 0:07:59 | 0:08:02 | |
I've tried the charm offence in the canteen, you know, | 0:08:02 | 0:08:04 | |
giving him the eye. | 0:08:04 | 0:08:06 | |
Usually that's got them eating out of the palm of my hand, but nothing. | 0:08:06 | 0:08:08 | |
Maybe he's straight. | 0:08:08 | 0:08:10 | |
No. He's definitely gay. | 0:08:10 | 0:08:13 | |
He is. I have a sixth sense. | 0:08:13 | 0:08:15 | |
I see gay people. | 0:08:15 | 0:08:17 | |
Well, maybe he doesn't fancy you. | 0:08:17 | 0:08:18 | |
Not possible. | 0:08:18 | 0:08:20 | |
Ten minutes in my company, even nuns want a piece of me. | 0:08:20 | 0:08:23 | |
Yeah. Why do you even care? There's plenty more fish. | 0:08:23 | 0:08:26 | |
Yeah. But those other fish want to fuck me. This fish doesn't. | 0:08:26 | 0:08:29 | |
So now, naturally, he's the only fish that I want to fuck. | 0:08:29 | 0:08:32 | |
Can I interest you in ear infection with discharge | 0:08:32 | 0:08:36 | |
or unremitting vomiting? | 0:08:36 | 0:08:37 | |
It's like the Cadbury's Christmas Selection box all over again. | 0:08:37 | 0:08:41 | |
I'll have ear infection with discharge. | 0:08:41 | 0:08:43 | |
Good choice. | 0:08:43 | 0:08:44 | |
This is the last thing I need after breaking up with Fin. | 0:08:44 | 0:08:47 | |
I should be enjoying myself, | 0:08:47 | 0:08:50 | |
not...wondering how I'm going to get through this without killing Nora. | 0:08:50 | 0:08:54 | |
She's just an actress. They're all the same. | 0:08:54 | 0:08:57 | |
Selfish, faithless, self-absorbed. | 0:08:57 | 0:09:01 | |
-I'm an actress. -Present company excepted. | 0:09:02 | 0:09:05 | |
Take my wife. | 0:09:05 | 0:09:06 | |
20 years of happy marriage, | 0:09:06 | 0:09:08 | |
and as soon as that arse Thomas Delaware slithers in our direction, | 0:09:08 | 0:09:11 | |
she's off! | 0:09:11 | 0:09:12 | |
Your wife's with Thomas Delaware? | 0:09:14 | 0:09:15 | |
Who...who I personally hated in Hearts of Stone. | 0:09:17 | 0:09:21 | |
It was a terrible performance. | 0:09:23 | 0:09:24 | |
Tom Cruise acted him off the screen. | 0:09:24 | 0:09:26 | |
Which is hardly surprising! | 0:09:26 | 0:09:28 | |
Before some idiot plucked him from obscurity, he couldn't get arrested. | 0:09:28 | 0:09:31 | |
I used to see him at the dole queue. | 0:09:31 | 0:09:33 | |
Now it's "Delaware this", "Delaware that". | 0:09:33 | 0:09:36 | |
What does Delaware like to do in his free time? I'll tell you what. | 0:09:36 | 0:09:39 | |
Steal other people's fucking wives! That's bloody well what. | 0:09:39 | 0:09:42 | |
The bastard! | 0:09:42 | 0:09:44 | |
Crisp? | 0:09:50 | 0:09:51 | |
It's a new flavour. | 0:09:51 | 0:09:53 | |
I thought you weren't coming. | 0:10:07 | 0:10:08 | |
Do you not want your present? | 0:10:22 | 0:10:23 | |
I've got a present for you first. | 0:10:23 | 0:10:25 | |
Like it? | 0:10:32 | 0:10:34 | |
It's just what I've always wanted. | 0:10:38 | 0:10:40 | |
I want you to watch me. | 0:10:49 | 0:10:51 | |
SHE EXHALES | 0:11:08 | 0:11:09 | |
SAM: I forgot 15 minutes surveillance feels like 10 hours. | 0:11:28 | 0:11:31 | |
EXHALES | 0:11:33 | 0:11:35 | |
So, where are you taking Cat tonight? | 0:11:35 | 0:11:37 | |
La Maison. It's a surprise. | 0:11:37 | 0:11:39 | |
-Shit! -Mmm. | 0:11:39 | 0:11:41 | |
They don't even have prices on the menu, do they? | 0:11:41 | 0:11:43 | |
I know a pint and a burger are your idea of a hot date, | 0:11:43 | 0:11:45 | |
but I'm way classier than you, so... | 0:11:45 | 0:11:48 | |
Reckon you and Cat will do the civil partnership thing? | 0:11:53 | 0:11:56 | |
I don't know. We've not talked about it. | 0:11:56 | 0:11:58 | |
I'd marry her tomorrow, though. | 0:12:00 | 0:12:01 | |
(LAUGHS) Look at you, all soppy. | 0:12:01 | 0:12:05 | |
You're a changed woman since you found love. | 0:12:05 | 0:12:08 | |
I still cannot believe they let you be a police officer. | 0:12:10 | 0:12:13 | |
So, do you want your present? | 0:12:18 | 0:12:20 | |
How did you enjoy yours? | 0:12:21 | 0:12:23 | |
It was pretty fucking hot. | 0:12:26 | 0:12:28 | |
You're such a voyeur. | 0:12:28 | 0:12:31 | |
Like you're not a total exhibitionist. | 0:12:31 | 0:12:34 | |
Excuse me. | 0:12:35 | 0:12:37 | |
Oh. Sorry. | 0:12:41 | 0:12:43 | |
SHE GIGGLES | 0:12:43 | 0:12:45 | |
It's beautiful. | 0:12:58 | 0:13:00 | |
Then... | 0:13:00 | 0:13:01 | |
Look. | 0:13:08 | 0:13:10 | |
Our initials. | 0:13:10 | 0:13:12 | |
It might be a little difficult to wear it in public. | 0:13:21 | 0:13:24 | |
That's why the inscription's on the inside. | 0:13:25 | 0:13:27 | |
Anyway, I was...hoping | 0:13:29 | 0:13:32 | |
that wouldn't be a problem for too much longer. | 0:13:32 | 0:13:35 | |
INHALES DEEPLY | 0:13:35 | 0:13:37 | |
KISSES | 0:13:40 | 0:13:42 | |
Have you thought any more about what you're going to do? | 0:13:42 | 0:13:45 | |
Can we...not talk about it today? | 0:13:47 | 0:13:50 | |
It's my birthday. I just want to enjoy being with you. | 0:13:52 | 0:13:55 | |
Do you have to be somewhere? | 0:14:04 | 0:14:06 | |
No. Sadie's picking me up, but not for another hour yet. | 0:14:06 | 0:14:10 | |
Sadie? | 0:14:10 | 0:14:11 | |
Yeah. She's broke. | 0:14:12 | 0:14:13 | |
I'm just paying her to drive me to a job in the Highlands. | 0:14:13 | 0:14:17 | |
Cat? | 0:14:22 | 0:14:23 | |
It's fine. | 0:14:23 | 0:14:26 | |
I'm not in any position to...tell you what to do. | 0:14:26 | 0:14:29 | |
Well, I don't want to do anything. | 0:14:29 | 0:14:31 | |
I don't want to sleep with anyone else. | 0:14:31 | 0:14:34 | |
I love you. | 0:14:36 | 0:14:38 | |
I'm going to wait for you. | 0:14:38 | 0:14:40 | |
Enjoy your trip. | 0:15:28 | 0:15:30 | |
I'll text you. | 0:15:30 | 0:15:31 | |
I thought you're weren't back till 6:00. | 0:15:40 | 0:15:42 | |
Uh, we got out early from rehearsals. | 0:15:42 | 0:15:45 | |
I'm... | 0:15:47 | 0:15:49 | |
Tess. | 0:15:52 | 0:15:54 | |
-Tess. -Cat. | 0:15:54 | 0:15:56 | |
I'll talk to her. | 0:15:57 | 0:15:59 | |
(What... What if she says something?) | 0:16:00 | 0:16:02 | |
She won't. I'll deal with it, OK? | 0:16:02 | 0:16:05 | |
You're going to be late. | 0:16:06 | 0:16:08 | |
-Tess. Tess. It's not what you think. -I don't want to know. | 0:16:47 | 0:16:50 | |
No. I love her. I want to be with her. | 0:16:50 | 0:16:54 | |
That's what you said last time. | 0:16:54 | 0:16:56 | |
Yeah. Well, I'm not stupid enough to make the same mistake twice. | 0:16:56 | 0:16:59 | |
I'm not going to hurt her again. | 0:16:59 | 0:17:01 | |
Well, someone's going to get hurt. What about Sam? | 0:17:01 | 0:17:03 | |
Is she leaving her? | 0:17:03 | 0:17:05 | |
I don't know. I hope so. | 0:17:06 | 0:17:09 | |
Well, I just... I hope you know what you're doing. | 0:17:09 | 0:17:13 | |
-Tess. -I won't say anything, if that's what you're worried about. | 0:17:13 | 0:17:16 | |
Thanks. | 0:17:16 | 0:17:18 | |
KNOCK AT DOOR | 0:17:18 | 0:17:20 | |
I was going to wear sensible shoes, but then, I thought, "Fuck that." | 0:17:25 | 0:17:29 | |
Excuse me. Can I cadge a cig off you, please? | 0:18:03 | 0:18:06 | |
-There you go. -Oh. Thank you. | 0:18:08 | 0:18:10 | |
Thank you. | 0:18:16 | 0:18:18 | |
MOBILE PHONE BEEPS | 0:18:20 | 0:18:22 | |
So she walked in on you mid-snog? | 0:18:50 | 0:18:52 | |
-It's not funny, Sadie. -Yeah, it is. | 0:18:52 | 0:18:54 | |
Never apply for Secret Service, will you? | 0:18:54 | 0:18:57 | |
-Can't even have an affair properly. -MOBILE PHONE BEEPS | 0:18:57 | 0:19:01 | |
I hope you're not going to be texting each other all evening, | 0:19:01 | 0:19:03 | |
cos it'll get really boring. | 0:19:03 | 0:19:04 | |
No. It's from Lauren, the editor. | 0:19:04 | 0:19:06 | |
She said the journalist can't make it. I should go ahead without him. | 0:19:06 | 0:19:09 | |
-So who's going to write this article? -Don't know. | 0:19:09 | 0:19:12 | |
DISTANT SIREN WAILS | 0:19:12 | 0:19:15 | |
-Sadie? -Hmm. | 0:19:16 | 0:19:17 | |
-Why am I sitting on a pair of pants? -I don't know. | 0:19:17 | 0:19:21 | |
Probably some conquest or another. | 0:19:21 | 0:19:24 | |
I'm quite popular, you know. | 0:19:24 | 0:19:25 | |
(CHUCKLES) Oh, and they leave their bra too? | 0:19:25 | 0:19:28 | |
Give me that. | 0:19:28 | 0:19:30 | |
Right. I want this monitor hooked up. | 0:19:37 | 0:19:39 | |
Let's get the sides down. OK, everyone ready? | 0:19:39 | 0:19:42 | |
On my count. One, two, three. | 0:19:42 | 0:19:44 | |
OK, people. We have a female, Catherine MacKenzie. | 0:19:46 | 0:19:48 | |
-Confirm airways? -WOMAN: Secure. | 0:19:48 | 0:19:50 | |
Suffered major blow to chest after initial blow to the lower limbs, | 0:19:50 | 0:19:53 | |
which we do suspect is a bilateral fracture. | 0:19:53 | 0:19:56 | |
What's the situation with that chest, Lexy? | 0:19:56 | 0:19:57 | |
WOMAN: Patient 96. | 0:19:57 | 0:19:59 | |
Lexy? | 0:19:59 | 0:20:01 | |
I know her. She's friends with my flatmates. | 0:20:01 | 0:20:03 | |
If we don't get a shift on, they ain't going to know her much longer. | 0:20:03 | 0:20:06 | |
Nothing coming through on this monitor yet. | 0:20:06 | 0:20:09 | |
MAN: Sam! | 0:20:09 | 0:20:10 | |
Oh, if this is about work, forget it. | 0:20:10 | 0:20:13 | |
Sam, I just got a call from Traffic. | 0:20:13 | 0:20:15 | |
What? | 0:20:15 | 0:20:16 | |
LEXY: Shit. Her stats have dropped to 84. | 0:20:16 | 0:20:19 | |
Poorer to your right side. I think we've got a haemothorax. | 0:20:19 | 0:20:21 | |
Right. Get a chest drain ready. | 0:20:21 | 0:20:23 | |
No sign of the X-ray yet. | 0:20:23 | 0:20:25 | |
CONTINUOUS BEEP She's crashing. | 0:20:25 | 0:20:28 | |
This looks like VF. | 0:20:28 | 0:20:29 | |
-Are the pads secure? -WOMAN: Yep. | 0:20:29 | 0:20:31 | |
OK. Can you get me one milligram of adrenaline ready? | 0:20:31 | 0:20:34 | |
OK. Charging at 120. | 0:20:34 | 0:20:36 | |
Everyone, stand clear. | 0:20:36 | 0:20:38 | |
And shocking. | 0:20:38 | 0:20:40 | |
SIREN WAILS | 0:20:40 | 0:20:42 | |
My partner's been brought in. | 0:20:55 | 0:20:57 | |
Cat MacKenzie. It was a traffic accident. | 0:20:57 | 0:20:59 | |
Can you wait there a moment, please? | 0:20:59 | 0:21:01 | |
CONTINUOUS BEEP | 0:21:10 | 0:21:12 | |
WOMAN: Six. | 0:21:18 | 0:21:20 | |
Four, five, six. | 0:21:20 | 0:21:22 | |
-WOMAN 2: Seven. -And Eight. | 0:21:22 | 0:21:24 | |
DECLAN: Get me some more adrenaline. Stop there. | 0:21:24 | 0:21:26 | |
Continue. | 0:21:31 | 0:21:32 | |
One, two, three, four... | 0:21:32 | 0:21:35 | |
five, six, seven, eight, nine, ten. | 0:21:35 | 0:21:38 | |
Two. | 0:21:38 | 0:21:39 | |
Administering adrenaline. | 0:21:40 | 0:21:42 | |
Come on. Come on. | 0:21:45 | 0:21:46 | |
Come on. | 0:21:58 | 0:22:01 | |
Right. | 0:22:06 | 0:22:07 | |
No change. I'm going to call it. | 0:22:07 | 0:22:09 | |
OK. Well done, ladies. | 0:22:11 | 0:22:12 | |
Time of death, 18:11. | 0:22:12 | 0:22:15 | |
(EXHALES) | 0:22:15 | 0:22:17 | |
How come you never bought ME an expensive camera? | 0:22:29 | 0:22:32 | |
Never had any money before, have I? | 0:22:32 | 0:22:35 | |
Anyway, Cat always gets me expensive presents. | 0:22:35 | 0:22:37 | |
Although Sam stole my thunder with a designer bag. | 0:22:37 | 0:22:41 | |
MOBILE RINGS | 0:22:41 | 0:22:45 | |
Hello? | 0:22:47 | 0:22:48 | |
Yes, it is. | 0:22:49 | 0:22:51 | |
What? | 0:22:52 | 0:22:53 | |
Where? | 0:22:55 | 0:22:56 | |
-We've got to go. -What? Um... | 0:22:56 | 0:22:59 | |
-FRONT DOOR OPENS -Ed! | 0:23:01 | 0:23:03 | |
Is she OK? | 0:23:16 | 0:23:18 | |
She's gone. | 0:23:20 | 0:23:22 | |
What do you mean? | 0:23:24 | 0:23:25 | |
What are you talking about? | 0:23:27 | 0:23:28 | |
Uh, we need to get someone. | 0:23:30 | 0:23:32 | |
Why... Why aren't they doing something? | 0:23:32 | 0:23:34 | |
She's gone. She didn't make it. | 0:23:34 | 0:23:37 | |
Fucking great! | 0:23:53 | 0:23:54 | |
When was the last time you had this thing serviced? | 0:23:54 | 0:23:56 | |
Look, don't give me any gip. I'm doing you a favour, remember. | 0:23:56 | 0:24:00 | |
Well, I hope you know how to change a tyre, cos I don't. | 0:24:00 | 0:24:03 | |
You have got a spare, right? | 0:24:03 | 0:24:05 | |
-(CHUCKLES) -What? | 0:24:05 | 0:24:07 | |
Can't drive. | 0:24:08 | 0:24:10 | |
Can't change a tyre. | 0:24:10 | 0:24:12 | |
Turns out you're not so cool after all. | 0:24:12 | 0:24:15 | |
Oh, fucking hell. | 0:24:17 | 0:24:19 | |
-(LAUGHS) -Grrr! | 0:24:19 | 0:24:21 | |
Hah! | 0:24:21 | 0:24:22 | |
Oh. | 0:24:22 | 0:24:24 | |
Jesus, Sadie. What have you got in here? | 0:24:34 | 0:24:36 | |
Are you living in your car? | 0:24:39 | 0:24:40 | |
Just shut up and help me, will you? | 0:24:40 | 0:24:42 | |
(STIFLES LAUGH) | 0:24:49 | 0:24:52 | |
Oh, man. It's fucked. | 0:24:54 | 0:24:56 | |
Come on. | 0:24:57 | 0:24:59 | |
(LAUGHS) | 0:25:04 | 0:25:07 | |
When are your parents coming? | 0:25:15 | 0:25:17 | |
Um, first thing tomorrow. | 0:25:23 | 0:25:26 | |
They're travelling back from my uncle's. | 0:25:27 | 0:25:29 | |
I saw her this morning. | 0:25:32 | 0:25:33 | |
We were going to meet up in the morning, | 0:25:35 | 0:25:38 | |
and take pictures with her new camera. | 0:25:38 | 0:25:40 | |
Is there anything I can get you? | 0:25:54 | 0:25:56 | |
There's a vending machine or I can go to the canteen. | 0:25:56 | 0:25:59 | |
Is there anything you want to ask? Any questions? | 0:26:03 | 0:26:06 | |
Hmm. | 0:26:12 | 0:26:14 | |
Did she say anything? | 0:26:14 | 0:26:16 | |
Oh, no. No. | 0:26:16 | 0:26:17 | |
She would've been unconscious as soon as it happened. | 0:26:17 | 0:26:20 | |
What was his blood alcohol level - the bloke that killed her? | 0:26:21 | 0:26:24 | |
-He hadn't been drinking. -Is he here? | 0:26:24 | 0:26:27 | |
Uh, he's got a suspected concussion. | 0:26:27 | 0:26:28 | |
We're keeping him in for observation. | 0:26:28 | 0:26:30 | |
I'm really, really sorry. | 0:26:35 | 0:26:37 | |
FRANKIE: 'Leave a message. | 0:26:49 | 0:26:50 | |
'And if I like you, I'll call you back.' | 0:26:50 | 0:26:52 | |
It's just going straight to answer phone. | 0:26:56 | 0:26:58 | |
Why isn't she picking up? | 0:26:58 | 0:27:00 | |
MUSIC PLAYING IN CAR | 0:27:02 | 0:27:04 | |
SHOWER RUNS | 0:27:15 | 0:27:17 | |
FRANKIE: Sadie? | 0:27:41 | 0:27:43 | |
Any texts for me? | 0:27:48 | 0:27:49 | |
She'd be out with Sam. | 0:27:49 | 0:27:51 | |
Anyway, Cat won't want to text my phone. | 0:27:52 | 0:27:55 | |
I'm not her favourite person, am I? | 0:27:55 | 0:27:57 | |
I'm going to hit the sack. | 0:27:57 | 0:27:58 | |
I've always liked this. | 0:28:18 | 0:28:20 | |
Sadie! | 0:28:20 | 0:28:22 | |
You seriously telling me we're going to waste this shit-hot hotel room? | 0:28:22 | 0:28:25 | |
I've told Cat I'm not going to sleep with anyone else. | 0:28:27 | 0:28:29 | |
Why not? | 0:28:29 | 0:28:31 | |
She is. | 0:28:31 | 0:28:32 | |
Yeah. Well...I owe her one. | 0:28:35 | 0:28:37 | |
She gets to call the shots. | 0:28:39 | 0:28:41 | |
You really love her, don't you? | 0:28:44 | 0:28:47 | |
Yeah. | 0:28:48 | 0:28:50 | |
Yeah, I do. | 0:28:50 | 0:28:53 | |
DOOR SHUTS | 0:29:34 | 0:29:35 | |
DS Murray. Merchant City. | 0:31:43 | 0:31:44 | |
Yeah. I need the name of the driver | 0:31:44 | 0:31:47 | |
involved in the Franken Street RTA yesterday. | 0:31:47 | 0:31:50 | |
LEXY: How are you? | 0:32:27 | 0:32:29 | |
He's asleep now. He had a bad night. | 0:32:35 | 0:32:39 | |
It wasn't his fault. | 0:32:43 | 0:32:45 | |
He could've been talking on his mobile or reading a map. | 0:32:47 | 0:32:49 | |
Yeah. And if he was... | 0:32:49 | 0:32:51 | |
..it's not going to bring her back. | 0:32:53 | 0:32:55 | |
He was so distraught last night, | 0:32:59 | 0:33:01 | |
we had to sedate him. | 0:33:01 | 0:33:04 | |
If you go in there, | 0:33:07 | 0:33:09 | |
you're not going to feel any better. | 0:33:09 | 0:33:12 | |
And you would make an already devastated man a lot worse. | 0:33:13 | 0:33:16 | |
TV: ..this is very tastefully decorated... | 0:33:35 | 0:33:38 | |
She was always so careful. | 0:33:39 | 0:33:42 | |
She even ironed her socks. | 0:33:43 | 0:33:46 | |
How does someone who irons her socks walk into the road without looking? | 0:33:49 | 0:33:53 | |
DOOR OPENS | 0:34:00 | 0:34:02 | |
FRANKIE: Eyup! | 0:34:03 | 0:34:04 | |
What's going on? | 0:34:09 | 0:34:11 | |
Um, we were trying to call you. | 0:34:11 | 0:34:13 | |
We left you messages. | 0:34:13 | 0:34:15 | |
Yeah. My phone's busted. Has something happened? | 0:34:15 | 0:34:18 | |
-Um... -Um... | 0:34:18 | 0:34:20 | |
Uh, there was an accident. | 0:34:20 | 0:34:22 | |
Cat was hurt. | 0:34:24 | 0:34:25 | |
Is she OK? Where is she? | 0:34:25 | 0:34:27 | |
Just tell me where she is! | 0:34:31 | 0:34:33 | |
She... She died, Frankie. | 0:34:34 | 0:34:37 | |
What? | 0:34:38 | 0:34:39 | |
She's dead. | 0:34:39 | 0:34:41 | |
(It's OK.) | 0:34:50 | 0:34:51 | |
(CRIES LOUDLY) | 0:34:53 | 0:34:55 | |
KNOCK AT DOOR | 0:35:25 | 0:35:27 | |
Um, I'm making a cup of tea. Do you want one? | 0:35:30 | 0:35:32 | |
You haven't told anyone about me and Cat, have you? | 0:35:37 | 0:35:39 | |
No. | 0:35:39 | 0:35:42 | |
Good. | 0:35:42 | 0:35:44 | |
Don't. | 0:35:44 | 0:35:46 | |
Did you talk to her? | 0:35:58 | 0:36:00 | |
Bad? | 0:36:01 | 0:36:03 | |
Same. | 0:36:03 | 0:36:04 | |
You don't think she'd do anything stupid, do you? | 0:36:06 | 0:36:09 | |
Oh, no, no. It's only been a few days. | 0:36:09 | 0:36:11 | |
She'd still be in shock. | 0:36:11 | 0:36:13 | |
Guess they were really close. | 0:36:15 | 0:36:17 | |
Yeah. I think Frankie loved her more than anyone. | 0:36:17 | 0:36:21 | |
And Cat? | 0:36:21 | 0:36:23 | |
Uh...Cat was with Sam. | 0:36:23 | 0:36:25 | |
She was...meant to be the one we could rely on. | 0:36:29 | 0:36:32 | |
How could she just go and fucking die on us? I don't... | 0:36:33 | 0:36:36 | |
Hey. Hey. Come here. | 0:36:36 | 0:36:38 | |
KNOCK AT DOOR | 0:36:41 | 0:36:42 | |
That... That'll be Sam. | 0:36:46 | 0:36:48 | |
Yeah. | 0:36:48 | 0:36:50 | |
Hi. | 0:36:57 | 0:36:58 | |
Do you want a...coffee, tea? | 0:37:06 | 0:37:08 | |
Um, we haven't got any builders', but we've got loads of herbal. | 0:37:08 | 0:37:11 | |
I'm fine, thanks. | 0:37:11 | 0:37:13 | |
Hey. | 0:37:13 | 0:37:14 | |
Hey. | 0:37:14 | 0:37:16 | |
Um, I'll...I'll go and get the stuff. | 0:37:16 | 0:37:18 | |
How you doin'? | 0:37:19 | 0:37:21 | |
Thank you... | 0:37:28 | 0:37:29 | |
..for the other day. | 0:37:31 | 0:37:33 | |
Oh. No. Don't mention it. | 0:37:33 | 0:37:35 | |
I'd have wanted to do the same if it was me. | 0:37:35 | 0:37:37 | |
Um, this is the CD I told you about. | 0:37:43 | 0:37:46 | |
Um, she used to play track four all the time at uni. | 0:37:46 | 0:37:48 | |
Uh...and these are some pictures of me and her around that time. | 0:37:48 | 0:37:53 | |
(CHUCKLES) And that's a card for Judy and Jerry. | 0:37:55 | 0:38:00 | |
DOOR OPENS | 0:38:03 | 0:38:04 | |
I'm goin' out. | 0:38:09 | 0:38:11 | |
I should be getting going as well. | 0:38:21 | 0:38:25 | |
Send my love to Judy and Jerry. | 0:38:27 | 0:38:28 | |
Happy, happy. (SIGHS) | 0:38:31 | 0:38:34 | |
-Can I help with anything, dear? -Jerry. Jerry, sit down. | 0:38:38 | 0:38:41 | |
I don't need you under my feet. | 0:38:41 | 0:38:44 | |
Does Sam eat chocolate? I've only got chocolate biscuits. | 0:38:46 | 0:38:50 | |
-I'm sure it'll be fine, Mum. -It might not be. | 0:38:50 | 0:38:53 | |
Your auntie Joan can't eat chocolate because of her migraines. | 0:38:53 | 0:38:56 | |
I knew there was something I had to remember. | 0:38:56 | 0:38:58 | |
I said to you, Jerry, | 0:38:58 | 0:39:00 | |
remind me about the digestives! | 0:39:00 | 0:39:02 | |
(SIGHS) | 0:39:04 | 0:39:05 | |
DOORBELL RINGS | 0:39:05 | 0:39:07 | |
I'll get it. | 0:39:07 | 0:39:08 | |
I'm so sorry. | 0:40:00 | 0:40:01 | |
I'm so sorry. | 0:40:05 | 0:40:06 | |
WOMAN: Why don't we talk about the flowers? | 0:40:13 | 0:40:15 | |
Have you any thoughts about what you might like for the church? | 0:40:16 | 0:40:19 | |
Well, carnations are traditional, aren't they? | 0:40:20 | 0:40:24 | |
And maybe some hyacinth. | 0:40:24 | 0:40:27 | |
Cat bought me some once for Mother's Day. | 0:40:27 | 0:40:30 | |
They always make me think of her. | 0:40:30 | 0:40:32 | |
Um... | 0:40:33 | 0:40:34 | |
I... I was wondering maybe we should have Cat's favourite flowers. | 0:40:35 | 0:40:39 | |
She loved lilies. | 0:40:40 | 0:40:41 | |
She never mentioned it to me. | 0:40:44 | 0:40:46 | |
Um, we can come back to the flowers. | 0:40:47 | 0:40:49 | |
Let's talk about music for the service. | 0:40:49 | 0:40:52 | |
People often like something when everyone's entering and leaving. | 0:40:52 | 0:40:56 | |
I was thinking something soothing. | 0:40:56 | 0:41:00 | |
Maybe some John Denver or Cliff Richard. | 0:41:00 | 0:41:03 | |
Um, I really don't think Cat would've wanted that, Mum. | 0:41:05 | 0:41:08 | |
I... I suppose she told you she didn't like them. | 0:41:09 | 0:41:12 | |
I just don't think she would've wanted cheesy muzak, Mum. | 0:41:12 | 0:41:15 | |
It wasn't Cat's thing. | 0:41:15 | 0:41:17 | |
Oh, well. | 0:41:17 | 0:41:19 | |
I'm obviously getting everything wrong. | 0:41:19 | 0:41:22 | |
I'm sorry. I'm just trying to do my best for my daughter. | 0:41:22 | 0:41:26 | |
But if you don't want my help, then fine. | 0:41:26 | 0:41:30 | |
Fine. (SOBS) | 0:41:30 | 0:41:31 | |
Come on. | 0:41:35 | 0:41:37 | |
Who gets to the age of 30 and doesn't have any unladdered tights? | 0:41:58 | 0:42:00 | |
Tess, I promise you no-one's going to give a shit about your tights. | 0:42:00 | 0:42:03 | |
KNOCK AT DOOR | 0:42:03 | 0:42:04 | |
Frankie in? | 0:42:13 | 0:42:14 | |
Yeah. But we're just about to go to the funeral. | 0:42:14 | 0:42:16 | |
It's OK. You go. I'll catch you up. Tess, just go, all right? | 0:42:20 | 0:42:23 | |
Come on. I'll walk you on my way to work. Hi. | 0:42:25 | 0:42:29 | |
Sorry. I didn't know what time you were leavin'. | 0:42:39 | 0:42:41 | |
I just wanted to see how you were doing. | 0:42:41 | 0:42:44 | |
Great. | 0:42:45 | 0:42:46 | |
I guess I had it coming. | 0:42:48 | 0:42:50 | |
What's that supposed to mean? | 0:42:51 | 0:42:53 | |
Nothing. | 0:42:54 | 0:42:56 | |
Then you better get dressed. | 0:42:58 | 0:43:00 | |
No. I'm not going. | 0:43:01 | 0:43:03 | |
What are you talking about? | 0:43:03 | 0:43:05 | |
I... I can't sit there with Sam and Cat's parents, | 0:43:08 | 0:43:11 | |
pretending like we were just good friends, | 0:43:11 | 0:43:13 | |
and no-one knowing what we actually meant to each other. | 0:43:13 | 0:43:16 | |
Would you go? | 0:43:18 | 0:43:19 | |
Yeah. I would, cos I'm not a total idiot. | 0:43:21 | 0:43:24 | |
You know what you meant to each other. Sod everyone else. | 0:43:24 | 0:43:28 | |
Frankie. If you don't go, you'll regret it. | 0:43:31 | 0:43:34 | |
Let's get you dressed, and then see how you feel. | 0:43:39 | 0:43:41 | |
God, she was really young. It sucks. | 0:43:44 | 0:43:47 | |
How's your mates? | 0:43:47 | 0:43:49 | |
Ah, well, they've just lost their partner, sister | 0:43:49 | 0:43:51 | |
and best friend on her birthday, so not exactly chipper. | 0:43:51 | 0:43:55 | |
Fingers crossed they held on to the receipts for the birthday presents. | 0:43:55 | 0:43:58 | |
Still, a chapter ends for them, and a door opens for you. | 0:44:00 | 0:44:05 | |
What? | 0:44:05 | 0:44:06 | |
Well, she was the girlfriend of the one you fancy, right? | 0:44:06 | 0:44:09 | |
You're unbelievable. | 0:44:10 | 0:44:12 | |
(SCOFFS) What? | 0:44:12 | 0:44:13 | |
Look, I might catch up with you later. | 0:44:14 | 0:44:16 | |
Oh, what? You're not going to eat lunch? | 0:44:16 | 0:44:18 | |
No. Because I'm having lunch with him. | 0:44:18 | 0:44:20 | |
Well, I've been deeply affected by your friend's bereavement. | 0:44:23 | 0:44:25 | |
I've decided life's too short to eat lunch with your pals, | 0:44:25 | 0:44:28 | |
when actually, I should be trying to get laid. | 0:44:28 | 0:44:30 | |
See ya. | 0:44:30 | 0:44:32 | |
MOBILE PHONE RINGS | 0:44:36 | 0:44:38 | |
Hi. Is, um... Is this seat taken? | 0:44:45 | 0:44:49 | |
-No. -It's not? | 0:44:49 | 0:44:52 | |
Oh, it's free. Might I... | 0:44:52 | 0:44:54 | |
That all right? | 0:44:54 | 0:44:56 | |
(LAUGHS) | 0:44:58 | 0:45:00 | |
Hey, Frankie. It's me. | 0:45:00 | 0:45:01 | |
Um, where are you? It's going to start any minute. | 0:45:01 | 0:45:05 | |
Um...if you're not going to come, can you just call me, | 0:45:06 | 0:45:09 | |
and let me know you're OK? | 0:45:09 | 0:45:11 | |
Bye. | 0:45:11 | 0:45:12 | |
She's still not answering. | 0:45:16 | 0:45:18 | |
Maybe she just can't take it. | 0:45:18 | 0:45:19 | |
MOURNFUL MUSIC PLAYS | 0:45:19 | 0:45:23 | |
(What's with the music?) | 0:45:23 | 0:45:25 | |
(SIGHS) It's Judy's idea. | 0:45:25 | 0:45:27 | |
We're having something that Cat might actually have liked later. | 0:45:27 | 0:45:31 | |
-Your parents here? -I haven't told them. | 0:45:32 | 0:45:35 | |
They're on holiday, so... | 0:45:36 | 0:45:38 | |
JUDY: Those ought to be inside, shouldn't they, Jerry? | 0:45:38 | 0:45:41 | |
They should all be in by now, surely. | 0:45:41 | 0:45:43 | |
And I hope those hyacinths are inside, | 0:45:43 | 0:45:46 | |
because I can't see them out here. | 0:45:46 | 0:45:48 | |
Starting to think Australia might be nice this time of year. | 0:45:48 | 0:45:50 | |
Or you can always come and visit me | 0:45:50 | 0:45:52 | |
if you need to get away. | 0:45:52 | 0:45:54 | |
What...? | 0:45:54 | 0:45:55 | |
Yeah. I've been offered the job in London. I might take it. | 0:45:55 | 0:45:59 | |
What? | 0:45:59 | 0:46:00 | |
Yeah, it's, uh... | 0:46:00 | 0:46:02 | |
You don't have to work somewhere every day where she used to be. | 0:46:02 | 0:46:05 | |
It's doing my head in. | 0:46:05 | 0:46:06 | |
Anyway, life's too short, as we've just found out. | 0:46:06 | 0:46:09 | |
FOOTSTEPS APPROACH | 0:46:09 | 0:46:11 | |
Uh...your mum's getting a bit anxious. | 0:46:14 | 0:46:15 | |
We'd better get in. | 0:46:15 | 0:46:18 | |
'Catherine's life might have been cut short,' | 0:46:21 | 0:46:24 | |
but she had lived it to the full. | 0:46:24 | 0:46:27 | |
A loving daughter to Judy and Jerry, | 0:46:27 | 0:46:32 | |
a sister to Edward, | 0:46:32 | 0:46:34 | |
a talented architect, | 0:46:34 | 0:46:37 | |
she touched the lives of all those around her. | 0:46:37 | 0:46:41 | |
(Who the hell is this joker?) | 0:46:41 | 0:46:43 | |
We wanted someone secular, but Mum thought it might be weird. | 0:46:43 | 0:46:47 | |
Like this isn't. | 0:46:47 | 0:46:49 | |
..and in the buildings she helped to design. | 0:46:51 | 0:46:56 | |
She hasn't got back to me, either. | 0:46:56 | 0:46:58 | |
It's bloody Sadie. I bet it's so her fault. | 0:46:58 | 0:47:01 | |
You think they're out getting wasted somewhere? | 0:47:01 | 0:47:04 | |
That's probably what I'd do, if I was in her shoes. | 0:47:04 | 0:47:07 | |
Frankie's been through shit before. She'll come out the other side. | 0:47:08 | 0:47:12 | |
Yeah. | 0:47:12 | 0:47:13 | |
Now Catherine's brother, Edward, will say a few words. | 0:47:13 | 0:47:18 | |
You know, don't you? | 0:47:18 | 0:47:20 | |
Well, they do say it's better to have loved and lost. | 0:47:22 | 0:47:25 | |
(VOICE BREAKS) Cat...wasn't just my big sister. | 0:47:35 | 0:47:38 | |
She was much more than that. | 0:47:40 | 0:47:41 | |
Anyone who knew her will know how kind she was... | 0:47:43 | 0:47:46 | |
..and...how organised. | 0:47:48 | 0:47:50 | |
C-Cat was my go-to person | 0:47:55 | 0:47:58 | |
when I needed help. | 0:47:58 | 0:48:01 | |
So when I was little, and I couldn't tie my shoelaces, | 0:48:01 | 0:48:05 | |
Cat showed me how. | 0:48:05 | 0:48:07 | |
She encouraged me to keep writing | 0:48:09 | 0:48:12 | |
when I thought getting published was just a pipedream. | 0:48:12 | 0:48:14 | |
And...if I was ever upset, | 0:48:16 | 0:48:19 | |
she always knew what to say. | 0:48:19 | 0:48:21 | |
Anyway... | 0:48:23 | 0:48:25 | |
Well, now my big sister's died, | 0:48:25 | 0:48:28 | |
-and... -(INHALES SHARPLY) | 0:48:28 | 0:48:31 | |
..the person I really need to call is Cat... | 0:48:31 | 0:48:34 | |
..cos she'd tell me how to get through this. | 0:48:35 | 0:48:38 | |
Anyway, I... I just wanted to say that... | 0:48:42 | 0:48:45 | |
I miss her... | 0:48:45 | 0:48:46 | |
..and I'm never going to stop missing her. | 0:48:49 | 0:48:50 | |
Uh, I think... | 0:48:59 | 0:49:00 | |
I think Sam's going to say a few words now. | 0:49:00 | 0:49:04 | |
Cat was the best thing that ever happened to me. | 0:49:28 | 0:49:31 | |
I thought I'd have kids with her and grow old with her. | 0:49:31 | 0:49:35 | |
I never thought I'd be here today, saying this. | 0:49:38 | 0:49:43 | |
Double whisky. | 0:49:48 | 0:49:49 | |
This is a pub, right? | 0:49:51 | 0:49:52 | |
Not the fucking priory. | 0:49:52 | 0:49:54 | |
PRIEST: "For I am the resurrection and the life," said the Lord. | 0:49:58 | 0:50:02 | |
"He that believeth in Me, | 0:50:02 | 0:50:04 | |
"though he were dead, yet shall he live. | 0:50:04 | 0:50:07 | |
"And whomsoever liveth and believeth in Me | 0:50:09 | 0:50:12 | |
"shall never die. | 0:50:12 | 0:50:15 | |
"Dust to dust. | 0:50:15 | 0:50:17 | |
"Ashes to ashes." | 0:50:17 | 0:50:19 | |
(RINGS DOORBELL) | 0:50:41 | 0:50:43 | |
What are you doing here? | 0:50:50 | 0:50:52 | |
I just want to...talk to you. | 0:50:55 | 0:50:58 | |
Are you drunk? | 0:50:58 | 0:51:00 | |
Cat died. | 0:51:04 | 0:51:05 | |
She's dead. | 0:51:06 | 0:51:08 | |
I am really, really sorry to hear that. | 0:51:09 | 0:51:12 | |
Are you all right? | 0:51:13 | 0:51:15 | |
Can I come in? | 0:51:16 | 0:51:18 | |
No. | 0:51:18 | 0:51:20 | |
No. I'm sorry. | 0:51:20 | 0:51:21 | |
Please. | 0:51:21 | 0:51:23 | |
I, um...just want to talk. | 0:51:24 | 0:51:27 | |
Well, you... You can't be here. | 0:51:27 | 0:51:29 | |
MAN: Alma, who is it? | 0:51:29 | 0:51:31 | |
No-one. | 0:51:31 | 0:51:33 | |
-I'm your... I'm your daughter. -John's here. We can't talk now. | 0:51:35 | 0:51:38 | |
We can talk another time. | 0:51:38 | 0:51:40 | |
Yeah. | 0:51:40 | 0:51:42 | |
Just... (CLEARS THROAT) | 0:51:42 | 0:51:44 | |
..run and save your own skin, like you did before, yeah? | 0:51:44 | 0:51:47 | |
Everything all right? | 0:51:47 | 0:51:49 | |
Yeah. It's fine. I'll be down in a minute. | 0:51:49 | 0:51:51 | |
Don't let me ruin your evening. Just screw how I feel. | 0:51:51 | 0:51:54 | |
I'm just messing up your lovely little life, aren't I? | 0:51:54 | 0:51:56 | |
Well, fuck you! | 0:51:56 | 0:51:58 | |
I didn't want to know you, anyway. | 0:52:08 | 0:52:10 | |
You know? | 0:52:10 | 0:52:11 | |
I just... | 0:52:13 | 0:52:14 | |
(CHATTER INDISTINCTLY) | 0:52:19 | 0:52:21 | |
Frankie? | 0:52:34 | 0:52:36 | |
I left her a note. Maybe I should try her again. | 0:53:08 | 0:53:12 | |
You know Frankie. She'll just be doing her own thing. | 0:53:12 | 0:53:15 | |
It's Sam I'm worried about. It's got to be worse for her. | 0:53:15 | 0:53:19 | |
Yeah. I suppose. | 0:53:21 | 0:53:23 | |
Mum's going to drive me mad. | 0:53:25 | 0:53:27 | |
She'll calm down eventually. | 0:53:28 | 0:53:30 | |
(EXHALES) | 0:54:51 | 0:54:53 | |
SADIE: Hello? | 0:55:01 | 0:55:02 | |
I guess it didn't go so well, then. | 0:55:19 | 0:55:22 | |
If she wasn't with me... | 0:55:26 | 0:55:28 | |
..she'd still be at work. | 0:55:29 | 0:55:31 | |
She... She'd...be alive. | 0:55:33 | 0:55:35 | |
No, no, no, no. | 0:55:36 | 0:55:38 | |
Shh. | 0:55:38 | 0:55:40 | |
-(SOBS) -Shh. Come on. | 0:55:45 | 0:55:47 | |
That's not true. | 0:55:49 | 0:55:51 | |
Please. | 0:56:09 | 0:56:11 |