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It's just so comforting. | 0:00:33 | 0:00:37 | |
Falling asleep in her arms and wake up to the sound of her breathing. | 0:00:37 | 0:00:41 | |
Mmm. | 0:00:41 | 0:00:42 | |
That quiet sound that reminds you that you're not alone | 0:00:42 | 0:00:47 | |
and life is still worth living. | 0:00:47 | 0:00:50 | |
Even with Nora? | 0:00:50 | 0:00:52 | |
Tess, you've got Nora all wrong. | 0:00:52 | 0:00:54 | |
She's great. She really likes you. | 0:00:54 | 0:00:57 | |
What's she like with people she hates? | 0:00:57 | 0:00:59 | |
It was her idea that I bring you breakfast today. | 0:00:59 | 0:01:02 | |
Why? | 0:01:02 | 0:01:04 | |
Because she feels really bad that | 0:01:04 | 0:01:05 | |
I'm taking her to this film awards thing tonight instead of you. | 0:01:05 | 0:01:08 | |
-What?! -I'm really sorry. | 0:01:08 | 0:01:10 | |
She got so excited when I told her I was going. I couldn't help asking. | 0:01:10 | 0:01:14 | |
What, even though you invited me months ago? | 0:01:14 | 0:01:16 | |
I'll make it up to you. | 0:01:16 | 0:01:18 | |
-I'll take you out for lunch tomorrow. -Yeah, well, don't worry. | 0:01:18 | 0:01:20 | |
I'll find my comfort elsewhere. | 0:01:20 | 0:01:22 | |
So, how have you been? | 0:01:45 | 0:01:47 | |
You know. Keeping busy. | 0:01:47 | 0:01:49 | |
Hey, I got these tickets for this wine tasting thing tonight. | 0:01:52 | 0:01:56 | |
One of the consultants couldn't go, so he gave them to me. | 0:01:56 | 0:02:00 | |
Right. | 0:02:00 | 0:02:01 | |
I mean, he's the most pompous old arse I've ever met, | 0:02:01 | 0:02:05 | |
but it's free wine and apparently the new Bordeauxs are "superlative." | 0:02:05 | 0:02:09 | |
I don't know. Maybe. I'll give you a call later. | 0:02:12 | 0:02:15 | |
Yeah. No, cool. I mean, no pressure. | 0:02:15 | 0:02:17 | |
Hey. How was your run? | 0:02:32 | 0:02:35 | |
Tremendous. But now I'm going to die. | 0:02:35 | 0:02:38 | |
How's Sam? | 0:02:38 | 0:02:40 | |
Oh, I don't know. She doesn't give much away. | 0:02:40 | 0:02:43 | |
I've been meaning to call her. | 0:02:43 | 0:02:44 | |
Ask her for a drink or something, but I just... | 0:02:44 | 0:02:46 | |
Got nothing at all in common with her? | 0:02:46 | 0:02:49 | |
Except maybe Cat. I mean, I guess not. | 0:02:49 | 0:02:52 | |
It's great you're spending time with her, though. | 0:02:53 | 0:02:56 | |
Hey, look. | 0:02:56 | 0:02:58 | |
It's been a really shitty time for both of you. | 0:02:58 | 0:03:00 | |
Hey, are you doing anything later? | 0:03:03 | 0:03:06 | |
Do you want to go to the pub, or...? | 0:03:06 | 0:03:07 | |
Er, no. I'd love to, but I can't. | 0:03:07 | 0:03:11 | |
I invited Sam to this sort of wine tasting thing. | 0:03:11 | 0:03:15 | |
Just to get her out of the house. | 0:03:15 | 0:03:17 | |
I'd ask you, but I've just got a couple of tickets. | 0:03:17 | 0:03:20 | |
Oh, no, no. It's fine. No problem. Got loads of lines to learn. | 0:03:20 | 0:03:24 | |
Sorry, Lex. I borrowed your laptop again. | 0:03:24 | 0:03:28 | |
-More job applications? -No, I've written an article. | 0:03:28 | 0:03:31 | |
Going to see if I can get it published. | 0:03:31 | 0:03:33 | |
Save me from my temping nightmare. | 0:03:33 | 0:03:35 | |
-You should've got Ed to read it. -Oh, it's all right. | 0:03:35 | 0:03:37 | |
I've already got an in at Minus 21 magazine. | 0:03:37 | 0:03:40 | |
How come? | 0:03:40 | 0:03:43 | |
I fucked the editor. | 0:03:43 | 0:03:44 | |
Have you nicked my stapler again? | 0:03:55 | 0:03:58 | |
It's a fair cop. | 0:04:06 | 0:04:07 | |
Sam, there's something I need to ask you. | 0:04:16 | 0:04:19 | |
They've released Cat's possessions from the scene. | 0:04:20 | 0:04:23 | |
I've got them. They ought to go to her parents, but I... | 0:04:23 | 0:04:26 | |
I thought you might like to have them. | 0:04:26 | 0:04:29 | |
I mean, if you prefer, I could take them round to her... | 0:04:29 | 0:04:32 | |
I'll have a think about it. | 0:04:32 | 0:04:34 | |
-Thanks. -OK. | 0:04:34 | 0:04:37 | |
I see you've finished your session with Inspector Morse. | 0:04:51 | 0:04:54 | |
I know, you're only supporting her as a friend. | 0:04:54 | 0:04:57 | |
That's right, you embittered old cynic. | 0:04:57 | 0:05:00 | |
Anyway, I've invited her to a wine tasting thingy tonight. | 0:05:02 | 0:05:06 | |
And that's not like a date or anything? | 0:05:06 | 0:05:08 | |
No, it's nothing like a date. | 0:05:08 | 0:05:11 | |
You don't think she's going to think it's like a date, do you? | 0:05:11 | 0:05:14 | |
-Who's got a date? -Nobody! | 0:05:14 | 0:05:16 | |
-Especially not our Lexy. -No, I've just invited Sam... | 0:05:16 | 0:05:20 | |
-Who she fancies the arse off of. -..to a wine tasting. | 0:05:20 | 0:05:22 | |
But it's not like a date. I mean, nothing at all like a date(!) | 0:05:22 | 0:05:25 | |
Right. | 0:05:25 | 0:05:28 | |
Everything OK? | 0:05:28 | 0:05:29 | |
Ah, I was going to ask you to do something tonight | 0:05:30 | 0:05:33 | |
-instead of tomorrow. Something came up. -Oh, sorry. | 0:05:33 | 0:05:36 | |
No worries. I'll fix it. | 0:05:36 | 0:05:39 | |
Thought she was supposed to be no strings attached. | 0:05:42 | 0:05:44 | |
She is. | 0:05:44 | 0:05:46 | |
Right, so you're not going on a date | 0:05:47 | 0:05:49 | |
and she's not in any way at all jealous. | 0:05:49 | 0:05:52 | |
Hmm. Do you mind if we switch to my less finely nuanced love life? | 0:05:52 | 0:05:55 | |
BEEPER SOUNDS Do you think it's possible that Sex-ray is straight | 0:05:55 | 0:05:59 | |
and my sonically calibrated gaydar is off beam? | 0:05:59 | 0:06:02 | |
Ah, let me just check my gaydar. | 0:06:02 | 0:06:05 | |
It says...even if he WAS gay he wouldn't fancy you. | 0:06:05 | 0:06:10 | |
Ha-ha(!) | 0:06:10 | 0:06:13 | |
Hey. Someone page me? | 0:06:18 | 0:06:21 | |
Yes, I did. There's a patient waiting for you in chairs. | 0:06:21 | 0:06:25 | |
Cool. | 0:06:25 | 0:06:26 | |
Er, there's no-one there. Did someone else take him? | 0:06:34 | 0:06:37 | |
No, he wouldn't see anyone else. | 0:06:37 | 0:06:39 | |
He only wanted you. | 0:06:39 | 0:06:41 | |
He was really insistent about it. | 0:06:41 | 0:06:43 | |
Cool, thanks. | 0:06:47 | 0:06:49 | |
Fine. Now what we need is someone standing for them all arriving | 0:06:52 | 0:06:55 | |
to give out a copy of the latest...issue. | 0:06:55 | 0:06:59 | |
Um, yeah. Yeah. | 0:07:04 | 0:07:07 | |
What moron thought it would be a good idea | 0:07:07 | 0:07:09 | |
to send a work experience to pick the investors up from the airport? | 0:07:09 | 0:07:12 | |
If it was Karen, you can tell her she's back in the post room. | 0:07:12 | 0:07:17 | |
You can send that girl over. | 0:07:17 | 0:07:19 | |
If you'd like to just go through. | 0:07:24 | 0:07:26 | |
What are you doing here? | 0:07:28 | 0:07:31 | |
-I wanted to talk to you. -You're fucking joking, Sadie? Here? | 0:07:31 | 0:07:34 | |
I told you it was a one-time thing. Are you some sort of stalker? | 0:07:37 | 0:07:40 | |
I wanted to give you this. | 0:07:41 | 0:07:43 | |
It's an article I've written for the magazine. | 0:07:43 | 0:07:45 | |
Remember you said I should give you my ideas? | 0:07:45 | 0:07:49 | |
Or have you forgotten that now you've fucked me? | 0:07:49 | 0:07:51 | |
And don't flatter yourself that I'd bother stalking you. | 0:07:51 | 0:07:54 | |
You weren't all that. | 0:07:54 | 0:07:57 | |
-You coming out tonight? -Oh, no. Not tonight. | 0:08:03 | 0:08:08 | |
Look, Sam, if you don't want to face the whole gang, we could go back | 0:08:08 | 0:08:12 | |
to yours for a curry. I'll even endure your Cagney and Lacey box set. | 0:08:12 | 0:08:15 | |
-Now, that's an offer you won't get every day. -Thanks, I appreciate it. | 0:08:15 | 0:08:20 | |
-Actually, I'm going out tonight. -Yeah? | 0:08:20 | 0:08:22 | |
Mm-hm. I'm going to a wine tasting event with my running partner. | 0:08:22 | 0:08:26 | |
-Serious? -Yeah. | 0:08:26 | 0:08:27 | |
So you're blowing out The Grampian for a wine tasting? | 0:08:27 | 0:08:31 | |
You're never going to live this one down, Murray. | 0:08:31 | 0:08:33 | |
-I'll see you later. -See you. | 0:08:33 | 0:08:35 | |
PHONE RINGING | 0:08:35 | 0:08:37 | |
I can't believe Ed's just ditched me | 0:08:44 | 0:08:45 | |
so he can take stupid Carol to the film awards instead. | 0:08:45 | 0:08:49 | |
It's amazing the depths people will stoop to for regular sex. | 0:08:49 | 0:08:52 | |
Yeah, well, he's supposed to be my best friend. | 0:08:53 | 0:08:56 | |
He's pretty much the only friend I've got left here, apart from you. | 0:08:56 | 0:08:59 | |
What about your new flatmates? I thought you were bonding with them. | 0:08:59 | 0:09:02 | |
Well, they're too busy | 0:09:02 | 0:09:04 | |
having vital, life-enhancing sexual experiences. | 0:09:04 | 0:09:07 | |
Can't you tell them to conduct their sexcapades elsewhere? | 0:09:07 | 0:09:10 | |
Oh, they're all right. | 0:09:10 | 0:09:12 | |
Well, Sadie's a bit of a pain, but Lexy's lovely. | 0:09:12 | 0:09:16 | |
Like, she's really kind and understanding, you know. | 0:09:16 | 0:09:19 | |
-Tess! -Mmm? | 0:09:19 | 0:09:21 | |
Have you fallen for your roomie? | 0:09:21 | 0:09:23 | |
No! God, no. | 0:09:23 | 0:09:25 | |
OK, maybe a little bit. | 0:09:28 | 0:09:30 | |
But, you know, it's pretty hopeless. | 0:09:31 | 0:09:34 | |
I mean, she hardly looks at me. | 0:09:34 | 0:09:36 | |
Not like she's picturing me naked, anyway. | 0:09:36 | 0:09:39 | |
-Sext her. -What? | 0:09:39 | 0:09:40 | |
Show her what she's missing. What all the kids are doing. | 0:09:40 | 0:09:43 | |
Um, no, because then she'd think I was a psycho. | 0:09:43 | 0:09:47 | |
I did actually try asking her out this morning, | 0:09:47 | 0:09:50 | |
but she said she was busy, so... | 0:09:50 | 0:09:52 | |
Well, where did you ask her out to? | 0:09:52 | 0:09:54 | |
-Pub. -Well, that's not going to work. | 0:09:54 | 0:09:57 | |
You've got to invite her somewhere outside the flatmate zone. | 0:09:57 | 0:10:00 | |
So the mood can take you. | 0:10:00 | 0:10:01 | |
Well, I can't ask her out officially. | 0:10:01 | 0:10:04 | |
If she turns me down, we'll be stuck avoiding each other | 0:10:04 | 0:10:08 | |
for the next year over the Rice Krispies. | 0:10:08 | 0:10:10 | |
Listen, think stealth dating. | 0:10:10 | 0:10:12 | |
Pretend to take her somewhere fun and friendly, like salsa classes. | 0:10:12 | 0:10:16 | |
One minute you're doing the salsa, the next you're rumba-ing in her knickers. | 0:10:16 | 0:10:20 | |
What, really?! | 0:10:20 | 0:10:21 | |
Try it. See where it leads you. | 0:10:21 | 0:10:23 | |
Yeah, well, knowing me, it will probably lead to humiliation | 0:10:23 | 0:10:27 | |
and a really bad hangover. | 0:10:27 | 0:10:30 | |
You're late. | 0:10:48 | 0:10:50 | |
And put your fucking hat on. | 0:10:50 | 0:10:53 | |
I can't talk about this just now. I'm at work. | 0:10:53 | 0:10:58 | |
No, I've got to go. | 0:10:58 | 0:11:00 | |
You all right? | 0:11:00 | 0:11:03 | |
Yeah. Domestic bliss. Susie's being a bit of a nightmare. | 0:11:03 | 0:11:06 | |
If our thing is causing any extra strain, you know, | 0:11:06 | 0:11:09 | |
we can just cool it off for a while. | 0:11:09 | 0:11:11 | |
No, it's got nothing to do with that. | 0:11:11 | 0:11:13 | |
It's her work. | 0:11:13 | 0:11:15 | |
And maybe now that I'm a bit stressed, | 0:11:15 | 0:11:17 | |
you could help me let off some steam. | 0:11:17 | 0:11:19 | |
Oh, um...yeah. No, I can't. | 0:11:19 | 0:11:24 | |
I've got to see Sam. | 0:11:24 | 0:11:26 | |
Oh, yeah. I forgot about your big date. | 0:11:26 | 0:11:28 | |
Big non-date. Yeah, I should go. | 0:11:28 | 0:11:31 | |
I can't believe Hearts Of Stone is still on at my local. | 0:11:37 | 0:11:41 | |
Every day I have to pass that kilted twat. | 0:11:41 | 0:11:44 | |
-"Thomas Delaware -IS -Hamish of Scone." | 0:11:45 | 0:11:48 | |
(IMITATES THOMAS) The heart that bears the stone will e'er be free! | 0:11:48 | 0:11:54 | |
Oh, come on! That was a good impression. | 0:11:56 | 0:11:59 | |
Do you think if I killed Nora, | 0:12:01 | 0:12:04 | |
they'd let me off for justifiable homicide? | 0:12:04 | 0:12:07 | |
-I bet there's loads of people who would testify how incredibly... -Tess! | 0:12:07 | 0:12:11 | |
Tess, Tess, Tess. I am so, so sorry about tonight. | 0:12:11 | 0:12:15 | |
Myself and Eddie have just been racked with guilt. | 0:12:15 | 0:12:18 | |
But I have bought you a bottle. | 0:12:18 | 0:12:20 | |
So, you can still have a lovely evening at home. | 0:12:20 | 0:12:22 | |
Oh, great! | 0:12:22 | 0:12:24 | |
Me and my bottle of really... | 0:12:26 | 0:12:30 | |
really posh champagne! | 0:12:30 | 0:12:32 | |
TELEPHONE RINGS | 0:12:55 | 0:12:57 | |
-Hi, Lexy. -So, are you coming? | 0:13:02 | 0:13:05 | |
Great! OK, cool. | 0:13:07 | 0:13:09 | |
Um, I'll pick you up in an hour. | 0:13:09 | 0:13:12 | |
OK, see you. Bye. | 0:13:12 | 0:13:14 | |
Sadie, table 12 wants cheese. | 0:13:43 | 0:13:46 | |
Can I help you? | 0:14:15 | 0:14:17 | |
I came to apologise. There was no need for me to be so rude. | 0:14:17 | 0:14:21 | |
OK. Apology accepted. | 0:14:23 | 0:14:26 | |
It's no excuse, but I am just really, really busy. | 0:14:26 | 0:14:29 | |
And yet you took time to come and say sorry in person? | 0:14:31 | 0:14:35 | |
So, why are you really here? | 0:14:35 | 0:14:38 | |
Let's taste the 2007. | 0:14:54 | 0:14:56 | |
On the nose, I'm getting...cherries. | 0:14:59 | 0:15:03 | |
And violets. | 0:15:04 | 0:15:05 | |
It's more fleshy than the 2006. | 0:15:06 | 0:15:09 | |
Much more...voluptuous. | 0:15:09 | 0:15:12 | |
A real animal vigour. | 0:15:12 | 0:15:14 | |
But I do detect a slight false note in the middle of the palate. | 0:15:16 | 0:15:21 | |
That's why I became a lesbian. | 0:15:21 | 0:15:23 | |
SPLUTTERS | 0:15:23 | 0:15:25 | |
Ah! It seems as if someone else agrees with me. | 0:15:25 | 0:15:29 | |
Can you detect the false note? | 0:15:29 | 0:15:30 | |
What flavours are you getting from the 2007? | 0:15:32 | 0:15:36 | |
Ah, um... | 0:15:36 | 0:15:38 | |
Er... | 0:15:39 | 0:15:40 | |
-Black pepper? -Mm-hm. | 0:15:42 | 0:15:45 | |
Um...cherries. | 0:15:45 | 0:15:48 | |
And, er... | 0:15:48 | 0:15:50 | |
Twigs. | 0:15:55 | 0:15:57 | |
How interesting. Yes. | 0:15:57 | 0:15:59 | |
I can taste the oak. | 0:16:01 | 0:16:03 | |
Oh, I'm also getting a hint of citrus. | 0:16:03 | 0:16:08 | |
And, um... | 0:16:08 | 0:16:09 | |
Oof! I don't know how that found its way in there, | 0:16:09 | 0:16:13 | |
but...wet carpet? | 0:16:13 | 0:16:15 | |
SNIGGERS | 0:16:15 | 0:16:18 | |
Maybe you'd like to share with us why you think this is a laughing matter. | 0:16:22 | 0:16:26 | |
A grape may just be a grape to you | 0:16:30 | 0:16:32 | |
but everyone else is here to learn something | 0:16:32 | 0:16:34 | |
about these fascinating Bordeaux. | 0:16:34 | 0:16:36 | |
Shall we continue, with number five? | 0:16:38 | 0:16:42 | |
HEAVY BREATHING | 0:16:43 | 0:16:46 | |
GASPS | 0:16:54 | 0:16:56 | |
-Oh, don't stop! -Say you're sorry. | 0:16:56 | 0:16:59 | |
What? | 0:16:59 | 0:17:00 | |
-Say you're really, really sorry. -I'm sorry. | 0:17:00 | 0:17:04 | |
SIGHS | 0:17:07 | 0:17:09 | |
MOANS | 0:17:11 | 0:17:14 | |
Oh! | 0:17:14 | 0:17:17 | |
Oh! | 0:17:17 | 0:17:18 | |
SHE SIGHS | 0:17:23 | 0:17:26 | |
I am late. I am so fucking late. | 0:17:26 | 0:17:29 | |
Worth it, though, eh? | 0:17:29 | 0:17:33 | |
TELEPHONE RINGS | 0:17:33 | 0:17:35 | |
Oh, fuck. Untie me. I've got to get that. | 0:17:35 | 0:17:38 | |
-Say please. -Sadie! | 0:17:38 | 0:17:40 | |
Oh, God. Hey! | 0:17:45 | 0:17:48 | |
No. I know, I know. It's because of the party. | 0:17:50 | 0:17:53 | |
So many last-minute glitches. | 0:17:53 | 0:17:55 | |
Yeah, yeah. I'll see you soon. Bye. | 0:17:55 | 0:17:58 | |
So, I'm a glitch, then, am I? | 0:17:58 | 0:18:00 | |
Yeah. You're a total fucking glitch, but a very entertaining one. | 0:18:01 | 0:18:05 | |
So, have you read my masterpiece, then? | 0:18:07 | 0:18:10 | |
No. I am going to. | 0:18:10 | 0:18:11 | |
If it's good enough, do I get an invite to this party? | 0:18:11 | 0:18:14 | |
It's not that kind of party. | 0:18:14 | 0:18:16 | |
It's one of those schmoozy corporate things. | 0:18:16 | 0:18:19 | |
I'm good at schmoozing. | 0:18:19 | 0:18:21 | |
God, this lot would bore you to death. | 0:18:21 | 0:18:24 | |
Look, I'll read your article tomorrow. I promise. | 0:18:24 | 0:18:27 | |
Can I give you 250? | 0:18:27 | 0:18:30 | |
That should cover the hotel bill. | 0:18:30 | 0:18:32 | |
I am just in such a hurry. | 0:18:32 | 0:18:35 | |
It says this one's nose is a little bit rustic. | 0:18:38 | 0:18:42 | |
Sounds like my uncle Dale. | 0:18:42 | 0:18:44 | |
Oh, God. | 0:18:46 | 0:18:48 | |
It feels like I haven't used those muscles in a while. | 0:18:48 | 0:18:51 | |
Sam, you don't have to feel guilty about having fun. | 0:18:54 | 0:18:58 | |
I thought Cat was fucking Frankie. | 0:19:01 | 0:19:03 | |
-What would... -Doesn't matter. I was wrong. | 0:19:07 | 0:19:10 | |
I just... I feel a little bit shit about it. | 0:19:10 | 0:19:12 | |
Sam, one of the first things most people feel is guilt. | 0:19:15 | 0:19:17 | |
Thank you, Doctor. I'm not here for bereavement counselling. | 0:19:17 | 0:19:20 | |
OK, sorry. | 0:19:20 | 0:19:22 | |
Actually, I wanted to ask your professional opinion. | 0:19:25 | 0:19:29 | |
Some weird stuff's been happening at work and I can't work out | 0:19:29 | 0:19:31 | |
if it's someone winding me up or something creepy is going on. | 0:19:31 | 0:19:34 | |
What's been happening? | 0:19:34 | 0:19:36 | |
A letter in my locker. | 0:19:36 | 0:19:39 | |
Saying what? | 0:19:39 | 0:19:41 | |
-"I know"? -Oh, and someone paged me today | 0:19:44 | 0:19:48 | |
and when I got there, the patient had disappeared. | 0:19:48 | 0:19:51 | |
I've tried to figure it out but I've realised... | 0:19:51 | 0:19:53 | |
I mean, there's nothing mysterious or interesting | 0:19:53 | 0:19:56 | |
or even vaguely secret about my life, which is kind of sad. | 0:19:56 | 0:20:00 | |
Have you pissed anyone off lately? | 0:20:00 | 0:20:02 | |
Not more than usual. | 0:20:03 | 0:20:05 | |
Is your girlfriend the jealous type? | 0:20:06 | 0:20:08 | |
No. I don't have a girlfriend. | 0:20:08 | 0:20:11 | |
I need the toilet. | 0:20:17 | 0:20:19 | |
It's OK. Keep breathing into your hands, that's it. | 0:21:35 | 0:21:37 | |
Breathe into here. | 0:21:40 | 0:21:42 | |
Bit deeper if you can. | 0:21:42 | 0:21:44 | |
Has this happened before? | 0:21:50 | 0:21:52 | |
Once or twice. | 0:21:54 | 0:21:56 | |
Oh, no. Don't worry. I won't tell anyone. | 0:21:59 | 0:22:01 | |
OK, let's get you home. You all right? | 0:22:08 | 0:22:10 | |
So, that's £145, please. | 0:22:17 | 0:22:20 | |
Keep the change. | 0:22:32 | 0:22:34 | |
Oh! | 0:23:01 | 0:23:02 | |
Ooh! | 0:23:04 | 0:23:06 | |
Uh! | 0:23:21 | 0:23:24 | |
SHE GROANS | 0:23:24 | 0:23:26 | |
We should've run straight to the pub. | 0:23:34 | 0:23:36 | |
Got some hair of the dog before showing up to work. | 0:23:36 | 0:23:39 | |
At the hospital and the police station? | 0:23:39 | 0:23:41 | |
Maybe not such a good look. | 0:23:41 | 0:23:43 | |
Listen, I was thinking about your stalker thing. | 0:23:47 | 0:23:50 | |
You need to write everything down. | 0:23:50 | 0:23:51 | |
Exactly what happens, the time and the date. | 0:23:51 | 0:23:54 | |
-Just in case it gets serious. -Oh, great. | 0:23:54 | 0:23:55 | |
You think I'll end up tied to some weirdo's radiator? | 0:23:55 | 0:23:58 | |
No! You just might need it as proof. | 0:23:58 | 0:24:01 | |
I don't know. I think it's just a case of mistaken identity. | 0:24:01 | 0:24:05 | |
Have you told them at work about your panic attacks? | 0:24:08 | 0:24:10 | |
No. They'd just stick me on desk duty and I couldn't hack it. | 0:24:10 | 0:24:13 | |
Oh, fuck running. I'm getting a Danish. | 0:24:17 | 0:24:19 | |
Hey! | 0:24:42 | 0:24:44 | |
-Hey, Tess. -Hey, um... | 0:24:44 | 0:24:47 | |
I was just, er... | 0:24:53 | 0:24:56 | |
I was just reading an article | 0:24:56 | 0:24:58 | |
in The List about skateboarding. | 0:24:58 | 0:25:01 | |
Not that I'm into skateboarding. | 0:25:01 | 0:25:04 | |
Anyway, there was an advert next to it for a roller disco. | 0:25:04 | 0:25:08 | |
Which I reckon I was pretty good at, back in the day. | 0:25:09 | 0:25:12 | |
Could go backwards and everything. | 0:25:13 | 0:25:16 | |
Anyway, it's on tonight. | 0:25:16 | 0:25:20 | |
Yeah, sounds cool. | 0:25:20 | 0:25:22 | |
Brilliant. | 0:25:22 | 0:25:24 | |
Hey! How did it go with the Minus 21 editor? | 0:25:24 | 0:25:27 | |
-Pretty good. -You fucked her again, didn't you? | 0:25:27 | 0:25:30 | |
It was hardly a chore. | 0:25:30 | 0:25:33 | |
She's hot and she could be my ride out of cheese hell. | 0:25:33 | 0:25:37 | |
-Look at you, Anna Nicole Smith! -When's the article coming out? | 0:25:37 | 0:25:40 | |
When she's read it, I guess. | 0:25:40 | 0:25:42 | |
Hey, you. How was the non-date? | 0:25:51 | 0:25:53 | |
-Yeah, it was good, thanks. -Excellent. | 0:25:53 | 0:25:55 | |
You can tell me all about it later | 0:25:55 | 0:25:57 | |
because I managed to sort out tonight. | 0:25:57 | 0:25:59 | |
-Yeah? Is everything OK with...? -Yeah. As I suspected, PMT. | 0:25:59 | 0:26:03 | |
Do you mind just coming over to mine? | 0:26:03 | 0:26:05 | |
Sure. I'm looking forward to hearing all the non-details. | 0:26:05 | 0:26:10 | |
You see? | 0:26:12 | 0:26:14 | |
Non-jealous. | 0:26:14 | 0:26:16 | |
Non-girlfriend. | 0:26:16 | 0:26:17 | |
Guess who's going to the roller disco with Lexy | 0:26:19 | 0:26:22 | |
and is pretty good at roller-skating? | 0:26:22 | 0:26:25 | |
I spoke to Maggie about Ronald. | 0:26:25 | 0:26:28 | |
Do you know what she's offering? Weekends. | 0:26:28 | 0:26:31 | |
Well, isn't that kind of when you want a dog? | 0:26:31 | 0:26:33 | |
At the weekends? | 0:26:33 | 0:26:36 | |
-Especially if you're single. -That's what they're banking on. | 0:26:36 | 0:26:39 | |
Leaving them free to fly to Rome on romantic mini-breaks. Get real! | 0:26:39 | 0:26:43 | |
So, what are you going to do? | 0:26:43 | 0:26:47 | |
I'm lawyering up. | 0:26:47 | 0:26:49 | |
Show her and Delaware they're fucking with the wrong man. | 0:26:49 | 0:26:53 | |
OK. | 0:26:53 | 0:26:55 | |
And if that one cuts up rough today, she can have a piece of me too. | 0:26:55 | 0:26:58 | |
Morning, everyone. | 0:26:58 | 0:27:00 | |
Can we do the rapprochement scene again? | 0:27:00 | 0:27:04 | |
I just... I loved Tess's anger towards me yesterday. | 0:27:04 | 0:27:07 | |
Wasn't she fantastic, Rory? | 0:27:07 | 0:27:09 | |
-Yeah, that was really good work, Tess. -Nice jumper, Hugh. | 0:27:09 | 0:27:13 | |
Oh, thanks. It's new. | 0:27:14 | 0:27:17 | |
Right. Can we go from "Beautiful, sorrowful roses"? | 0:27:17 | 0:27:20 | |
Yep. | 0:27:20 | 0:27:22 | |
Er, the Welsh goat? | 0:27:23 | 0:27:27 | |
No. | 0:27:27 | 0:27:28 | |
The Irish goat? | 0:27:30 | 0:27:32 | |
It's the brie, Sadie. | 0:27:32 | 0:27:34 | |
It's the brie. | 0:27:34 | 0:27:35 | |
Can I ask you something, Sadie? | 0:27:38 | 0:27:40 | |
Do you actually like cheese? | 0:27:40 | 0:27:43 | |
Yeah, I love it. | 0:27:43 | 0:27:46 | |
And which cheese is your particular favourite? | 0:27:47 | 0:27:50 | |
From our selection? | 0:27:50 | 0:27:52 | |
I like all of them. | 0:27:52 | 0:27:54 | |
This restaurant is famous for its cheese board. | 0:27:58 | 0:28:02 | |
And there are plenty of genuine cheese enthusiasts out there | 0:28:02 | 0:28:05 | |
who would give their eye teeth... | 0:28:05 | 0:28:07 | |
I know, I'm sorry. | 0:28:07 | 0:28:09 | |
It's just... I really, really need the loo. | 0:28:09 | 0:28:13 | |
OK. | 0:28:16 | 0:28:18 | |
-When nature calls... -Thanks. | 0:28:18 | 0:28:20 | |
Say cheese. | 0:28:36 | 0:28:38 | |
The crowdie, or gruth in Gaelic. A Viking oat-covered green cheese. | 0:28:40 | 0:28:43 | |
Bonnet, a delicious goat's milk cheese from a small Ayrshire dairy. | 0:28:43 | 0:28:47 | |
And finally, Bishop Kennedy, an unpasteurised Scottish cheese, | 0:28:47 | 0:28:50 | |
washed in whisky and named after a 15th-century bishop from St Andrews. | 0:28:50 | 0:28:53 | |
Right. | 0:28:55 | 0:28:57 | |
Looks like we've got the cheese situation covered. | 0:28:57 | 0:29:00 | |
-What time do you get off? -Not for a long while yet. | 0:29:00 | 0:29:03 | |
Oh, that's OK. See, we're staying over. | 0:29:03 | 0:29:06 | |
I wouldn't want you to miss out. | 0:29:06 | 0:29:09 | |
Thanks, but I'm seeing my girlfriend later. | 0:29:09 | 0:29:12 | |
Oh, really? Well, your girlfriend is welcome to join us too. | 0:29:12 | 0:29:17 | |
Only if she is as hot as you are, eh? | 0:29:17 | 0:29:20 | |
She's really hot. | 0:29:21 | 0:29:22 | |
She's just not interested in wankers. | 0:29:22 | 0:29:25 | |
Oh, sorry! I meant bankers. | 0:29:25 | 0:29:28 | |
Waitress! | 0:29:31 | 0:29:34 | |
This wine's corked. | 0:29:34 | 0:29:37 | |
It's fine. | 0:29:46 | 0:29:48 | |
-Are you still pissed off at me for seeing Nora? -No. | 0:30:11 | 0:30:14 | |
No, actually, I think anyone who is going to make you happy right now | 0:30:14 | 0:30:18 | |
must be a good thing. | 0:30:18 | 0:30:22 | |
And Nora seems really happy, which is great for everyone. | 0:30:22 | 0:30:24 | |
You've changed your tune. | 0:30:24 | 0:30:26 | |
Yeah, well, I think | 0:30:26 | 0:30:28 | |
you've got to grab love when it comes along. | 0:30:28 | 0:30:31 | |
Nora's got this friend, Meg. | 0:30:31 | 0:30:33 | |
We're seeing her later. | 0:30:33 | 0:30:35 | |
She's gay and she's fit and... | 0:30:35 | 0:30:38 | |
..Nora and I think you'd be perfect together. | 0:30:40 | 0:30:43 | |
Oh, thanks. But I'm busy tonight. | 0:30:43 | 0:30:47 | |
Really? What are you doing? | 0:30:47 | 0:30:49 | |
Just a girls' night out with Lexy. | 0:30:49 | 0:30:52 | |
He's wearing a perfectly pressed shirt, | 0:30:55 | 0:30:58 | |
he's clearly using hair product. | 0:30:58 | 0:31:00 | |
He's selected a low calorie beverage. | 0:31:00 | 0:31:03 | |
-How much more definite can you get? -I need proof. | 0:31:03 | 0:31:06 | |
So just go and ask him if he owns the Glee box set. | 0:31:06 | 0:31:10 | |
-You ask him! -OK, fuck it! | 0:31:10 | 0:31:12 | |
I'll go and find out, but you owe me. | 0:31:12 | 0:31:15 | |
Excuse me. | 0:31:21 | 0:31:25 | |
I was thinking of getting the Moroccan tagine. | 0:31:25 | 0:31:29 | |
I've always wanted to go to Morocco. | 0:31:31 | 0:31:35 | |
Have you ever been to Morocco? | 0:31:35 | 0:31:40 | |
Yes, I have. | 0:31:40 | 0:31:42 | |
Oh? Cool! | 0:31:42 | 0:31:44 | |
Who did you, er... Who did you go with? | 0:31:44 | 0:31:48 | |
My sister. | 0:31:48 | 0:31:50 | |
-Not your... -Wife? No. | 0:31:50 | 0:31:52 | |
But I am gay. | 0:31:54 | 0:31:56 | |
Oh, no. No, I didn't... Ah! | 0:31:58 | 0:32:00 | |
-Yeah, he's gay. -Yes! -I can never see him again. | 0:32:02 | 0:32:07 | |
MOBILE PHONE BEEPS | 0:32:07 | 0:32:09 | |
PHONE BEEPS AGAIN | 0:32:26 | 0:32:28 | |
Sadie! | 0:32:30 | 0:32:32 | |
I've had a complaint from table... Was you on the phone? | 0:32:32 | 0:32:35 | |
You shouldn't even have that with you. | 0:32:35 | 0:32:38 | |
Where is your fucking hat? | 0:32:38 | 0:32:40 | |
Do you know what? | 0:32:42 | 0:32:45 | |
You can take your hat, and your cheese, and your stupid poncey job | 0:32:45 | 0:32:49 | |
and stuff it up your tight little arse! | 0:32:49 | 0:32:52 | |
I've come to collect Cat's things from the scene. | 0:33:14 | 0:33:16 | |
OK. If you're sure. There's no rush. | 0:33:16 | 0:33:19 | |
I'm sure. | 0:33:19 | 0:33:22 | |
Here you are. | 0:33:28 | 0:33:30 | |
I'm sorry. | 0:33:32 | 0:33:34 | |
Thanks. | 0:33:36 | 0:33:37 | |
KNOCK ON DOOR | 0:33:52 | 0:33:54 | |
Work before pleasure. | 0:34:04 | 0:34:07 | |
Did you read my article? | 0:34:08 | 0:34:10 | |
Oh, yeah. It was good. It was good but, um... | 0:34:10 | 0:34:13 | |
We're pretty full over the next few issues, so... | 0:34:13 | 0:34:18 | |
Right. | 0:34:18 | 0:34:19 | |
What's wrong? | 0:34:24 | 0:34:26 | |
Well, I've just lost my job, so I won't be able to pay the rent, | 0:34:26 | 0:34:31 | |
which probably means I'll get kicked out of my flat. | 0:34:31 | 0:34:34 | |
Apart from that, I'm peachy(!) | 0:34:34 | 0:34:37 | |
I'm sorry. | 0:34:37 | 0:34:39 | |
Maybe you should come to the party tonight. | 0:34:39 | 0:34:42 | |
Well, you might be able to get some useful contacts. | 0:34:43 | 0:34:46 | |
And you don't mind me coming now? | 0:34:48 | 0:34:50 | |
No. I'd like us both to come. | 0:34:50 | 0:34:55 | |
I think that can be arranged. | 0:34:57 | 0:34:59 | |
Oh, yeah. | 0:36:01 | 0:36:02 | |
Can you sort the hotel bill again today? | 0:36:02 | 0:36:05 | |
250 was enough yesterday, wasn't it? | 0:36:05 | 0:36:07 | |
Here. | 0:36:09 | 0:36:11 | |
Actually, it was too much. The room's only 150. | 0:36:11 | 0:36:14 | |
-OK. Thanks. -I'll get your change from yesterday. | 0:36:17 | 0:36:20 | |
-No, there's no need. -Yeah, there is. | 0:36:20 | 0:36:23 | |
Thanks. | 0:36:27 | 0:36:29 | |
So, I'll see you at the party, then? | 0:36:29 | 0:36:31 | |
Oh, yeah. Sure. | 0:36:31 | 0:36:34 | |
-Any dress codes? -Doesn't matter. | 0:36:34 | 0:36:37 | |
Come on. | 0:36:58 | 0:37:00 | |
-Hello! Anyone home? -I'm in the kitchen. With wine. | 0:37:23 | 0:37:27 | |
Wow. Something smells nice. | 0:37:29 | 0:37:32 | |
Oh, it's just a little something I rustled up. | 0:37:32 | 0:37:34 | |
Oh, I could do with eating before we go out. | 0:37:34 | 0:37:36 | |
Go out? Oh, no. Bea's coming over. | 0:37:36 | 0:37:39 | |
So, you're not up for the roller disco, then? | 0:37:41 | 0:37:45 | |
What roller disco? | 0:37:46 | 0:37:48 | |
Yeah. We...er, we said we might go tonight? | 0:37:48 | 0:37:51 | |
Oh, did we? Sorry, Tess. | 0:37:51 | 0:37:55 | |
-I'd love to, but... -Oh, no. It's fine. | 0:37:55 | 0:37:57 | |
Actually...actually it's good, | 0:37:57 | 0:37:59 | |
because Ed's asked me to go out with him and Nora, so... | 0:37:59 | 0:38:02 | |
Come on. You hate Nora. | 0:38:02 | 0:38:04 | |
Yeah, but they're fixing me up with one of Nora's friends. | 0:38:04 | 0:38:08 | |
-Apparently she's well fit. -Oh, so you DON'T mind? | 0:38:08 | 0:38:11 | |
No! No. | 0:38:11 | 0:38:13 | |
Cool. Well, maybe we'll both be getting some tonight. | 0:38:13 | 0:38:16 | |
Maybe! | 0:38:16 | 0:38:17 | |
Yeah, I'm just going to call Ed. | 0:38:18 | 0:38:21 | |
-OK. -Yep. | 0:38:21 | 0:38:23 | |
PARTY CHATTER | 0:38:50 | 0:38:54 | |
Wow! You look hot. | 0:39:06 | 0:39:09 | |
Thanks. | 0:39:09 | 0:39:11 | |
Is Bea not here yet? | 0:39:11 | 0:39:13 | |
No, no. She cancelled. She's throwing up. | 0:39:13 | 0:39:16 | |
Oh, well, that's... | 0:39:18 | 0:39:19 | |
Look, I'll call Ed and cancel. | 0:39:19 | 0:39:22 | |
I mean, we've still got time to go to the roller disco. | 0:39:22 | 0:39:26 | |
Oh, don't worry. I couldn't be arsed moving, anyway. | 0:39:26 | 0:39:29 | |
Still, I mean, we could just have a quiet night in. | 0:39:29 | 0:39:33 | |
That's very sweet, Tess, but I'm fine, really. | 0:39:33 | 0:39:35 | |
Just go out. Have fun. Might meet the woman of your dreams. | 0:39:35 | 0:39:39 | |
TELEPHONE RINGS | 0:39:42 | 0:39:44 | |
-Hello? -MAN: -Hello. This is the Highland Bank calling. | 0:39:46 | 0:39:50 | |
-Am I speaking to Lexy Price? -Yep, but I'm kind of busy right now. | 0:39:50 | 0:39:53 | |
This won't take a moment, Miss Price. | 0:39:53 | 0:39:55 | |
There have been some unusual transactions on your card. | 0:39:55 | 0:39:57 | |
-If I can just take you through security? -Yeah. | 0:39:57 | 0:40:00 | |
Can you confirm that your full address | 0:40:00 | 0:40:02 | |
is 16 Birchmore Street, Glasgow? | 0:40:02 | 0:40:04 | |
Uh-huh. Yeah, but it's 14. What are the transactions? | 0:40:04 | 0:40:07 | |
Hello? | 0:40:11 | 0:40:13 | |
Who is this? | 0:40:17 | 0:40:18 | |
HANGS UP PHONE | 0:40:20 | 0:40:22 | |
TAPS ON KEYBOARD | 0:40:49 | 0:40:51 | |
Tess! | 0:41:02 | 0:41:05 | |
-Meg, Tess. Tess, Meg. -Hi. | 0:41:05 | 0:41:07 | |
My old BFF and my new BFF. | 0:41:07 | 0:41:09 | |
So excited to get you two together. | 0:41:09 | 0:41:12 | |
-Don't they make a cute couple? -Yeah. | 0:41:12 | 0:41:14 | |
So, Tess, | 0:41:14 | 0:41:16 | |
what scandalous stories has Nora told you about me? | 0:41:16 | 0:41:18 | |
Oh, don't worry. I didn't tell her about the time | 0:41:18 | 0:41:21 | |
you threw beer over that ugly fat girl. | 0:41:21 | 0:41:23 | |
LAUGHS | 0:41:23 | 0:41:24 | |
Typical me. I go a bit mad sometimes. | 0:41:24 | 0:41:27 | |
Look, we are going to go outside | 0:41:27 | 0:41:31 | |
for, um...a ciggie. OK? | 0:41:31 | 0:41:33 | |
-But neither of you smokes. -See you in a bit. | 0:41:33 | 0:41:36 | |
So, how do you know Nora? | 0:41:41 | 0:41:43 | |
I'm a make-up artist. | 0:41:43 | 0:41:45 | |
-Oh, right. -On Cardiac Care? | 0:41:45 | 0:41:48 | |
Wow. | 0:41:48 | 0:41:49 | |
Hi. Can I join your conversation? | 0:41:56 | 0:41:59 | |
I don't know anyone here. | 0:41:59 | 0:42:01 | |
I'm Sadie. | 0:42:01 | 0:42:03 | |
-Hi, Sadie. I'm Dan. -Dan. -This is Stewart. -Hello, Stewart. | 0:42:03 | 0:42:06 | |
-Take it you don't work here, then. -I don't work anywhere. | 0:42:06 | 0:42:09 | |
That's why I'm here. Got any jobs going? | 0:42:09 | 0:42:13 | |
Straight for the jugular! | 0:42:13 | 0:42:16 | |
-What's your background? -Property, mainly. | 0:42:18 | 0:42:21 | |
But I can turn my hand to most things. | 0:42:21 | 0:42:24 | |
We were looking for someone to help with our property pages a while back. | 0:42:24 | 0:42:28 | |
Fantastic. I'll give you my card. | 0:42:28 | 0:42:31 | |
Just excuse me one minute. | 0:42:35 | 0:42:37 | |
Wow. What happened there? | 0:42:50 | 0:42:53 | |
Social annihilation by cheese. | 0:42:53 | 0:42:56 | |
I was just on the scent of some actual work as well. | 0:42:58 | 0:43:01 | |
-Unemployment by cheese. -Yeah. | 0:43:02 | 0:43:05 | |
Do you work here too? | 0:43:06 | 0:43:07 | |
No, I run an art gallery over in the Merchant City. | 0:43:07 | 0:43:11 | |
It's called The Space. | 0:43:11 | 0:43:13 | |
-Sadie Anderson. -Oh, cool. | 0:43:14 | 0:43:16 | |
Jo Glass. I'm Lauren's partner. | 0:43:16 | 0:43:19 | |
KNOCK ON DOOR | 0:43:47 | 0:43:50 | |
You are still here. | 0:43:50 | 0:43:52 | |
You all right? | 0:43:52 | 0:43:53 | |
What you looking at? | 0:43:53 | 0:43:55 | |
It's my mate's house. | 0:43:55 | 0:43:57 | |
She thinks she might have a stalker. | 0:43:57 | 0:43:59 | |
Where is that? | 0:44:01 | 0:44:03 | |
Birchmore Street? | 0:44:03 | 0:44:05 | |
You know you could get suspended for this. | 0:44:06 | 0:44:09 | |
I know. I just had to check it out. I'm nearly done now. | 0:44:09 | 0:44:13 | |
I never saw this. OK? | 0:44:13 | 0:44:15 | |
OK. | 0:44:16 | 0:44:18 | |
Course, I meet a lot of actresses in my line of work. | 0:45:43 | 0:45:47 | |
And most of them fall for me. | 0:45:47 | 0:45:49 | |
Oh, could we have another bottle, please? | 0:45:50 | 0:45:53 | |
Oh, they don't say anything | 0:45:53 | 0:45:55 | |
but I can always tell by the way they look at me. | 0:45:55 | 0:45:57 | |
A lot of straight girls | 0:45:57 | 0:45:59 | |
want to work out their lesbian fantasies on a girl like me. | 0:45:59 | 0:46:02 | |
Oh, that's lovely. | 0:46:02 | 0:46:03 | |
We're a rare breed, you and me. Pretty dykes. | 0:46:05 | 0:46:09 | |
I mean, it's a bit of dogs home out there, isn't it? | 0:46:09 | 0:46:13 | |
Oh, well, I wouldn't necessarily say that. I mean... | 0:46:13 | 0:46:16 | |
I had this thing last season with Shelley Prince. | 0:46:16 | 0:46:20 | |
Er... | 0:46:20 | 0:46:21 | |
You know, she plays Jessica in Cardiac Care. | 0:46:21 | 0:46:24 | |
Right. | 0:46:24 | 0:46:25 | |
And I also had a little thing with Gina Summers. | 0:46:25 | 0:46:30 | |
-You know, she plays Jessica's sister, Shae. -Yes. | 0:46:30 | 0:46:34 | |
So, you could say, I've had both of the Moncrieff twins. | 0:46:34 | 0:46:38 | |
That's hilarious. | 0:46:40 | 0:46:42 | |
I guess you don't get the same calibre of star in theatre | 0:46:42 | 0:46:45 | |
as you do in television. | 0:46:45 | 0:46:46 | |
You know, I could probably get you a meeting for Cardiac Care. | 0:46:48 | 0:46:51 | |
Oh, that's...that's sweet | 0:46:51 | 0:46:53 | |
but I'm pretty busy with Chekhov at the moment, so... | 0:46:53 | 0:46:57 | |
Chekhov? Who's he?! | 0:46:57 | 0:47:00 | |
Cardiac Care is today's Shakespeare. | 0:47:00 | 0:47:03 | |
I know, that was Keith White in the Partick Daily Post. | 0:47:03 | 0:47:08 | |
So, where did you meet Lauren, Sadie? | 0:47:11 | 0:47:14 | |
Oh, I came in to pitch for work. But she didn't have anything for me. | 0:47:14 | 0:47:18 | |
Oh, not leaving many stones unturned, are you? | 0:47:18 | 0:47:21 | |
Here she comes. Hey! Surprised to see me? | 0:47:21 | 0:47:25 | |
Gavin cancelled at the last minute. I could make it after all. | 0:47:25 | 0:47:27 | |
Must be a nice surprise for you, Lauren. | 0:47:27 | 0:47:29 | |
Yeah. So, do you two know each other? | 0:47:29 | 0:47:33 | |
No, we just met in the loo. I hope you're introducing Sadie to some useful people. | 0:47:33 | 0:47:37 | |
I've got to go speak to an investor before she leaves. | 0:47:37 | 0:47:40 | |
Don't worry about us. Go and charm the pants off her. | 0:47:40 | 0:47:43 | |
LAUGHS NERVOUSLY | 0:47:43 | 0:47:45 | |
OK. | 0:47:45 | 0:47:46 | |
And that's when I realised I could make some extra cash foot modelling. | 0:47:47 | 0:47:51 | |
Ah. | 0:47:51 | 0:47:53 | |
I wonder what's happened to Ed and Nora? | 0:47:53 | 0:47:56 | |
Yeah. I'm going to go and find them. | 0:47:56 | 0:47:59 | |
NORA GIGGLES | 0:48:11 | 0:48:13 | |
Hey! | 0:48:16 | 0:48:18 | |
Did you...? | 0:48:21 | 0:48:23 | |
I've missed you. | 0:48:24 | 0:48:27 | |
Ah, that's...that's nice. | 0:48:27 | 0:48:30 | |
Er... | 0:48:32 | 0:48:35 | |
Really quiet. Cos my flatmate's asleep. | 0:48:42 | 0:48:45 | |
OK. | 0:48:45 | 0:48:46 | |
-Ah! Wha...? -Say, "Stand and deliver." | 0:49:05 | 0:49:10 | |
What? | 0:49:11 | 0:49:13 | |
I'm a beautiful princess. | 0:49:13 | 0:49:15 | |
And you're a fearless highwaywoman holding up my carriage. | 0:49:15 | 0:49:19 | |
OK. Um... | 0:49:21 | 0:49:23 | |
Stand and deliver. | 0:49:25 | 0:49:29 | |
Now rub my royal lady mound. | 0:49:44 | 0:49:46 | |
OK, I'm... | 0:49:46 | 0:49:47 | |
CLEARS THROAT | 0:49:47 | 0:49:49 | |
What's up? | 0:49:49 | 0:49:51 | |
Did you want to be princess, Tess? | 0:49:51 | 0:49:53 | |
No. No. | 0:49:53 | 0:49:54 | |
I'm just... | 0:49:56 | 0:49:58 | |
I'm feeling really ill, suddenly. | 0:49:58 | 0:50:01 | |
Oh, no. What's the matter? | 0:50:01 | 0:50:03 | |
I just feel really...sick. | 0:50:03 | 0:50:05 | |
And I've got a real bad headache. | 0:50:05 | 0:50:09 | |
My leg...hurts. | 0:50:09 | 0:50:11 | |
Your leg? | 0:50:11 | 0:50:13 | |
Yeah. | 0:50:13 | 0:50:15 | |
Yeah, it's like there's a sort of... | 0:50:15 | 0:50:19 | |
tingling in my lower thigh. | 0:50:19 | 0:50:22 | |
Oh, shit! Shall I call NHS 24? | 0:50:22 | 0:50:26 | |
-See if we should take you to hospital? -No, no, it's fine. | 0:50:26 | 0:50:29 | |
I just need to rest. My housemate's a doctor, so... | 0:50:29 | 0:50:32 | |
Why didn't you say? | 0:50:32 | 0:50:34 | |
-I'll go get her. -No, no, no. You can't. | 0:50:34 | 0:50:38 | |
You can't wake her. She's got work tomorrow. | 0:50:38 | 0:50:40 | |
-I'm sure she won't mind in an emergency. -No, no. Really. | 0:50:40 | 0:50:43 | |
Is this her room here? | 0:50:43 | 0:50:45 | |
KNOCKS ON DOOR | 0:50:45 | 0:50:47 | |
Is there a doctor in the house? | 0:50:47 | 0:50:49 | |
Hang on. | 0:50:49 | 0:50:52 | |
-Everything all right? -No. It's Tess. She's really ill. | 0:50:53 | 0:50:56 | |
What's the matter, Tess? | 0:51:04 | 0:51:06 | |
Are you feeling sick? | 0:51:06 | 0:51:07 | |
Yeah. | 0:51:07 | 0:51:09 | |
Really sick. | 0:51:09 | 0:51:11 | |
Is it something that you ate? | 0:51:11 | 0:51:12 | |
No. | 0:51:12 | 0:51:14 | |
SHE MOUTHS | 0:51:16 | 0:51:18 | |
Right, well, um... | 0:51:20 | 0:51:23 | |
OK. | 0:51:23 | 0:51:24 | |
Yeah, let's have a look at this. | 0:51:24 | 0:51:28 | |
So, you're feeling sick. | 0:51:28 | 0:51:30 | |
Look up. And anything else? | 0:51:30 | 0:51:33 | |
Just a really, really bad headache. | 0:51:33 | 0:51:36 | |
-And that tingling in your leg. -Yeah. | 0:51:36 | 0:51:38 | |
It's like a tingling in my upper thigh. | 0:51:38 | 0:51:42 | |
-You said lower before. -It's moved. | 0:51:42 | 0:51:45 | |
A tingling in your upper thigh? | 0:51:45 | 0:51:47 | |
That's quite an unusual presentation. | 0:51:47 | 0:51:49 | |
I don't like the sound of this. | 0:51:51 | 0:51:54 | |
What do you think it is? | 0:51:54 | 0:51:56 | |
Could be bacterial hydritis, | 0:51:56 | 0:51:58 | |
in which case we're going to have to take her in. | 0:51:58 | 0:52:02 | |
COUGHS | 0:52:05 | 0:52:06 | |
So, um, if you could maybe go home. | 0:52:06 | 0:52:10 | |
Oh, I don't mind staying and keeping an eye on Tess while you sleep. | 0:52:10 | 0:52:13 | |
-Oh, no, no, really. Go home. -Why? | 0:52:13 | 0:52:16 | |
-Do you think it's infectious? -Unfortunately, very. | 0:52:18 | 0:52:21 | |
Right. Well, if you're sure there's nothing I can do. | 0:52:22 | 0:52:26 | |
-All right, but, um... Thanks. -Yeah. -Yeah, thanks, Meg. | 0:52:26 | 0:52:30 | |
OK. Bye. | 0:52:30 | 0:52:32 | |
BOTH LAUGH | 0:52:36 | 0:52:39 | |
So, Sadie, I really must introduce you to some useful people. | 0:52:40 | 0:52:44 | |
There's no need. I've already landed myself a plum job. | 0:52:44 | 0:52:47 | |
-She's coming to work for me. -No! | 0:52:47 | 0:52:51 | |
I mean, Sadie's in property. | 0:52:51 | 0:52:54 | |
I'm a saleswoman, actually, Lauren. | 0:52:54 | 0:52:57 | |
It doesn't matter if it's art or houses. | 0:52:57 | 0:52:59 | |
She's perfect for the gallery. | 0:52:59 | 0:53:01 | |
Means I can finally give that stroppy French cow the boot. | 0:53:01 | 0:53:03 | |
She's been on a warning for months now. | 0:53:03 | 0:53:06 | |
Well, right. Congratulations. | 0:53:07 | 0:53:10 | |
Darling, I've just got to pick up a few things. | 0:53:10 | 0:53:13 | |
A few bits and pieces from the office. Then we can go for dinner. | 0:53:13 | 0:53:16 | |
Yeah. Perhaps you'd like to join us, Sadie? | 0:53:16 | 0:53:19 | |
No, thanks. I think I'll leave you two to your evening. | 0:53:19 | 0:53:23 | |
-What the fuck are you doing? -I told you. I need a job. | 0:53:43 | 0:53:46 | |
With my wife? Are you fucking mad? | 0:53:46 | 0:53:50 | |
No. Just very practical. | 0:53:50 | 0:53:52 | |
You're a bit paranoid, aren't you? | 0:53:56 | 0:53:58 | |
You're not going to ask me to leave, then? | 0:54:02 | 0:54:04 | |
FURIOUS KNOCKING AT DOOR | 0:54:25 | 0:54:26 | |
Lexy, it's Sam. Will you let me in? | 0:54:28 | 0:54:31 | |
Hey. | 0:54:31 | 0:54:33 | |
Hey, are you all right? | 0:54:33 | 0:54:36 | |
It was true. Cat was fucking Frankie. | 0:54:36 | 0:54:39 | |
-What? -They were meeting here too. | 0:54:39 | 0:54:42 | |
Wait a second. Are you sure? | 0:54:42 | 0:54:43 | |
I saw her on CCTV. | 0:54:43 | 0:54:47 | |
She was here before she died. | 0:54:48 | 0:54:51 | |
That's fucking... | 0:54:52 | 0:54:54 | |
She could have told me. She could have given me that at least. | 0:54:54 | 0:54:58 | |
-Frankie, that useless bitch! -OK. Come here. | 0:54:58 | 0:55:01 | |
I haven't changed the sheets. | 0:55:06 | 0:55:09 | |
I've done everything else. | 0:55:09 | 0:55:10 | |
I've packed up her clothes. | 0:55:13 | 0:55:15 | |
Hey, Sam. Come on. | 0:55:25 | 0:55:27 | |
Sam, come on. Sam! | 0:55:28 | 0:55:29 | |
Come on, don't! Don't, Sam. | 0:55:30 | 0:55:32 | |
Stop, Sam! Sam, stop, Sam. | 0:55:32 | 0:55:34 | |
Don't! I don't want it! Not like this, OK? | 0:55:34 | 0:55:37 | |
Sorry. | 0:55:38 | 0:55:40 | |
I'm sorry. | 0:55:41 | 0:55:43 | |
No. No, Sam. Sam, wait. I didn't... Sam, wait! | 0:55:43 | 0:55:47 | |
Subtitles by Red Bee Media Ltd | 0:56:06 | 0:56:09 |