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(PHONE RINGS) | 0:00:57 | 0:01:02 | |
Hey. Just wondering if you're still on for our run. | 0:01:13 | 0:01:16 | |
I'm just on the bridge. Er... | 0:01:16 | 0:01:19 | |
Look, about the other night. We can get back from it, can't we? | 0:01:19 | 0:01:25 | |
You know what? I'm hanging up. You're probably already on your way. | 0:01:25 | 0:01:29 | |
Cool. Bye. | 0:01:29 | 0:01:31 | |
Whoa! I thought you melted in daylight. | 0:01:38 | 0:01:41 | |
Lauren's been away on business. She's back today. | 0:01:41 | 0:01:44 | |
-Oh, cue rampant sex fest. -You've got the make-up artist. | 0:01:44 | 0:01:49 | |
I didn't sleep with her, thank you very much. | 0:01:49 | 0:01:52 | |
Oh, yeah. How is the old bacterial hydritis? | 0:01:52 | 0:01:56 | |
And, um, look. She's all over my wall. | 0:01:56 | 0:02:01 | |
-So, when do we get to meet the sugar mama? -You don't. | 0:02:02 | 0:02:06 | |
If you come to see me at work, you'll get to meet her wife. | 0:02:06 | 0:02:09 | |
-She's with someone? -Yeah. | 0:02:09 | 0:02:10 | |
I don't... | 0:02:13 | 0:02:14 | |
I don't reckon I could be in a love triangle. | 0:02:14 | 0:02:17 | |
Be always, like, wondering what was going on in the other corners. | 0:02:17 | 0:02:21 | |
Yeah, well, I'm not. Lauren's really into me, so... | 0:02:21 | 0:02:25 | |
(KNOCK AT DOOR) | 0:02:25 | 0:02:28 | |
I'll get it. | 0:02:28 | 0:02:29 | |
Sam! Hey. | 0:02:38 | 0:02:40 | |
-Long time no see. -Lexy's not in? | 0:02:40 | 0:02:43 | |
-No, um... -Good. | 0:02:43 | 0:02:46 | |
So, do you want a tea, coffee? | 0:02:51 | 0:02:54 | |
-How have you been? -I know about Cat and Frankie. | 0:02:54 | 0:02:59 | |
You knew too, didn't you? That's why you've been avoiding me. | 0:03:00 | 0:03:02 | |
How long? | 0:03:02 | 0:03:05 | |
Don't look at her. Look at me. | 0:03:06 | 0:03:10 | |
-So, when did it start? -Honestly, I don't know. | 0:03:10 | 0:03:13 | |
I don't reckon it ever really stopped. | 0:03:13 | 0:03:16 | |
-You know what those two were like. -Are you alright with that? | 0:03:16 | 0:03:19 | |
Didn't have much of a choice, did I? | 0:03:19 | 0:03:22 | |
Look, honestly, I only found out the day Cat died. | 0:03:22 | 0:03:26 | |
I've been feeling so guilty. | 0:03:26 | 0:03:30 | |
-Grow up, Tess! -What was she supposed to do? | 0:03:30 | 0:03:33 | |
Make an announcement at the funeral? | 0:03:33 | 0:03:36 | |
You should have been straight with me. | 0:03:37 | 0:03:39 | |
Oh, yeah, 'cause that would have made losing Cat a lot easier. | 0:03:39 | 0:03:42 | |
It would've made me feel less of a foolish idiot! | 0:03:42 | 0:03:45 | |
LEXY: Um, what's happening? | 0:03:45 | 0:03:47 | |
-She knew about Cat and Frankie. -Alright, but back off. | 0:03:48 | 0:03:51 | |
-You think this is OK, do you? -No, no. I think it's shit. | 0:03:51 | 0:03:55 | |
But it's got nothing to do with Tess. | 0:03:55 | 0:03:56 | |
Did you know too? | 0:03:58 | 0:04:01 | |
-Do you know what? Don't answer that. -Sam. | 0:04:01 | 0:04:03 | |
Hey, Sam! Sam, wait! | 0:04:03 | 0:04:06 | |
Do you think she's going to be OK? | 0:04:13 | 0:04:14 | |
Look, I feel sorry for her and everything, | 0:04:14 | 0:04:16 | |
but there's only two people to blame for this mess | 0:04:16 | 0:04:18 | |
and, well, neither of them are here anymore, so... | 0:04:18 | 0:04:22 | |
-I should go after her. -No, no, Tess. Just leave it. | 0:04:22 | 0:04:25 | |
-She needs to cool down. -Yeah, but I've... -No, Tess. | 0:04:25 | 0:04:27 | |
Really, just...just leave it. | 0:04:27 | 0:04:30 | |
I'm going to go and get ready. | 0:04:33 | 0:04:35 | |
Lexy saves the day. | 0:04:38 | 0:04:40 | |
-You'll be even more of a hero now. -What? | 0:04:40 | 0:04:43 | |
Oh, come on. | 0:04:44 | 0:04:46 | |
She's like a little puppy around you. | 0:04:46 | 0:04:49 | |
No, she's not. | 0:04:49 | 0:04:51 | |
Trust me, one of these mornings, | 0:04:51 | 0:04:53 | |
you'll wake up and she'll be there, licking your face. | 0:04:53 | 0:04:58 | |
Or something a bit further down. | 0:04:58 | 0:05:01 | |
-Still voicemail. -Leave a message. | 0:05:17 | 0:05:20 | |
No. She needs some space. | 0:05:20 | 0:05:23 | |
Sorry for dragging you into all this. | 0:05:23 | 0:05:25 | |
-I know how close friends you are. -It's cool. We'll be fine. | 0:05:25 | 0:05:30 | |
Oh, no. | 0:05:30 | 0:05:32 | |
Don't look, don't look. | 0:05:33 | 0:05:35 | |
-Hey. -Tess. How are you feeling? | 0:05:37 | 0:05:39 | |
Oh, I think, um... | 0:05:39 | 0:05:42 | |
..I think I've managed to shake it off. | 0:05:42 | 0:05:44 | |
This is great. Call off the understudy. | 0:05:44 | 0:05:46 | |
So, when are you going to see Meg again? | 0:05:46 | 0:05:49 | |
Oh, um, I think... | 0:05:49 | 0:05:51 | |
..I think I need to focus on the play. | 0:05:51 | 0:05:54 | |
If there's one thing the years in this business we call show | 0:05:54 | 0:05:57 | |
has taught me, is that there's nothing - NOTHING - | 0:05:57 | 0:06:00 | |
improves a performance more than great sex. | 0:06:00 | 0:06:04 | |
I'll get the coffees. | 0:06:06 | 0:06:08 | |
Oh, no. You sit down. Save your strength for later. | 0:06:08 | 0:06:11 | |
Is there even such a thing as bacterial hydritis? | 0:06:18 | 0:06:21 | |
Well, if there isn't, there should be. | 0:06:21 | 0:06:23 | |
It's really good for getting rid of unwanted houseguests. | 0:06:23 | 0:06:26 | |
Sorry. Um, yeah. I'm going to go and pay. | 0:06:26 | 0:06:29 | |
Um, can you just not mention Meg? | 0:06:31 | 0:06:35 | |
Just...it makes me look like a loser. | 0:06:35 | 0:06:37 | |
Why? She's really fit. | 0:06:37 | 0:06:39 | |
It was a blind date gone bad. End of. | 0:06:39 | 0:06:42 | |
I've got to go. Oh, I got your invite. | 0:06:42 | 0:06:44 | |
Oh, yeah. Book launch to sci-fi shop. | 0:06:44 | 0:06:46 | |
Sounds exciting. | 0:06:46 | 0:06:48 | |
But it's for one of my agent's other clients. | 0:06:48 | 0:06:51 | |
-Free booze. It'll be fun. -So, take Nora. | 0:06:51 | 0:06:53 | |
Yeah, of course. | 0:06:53 | 0:06:54 | |
I just thought maybe you lot might want to come along too. | 0:06:54 | 0:06:57 | |
Yeah, cool. Count me in. | 0:06:57 | 0:06:58 | |
Can't imagine my phone's going to be ringing off the hook with any offers | 0:06:58 | 0:07:01 | |
any time soon. | 0:07:01 | 0:07:03 | |
-When is it? -Tomorrow night. | 0:07:03 | 0:07:05 | |
Yeah, what - free booze? Why not? | 0:07:07 | 0:07:08 | |
-Do you think Sam will be up for it? -Um... | 0:07:11 | 0:07:13 | |
-Yeah, I think she's busy. -What, have you seen her? | 0:07:13 | 0:07:17 | |
You know what? I've totally got to go, but check you tomorrow night. | 0:07:18 | 0:07:21 | |
Cool. | 0:07:21 | 0:07:22 | |
-Is something up? -No, everything's cool. | 0:07:25 | 0:07:28 | |
-So, the Meg thing. -Mmm. | 0:07:30 | 0:07:33 | |
-Can you give it another go? -No! | 0:07:33 | 0:07:35 | |
-No stuffed sharks, then? -I'm old school. | 0:07:49 | 0:07:53 | |
I prefer the purity of paint on canvas. | 0:07:53 | 0:07:56 | |
Like these. Just arrived this morning. | 0:07:56 | 0:07:59 | |
-They're great. -Yeah, aren't they? | 0:08:02 | 0:08:06 | |
Monica McCarthy. | 0:08:06 | 0:08:08 | |
We're very lucky to have her. | 0:08:09 | 0:08:11 | |
So, what about your place? | 0:08:11 | 0:08:13 | |
Any masterpieces on the walls, or...? | 0:08:13 | 0:08:16 | |
Bits and bobs. Lauren's more into pop art. | 0:08:16 | 0:08:19 | |
-Artistic differences? -Not really. | 0:08:20 | 0:08:23 | |
OK, if you're clear on everything, I'll leave you to price these up. | 0:08:23 | 0:08:27 | |
Labels are in the desk drawer. | 0:08:27 | 0:08:29 | |
-Any probs, give me a shout. -Thanks. | 0:08:30 | 0:08:33 | |
Another day. | 0:08:44 | 0:08:46 | |
Another idiot with a hoover attachment stuck up his arse. | 0:08:46 | 0:08:49 | |
Aww, who peed on your chips? | 0:08:49 | 0:08:51 | |
Remind me next time I fall for someone | 0:08:51 | 0:08:53 | |
that there's no such thing as a perfect woman. | 0:08:53 | 0:08:56 | |
I have heard those ones you inflate are quite low-maintenance. | 0:08:56 | 0:08:59 | |
(LAUGHS) | 0:08:59 | 0:09:01 | |
You're a little puddle of sanity in the ocean of dysfunction | 0:09:01 | 0:09:05 | |
that is my life right now. | 0:09:05 | 0:09:07 | |
That's all part of the service. | 0:09:13 | 0:09:14 | |
I knew you wouldn't be able to keep away. | 0:09:32 | 0:09:34 | |
-How was Berlin? -I'm here for Jo. | 0:09:34 | 0:09:37 | |
-JO: Hi, sweetie. -Hey. | 0:09:37 | 0:09:38 | |
-I'll grab my coat. -OK. | 0:09:38 | 0:09:40 | |
Are you ignoring me? | 0:09:48 | 0:09:49 | |
No more than I would any random receptionist. | 0:09:49 | 0:09:54 | |
Come on. | 0:09:54 | 0:09:55 | |
It's the first decent job I've had in ages. | 0:09:55 | 0:09:58 | |
I'm not going to blow it by telling the boss I'm fucking her wife. | 0:09:59 | 0:10:02 | |
Fucked. | 0:10:02 | 0:10:03 | |
I think you'll find that's the past tense. | 0:10:03 | 0:10:06 | |
What are you doing later? | 0:10:06 | 0:10:07 | |
-I'll just get on, then. -Yeah. | 0:10:10 | 0:10:12 | |
All set? Let's go. | 0:10:15 | 0:10:17 | |
So, how did it go this morning, then? | 0:10:19 | 0:10:21 | |
Yeah, alright, thanks. | 0:10:21 | 0:10:22 | |
I don't even know Cat and it's my calls being ignored. | 0:10:34 | 0:10:37 | |
How am I to blame? | 0:10:37 | 0:10:39 | |
'Cause you knocked Sam back the other night. | 0:10:39 | 0:10:41 | |
-I don't want to be a rebound fuck. -Hey, a fuck's a fuck's a fuck. | 0:10:41 | 0:10:45 | |
At your age, you've got to get it where you can. | 0:10:45 | 0:10:47 | |
-Thanks, but I'm not short of offers. -Hey, Bea doesn't count. | 0:10:47 | 0:10:51 | |
-Apparently, my flatmate fancies me. -Oh. Is she hot? | 0:10:51 | 0:10:55 | |
I don't know. Never thought about it. | 0:10:55 | 0:10:57 | |
Yeah, I guess she is. | 0:10:59 | 0:11:00 | |
Shit. I really liked Sam. | 0:11:02 | 0:11:05 | |
Correction - you wanted to save her. You're better off out of it. | 0:11:05 | 0:11:09 | |
Hot tamale. Two o'clock. | 0:11:14 | 0:11:16 | |
Apparently, he's a part-time fireman. | 0:11:17 | 0:11:20 | |
-You're so fickle. -Au contraire. | 0:11:20 | 0:11:23 | |
I'm just keeping my hand in till Sex-ray takes the bait. | 0:11:23 | 0:11:27 | |
I've sent him some very complicated case notes | 0:11:27 | 0:11:29 | |
that are going to need urgent discussion. | 0:11:29 | 0:11:31 | |
Come to me, my precious! Come to me. | 0:11:31 | 0:11:34 | |
(PHONE BEEPS) | 0:12:02 | 0:12:04 | |
Shit. | 0:12:13 | 0:12:14 | |
Right, let's get you to X-ray. | 0:12:26 | 0:12:28 | |
I can't believe I'm going to be getting a proper costume. | 0:12:45 | 0:12:48 | |
Like, one that isn't made of foam-rubber | 0:12:50 | 0:12:51 | |
and doesn't have eyeholes. | 0:12:51 | 0:12:53 | |
-OK, hon. That's you for five minutes. OK? -Thanks. | 0:12:53 | 0:12:56 | |
Let's hope Lexy likes a bodice. | 0:12:56 | 0:12:59 | |
Yeah, assuming she's not too busy fuck buddy-ing to come see the show. | 0:12:59 | 0:13:03 | |
I can't believe I let her meet Meg. | 0:13:04 | 0:13:06 | |
Like, what if she thinks that that's the type of women I go for? | 0:13:07 | 0:13:10 | |
-It's a disaster. -NORA: Sorry! | 0:13:10 | 0:13:12 | |
-Sorry. Just got you some lunch. -Oh, thanks. | 0:13:12 | 0:13:15 | |
-How much do I owe you? -Don't be silly. It's on the house. | 0:13:15 | 0:13:19 | |
Do you think she's trying to fatten me up? | 0:13:22 | 0:13:25 | |
Ham, no mayo. | 0:13:26 | 0:13:27 | |
Oh, my God. She genuinely bought me lunch. | 0:13:27 | 0:13:30 | |
I so owe Ed! | 0:13:30 | 0:13:31 | |
Love comforteth like sunshine after rain. | 0:13:31 | 0:13:35 | |
What...Sharon? | 0:13:40 | 0:13:42 | |
Gagging for me. | 0:13:42 | 0:13:44 | |
-How do you know? -Look at the call sheet. | 0:13:44 | 0:13:46 | |
She's got me down for six costume fittings. | 0:13:46 | 0:13:48 | |
That's brilliant! She's lovely. | 0:13:48 | 0:13:51 | |
Spectacular jugs. | 0:13:51 | 0:13:54 | |
Oh, my God. You're moving on from Maggie. | 0:13:54 | 0:13:56 | |
This is going to be so good for you. | 0:13:56 | 0:13:58 | |
-And Ronald. Does Sharon like dogs? -Who cares! | 0:13:58 | 0:14:02 | |
Yes! | 0:14:08 | 0:14:10 | |
They'll be with you shortly. | 0:14:21 | 0:14:22 | |
-Wait! I've been looking for you. -What do you want? | 0:14:34 | 0:14:37 | |
-This is between us. -I don't know you. | 0:14:40 | 0:14:42 | |
But I know you. | 0:14:42 | 0:14:44 | |
Your name is Lexy Price and you've been working here for 18 months. | 0:14:44 | 0:14:47 | |
It's you, isn't it? | 0:14:47 | 0:14:49 | |
Stay away from my wife. | 0:14:49 | 0:14:51 | |
I don't know what you're talking about. | 0:14:53 | 0:14:54 | |
This jog your memory? | 0:14:56 | 0:14:58 | |
What? This is mine. | 0:15:00 | 0:15:03 | |
-Where did you get this? -You gave it to her. | 0:15:03 | 0:15:06 | |
-Bea? -Stay away from her! | 0:15:11 | 0:15:13 | |
Just...stay away. | 0:15:13 | 0:15:16 | |
Daddy! | 0:15:16 | 0:15:17 | |
It's OK. | 0:15:19 | 0:15:20 | |
Daddy was just having a chat with one of Mummy's friends. | 0:15:22 | 0:15:25 | |
Let's get home. | 0:15:29 | 0:15:30 | |
Fuck. | 0:15:38 | 0:15:39 | |
What the actual fuck? | 0:15:48 | 0:15:51 | |
-Excuse me, I've got a patient. -Yeah, and a husband. | 0:15:51 | 0:15:54 | |
We're supposed to be friends. We're supposed to be | 0:15:54 | 0:15:56 | |
-honest with each other. -How did you...? | 0:15:56 | 0:15:58 | |
Yeah, you know the guy who's been stalking me? | 0:15:58 | 0:16:00 | |
-Yeah, guess who. -No. | 0:16:00 | 0:16:02 | |
Yeah, the phone calls, letters, following me. | 0:16:02 | 0:16:05 | |
I've been shitting myself for months and it's your fault. | 0:16:05 | 0:16:08 | |
I mean, he was here, with your kid. | 0:16:08 | 0:16:10 | |
-No. -Yeah, a kid! | 0:16:10 | 0:16:12 | |
I mean, how could you not tell me? What, did it just slip your mind? | 0:16:12 | 0:16:14 | |
Tell me what, 'cause I'm really struggling here. | 0:16:14 | 0:16:16 | |
-I don't know. -You don't know? | 0:16:16 | 0:16:19 | |
You told me you were in an open relationship. | 0:16:19 | 0:16:22 | |
You told me you were gay. | 0:16:22 | 0:16:25 | |
Please don't be mad. | 0:16:25 | 0:16:27 | |
I can't leave them. Evie's too young. | 0:16:27 | 0:16:29 | |
She's not going to understand. | 0:16:29 | 0:16:30 | |
What? Understand what? That her mum's a lesbian?! | 0:16:30 | 0:16:32 | |
No-one needs to know as long as good old Lexy's on tap | 0:16:32 | 0:16:36 | |
whenever you fancy a change from some cock. | 0:16:36 | 0:16:38 | |
-It's not like that. -Yeah? It sure as fuck seems like it! | 0:16:38 | 0:16:41 | |
(KNOCK AT DOOR) | 0:16:48 | 0:16:49 | |
Uniform picked up Derek Rudden flogging dodgy gear up the town. | 0:16:49 | 0:16:53 | |
We'll get right on it. You set? | 0:16:53 | 0:16:56 | |
Let him stew. | 0:16:57 | 0:16:59 | |
He's a junkie. He'll agree to anything | 0:17:02 | 0:17:04 | |
when he's been without his stash for a couple of hours. | 0:17:04 | 0:17:06 | |
(PHONE RINGS) | 0:17:08 | 0:17:10 | |
Are you going to take that? | 0:17:18 | 0:17:21 | |
Stop calling me. | 0:17:23 | 0:17:25 | |
-Hi. I'm looking for Dr Love. -You and me both. | 0:17:36 | 0:17:39 | |
-DECLAN: Yeah? -MAN: Yeah. | 0:17:40 | 0:17:42 | |
-Yeah? -Oh, yeah. | 0:17:42 | 0:17:43 | |
-Yeah? -Yeah! | 0:17:43 | 0:17:45 | |
-Yeah? -Yeah! | 0:17:45 | 0:17:46 | |
Oh, pump my hose! | 0:17:46 | 0:17:49 | |
Oh, ding, ding! | 0:17:49 | 0:17:52 | |
You're not really a fireman, are you? | 0:17:57 | 0:17:59 | |
LAUREN: This is Lauren's mobile. | 0:18:11 | 0:18:13 | |
If I can't take your call, so please leave a message. | 0:18:13 | 0:18:15 | |
-After anything in particular, sir? -No, thanks. I'm just looking. | 0:18:21 | 0:18:26 | |
It's Scottish work, mainly. | 0:18:27 | 0:18:30 | |
But we have got a few select international pieces. | 0:18:30 | 0:18:33 | |
There's just something about brush marks on canvas, isn't there? | 0:18:35 | 0:18:41 | |
-Sorry, it's not really my bag. -Me neither. | 0:18:41 | 0:18:45 | |
But we have got a new piece in that's just arrived. | 0:18:46 | 0:18:49 | |
It's much more interesting. | 0:18:49 | 0:18:51 | |
Not for everyone, but for the canny investor. | 0:18:51 | 0:18:54 | |
-Could I...? -Sure. Absolutely. | 0:18:56 | 0:18:59 | |
I like it. | 0:19:12 | 0:19:13 | |
First Sam and then this. How did my life get so messed up? | 0:19:13 | 0:19:18 | |
-I feel totally used. -Yeah, me too. | 0:19:18 | 0:19:22 | |
What a total waste of the wank cupboard. | 0:19:22 | 0:19:24 | |
-And I missed Sex-ray. -Are you even listening to me? | 0:19:24 | 0:19:27 | |
Yeah, totally. I'm just saying. | 0:19:27 | 0:19:29 | |
-Sorry. It's terrible. -I mean, how could she be with a guy? | 0:19:31 | 0:19:34 | |
Sex tourists - got to love them. | 0:19:34 | 0:19:37 | |
And a kid! How could she not tell me that? | 0:19:37 | 0:19:41 | |
It's huge. | 0:19:41 | 0:19:42 | |
How could you not tell? Wasn't her fanny like...? | 0:19:44 | 0:19:46 | |
Jeez, Declan. You're a great mate, you know that? | 0:19:46 | 0:19:49 | |
Oh, come on! | 0:19:49 | 0:19:50 | |
Lex! | 0:19:51 | 0:19:53 | |
Sorry to keep you waiting. | 0:20:06 | 0:20:07 | |
I hope you've been kept supplied with everything you need. | 0:20:09 | 0:20:11 | |
Interview with Derek Rudden commencing 1625. | 0:20:17 | 0:20:21 | |
Present - DS Murray and DS Ryder. You're aware of the charges? | 0:20:21 | 0:20:25 | |
For the record, I'm showing the suspect evidence bag 274, | 0:20:31 | 0:20:36 | |
containing cocaine, heroin and amphetamines. | 0:20:36 | 0:20:39 | |
For my own use. | 0:20:42 | 0:20:44 | |
You still dealing for McFadden? | 0:20:46 | 0:20:48 | |
No. | 0:20:49 | 0:20:51 | |
I need out of here. Are you going to charge me or what? | 0:20:54 | 0:20:57 | |
What do you know about the warehouse deal? | 0:20:57 | 0:20:59 | |
You tell us and you can walk. | 0:21:00 | 0:21:02 | |
Don't know what you're talking about. | 0:21:05 | 0:21:07 | |
You're lying. | 0:21:07 | 0:21:10 | |
Prove it. | 0:21:13 | 0:21:14 | |
Don't fucking lie to me! | 0:21:19 | 0:21:22 | |
-Sam! That's enough! -Piece of shit! | 0:21:22 | 0:21:25 | |
Out! | 0:21:25 | 0:21:27 | |
Get up. | 0:21:27 | 0:21:29 | |
-What the fuck was that? -I'm sorry. Was I too hard on him? | 0:21:36 | 0:21:40 | |
Only I was under the impression he's a piece of junkie scum | 0:21:40 | 0:21:43 | |
who holds the key to a major drugs bust. | 0:21:43 | 0:21:44 | |
It's not just him, is it? | 0:21:44 | 0:21:46 | |
I mean, you're going off at everyone these days. | 0:21:46 | 0:21:48 | |
Well, if they've got a problem, they can say it to my face. | 0:21:48 | 0:21:50 | |
They can't! Because you've lost it. | 0:21:50 | 0:21:52 | |
I found that CCTV footage of Cat. | 0:21:58 | 0:22:01 | |
You left the disc in the machine. | 0:22:03 | 0:22:06 | |
I sorted it, but what if I'm not there next time you screw up? | 0:22:06 | 0:22:09 | |
You need to take some time off. Go home. | 0:22:13 | 0:22:16 | |
To what? | 0:22:16 | 0:22:17 | |
I'm going back in and you're not coming with me. | 0:22:19 | 0:22:25 | |
Is there a medical condition that makes you unable to take a hint? | 0:22:37 | 0:22:41 | |
Not that I know of, but I did skip a few lectures. | 0:22:41 | 0:22:44 | |
-You OK? -Me and Bea - we're done. | 0:22:44 | 0:22:47 | |
Oh, I'm sorry. | 0:22:49 | 0:22:51 | |
What happened? Did she meet someone? | 0:22:52 | 0:22:56 | |
Yeah, years ago. Her husband. | 0:22:56 | 0:22:58 | |
-Oh, my God! -I think it's safe to say I'm feeling pretty stupid right now. | 0:22:58 | 0:23:02 | |
-Why didn't I suss? -OK, we need pizza. | 0:23:02 | 0:23:06 | |
No, you're right. You know what? I'm going to go to my room. | 0:23:06 | 0:23:09 | |
No, no, you can't be on your own. | 0:23:09 | 0:23:11 | |
You've got to be drinking hot, sweet tea or lager. | 0:23:11 | 0:23:14 | |
Trust me, like, only refined carbohydrates is going to fix this. | 0:23:15 | 0:23:19 | |
-Actually, I'm kind of starving. -Leave it with me. | 0:23:19 | 0:23:22 | |
Thank you very much for coming and the meeting's up here tonight. | 0:23:25 | 0:23:28 | |
So, just go right up there tonight and I'll see you in a second. | 0:23:28 | 0:23:31 | |
Sadie, you can get off now. Thank you. | 0:23:31 | 0:23:34 | |
Fat chance. | 0:23:37 | 0:23:38 | |
I just... | 0:23:41 | 0:23:43 | |
I can't believe Bea put me in that situation. | 0:23:43 | 0:23:46 | |
I mean, the guy was way out of line, but you should have seen his face. | 0:23:46 | 0:23:49 | |
I don't want someone looking at me like that again. Ever. | 0:23:49 | 0:23:53 | |
She's the one with the husband and the kid. She made her bed. | 0:23:53 | 0:23:55 | |
Yeah, and I lay in it. I'm so dumb. | 0:23:55 | 0:23:57 | |
Mm-mm. You're trusting. That's a good thing. | 0:23:57 | 0:24:01 | |
You know the irony? | 0:24:01 | 0:24:03 | |
Out of everyone I've ever been with, I thought Bea was the most sorted. | 0:24:03 | 0:24:06 | |
Turns out she's right up there with the rest of the users. | 0:24:06 | 0:24:10 | |
And given my back catalogue, that's quite an achievement. | 0:24:10 | 0:24:13 | |
Do you think it's this complicated when you're straight? | 0:24:16 | 0:24:20 | |
Yeah...but the sex is crap. | 0:24:20 | 0:24:22 | |
See? That's why I like you. | 0:24:24 | 0:24:26 | |
Nice place. | 0:24:58 | 0:25:00 | |
Well, you going to invite me in before the neighbours see? | 0:25:03 | 0:25:07 | |
You can't just come here. | 0:25:24 | 0:25:26 | |
Why aren't you taking my calls? | 0:25:26 | 0:25:29 | |
So, what? | 0:25:29 | 0:25:31 | |
I don't text you for a couple of hours and you come round my house? | 0:25:31 | 0:25:35 | |
I'm trying to work here. | 0:25:35 | 0:25:36 | |
-Have you always been like this? -What? | 0:25:41 | 0:25:44 | |
-Boring. -It's called being a grown-up. | 0:25:45 | 0:25:48 | |
Fuck that. | 0:25:51 | 0:25:52 | |
What are you doing? | 0:25:54 | 0:25:56 | |
Giving you a reminder of what you're missing | 0:25:56 | 0:25:58 | |
while you're hanging out with the adults. | 0:25:58 | 0:26:00 | |
Please. Sadie, you've got to go. | 0:26:01 | 0:26:04 | |
You've... | 0:26:06 | 0:26:08 | |
-I've got tomorrow afternoon off. Meet me. -What for? | 0:26:17 | 0:26:19 | |
Lunch, shopping. Whatever people do. | 0:26:20 | 0:26:22 | |
I can't. I've got to work. | 0:26:25 | 0:26:27 | |
Say you've got the dentist. | 0:26:35 | 0:26:37 | |
Fuck! Fuck! Jo. | 0:26:47 | 0:26:49 | |
Down! Down there. There's a loo. Go! | 0:26:49 | 0:26:53 | |
-Meet me tomorrow. -No! | 0:26:53 | 0:26:55 | |
Go! | 0:26:55 | 0:26:57 | |
Hi! | 0:27:04 | 0:27:05 | |
Hi. | 0:27:05 | 0:27:06 | |
-How did it go? -Great. | 0:27:09 | 0:27:12 | |
It helped that Sadie flogged a Monica McCarthy. | 0:27:12 | 0:27:14 | |
Can you believe it? On her first day. | 0:27:14 | 0:27:18 | |
She's such a star. | 0:27:18 | 0:27:20 | |
Have we got company? | 0:27:21 | 0:27:22 | |
SADIE: Hi! | 0:27:23 | 0:27:25 | |
Sadie. What are you doing here? | 0:27:26 | 0:27:28 | |
Sorry, I short-changed the till this morning | 0:27:28 | 0:27:31 | |
when I took cash out for coffee. | 0:27:31 | 0:27:33 | |
Didn't want you thinking I was helping myself. | 0:27:36 | 0:27:39 | |
Thanks, Sadie, but there was no need. | 0:27:41 | 0:27:44 | |
-It would have kept until morning. -No, it couldn't. | 0:27:44 | 0:27:47 | |
I'll show myself out. | 0:27:48 | 0:27:50 | |
-TESS: No issues with sexuality. -LEXY: Yes. | 0:28:02 | 0:28:04 | |
-Not a control freak. -Mm-hm. | 0:28:04 | 0:28:06 | |
-Isn't with a bloke. -(LAUGHS) | 0:28:06 | 0:28:08 | |
Not at war with family. | 0:28:08 | 0:28:11 | |
BOTH: Isn't too close to their family. | 0:28:11 | 0:28:13 | |
Is open to sexual experimentation. | 0:28:13 | 0:28:17 | |
Doesn't listen to Coldplay 24/7. | 0:28:17 | 0:28:21 | |
Not so uncomplicated, they're boring. | 0:28:21 | 0:28:23 | |
Where do you even start to find someone like that? | 0:28:29 | 0:28:32 | |
-I can't stand Coldplay. -(LAUGHS) | 0:28:32 | 0:28:34 | |
Yeah. No, me neither. | 0:28:34 | 0:28:35 | |
(FRONT DOOR BANGS) | 0:28:35 | 0:28:38 | |
-Alright? -You're back early. | 0:28:41 | 0:28:44 | |
Tell me about it. | 0:28:44 | 0:28:45 | |
Um... | 0:28:48 | 0:28:49 | |
-So, do you want more beers? -Oh, yeah. | 0:28:50 | 0:28:54 | |
Actually, do you know what? I think I'm going to hit the hay. | 0:28:54 | 0:28:57 | |
-Oh. -Cool. | 0:28:57 | 0:28:59 | |
See you, guys. | 0:29:00 | 0:29:01 | |
-Good night? -Yeah, fine. | 0:29:07 | 0:29:09 | |
Nothing special. | 0:29:12 | 0:29:13 | |
TESS: No, it was just... | 0:29:25 | 0:29:26 | |
It was one of those nights, you know? | 0:29:26 | 0:29:27 | |
Where time just stood still. | 0:29:27 | 0:29:29 | |
Like, one minute, it was 7:30, | 0:29:29 | 0:29:31 | |
the next minute, it was four hours later. | 0:29:31 | 0:29:33 | |
Blackouts suck. | 0:29:33 | 0:29:34 | |
(SARCASTICALLY) Ha-ha. No, we were just talking. | 0:29:34 | 0:29:39 | |
And then, like, right before Sadie came home, | 0:29:39 | 0:29:41 | |
there was this moment where we both just, like, looked at each other. | 0:29:41 | 0:29:45 | |
Oh, but I don't know. | 0:29:45 | 0:29:47 | |
I don't know if she was just being friendly. | 0:29:47 | 0:29:51 | |
Hang on. Ed's making us go to this book launch thing tonight. | 0:29:51 | 0:29:55 | |
Why don't you come along, check out Lexy, look for signs? | 0:29:55 | 0:29:59 | |
Sorry, no can do. I've got a fitting. | 0:29:59 | 0:30:02 | |
-Tonight? -It's not on the call sheet. | 0:30:02 | 0:30:05 | |
You have so pulled! | 0:30:05 | 0:30:08 | |
-I know. How do I look? -Hot. | 0:30:08 | 0:30:12 | |
So, the concept is class. Fashion-wise, we're thinking | 0:30:13 | 0:30:16 | |
evening dress, but on a stinky estate, somewhere really scuzzy. | 0:30:16 | 0:30:21 | |
Get back to me when you have got a CLUE what you're talking about! | 0:30:21 | 0:30:26 | |
-Have you got a minute? -Was I that dull when I was starting out? | 0:30:26 | 0:30:31 | |
I don't know. I didn't know you then. | 0:30:31 | 0:30:33 | |
OK, schedule. | 0:30:33 | 0:30:35 | |
Art meeting at 11:30. Advertising meeting, 12:30. | 0:30:35 | 0:30:38 | |
Then you've got your interview with that design... | 0:30:38 | 0:30:40 | |
Cancel it. | 0:30:40 | 0:30:42 | |
-Which bit? -All of it. | 0:30:42 | 0:30:44 | |
I've got the dentist. | 0:30:49 | 0:30:50 | |
Sorry. Work's been busy. | 0:31:10 | 0:31:13 | |
Don't worry about it. Cat was the neat freak, not me. | 0:31:13 | 0:31:17 | |
So, what was it you wanted? | 0:31:19 | 0:31:20 | |
I ran into Tess and Lexy yesterday. They mentioned you. | 0:31:20 | 0:31:25 | |
So, I was passing and thought I'd call in. | 0:31:25 | 0:31:27 | |
See how you're getting on. | 0:31:27 | 0:31:29 | |
That's nice. I'm fine. You can go. | 0:31:29 | 0:31:32 | |
We need to look out for each other, Sam. | 0:31:35 | 0:31:38 | |
-It's what Cat would have wanted. -Oh, please! | 0:31:39 | 0:31:42 | |
She didn't know what she wanted. | 0:31:44 | 0:31:45 | |
You know, go and find Frankie and comfort her. | 0:31:47 | 0:31:50 | |
'Cause she was the one that Cat was fucking the day she died. | 0:31:50 | 0:31:53 | |
-Get a note from your mum, did you? -I do what I like. | 0:32:12 | 0:32:15 | |
If anyone I know sees us, you're my niece, or something like that. OK? | 0:32:17 | 0:32:22 | |
That's weirdly hot. | 0:32:22 | 0:32:24 | |
-DECLAN: Are you avoiding me? -Um, this is the ladies. | 0:32:31 | 0:32:36 | |
And I'm the superficial prick. | 0:32:36 | 0:32:38 | |
However, I have been practising my listening face all night. | 0:32:39 | 0:32:43 | |
So, shoot. | 0:32:43 | 0:32:45 | |
You look like a twat. | 0:32:46 | 0:32:48 | |
OK. | 0:32:50 | 0:32:51 | |
But seriously, if you want to talk, about Sam or Bea. | 0:32:52 | 0:32:56 | |
I don't. I'm sorted. | 0:32:56 | 0:32:58 | |
I'm sorry. | 0:32:59 | 0:33:00 | |
Probably shouldn't have gone off at you. | 0:33:01 | 0:33:04 | |
I think this is the bit where I'm supposed to hug you. | 0:33:04 | 0:33:06 | |
-Don't force yourself. -Come on, friend in need. | 0:33:06 | 0:33:10 | |
Hey. Classy. | 0:33:19 | 0:33:22 | |
Mmm. | 0:33:22 | 0:33:23 | |
And right between Greggs and River Island. | 0:33:23 | 0:33:26 | |
Is nothing proper pervy anymore? | 0:33:26 | 0:33:29 | |
(PANTING AND MOANING) | 0:33:31 | 0:33:35 | |
Oh, my God! | 0:33:46 | 0:33:48 | |
Take it, bitch. Or your arse gets the fairy wand. | 0:33:48 | 0:33:53 | |
I thought things were good between Cat and Sam. | 0:33:58 | 0:34:01 | |
-Why would she go back to Frankie? -Well, you know, opposites attract. | 0:34:01 | 0:34:05 | |
Look at you and me - beauty and the geek. | 0:34:05 | 0:34:07 | |
Look, I know it's a shock, but Cat was a grown-up. | 0:34:07 | 0:34:13 | |
Just have to assume she knew what she was doing. | 0:34:13 | 0:34:17 | |
Bugger! (GROANS) | 0:34:17 | 0:34:19 | |
Forgot to pick up my dress. Bugger! | 0:34:19 | 0:34:23 | |
It's that little place round the corner from my flat. | 0:34:23 | 0:34:28 | |
Bloody expensive, but I wouldn't trust cashmere with anyone else. | 0:34:28 | 0:34:32 | |
You want me to pick up your dry-cleaning? | 0:34:32 | 0:34:35 | |
Did you have other plans? | 0:34:35 | 0:34:37 | |
-Um, no. -Great. Perfect, then. | 0:34:38 | 0:34:42 | |
I can't go to the book launch in these old things. | 0:34:42 | 0:34:44 | |
I don't know who's going to be there. | 0:34:44 | 0:34:46 | |
I don't think I'm going to go tonight. | 0:34:46 | 0:34:49 | |
-I can't face it. -Course you can! | 0:34:49 | 0:34:52 | |
Look, right now, | 0:34:52 | 0:34:55 | |
you can't let anything distract you from your career. | 0:34:55 | 0:34:59 | |
Or me from mine, for that matter. | 0:34:59 | 0:35:01 | |
Look, I really need to be getting back in. | 0:35:01 | 0:35:04 | |
So I will see you at 6:00, yes? | 0:35:04 | 0:35:07 | |
And, you know, chin up. | 0:35:07 | 0:35:09 | |
See you later. | 0:35:10 | 0:35:12 | |
-The poor bastard. -There's worse jobs. | 0:35:18 | 0:35:21 | |
-You'd know that, would you? -Maybe I would. | 0:35:22 | 0:35:24 | |
-(SNIGGERS) -We should go. | 0:35:24 | 0:35:27 | |
Can I get the bill? | 0:35:27 | 0:35:28 | |
This morning, why did you call me? | 0:35:28 | 0:35:31 | |
Because I fancied being fingered in a changing room. | 0:35:31 | 0:35:34 | |
(LAUGHS) | 0:35:34 | 0:35:36 | |
-There you go. -Thank you. -My treat. | 0:35:36 | 0:35:38 | |
-You can't afford it. -Yes, I can. | 0:35:38 | 0:35:41 | |
Thanks. | 0:35:45 | 0:35:46 | |
There's a huge limit on that library card. | 0:35:47 | 0:35:50 | |
After you. Walk, don't run. | 0:35:50 | 0:35:54 | |
-So, what now? -I don't know. | 0:36:01 | 0:36:05 | |
Let's nick some lip gloss. | 0:36:05 | 0:36:06 | |
-ED: So not in the mood for this. -Remember, teeth and tits, alright? | 0:36:08 | 0:36:12 | |
Is everything alright between you two? | 0:36:15 | 0:36:18 | |
Yeah, I suppose. | 0:36:18 | 0:36:19 | |
Good, 'cause, you know, I think you two are really awesome together. | 0:36:19 | 0:36:22 | |
I happened to see Sam today. She told me about Cat and Frankie. | 0:36:22 | 0:36:27 | |
-Ed, I'm so sorry. I didn't know what to do. -That's fine. | 0:36:27 | 0:36:30 | |
I totally get why you didn't tell me. | 0:36:30 | 0:36:33 | |
I just... | 0:36:33 | 0:36:35 | |
I hope she was happy. | 0:36:36 | 0:36:38 | |
-Me too. -Excuse me? | 0:36:38 | 0:36:41 | |
-Are you Edward MacKenzie? -Yeah, why? | 0:36:42 | 0:36:45 | |
Your debut novel's coming out soon. Saw your picture on a fan site. | 0:36:45 | 0:36:49 | |
-Really? -Can I have your autograph? | 0:36:49 | 0:36:52 | |
Um, yeah, yeah. Sure. | 0:36:54 | 0:36:57 | |
To Terry. | 0:36:59 | 0:37:00 | |
I've got some friends just over here who would love to meet you, | 0:37:01 | 0:37:05 | |
if you've got the time. | 0:37:05 | 0:37:06 | |
Sure. Great. | 0:37:07 | 0:37:09 | |
-Ah! -Live long and prosper. | 0:37:15 | 0:37:17 | |
-I'm so glad you made it. -Sorry I'm late. | 0:37:18 | 0:37:21 | |
-Oh, no, no, no. You're perfect. -Declan from work, Tess my flatmate. | 0:37:21 | 0:37:26 | |
-Hi. -Oh, flatmate? Hi. | 0:37:26 | 0:37:30 | |
I'll, er, get some drinks in. | 0:37:30 | 0:37:33 | |
This is... (GROANS) Klingon on the starboard bow. | 0:37:35 | 0:37:40 | |
-Oh, my God. What do I do? -Um, just go. I'll handle it. | 0:37:43 | 0:37:45 | |
It's alright. | 0:37:45 | 0:37:46 | |
-Hey, Meg. -Oh, hi! | 0:37:48 | 0:37:51 | |
-How are we, ladies? -OK. | 0:37:51 | 0:37:53 | |
-Hey, there, pretty humanoid. -(LAUGHS) | 0:38:06 | 0:38:09 | |
I brought company. | 0:38:09 | 0:38:11 | |
-And...some cheeky Vulcan. -Where did you get that? | 0:38:13 | 0:38:17 | |
Standard medical advice/booze deal. | 0:38:17 | 0:38:21 | |
The guy at the bar had a ripper of a cold sore. | 0:38:21 | 0:38:23 | |
Come and look at this. | 0:38:23 | 0:38:24 | |
God, this is ridiculous, though, isn't it? | 0:38:27 | 0:38:29 | |
I mean, one date and now I've got a stalker. | 0:38:29 | 0:38:32 | |
Oh, shit. Sorry. Sorry. I'm such an idiot. | 0:38:35 | 0:38:38 | |
Oh, no, no. It's... You've been fantastic. | 0:38:38 | 0:38:42 | |
And last night was great. Totally took my mind off it. | 0:38:42 | 0:38:45 | |
It was, um... | 0:38:45 | 0:38:46 | |
..great. | 0:38:48 | 0:38:49 | |
Um, listen... | 0:38:50 | 0:38:54 | |
-(PHONE RINGS) -Oh, sorry. | 0:38:57 | 0:39:00 | |
Um... Oh, it's Hugh. He wants me to meet him outside. | 0:39:02 | 0:39:06 | |
Yeah, no. Go for it. | 0:39:06 | 0:39:08 | |
OK, um... Look, two minutes. Don't move. | 0:39:08 | 0:39:13 | |
Tessie, my one true friend. My comrade in arms. | 0:39:20 | 0:39:24 | |
My shelter in times of...shite. | 0:39:24 | 0:39:29 | |
-Did you drive here? -Of course. | 0:39:29 | 0:39:32 | |
-I'm on a mission... -Hugh! | 0:39:32 | 0:39:33 | |
..and I need my second in command. | 0:39:33 | 0:39:36 | |
-Jump in. -No, I can't. I can't! | 0:39:37 | 0:39:39 | |
I'm on a balcony with Lexy and loads of booze. | 0:39:39 | 0:39:41 | |
Oh, well. | 0:39:43 | 0:39:44 | |
Then, you must go. | 0:39:45 | 0:39:46 | |
I'll just slip off. | 0:39:47 | 0:39:49 | |
Come with me. | 0:39:49 | 0:39:51 | |
-Where? -Maggie's. | 0:39:51 | 0:39:52 | |
No! No, you're over Maggie. Remember Sharon? | 0:39:52 | 0:39:57 | |
Spectacular jugs? Secret, after-hour costume fittings? | 0:39:57 | 0:40:00 | |
-A corset. -What? | 0:40:00 | 0:40:03 | |
Under my costume. A fucking corset! | 0:40:03 | 0:40:06 | |
Am I fat? Am I fatter than him? | 0:40:06 | 0:40:09 | |
-No. -I am! I'm a corpulent slug. | 0:40:09 | 0:40:13 | |
Sorry to interrupt your evening. | 0:40:15 | 0:40:17 | |
That's OK. No. Look, wait. You can't drive. | 0:40:18 | 0:40:22 | |
-You're going to kill somebody. -Then they'll die in a noble cause. | 0:40:22 | 0:40:26 | |
No, wait. Wait! Just... Can you? | 0:40:27 | 0:40:31 | |
-(SIGHS) How far is the house? -Extremely close. | 0:40:31 | 0:40:35 | |
(GROANS) OK, OK. I'll drive you there. | 0:40:37 | 0:40:40 | |
But I've got to come straight back, OK? | 0:40:40 | 0:40:43 | |
-Five minutes. -Yeah. | 0:40:43 | 0:40:44 | |
Ten, tops. | 0:40:44 | 0:40:46 | |
What? I'm out of practice. | 0:41:01 | 0:41:03 | |
-Down! -Why? | 0:41:03 | 0:41:06 | |
Trust me. It's better this way. | 0:41:06 | 0:41:08 | |
-Side compartment. Quick, quick! -What? | 0:41:08 | 0:41:11 | |
Wait. Hold on, hold on. | 0:41:16 | 0:41:17 | |
You interrupted my very promising evening | 0:41:17 | 0:41:20 | |
so you could deliver presents to a fucking...fuckering dog?! | 0:41:20 | 0:41:26 | |
It's Ronald's birthday. | 0:41:26 | 0:41:28 | |
Maggie refused to let me see him on the grounds that | 0:41:28 | 0:41:30 | |
she had to accompany that tuxedo full of fuck-all | 0:41:30 | 0:41:33 | |
to the opening of an envelope. | 0:41:33 | 0:41:34 | |
-Two minutes and we're out of here. -OK, just hurry up. | 0:41:34 | 0:41:38 | |
-They've changed the fucking locks. -Oh, God! Well... | 0:41:58 | 0:42:00 | |
Look, can you just put the presents through the letterbox? | 0:42:00 | 0:42:03 | |
An Angora sweater knitted by my half-blind mother? | 0:42:03 | 0:42:06 | |
I don't think so. We can get in round the back. | 0:42:06 | 0:42:08 | |
-Come on. -Hugh! | 0:42:08 | 0:42:10 | |
Arggh. | 0:42:12 | 0:42:14 | |
(PHONE BEEPS) | 0:42:20 | 0:42:22 | |
Wanker! | 0:42:29 | 0:42:31 | |
He's changed this one as well. Is he made of money? | 0:42:31 | 0:42:34 | |
OK, well, look, why don't we just put the presents in the kennel | 0:42:34 | 0:42:38 | |
-and then we can get out of here? -What kennel? -That kennel. | 0:42:38 | 0:42:41 | |
It's bespoke. | 0:42:46 | 0:42:48 | |
Yeah, it's amazing. | 0:42:50 | 0:42:51 | |
Why don't you go and put the presents inside? | 0:42:51 | 0:42:54 | |
It's not amazing. It's everything that's wrong with everything. | 0:42:54 | 0:42:58 | |
-Hugh, look, I really need... -It's not a kennel. | 0:42:58 | 0:43:00 | |
It's a temple to vulgar commercial success. | 0:43:00 | 0:43:04 | |
-It's a doghouse. -No. | 0:43:04 | 0:43:06 | |
It's the straw. | 0:43:06 | 0:43:08 | |
The last fucking straw. | 0:43:09 | 0:43:11 | |
What are you doing now? | 0:43:11 | 0:43:13 | |
I'm liberating my dog from this shithole of self congratulation. | 0:43:13 | 0:43:19 | |
Dog boots. They'll be next. | 0:43:20 | 0:43:23 | |
He'll be in the park, looking down on all the other mutts | 0:43:24 | 0:43:27 | |
because they haven't had a shampoo and a set and a pedicure. | 0:43:27 | 0:43:30 | |
No dog of mine wears dog boots. | 0:43:30 | 0:43:33 | |
Or has a pedicure. | 0:43:33 | 0:43:34 | |
Or a kennel. | 0:43:35 | 0:43:36 | |
With a fucking veranda! | 0:43:38 | 0:43:40 | |
What are you doing now? | 0:43:43 | 0:43:45 | |
-I'm going in! -No! | 0:43:45 | 0:43:47 | |
-Police! -What? -Hide, hide. | 0:43:57 | 0:43:59 | |
Ow! | 0:44:03 | 0:44:04 | |
Why did you let me come here? | 0:44:10 | 0:44:13 | |
ED: But the stories were fantastic. He is a major influence on my work. | 0:44:13 | 0:44:16 | |
NORA: I was actually in one of his films. | 0:44:16 | 0:44:19 | |
-No, way! -Yes. Yes, I was. | 0:44:19 | 0:44:21 | |
-What was it like? -It was amazing. | 0:44:21 | 0:44:23 | |
You would love him. Are you a fan of his work? | 0:44:23 | 0:44:25 | |
Yeah. | 0:44:25 | 0:44:26 | |
-What's your favourite? -Some of his earlier stuff. | 0:44:26 | 0:44:29 | |
Yeah, he's got previous. An anti-social behaviour order. | 0:44:29 | 0:44:32 | |
What, Hugh? No, I think you've made a mistake. | 0:44:32 | 0:44:35 | |
It's no big deal. | 0:44:35 | 0:44:37 | |
You've got an ASBO? | 0:44:38 | 0:44:40 | |
I posted some sausages through the letterbox. | 0:44:40 | 0:44:42 | |
Big wow. | 0:44:42 | 0:44:44 | |
They were for Ronald. | 0:44:45 | 0:44:46 | |
Oh, God! What have you done? | 0:44:47 | 0:44:52 | |
-He changed the locks. -Do you see what I'm having to deal with? | 0:44:52 | 0:44:56 | |
Sorry, I was just locking the car. Is everything under control? | 0:44:56 | 0:45:00 | |
Everybody relax. Hamish of Scone is in the building. | 0:45:00 | 0:45:03 | |
POLICEWOMAN: Sorry to interrupt your evening, sir. | 0:45:05 | 0:45:07 | |
-I trust it was a success? -He won best actor. | 0:45:07 | 0:45:10 | |
-Oh, congratulations! -Thank you. | 0:45:10 | 0:45:13 | |
Excuse me? I'm here. | 0:45:13 | 0:45:15 | |
God, Hugh. You had your chance. You blew it. | 0:45:15 | 0:45:19 | |
-Now, move over. -So he can move in? -He already has. | 0:45:19 | 0:45:23 | |
And I cannot tell you what a relief it is | 0:45:23 | 0:45:25 | |
to live with a man who doesn't throw pizza at the television | 0:45:25 | 0:45:28 | |
every time Colin Firth comes on. | 0:45:28 | 0:45:30 | |
-I had Darcy in the bag! -Oh, give it up! | 0:45:30 | 0:45:33 | |
A career takes work. | 0:45:33 | 0:45:35 | |
If you had spent even a smidgen of the last 20 years honing your craft, | 0:45:35 | 0:45:40 | |
you might have had a hit film too. | 0:45:40 | 0:45:42 | |
Instead, no, you chose to spend your time rutting with understudies | 0:45:42 | 0:45:47 | |
and doe-eyed deputy stage managers. | 0:45:47 | 0:45:50 | |
A word. | 0:45:52 | 0:45:54 | |
What? | 0:46:00 | 0:46:02 | |
SONG: # Keep quiet | 0:46:35 | 0:46:40 | |
# Keep quiet. # | 0:46:42 | 0:46:48 | |
HUGH: Look at her. | 0:46:48 | 0:46:50 | |
She's perfect. | 0:46:51 | 0:46:53 | |
How many stage managers and understudies, exactly? | 0:46:56 | 0:47:01 | |
-A few. -Hugh... | 0:47:03 | 0:47:05 | |
I was on tour. | 0:47:05 | 0:47:06 | |
Don't end up like me. | 0:47:09 | 0:47:11 | |
Grab happiness where you can and cling onto it. | 0:47:12 | 0:47:15 | |
Yeah, well, that was the plan. | 0:47:15 | 0:47:16 | |
Right, looks like you're off the hook. | 0:47:16 | 0:47:19 | |
Mr Delaware has persuaded the house owner not to press charges. | 0:47:19 | 0:47:23 | |
-(SARCASTICALLY) Well, whoop-e-doop! -Shut up. Thank you. | 0:47:23 | 0:47:26 | |
It's no problem. | 0:47:26 | 0:47:28 | |
So, Vanya at the Tron. That's exciting. | 0:47:29 | 0:47:32 | |
-Oh, it's no big deal. -Hey, don't put yourself down. | 0:47:32 | 0:47:36 | |
-I started my career with a Chekhov. -Really? | 0:47:36 | 0:47:38 | |
(CLEARS THROAT) | 0:47:38 | 0:47:40 | |
-Yeah, we should go. -I'll call you a cab. | 0:47:40 | 0:47:43 | |
No need. I've got the car. | 0:47:43 | 0:47:45 | |
Er, no, you don't. Your tax disc has expired. | 0:47:45 | 0:47:50 | |
That's the geeks happy for another night. | 0:47:54 | 0:47:56 | |
They're not geeks. They're my fan base. | 0:47:56 | 0:47:59 | |
Lighten up. Either way, I made their evening. | 0:47:59 | 0:48:02 | |
Home. Work tomorrow. | 0:48:03 | 0:48:05 | |
-Are you going to be OK? -Yeah. I've pulled. | 0:48:05 | 0:48:09 | |
15 fingers - what's not to like? | 0:48:10 | 0:48:13 | |
Did you see their faces when I said I'd worked with Peter Jackson? | 0:48:15 | 0:48:17 | |
They nearly came in their little pants! | 0:48:17 | 0:48:21 | |
That was a lie, wasn't it? You haven't met him at all. | 0:48:21 | 0:48:24 | |
Oh, who cares? Give them what they want, that's what I say. | 0:48:24 | 0:48:26 | |
I never really got that whole 'Lord of the Flies' thing anyway. | 0:48:26 | 0:48:29 | |
-Gnomes in tights. -Um, it's 'Lord of the Rings'. | 0:48:29 | 0:48:32 | |
What? | 0:48:32 | 0:48:33 | |
It's 'Lord of the Rings'. | 0:48:35 | 0:48:37 | |
'Lord of the Flies' is a totally different book. | 0:48:37 | 0:48:39 | |
Is it? | 0:48:39 | 0:48:41 | |
ED: It's one of the greatest works of literature of the 20th century. | 0:49:16 | 0:49:19 | |
-It's about fucking elves! -It's an allegory! | 0:49:19 | 0:49:21 | |
It's a bore and so, my love, are you. | 0:49:21 | 0:49:25 | |
OK, fine. | 0:49:25 | 0:49:27 | |
Looks like we're done here. | 0:49:27 | 0:49:29 | |
But lucky for you, I'm going to give you a second chance. | 0:49:29 | 0:49:33 | |
Tess was right about you. | 0:49:34 | 0:49:35 | |
You're a self-centred bitch. | 0:49:37 | 0:49:39 | |
This was a mistake. We're not meant to be together. | 0:49:43 | 0:49:46 | |
OK, look, fine. I get it. I get it. You're upset about Cat. | 0:49:46 | 0:49:50 | |
Don't. Don't even go there. | 0:49:52 | 0:49:54 | |
Cat would have hated you. | 0:49:55 | 0:49:57 | |
See you around. | 0:50:00 | 0:50:01 | |
(DANCE MUSIC PLAYS) | 0:50:15 | 0:50:17 | |
-LAUREN: So, whose boat is this? -It's a holiday rental. | 0:51:01 | 0:51:05 | |
I used to do a bit of cleaning for the company. | 0:51:07 | 0:51:09 | |
It wasn't a bad job, actually. | 0:51:09 | 0:51:12 | |
If it got boring, then I could just untie those ropes and sail away. | 0:51:13 | 0:51:17 | |
-And did you? -No. | 0:51:17 | 0:51:20 | |
I could have. | 0:51:20 | 0:51:22 | |
No strings, no commitments. I used to say the same thing. | 0:51:23 | 0:51:28 | |
-So, what changed? -Who said anything changed? | 0:51:28 | 0:51:31 | |
I wasn't always this flash. | 0:51:32 | 0:51:34 | |
-Get with Jo for her money, did you? -No. | 0:51:39 | 0:51:41 | |
I made that long, long before I met her. | 0:51:41 | 0:51:45 | |
She never knew me back in the bad, old days. | 0:51:46 | 0:51:48 | |
I guess that means, in a way, she still doesn't. | 0:51:52 | 0:51:57 | |
-Does it bother you? -What? | 0:52:01 | 0:52:04 | |
That I'm not who you thought I was when we met. | 0:52:05 | 0:52:08 | |
I didn't think anything. | 0:52:11 | 0:52:12 | |
I was too busy staring at your arse, wasn't I? | 0:52:14 | 0:52:16 | |
(BOTH LAUGH) | 0:52:16 | 0:52:18 | |
-This is fun. -Yeah. | 0:52:19 | 0:52:22 | |
(DANCE MUSIC PLAYS) | 0:52:27 | 0:52:30 | |
Yeah. Yeah, right there. | 0:53:28 | 0:53:31 | |
Yeah, there. | 0:53:32 | 0:53:34 | |
There. Yeah, there. | 0:53:35 | 0:53:38 | |
No, don't stop. | 0:53:40 | 0:53:42 | |
Yeah, there. | 0:53:48 | 0:53:50 | |
-There! -Shhh! | 0:53:50 | 0:53:54 | |
Don't speak. Don't speak. | 0:53:54 | 0:53:56 | |
Not how the evening was supposed to end? | 0:54:20 | 0:54:23 | |
Sorry. How was your night with Lauren? | 0:54:27 | 0:54:30 | |
Yeah, really good. | 0:54:31 | 0:54:33 | |
-Night, babes. -Night. | 0:54:35 | 0:54:37 | |
Nice place. | 0:54:45 | 0:54:47 | |
Do you live here alone? | 0:54:49 | 0:54:51 | |
There was someone, but she's not here anymore. | 0:54:52 | 0:54:55 | |
You need to go. | 0:55:06 | 0:55:07 | |
-Now? -Sorry. | 0:55:08 | 0:55:11 | |
What did I do? | 0:55:14 | 0:55:16 | |
You're just wrong. | 0:55:16 | 0:55:18 | |
Fuck's sake. | 0:55:20 | 0:55:22 | |
You're lovely. | 0:55:42 | 0:55:43 | |
Subtitles by Red Bee Media Ltd | 0:56:16 | 0:56:21 |