
Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Here she is, the actress. | 0:00:49 | 0:00:52 | |
Don't. I think I'm going to be sick. | 0:00:52 | 0:00:55 | |
Urgh! | 0:00:55 | 0:00:57 | |
How could it be opening night already? | 0:00:57 | 0:00:59 | |
Last night, I actually had the dream. | 0:00:59 | 0:01:02 | |
-I was on stage naked... -Cheeky Chekhov. -..and I just... | 0:01:02 | 0:01:04 | |
KNOCK ON DOOR ..I froze. | 0:01:04 | 0:01:06 | |
450 people staring at my lady garden, | 0:01:06 | 0:01:09 | |
waiting for the show to start. | 0:01:09 | 0:01:11 | |
-What if I totally screw up? -You'll be fine. | 0:01:11 | 0:01:14 | |
Hello. | 0:01:14 | 0:01:16 | |
Just thought I'd pop in and say good luck for tonight. | 0:01:16 | 0:01:19 | |
-Ah! -She's having a breakdown. | 0:01:19 | 0:01:21 | |
It's just... I've never had a proper part like this before. | 0:01:21 | 0:01:24 | |
That's why I got you a first night survival kit. | 0:01:24 | 0:01:26 | |
Ah! | 0:01:26 | 0:01:28 | |
-You shouldn't have. -I wanted to. | 0:01:30 | 0:01:33 | |
Can't open it until you get to the theatre, all right? | 0:01:35 | 0:01:37 | |
-Where's our tickets, then? -Oh, yeah. Sorry. | 0:01:39 | 0:01:41 | |
Um... | 0:01:42 | 0:01:43 | |
-Ed... -Thank you. | 0:01:44 | 0:01:47 | |
Sadie. | 0:01:48 | 0:01:49 | |
Lexy. | 0:01:51 | 0:01:52 | |
Er... | 0:01:54 | 0:01:55 | |
Er, has anyone spoken to Sam? | 0:01:56 | 0:01:59 | |
I've left her messages, but no joy. | 0:02:01 | 0:02:03 | |
-Haven't you been running with her? -No, I haven't. | 0:02:03 | 0:02:07 | |
Bollocks! I need to jump in the shower. | 0:02:08 | 0:02:10 | |
Anyone you want to bring? | 0:02:15 | 0:02:17 | |
It's not like I've got much chance of meeting someone by tonight. | 0:02:18 | 0:02:22 | |
-Yeah. Yeah, maybe. -So, there IS someone? | 0:02:24 | 0:02:27 | |
Yeah. I mean, no! | 0:02:29 | 0:02:31 | |
Er...they won't want a ticket. | 0:02:31 | 0:02:36 | |
No offence, but seeing as I'm the only one | 0:02:36 | 0:02:38 | |
likely to be getting any later... | 0:02:38 | 0:02:40 | |
Oh, Lexy! | 0:02:53 | 0:02:55 | |
This for the after show party? Don't know if I've got the legs. | 0:02:57 | 0:03:00 | |
Are you kidding? You've got great legs! | 0:03:00 | 0:03:03 | |
Yeah, I better go. Break a leg. | 0:03:03 | 0:03:06 | |
Yes, that would work. Wouldn't it? | 0:03:06 | 0:03:08 | |
They wouldn't expect me to go on, then, would they? | 0:03:08 | 0:03:10 | |
You'll be fine. | 0:03:10 | 0:03:12 | |
Um, listen. | 0:03:12 | 0:03:15 | |
Thanks for all your support and everything. | 0:03:15 | 0:03:17 | |
Means a lot. | 0:03:17 | 0:03:19 | |
It's all right. | 0:03:19 | 0:03:21 | |
God, I hope I don't make a tit of myself. | 0:03:21 | 0:03:24 | |
You're always making a tit of yourself. | 0:03:24 | 0:03:27 | |
OK. Er, OK. | 0:03:32 | 0:03:34 | |
That's a really nice lip balm you're wearing. | 0:03:36 | 0:03:39 | |
What is it? | 0:03:39 | 0:03:40 | |
It's a medicated chapstick. | 0:03:40 | 0:03:42 | |
Right. | 0:03:42 | 0:03:43 | |
Sexy(!) | 0:03:44 | 0:03:45 | |
See you later. I'm getting the drinks in. | 0:03:47 | 0:03:50 | |
Lexy knows Vanya. Like, she actually knows it. | 0:04:08 | 0:04:10 | |
I mean, what are the chances of that? What if I'm rubbish? | 0:04:10 | 0:04:13 | |
-I'm sure she won't tell you if you are. -Thanks, Ed(!) | 0:04:13 | 0:04:17 | |
Don't know why you're so worried, anyway. I thought you... | 0:04:18 | 0:04:21 | |
Oh! You fancy her! | 0:04:25 | 0:04:28 | |
No, I don't. | 0:04:28 | 0:04:29 | |
Yes, you do! | 0:04:29 | 0:04:30 | |
OK. | 0:04:32 | 0:04:33 | |
I just don't know if she likes me or not. | 0:04:34 | 0:04:36 | |
I mean, I think she might, but you know what I'm like. | 0:04:36 | 0:04:39 | |
I'm just crap at picking up on these things. | 0:04:39 | 0:04:42 | |
She did mention someone. | 0:04:42 | 0:04:44 | |
Really? Who? | 0:04:44 | 0:04:45 | |
Just someone. But they didn't need a ticket to the show. | 0:04:45 | 0:04:49 | |
Oh, great. So, it's someone who's going to the show. | 0:04:49 | 0:04:53 | |
Or... | 0:04:53 | 0:04:54 | |
Or someone who's IN the show. | 0:04:54 | 0:04:57 | |
I am someone who's in the show. I mean, do you think she meant me? | 0:04:58 | 0:05:02 | |
Or Nora. Why didn't you tell me that you liked her? | 0:05:02 | 0:05:06 | |
I just felt weird carrying on like normal without Cat around. | 0:05:06 | 0:05:11 | |
Lexy's great. | 0:05:11 | 0:05:13 | |
-Going to open it now, right? -Of course! -Yeah! | 0:05:15 | 0:05:18 | |
"A little something for before and after the show." | 0:05:21 | 0:05:24 | |
Champagne. For after. | 0:05:26 | 0:05:29 | |
What's for before? | 0:05:29 | 0:05:31 | |
Imodium. | 0:05:31 | 0:05:33 | |
What do you want? | 0:05:39 | 0:05:40 | |
Not the warmest welcome I've ever had. | 0:05:40 | 0:05:43 | |
-Well, I'm late. -Um, I won't hold you up. Look... | 0:05:43 | 0:05:46 | |
I just need you to know that you were wrong. | 0:05:48 | 0:05:50 | |
-There's nothing new there. -I really, um... | 0:05:50 | 0:05:53 | |
I really didn't know about Cat and Frankie. | 0:05:53 | 0:05:56 | |
You want an apology? Is that why you're here? | 0:05:56 | 0:05:59 | |
I'm very sorry, OK? | 0:05:59 | 0:06:01 | |
Might want to work on the whole apology thing. | 0:06:01 | 0:06:03 | |
That level of sincerity, it's a bit overpowering(!) | 0:06:03 | 0:06:07 | |
Look, I get it. You want to deal with this on your own. | 0:06:09 | 0:06:13 | |
I understand. I'll leave you alone. | 0:06:13 | 0:06:15 | |
But if you ever need someone, you've got my number. | 0:06:19 | 0:06:23 | |
MOBILE PHONE BEEPS | 0:06:43 | 0:06:45 | |
Right, everyone. | 0:07:16 | 0:07:17 | |
We've put a lot of hard work into Operation Beehive | 0:07:19 | 0:07:21 | |
these past few weeks | 0:07:21 | 0:07:23 | |
and it all hinges on today's raid. | 0:07:23 | 0:07:25 | |
So, listen up. DS Murray? | 0:07:25 | 0:07:27 | |
Yeah. | 0:07:28 | 0:07:29 | |
OK, um... | 0:07:34 | 0:07:36 | |
Our intention is to conduct a raid | 0:07:38 | 0:07:40 | |
on what used to be the old miller warehouse. | 0:07:40 | 0:07:43 | |
From our information, | 0:07:43 | 0:07:46 | |
it appears that the drop will take place | 0:07:46 | 0:07:48 | |
between 1730 and 1900 hours today. | 0:07:48 | 0:07:51 | |
If you want to check in your briefing notes, at the map, | 0:07:51 | 0:07:56 | |
we have a good observation point. | 0:07:56 | 0:07:58 | |
It's imperative that we wait for the goods to change hands. | 0:08:04 | 0:08:08 | |
I urge you to be cautious. Watch each other's backs. | 0:08:08 | 0:08:12 | |
We have no intel suggesting that they'll be armed, | 0:08:12 | 0:08:14 | |
but I don't need to tell you what this gang's capable of. | 0:08:14 | 0:08:17 | |
-OK? OFFICERS: -All right. | 0:08:18 | 0:08:20 | |
Are you all right? | 0:08:37 | 0:08:39 | |
I'm here, aren't I? | 0:08:39 | 0:08:41 | |
We need to present a united front today. | 0:08:44 | 0:08:47 | |
For the team's sake. | 0:08:47 | 0:08:48 | |
-Can we do that? -Of course. | 0:08:49 | 0:08:52 | |
-I told you about it weeks ago! -I wish you'd reminded me. | 0:08:58 | 0:09:00 | |
-I did, I told you to put it in your diary. -Jeez! | 0:09:00 | 0:09:03 | |
I'll be there about 3:00-ish. | 0:09:15 | 0:09:17 | |
The eagle has landed. | 0:09:17 | 0:09:19 | |
I'm sorry. I know you're busy. | 0:09:23 | 0:09:26 | |
It's just... It's never any fun without you there. | 0:09:26 | 0:09:29 | |
I'm sorry too. | 0:09:29 | 0:09:30 | |
-Ready to go in ten, OK? -Yeah, OK. | 0:09:43 | 0:09:45 | |
-Morning. -Oh! | 0:09:47 | 0:09:48 | |
I wanted to clear the air about Ed. | 0:09:56 | 0:09:59 | |
-I don't want there to be any awkwardness between us. -Oh, me too. | 0:09:59 | 0:10:03 | |
I mean, I don't think he's ready for a real relationship right now. | 0:10:03 | 0:10:06 | |
You know, he's got this whole sci-fi geek thing going on. | 0:10:06 | 0:10:11 | |
And, you know, so many cartoon women in his life. | 0:10:11 | 0:10:14 | |
I'm just not sure he knows how to deal with a real one. | 0:10:14 | 0:10:17 | |
I know he's your friend and everything, | 0:10:17 | 0:10:19 | |
but I'm afraid I just had to finish it with him. | 0:10:19 | 0:10:22 | |
I hope he's not too upset. | 0:10:25 | 0:10:27 | |
How's he, um... How's he coping? | 0:10:27 | 0:10:31 | |
-Um... He's bearing up. -Good. | 0:10:31 | 0:10:35 | |
Good, yeah. That's good. | 0:10:35 | 0:10:37 | |
You'll never guess what Nora just said to me. | 0:10:37 | 0:10:41 | |
Apparently, SHE broke up with Ed. Like, what planet is she on?! | 0:10:41 | 0:10:45 | |
Know what? If it gets her off my back, she can believe what she likes. | 0:10:48 | 0:10:51 | |
Oh, Lexy's coming tonight | 0:10:51 | 0:10:53 | |
and she said I had great legs. That's good, isn't it? | 0:10:53 | 0:10:56 | |
-And Ed said... -Maggie wants a divorce. | 0:10:56 | 0:10:59 | |
What?! | 0:10:59 | 0:11:01 | |
Oh, Hugh. I'm sorry. | 0:11:05 | 0:11:08 | |
She's going to marry that long streak of piss, Thomas Delaware. | 0:11:08 | 0:11:11 | |
Why should they get married and live the celebrity couple lifestyle? | 0:11:11 | 0:11:15 | |
Yeah, I know, I know. | 0:11:15 | 0:11:18 | |
It's not fair. | 0:11:18 | 0:11:21 | |
She's making the biggest mistake of her life! | 0:11:21 | 0:11:25 | |
Listen, why don't I cover for you with Rory, OK? | 0:11:25 | 0:11:29 | |
It's only a lighting check. | 0:11:29 | 0:11:30 | |
-You can just stay here, collect your thoughts... -Think I should call her? | 0:11:30 | 0:11:34 | |
No! No, I think you need to get yourself focused on the show tonight. | 0:11:34 | 0:11:39 | |
You're right, | 0:11:41 | 0:11:42 | |
You're right. | 0:11:44 | 0:11:45 | |
-I've got to be on form tonight. -Yes. | 0:11:46 | 0:11:49 | |
-Hello, skiver. -Fuck off. I went to see Sam. | 0:11:55 | 0:11:57 | |
Hold the phone. | 0:11:59 | 0:12:00 | |
-What happened? -She didn't want to know. | 0:12:01 | 0:12:04 | |
Why do I always do it? Why do I let myself get sucked in? | 0:12:04 | 0:12:07 | |
-Cos you're too nice. -What was I thinking? | 0:12:07 | 0:12:11 | |
I was imagining there was some kind of connection between us, | 0:12:11 | 0:12:13 | |
when her girlfriend just died. | 0:12:13 | 0:12:16 | |
Such an idiot! | 0:12:16 | 0:12:17 | |
Listen, you're not going to waste any more energy over her. | 0:12:19 | 0:12:22 | |
I mean it. You should go for Tess. | 0:12:22 | 0:12:24 | |
She's funny, she's hot and the two of you get on great. | 0:12:24 | 0:12:28 | |
Maybe I will. | 0:12:31 | 0:12:33 | |
I'm sick of falling into the same old patterns. | 0:12:33 | 0:12:36 | |
I find someone who's a bit damaged, | 0:12:36 | 0:12:38 | |
I put them back together and then when they're all mended... | 0:12:38 | 0:12:41 | |
They fuck off. | 0:12:41 | 0:12:42 | |
How about someone actually wanting me, for a change? | 0:12:43 | 0:12:47 | |
Sam, can you hear me OK? | 0:13:02 | 0:13:05 | |
Loud and clear. | 0:13:06 | 0:13:08 | |
Right, when we go, I'll take the warehouse team. | 0:13:17 | 0:13:21 | |
What's the matter? | 0:13:21 | 0:13:24 | |
Nothing. Fucking hell! | 0:13:24 | 0:13:25 | |
Why does there always have to be something wrong? | 0:13:25 | 0:13:28 | |
Sam, there IS something wrong! | 0:13:28 | 0:13:30 | |
I think maybe you should go home. | 0:13:35 | 0:13:39 | |
I'm going nowhere. | 0:13:39 | 0:13:42 | |
No, that won't work. I'll be in Aspen. | 0:13:47 | 0:13:49 | |
Just let me know when you've got it organised. | 0:13:50 | 0:13:53 | |
I like that. It's a very vivid piece. | 0:13:53 | 0:13:57 | |
It's a lovely, pleasing shape too. It really follows you round the room. | 0:13:58 | 0:14:02 | |
Yes, it does. | 0:14:04 | 0:14:05 | |
It's with me here. | 0:14:07 | 0:14:09 | |
Here. | 0:14:11 | 0:14:13 | |
-And here too. -Interesting. How much is it? | 0:14:15 | 0:14:20 | |
£35,000. | 0:14:20 | 0:14:22 | |
Well, it's unique. | 0:14:22 | 0:14:25 | |
-Can you give me some information on the piece? -Sure. | 0:14:28 | 0:14:31 | |
Just...this one here. | 0:14:34 | 0:14:37 | |
Thanks. May I possibly use your bathroom? | 0:14:37 | 0:14:39 | |
Course. Just through here, madam. | 0:14:39 | 0:14:41 | |
HE EXHALES AUDIBLY | 0:14:47 | 0:14:49 | |
You've, um... you've missed your light. | 0:15:22 | 0:15:25 | |
-OFFSTAGE: -Not my fucking wife! | 0:15:29 | 0:15:32 | |
I've had an epiphany! | 0:15:35 | 0:15:37 | |
I'm not sure we've got time for one of those today. | 0:15:37 | 0:15:40 | |
I'm actually seeing things clearly for the first time in months. | 0:15:40 | 0:15:43 | |
Oh! Well, that's great, Hugh. I'm proud of you. | 0:15:43 | 0:15:48 | |
I've just been putting all my energy in completely the wrong direction. | 0:15:48 | 0:15:53 | |
-TANNOY: -'Can Miss Roberts return to the stage, please?' | 0:15:53 | 0:15:56 | |
This is it, Tess. | 0:15:56 | 0:15:58 | |
-I'm going to give it everything I've got. -Brilliant! | 0:15:58 | 0:16:02 | |
I'm going to give that woman the husband she deserves. | 0:16:02 | 0:16:06 | |
I'm going to get her back. | 0:16:06 | 0:16:07 | |
What?! | 0:16:07 | 0:16:09 | |
-SONG: -# Well, I think That I'm in love | 0:16:20 | 0:16:24 | |
# Even though I've only spoken to you | 0:16:24 | 0:16:28 | |
# About twice... # | 0:16:28 | 0:16:30 | |
I'd like a basket of red roses. Same message as before. | 0:16:30 | 0:16:34 | |
And the word love in a floral tribute. | 0:16:34 | 0:16:37 | |
-Um... -No, it's not for a funeral! -Come on. | 0:16:37 | 0:16:39 | |
-Rory wants you on stage. Everyone's waiting. -OK, I'll wait. | 0:16:39 | 0:16:43 | |
Please, Hugh. I really need to run our scenes. | 0:16:43 | 0:16:45 | |
And look down... | 0:16:48 | 0:16:51 | |
Hi, Dr Price. | 0:16:51 | 0:16:52 | |
Do you mind if I get a second opinion? Sorry. | 0:16:52 | 0:16:54 | |
Excuse me a minute. | 0:16:54 | 0:16:56 | |
I have a young boy. Minor car accident. | 0:17:01 | 0:17:05 | |
What's the prognosis? | 0:17:05 | 0:17:07 | |
Not good. | 0:17:07 | 0:17:09 | |
He has to go and see Sex-ray and obviously I can't take him. | 0:17:09 | 0:17:13 | |
For God's sake, Declan! I'm not bloody taking him. | 0:17:13 | 0:17:16 | |
Oh, come on, Lexy. I'm so tired of being ignored. | 0:17:16 | 0:17:20 | |
I don't care. I'm so over it. I don't even fancy him anymore. | 0:17:20 | 0:17:23 | |
You won't mind taking him yourself, then. | 0:17:23 | 0:17:25 | |
I bet he thinks I go up there just to take a look at him. | 0:17:25 | 0:17:28 | |
-You DO go there just to look at him. -That's great, throw that back in my face! | 0:17:28 | 0:17:31 | |
Declan, you're a doctor in A&E. | 0:17:31 | 0:17:33 | |
You're going to have to go to X-ray sooner or later. | 0:17:33 | 0:17:36 | |
Get over it. | 0:17:36 | 0:17:38 | |
-Oh, please, Lexy! -Absolutely not! No way. | 0:17:38 | 0:17:42 | |
Ryder from Murray. It's half-past. | 0:17:54 | 0:17:57 | |
Bad info? | 0:17:57 | 0:17:59 | |
Could've had a tip-off. | 0:17:59 | 0:18:02 | |
Wait. I can see Vehicle A approaching. | 0:18:03 | 0:18:07 | |
All units from Ryder, we're on. Stand by. | 0:18:07 | 0:18:09 | |
-OK? -Yep. | 0:18:09 | 0:18:11 | |
-Ready? -Let's go. | 0:18:11 | 0:18:13 | |
-Stay here and watch for the drop. -OK. | 0:18:13 | 0:18:16 | |
All units from DS Murray. | 0:18:33 | 0:18:35 | |
On my signal, OK? | 0:18:37 | 0:18:39 | |
-Go. -Go! | 0:18:41 | 0:18:43 | |
SHOUTING | 0:18:43 | 0:18:44 | |
Got him. Got him. | 0:18:55 | 0:18:57 | |
I'll be with you in a minute, all right? | 0:19:02 | 0:19:05 | |
He's got a fractured tibia and my friend fancies you. | 0:19:09 | 0:19:13 | |
But you probably already knew that. Right? | 0:19:13 | 0:19:15 | |
-Probably. -OK. | 0:19:15 | 0:19:18 | |
And so you don't fancy Declan back? | 0:19:19 | 0:19:22 | |
OK. Whatever. But...he's really funny. | 0:19:22 | 0:19:27 | |
-Really? -And great company. | 0:19:27 | 0:19:29 | |
And he's not THAT bad a guy, actually. | 0:19:29 | 0:19:31 | |
Underneath all the bravado. | 0:19:31 | 0:19:34 | |
Can you please just put him out of his misery? | 0:19:34 | 0:19:38 | |
Cos, no offence, but I'm fucking sick of hearing about you. | 0:19:38 | 0:19:41 | |
-Get your hands off me! -Come on. It's all right. | 0:19:44 | 0:19:48 | |
-RADIO: -'Sam! Sam! Argh!' | 0:19:50 | 0:19:53 | |
'Sam! Sam!' | 0:19:55 | 0:19:57 | |
CRACKLING AND SHOUTING OVER RADIO | 0:19:57 | 0:20:01 | |
SHE STRUGGLES FOR BREATH | 0:20:01 | 0:20:04 | |
-Oh, hello. -Are you avoiding me? | 0:20:35 | 0:20:39 | |
No, not at all. I was just getting myself a... | 0:20:39 | 0:20:43 | |
-An enema bag. -Yeah, listen. | 0:20:43 | 0:20:44 | |
I don't take kindly to being cruised at work. | 0:20:44 | 0:20:47 | |
-That's a bit presumptuous. -You might have fared better | 0:20:47 | 0:20:50 | |
just asking me out for dinner | 0:20:50 | 0:20:51 | |
instead of expecting me to follow you into the nearest toilets. | 0:20:51 | 0:20:54 | |
Having said that, I am free tonight. | 0:20:56 | 0:21:00 | |
I might let you buy me dinner if you promise to behave like a grown-up. | 0:21:00 | 0:21:04 | |
It's a bit short notice. I might need to check my diary. | 0:21:04 | 0:21:07 | |
I'll be there. | 0:21:07 | 0:21:08 | |
Oh, God! Ryder! | 0:21:24 | 0:21:27 | |
I need an ambulance around the back of the warehouse, | 0:21:37 | 0:21:39 | |
as soon as possible. It's OK. It's going to be OK. | 0:21:39 | 0:21:42 | |
-Hello. -Hello. | 0:22:01 | 0:22:03 | |
It's going to take more than a bunch of flowers. | 0:22:04 | 0:22:07 | |
They're for Tess. | 0:22:08 | 0:22:10 | |
That's very sweet of you. | 0:22:14 | 0:22:16 | |
Of course, it is a big opportunity for her. | 0:22:16 | 0:22:18 | |
I mean, who knows if she'll ever get another part. | 0:22:18 | 0:22:22 | |
I think she's really talented, actually. | 0:22:22 | 0:22:25 | |
What would I know? I'm just a geek, right? | 0:22:25 | 0:22:28 | |
Right. How IS your book going? | 0:22:28 | 0:22:33 | |
Good, yeah. | 0:22:33 | 0:22:34 | |
I've changed the lead character to an evil, self-obsessed hobbit. | 0:22:34 | 0:22:38 | |
-It wasn't a very big rewrite. -I shouldn't worry. | 0:22:38 | 0:22:42 | |
It's only wanking material for geeky teenage boys, after all. | 0:22:42 | 0:22:46 | |
Still, gives you something to do in the evenings. | 0:22:46 | 0:22:48 | |
Oh, don't worry about me. | 0:22:48 | 0:22:50 | |
Tess and I have always got our darts tournament to look forward to. | 0:22:50 | 0:22:53 | |
Speaking of which, if you've got any of those signed photos left over, | 0:22:53 | 0:22:56 | |
I'd be glad to take them off your hands. | 0:22:56 | 0:22:58 | |
-SONG: -# Save it | 0:23:10 | 0:23:12 | |
# Save it for me | 0:23:14 | 0:23:17 | |
# Cos I crave it... # | 0:23:17 | 0:23:20 | |
You're beautiful. | 0:23:21 | 0:23:22 | |
# Crave your poetry | 0:23:22 | 0:23:24 | |
# And I stay too long | 0:23:24 | 0:23:28 | |
# Linger on inside your perfect song | 0:23:29 | 0:23:36 | |
# Crash and burn before your eyes | 0:23:37 | 0:23:43 | |
# They lie | 0:23:43 | 0:23:47 | |
# Like mine | 0:23:47 | 0:23:49 | |
# Oh, but | 0:23:49 | 0:23:51 | |
# Save it for me | 0:23:51 | 0:23:54 | |
# Take it | 0:23:58 | 0:24:00 | |
# Take it from me | 0:24:02 | 0:24:05 | |
# Cos I'll break it down | 0:24:05 | 0:24:09 | |
# Break it slowly and I... # | 0:24:09 | 0:24:13 | |
Oh, hey! How's it going? | 0:24:15 | 0:24:17 | |
Yeah, yeah. You know, pretty nuts. | 0:24:17 | 0:24:20 | |
Um, listen. Thank you for my awesome present. | 0:24:22 | 0:24:25 | |
Love champagne, and the Imodium's come in pretty useful, actually. | 0:24:25 | 0:24:29 | |
Not that I've got the runs or anything! | 0:24:29 | 0:24:32 | |
I've got something for you. | 0:24:42 | 0:24:45 | |
Close your eyes. Hold out your hands. | 0:24:45 | 0:24:48 | |
OK. | 0:24:48 | 0:24:50 | |
Ta-da! | 0:24:53 | 0:24:55 | |
Do you like it? | 0:24:58 | 0:25:00 | |
You can't afford this. | 0:25:00 | 0:25:03 | |
-Do you like it? -I love it! | 0:25:03 | 0:25:05 | |
Thank you... | 0:25:11 | 0:25:12 | |
..so much. | 0:25:14 | 0:25:16 | |
-And... -Uh-huh? | 0:25:16 | 0:25:19 | |
A ticket to the play tonight. | 0:25:23 | 0:25:25 | |
Oh, come on. No-one needs to know we're together. | 0:25:25 | 0:25:30 | |
OK. Yeah. | 0:25:35 | 0:25:38 | |
-Will he be OK? -You need to wait outside. | 0:26:09 | 0:26:12 | |
Will he...? | 0:26:13 | 0:26:16 | |
Hugh? | 0:26:24 | 0:26:26 | |
Yes? | 0:26:26 | 0:26:28 | |
Listen, I didn't want to bring this up so close to curtain-up, | 0:26:28 | 0:26:32 | |
but your wife called. | 0:26:32 | 0:26:33 | |
She's been trying to get a hold of you on your mobile. | 0:26:33 | 0:26:37 | |
Good things come to those that wait. | 0:26:37 | 0:26:39 | |
She said you're in breach of your restraining order | 0:26:39 | 0:26:42 | |
and if you carry on sending things to the house | 0:26:42 | 0:26:45 | |
then the police are going to come to the theatre. | 0:26:45 | 0:26:48 | |
Sorry. Better press on. OK! | 0:26:48 | 0:26:50 | |
So, opening night! Enjoy yourselves. | 0:26:53 | 0:26:56 | |
You've all worked really hard and I'm very proud of you. | 0:26:56 | 0:26:59 | |
All of you. | 0:26:59 | 0:27:01 | |
Hugh. | 0:27:05 | 0:27:06 | |
Break a leg. | 0:27:08 | 0:27:10 | |
Ah. Thanks, Nora. | 0:27:11 | 0:27:14 | |
Thanks, Sharon. | 0:27:39 | 0:27:41 | |
HUGH: It's just infatuation. | 0:27:41 | 0:27:43 | |
How can you love a man who waxes his eyebrows? | 0:27:43 | 0:27:45 | |
Why aren't you ready? You need to get your costume on. | 0:27:45 | 0:27:48 | |
You screwed me like an old dog. Like an old, blind dog. | 0:27:48 | 0:27:52 | |
-Should've stabbed me in the heart. -This is important. Lexy's coming. | 0:27:52 | 0:27:55 | |
OK! OK! Humiliating yourself, running after that bell-end. | 0:27:55 | 0:27:58 | |
I took one in court for you. Remember? | 0:27:58 | 0:28:01 | |
What about that? I took six points on my licence for you. | 0:28:01 | 0:28:05 | |
-Trousers! -Without me, you'd be on a scooter. | 0:28:05 | 0:28:07 | |
Bloody answer-phone cut me off! Fucking hell! I'm just going to have to go out there. | 0:28:10 | 0:28:14 | |
No, no. You can't. You'll get arrested. | 0:28:14 | 0:28:16 | |
Remember? Last time? With the police and the ASBO. That was bad. | 0:28:16 | 0:28:19 | |
Just... Just get dressed, Hugh. Please, just get dressed. | 0:28:21 | 0:28:25 | |
How can I give my Vanya now, | 0:28:26 | 0:28:29 | |
when I feel so empty inside? | 0:28:29 | 0:28:32 | |
-Hello. -Someone's made an effort. | 0:28:44 | 0:28:46 | |
Yeah, I'm not the only one! | 0:28:46 | 0:28:48 | |
Shall we go in? | 0:28:50 | 0:28:51 | |
-No, thanks. I'm waiting for someone. -Don't tell me. | 0:28:51 | 0:28:53 | |
We're finally going to meet the phantom girlfriend? | 0:28:53 | 0:28:56 | |
Leaving the little missus at home, is she? | 0:28:56 | 0:28:58 | |
Look, don't drop me in it. As far as you know, she's my aunt, OK? | 0:28:58 | 0:29:02 | |
We'll see you in there. | 0:29:02 | 0:29:04 | |
-TANNOY: -'Ladies and gentlemen, this is your Act One beginners call.' | 0:29:44 | 0:29:48 | |
Hugh? | 0:29:52 | 0:29:53 | |
Hugh, are you in there? We've had our call. | 0:29:57 | 0:29:59 | |
MURMURING | 0:30:17 | 0:30:20 | |
Have some tea, my love, Won't you? | 0:30:27 | 0:30:30 | |
I don't really fancy it. | 0:30:30 | 0:30:32 | |
200 years from now, the people we are beating a path for, | 0:30:41 | 0:30:44 | |
will they even give us a thought, Nanya? | 0:30:44 | 0:30:47 | |
People may not, but God will. | 0:30:47 | 0:30:48 | |
That's nicely put, Nanya. Thank you. | 0:30:48 | 0:30:50 | |
(Please, Hugh.) | 0:30:55 | 0:30:59 | |
(Fuck!) | 0:31:07 | 0:31:09 | |
Sleep well? | 0:31:09 | 0:31:10 | |
Yes. Yes. Yes. Too well. | 0:31:15 | 0:31:20 | |
Ever since they arrived, everything's upside down. | 0:31:20 | 0:31:24 | |
You sleep when you should be working. | 0:31:24 | 0:31:26 | |
You drink at the wrong time. | 0:31:26 | 0:31:30 | |
You eat all the wrong things. | 0:31:30 | 0:31:32 | |
Red wine. Spicy food. | 0:31:32 | 0:31:36 | |
Tickets? | 0:31:48 | 0:31:50 | |
Enjoy. | 0:31:50 | 0:31:51 | |
Practically broke my neck to get here. | 0:31:58 | 0:32:01 | |
Oh, well. Never mind. It's not the first time. | 0:32:01 | 0:32:05 | |
Anyway, now I'm here, I'll stay over. | 0:32:09 | 0:32:12 | |
-At least I'll get the recommended dose of sleep. -Oh, good! | 0:32:12 | 0:32:15 | |
I'm so glad. It's so rare that you stay the night. | 0:32:15 | 0:32:18 | |
I don't suppose you've eaten anything? | 0:32:18 | 0:32:20 | |
No, I haven't. | 0:32:20 | 0:32:21 | |
Then, you must have supper with us. | 0:32:28 | 0:32:31 | |
We eat in the evenings, these days. | 0:32:33 | 0:32:36 | |
Hey. | 0:32:48 | 0:32:49 | |
-They're late! -Yeah, well, you know Cath. | 0:32:49 | 0:32:53 | |
Whatever you needed to do at the office can wait. | 0:32:53 | 0:32:56 | |
I mean, can't you just forget about work for one bloody night, Lauren? | 0:32:56 | 0:33:00 | |
DOORBELL RINGS | 0:33:00 | 0:33:02 | |
Oh! | 0:33:02 | 0:33:03 | |
-Come in. How are you? -Good. | 0:33:06 | 0:33:10 | |
-Hey, Cath. How are you? -Good. | 0:33:14 | 0:33:16 | |
I'm sorry. | 0:33:58 | 0:34:00 | |
I couldn't get there in time. | 0:34:08 | 0:34:09 | |
You were right. | 0:34:12 | 0:34:13 | |
I'm so sorry. | 0:34:16 | 0:34:18 | |
Forget it. | 0:34:19 | 0:34:21 | |
You too, Uncle Vanya. | 0:34:29 | 0:34:33 | |
Drunk with the doctor again. | 0:34:33 | 0:34:35 | |
What a pair! | 0:34:37 | 0:34:39 | |
It doesn't suit you at your age. | 0:34:39 | 0:34:42 | |
-Uncle Vanya! -Ow! | 0:34:44 | 0:34:46 | |
What's age got to do with anything? | 0:34:52 | 0:34:54 | |
Drink...gives me the illusion I'm alive. | 0:34:54 | 0:34:59 | |
Even a mirage is better than nothing. | 0:35:01 | 0:35:03 | |
The hay is cut! It's been raining day in, day out. | 0:35:03 | 0:35:07 | |
And...it's lying out there rotting, | 0:35:12 | 0:35:16 | |
and you go on about mirages! | 0:35:17 | 0:35:20 | |
APPLAUSE | 0:35:22 | 0:35:24 | |
That was a great first half! Keep up the good work! | 0:35:27 | 0:35:32 | |
-I suppose you think that was funny? -It was just a little joke. | 0:35:32 | 0:35:37 | |
It's what we do in the theatre, Tess. | 0:35:37 | 0:35:39 | |
You know, a bit of opening night fun. | 0:35:39 | 0:35:41 | |
Lighten up, yeah? | 0:35:41 | 0:35:44 | |
It's quite long, isn't it? | 0:35:48 | 0:35:50 | |
-You enjoying it? -Tess is great. | 0:35:51 | 0:35:54 | |
Wonder where Sadie got to. | 0:35:54 | 0:35:57 | |
Maybe her "aunt" took her for some "tea." | 0:35:57 | 0:35:59 | |
Think you can get arrested for that! | 0:35:59 | 0:36:02 | |
PHONE BEEPS | 0:36:02 | 0:36:04 | |
-What do you want? -Yeah, I'm going to have a... | 0:36:04 | 0:36:08 | |
Just wait a sec. | 0:36:08 | 0:36:09 | |
'Hey, I... | 0:36:12 | 0:36:14 | |
'I just wondered if you were at the hospital. | 0:36:14 | 0:36:17 | |
'Shit! Sorry. | 0:36:17 | 0:36:20 | |
'It's nothing. Sorry.' | 0:36:20 | 0:36:23 | |
-Hi. -What are you doing here? | 0:36:26 | 0:36:29 | |
How's it going? | 0:36:29 | 0:36:32 | |
Nora's playing tricks on me on stage. I told you she'd be like this! | 0:36:32 | 0:36:35 | |
Just ignore her. | 0:36:35 | 0:36:37 | |
Do you die in this act? | 0:36:37 | 0:36:39 | |
She was all over me like we were best buds earlier. | 0:36:42 | 0:36:44 | |
-Did you say anything to her? -No. | 0:36:44 | 0:36:47 | |
I couldn't help it. She's evil. She does something to me. | 0:36:48 | 0:36:52 | |
-She's like kryptonite. -You really ARE a geek. | 0:36:52 | 0:36:55 | |
Lexy's loving it. | 0:36:55 | 0:36:56 | |
-What? What did she say? -She thinks you're great. -No, she doesn't! | 0:36:56 | 0:37:00 | |
-She can't take her eyes off you. -Really? -Yeah. | 0:37:00 | 0:37:02 | |
-TANNOY: -'This is your five-minute call...' | 0:37:02 | 0:37:04 | |
-Go, go, go. -I'll catch you after for a drink. -OK. | 0:37:04 | 0:37:06 | |
If Lexy doesn't catch you first. | 0:37:06 | 0:37:08 | |
'The person you are calling is unable to take your call.' | 0:37:20 | 0:37:24 | |
-TANNOY: -'Ladies and gentlemen, Please take your seats. | 0:37:26 | 0:37:29 | |
'The second half is about to commence.' | 0:37:29 | 0:37:31 | |
# Find a place of calm Amongst the chaos | 0:37:31 | 0:37:35 | |
# Cos in they walked with muddy shoes | 0:37:36 | 0:37:40 | |
# Left footprints on my country blues | 0:37:40 | 0:37:43 | |
# And everything you are... # | 0:37:43 | 0:37:45 | |
-You don't want blood on your hands, do you? -Turn it off! | 0:37:48 | 0:37:51 | |
-Think what this does to a dog psychologically. -Give it to me! | 0:37:51 | 0:37:56 | |
Get on stage! | 0:38:01 | 0:38:03 | |
# Once again, tiger | 0:38:13 | 0:38:15 | |
# He's a fighter but he's scared of you | 0:38:15 | 0:38:18 | |
# Living how you wanted | 0:38:20 | 0:38:22 | |
# When you know you've got little to lose | 0:38:22 | 0:38:25 | |
# Yes, he's gone | 0:38:27 | 0:38:29 | |
# Yes, he's gone | 0:38:29 | 0:38:30 | |
# Yes, he's gone... # | 0:38:30 | 0:38:33 | |
He uses a body double, you know? Oh, and one more thing. | 0:38:35 | 0:38:38 | |
You remember that Christmas when you got food poisoning | 0:38:38 | 0:38:41 | |
and had to stay in bed all week? | 0:38:41 | 0:38:42 | |
I shagged your sister! | 0:38:42 | 0:38:44 | |
It's over, isn't it? | 0:38:52 | 0:38:54 | |
The doctor, he used to come Here once a month, at most, and... | 0:39:48 | 0:39:52 | |
..it was hard to persuade him. | 0:39:56 | 0:39:59 | |
But now, he's... he's here every day. | 0:39:59 | 0:40:02 | |
Don't remember the name of the shop, then? | 0:40:14 | 0:40:16 | |
PHONE BEEPS | 0:40:18 | 0:40:20 | |
Excuse me, just... | 0:40:22 | 0:40:24 | |
Um, right. I just have to... | 0:40:28 | 0:40:30 | |
It's work, so just five minutes. | 0:40:30 | 0:40:34 | |
-I'm not beautiful. -You have beautiful hair. | 0:40:42 | 0:40:46 | |
No! | 0:40:46 | 0:40:47 | |
When someone is plain, people always say, | 0:40:47 | 0:40:51 | |
"You have beautiful hair. You have beautiful eyes." | 0:40:51 | 0:40:53 | |
I've loved him, now, for six years! | 0:40:56 | 0:40:59 | |
I look at the door and wait, | 0:41:00 | 0:41:02 | |
hoping that he'll come in at any moment, but... | 0:41:02 | 0:41:05 | |
He... | 0:41:08 | 0:41:10 | |
He never looks at me. | 0:41:10 | 0:41:11 | |
Doesn't see me. | 0:41:16 | 0:41:17 | |
-Well, why did you stand me up? -Not here. | 0:41:24 | 0:41:27 | |
Right, just what exactly are you fucking playing at? | 0:41:29 | 0:41:32 | |
-What? -When you stole this watch, yeah? | 0:41:32 | 0:41:34 | |
Did you know that it belonged to an important client of Jo's? Did you? | 0:41:34 | 0:41:38 | |
I didn't steal it. I found it. | 0:41:38 | 0:41:40 | |
Oh, well I don't give a shit. Hmm? | 0:41:40 | 0:41:43 | |
I have just had the most excruciating dinner of my life. | 0:41:43 | 0:41:48 | |
I should have known. | 0:41:52 | 0:41:55 | |
-You said you liked the watch. -I thought it was a gift. | 0:41:55 | 0:41:58 | |
I can barely pay the rent. | 0:42:02 | 0:42:04 | |
You're fucked up. You're so fucked up. | 0:42:06 | 0:42:09 | |
You're living in a fantasy world, aren't you? | 0:42:09 | 0:42:11 | |
I'll make it up to you. | 0:42:11 | 0:42:13 | |
No! No! | 0:42:13 | 0:42:15 | |
-I'm sorry. -What was I thinking? You... | 0:42:15 | 0:42:18 | |
You stay away from me and my wife, OK? | 0:42:18 | 0:42:22 | |
# Superman's handed his cloak in | 0:43:10 | 0:43:14 | |
# He's in the corner | 0:43:14 | 0:43:16 | |
# And he's smoking again | 0:43:16 | 0:43:19 | |
# He's smoking again | 0:43:21 | 0:43:24 | |
# He said it's tough | 0:43:26 | 0:43:29 | |
# They give no quarrel | 0:43:29 | 0:43:31 | |
# He's had enough and called his daughter and son | 0:43:31 | 0:43:35 | |
# In an hour he'll be gone | 0:43:35 | 0:43:40 | |
# Can I thank you | 0:43:43 | 0:43:47 | |
# For the countless rescues? # | 0:43:47 | 0:43:49 | |
KNOCK AT DOOR | 0:43:49 | 0:43:52 | |
# All the lives you've saved | 0:43:52 | 0:43:55 | |
# There's still a life to take | 0:43:55 | 0:43:58 | |
# Today, today. # | 0:43:58 | 0:44:03 | |
I thought you were out. | 0:44:05 | 0:44:07 | |
Doesn't matter. | 0:44:07 | 0:44:08 | |
HUGH SOBS | 0:44:13 | 0:44:15 | |
We have to go on with our lives, Uncle Vanya. | 0:44:15 | 0:44:19 | |
We shall rejoice and look back on our present unhappiness | 0:44:21 | 0:44:24 | |
with tenderness and understanding. | 0:44:24 | 0:44:28 | |
We shall hear the angels. | 0:44:28 | 0:44:32 | |
We shall see the sky sparkling with diamonds. | 0:44:32 | 0:44:35 | |
We shall see all our sufferings drown in the mercy | 0:44:37 | 0:44:39 | |
that will flood the earth. | 0:44:39 | 0:44:41 | |
You have had no joy in your life, Uncle Vanya. | 0:44:41 | 0:44:44 | |
But you wait. You just wait. | 0:44:45 | 0:44:48 | |
We shall rest. | 0:44:49 | 0:44:51 | |
We shall rest. | 0:44:51 | 0:44:53 | |
CHEERING | 0:45:24 | 0:45:26 | |
I should have listened to Ryder. | 0:45:45 | 0:45:47 | |
Wasn't your fault. | 0:45:47 | 0:45:48 | |
He told me to go home and I refused to. | 0:45:48 | 0:45:51 | |
And because of that, he could have died. | 0:45:51 | 0:45:55 | |
He didn't. | 0:45:57 | 0:45:58 | |
Because of bad choices that I made. | 0:45:58 | 0:46:02 | |
You've got to stop punishing yourself. | 0:46:08 | 0:46:10 | |
-You didn't attack Ryder. -It was my fault. | 0:46:10 | 0:46:13 | |
He told me I shouldn't be there. | 0:46:17 | 0:46:19 | |
I knew he was right. | 0:46:24 | 0:46:26 | |
We'd have a suspect in custody | 0:46:29 | 0:46:32 | |
and every little bit of his story would add up. | 0:46:32 | 0:46:35 | |
But somehow... I knew I could... | 0:46:35 | 0:46:40 | |
I could always...spot the lie, | 0:46:40 | 0:46:42 | |
when no-one else could. | 0:46:42 | 0:46:45 | |
Somehow... | 0:46:48 | 0:46:49 | |
..deep down... | 0:46:51 | 0:46:52 | |
..I always knew about Cat. | 0:46:54 | 0:46:55 | |
You have to stop this. | 0:46:55 | 0:46:57 | |
I knew when Cat was thinking about her. | 0:46:59 | 0:47:03 | |
I didn't want to believe it, so I put it to the back of my mind. | 0:47:05 | 0:47:10 | |
The same way I ignored Ryder today. | 0:47:10 | 0:47:12 | |
SHE SIGHS | 0:47:14 | 0:47:15 | |
God! | 0:47:17 | 0:47:19 | |
Every choice I make is fucked! | 0:47:19 | 0:47:21 | |
Your instincts are good. | 0:47:21 | 0:47:22 | |
You have to trust yourself. | 0:47:24 | 0:47:25 | |
I can't trust myself anymore. | 0:47:29 | 0:47:30 | |
I can't trust anyone. | 0:47:33 | 0:47:35 | |
You can trust me. | 0:47:37 | 0:47:39 | |
# I walked all alone At the end of the night | 0:48:08 | 0:48:13 | |
# And whispered your name in the dark | 0:48:13 | 0:48:18 | |
# You stood out a mile from the secrets and lies | 0:48:18 | 0:48:23 | |
# And found a straight line to my heart | 0:48:23 | 0:48:27 | |
# Right from the start... # | 0:48:27 | 0:48:30 | |
-Can I have a champagne, please? -That was marvellous. | 0:48:46 | 0:48:49 | |
What a great performance. Brilliant. | 0:48:49 | 0:48:50 | |
Oh, thank you. | 0:48:50 | 0:48:52 | |
So, the audience were very appreciative. | 0:48:52 | 0:48:56 | |
I thought it went rather well. | 0:48:56 | 0:48:57 | |
You know, apart from one or two little hiccups. | 0:48:57 | 0:49:00 | |
But I think you got away with it. | 0:49:00 | 0:49:02 | |
Who do you think you are? | 0:49:04 | 0:49:05 | |
Dame Helen Mirren? Judy Dench? | 0:49:07 | 0:49:10 | |
Like, what is your problem? | 0:49:10 | 0:49:12 | |
Or are you just one of those women who hates other women? | 0:49:12 | 0:49:15 | |
Can you not feel good about yourself | 0:49:15 | 0:49:18 | |
unless you're making somebody else feel like shit? | 0:49:18 | 0:49:21 | |
Are you THAT insecure? | 0:49:21 | 0:49:23 | |
-I... -Yeah. | 0:49:23 | 0:49:25 | |
-There you are! -Tess. | 0:49:34 | 0:49:35 | |
You were amazing! And you look gorgeous. | 0:49:35 | 0:49:39 | |
Yeah, well, who for? | 0:49:39 | 0:49:41 | |
Oh, well. It's only an opening night. | 0:49:41 | 0:49:44 | |
I mean, it's no big deal. | 0:49:44 | 0:49:46 | |
Just took me 29 years to get to this one. | 0:49:46 | 0:49:49 | |
Probably take me about 60 till I get to the next. | 0:49:49 | 0:49:52 | |
-Did she leave you a message? -Her phone was switched off. | 0:49:52 | 0:49:56 | |
Yes. | 0:49:56 | 0:49:59 | |
"Sorry. Had to go. Hospital called. You were great." | 0:49:59 | 0:50:03 | |
In the first half. | 0:50:03 | 0:50:05 | |
Listen. | 0:50:07 | 0:50:09 | |
It must be a nightmare going out with a doctor. | 0:50:09 | 0:50:12 | |
Long hours. All those germs. | 0:50:12 | 0:50:14 | |
Be great going out with Lexy. | 0:50:14 | 0:50:16 | |
Cheer up, sad sack. There'll be other nights. | 0:50:16 | 0:50:19 | |
I'm going to get us a drink. | 0:50:21 | 0:50:22 | |
# I didn't mean to go | 0:50:40 | 0:50:46 | |
# It's not like I didn't try | 0:50:48 | 0:50:52 | |
# Still trying to work out | 0:50:54 | 0:50:58 | |
# Where I'm going | 0:50:58 | 0:51:01 | |
# It's not like I didn't cry | 0:51:01 | 0:51:07 | |
# I wanted to tell you why... # | 0:51:09 | 0:51:13 | |
SHE MOANS | 0:51:22 | 0:51:24 | |
ALARM SOUNDS | 0:52:12 | 0:52:17 | |
ALARM STOPS | 0:52:21 | 0:52:23 | |
This doesn't look very good, does it? | 0:52:31 | 0:52:34 | |
Janice. Didn't know you were back. | 0:52:34 | 0:52:37 | |
Good job I am. Looks like you'll be needing a lift. | 0:52:37 | 0:52:40 | |
What? So you can piss off with my money again? | 0:52:40 | 0:52:43 | |
I didn't see your name on it. | 0:52:43 | 0:52:45 | |
Oh! This is nice. Can I have it? | 0:52:48 | 0:52:52 | |
-No. -Why not? | 0:52:53 | 0:52:56 | |
It's broken. | 0:53:00 | 0:53:01 | |
ALARM SOUNDS | 0:53:07 | 0:53:10 | |
CAR ENGINE REVS | 0:53:17 | 0:53:19 | |
Hello! Anyone home? | 0:53:31 | 0:53:36 | |
Lexy? | 0:53:48 | 0:53:50 | |
PHONE RINGS | 0:54:04 | 0:54:07 | |
Hey. Hey, Tess. How's it going? | 0:54:29 | 0:54:33 | |
'Fine.' | 0:54:33 | 0:54:34 | |
Look, Tess. | 0:54:36 | 0:54:38 | |
I'm really sorry. I, um... | 0:54:38 | 0:54:40 | |
'Oh, no, no. Don't be silly. | 0:54:40 | 0:54:42 | |
'Duty calls and all that. | 0:54:42 | 0:54:44 | |
'Are you still at the hospital?' | 0:54:44 | 0:54:46 | |
Er, yeah. | 0:54:48 | 0:54:52 | |
Yeah, I am. | 0:54:52 | 0:54:54 | |
'Oh, well, I won't keep you. Night.' | 0:54:54 | 0:54:57 | |
# Your favourite coat | 0:54:58 | 0:55:01 | |
# Those shoes you don't want to wear when it rains | 0:55:04 | 0:55:12 | |
# So I'll fly away when the leaves begin to fall | 0:55:12 | 0:55:19 | |
# Fly away when the cold wind blows against my door | 0:55:20 | 0:55:27 | |
# Fly away to hide beneath the sun | 0:55:27 | 0:55:33 | |
# And leaving in September | 0:55:35 | 0:55:38 | |
# So winter never comes | 0:55:39 | 0:55:46 | |
# Winter never comes | 0:55:46 | 0:55:49 | |
# I'll fly away | 0:55:55 | 0:55:58 | |
# When the leaves have hit the floor | 0:55:58 | 0:56:02 | |
# Fly away when the cold wind blows against my door | 0:56:02 | 0:56:09 | |
# Fly away | 0:56:09 | 0:56:11 | |
# To hide beneath the sun | 0:56:11 | 0:56:15 | |
# Leaving in September | 0:56:15 | 0:56:20 | |
# So winter never comes. | 0:56:20 | 0:56:23 | |
# So winter never comes. # | 0:56:27 | 0:56:30 | |
Subtitles by Red Bee Media Ltd | 0:56:34 | 0:56:37 |