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Line | From | To | |
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A year has passed. | 0:00:07 | 0:00:09 | |
A year since Meg married. | 0:00:10 | 0:00:11 | |
Since I sold my novel. | 0:00:12 | 0:00:14 | |
It failed. | 0:00:15 | 0:00:17 | |
If I get bigger, | 0:00:18 | 0:00:19 | |
I won't be able to wear any clothes at all! | 0:00:19 | 0:00:21 | |
I'll have to wrap myself in sheets, | 0:00:21 | 0:00:23 | |
and stay in the house till the baby arrives! | 0:00:23 | 0:00:25 | |
This skirt has plenty of room in it, Meg. | 0:00:25 | 0:00:27 | |
And I promise you, I've added so many frills | 0:00:27 | 0:00:29 | |
the eye will be drawn away from everything that's going on. | 0:00:29 | 0:00:33 | |
No-one will look lower than your shoulders! | 0:00:33 | 0:00:35 | |
Oh! | 0:00:39 | 0:00:40 | |
I can't even write a diary any more, | 0:00:43 | 0:00:45 | |
and yet my head is full of words. | 0:00:45 | 0:00:47 | |
A magnificent harvest, if I do say so! | 0:00:48 | 0:00:51 | |
Are you sure they can be spared? | 0:00:51 | 0:00:53 | |
-Of course they can! -Oh! | 0:00:53 | 0:00:55 | |
She's a terrible big size for a terrible small girl, Mrs March. | 0:00:57 | 0:01:01 | |
Meg is young, and she's healthy. | 0:01:01 | 0:01:03 | |
There is no reason to suppose that she will struggle, | 0:01:03 | 0:01:05 | |
when the time comes. | 0:01:05 | 0:01:07 | |
Our house is full of stories. | 0:01:13 | 0:01:16 | |
Lives unfolding. | 0:01:16 | 0:01:18 | |
Wings waiting to take flight. | 0:01:19 | 0:01:22 | |
Jo! | 0:01:58 | 0:01:59 | |
Why didn't you do your hair the pretty way? | 0:01:59 | 0:02:01 | |
Because I hate paying calls. | 0:02:01 | 0:02:03 | |
And you don't need your mackintosh! | 0:02:03 | 0:02:05 | |
I can smell thunder, even if you can't. | 0:02:05 | 0:02:07 | |
And if people care more for my clothes than they do for me, | 0:02:07 | 0:02:09 | |
-then I don't want to see them! -Please, Jo! | 0:02:09 | 0:02:11 | |
We owe half a dozen calls | 0:02:11 | 0:02:12 | |
even before we go to see Aunt Carrol at Aunt March's house. | 0:02:12 | 0:02:15 | |
If you're going to be in a contrary fit... | 0:02:15 | 0:02:17 | |
..you'll drive me distracted before the day is out! | 0:02:17 | 0:02:19 | |
Likewise! | 0:02:19 | 0:02:20 | |
And remember! | 0:02:20 | 0:02:22 | |
-Loop your gown up in the street, and trail it in the house. -Oh! | 0:02:22 | 0:02:25 | |
Yes! | 0:02:26 | 0:02:27 | |
THEY LAUGH | 0:02:27 | 0:02:29 | |
Ah! Oooh... | 0:02:53 | 0:02:55 | |
Please be set. Please...! | 0:02:59 | 0:03:01 | |
Florence's first season was such a spectacular success | 0:03:07 | 0:03:10 | |
that we're now intending an entire programme of new activities for her, | 0:03:10 | 0:03:14 | |
-aren't we, dearest? -Yes, Mother. | 0:03:14 | 0:03:17 | |
Not that she will neglect any opportunity to share her advantages | 0:03:17 | 0:03:21 | |
with those less fortunate! | 0:03:21 | 0:03:22 | |
Tell me, Amy dear, are you much occupied with charitable works? | 0:03:22 | 0:03:26 | |
Marmee has always encouraged us | 0:03:26 | 0:03:28 | |
to support the Ladies Aid Society, Aunt Carrol. | 0:03:28 | 0:03:30 | |
And I'm tending a table at their bazaar on Saturday. | 0:03:30 | 0:03:33 | |
And I don't doubt that it will be laden with her pretty works of art! | 0:03:33 | 0:03:37 | |
And what about you, Josephine? | 0:03:37 | 0:03:39 | |
Oh, my scribbling keeps me too busy for charity schemes. | 0:03:40 | 0:03:43 | |
By scribbling, do you mean drawing, dear? | 0:03:43 | 0:03:45 | |
Oh, Josephine doesn't draw. | 0:03:45 | 0:03:47 | |
She writes romances, in a general way, | 0:03:47 | 0:03:51 | |
with a dash of the spectacular thrown in as a makeweight. | 0:03:51 | 0:03:53 | |
I see. | 0:03:55 | 0:03:57 | |
Does that amuse you, dear? | 0:03:57 | 0:03:58 | |
It pays me. | 0:03:58 | 0:04:00 | |
And how do you fare with your languages? | 0:04:01 | 0:04:03 | |
Oh, I don't know a word of anything, | 0:04:03 | 0:04:06 | |
only English. | 0:04:06 | 0:04:08 | |
And I can't keep at any sort of study, and I can't bear French! | 0:04:08 | 0:04:11 | |
It's a such a slippery, silly sort of language. | 0:04:12 | 0:04:14 | |
Don't you think? | 0:04:14 | 0:04:16 | |
HALF-LAUGHTER | 0:04:18 | 0:04:19 | |
Hmm. | 0:04:20 | 0:04:22 | |
SUBDUED GROANS | 0:04:25 | 0:04:27 | |
DEEP BREATHING | 0:04:29 | 0:04:31 | |
Beth. | 0:04:31 | 0:04:32 | |
What's the matter? Shall I call Marmee? | 0:04:33 | 0:04:35 | |
Please don't. | 0:04:35 | 0:04:37 | |
Don't call her, and don't tell her. | 0:04:37 | 0:04:39 | |
Are you in pain? | 0:04:40 | 0:04:41 | |
A little. But I can bear it. | 0:04:41 | 0:04:44 | |
You don't look as though you're bearing it. | 0:04:49 | 0:04:52 | |
Will you stroke my head? | 0:04:56 | 0:04:57 | |
I wish you would tell me what was troubling you. | 0:05:03 | 0:05:06 | |
Not yet. | 0:05:07 | 0:05:08 | |
I had a letter from Aunt Carrol today. | 0:05:25 | 0:05:27 | |
Did she grill you about your charitable activities? | 0:05:27 | 0:05:29 | |
No... | 0:05:29 | 0:05:31 | |
She told me about her forthcoming tour of Europe. | 0:05:31 | 0:05:34 | |
And she says that she needs a companion for her daughter Florence. | 0:05:35 | 0:05:40 | |
So she has asked... | 0:05:40 | 0:05:42 | |
Me to go with her?! | 0:05:42 | 0:05:43 | |
No, dear. Not you. | 0:05:45 | 0:05:47 | |
Amy. | 0:05:49 | 0:05:50 | |
Aunt Carrol wants to go to Europe with her? | 0:05:50 | 0:05:53 | |
London, England, Stonehenge, | 0:05:53 | 0:05:56 | |
Edinburgh, Paris, France, Vienna, | 0:05:56 | 0:05:59 | |
Berlin, Venice, Italy, | 0:05:59 | 0:06:02 | |
Athens, Rome. | 0:06:02 | 0:06:04 | |
Mr Thomas Cook will be arranging | 0:06:04 | 0:06:06 | |
some very circuitous rail connections. | 0:06:06 | 0:06:08 | |
But she wants me to go with her? | 0:06:08 | 0:06:11 | |
I actually begged her to take you off my hands, | 0:06:11 | 0:06:15 | |
and she has my gratitude for being so obliging. | 0:06:15 | 0:06:18 | |
I'm sorry, Jo. | 0:06:29 | 0:06:31 | |
I know how much that would have meant to you. | 0:06:31 | 0:06:35 | |
It isn't fair, Marmee. | 0:06:35 | 0:06:36 | |
Amy gets all the fun, | 0:06:36 | 0:06:37 | |
and all I ever do is work. | 0:06:37 | 0:06:39 | |
Jo, you would've had a hard year, | 0:06:39 | 0:06:42 | |
pretending to be someone other than yourself. | 0:06:42 | 0:06:44 | |
And I'm not sure that that wouldn't have cost you dearly. | 0:06:45 | 0:06:48 | |
Are you stitching that for Amy? | 0:06:56 | 0:06:58 | |
How can you tell? | 0:06:58 | 0:07:00 | |
I wish I could say I do it gladly, | 0:07:00 | 0:07:02 | |
but I don't. | 0:07:02 | 0:07:04 | |
-Oh, Jo... -Don't speak to me kindly! | 0:07:04 | 0:07:06 | |
I was too thoughtless, and too blunt, | 0:07:06 | 0:07:08 | |
and I have an ungovernable tongue! | 0:07:08 | 0:07:10 | |
I know how hurt you are. | 0:07:10 | 0:07:11 | |
I can't let anybody see, Laurie! | 0:07:11 | 0:07:13 | |
You never let people see your soft side! | 0:07:13 | 0:07:15 | |
But everyone who cares knows it's there! | 0:07:15 | 0:07:17 | |
I'd rather not talk about my soft side at the moment. | 0:07:17 | 0:07:20 | |
Why don't we talk about you? | 0:07:20 | 0:07:22 | |
And all your grand plans, now you're a college graduate? | 0:07:22 | 0:07:25 | |
I don't have any grand plans. | 0:07:25 | 0:07:27 | |
Grandfather's so pleased and so relieved | 0:07:27 | 0:07:30 | |
I think he'll let me take a vacation for a while. | 0:07:30 | 0:07:33 | |
Well, aren't you fortunate? | 0:07:34 | 0:07:36 | |
Jo! Jo! | 0:07:36 | 0:07:38 | |
Beth? | 0:07:41 | 0:07:43 | |
John came to the house, to fetch Marmee. | 0:07:43 | 0:07:45 | |
It's happening, Jo. | 0:07:45 | 0:07:46 | |
LOW, PAINED GROANING | 0:07:48 | 0:07:53 | |
We shall have to get her lying down, Mrs March. | 0:07:58 | 0:08:00 | |
The girl's going to exhaust herself! | 0:08:00 | 0:08:03 | |
Good girl. Good girl! | 0:08:03 | 0:08:05 | |
You didn't tell me. How did you ever survive it? | 0:08:08 | 0:08:11 | |
Oh, I don't know, Meg. | 0:08:11 | 0:08:13 | |
I don't believe women ever know. | 0:08:13 | 0:08:16 | |
-But I did. We do. -SHE GROANS | 0:08:16 | 0:08:18 | |
And you will. | 0:08:18 | 0:08:20 | |
I promise you, you will! | 0:08:20 | 0:08:22 | |
GROANING RISING | 0:08:23 | 0:08:26 | |
FAINT CRYING | 0:08:31 | 0:08:32 | |
Look at you, John! The man who has everything! | 0:08:32 | 0:08:34 | |
I have a family at last. I can want for nothing else. | 0:08:34 | 0:08:37 | |
When do I find out if it's a boy or a girl? | 0:08:37 | 0:08:39 | |
CRYING | 0:08:39 | 0:08:41 | |
-You'll see. -HE CHUCKLES | 0:08:41 | 0:08:43 | |
Come! | 0:08:43 | 0:08:45 | |
Don't open your eyes yet. | 0:08:45 | 0:08:47 | |
-Surprise! -By Jupiter. | 0:08:56 | 0:08:58 | |
Twins?! | 0:09:00 | 0:09:01 | |
A boy, and a girl! | 0:09:01 | 0:09:03 | |
I put a blue bow on one of them and a pink one on the other, | 0:09:03 | 0:09:07 | |
French fashion. | 0:09:07 | 0:09:09 | |
It's the joke of the season, isn't it? | 0:09:10 | 0:09:12 | |
A son and a daughter. | 0:09:21 | 0:09:23 | |
Do you suppose one day she'll say to me, "How did you ever survive this?" | 0:09:26 | 0:09:31 | |
Very possibly. | 0:09:32 | 0:09:34 | |
And you can say "You will." | 0:09:34 | 0:09:36 | |
Thank you, Marmee. | 0:09:40 | 0:09:41 | |
Laurie might ride by in a moment. | 0:09:47 | 0:09:49 | |
He went out to play billiards tonight, | 0:09:50 | 0:09:52 | |
and this is the time he usually comes home. | 0:09:52 | 0:09:54 | |
Here he is... | 0:09:57 | 0:09:58 | |
All serene on the front! | 0:09:59 | 0:10:01 | |
I like it so much when he does that. | 0:10:05 | 0:10:06 | |
He looks so strong, and well and happy. | 0:10:06 | 0:10:10 | |
Goodbye! | 0:10:17 | 0:10:19 | |
We'll miss you! | 0:10:19 | 0:10:20 | |
Goodbye! | 0:10:21 | 0:10:22 | |
Be safe, sweetheart. | 0:10:28 | 0:10:30 | |
Write to us! | 0:10:31 | 0:10:33 | |
I'll write when I get to England! | 0:10:33 | 0:10:34 | |
Goodbye! | 0:10:37 | 0:10:38 | |
FOOTSTEPS APPROACH | 0:10:49 | 0:10:51 | |
DOOR OPENS | 0:10:51 | 0:10:52 | |
First nip of fall in the air. | 0:10:54 | 0:10:56 | |
No pen and no ink today? | 0:11:00 | 0:11:01 | |
I've penned and I've inked in every room in the house this week, | 0:11:01 | 0:11:04 | |
and not one has proved more conducive than the garret. | 0:11:04 | 0:11:06 | |
Where are you floating off to, on that cloud of cologne and pomade? | 0:11:12 | 0:11:15 | |
Eugenia Randall's house. | 0:11:15 | 0:11:16 | |
Eugenia Randall? | 0:11:16 | 0:11:18 | |
Is she the girl you sent a rose to | 0:11:18 | 0:11:19 | |
every morning of your sophomore year? | 0:11:19 | 0:11:21 | |
She's giving a tea party so everyone can see her engagement presents. | 0:11:21 | 0:11:24 | |
She was a delicious romp, and a fine flirt, but... | 0:11:24 | 0:11:26 | |
Marmee doesn't like that sort of girl. | 0:11:26 | 0:11:28 | |
Marmee didn't raise that sort of girl. | 0:11:28 | 0:11:30 | |
I wouldn't know how to flirt, even if she had allowed it. | 0:11:31 | 0:11:33 | |
I flirt constantly. | 0:11:35 | 0:11:37 | |
I can't help myself. | 0:11:37 | 0:11:38 | |
But what I really like are sensible straightforward, modest young women. | 0:11:39 | 0:11:44 | |
Jo? | 0:11:53 | 0:11:55 | |
Jo, dear! I want you. | 0:11:55 | 0:11:56 | |
Laurie. | 0:12:02 | 0:12:03 | |
This won't do. | 0:12:05 | 0:12:07 | |
What is it, Jo? | 0:12:22 | 0:12:23 | |
I want to go away. | 0:12:26 | 0:12:27 | |
Where? | 0:12:27 | 0:12:29 | |
To a hospital in a big city, | 0:12:30 | 0:12:32 | |
to train to be a nurse. | 0:12:32 | 0:12:33 | |
No, Jo! No. | 0:12:33 | 0:12:35 | |
No. Besides, the war is over. | 0:12:35 | 0:12:37 | |
Do you think disease has stopped existing, | 0:12:37 | 0:12:39 | |
because the country is at peace? | 0:12:39 | 0:12:40 | |
People will always need help, Marmee! | 0:12:40 | 0:12:42 | |
And what do you need, Jo? | 0:12:42 | 0:12:44 | |
Because, and forgive me if I sound disrespectful, | 0:12:44 | 0:12:46 | |
I don't believe the state of the sick and the suffering | 0:12:46 | 0:12:49 | |
is your principal concern. | 0:12:49 | 0:12:51 | |
I need to not live out my entire life | 0:12:52 | 0:12:54 | |
in the tiny town where I was born! | 0:12:54 | 0:12:56 | |
I need to see things, | 0:12:56 | 0:12:58 | |
and be things, | 0:12:58 | 0:12:59 | |
because I'm terrified that if I don't, | 0:12:59 | 0:13:02 | |
my writing will have to be forced out of nothing, | 0:13:02 | 0:13:05 | |
and go nowhere! | 0:13:05 | 0:13:06 | |
And I need to get away from Laurie. | 0:13:07 | 0:13:09 | |
He's become... | 0:13:11 | 0:13:13 | |
..fond of me. | 0:13:13 | 0:13:14 | |
And, uh... | 0:13:15 | 0:13:16 | |
..you don't think you could become fond of him? | 0:13:19 | 0:13:21 | |
No. | 0:13:21 | 0:13:22 | |
I love him, | 0:13:22 | 0:13:23 | |
but like I've always loved him. Like a brother. | 0:13:23 | 0:13:26 | |
And...that won't change. | 0:13:26 | 0:13:28 | |
I know it won't change! | 0:13:28 | 0:13:30 | |
Good, | 0:13:31 | 0:13:33 | |
because you and Laurie... | 0:13:33 | 0:13:34 | |
..you're too much alike, | 0:13:35 | 0:13:37 | |
both have hot tempers and strong wills. | 0:13:37 | 0:13:40 | |
Marriage takes...infinite patience and forbearance, Jo. | 0:13:42 | 0:13:47 | |
As well as love. | 0:13:47 | 0:13:48 | |
I know that. | 0:13:49 | 0:13:51 | |
Because I've seen that. | 0:13:51 | 0:13:54 | |
But I'm not sure I could manage it with anybody. | 0:13:56 | 0:13:58 | |
And I don't intend to try. | 0:14:00 | 0:14:01 | |
Laurie needs a girl like Beth, Marmee. | 0:14:09 | 0:14:11 | |
Like Beth? | 0:14:13 | 0:14:14 | |
Beth loves Laurie. | 0:14:15 | 0:14:17 | |
In the most tender, most hopeful, most hopeless way. | 0:14:17 | 0:14:21 | |
And that's what's been troubling her? | 0:14:22 | 0:14:24 | |
It's been breaking her heart! | 0:14:24 | 0:14:25 | |
And it will break mine too, | 0:14:25 | 0:14:27 | |
if I stand in the way of what might be the better thing! | 0:14:27 | 0:14:29 | |
MARMEE SIGHS | 0:14:34 | 0:14:36 | |
You'll hate New York. | 0:14:45 | 0:14:47 | |
I might. But I like the sound of Mrs Kirke's boarding house. | 0:14:47 | 0:14:50 | |
You're going there as a governess to her children. | 0:14:50 | 0:14:53 | |
If she didn't need a governess, | 0:14:53 | 0:14:54 | |
and if she wasn't an old friend of Marmee's, | 0:14:54 | 0:14:56 | |
I wouldn't be going to New York at all. | 0:14:56 | 0:14:58 | |
"Dear Marmee and Beth. | 0:15:10 | 0:15:12 | |
"I kept trying not to remember Father's face | 0:15:13 | 0:15:15 | |
"when I left him at the station. | 0:15:15 | 0:15:18 | |
"But the sun came out and I took it as an omen. | 0:15:18 | 0:15:20 | |
"Independence has its charms. | 0:15:26 | 0:15:28 | |
"It also has its challenges. | 0:15:29 | 0:15:31 | |
"But I make shift, and so far haven't disgraced myself at all. | 0:15:32 | 0:15:36 | |
"Mrs Kirke's house is a veritable Babel." | 0:15:39 | 0:15:42 | |
MEN LAUGH | 0:15:42 | 0:15:44 | |
"There are two French ladies | 0:15:44 | 0:15:46 | |
"and three engineers fresh off the boat from Sweden. | 0:15:46 | 0:15:49 | |
"There's a professor from Germany. | 0:15:51 | 0:15:53 | |
"He's raising two nephews, after his sister died." | 0:15:54 | 0:15:57 | |
"He has a beard | 0:16:01 | 0:16:03 | |
"and a kindly sort of face. | 0:16:03 | 0:16:05 | |
"Or perhaps I just think that, | 0:16:05 | 0:16:07 | |
"because I keep being told what a splendid man he is." | 0:16:07 | 0:16:11 | |
"And because it's so very obvious he's poor. | 0:16:11 | 0:16:14 | |
"Poverty always enriches those who rise above it." | 0:16:14 | 0:16:17 | |
# Kennst du das Land, wo die Zitronen bluhn? | 0:16:19 | 0:16:27 | |
# Im dunkeln Laub die Goldorangen gluhn | 0:16:27 | 0:16:34 | |
# Ein sanfter Wind... # | 0:16:34 | 0:16:36 | |
Please can I get past? | 0:16:36 | 0:16:37 | |
Child! This is too heavy for such a little one as you. | 0:16:40 | 0:16:43 | |
Give it to me. | 0:16:43 | 0:16:44 | |
Thank you. | 0:16:44 | 0:16:45 | |
It always pains me when a child must earn their bread. | 0:16:47 | 0:16:52 | |
Yes. | 0:16:52 | 0:16:53 | |
It pains me too. | 0:16:53 | 0:16:55 | |
"So far, London is all fog and umbrellas, and I went to | 0:17:01 | 0:17:05 | |
"Westminster Abbey and sketched three tombs and a rudiment screen. | 0:17:05 | 0:17:09 | |
"Flo and I got in a hansom cab today... | 0:17:09 | 0:17:11 | |
"..but Aunt Carrol made us both get out | 0:17:11 | 0:17:13 | |
"because the driver smelled of beer. | 0:17:13 | 0:17:15 | |
"I am, as ever, your loving Amy. | 0:17:15 | 0:17:18 | |
"PS, ribbon is so cheap here! Only sixpence a yard." | 0:17:18 | 0:17:23 | |
HE PLAYFULLY SHOUTS | 0:17:25 | 0:17:29 | |
Kitty! Minnie! What in mercy's name are you doing? | 0:17:31 | 0:17:36 | |
We're playing a game of menagerie, Miss March! | 0:17:36 | 0:17:39 | |
Franz and Emil are a tiger and lion respectively, | 0:17:39 | 0:17:42 | |
hence their incarceration behind the dining chairs. | 0:17:42 | 0:17:45 | |
Minnie's feeding them ginger cake. | 0:17:45 | 0:17:47 | |
A very particular ginger cake, | 0:17:47 | 0:17:49 | |
formulated for the mammalian species Felidae. | 0:17:49 | 0:17:54 | |
Meanwhile, I'm an elephant. | 0:17:54 | 0:17:56 | |
No ginger cake for me. | 0:17:56 | 0:17:58 | |
SHE CHUCKLES | 0:17:58 | 0:17:59 | |
BHAER IMITATES ELEPHANT | 0:17:59 | 0:18:02 | |
-You write fast? -Faster since I've been here. | 0:18:17 | 0:18:20 | |
20, 20, 20. | 0:18:20 | 0:18:22 | |
I'll only pay ten for this | 0:18:22 | 0:18:24 | |
because stories of sisterly love don't generally appeal. | 0:18:24 | 0:18:27 | |
They appeal to me, sir... | 0:18:27 | 0:18:28 | |
Ten. And that's my final offer. | 0:18:28 | 0:18:30 | |
However, bring me more like these | 0:18:30 | 0:18:32 | |
and you'll be published once a fortnight. 20 every time. | 0:18:32 | 0:18:34 | |
"...Und Gott druckte das tote Kind zu Seinem Herzen, und Flugel | 0:18:36 | 0:18:40 | |
"wurden ihm gegeben, damit er mit dem Engel fliegen konnte, hand in hand." | 0:18:40 | 0:18:46 | |
Now Miss March will read now from the English book, | 0:18:48 | 0:18:51 | |
so as to learn our language lesson. | 0:18:51 | 0:18:53 | |
"Then the child opened his eyes and looked into the glorious | 0:18:55 | 0:18:58 | |
"happy face of the angel, and at the same moment they found | 0:18:58 | 0:19:03 | |
"themselves in that heavenly home where all is happiness and joy. | 0:19:03 | 0:19:06 | |
"And God pressed the dead child to His heart, and wings were | 0:19:07 | 0:19:10 | |
"given him so that he could fly with the angel, hand in hand." | 0:19:10 | 0:19:15 | |
Miss March. | 0:19:25 | 0:19:27 | |
Pray tell if I disturb you. You're writing home? | 0:19:27 | 0:19:30 | |
Ah, no. I'm just writing. | 0:19:30 | 0:19:31 | |
Erm, might I enquire as to | 0:19:31 | 0:19:34 | |
whether you have any fondness for philosophy? | 0:19:34 | 0:19:39 | |
I have read a little Immanuel Kant, but | 0:19:39 | 0:19:42 | |
I struggle with his notion that we don't | 0:19:42 | 0:19:44 | |
-conform to the world, but the world conforms to us. -Ah, ja. | 0:19:44 | 0:19:46 | |
Well, I struggle with that also. | 0:19:46 | 0:19:49 | |
Um, I find greater coherence in the views of Hegel. | 0:19:49 | 0:19:54 | |
Yes. Exactly. | 0:19:54 | 0:19:55 | |
Well, there is a symposium - a debate - | 0:19:55 | 0:19:59 | |
to be held next week. | 0:19:59 | 0:20:01 | |
May I take the liberty of purchasing admission for us both? | 0:20:01 | 0:20:05 | |
Ah...I would like that. | 0:20:07 | 0:20:10 | |
Ja? | 0:20:10 | 0:20:11 | |
-Ja, that's great! -THEY BOTH LAUGH NERVOUSLY | 0:20:12 | 0:20:15 | |
Ah, ja. | 0:20:15 | 0:20:17 | |
SHE LAUGHS | 0:20:18 | 0:20:20 | |
I called in at the library to look up the works of Mr Hegel, | 0:20:24 | 0:20:27 | |
and I agree with him. | 0:20:27 | 0:20:29 | |
If everything I know comes from my sensations of the world, | 0:20:29 | 0:20:31 | |
there must then exist a world to provide me with such sensations! | 0:20:31 | 0:20:35 | |
Yes. Yes, exactly. | 0:20:35 | 0:20:38 | |
SHE LAUGHS | 0:20:42 | 0:20:45 | |
"No matter where I go, | 0:20:45 | 0:20:47 | |
"Jo's wild imagination has been there in advance of me. | 0:20:47 | 0:20:51 | |
"The Vampire Bridesmaid set me up sublimely for the catacombs, | 0:20:51 | 0:20:54 | |
"and I read The Gondolier's Ransom | 0:20:54 | 0:20:56 | |
"within an earshot of actual gondoliers! | 0:20:56 | 0:20:59 | |
"Can you send me some blue dye for my satin button boots? | 0:20:59 | 0:21:02 | |
"I need to make them match my walking suit, | 0:21:02 | 0:21:04 | |
"and you can't get blue dye in the whole of Europe. | 0:21:04 | 0:21:07 | |
"I guess everyone just buys new shoes all of the time..." | 0:21:07 | 0:21:10 | |
Hurry! The maids will be coming in to set the table. | 0:21:15 | 0:21:17 | |
Take those painted eggs to your room, | 0:21:17 | 0:21:19 | |
and don't put them where they'll be smashed or trampled, | 0:21:19 | 0:21:21 | |
or everyone's labours will have been in vain, including mine! | 0:21:21 | 0:21:24 | |
My nephews enjoy their handicrafts with you. | 0:21:26 | 0:21:29 | |
I like teaching boys. | 0:21:29 | 0:21:31 | |
Better than teaching girls - but don't tell Mrs Kirke. | 0:21:31 | 0:21:34 | |
No. No! Shh! | 0:21:34 | 0:21:35 | |
Observe this, this illustration. | 0:21:37 | 0:21:40 | |
I wince to surmise what adventures it depicts, and think it | 0:21:40 | 0:21:43 | |
should not be brought into a house where there are children. | 0:21:43 | 0:21:47 | |
Look, more of it there is! | 0:21:47 | 0:21:49 | |
It's better they play with gunpowder, | 0:21:49 | 0:21:51 | |
than they read such things! | 0:21:51 | 0:21:52 | |
The Weekly Volcano? Let it burn. | 0:21:52 | 0:21:55 | |
You know, I have no patience for those who create this bad trash! | 0:21:55 | 0:21:59 | |
In which case, Professor Bhaer, you have no patience with me. | 0:21:59 | 0:22:02 | |
Every other week I publish a story in that magazine. | 0:22:02 | 0:22:05 | |
And every penny I earn in exchange for them | 0:22:05 | 0:22:07 | |
goes to the good of someone I love. | 0:22:07 | 0:22:09 | |
My sister, as it happens! | 0:22:09 | 0:22:11 | |
I shouldn't have to explain how much a sister can matter. | 0:22:11 | 0:22:14 | |
Not to you. | 0:22:14 | 0:22:15 | |
Wait. Ah... | 0:22:15 | 0:22:16 | |
Your sister is sick? | 0:22:18 | 0:22:21 | |
She isn't strong. | 0:22:21 | 0:22:22 | |
I've been saving up so I can take her to the ocean. | 0:22:25 | 0:22:27 | |
Does that still make my stories "bad trash" in your eyes? | 0:22:31 | 0:22:34 | |
APPROACHING FOOTSTEPS | 0:22:44 | 0:22:47 | |
KNOCK ON DOOR | 0:22:47 | 0:22:49 | |
I have not words sufficient to apologise. | 0:22:56 | 0:23:02 | |
I wish instead to... | 0:23:02 | 0:23:03 | |
..present a gift. | 0:23:05 | 0:23:06 | |
-The Complete Works Of Shakespeare. -Hmm. | 0:23:11 | 0:23:14 | |
There's a universe of literature within these boards. | 0:23:14 | 0:23:18 | |
Shakespeare earned his living by his pen. | 0:23:19 | 0:23:22 | |
He wrote spectaculars, and he entertained the people. | 0:23:22 | 0:23:25 | |
But he also created works of such beauty that the world | 0:23:26 | 0:23:31 | |
is still sustained by them. | 0:23:31 | 0:23:33 | |
One need not exclude the other. | 0:23:34 | 0:23:37 | |
You know so much more than I do. | 0:23:40 | 0:23:42 | |
That only makes me learned. | 0:23:43 | 0:23:45 | |
It does not make me wise. | 0:23:47 | 0:23:48 | |
But I am wiser now. | 0:23:51 | 0:23:52 | |
Professor Bhaer. | 0:23:54 | 0:23:55 | |
I've decided to go home for a short while. | 0:23:57 | 0:23:59 | |
I'm leaving next week. | 0:24:01 | 0:24:02 | |
S-so suddenly? | 0:24:04 | 0:24:06 | |
I've had another payment, which means I have enough to take my sister to the sea. | 0:24:06 | 0:24:09 | |
She needs the air very badly. | 0:24:11 | 0:24:13 | |
But you will return? | 0:24:13 | 0:24:15 | |
To New York? | 0:24:17 | 0:24:19 | |
Yes. | 0:24:19 | 0:24:20 | |
Yes. | 0:24:21 | 0:24:22 | |
Godspeed you on your journey, Miss March. | 0:24:34 | 0:24:36 | |
-I'll see you in four weeks! -Ja. | 0:24:37 | 0:24:39 | |
-Write often! -Bye. -Bye. -Safe journeys. | 0:24:46 | 0:24:49 | |
CHICKENS CLUCK | 0:25:01 | 0:25:04 | |
-Jo, we're going to have to have this out. -Have what out? | 0:25:26 | 0:25:30 | |
I've loved you ever since I've known you! | 0:25:30 | 0:25:32 | |
And I can't help it, even though I've tried. | 0:25:32 | 0:25:34 | |
Laurie, I don't want to have this conversation! | 0:25:34 | 0:25:36 | |
I know you don't! | 0:25:36 | 0:25:38 | |
I've tried to show you how I feel but you refuse to see it. | 0:25:38 | 0:25:41 | |
So now I'm going to make you hear it, and give me an answer! | 0:25:41 | 0:25:44 | |
Jo! | 0:25:44 | 0:25:46 | |
I don't want you to be unhappy, Laurie! | 0:25:46 | 0:25:48 | |
-I went away so that you wouldn't be! -It was no use. | 0:25:48 | 0:25:51 | |
I spent the whole time trying to turn myself into someone | 0:25:51 | 0:25:54 | |
good enough for you to love! | 0:25:54 | 0:25:55 | |
You are good enough. You've always been good enough! | 0:25:55 | 0:25:57 | |
It's just I can't love you in the way that you want me to. | 0:25:57 | 0:26:01 | |
I've tried, and I won't lie and say I love you like that when I don't! | 0:26:01 | 0:26:04 | |
Have you really, truly tried? | 0:26:06 | 0:26:08 | |
Really, truly. | 0:26:10 | 0:26:12 | |
HE CRIES | 0:26:23 | 0:26:27 | |
Teddy, I'm sorry. | 0:26:38 | 0:26:40 | |
I'm so desperately sorry. | 0:26:44 | 0:26:46 | |
I'd kill myself if I thought it would help! | 0:26:48 | 0:26:50 | |
-In what way would that help, Jo? -I don't know! | 0:26:50 | 0:26:54 | |
But it would be easier than making myself love you when I don't! | 0:26:54 | 0:26:57 | |
-That can't be done. -Some people manage it. | 0:26:57 | 0:26:59 | |
I don't believe in that sort of love, and I don't intend to try. | 0:26:59 | 0:27:03 | |
I have something to tell you. | 0:27:06 | 0:27:08 | |
If it's about that old man, I'd rather not hear it. | 0:27:10 | 0:27:14 | |
What old man? | 0:27:14 | 0:27:15 | |
That professor you were always writing home about! | 0:27:15 | 0:27:18 | |
Professor Bhaer? | 0:27:18 | 0:27:19 | |
We're friends, Laurie. | 0:27:19 | 0:27:21 | |
We talk about literature and plays, and... | 0:27:21 | 0:27:23 | |
You go to philosophical symposiums together! | 0:27:23 | 0:27:26 | |
We went to one philosophical symposium! | 0:27:26 | 0:27:28 | |
If you tell me you love him, I'll be the one who kills myself! | 0:27:28 | 0:27:31 | |
-I haven't the least idea of loving Professor Bhaer or anybody else. -You will in the end! | 0:27:31 | 0:27:35 | |
And so will you in the end! | 0:27:35 | 0:27:37 | |
You grew out your hair. | 0:27:58 | 0:27:59 | |
I thought you might care for it. | 0:28:02 | 0:28:04 | |
I'll never love anyone but you. | 0:28:11 | 0:28:14 | |
Laurie. | 0:28:14 | 0:28:16 | |
Be sensible. | 0:28:16 | 0:28:17 | |
I will not be sensible! I can't be sensible, Jo! | 0:28:19 | 0:28:24 | |
I don't believe you've got any heart at all! | 0:28:24 | 0:28:26 | |
And I wish I hadn't! | 0:28:26 | 0:28:28 | |
Love cannot be forced, Laurie. | 0:28:37 | 0:28:39 | |
Well, that's what she said. | 0:28:40 | 0:28:42 | |
And I'd rather hang myself than live in a world where | 0:28:42 | 0:28:44 | |
she won't change her mind. | 0:28:44 | 0:28:45 | |
Sometimes the only response to the provocation of a woman | 0:28:45 | 0:28:49 | |
is to take it like a man. | 0:28:49 | 0:28:51 | |
What if I can't take it like a man? | 0:28:51 | 0:28:53 | |
Then take yourself abroad. | 0:28:55 | 0:28:56 | |
HE PLAYS PIANO | 0:29:02 | 0:29:04 | |
You said I could travel once I graduated, | 0:29:04 | 0:29:06 | |
but I didn't think I'd be travelling alone. | 0:29:06 | 0:29:08 | |
You wouldn't be alone. | 0:29:08 | 0:29:10 | |
I wouldn't be with Jo. | 0:29:10 | 0:29:12 | |
There's at least one person who'd go to the end of the Earth with you. | 0:29:12 | 0:29:16 | |
Who? | 0:29:19 | 0:29:20 | |
Me. | 0:29:20 | 0:29:22 | |
-MR LAURENCE CHUCKLES SOFTLY -Thank you, sir. | 0:29:22 | 0:29:24 | |
I went through all of this when I was your age. | 0:29:26 | 0:29:28 | |
And then again when it was your father's turn. | 0:29:28 | 0:29:32 | |
HE RESUMES PLAYING PIANO | 0:29:32 | 0:29:35 | |
May I advise against the Sonata Pathetique... | 0:29:37 | 0:29:39 | |
..until we're feeling more robust? | 0:29:41 | 0:29:44 | |
SHE GASPS | 0:30:10 | 0:30:12 | |
You have a bay scallop and an angel wing here. | 0:30:43 | 0:30:47 | |
Do you want me to look the other ones up in the book? | 0:30:48 | 0:30:51 | |
Later. | 0:30:51 | 0:30:52 | |
You know, don't you, Jo? | 0:31:01 | 0:31:02 | |
Yes. | 0:31:10 | 0:31:11 | |
I wanted to tell you, | 0:31:13 | 0:31:15 | |
but I couldn't. | 0:31:15 | 0:31:17 | |
I've known for a long time. | 0:31:20 | 0:31:21 | |
I suspected, and I wanted to be wrong, | 0:31:23 | 0:31:25 | |
so I went to Dr Bangs, so he could tell me not to be so silly and... | 0:31:25 | 0:31:28 | |
..and he didn't. | 0:31:31 | 0:31:32 | |
Now I'm used to it, it isn't hard to bear. | 0:31:38 | 0:31:41 | |
Except I've been keeping a secret. | 0:31:41 | 0:31:43 | |
Is that what was troubling you last autumn? | 0:31:43 | 0:31:45 | |
Yes. | 0:31:47 | 0:31:48 | |
It wasn't to do with Laurie? | 0:31:50 | 0:31:51 | |
Why would it be to do with Laurie? | 0:31:51 | 0:31:53 | |
Apart from seeing him so strong | 0:31:55 | 0:31:59 | |
and well and so full of happy plans, like all of you. | 0:31:59 | 0:32:02 | |
But you kept it a secret. | 0:32:02 | 0:32:03 | |
You didn't let us comfort you or help you. | 0:32:05 | 0:32:08 | |
Why did you try to shut us out and bear it all alone? | 0:32:08 | 0:32:10 | |
I didn't want to be selfish. | 0:32:15 | 0:32:17 | |
I didn't want to frighten Marmee, | 0:32:19 | 0:32:20 | |
when she was already worried about Meg and her confinement. | 0:32:20 | 0:32:23 | |
You don't think we wanted to care for you? | 0:32:23 | 0:32:25 | |
You have to let us help you. | 0:32:28 | 0:32:30 | |
You have to try to get well. | 0:32:30 | 0:32:31 | |
I do try. | 0:32:31 | 0:32:32 | |
But every day I lose a little strength | 0:32:34 | 0:32:37 | |
and feel more certain I shall never get it back. | 0:32:37 | 0:32:39 | |
It's like the tide, Jo. | 0:32:43 | 0:32:44 | |
When it turns, it goes slowly, but it can't be stopped. | 0:32:48 | 0:32:50 | |
I'll stop it. | 0:32:54 | 0:32:55 | |
I'll fight it. | 0:32:57 | 0:32:58 | |
I'll...keep you alive, | 0:33:00 | 0:33:03 | |
whatever I have to do, | 0:33:03 | 0:33:06 | |
and whatever I have to give up to God. | 0:33:06 | 0:33:07 | |
This is what He wants, Jo. | 0:33:09 | 0:33:14 | |
He can't be that cruel. | 0:33:14 | 0:33:15 | |
I don't want to let life go. | 0:33:18 | 0:33:20 | |
I can only try to be willing. | 0:33:22 | 0:33:24 | |
Will you tell Father and Marmee, when we get home? | 0:33:26 | 0:33:28 | |
-I won't have to. -But you must. | 0:33:28 | 0:33:30 | |
And you must look after them. | 0:33:32 | 0:33:34 | |
Promise me. | 0:33:36 | 0:33:37 | |
I promise. | 0:33:40 | 0:33:42 | |
Good afternoon, Miss March! | 0:33:51 | 0:33:53 | |
-Laurie! -Or should that be bonjour, Mademoiselle Mars? | 0:33:53 | 0:33:57 | |
Marmee a ecrit que vous serez a Sienne! | 0:33:57 | 0:34:00 | |
Your tenses are all back to front, Amy! | 0:34:00 | 0:34:02 | |
HE CHUCKLES | 0:34:02 | 0:34:04 | |
I've been making Herculaneum efforts with my art. | 0:34:05 | 0:34:09 | |
I thought the Continent would bring out the Raphael in you. | 0:34:09 | 0:34:12 | |
It hasn't so far. | 0:34:12 | 0:34:13 | |
And I tried oils in Paris, drawing in Nice | 0:34:13 | 0:34:16 | |
and absolutely everything in Rome. | 0:34:16 | 0:34:18 | |
You know... | 0:34:21 | 0:34:22 | |
..I'm starting to think I might not be a genius. | 0:34:23 | 0:34:25 | |
I think the same thing every time I try to sit down and write my opera. | 0:34:27 | 0:34:31 | |
You're writing an opera? | 0:34:31 | 0:34:33 | |
Grandfather likes to see me occupied, | 0:34:33 | 0:34:36 | |
and I like Mozart and Beethoven. | 0:34:36 | 0:34:38 | |
Not that that has got me anywhere. | 0:34:38 | 0:34:40 | |
You've timed your return to perfection, as it happens. | 0:34:55 | 0:34:58 | |
The cat has had kittens again, and someone needs to take them on, | 0:34:58 | 0:35:02 | |
-as Hannah has threatened to run them through her mangle. -Marmee. | 0:35:02 | 0:35:06 | |
Yes? | 0:35:09 | 0:35:10 | |
I'm sick... | 0:35:13 | 0:35:15 | |
..and I'm not going to get better. | 0:35:17 | 0:35:19 | |
SHE BREATHES HEAVILY | 0:35:36 | 0:35:40 | |
SHE INHALES SHARPLY | 0:35:52 | 0:35:54 | |
She was the one that I never made plans for. | 0:35:54 | 0:35:56 | |
She was the that one I... | 0:36:00 | 0:36:01 | |
..I couldn't imagine married. | 0:36:03 | 0:36:04 | |
She was the one that... | 0:36:07 | 0:36:08 | |
..I couldn't picture with an infant in her arms. | 0:36:10 | 0:36:12 | |
She knew she was dying for a long time, Marmee... | 0:36:15 | 0:36:18 | |
And all I know was that she... | 0:36:18 | 0:36:20 | |
..she would never leave home! | 0:36:20 | 0:36:22 | |
And I was content with that. | 0:36:23 | 0:36:26 | |
-CRYING: -I could keep her safe here! | 0:36:26 | 0:36:28 | |
And now she's going to go so far away from home, | 0:36:34 | 0:36:37 | |
I won't be able to guide her or protect her. | 0:36:37 | 0:36:41 | |
I-I... | 0:36:44 | 0:36:45 | |
I won't be able to be her mother. | 0:36:46 | 0:36:49 | |
And she will need me, Jo. | 0:36:52 | 0:36:53 | |
She will need me! | 0:36:53 | 0:36:55 | |
GENERAL CHATTER | 0:37:29 | 0:37:32 | |
I'm afraid I might have overdone it with my embellishments. | 0:37:41 | 0:37:44 | |
So many fresh flowers, I might as well climb into a vase. | 0:37:44 | 0:37:47 | |
I'm sorry. I...brought you some more. | 0:37:49 | 0:37:52 | |
This stuff is nice. | 0:37:57 | 0:37:59 | |
It's called illusion tulle. | 0:37:59 | 0:38:01 | |
You can pin it on over the shabbiest gown | 0:38:02 | 0:38:04 | |
and shimmer like a moth in candlelight! | 0:38:04 | 0:38:06 | |
Which is lovely... | 0:38:06 | 0:38:07 | |
..unless you don't like moths. | 0:38:08 | 0:38:10 | |
Would you care to dance, Amy? | 0:38:18 | 0:38:20 | |
One generally does at a ball. | 0:38:21 | 0:38:23 | |
BABY CRIES | 0:38:45 | 0:38:48 | |
Jo. | 0:38:55 | 0:38:57 | |
Do the babies tire you? BABY CRIES | 0:39:03 | 0:39:07 | |
Yes. | 0:39:07 | 0:39:08 | |
Shhh. | 0:39:11 | 0:39:12 | |
BETH BREATHES SOFTLY | 0:39:47 | 0:39:49 | |
BETH WHEEZES | 0:39:57 | 0:40:00 | |
Beth, dear... | 0:40:27 | 0:40:28 | |
..you're going to have to go on a journey... | 0:40:32 | 0:40:34 | |
..and you mustn't be afraid. | 0:40:37 | 0:40:39 | |
You were always braver than you knew. | 0:40:42 | 0:40:45 | |
Rest here, until you're ready. | 0:40:54 | 0:40:56 | |
"Take care of Amy, Teddy. Stop. | 0:41:42 | 0:41:46 | |
"With love. Stop. Jo." | 0:41:46 | 0:41:49 | |
Marmee says I'm to stay here with Aunt Carroll and Florence. | 0:42:27 | 0:42:31 | |
I keep wanting to tell you to cry. | 0:42:33 | 0:42:35 | |
I can't. | 0:42:36 | 0:42:37 | |
I keep remembering that will I wrote when Beth had scarlet fever. | 0:42:42 | 0:42:47 | |
You bequeathed me a plaster horse, if I recall correctly. | 0:42:49 | 0:42:52 | |
I had my death... | 0:42:54 | 0:42:55 | |
..all rehearsed in my mind. | 0:42:57 | 0:43:00 | |
I had Beth's all rehearsed and ready too. | 0:43:01 | 0:43:04 | |
I thought it would tear me open... | 0:43:04 | 0:43:05 | |
..burn me down, like a house. And now... | 0:43:07 | 0:43:09 | |
..I'm just frozen. | 0:43:12 | 0:43:13 | |
I'll come to see you every day, Amy. | 0:43:16 | 0:43:19 | |
Promise me? | 0:43:22 | 0:43:23 | |
Yes. | 0:43:25 | 0:43:26 | |
FOOTSTEPS | 0:43:30 | 0:43:33 | |
Marmee thought that I shouldn't keep this in my bedroom any more. | 0:43:38 | 0:43:41 | |
I thought to put it in the parlour... | 0:43:41 | 0:43:43 | |
..but, it's Beth's | 0:43:43 | 0:43:45 | |
and I don't think it should be where I can see it for a while. | 0:43:45 | 0:43:48 | |
It can have a home with me. | 0:43:48 | 0:43:50 | |
Help me. | 0:43:58 | 0:43:59 | |
Always. | 0:44:00 | 0:44:01 | |
You have to write, Jo. | 0:44:05 | 0:44:07 | |
You have to write. | 0:44:09 | 0:44:11 | |
Sift down through your heart, | 0:44:14 | 0:44:18 | |
through all the pain... | 0:44:18 | 0:44:20 | |
..and grief. | 0:44:21 | 0:44:23 | |
There are words there. | 0:44:24 | 0:44:26 | |
There's a woman there. | 0:44:29 | 0:44:31 | |
And it's you. | 0:44:34 | 0:44:35 | |
But I don't know what the words are. | 0:44:37 | 0:44:40 | |
I don't know what to say. | 0:44:40 | 0:44:42 | |
Say you were happy once. | 0:44:42 | 0:44:43 | |
Say there was laughter. | 0:44:47 | 0:44:49 | |
Say what is true. | 0:44:51 | 0:44:53 | |
My Beth. | 0:45:22 | 0:45:24 | |
Sitting patient in the shadow | 0:45:31 | 0:45:35 | |
Till the blessed life shall come | 0:45:35 | 0:45:37 | |
A serene and saintly presence | 0:45:39 | 0:45:42 | |
Sanctifies our troubled home | 0:45:42 | 0:45:44 | |
O my sister passing from me | 0:45:46 | 0:45:49 | |
Out of human care and strife | 0:45:51 | 0:45:54 | |
Leave me as a gift those virtues | 0:45:57 | 0:46:00 | |
Which have beautified your life. | 0:46:00 | 0:46:02 | |
By Josephine March. | 0:46:07 | 0:46:09 | |
Thank you, miss. | 0:46:25 | 0:46:26 | |
-DOOR OPENS -Jo! | 0:46:37 | 0:46:39 | |
Don't let the babies in! They won't get a Christmas surprise if you do! | 0:46:39 | 0:46:42 | |
They're with Marmee and Hannah in the kitchen. | 0:46:42 | 0:46:44 | |
Father showed me your poem in Godey's magazine. | 0:46:48 | 0:46:51 | |
It's beautiful, Jo. | 0:46:51 | 0:46:53 | |
The editor ordered four stories | 0:46:53 | 0:46:56 | |
and as much verse as I care to write. | 0:46:56 | 0:46:58 | |
He said that he liked them because they were pure, warm and honest. | 0:46:58 | 0:47:02 | |
Cut it out and pin it to the wall above your desk, | 0:47:04 | 0:47:08 | |
so you can see what you can do. | 0:47:08 | 0:47:10 | |
I just broke my scissors. | 0:47:12 | 0:47:14 | |
SHE CHUCKLES | 0:47:14 | 0:47:16 | |
I've had to do yours all over again. | 0:48:00 | 0:48:02 | |
It will never sail anywhere folded like this. | 0:48:02 | 0:48:05 | |
Laurie, that paper boat could sail across oceans. | 0:48:05 | 0:48:09 | |
It could sail all the way back home! | 0:48:09 | 0:48:12 | |
Get back on the bank, Amy. | 0:48:12 | 0:48:15 | |
I've saved you from drowning once before, I'm not doing it again. | 0:48:15 | 0:48:19 | |
OK, give me yours now! | 0:48:19 | 0:48:21 | |
THEY BOTH CHUCKLE SOFTLY | 0:48:24 | 0:48:27 | |
Oh, they're not going anywhere. | 0:48:41 | 0:48:43 | |
I'm not sure I want them to. | 0:48:46 | 0:48:47 | |
I quite like them just sitting there side by side. | 0:48:49 | 0:48:53 | |
On the same journey. | 0:48:53 | 0:48:55 | |
We're on the same journey, aren't we, Amy? | 0:49:00 | 0:49:02 | |
Yes. | 0:49:04 | 0:49:05 | |
Can we make it last forever? | 0:49:09 | 0:49:11 | |
Amy's engaged to be married? | 0:49:39 | 0:49:41 | |
To Laurie? | 0:49:43 | 0:49:45 | |
Yes. | 0:49:45 | 0:49:47 | |
He's been writing me all winter. | 0:49:47 | 0:49:49 | |
Were you hoping that he would ask you again? | 0:49:49 | 0:49:53 | |
No. | 0:49:53 | 0:49:54 | |
I was hoping he wouldn't. | 0:49:56 | 0:49:58 | |
Because if he had, I might have said yes... | 0:49:59 | 0:50:01 | |
..and not for the right reasons. | 0:50:02 | 0:50:04 | |
I've got writing to do. | 0:50:06 | 0:50:08 | |
THEY SHOUT JOVIALLY | 0:50:11 | 0:50:14 | |
That's lovely, Daisy. | 0:50:27 | 0:50:29 | |
Amy will like the blue pitcher best, blue is her favourite colour! | 0:50:29 | 0:50:33 | |
Oh! | 0:50:33 | 0:50:34 | |
Look. That's lovely! | 0:50:35 | 0:50:38 | |
If they haven't arrived already, and early, and if the little lady | 0:50:38 | 0:50:42 | |
isn't dressed in silk from her head to her French-buttoned boots! | 0:50:42 | 0:50:45 | |
HANNAH LAUGHS | 0:50:45 | 0:50:48 | |
-Shall we go see her? Come on! -Come on! | 0:50:48 | 0:50:50 | |
-Amy! Sweetheart! -Marmee! | 0:50:53 | 0:50:56 | |
MR MARCH: Welcome home! | 0:50:58 | 0:50:59 | |
Thank you, sir. Good to see you. | 0:50:59 | 0:51:01 | |
That's not an engagement ring. | 0:51:05 | 0:51:08 | |
She has a sapphire from Chopard as big as a pigeon's egg! | 0:51:08 | 0:51:11 | |
But I can't get my glove on over it. | 0:51:11 | 0:51:13 | |
It's a wedding ring! | 0:51:15 | 0:51:16 | |
-Well done! -Thank you, sir! -Well done! | 0:51:20 | 0:51:23 | |
THEY BOTH LAUGH | 0:51:25 | 0:51:28 | |
Hey, Jo! Is genius burning, or can you tolerate a visit? | 0:51:34 | 0:51:38 | |
I can always tolerate a visit from you, Teddy. | 0:51:38 | 0:51:40 | |
But...I'm not sure how many more surprises I can bear. | 0:51:40 | 0:51:45 | |
PENCIL DROPS | 0:51:45 | 0:51:47 | |
Why didn't you tell anyone, Teddy? | 0:51:52 | 0:51:53 | |
We thought it would be a lark. | 0:51:57 | 0:51:59 | |
HE CHUCKLES | 0:51:59 | 0:52:01 | |
I have to get back to my wife soon. | 0:52:05 | 0:52:07 | |
But I want to say one thing, once, | 0:52:09 | 0:52:12 | |
and then put it by forever. | 0:52:12 | 0:52:13 | |
And what is that, Teddy? | 0:52:15 | 0:52:19 | |
I used every power in my possession to stop myself from loving you. | 0:52:22 | 0:52:26 | |
And now I know I never shall. | 0:52:27 | 0:52:29 | |
I will love you till the day I die, Jo. | 0:52:31 | 0:52:34 | |
But you and Amy have changed places in my heart. | 0:52:36 | 0:52:42 | |
You are my sister, and she is... | 0:52:42 | 0:52:45 | |
Mrs Laurence? | 0:52:45 | 0:52:47 | |
Yes. | 0:52:48 | 0:52:50 | |
Can you believe it? | 0:52:50 | 0:52:52 | |
Yes. | 0:52:52 | 0:52:53 | |
Now can we go back to being happy, like we were before? | 0:52:56 | 0:53:00 | |
Not quite. | 0:53:01 | 0:53:02 | |
We were children before, and we aren't any longer. | 0:53:04 | 0:53:07 | |
Marmee will be along soon. | 0:53:25 | 0:53:27 | |
She just wanted to be sure that you had seen the doctor. | 0:53:28 | 0:53:31 | |
Estelle sent for him this morning. | 0:53:31 | 0:53:35 | |
He told me only what I knew already. | 0:53:35 | 0:53:40 | |
Which is that you've had a stroke. | 0:53:40 | 0:53:42 | |
A small stroke. I am in no danger. | 0:53:43 | 0:53:49 | |
I want you to take some of this soup. | 0:53:50 | 0:53:52 | |
Ordering your elders and fiddling with the sick. | 0:53:54 | 0:53:57 | |
You've turned into an old maid, Josephine. | 0:53:57 | 0:54:01 | |
I prefer to think of myself as a literary spinster. | 0:54:01 | 0:54:04 | |
We're both aunts. | 0:54:05 | 0:54:07 | |
There is a pleasure in it, | 0:54:09 | 0:54:11 | |
as well as duty, and vexation. | 0:54:11 | 0:54:17 | |
The world should be kinder to those of us. | 0:54:17 | 0:54:20 | |
Our lives are not without purpose. | 0:54:22 | 0:54:25 | |
But mine is small, Aunt March. | 0:54:25 | 0:54:27 | |
It's so small, and so narrow, I feel it closing in on me like walls. | 0:54:28 | 0:54:32 | |
I wasn't meant for a life like this. | 0:54:34 | 0:54:36 | |
Now... | 0:54:40 | 0:54:41 | |
..open up. | 0:54:43 | 0:54:44 | |
W-when I'm ready. | 0:54:44 | 0:54:45 | |
Better times will come. | 0:54:49 | 0:54:51 | |
Professor Bhaer? Is that you? | 0:55:15 | 0:55:17 | |
Miss March! | 0:55:19 | 0:55:20 | |
You look tired. | 0:55:24 | 0:55:25 | |
I've been to see my aunt. She's sick. | 0:55:27 | 0:55:30 | |
What in heaven's name has brought you here? | 0:55:35 | 0:55:37 | |
Business. | 0:55:39 | 0:55:40 | |
Please, take shelter. | 0:55:42 | 0:55:43 | |
You said you'd come back. | 0:55:50 | 0:55:52 | |
I promised Beth I'd stay. | 0:55:55 | 0:55:57 | |
I shouldn't have stopped writing. | 0:56:01 | 0:56:02 | |
You didn't. | 0:56:03 | 0:56:05 | |
You wrote a poem. | 0:56:05 | 0:56:07 | |
It was called My Beth. | 0:56:08 | 0:56:10 | |
You saw it? | 0:56:10 | 0:56:12 | |
And I keep it against my heart... | 0:56:13 | 0:56:16 | |
..which has been sore for you. | 0:56:19 | 0:56:21 | |
I should go. | 0:56:29 | 0:56:31 | |
-You must entertain visitors, perhaps? -No. | 0:56:31 | 0:56:35 | |
It's just my family. | 0:56:35 | 0:56:37 | |
But don't worry, I've told them so much about you. | 0:56:37 | 0:56:41 | |
-Oh, you have? -SHE CHUCKLES | 0:56:41 | 0:56:43 | |
Come here. | 0:56:52 | 0:56:54 | |
I've forgotten how to do it the pretty way! | 0:56:54 | 0:56:56 | |
You don't have to, Jo. | 0:57:00 | 0:57:01 | |
You look beautiful. | 0:57:02 | 0:57:04 | |
Everybody really likes him. | 0:57:06 | 0:57:08 | |
THEY LAUGH | 0:57:08 | 0:57:11 | |
PIANO PLAYING | 0:57:12 | 0:57:16 | |
Hurry up, Jo. It's your turn, and your audience is getting restless! | 0:57:16 | 0:57:20 | |
CHILDREN LAUGH AND SHOUT | 0:57:38 | 0:57:42 | |
She's looking a little stronger, Amy. I'm sure of it. | 0:57:55 | 0:57:58 | |
Yeah. | 0:58:00 | 0:58:01 | |
Boys! Boys! | 0:58:01 | 0:58:03 | |
Lay off the apple picking for now and come and get your tea. | 0:58:03 | 0:58:05 | |
Class One over there, Class Two there, where I can see you. | 0:58:05 | 0:58:09 | |
I never imagined Aunt March would leave Plumfield to Jo in her will. | 0:58:09 | 0:58:12 | |
And I dare say Aunt March never imagined what she'd do with it. | 0:58:13 | 0:58:17 | |
I don't think that old house ever made her happy. | 0:58:19 | 0:58:21 | |
But it's brought me more joy than any castle in the air, | 0:58:21 | 0:58:24 | |
even if my hair is turning grey. | 0:58:24 | 0:58:27 | |
Nothing is ever perfect. | 0:58:27 | 0:58:29 | |
But things can be just right. | 0:58:31 | 0:58:33 | |
Yes, they can. | 0:58:34 | 0:58:35 |