Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
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YOUNG BOYS SHOUT | 0:00:18 | 0:00:20 | |
Skips are nothing to do with age! | 0:00:20 | 0:00:22 | |
-Hello. -Morning. | 0:00:31 | 0:00:32 | |
Me first! | 0:00:49 | 0:00:50 | |
-Bye. -Argh! | 0:00:50 | 0:00:53 | |
-What about me? -All right. | 0:00:53 | 0:00:54 | |
Whoa! | 0:00:55 | 0:00:57 | |
Dear Vic, I agree. | 0:01:06 | 0:01:07 | |
That Vanessa Chatsworth story is very odd. | 0:01:07 | 0:01:11 | |
You can't suddenly decide you're Australian. | 0:01:11 | 0:01:13 | |
It's not a religion, is it? You can't convert. | 0:01:13 | 0:01:16 | |
If she wants to pull it off, she's going to have to move to | 0:01:16 | 0:01:18 | |
a town where nobody was at primary school with her. | 0:01:18 | 0:01:21 | |
I wonder if it's a form of mental illness? | 0:01:21 | 0:01:24 | |
-Are you locked out? -Sorry? | 0:01:24 | 0:01:26 | |
Oh! No. | 0:01:26 | 0:01:28 | |
The boys are just having a little mess-about in the skip. | 0:01:28 | 0:01:31 | |
The news from London is that I seem to have met someone. | 0:01:31 | 0:01:35 | |
Although I'm not sure I like him much. | 0:01:35 | 0:01:37 | |
I regret to inform you that are no boys in the skip. | 0:01:37 | 0:01:41 | |
-Oh, shit. -Are you supposed to be looking after them? -I'm their nanny. | 0:01:44 | 0:01:47 | |
What else are you good at? You're going to need a new job. | 0:01:47 | 0:01:50 | |
-Please, listen. Please listen. -Boys! | 0:02:03 | 0:02:07 | |
I'm sure our readers... | 0:02:07 | 0:02:08 | |
Shh! | 0:02:08 | 0:02:10 | |
Look, please listen. | 0:02:10 | 0:02:11 | |
No, I'm sure our readers are fascinated by a quarrel | 0:02:11 | 0:02:14 | |
between Sir Philip Sidney and Edward de Vere. | 0:02:14 | 0:02:17 | |
But 12,000 words, Nick? | 0:02:17 | 0:02:19 | |
Honestly, people have lives, they have families. They've got jobs. | 0:02:19 | 0:02:22 | |
-They're got televisions. -Boys? | 0:02:22 | 0:02:25 | |
Shh! | 0:02:25 | 0:02:26 | |
Hmm? | 0:02:27 | 0:02:29 | |
Well, I do, yes, actually. Grange Hill. | 0:02:29 | 0:02:31 | |
Question Of Sport, Match Of The Day. | 0:02:31 | 0:02:33 | |
Bergerac, Rockford Files. | 0:02:33 | 0:02:35 | |
Maybe you should watch Rockford Files, might help you with your word count. | 0:02:35 | 0:02:38 | |
-Boys? -Hang on, one second, sorry. | 0:02:38 | 0:02:40 | |
Stibbe, is everything all right? | 0:02:41 | 0:02:43 | |
Yes. Completely fine. | 0:02:43 | 0:02:45 | |
All right. | 0:02:45 | 0:02:46 | |
Sorry, where were we? Hmm? | 0:02:47 | 0:02:50 | |
-Yeah, but they got lucky. -Nunney, what team do you support? | 0:02:51 | 0:02:54 | |
Man U, of course. What's yours? | 0:02:54 | 0:02:55 | |
Arsenal, we're going to win the league this year. | 0:02:55 | 0:02:58 | |
-No, you're rubbish. -They're better than Spurs. | 0:02:58 | 0:03:00 | |
You've got Lee Chapman in attack, how can you win the league with him? | 0:03:00 | 0:03:03 | |
-We wouldn't have bought him if it wasn't any good. -Where were you? -In the skip. -No, you weren't. | 0:03:03 | 0:03:07 | |
You just didn't look hard enough. | 0:03:07 | 0:03:08 | |
-You went to the shop for sweets. -We were bored. | 0:03:08 | 0:03:10 | |
You just sat there reading. | 0:03:10 | 0:03:13 | |
Only because you were in the skip. | 0:03:13 | 0:03:14 | |
Must be an extremely good book. | 0:03:14 | 0:03:16 | |
It is, actually. | 0:03:16 | 0:03:18 | |
I presume you just got to the good bit, | 0:03:18 | 0:03:19 | |
that's why you lost track of the boys? | 0:03:19 | 0:03:21 | |
And what would you call the good bit? | 0:03:21 | 0:03:23 | |
The goldfish. | 0:03:23 | 0:03:24 | |
-Can I read it after you? -Not suitable. | 0:03:26 | 0:03:29 | |
-The book about a talking goldfish? -Who says he talks? -I just presumed. | 0:03:29 | 0:03:32 | |
He can't talk. Not where he's going. | 0:03:32 | 0:03:34 | |
-At least, there'd be trouble if he did. -Will you stop it? | 0:03:34 | 0:03:37 | |
-Oh, my God. -Now look what you've done. | 0:03:37 | 0:03:40 | |
-What? -WHISPERS | 0:03:40 | 0:03:42 | |
Ugh! | 0:03:42 | 0:03:43 | |
-So, what's a proper girl like you doing reading a book like that for, anyway? -That's disgusting! | 0:03:43 | 0:03:48 | |
-What should I be reading? -I think you could probably manage Austen. | 0:03:48 | 0:03:52 | |
I've already managed Austen, thank you very much. | 0:03:52 | 0:03:54 | |
Or Hardy. I could lend you some. | 0:03:54 | 0:03:57 | |
All right, thanks. | 0:03:59 | 0:04:00 | |
It better be as good as this one. | 0:04:02 | 0:04:03 | |
-Shit. -They've gone home. | 0:04:08 | 0:04:09 | |
See you. | 0:04:21 | 0:04:22 | |
His name is Nunney. | 0:04:24 | 0:04:25 | |
And he's handsome, and I think he's probably clever. | 0:04:25 | 0:04:28 | |
He has clever hair, if you know what I mean. University hair, I call it. | 0:04:28 | 0:04:33 | |
He's not at university, but he's applying. | 0:04:33 | 0:04:36 | |
So, pros - one, clever. | 0:04:36 | 0:04:40 | |
Two, good-looking. | 0:04:40 | 0:04:42 | |
Three, convenient - works in the street. | 0:04:42 | 0:04:45 | |
Cons - don't know whether I actually like him. | 0:04:45 | 0:04:49 | |
SIGHS | 0:04:49 | 0:04:51 | |
Pros win, 3-1. | 0:04:51 | 0:04:53 | |
-Is George not eating with us? -She's going out on a date. | 0:05:03 | 0:05:08 | |
-With Floppy. -Floppy? | 0:05:08 | 0:05:10 | |
That's what they call David, because of the hair. | 0:05:10 | 0:05:13 | |
-Are you going out on a date with David? -Yep. | 0:05:13 | 0:05:16 | |
David Moore? | 0:05:17 | 0:05:19 | |
-Yep. -Floppy. | 0:05:19 | 0:05:21 | |
I thought you didn't like David Moore very much? | 0:05:22 | 0:05:25 | |
Can you pass the coleslaw there, please, Max? | 0:05:27 | 0:05:31 | |
Are those tinned mandarins? | 0:05:34 | 0:05:37 | |
They are, aren't they? Dear God. | 0:05:37 | 0:05:40 | |
I want to know why George is going on a date | 0:05:40 | 0:05:42 | |
with someone she's not very keen on? | 0:05:42 | 0:05:44 | |
Yes, I'd be wanting to change the subject too, if I were you, too. | 0:05:44 | 0:05:47 | |
Trying to remember. Seemed like a good idea when he asked me. | 0:05:47 | 0:05:51 | |
You often have floppy hair if you go to university, don't you? | 0:05:51 | 0:05:54 | |
-Oh, I see. -What? | 0:05:54 | 0:05:56 | |
David Moore hasn't been to university for a while. | 0:05:56 | 0:05:58 | |
And also, Nina, salad cream?! | 0:05:58 | 0:06:02 | |
What's wrong with the salad cream now? | 0:06:02 | 0:06:04 | |
You sound like Mrs Thatcher. | 0:06:04 | 0:06:05 | |
-BOTH: -Boo! | 0:06:05 | 0:06:07 | |
Max, what do you see? | 0:06:07 | 0:06:09 | |
What do I see? | 0:06:11 | 0:06:12 | |
My turn, he took too long! | 0:06:12 | 0:06:14 | |
Stibbe's coleslaw, Stibbe, plates, cutlery! | 0:06:14 | 0:06:18 | |
No, before, you said, "I see"? When Nina was asking you about | 0:06:18 | 0:06:20 | |
-what kind of hair people had at university? -Oh. | 0:06:20 | 0:06:24 | |
-Nina likes the look of Nunney. -Oh! | 0:06:24 | 0:06:28 | |
-That's exciting. -I did NOT look the like of him. | 0:06:28 | 0:06:32 | |
Like the look of him. | 0:06:32 | 0:06:33 | |
He looked after us when Nina left us in the skip. | 0:06:35 | 0:06:38 | |
I did not leave you in the skip, and you climbed out without telling me. | 0:06:38 | 0:06:41 | |
You were in Ursula Vaughan Williams' skip? | 0:06:41 | 0:06:44 | |
Who's Ursula Whatsit's Whatsit? | 0:06:44 | 0:06:46 | |
Ralph's widow. | 0:06:46 | 0:06:48 | |
Who's Ralph? | 0:06:48 | 0:06:49 | |
Ralph Vaughan Williams. | 0:06:49 | 0:06:52 | |
The composer? | 0:06:52 | 0:06:54 | |
There was a composer called Ralph? | 0:06:54 | 0:06:56 | |
Why were they in the skip in the first place? | 0:06:56 | 0:06:59 | |
-They wanted to go in there. -Right, and that's what I pay you for? | 0:07:00 | 0:07:03 | |
To execute their every ridiculous whim? | 0:07:03 | 0:07:05 | |
It wasn't my finest hour as a nanny. | 0:07:08 | 0:07:10 | |
What would you say has been, so far, as a matter of interest? | 0:07:10 | 0:07:13 | |
Hmm... | 0:07:16 | 0:07:17 | |
-Hmm? -DOORBELL | 0:07:17 | 0:07:20 | |
Don't anyone call him Floppy. | 0:07:20 | 0:07:22 | |
-DOORBELL -All right, I'm coming! | 0:07:22 | 0:07:25 | |
Hi. | 0:07:25 | 0:07:26 | |
-BOTH: -Hi. | 0:07:26 | 0:07:27 | |
I liked your piece in the Literary Observer | 0:07:27 | 0:07:30 | |
about Graham Greene's entertainment. | 0:07:30 | 0:07:32 | |
That wasn't me. | 0:07:33 | 0:07:35 | |
Oh, I thought it was. | 0:07:35 | 0:07:38 | |
No. | 0:07:38 | 0:07:39 | |
Are you sure? | 0:07:39 | 0:07:41 | |
(Oh, God.) | 0:07:41 | 0:07:42 | |
See you later. | 0:07:42 | 0:07:44 | |
-BOTH SHOUT: -Get in there, Floppy! | 0:07:53 | 0:07:55 | |
Romantically speaking, | 0:08:07 | 0:08:09 | |
I've always ruled out the people I couldn't really stand. | 0:08:09 | 0:08:12 | |
But George seemed to quite enjoy her evening with Floppy. | 0:08:12 | 0:08:14 | |
Even though he irritated the hell out of her. | 0:08:14 | 0:08:16 | |
She even said she might do it again. | 0:08:16 | 0:08:18 | |
Shut up! | 0:08:18 | 0:08:20 | |
You keep hitting me, I'm going to deport you! | 0:08:20 | 0:08:22 | |
So maybe I should keep an open mind | 0:08:22 | 0:08:25 | |
and not rule anything out at this stage. | 0:08:25 | 0:08:27 | |
Do you mind me asking if you regret any of them? | 0:08:34 | 0:08:37 | |
Yes. | 0:08:39 | 0:08:40 | |
Sorry, my fault for imprecise phrasing. | 0:08:42 | 0:08:45 | |
Yes, you mind me asking, or yes, you regret them? | 0:08:45 | 0:08:48 | |
Both. | 0:08:48 | 0:08:50 | |
Oh. It's just... | 0:08:50 | 0:08:51 | |
I look after a couple of young lads, and you know what they're like. | 0:08:52 | 0:08:56 | |
What advice would you give them? | 0:08:56 | 0:08:58 | |
Don't be a butcher. | 0:08:58 | 0:08:59 | |
I meant in the tattoo arena. | 0:09:00 | 0:09:02 | |
-You actually going to buy anything? -Yes. | 0:09:02 | 0:09:04 | |
Five lamb chops, please. | 0:09:04 | 0:09:06 | |
Stick to football teams and parents. | 0:09:07 | 0:09:09 | |
-Are you talking about tattoos or life? -Both. | 0:09:10 | 0:09:14 | |
Oh. | 0:09:14 | 0:09:15 | |
Can't you remove it? | 0:09:15 | 0:09:16 | |
-She'd notice. -I'm guessing that matters? | 0:09:17 | 0:09:20 | |
-Wife. -Oh. | 0:09:21 | 0:09:23 | |
So you're still together, at least? | 0:09:24 | 0:09:26 | |
Unless it's only because of the tattoo. | 0:09:26 | 0:09:28 | |
Stuck with it all now, aren't I? | 0:09:28 | 0:09:30 | |
I presume you liked her when you married her? | 0:09:30 | 0:09:32 | |
She was pregnant when I married her. | 0:09:32 | 0:09:34 | |
Well, I presume you liked her a couple of months before that? | 0:09:34 | 0:09:37 | |
-How old are you? -20. | 0:09:37 | 0:09:39 | |
Yeah, like I thought - old enough to know better. | 0:09:39 | 0:09:41 | |
I like her, she likes me, what's liking got to do with anything? | 0:09:41 | 0:09:46 | |
£1.68, please. | 0:09:46 | 0:09:48 | |
-There's two there. -Thank you. | 0:09:51 | 0:09:52 | |
Thank you. | 0:09:58 | 0:10:00 | |
Thank you. | 0:10:00 | 0:10:01 | |
Who's next? Hello, mate. | 0:10:01 | 0:10:03 | |
When was the last time you had an episode, Joey? | 0:10:09 | 0:10:12 | |
-He doesn't really like being called Joey. -Sorry. | 0:10:12 | 0:10:16 | |
When was the last crisis, Joe? | 0:10:16 | 0:10:17 | |
The day of the European Cup Final. | 0:10:17 | 0:10:20 | |
I wasn't allowed to watch, so I had to sit in the dark, | 0:10:20 | 0:10:23 | |
-listening to the radio. -I'm not a football fan, I'm afraid. | 0:10:23 | 0:10:26 | |
About ten days ago. | 0:10:26 | 0:10:28 | |
Do you know anyone called Marigold? | 0:10:28 | 0:10:29 | |
Erm, no. Don't think I do. | 0:10:29 | 0:10:32 | |
Funny, isn't it? My parents knew dozens of Marigolds. | 0:10:32 | 0:10:36 | |
Every other middle-aged woman who came to tea | 0:10:36 | 0:10:38 | |
seemed to be called Marigold. | 0:10:38 | 0:10:39 | |
-Do you want some tea, Marigolds? -Thank you, Marigold. | 0:10:41 | 0:10:43 | |
Would you like a scone, Marigold? | 0:10:43 | 0:10:45 | |
THEY REPEATEDLY CALL EACH OTHER MARIGOLD | 0:10:45 | 0:10:48 | |
Gone for ever, do you think? The name, not middle-aged women. | 0:10:49 | 0:10:53 | |
I don't know, really. | 0:10:53 | 0:10:55 | |
Would you call your daughter Marigold? | 0:10:55 | 0:10:57 | |
-If you paid me a lot of money. -Good grief, no money involved! | 0:10:57 | 0:11:00 | |
I'm not mad. Out of your own free will. | 0:11:00 | 0:11:04 | |
How are my eyes? | 0:11:04 | 0:11:05 | |
I take it that's a no. What about Violet? Another one. | 0:11:05 | 0:11:09 | |
How are his eyes? | 0:11:09 | 0:11:10 | |
No significant deterioration. | 0:11:11 | 0:11:13 | |
Coat. | 0:11:15 | 0:11:16 | |
One piece of advice. | 0:11:19 | 0:11:20 | |
If you want to take someone's photograph - | 0:11:22 | 0:11:24 | |
a portrait, not a snap - get them standing on a staircase, | 0:11:24 | 0:11:28 | |
and then ask them to focus just above the camera. | 0:11:28 | 0:11:31 | |
Thank you. | 0:11:33 | 0:11:34 | |
We'll remember that. | 0:11:35 | 0:11:37 | |
Right, come on. | 0:11:42 | 0:11:44 | |
Here comes Skippy. | 0:11:52 | 0:11:54 | |
Is he saying that because of the skip incident? | 0:11:56 | 0:11:59 | |
I think so. | 0:11:59 | 0:12:00 | |
And because there was a kangaroo on television called Skippy. | 0:12:00 | 0:12:03 | |
-Weak. -Yeah, I thought so. | 0:12:03 | 0:12:07 | |
Bit of a sense of humour failure? | 0:12:07 | 0:12:09 | |
No. No, not really. | 0:12:09 | 0:12:10 | |
We're just not laughing at something which isn't funny. | 0:12:10 | 0:12:13 | |
If one of us looked like or was actually a kangaroo, | 0:12:13 | 0:12:16 | |
then, yes, hilarious. | 0:12:16 | 0:12:18 | |
We don't, really, do we? | 0:12:19 | 0:12:21 | |
So all you've done is put a Y on the end of the word skip. | 0:12:21 | 0:12:24 | |
That would be sky-pee. | 0:12:26 | 0:12:27 | |
You need the double P to keep the vowel short. | 0:12:27 | 0:12:31 | |
Thank you. | 0:12:31 | 0:12:32 | |
What's the university bit? Is it the stuff on top? | 0:12:33 | 0:12:36 | |
We'll talk about it later. | 0:12:36 | 0:12:39 | |
The university bit of what? Me? | 0:12:39 | 0:12:42 | |
Stibbe thinks you have university hair. | 0:12:42 | 0:12:45 | |
University's a bad thing, presumably? | 0:12:45 | 0:12:48 | |
Like shoes. | 0:12:48 | 0:12:49 | |
I'm not against university, per se. | 0:12:52 | 0:12:54 | |
Ooh, how very broad-minded of you. | 0:12:54 | 0:12:56 | |
-Could we get on with it? -Sorry, Ray. | 0:12:56 | 0:12:59 | |
No, he hasn't called for us. Get on with THIS. | 0:12:59 | 0:13:02 | |
-What's this? -I don't want to have to go through all this | 0:13:03 | 0:13:05 | |
whenever we bump into her. | 0:13:05 | 0:13:07 | |
Your hair, her feet, blah, blah, blah. | 0:13:07 | 0:13:11 | |
It'll take forever at this rate. | 0:13:11 | 0:13:13 | |
Ask her out! | 0:13:13 | 0:13:15 | |
Would you like to go to the pub, Nunney? | 0:13:20 | 0:13:22 | |
Like Ray says, we should probably get it out of the way. | 0:13:26 | 0:13:29 | |
Yeah. | 0:13:29 | 0:13:30 | |
-Erm... -I'll... | 0:13:37 | 0:13:38 | |
-Yes. -Yeah. -Bye. -Bye. | 0:13:38 | 0:13:40 | |
-Thank you. -You're welcome. | 0:13:44 | 0:13:45 | |
Wow, this really is a date. | 0:13:55 | 0:13:57 | |
Dirty plimsolls, that's your equivalent of cleavage. | 0:13:57 | 0:14:00 | |
Do you think I've made too much effort? | 0:14:00 | 0:14:02 | |
No. | 0:14:04 | 0:14:06 | |
You made an effort for Floppy. | 0:14:06 | 0:14:07 | |
I didn't make an effort FOR Floppy. I just made an effort. | 0:14:07 | 0:14:11 | |
What's the difference? | 0:14:11 | 0:14:13 | |
Well, sometimes - once every five years - it's nice for me | 0:14:13 | 0:14:15 | |
to feel like I have a life which doesn't revolve around the boys | 0:14:15 | 0:14:19 | |
or Game For A bloody Laugh. | 0:14:19 | 0:14:20 | |
I don't know why you like Game For A Laugh. | 0:14:20 | 0:14:22 | |
-I don't. -No? | 0:14:22 | 0:14:24 | |
Hang on, so, when you laugh during Game For A Laugh... | 0:14:25 | 0:14:29 | |
-that's canned laughter, is it? -Canned? | 0:14:29 | 0:14:32 | |
You know, when people force it out, | 0:14:32 | 0:14:34 | |
just to show that they're having fun. | 0:14:34 | 0:14:35 | |
But that isn't what canned means. Canned laughter is... | 0:14:35 | 0:14:39 | |
Anyway, you're getting off the point. You're very good at that. | 0:14:39 | 0:14:41 | |
The point is, is that sometimes | 0:14:41 | 0:14:44 | |
it's nice to be reminded that one is a woman. | 0:14:44 | 0:14:48 | |
Well, that's not why I'm wearing shoes. | 0:14:48 | 0:14:50 | |
I don't think Nunney's going to get the wrong idea. | 0:14:50 | 0:14:54 | |
I'd rather be in watching Bergerac with the boys. | 0:14:54 | 0:14:56 | |
Oh, it's not Bergerac tonight, is it? Shit. | 0:14:56 | 0:14:59 | |
Got this whole piece to edit. | 0:14:59 | 0:15:01 | |
What do you think of Nunney? | 0:15:01 | 0:15:03 | |
I hadn't realised you were marrying this evening. | 0:15:03 | 0:15:06 | |
I thought it was a quick drink in the local. | 0:15:06 | 0:15:07 | |
Yes, but if it goes well tonight, | 0:15:07 | 0:15:09 | |
then we'll have to go to the cinema or something next week. | 0:15:09 | 0:15:11 | |
-And then... -I know, and on and on it goes. | 0:15:11 | 0:15:14 | |
Just remember, it all gets a bit murky if sex is involved. | 0:15:17 | 0:15:21 | |
Murky? | 0:15:21 | 0:15:22 | |
Mmm, there are implications. | 0:15:22 | 0:15:25 | |
You might become a mate. | 0:15:25 | 0:15:26 | |
But if you sleep with him, it doesn't work out, it can be awkward. | 0:15:26 | 0:15:31 | |
You see him 20 times a day. | 0:15:31 | 0:15:34 | |
God. | 0:15:35 | 0:15:37 | |
I think I'm going to call him and tell him I'm poorly. | 0:15:37 | 0:15:40 | |
Actually, would you do it? | 0:15:43 | 0:15:45 | |
DOORBELL | 0:15:45 | 0:15:47 | |
Go on. | 0:15:47 | 0:15:49 | |
-Ugh... -Have fun. -Thank you. | 0:15:49 | 0:15:52 | |
SIGHS | 0:15:56 | 0:15:58 | |
I was going to pop in and say hello to the boys. | 0:16:07 | 0:16:09 | |
No point in dragging it out. | 0:16:09 | 0:16:10 | |
-BOTH: -Get in there, Nunney! | 0:16:12 | 0:16:14 | |
So, what would you like? | 0:16:17 | 0:16:19 | |
I usually drink white wine, but this doesn't look like | 0:16:19 | 0:16:21 | |
the sort of place the white wine would be very nice. | 0:16:21 | 0:16:24 | |
Don't mind me, eh? | 0:16:24 | 0:16:26 | |
Sorry. I'll have a glass of white wine, please. | 0:16:26 | 0:16:28 | |
MUSIC: It Started With A Kiss by Hot Chocolate | 0:16:28 | 0:16:32 | |
Erm... | 0:16:32 | 0:16:34 | |
I've changed my mind. Can I have a gin and tonic, please? With ice. | 0:16:34 | 0:16:37 | |
We ain't got any ice. | 0:16:37 | 0:16:39 | |
Right. That's OK. | 0:16:39 | 0:16:40 | |
-You, mate? -Pint, please. | 0:16:50 | 0:16:51 | |
MUSIC: You Drive Me Crazy by Shakin' Stevens | 0:16:57 | 0:17:00 | |
Got any hobbies? HE CHUCKLES | 0:17:10 | 0:17:12 | |
What? | 0:17:12 | 0:17:13 | |
Oh, sorry. No. | 0:17:15 | 0:17:17 | |
Do you? | 0:17:19 | 0:17:21 | |
No, not really. | 0:17:21 | 0:17:23 | |
Some people do. My mum, my auntie Joy. | 0:17:23 | 0:17:26 | |
Well, erm... | 0:17:29 | 0:17:31 | |
what are their hobbies, then? | 0:17:31 | 0:17:33 | |
My auntie Joy, she collect these... | 0:17:34 | 0:17:36 | |
Before we carry on, I just want to check - | 0:17:36 | 0:17:39 | |
is this what you'd enjoy talking about? | 0:17:39 | 0:17:41 | |
Well, I don't know what I'd enjoy talking about | 0:17:41 | 0:17:43 | |
until I'm talking about it, so... | 0:17:43 | 0:17:45 | |
I was just trying to get things started. | 0:17:45 | 0:17:47 | |
What do you want to talk about? | 0:17:47 | 0:17:50 | |
You...you can't just set a timetable, can you? | 0:17:50 | 0:17:53 | |
If it's not happening naturally, perhaps you need a framework. | 0:17:53 | 0:17:55 | |
Have you designed one? | 0:17:55 | 0:17:57 | |
Or have you got a template from previous hopeless nights out? | 0:17:57 | 0:18:01 | |
This isn't hopeless yet, is it? | 0:18:01 | 0:18:03 | |
No. | 0:18:03 | 0:18:04 | |
Not literally beyond hope. | 0:18:04 | 0:18:07 | |
-What does that mean? -Well... | 0:18:09 | 0:18:10 | |
-you're quite tricky. -Tricky? | 0:18:13 | 0:18:15 | |
Me? | 0:18:15 | 0:18:16 | |
Not you? | 0:18:16 | 0:18:17 | |
Well, you were rude about my Skippy joke. | 0:18:17 | 0:18:20 | |
And then there was all that university hair business. | 0:18:20 | 0:18:23 | |
I didn't think you liked me very much. | 0:18:23 | 0:18:25 | |
Well, that's what tonight's about, isn't it? | 0:18:28 | 0:18:30 | |
-Is it? -Yeah. | 0:18:30 | 0:18:32 | |
Going for a drink with someone, you're trying to make your mind up. | 0:18:32 | 0:18:35 | |
Yeah, hasn't there got to be a bit of goodwill in the first place? | 0:18:35 | 0:18:38 | |
Just to get you out the door. | 0:18:38 | 0:18:41 | |
It's like going to the pictures - you might not end up liking | 0:18:41 | 0:18:44 | |
the film, but something made you want to buy a ticket. | 0:18:44 | 0:18:47 | |
I'll watch any old rubbish. | 0:18:47 | 0:18:48 | |
Ha-ha! | 0:18:48 | 0:18:50 | |
And look, there we go! | 0:18:50 | 0:18:52 | |
Oh, no! | 0:18:52 | 0:18:55 | |
I knew it! | 0:18:55 | 0:18:57 | |
You're joking! | 0:18:57 | 0:18:58 | |
OK. | 0:19:02 | 0:19:03 | |
So, I'm going to start with a question, | 0:19:03 | 0:19:05 | |
and we'll see where it takes us. | 0:19:05 | 0:19:07 | |
All right. | 0:19:07 | 0:19:09 | |
Why are you a nanny? | 0:19:09 | 0:19:10 | |
-Why are you a Nunney? -My name's Mark Nunn. | 0:19:10 | 0:19:13 | |
Mine's Nina Nann. | 0:19:13 | 0:19:14 | |
-One N or two? -Two, otherwise I'd be a nay-nee. | 0:19:14 | 0:19:17 | |
-So you allowed your surname to dictate your career? -Yes. | 0:19:17 | 0:19:21 | |
-What should I be? -Well, you don't look like a nanny. | 0:19:21 | 0:19:23 | |
-What do nannies look like? -They wear shoes. | 0:19:23 | 0:19:27 | |
And they don't put children in skips. | 0:19:27 | 0:19:29 | |
Why aren't you at college, then? | 0:19:32 | 0:19:34 | |
Haven't been to school for a long time. | 0:19:34 | 0:19:37 | |
-How old are you, then? -20. | 0:19:37 | 0:19:39 | |
Sort of left when I was about 14 or 15. | 0:19:40 | 0:19:42 | |
-How can you sort of leave school? -MUSIC: Tainted Love by Soft Cell | 0:19:42 | 0:19:45 | |
Got an after-school job, and they asked me to work during the day. | 0:19:45 | 0:19:48 | |
So I did. | 0:19:48 | 0:19:49 | |
And it turns out you can't do a full-time job and get O-levels. | 0:19:49 | 0:19:54 | |
So... | 0:19:54 | 0:19:55 | |
-Did you hate school? -No. No. | 0:19:55 | 0:19:58 | |
English was all right. And drama. | 0:19:58 | 0:20:01 | |
-And I still read, and I write, too. -Ah, writing! | 0:20:01 | 0:20:04 | |
You see, I knew there'd be something. | 0:20:04 | 0:20:06 | |
-Cos you're convinced I'm clever? -No. | 0:20:06 | 0:20:08 | |
About you not being very good at nannying. | 0:20:08 | 0:20:11 | |
Hello! | 0:20:13 | 0:20:14 | |
Do you like him? | 0:20:17 | 0:20:18 | |
No, not really. | 0:20:20 | 0:20:22 | |
Good girl. | 0:20:22 | 0:20:23 | |
"Not really"? | 0:20:25 | 0:20:27 | |
Private joke. | 0:20:27 | 0:20:29 | |
-Isn't that the butcher? -We get on. | 0:20:29 | 0:20:32 | |
Oh, right, well, go out with him, then. | 0:20:32 | 0:20:35 | |
Dear Vic, how bad was your first date with Dave Adams, | 0:20:54 | 0:20:57 | |
on a scale of one to ten? | 0:20:57 | 0:20:59 | |
With ten representing maximum unenjoyability? | 0:20:59 | 0:21:03 | |
I know it didn't go well, | 0:21:03 | 0:21:04 | |
so we can forget about one through seven, presumably. | 0:21:04 | 0:21:07 | |
But you stuck at it for a year at least. | 0:21:07 | 0:21:09 | |
That's what I'm interested in. | 0:21:09 | 0:21:11 | |
Please expand at length, I'd find it very helpful. | 0:21:11 | 0:21:15 | |
As for things here... | 0:21:15 | 0:21:18 | |
It's been a very exciting week. | 0:21:18 | 0:21:20 | |
Ha! | 0:21:20 | 0:21:21 | |
Max, don't just chuck it in there. | 0:21:21 | 0:21:23 | |
How else we supposed to get it in? | 0:21:23 | 0:21:25 | |
God, this is an absolutely ridiculous idea. | 0:21:25 | 0:21:27 | |
-Wish you'd never talked me into it. -It'll be fine. | 0:21:27 | 0:21:30 | |
She doesn't need the whole skip. | 0:21:30 | 0:21:32 | |
And it'd be great to get rid of all this. | 0:21:32 | 0:21:34 | |
Right, erm... | 0:21:34 | 0:21:36 | |
Yes, I think one of us will have to climb in, lower it down. | 0:21:36 | 0:21:39 | |
I haven't got any shoes on. | 0:21:41 | 0:21:44 | |
Well, we'd never do anything if we had to wait for you to be shod. | 0:21:44 | 0:21:47 | |
-It won't take a moment, go on. -I'm absolutely not climbing in there. | 0:21:47 | 0:21:50 | |
I have to live in this street forever, | 0:21:50 | 0:21:52 | |
you'll be moving out one day. | 0:21:52 | 0:21:54 | |
Right. | 0:21:55 | 0:21:56 | |
I'll do it then. | 0:22:00 | 0:22:02 | |
I'll get in the skip. | 0:22:02 | 0:22:03 | |
Oh, shit! | 0:22:04 | 0:22:05 | |
Right, boys. Give your mum a hand. | 0:22:09 | 0:22:12 | |
Yep. | 0:22:12 | 0:22:13 | |
Hup. | 0:22:16 | 0:22:17 | |
-Got it? -Think so. | 0:22:18 | 0:22:20 | |
Yep. | 0:22:20 | 0:22:21 | |
GEORGE GASPS | 0:22:23 | 0:22:24 | |
What on Earth...? | 0:22:24 | 0:22:25 | |
Oh, shit! | 0:22:25 | 0:22:26 | |
I'm coming down. | 0:22:26 | 0:22:28 | |
(She's coming down, quickly.) | 0:22:32 | 0:22:34 | |
Help. | 0:22:37 | 0:22:38 | |
Bastards! | 0:22:40 | 0:22:42 | |
-Whose stuff is that? -Erm... | 0:22:55 | 0:22:58 | |
It belongs to Malcolm Tanner, the writer. Do you know him? | 0:22:58 | 0:23:02 | |
Why is Mr Tanner putting stuff in my skip? | 0:23:02 | 0:23:05 | |
We know what people are like with skips, | 0:23:05 | 0:23:07 | |
-they can't resist putting stuff in, taking it out. -But it isn't his. | 0:23:07 | 0:23:10 | |
I know. I told him. | 0:23:10 | 0:23:12 | |
Who are you, what are you doing in there? | 0:23:12 | 0:23:14 | |
Could I just say that I love Eric's compositions? | 0:23:14 | 0:23:18 | |
Eric? | 0:23:19 | 0:23:21 | |
Wasn't that his name? | 0:23:22 | 0:23:24 | |
If you are referring to my late husband, then no. | 0:23:24 | 0:23:27 | |
-His name was Ralph. -SHE PRONOUNCES IT "RAFE" | 0:23:27 | 0:23:29 | |
Rafe... | 0:23:29 | 0:23:31 | |
-Some people do refer to him as Ralph. -SHE PRONOUNCES IT "RALF" | 0:23:31 | 0:23:34 | |
That's it! I knew it was something like that... | 0:23:34 | 0:23:37 | |
I need you out of that at once. | 0:23:37 | 0:23:38 | |
I still haven't decided whether to call the police or not. | 0:23:38 | 0:23:41 | |
I don't think we need to get the police involved, do we? | 0:23:41 | 0:23:43 | |
I mean, they're very busy. | 0:23:43 | 0:23:45 | |
She's obsessed with that skip. | 0:23:45 | 0:23:46 | |
I think Skippy's quite a good name for her, actually. | 0:23:46 | 0:23:49 | |
Do you know this young woman? | 0:23:49 | 0:23:50 | |
Get out. | 0:23:59 | 0:24:00 | |
Why's she not back yet? | 0:24:06 | 0:24:08 | |
-TV: -'Now, Bill, for your team, we've a bird-watcher.' | 0:24:08 | 0:24:11 | |
Oh, hell, bird-watching. I don't know any bird-watchers. | 0:24:11 | 0:24:14 | |
It's not even a sport, bird-watching. | 0:24:14 | 0:24:16 | |
Boys, we have this every week. | 0:24:16 | 0:24:17 | |
He's not a bird-watcher, they're trying to fool you. | 0:24:17 | 0:24:20 | |
-He is a bird-watcher, look. -See, bird-watching. | 0:24:20 | 0:24:23 | |
No, he's bird-watching for the programme - | 0:24:23 | 0:24:25 | |
-he's not a full-time bird-watcher. -How do you know? | 0:24:25 | 0:24:28 | |
He's the mystery guest, we don't know what he does. | 0:24:28 | 0:24:31 | |
We know he's not a bird-watcher... | 0:24:31 | 0:24:32 | |
Will you stop saying bird-watcher time and time again? | 0:24:32 | 0:24:35 | |
-Bird-watcher. -Bird-watcher! -# Bird-watcher! # -Oh, shut up. | 0:24:35 | 0:24:38 | |
Perhaps I should have stayed, | 0:24:38 | 0:24:40 | |
to shield her from the wrath of Ursula Vaughan Williams. | 0:24:40 | 0:24:42 | |
-She can be really scary. -It was a silly idea in the first place. | 0:24:42 | 0:24:46 | |
She's made her own bed, now she'll have to lie in it. | 0:24:46 | 0:24:49 | |
She was lying on the bottom of a skip when I last saw her. | 0:24:49 | 0:24:52 | |
The thing is with skips, you never know you want one | 0:24:52 | 0:24:55 | |
until you see someone else's. | 0:24:55 | 0:24:57 | |
I've noticed that phenomenon before. | 0:24:57 | 0:24:59 | |
Anyway, Nina was right, she was never going to fill it up. | 0:24:59 | 0:25:02 | |
FRONT DOOR OPENS | 0:25:02 | 0:25:04 | |
Oh, she's not chucking her books out, is she? | 0:25:08 | 0:25:11 | |
Because I bet Ralph has a few valuable ones. | 0:25:11 | 0:25:14 | |
Are you in trouble? | 0:25:16 | 0:25:18 | |
Not as such. | 0:25:18 | 0:25:20 | |
Uh-huh. You blamed me? | 0:25:20 | 0:25:22 | |
No. | 0:25:22 | 0:25:23 | |
-I blamed Malcolm. -Me?! | 0:25:23 | 0:25:25 | |
Why me? | 0:25:25 | 0:25:27 | |
-Told her it was your stuff. -What did you do that for? -I panicked. | 0:25:27 | 0:25:30 | |
Why didn't you just panic and tell the truth? | 0:25:30 | 0:25:32 | |
It's more common to lie, surely? | 0:25:32 | 0:25:34 | |
Not on Colombo, it isn't, they just panic and tell the truth. | 0:25:34 | 0:25:37 | |
Well, to be fair to Nina, Ursula doesn't like me much. | 0:25:37 | 0:25:39 | |
-She's great admirer of yours. -Now she thinks I'm a thief. | 0:25:39 | 0:25:42 | |
Putting things in skips is not thieving. | 0:25:42 | 0:25:44 | |
You are actually giving her things. | 0:25:44 | 0:25:46 | |
Well, I'm sure she'll be eternally grateful for your broken hoover. | 0:25:46 | 0:25:49 | |
But it is thieving, you're stealing her...her space. | 0:25:49 | 0:25:53 | |
Space? You can't steal space. | 0:25:53 | 0:25:55 | |
You can steal anything if it costs money. | 0:25:55 | 0:25:57 | |
And that space, it cost her money. | 0:25:57 | 0:25:59 | |
Anyway, look, I wasn't stealing space, Malcolm. You were. | 0:25:59 | 0:26:03 | |
That's what she thinks, anyway. | 0:26:03 | 0:26:05 | |
You really are the limit, Nina! | 0:26:05 | 0:26:08 | |
Where were you all this time, anyway? | 0:26:09 | 0:26:12 | |
Oh, went to Nunney's for a cup of tea. | 0:26:12 | 0:26:14 | |
Wa-hey! | 0:26:14 | 0:26:16 | |
It wasn't like that. He lent me some books to read. | 0:26:16 | 0:26:20 | |
Thomas Hardy, | 0:26:20 | 0:26:21 | |
Albert Ca-Camus? | 0:26:21 | 0:26:23 | |
-Mm-hm. -And Sylvia Plath. | 0:26:23 | 0:26:26 | |
Oh, dear, he wants you to hang yourself. | 0:26:26 | 0:26:29 | |
And there were no implications? | 0:26:31 | 0:26:33 | |
-I wasn't gone that long. -What are implications? | 0:26:33 | 0:26:35 | |
Oh, sex, probably. If in doubt. | 0:26:35 | 0:26:37 | |
-Now we've missed who it was! -It's Greg Norman. -Ugh... | 0:26:39 | 0:26:42 | |
TV: 'Greg Norman, the Australian golfer...' | 0:26:42 | 0:26:44 | |
-That's cheating, he's a golfer, not a bird-watcher. -JOE: -Yeah. | 0:26:44 | 0:26:48 | |
He's given me some books to read, which is another pro. | 0:26:57 | 0:27:00 | |
And there's still only one con. | 0:27:00 | 0:27:03 | |
And according to my elders and betters, the one con - | 0:27:03 | 0:27:06 | |
namely that I don't like him - is another pro anyway. | 0:27:06 | 0:27:09 | |
So we're all set. | 0:27:09 | 0:27:10 | |
Would Quavers be good for crisp sandwiches, do you think? | 0:27:14 | 0:27:17 | |
Or would they go too soggy with the butter? | 0:27:17 | 0:27:21 | |
Love, Nina. | 0:27:21 | 0:27:22 | |
PS: Do you think that men's names are harder to say then women's? | 0:27:49 | 0:27:54 | |
What do you mean, he has a difficult name? | 0:27:54 | 0:27:56 | |
I find lots of men's names difficult. | 0:27:56 | 0:27:58 | |
-Really? -Mm-hm. | 0:27:58 | 0:28:00 | |
John? | 0:28:00 | 0:28:01 | |
Difficult. | 0:28:01 | 0:28:03 | |
Timothy. | 0:28:03 | 0:28:04 | |
Difficult. | 0:28:04 | 0:28:05 | |
Michael? | 0:28:05 | 0:28:06 | |
Easy. | 0:28:06 | 0:28:08 | |
Alf? | 0:28:08 | 0:28:09 | |
-Oh, enough, shut up. -Did someone say Alf? | 0:28:09 | 0:28:11 |