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This programme contains some strong language. | 0:00:02 | 0:00:09 | |
'Dear Vic, thanks for the fish pie recipe. | 0:00:09 | 0:00:12 | |
'The news from here is that there have been developments with Nunney, | 0:00:12 | 0:00:16 | |
'and it turns out that it's not a good idea to sleep with someone | 0:00:16 | 0:00:19 | |
'who lives three doors away. It's really bloody awkward, in fact. | 0:00:19 | 0:00:23 | |
'I bump into him all the time, | 0:00:23 | 0:00:25 | |
'and he hardly makes eye contact. | 0:00:25 | 0:00:27 | |
'The sad news is that Joe has been really poorly again | 0:00:27 | 0:00:30 | |
'so, unfortunately, I've had plenty of time | 0:00:30 | 0:00:33 | |
'to read the wretched books Nunney lent me.' | 0:00:33 | 0:00:36 | |
RADIO TUNING | 0:00:36 | 0:00:39 | |
-RADIO: -'So, there's a tense day's cricket ahead of us here. | 0:00:41 | 0:00:44 | |
'Yes, if they can repeat any of that form from the Oval, then...' | 0:00:44 | 0:00:48 | |
Right, now, remember, if anything happens | 0:00:48 | 0:00:50 | |
and you get too excited, we'll have to turn it off. | 0:00:50 | 0:00:53 | |
So I can only listen as long as it's boring? | 0:00:56 | 0:00:59 | |
That's about the size of it. | 0:00:59 | 0:01:01 | |
-RADIO: -'Yes, what a phenomenal stroke! | 0:01:01 | 0:01:03 | |
'But now, you know, they just need to stay there | 0:01:03 | 0:01:06 | |
'for the rest of the day. | 0:01:06 | 0:01:07 | |
'Gower getting close to his century, so there's still hope.' | 0:01:07 | 0:01:10 | |
Sounds like you'll be all right for a while. | 0:01:10 | 0:01:12 | |
'He lifts his bat, still fighting for a draw. | 0:01:12 | 0:01:15 | |
'Jones runs in. | 0:01:18 | 0:01:19 | |
'Oh, my goodness me, he's bowled it! | 0:01:19 | 0:01:22 | |
'It was never going to happen, really, was it? | 0:01:22 | 0:01:24 | |
'So, Taylor undone by a brilliant piece of cricket...' | 0:01:24 | 0:01:27 | |
-That exciting? -No. | 0:01:27 | 0:01:29 | |
'And that's the last of the resistance, you would have to say. | 0:01:29 | 0:01:33 | |
'That's the way it goes. Well played, New Zealand.' | 0:01:33 | 0:01:36 | |
Oh, Trevor Brooking! And Ian Botham! | 0:01:36 | 0:01:38 | |
Sorry, Joe. | 0:01:38 | 0:01:40 | |
Now what am I supposed to do? | 0:01:43 | 0:01:45 | |
Let's read. | 0:01:45 | 0:01:47 | |
Enoch Blyton? | 0:01:47 | 0:01:49 | |
Yeah... | 0:01:49 | 0:01:50 | |
Yeah! | 0:01:54 | 0:01:55 | |
It's a, um... It's a Diggory Venn adventure. | 0:01:58 | 0:02:02 | |
Diggory Venn? I don't know him. | 0:02:02 | 0:02:04 | |
Classic Enoch name, though. | 0:02:04 | 0:02:06 | |
Yes. Diggory Venn is a reddleman. | 0:02:06 | 0:02:10 | |
-What? -I said, Diggory Venn is a reddleman. | 0:02:10 | 0:02:13 | |
That's what I thought you said. | 0:02:13 | 0:02:15 | |
-A reddleman? -A reddleman is a chap who paints sheep...red. | 0:02:15 | 0:02:19 | |
-For fun? -No, it's his job. | 0:02:19 | 0:02:21 | |
Brilliant! That's my future sorted out, then. | 0:02:21 | 0:02:24 | |
Finally. | 0:02:24 | 0:02:25 | |
SHEEP BLEAT | 0:02:25 | 0:02:27 | |
'No, this is olden times, though.' | 0:02:27 | 0:02:29 | |
HE SIGHS | 0:02:29 | 0:02:31 | |
Oh, hell! Are we going to read an olden-times Blyton? | 0:02:31 | 0:02:35 | |
Yeah. OK. | 0:02:35 | 0:02:37 | |
So, Diggory Venn, the reddleman, he's in love with Thomasin. | 0:02:37 | 0:02:42 | |
Diggory and Thomasin? | 0:02:42 | 0:02:44 | |
-Yes. -This isn't actually Blyton, is it? | 0:02:44 | 0:02:48 | |
No. | 0:02:48 | 0:02:49 | |
It's a book Nunney lent me. | 0:02:49 | 0:02:51 | |
-It's rubbish. -Yes, I know. | 0:02:51 | 0:02:53 | |
It's full of stupid plot twists and ridiculous coincidences, | 0:02:53 | 0:02:56 | |
and I hate it! What am I going to do? | 0:02:56 | 0:02:59 | |
Why do you have to read the books that Nunney gives you? | 0:02:59 | 0:03:01 | |
-I want him to think I'm clever. -Oh, I get it! | 0:03:01 | 0:03:05 | |
You want to read it to me so I can explain it to you. | 0:03:05 | 0:03:09 | |
I'm very good at English. | 0:03:09 | 0:03:12 | |
SHE CHUCKLES | 0:03:12 | 0:03:13 | |
I don't know why you're laughing. | 0:03:13 | 0:03:15 | |
I'm offering you a good deal. | 0:03:15 | 0:03:17 | |
Right, so, there's...there's... there's Diggory and Thomasin, | 0:03:21 | 0:03:25 | |
and then there's Clym and Eustacia. | 0:03:25 | 0:03:28 | |
Oh, hell. Look, do you mind if I explain it all another time? | 0:03:28 | 0:03:33 | |
No. | 0:03:33 | 0:03:34 | |
I understand. | 0:03:34 | 0:03:35 | |
-A Barney mystery? -Yes, please. | 0:03:37 | 0:03:39 | |
And do you know what? | 0:03:39 | 0:03:41 | |
I wouldn't read that Diggory Venn, the reddleman, even if | 0:03:41 | 0:03:43 | |
Trevor Brooking lent to me. | 0:03:43 | 0:03:45 | |
-Is that likely? -He's very clever. | 0:03:45 | 0:03:48 | |
He got 11 O levels and two A levels. | 0:03:48 | 0:03:51 | |
That's more than I've got. | 0:03:52 | 0:03:54 | |
-Are you ready? -Mm-hm. | 0:03:57 | 0:03:59 | |
"Four children were singing at the tops of their voices | 0:04:01 | 0:04:04 | |
"in a car that was going up a steep mountainside road..." | 0:04:04 | 0:04:07 | |
NINA SIGHS | 0:04:13 | 0:04:15 | |
-My turn? -He's having a nap. | 0:04:15 | 0:04:17 | |
I'm quite worried about him. | 0:04:18 | 0:04:20 | |
Yeah. | 0:04:21 | 0:04:23 | |
What does that mean? | 0:04:23 | 0:04:25 | |
Yes, I see you're worried. | 0:04:26 | 0:04:28 | |
But you're not? | 0:04:30 | 0:04:31 | |
I'm not sure "worried" is the right word. | 0:04:39 | 0:04:41 | |
This is his condition. | 0:04:41 | 0:04:43 | |
He has frequent health crises, the inevitability of eye damage, | 0:04:43 | 0:04:48 | |
sight problems when he's older. | 0:04:48 | 0:04:50 | |
Do I think it's awful? Yes, I think it's awful. | 0:04:50 | 0:04:53 | |
Do I feel helpless and wretched? | 0:04:53 | 0:04:55 | |
Yes, I feel helpless and wretched. | 0:04:55 | 0:04:57 | |
Do I worry? Uh, I suppose worry is in there somewhere. | 0:04:57 | 0:05:02 | |
But it gets lost amidst all the other stuff and, anyway, | 0:05:02 | 0:05:05 | |
it's the least powerful and least useful of my feelings. | 0:05:05 | 0:05:08 | |
But I'm glad you're worrying for both of us. | 0:05:08 | 0:05:11 | |
Thank you, that's very helpful. | 0:05:11 | 0:05:13 | |
-Oh, fuck! -CAT MIAOWS | 0:05:13 | 0:05:15 | |
Fuck that fucking thing! | 0:05:15 | 0:05:17 | |
Why do we even have a cat? | 0:05:17 | 0:05:20 | |
Who in this house gets a single fucking second of pleasure from it? | 0:05:20 | 0:05:23 | |
-Thanks. -Bye. -Bye. | 0:05:23 | 0:05:25 | |
"Adult cat wanted. Neutered." | 0:05:34 | 0:05:37 | |
-So, was she interested when you spoke to her? -Do we know it's a her? | 0:05:40 | 0:05:45 | |
Anyway, I haven't done anything about it yet. | 0:05:45 | 0:05:47 | |
I thought we should talk to the boys. | 0:05:47 | 0:05:49 | |
Are you mad? Someone is going to beat us to it. | 0:05:49 | 0:05:52 | |
No-one wants their cat. Phone her this second. | 0:05:52 | 0:05:54 | |
SHE CLEARS HER THROAT | 0:05:56 | 0:05:58 | |
ENGAGED TONE | 0:06:18 | 0:06:20 | |
-Engaged. -Told you, someone's beat us to it. | 0:06:22 | 0:06:25 | |
Oh, bloody hell. Keep trying. | 0:06:25 | 0:06:27 | |
Zero... | 0:06:31 | 0:06:33 | |
ROTARY PHONE DIALS OUT | 0:06:33 | 0:06:35 | |
What's in there? | 0:06:54 | 0:06:56 | |
Erm, Lucas. | 0:06:56 | 0:06:58 | |
-Dead? -No, no. | 0:06:58 | 0:07:00 | |
He's going to live somewhere else. | 0:07:00 | 0:07:02 | |
You mean heaven? How old do you think I am? | 0:07:02 | 0:07:05 | |
Honestly, he really is going to live somewhere else. | 0:07:05 | 0:07:08 | |
-He's not dead. -He's being transferred? | 0:07:08 | 0:07:10 | |
Poor old Lucas. | 0:07:10 | 0:07:12 | |
He'll have a nice time where he's going. | 0:07:12 | 0:07:14 | |
Did someone put in a big offer, | 0:07:14 | 0:07:16 | |
or are we just getting him off the wage bill because he's hopeless? | 0:07:16 | 0:07:20 | |
Um, I suppose it's the latter. | 0:07:20 | 0:07:22 | |
He's hopeless. | 0:07:22 | 0:07:23 | |
Lucas Bunt, the big fat runt. | 0:07:23 | 0:07:26 | |
That's not very nice. | 0:07:26 | 0:07:27 | |
I'm just calling him names. You're actually chucking him out. | 0:07:27 | 0:07:31 | |
No, I'm not... I'm not chucking him out, exactly. | 0:07:31 | 0:07:34 | |
We're just... We are helping him to be happier... | 0:07:34 | 0:07:38 | |
somewhere else. | 0:07:38 | 0:07:39 | |
So why was he hopeless? What did he do wrong? | 0:07:41 | 0:07:44 | |
It wasn't that he did anything wrong, exactly, he just... | 0:07:44 | 0:07:47 | |
He didn't do enough right. | 0:07:48 | 0:07:50 | |
Did you enjoy his company? | 0:07:50 | 0:07:52 | |
He's a cat. | 0:07:52 | 0:07:53 | |
Well, exactly. All take, no give. | 0:07:53 | 0:07:55 | |
Like Joe. That's who I would have got rid of. | 0:07:55 | 0:07:58 | |
Well, that really isn't very nice because he can't help being ill. | 0:07:58 | 0:08:01 | |
No, I like him when he's ill - he's upstairs. | 0:08:01 | 0:08:04 | |
It's when he's well that he's really annoying. | 0:08:04 | 0:08:07 | |
Can I come with you? | 0:08:07 | 0:08:09 | |
I'll go and tell your mother. Keep an eye on Lucas for me. | 0:08:09 | 0:08:12 | |
George! > | 0:08:14 | 0:08:15 | |
I think he IS dead now. | 0:08:18 | 0:08:20 | |
I don't like looking after dead things. | 0:08:20 | 0:08:23 | |
No. | 0:08:23 | 0:08:24 | |
CAT MIAOWS | 0:08:24 | 0:08:26 | |
See? Fit as a fiddle. | 0:08:26 | 0:08:28 | |
MEOWING CONTINUES | 0:08:28 | 0:08:30 | |
-There it is. -Great. | 0:08:33 | 0:08:35 | |
OK. | 0:08:38 | 0:08:39 | |
-Hello. -Hello. | 0:08:47 | 0:08:49 | |
Can I help you? | 0:08:51 | 0:08:53 | |
We've come with the cat. | 0:08:53 | 0:08:54 | |
Oh, yes. | 0:08:54 | 0:08:56 | |
Could I have a look at him? | 0:08:56 | 0:08:58 | |
I don't want him to make himself at home if he's not right. | 0:08:58 | 0:09:02 | |
Oh, are you seeing others, or...? | 0:09:02 | 0:09:04 | |
-Only one or two. -Right. | 0:09:04 | 0:09:06 | |
I didn't realise it was an interview situation. | 0:09:06 | 0:09:09 | |
Well, it isn't, really. I wouldn't know what to ask a cat. | 0:09:09 | 0:09:12 | |
Erm, right, I'll hold the box, you open it up. | 0:09:15 | 0:09:18 | |
Are you sure he's not dead? | 0:09:18 | 0:09:20 | |
-Yes! -Is he unwell? | 0:09:20 | 0:09:22 | |
No, no, no! He's as fit as a fiddle. | 0:09:22 | 0:09:24 | |
Max is just being really, really stupid and unhelpful. | 0:09:24 | 0:09:28 | |
Open it. | 0:09:29 | 0:09:31 | |
Oh, what's his name? | 0:09:33 | 0:09:36 | |
-Lucas. -Lu... I'll be calling him Johnny, if that's OK. | 0:09:36 | 0:09:41 | |
Hello, Johnny! | 0:09:41 | 0:09:44 | |
I lost my best friend, you see. | 0:09:44 | 0:09:46 | |
-Was it a cat? -Yeah. | 0:09:46 | 0:09:49 | |
Johnny. | 0:09:49 | 0:09:51 | |
-I'm sorry. -He was 18. | 0:09:51 | 0:09:53 | |
What's that in cat years? | 0:09:53 | 0:09:54 | |
I was talking in cat years. | 0:09:54 | 0:09:56 | |
If Johnny had been a dog, he would have been a lot older. | 0:09:56 | 0:09:59 | |
Would he still be dead, though? How do you work it out? | 0:09:59 | 0:10:01 | |
Well, Johnny got run over, so I suppose so. | 0:10:01 | 0:10:05 | |
He would have been on a lead, though, if he were a dog. | 0:10:05 | 0:10:07 | |
Stop now, Max! | 0:10:07 | 0:10:09 | |
Oh, you are just as handsome as other Johnny, aren't you, Johnny? | 0:10:09 | 0:10:14 | |
SHE BLOWS KISSES | 0:10:14 | 0:10:16 | |
Why don't you want to keep him? | 0:10:16 | 0:10:18 | |
All take, no give. | 0:10:18 | 0:10:19 | |
-I don't mind that. -Just as well. | 0:10:19 | 0:10:22 | |
Thank you for bringing him. | 0:10:22 | 0:10:24 | |
Give me a call in a day or two when I've seen the others | 0:10:24 | 0:10:28 | |
to find out if your application has been successful. | 0:10:28 | 0:10:32 | |
But I CAN tell you that Johnny is a very strong candidate. | 0:10:32 | 0:10:36 | |
SHE MOUTHS | 0:10:36 | 0:10:38 | |
-Bye-bye. -Bye. | 0:10:39 | 0:10:41 | |
Bye... | 0:10:41 | 0:10:42 | |
Christ's sake! We have to go all the way home with this box now. | 0:10:44 | 0:10:47 | |
She shouldn't have started calling him Johnny | 0:10:47 | 0:10:50 | |
if she's not going to make her mind up. He'll be confused now. | 0:10:50 | 0:10:53 | |
They can cope. Come on. | 0:10:53 | 0:10:55 | |
Right. | 0:10:56 | 0:10:57 | |
What's wrong now? | 0:11:07 | 0:11:09 | |
What do you mean, now? | 0:11:09 | 0:11:10 | |
It makes it sound as if there's always something wrong. | 0:11:10 | 0:11:13 | |
Not always, just often. | 0:11:13 | 0:11:15 | |
Well, I have questions, | 0:11:15 | 0:11:18 | |
and they're not complaints. | 0:11:18 | 0:11:20 | |
May I ask one of them? | 0:11:21 | 0:11:23 | |
One. | 0:11:23 | 0:11:25 | |
Well, this mince in the sauce... | 0:11:25 | 0:11:28 | |
Yeah, I knew he was going to say something about that. | 0:11:28 | 0:11:31 | |
-What about it? -Well, from which animal does it derive? | 0:11:31 | 0:11:36 | |
-Urgh! -What's the matter? -You couldn't give Lucas away | 0:11:36 | 0:11:40 | |
so you had to go and cook him! Urgh! | 0:11:40 | 0:11:43 | |
We're eating Lucas? | 0:11:43 | 0:11:45 | |
Don't be so daft, Max. You can't eat cat. | 0:11:45 | 0:11:47 | |
That's not the reason why we're not eating him. | 0:11:47 | 0:11:49 | |
Even if we could, we wouldn't. | 0:11:49 | 0:11:51 | |
Why on earth do you think we're eating the cat, Max? | 0:11:51 | 0:11:53 | |
Because Stibbe tried to give him away and the old lady said no, | 0:11:53 | 0:11:56 | |
and I haven't seen him since we came back | 0:11:56 | 0:11:58 | |
and now we are eating Bolognese which isn't made of Bolognese. | 0:11:58 | 0:12:01 | |
-It's turkey. -Is it really?! | 0:12:01 | 0:12:04 | |
That's very surprising. | 0:12:04 | 0:12:06 | |
It's delicious. | 0:12:06 | 0:12:08 | |
Why are we giving Lucas away? | 0:12:10 | 0:12:12 | |
Erm, well... | 0:12:12 | 0:12:14 | |
an old lady has just lost her cat. | 0:12:14 | 0:12:17 | |
She would very much like a new one. | 0:12:17 | 0:12:19 | |
Yeah. We don't think we get much value out of Lucas. | 0:12:19 | 0:12:22 | |
Well, we're getting value out of him now. He's tastier than he looked. | 0:12:22 | 0:12:26 | |
-Please, Malcolm. He's joking, boys. -Well, he's not funny. | 0:12:26 | 0:12:29 | |
HE MOUTHS | 0:12:29 | 0:12:31 | |
The new owner wants to call him Johnny. | 0:12:31 | 0:12:33 | |
I love Lucas. | 0:12:33 | 0:12:35 | |
You do not love Lucas. | 0:12:35 | 0:12:37 | |
I'm used to him, then. I don't want him to go anywhere. | 0:12:37 | 0:12:40 | |
We can't give him away. | 0:12:40 | 0:12:41 | |
-It's Buckaroo all over again. -Oh, don't start him off on Buckaroo. | 0:12:41 | 0:12:45 | |
We don't know he's going anywhere yet. | 0:12:45 | 0:12:47 | |
-She's seeing a couple of others. -What, she's interviewing? | 0:12:47 | 0:12:51 | |
She's just having a look and a stroke, really. | 0:12:51 | 0:12:53 | |
PHONE RINGS | 0:12:55 | 0:12:57 | |
SHE CLEARS HER THROAT | 0:13:02 | 0:13:04 | |
Hello. | 0:13:06 | 0:13:07 | |
Hello, Mrs Peyton. | 0:13:09 | 0:13:11 | |
Yes. | 0:13:12 | 0:13:13 | |
Well... No. | 0:13:13 | 0:13:15 | |
No fun at all. | 0:13:15 | 0:13:17 | |
I mean, if a cat can't purr AND it has adenoids, well, | 0:13:17 | 0:13:20 | |
you might as well get yourself a husband. | 0:13:20 | 0:13:23 | |
No, no, I didn't mean instead of Lucas slash Johnny. | 0:13:23 | 0:13:28 | |
Well, that's lovely. | 0:13:31 | 0:13:32 | |
Yes, we'll see you, then. | 0:13:32 | 0:13:35 | |
Thank you, bye. | 0:13:35 | 0:13:37 | |
Yes! | 0:13:39 | 0:13:41 | |
-Oh, hello. How funny. What a coincidence. -What is? | 0:13:56 | 0:14:00 | |
I was just thinking about you, and here you are. | 0:14:00 | 0:14:03 | |
Small world, Primrose Hill, isn't it? | 0:14:03 | 0:14:05 | |
Yeah. | 0:14:05 | 0:14:06 | |
-See you. -Bye. | 0:14:11 | 0:14:13 | |
MUSIC PLAYS | 0:14:15 | 0:14:17 | |
-Oh, hi, Nunney. -Hello, Ray. -Hello, everyone. | 0:14:21 | 0:14:23 | |
-RAY: -Trevor Brooking is rubbish. | 0:14:23 | 0:14:25 | |
We can't go on meeting like this. | 0:14:25 | 0:14:27 | |
I think we will, while we live three doors away from each other. | 0:14:27 | 0:14:29 | |
It's just an expression. | 0:14:29 | 0:14:31 | |
I'm aware, I'm just pointing it's inappropriate in this context. | 0:14:31 | 0:14:34 | |
I was just being jokey. | 0:14:34 | 0:14:36 | |
I mean, of course we are going to keep bumping into... | 0:14:36 | 0:14:39 | |
Oh, my God. | 0:14:50 | 0:14:52 | |
What? | 0:14:52 | 0:14:53 | |
You don't think that's weird? | 0:14:54 | 0:14:56 | |
It's cheese and tomato pizza. | 0:14:56 | 0:14:59 | |
Everyone eats cheese and tomato pizza. | 0:14:59 | 0:15:01 | |
-Or ham. -Well, it's one or the other. | 0:15:01 | 0:15:03 | |
50-50. No-one likes the Hawaiian one with all the pineapple. | 0:15:03 | 0:15:07 | |
But at exactly the same time, two people who've...slept together... | 0:15:08 | 0:15:12 | |
This is our local supermarket. | 0:15:12 | 0:15:14 | |
And our, whatever, relationship, | 0:15:14 | 0:15:17 | |
it's sort of locally based, isn't it? | 0:15:17 | 0:15:19 | |
Why don't you want to admit that coincidences, that they do happen? | 0:15:19 | 0:15:23 | |
I'm just trying to introduce a note of mathematical probability. | 0:15:23 | 0:15:26 | |
Been reading your book, Return Of The Native. | 0:15:28 | 0:15:30 | |
How are you getting on? | 0:15:30 | 0:15:32 | |
Well, I... | 0:15:33 | 0:15:35 | |
Are you free after this? | 0:15:35 | 0:15:37 | |
Don't fancy going for a stroll, do you? | 0:15:37 | 0:15:40 | |
-A stroll? -Is that like asking if you've got any hobbies? | 0:15:40 | 0:15:44 | |
No, it's just a bit like Brideshead Revisited, isn't it? | 0:15:44 | 0:15:46 | |
-Never watched Brideshead. -It was a book first. -Christ! | 0:15:46 | 0:15:50 | |
Forget it! | 0:15:50 | 0:15:51 | |
-Bloody hell! -George is obsessed with turkey mince. | 0:16:05 | 0:16:08 | |
Oh, listen, I'm sorry, I would love to go for a stroll. | 0:16:08 | 0:16:11 | |
I thought you'd be interested in the coincidences. | 0:16:11 | 0:16:14 | |
You gave me the wretched book. | 0:16:14 | 0:16:16 | |
I am! I mean, the newsagent one wasn't that... | 0:16:16 | 0:16:19 | |
No, you're right, they're all spooky. | 0:16:19 | 0:16:22 | |
-Do you want a hand? -No. -OK. | 0:16:24 | 0:16:27 | |
-George said this would happen. -What? -The murkiness. | 0:16:28 | 0:16:32 | |
-Where is there murkiness? -Between us. | 0:16:32 | 0:16:34 | |
-What, do you mean because of...? -Yes. | 0:16:34 | 0:16:37 | |
I'm not like that. | 0:16:37 | 0:16:38 | |
-Like what? -I'm not...murky. I've slept with three people, | 0:16:38 | 0:16:42 | |
and I'm very good friends with the other two. | 0:16:42 | 0:16:45 | |
-Well, great, bully for you! -What about you? | 0:16:45 | 0:16:47 | |
I'm not going to divulge numbers, | 0:16:47 | 0:16:48 | |
but I never want to see the others ever again. | 0:16:48 | 0:16:50 | |
Oh, right. So, actually, you're the murky party. | 0:16:50 | 0:16:53 | |
If you have to apportion blame. | 0:16:53 | 0:16:55 | |
So, what do you think of Hardy? | 0:16:55 | 0:16:57 | |
All right. Too many coincidences. | 0:16:58 | 0:17:00 | |
-Ironically. -Wouldn't write about them in a novel, though. | 0:17:00 | 0:17:04 | |
That was one of my A level questions. | 0:17:04 | 0:17:06 | |
"Discuss the role of coincidence in Return Of The Native." | 0:17:06 | 0:17:09 | |
-What did you say? -Didn't choose that one. | 0:17:09 | 0:17:12 | |
-What else was there? -Erm, | 0:17:12 | 0:17:14 | |
"Return Of The Native has been described as | 0:17:14 | 0:17:16 | |
"Hardy's most modern novel. | 0:17:16 | 0:17:18 | |
-"Do you agree?" -No. Unless he wrote it after all the others, | 0:17:18 | 0:17:21 | |
then it would be, wouldn't it? | 0:17:21 | 0:17:23 | |
Well, he didn't. So what would you say | 0:17:23 | 0:17:25 | |
if you had to answer that question? | 0:17:25 | 0:17:27 | |
I'd say, "Lead me to the nearest reddleman." | 0:17:27 | 0:17:29 | |
-You're a natural. -I'm not, though, am I? | 0:17:29 | 0:17:32 | |
I don't know what to say about books. | 0:17:32 | 0:17:34 | |
Maybe these people are more like you than you think. | 0:17:34 | 0:17:37 | |
Like me? | 0:17:37 | 0:17:39 | |
Yeah, it's a good way into books. | 0:17:39 | 0:17:41 | |
You look for the parts that make sense to you, | 0:17:41 | 0:17:44 | |
the characters you know from your own life, their complications. | 0:17:44 | 0:17:47 | |
I don't know any characters from my own life. | 0:17:47 | 0:17:49 | |
Not complicated ones, anyway. | 0:17:49 | 0:17:51 | |
I'm a bloody nanny! | 0:17:51 | 0:17:53 | |
Maybe you won't be for ever. | 0:17:53 | 0:17:55 | |
SHE SIGHS Yeah. | 0:17:56 | 0:17:58 | |
I'd better go and start tea. | 0:17:58 | 0:18:01 | |
THUDDING | 0:18:21 | 0:18:23 | |
What are you doing? | 0:18:38 | 0:18:41 | |
Freezing all this wretched turkey mince. | 0:18:41 | 0:18:44 | |
How much did you buy? | 0:18:44 | 0:18:46 | |
16 packets, like you told me. | 0:18:46 | 0:18:48 | |
Of course I didn't tell you to buy 16 packets! | 0:18:49 | 0:18:52 | |
You wrote it down on a piece of paper. | 0:18:52 | 0:18:55 | |
It actually said 116 but I presumed you couldn't have meant that. | 0:18:55 | 0:18:59 | |
There. | 0:18:59 | 0:19:01 | |
No, that is 1 lb - one pound, | 0:19:01 | 0:19:05 | |
not 116, you berk. | 0:19:05 | 0:19:07 | |
Fucking hell! That's the final straw. | 0:19:09 | 0:19:12 | |
-Right, what's the matter? -I don't get literature...or men. | 0:19:20 | 0:19:24 | |
You can forget about the latter, there's nothing there to get. | 0:19:24 | 0:19:28 | |
Books, more complicated. | 0:19:28 | 0:19:30 | |
What are you reading? | 0:19:30 | 0:19:32 | |
Not much, just the first few chapters of Return Of The Native. | 0:19:32 | 0:19:35 | |
Well, maybe Hardy isn't for you. | 0:19:35 | 0:19:38 | |
Well, why shouldn't he be, if he's for you and Nunney? | 0:19:38 | 0:19:42 | |
All I'm saying is that he isn't for everyone, | 0:19:42 | 0:19:45 | |
and it's no reflection on you if you don't respond. | 0:19:45 | 0:19:47 | |
I'm going to make myself respond, even if it kills me. | 0:19:47 | 0:19:50 | |
THUDDING | 0:19:50 | 0:19:52 | |
Is this about Nunney? | 0:19:52 | 0:19:54 | |
Nunney, you, Malcolm - you are all responding away. | 0:19:54 | 0:19:58 | |
It pisses me off. | 0:19:58 | 0:20:00 | |
FRIDGE DOOR SLAMS | 0:20:05 | 0:20:07 | |
'Dear Vic, do you think that literature | 0:20:13 | 0:20:15 | |
'connects to our everyday lives? | 0:20:15 | 0:20:17 | |
'When I was trying to persuade Joe that he wouldn't miss Lucas the cat | 0:20:17 | 0:20:21 | |
'and that he'd be much happier with Mrs Peyton...' | 0:20:21 | 0:20:24 | |
Joe! | 0:20:24 | 0:20:25 | |
'..I thought, no, Thomas Hardy has absolutely nothing to do with me. | 0:20:25 | 0:20:30 | |
'Nunney says he does but, honestly, on an average day, | 0:20:33 | 0:20:36 | |
'it's pretty hard to see how.' | 0:20:36 | 0:20:38 | |
-TV: -'..Physics and life sciences, | 0:20:41 | 0:20:43 | |
'Galileo 2 is one of the nation's leading facilities | 0:20:43 | 0:20:47 | |
'for remote sensing.' | 0:20:47 | 0:20:49 | |
I'm not feeling very well. | 0:20:49 | 0:20:51 | |
Oh, bubba. | 0:20:51 | 0:20:53 | |
-Do you need to poo? -No. | 0:20:53 | 0:20:55 | |
'And then Joe had one of his crises, | 0:20:55 | 0:20:58 | |
'and everything seemed very bleak and windswept. | 0:20:58 | 0:21:01 | |
'They often start after mealtimes and can be very frightening.' | 0:21:01 | 0:21:04 | |
Can you fetch my valium, please, from my bedside drawer? | 0:21:04 | 0:21:07 | |
'And quite often he gets better as quickly as he got ill...' | 0:21:22 | 0:21:25 | |
Oh, we're back in 5D. | 0:21:25 | 0:21:28 | |
'..and we all feel a bit embarrassed about the fuss we've caused.' | 0:21:28 | 0:21:31 | |
You had a turn. | 0:21:31 | 0:21:33 | |
-I'm OK now. -You haven't even seen the doctor yet. | 0:21:33 | 0:21:36 | |
-Oh, don't do this again. -I can't help it. | 0:21:36 | 0:21:38 | |
No, I know you can't help the getting ill bit, | 0:21:38 | 0:21:41 | |
but I wish you wouldn't get better quite so quickly. | 0:21:41 | 0:21:43 | |
They must think I'm a complete nutcase. | 0:21:43 | 0:21:45 | |
At least when the doctor comes in, | 0:21:45 | 0:21:47 | |
-could you pretend to be a bit floppy? -Can I be...? | 0:21:47 | 0:21:50 | |
What is it when you start thinking you're in a tent | 0:21:50 | 0:21:52 | |
in the middle of the Sahara and Bergerac | 0:21:52 | 0:21:54 | |
puts his head through the flap? | 0:21:54 | 0:21:56 | |
Delirious? Mm. | 0:21:56 | 0:21:58 | |
Don't overdo it. | 0:21:58 | 0:21:59 | |
KNOCK ON DOOR | 0:21:59 | 0:22:01 | |
How's he doing? | 0:22:01 | 0:22:03 | |
Um, about the same. | 0:22:03 | 0:22:05 | |
Maybe a little better. | 0:22:05 | 0:22:07 | |
-This has happened before? -Yes, | 0:22:07 | 0:22:09 | |
his condition means he's suddenly prone to very high temperatures. | 0:22:09 | 0:22:13 | |
Lucas Bunt, the big fat runt. | 0:22:13 | 0:22:16 | |
-What's he saying? -Oh, it's just rubbish. | 0:22:16 | 0:22:20 | |
Lucas Bunt, the big fat runt! | 0:22:20 | 0:22:23 | |
Lucas is the family cat. | 0:22:23 | 0:22:25 | |
You'll be seeing Lucas later, old chap. | 0:22:25 | 0:22:28 | |
No, Lucas gone... | 0:22:28 | 0:22:32 | |
We just lent Lucas to someone else for a couple of days. | 0:22:35 | 0:22:39 | |
A lonely old woman who's just lost her best friend. | 0:22:43 | 0:22:47 | |
-A cat. -Just borrowed? | 0:22:48 | 0:22:51 | |
Oh, speak properly. | 0:22:51 | 0:22:53 | |
I know he's ill, but he can do better than that. | 0:22:53 | 0:22:57 | |
Well...I'm sure high standards are important at all times. | 0:22:57 | 0:23:01 | |
Can we see him again after the weekend? | 0:23:01 | 0:23:03 | |
Lucas will be back by then. | 0:23:03 | 0:23:05 | |
I'll be feeling much better, I'm sure. | 0:23:05 | 0:23:07 | |
I'm not joking about the Buckaroo. | 0:23:20 | 0:23:22 | |
Oh, will you let it go? | 0:23:22 | 0:23:24 | |
Isn't it enough we've agreed to mug an old lady? | 0:23:24 | 0:23:26 | |
Mrs Browning was running the toy stall at the school fair. | 0:23:26 | 0:23:29 | |
She'll remember who bought it. | 0:23:29 | 0:23:31 | |
Why don't you just ask for a new Buckaroo for your birthday? | 0:23:31 | 0:23:34 | |
It would be a waste of a present. I never played it. | 0:23:34 | 0:23:36 | |
You showed no interest in that cat, ever. | 0:23:36 | 0:23:40 | |
When was the last time you fed him? | 0:23:40 | 0:23:42 | |
I love him! He's a member of the family. | 0:23:42 | 0:23:45 | |
You can't just give away members of the family. | 0:23:45 | 0:23:48 | |
Hmm, first they came for the socialists | 0:23:48 | 0:23:51 | |
and I did not speak out because I was not a socialist. | 0:23:51 | 0:23:54 | |
-I thought we were. -No, I meant, are you worried you'll be next? | 0:23:54 | 0:23:58 | |
-You wouldn't. -I might. | 0:23:58 | 0:24:01 | |
I might give you to the old lady instead of Lucas. | 0:24:01 | 0:24:04 | |
Would she change my name? | 0:24:04 | 0:24:06 | |
-Probably. -Well, if it brings Lucas back, | 0:24:06 | 0:24:10 | |
I'll change my name to Trevor. | 0:24:10 | 0:24:12 | |
By the way, you are the one that's going to knock on the door tomorrow | 0:24:13 | 0:24:16 | |
because you're the one that caved in to him. | 0:24:16 | 0:24:19 | |
No, I'm afraid that's why I employ you. I'm a busy working mother. | 0:24:19 | 0:24:22 | |
I can't be knocking on doors, reclaiming cats. | 0:24:22 | 0:24:25 | |
He's happy to be home, you can tell. | 0:24:30 | 0:24:32 | |
-MALCOLM: -Well, he certainly enjoys the turkey mince...more than we did. | 0:24:32 | 0:24:38 | |
-We don't have to have it every night. -Actually, we do. | 0:24:38 | 0:24:41 | |
My own view is that it's more successful disguised | 0:24:41 | 0:24:44 | |
in a Bolognese sauce. | 0:24:44 | 0:24:46 | |
Thank you for that. | 0:24:46 | 0:24:47 | |
-Oh, I thought you liked feedback. -Why did you think that? | 0:24:47 | 0:24:51 | |
Max, do you fancy a game of Buckaroo before University Challenge? | 0:24:51 | 0:24:54 | |
I suppose we might as well play it once. | 0:24:54 | 0:24:57 | |
Well, I couldn't see how that was going to work but it has. | 0:24:59 | 0:25:02 | |
Where did you get it from? | 0:25:02 | 0:25:04 | |
It's Mrs Peyton's rejected candidate. | 0:25:04 | 0:25:06 | |
What, the one with the adenoids that can't purr? | 0:25:06 | 0:25:08 | |
Mm-hm. The owners could not believe that we wanted it. | 0:25:08 | 0:25:12 | |
-We don't. -He doesn't look anything like Lucas. | 0:25:12 | 0:25:15 | |
-I can't believe they've fallen for it. -They know it's not him. | 0:25:15 | 0:25:18 | |
-Really? -Yeah, they're not idiots. | 0:25:18 | 0:25:20 | |
Why are they pretending, then? | 0:25:20 | 0:25:22 | |
Well, Joe knew he couldn't break that old lady's heart | 0:25:22 | 0:25:26 | |
and wanted to give you credit for making the effort. | 0:25:26 | 0:25:30 | |
That's quite complicated. | 0:25:30 | 0:25:32 | |
People are. | 0:25:32 | 0:25:33 | |
I've had a breakthrough with Return Of The Native. | 0:25:35 | 0:25:38 | |
KNOCKING ON DOOR | 0:25:38 | 0:25:39 | |
-I've changed my mind. -About what? -Hardy, books, the whole caboodle. | 0:25:46 | 0:25:51 | |
You have to interpret people. | 0:25:51 | 0:25:53 | |
You don't always know what's going on. | 0:25:53 | 0:25:55 | |
There's what they say and then there's what they do | 0:25:55 | 0:25:57 | |
and then there's the stuff underneath, | 0:25:57 | 0:25:59 | |
and literature is about the stuff underneath. | 0:25:59 | 0:26:01 | |
Wow, I hadn't expected my prescription to work so quickly. | 0:26:01 | 0:26:05 | |
Or at all, frankly. | 0:26:05 | 0:26:07 | |
Well, thanks a lot. Anyway, what should I read next? | 0:26:07 | 0:26:10 | |
Erm, maybe you should try Jude The Obscure. | 0:26:10 | 0:26:13 | |
Read it with your new clever eyes. | 0:26:13 | 0:26:15 | |
-Who's that by? -That's another Hardy. | 0:26:15 | 0:26:17 | |
Oh, right. He's a bit like turkey mince, I find - | 0:26:17 | 0:26:20 | |
you need a break every now and again. | 0:26:20 | 0:26:23 | |
-< -Ask her in if you have to. | 0:26:23 | 0:26:25 | |
-< -Don't stand on the doorstep all day talking about this rubbish! | 0:26:25 | 0:26:29 | |
'Anyway, the thing about Hardy | 0:26:33 | 0:26:35 | |
'is that he writes about ordinary people, peasants and so on - | 0:26:35 | 0:26:39 | |
'people like Auntie Josie, I suppose - | 0:26:39 | 0:26:42 | |
'and he gives them this inner life. | 0:26:42 | 0:26:44 | |
'It's hard to imagine Auntie Josie with an inner life, isn't it? | 0:26:44 | 0:26:47 | |
'But Hardy seems to think she may have one. | 0:26:47 | 0:26:49 | |
'To cut a long story short, Auntie Josie and Thomas Hardy have led me, | 0:26:49 | 0:26:53 | |
'in a roundabout way, to a big decision. | 0:26:53 | 0:26:56 | |
'I'm going to take an A level. | 0:26:56 | 0:26:59 | |
'Blimey! Love, Nina. | 0:26:59 | 0:27:01 | |
'PS, George says she keeps being ambushed by a loose paving slab | 0:27:28 | 0:27:33 | |
'on the crescent near the house. | 0:27:33 | 0:27:35 | |
'I painted it red so she wouldn't trip on it any more...' | 0:27:35 | 0:27:38 | |
Fuck! | 0:27:38 | 0:27:40 | |
'..but I painted the wrong one.' | 0:27:40 | 0:27:42 | |
Nina! | 0:27:42 | 0:27:44 |