Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hold steady and down with dark. | 0:00:03 | 0:00:05 | |
"Dear Vic, exciting news about the patio. | 0:00:05 | 0:00:08 | |
"Meanwhile, my life is going backwards rather than forwards." | 0:00:08 | 0:00:12 | |
Lift your bottoms up to the ceiling. | 0:00:12 | 0:00:15 | |
No clenching. | 0:00:15 | 0:00:16 | |
"Just as things were taking off with Nunney, | 0:00:17 | 0:00:19 | |
"just as we were putting on our seatbelts | 0:00:19 | 0:00:21 | |
"and looking at the safety instructions..." | 0:00:21 | 0:00:23 | |
Watch those backs. | 0:00:23 | 0:00:25 | |
Point those toes. | 0:00:25 | 0:00:27 | |
Heels together. | 0:00:27 | 0:00:28 | |
And back to downward tuck. | 0:00:28 | 0:00:31 | |
"Anyway, he's decided to go travelling | 0:00:32 | 0:00:34 | |
"with his friend, Dogman. | 0:00:34 | 0:00:36 | |
"And I'm in the process of replacing him | 0:00:36 | 0:00:38 | |
"in my life with my new nanny friend, Amanda. | 0:00:38 | 0:00:41 | |
"Not in all ways, obviously. | 0:00:41 | 0:00:43 | |
"Not yet. | 0:00:44 | 0:00:46 | |
"Although it would be stupid to rule out all possibilities at this stage." | 0:00:46 | 0:00:50 | |
Now, down to... | 0:00:50 | 0:00:52 | |
"She wants to be an actress, so she's very flamboyant." | 0:00:54 | 0:00:57 | |
Well done, that's lovely and expressive. | 0:00:57 | 0:01:00 | |
"We've started yoga together. | 0:01:00 | 0:01:02 | |
"I can't tell you how awful it is." | 0:01:03 | 0:01:05 | |
Ugh! Ow! | 0:01:05 | 0:01:06 | |
You've all done really well, so you can treat yourselves to a wind-down. | 0:01:12 | 0:01:17 | |
We're going to start at the bottom and work our way up. | 0:01:17 | 0:01:20 | |
So first, | 0:01:21 | 0:01:23 | |
tense and relax your toes. | 0:01:23 | 0:01:25 | |
Good. Tense and relax your feet. | 0:01:27 | 0:01:30 | |
That's it. | 0:01:30 | 0:01:32 | |
Now, your calves. | 0:01:32 | 0:01:35 | |
And relax. | 0:01:35 | 0:01:37 | |
Don't forget to breathe. | 0:01:37 | 0:01:38 | |
Now your thighs. | 0:01:40 | 0:01:41 | |
Now your bottom. | 0:01:43 | 0:01:46 | |
And relax. | 0:01:46 | 0:01:48 | |
-NINA SUPPRESSES LAUGHTER -Now your genitals. | 0:01:48 | 0:01:50 | |
NINA GIGGLES | 0:01:50 | 0:01:53 | |
Ladies, what just happened to Nina can happen to you | 0:01:53 | 0:01:57 | |
if you're very lucky. | 0:01:57 | 0:01:59 | |
And what a nice way to start the day. | 0:01:59 | 0:02:01 | |
AMANDA LAUGHS | 0:02:01 | 0:02:02 | |
And this is a private space, | 0:02:02 | 0:02:04 | |
so there is nothing to be embarrassed about. | 0:02:04 | 0:02:07 | |
And we're going to tense and relax our stomachs. | 0:02:07 | 0:02:10 | |
-She thought I'd, um... -Yes. | 0:02:10 | 0:02:13 | |
Oh, God! Is that so bad? | 0:02:13 | 0:02:15 | |
It is, isn't it? | 0:02:15 | 0:02:17 | |
-Just go back in and tell her nothing happened. -I can't do that. | 0:02:17 | 0:02:20 | |
-I'll go. I don't care. -You really don't, do you? | 0:02:20 | 0:02:22 | |
-It didn't happen to me. -It didn't happen to me, either. | 0:02:22 | 0:02:25 | |
-Except everyone thinks it did. -Oh! | 0:02:25 | 0:02:27 | |
What would I be thinking if a woman I didn't know had... | 0:02:27 | 0:02:30 | |
wotsited in front of the whole class? | 0:02:30 | 0:02:33 | |
Wotsited? | 0:02:33 | 0:02:35 | |
I don't like the other words for it. | 0:02:35 | 0:02:37 | |
Do you think "wotsited" is better? | 0:02:37 | 0:02:38 | |
It's noncommittal. | 0:02:38 | 0:02:40 | |
I'd be thinking, er... | 0:02:40 | 0:02:42 | |
NINA SIGHS | 0:02:42 | 0:02:43 | |
It's actually so bad, I'm thinking about emigrating. | 0:02:43 | 0:02:45 | |
No, don't do that. | 0:02:45 | 0:02:47 | |
Not until Malcolm has helped with my audition piece. | 0:02:47 | 0:02:49 | |
Just knock on his door. | 0:02:49 | 0:02:50 | |
I don't know him, I need to knock on your door when he's there | 0:02:50 | 0:02:53 | |
and just drop it into the conversation casually. | 0:02:53 | 0:02:55 | |
Well, you'd better be quick, because I will be in Australia by Friday. | 0:02:55 | 0:02:58 | |
Then she said, "your genitals." | 0:03:03 | 0:03:05 | |
I don't see how she could've missed them out if she was going through everything. | 0:03:05 | 0:03:09 | |
Just because someone mentions toes and feet, | 0:03:09 | 0:03:11 | |
it doesn't mean you're expecting them to start going on about genitals. | 0:03:11 | 0:03:14 | |
I think if she'd skipped over them, it would've been the elephant in the room. | 0:03:14 | 0:03:17 | |
-What would? -Nina's private parts. | 0:03:17 | 0:03:20 | |
An elephant? | 0:03:20 | 0:03:21 | |
-He doesn't mean they're enormous. -Or grey and wrinkled. | 0:03:21 | 0:03:25 | |
And the trunk is an unhelpful image. | 0:03:25 | 0:03:27 | |
Unless she's a hermaphrodite. | 0:03:27 | 0:03:29 | |
Can we change the subject, please? | 0:03:29 | 0:03:31 | |
Thank you, Nina. | 0:03:31 | 0:03:32 | |
Time for Jim Rockford. | 0:03:32 | 0:03:34 | |
Plate. | 0:03:34 | 0:03:35 | |
You haven't eaten much. | 0:03:37 | 0:03:39 | |
Nobody's eaten much. | 0:03:39 | 0:03:41 | |
It's very filling. | 0:03:43 | 0:03:45 | |
It's the turkey mince again, isn't it? | 0:03:46 | 0:03:48 | |
Bloody turkey mince. | 0:03:51 | 0:03:53 | |
-Can we get a new bin? -Why do we need a new bin? | 0:03:55 | 0:03:57 | |
-This one's old-fashioned now. -You'll have to change it, George, | 0:03:57 | 0:04:01 | |
otherwise Nina's with-it friends will be sniggering behind your back. | 0:04:01 | 0:04:05 | |
Pippa up the road has one of those bins where | 0:04:05 | 0:04:08 | |
you open the cupboard door and the bin comes out | 0:04:08 | 0:04:11 | |
-and then the lid lifts automatically. -Wow. | 0:04:11 | 0:04:14 | |
-I promise you, it's really good. -Can we go round and see it? | 0:04:14 | 0:04:17 | |
-It's not that good. -Really good but not that good? | 0:04:17 | 0:04:20 | |
Really good for a bin, but not really good for an evening out. | 0:04:20 | 0:04:23 | |
We could visit after our homework. | 0:04:23 | 0:04:25 | |
-I'm having the first go. -It was my idea. | 0:04:25 | 0:04:28 | |
-I don't like hidden bins. -Neither do I. | 0:04:28 | 0:04:31 | |
I like everything out in the open. | 0:04:31 | 0:04:33 | |
How Brechtian. | 0:04:33 | 0:04:35 | |
I found your keys. | 0:04:39 | 0:04:41 | |
Mm. I didn't know I'd lost them. | 0:04:41 | 0:04:44 | |
No, I lost them. I found them again. | 0:04:44 | 0:04:46 | |
Oh. What would we do without you? | 0:04:46 | 0:04:49 | |
So, er, what are we looking for? | 0:04:58 | 0:05:00 | |
Not West Ham. | 0:05:00 | 0:05:02 | |
Not Arsenal, not Tottenham. | 0:05:02 | 0:05:04 | |
Don't mind Chelsea, because they're rubbish. | 0:05:04 | 0:05:07 | |
If they come from outside London, not Liverpool, | 0:05:07 | 0:05:10 | |
not Manchester United, definitely not Leeds... | 0:05:10 | 0:05:12 | |
No, we talked about this, | 0:05:12 | 0:05:14 | |
we don't care what football team they support. | 0:05:14 | 0:05:16 | |
You don't, you're buggering off. | 0:05:16 | 0:05:18 | |
We're looking for someone that I can talk to, | 0:05:18 | 0:05:20 | |
which means I need to know what team they support. | 0:05:20 | 0:05:24 | |
You know, Max and Joe originally turned me down | 0:05:26 | 0:05:28 | |
because I supported Leicester. | 0:05:28 | 0:05:30 | |
Do you? | 0:05:30 | 0:05:31 | |
No, but I thought I had to say something. | 0:05:31 | 0:05:34 | |
Leicester are terrible. Always have been. | 0:05:34 | 0:05:36 | |
That wasn't the point I was making. | 0:05:36 | 0:05:38 | |
-You must be Ray. -Why must I? | 0:05:38 | 0:05:41 | |
Because you're in a wheelchair. | 0:05:41 | 0:05:42 | |
Don't make trouble unnecessarily. Tom. | 0:05:42 | 0:05:44 | |
Hello, I'm Nunney. I'm the outgoing carer and this is our friend, Nina. | 0:05:44 | 0:05:47 | |
HIS friend, Nina. | 0:05:47 | 0:05:48 | |
So, Tom, what experience do you have in this line? | 0:05:50 | 0:05:53 | |
I worked with disabled adults and kids throughout sixth form | 0:05:53 | 0:05:56 | |
and then again during university holidays. | 0:05:56 | 0:05:58 | |
-What did you do at university? -Sociology. | 0:05:58 | 0:06:00 | |
-Rubbish subject. Next candidate, please. -What does that matter? | 0:06:00 | 0:06:03 | |
It's hard enough listening to you two drone on about literature. | 0:06:03 | 0:06:06 | |
What am I going to say to him? | 0:06:06 | 0:06:09 | |
What team do you support? | 0:06:09 | 0:06:10 | |
-Football? -Oh... | 0:06:10 | 0:06:12 | |
I'm not so keen on the round ball game. | 0:06:13 | 0:06:15 | |
THEY LAUGH AWKWARDLY | 0:06:15 | 0:06:16 | |
We're going to start at the bottom and work our way up. | 0:06:22 | 0:06:25 | |
So, tense and relax your toes. | 0:06:25 | 0:06:28 | |
Good. | 0:06:30 | 0:06:31 | |
Tense and relax your feet. | 0:06:31 | 0:06:34 | |
That's it. | 0:06:34 | 0:06:35 | |
And now your calves, and relax. | 0:06:35 | 0:06:38 | |
And your thighs, and relax. | 0:06:38 | 0:06:42 | |
Now your bottom. | 0:06:44 | 0:06:46 | |
And relax. | 0:06:46 | 0:06:48 | |
Now your genitals. | 0:06:48 | 0:06:51 | |
No luck today, Nina? | 0:06:56 | 0:06:58 | |
Never mind. | 0:06:58 | 0:06:59 | |
Now, relax your hips. | 0:07:02 | 0:07:04 | |
-AMANDA LAUGHS -And tense and relax your stomach. | 0:07:04 | 0:07:08 | |
Nina! | 0:07:08 | 0:07:10 | |
No, I can't come again. | 0:07:10 | 0:07:13 | |
Please, don't. | 0:07:13 | 0:07:14 | |
Why don't you just ask her not to do that bit? | 0:07:14 | 0:07:16 | |
-I'm not going to tell her what she can and can't do in her own lesson, am I? -This is ridiculous. | 0:07:16 | 0:07:20 | |
No, don't! | 0:07:20 | 0:07:21 | |
What did she say? | 0:07:59 | 0:08:01 | |
She says she quite understands after last time. | 0:08:01 | 0:08:03 | |
Nothing happened last time. Did you tell her that? | 0:08:03 | 0:08:05 | |
No, I didn't want her to know that every time someone says the word "genitals", | 0:08:05 | 0:08:09 | |
you start giggling. | 0:08:09 | 0:08:10 | |
Anyway, she was very sympathetic | 0:08:14 | 0:08:15 | |
and she says she'll avoid that particular part next time. | 0:08:15 | 0:08:18 | |
-Everyone will know why. -I'm going to miss it, | 0:08:18 | 0:08:20 | |
I don't often give those parts the quiet contemplation they deserve. | 0:08:20 | 0:08:23 | |
Nobody's stopping you, but would you mind doing it in private? | 0:08:23 | 0:08:26 | |
You don't even want anyone thinking about them near you, | 0:08:26 | 0:08:29 | |
that's got to be the definition of prudishness. | 0:08:29 | 0:08:32 | |
What if she was quietly contemplating? | 0:08:38 | 0:08:40 | |
Please, will you stop it? | 0:08:40 | 0:08:42 | |
AMANDA LAUGHS | 0:08:42 | 0:08:43 | |
-Are you just going to stay in there all day? -Yes, see you later. | 0:08:45 | 0:08:49 | |
-Bye. -Bye! | 0:08:51 | 0:08:53 | |
Oh, I see. That's rather good. | 0:09:07 | 0:09:10 | |
Where did you get it from? | 0:09:10 | 0:09:11 | |
Nunney gave it to me. He doesn't need it any more. | 0:09:11 | 0:09:14 | |
Nunney's getting rid of stuff before he goes away. | 0:09:14 | 0:09:16 | |
Well, it's another ballpoint gone. Must be a weight off his mind. | 0:09:16 | 0:09:20 | |
I'm glad he's getting rid of it. | 0:09:20 | 0:09:21 | |
I didn't want to see it every time I went round. | 0:09:21 | 0:09:24 | |
He showed it to you every time you went round? | 0:09:24 | 0:09:26 | |
Is that Nunney's idea of seduction? | 0:09:26 | 0:09:27 | |
Why does everything have to be about sex nowadays? | 0:09:27 | 0:09:30 | |
What else is about sex, apart from this pen? | 0:09:30 | 0:09:33 | |
-Well, the yoga, for a start. -Is it really about sex? | 0:09:33 | 0:09:36 | |
Or does she just refer to your sexual parts? | 0:09:36 | 0:09:38 | |
Well, it's the same thing. | 0:09:38 | 0:09:40 | |
Sex and sexual parts are the same thing to you? | 0:09:40 | 0:09:43 | |
Yes. Like legs and walking. | 0:09:43 | 0:09:45 | |
You might not be doing it all the time, but it's why they're there. | 0:09:45 | 0:09:48 | |
-That and football. -Well, football's just a variety of walking. | 0:09:48 | 0:09:52 | |
I wonder what the sexual equivalent of football would be. | 0:09:52 | 0:09:54 | |
Yes, perhaps you can wonder at home later. | 0:09:54 | 0:09:57 | |
What you're saying is that | 0:09:57 | 0:09:58 | |
because they're sexual parts, you should never, ever mention them. | 0:09:58 | 0:10:02 | |
Well, if there's no need. | 0:10:02 | 0:10:04 | |
When is there a need? | 0:10:04 | 0:10:05 | |
I don't know, er... | 0:10:05 | 0:10:07 | |
at the doctor's, say? | 0:10:07 | 0:10:09 | |
Nina's right. There's less shame now. | 0:10:09 | 0:10:12 | |
It is Thatcher's fault. | 0:10:12 | 0:10:14 | |
People just don't care. | 0:10:14 | 0:10:16 | |
DOORBELL RINGS | 0:10:16 | 0:10:17 | |
I'll go. | 0:10:17 | 0:10:18 | |
Well, there is definitely more shame in Leicester. | 0:10:18 | 0:10:21 | |
-There's a lot more to be ashamed of up there. -Because of relegation. | 0:10:21 | 0:10:24 | |
No, not because of relegation. | 0:10:24 | 0:10:26 | |
-Why does everything have to be about football? -Or sex? | 0:10:26 | 0:10:29 | |
Oh, hello, Amanda. | 0:10:29 | 0:10:31 | |
Nice to see you. Are you two going out for a drink? | 0:10:31 | 0:10:34 | |
I've come to see Malcolm. | 0:10:34 | 0:10:36 | |
I want him to look at my thing. | 0:10:36 | 0:10:38 | |
SUPPRESSED LAUGHTER | 0:10:38 | 0:10:39 | |
She's not talking about, um, her sexual part. | 0:10:39 | 0:10:41 | |
Oh, that's where you're wrong. | 0:10:41 | 0:10:43 | |
My drama school audition is a sexual part. | 0:10:45 | 0:10:47 | |
-Blanche DuBois in A Streetcar Named Desire. -Oh, very good. | 0:10:49 | 0:10:53 | |
-And I want you to give me advice on my audition. -Oh... | 0:10:53 | 0:10:57 | |
How are you, Amanda? | 0:10:58 | 0:10:59 | |
I'm fine. A bit stiff after our yoga. | 0:10:59 | 0:11:02 | |
-Did Nina tell you what happened? -We don't need to go into all that. | 0:11:02 | 0:11:06 | |
All what? | 0:11:07 | 0:11:09 | |
Nothing. | 0:11:09 | 0:11:10 | |
(The elephant.) | 0:11:12 | 0:11:15 | |
What's the elephant? | 0:11:15 | 0:11:16 | |
It's what we call Nina's private parts. | 0:11:16 | 0:11:19 | |
It is NOT what we call my private parts. | 0:11:19 | 0:11:21 | |
She's thinking about emigrating now. | 0:11:21 | 0:11:23 | |
Oh, I didn't realise that being asked | 0:11:23 | 0:11:25 | |
to contemplate your sexual organs was an immigration issue. | 0:11:25 | 0:11:28 | |
I don't think she's told you the whole story. | 0:11:28 | 0:11:30 | |
Because it's not worth talking about. | 0:11:30 | 0:11:32 | |
The yoga teacher thought Nina had... | 0:11:32 | 0:11:34 | |
You know... | 0:11:38 | 0:11:39 | |
..with all the tensing and relaxing? | 0:11:41 | 0:11:44 | |
-MAX: -She pooed? -Of course I didn't poo! I just... | 0:11:46 | 0:11:49 | |
-I made a noise because I was trying not to laugh. -What sort of noise? | 0:11:49 | 0:11:54 | |
It was just a... | 0:11:54 | 0:11:56 | |
SHE GRUNTS AND SQUEALS | 0:11:56 | 0:11:57 | |
It was a bit more than that, it was more like... | 0:11:59 | 0:12:01 | |
HIGH-PITCHED SQUEALING | 0:12:01 | 0:12:03 | |
It was nothing like that. | 0:12:03 | 0:12:05 | |
Oh, dear, I actually think that emigration would be | 0:12:05 | 0:12:08 | |
the appropriate response. | 0:12:08 | 0:12:09 | |
-I still don't get it. -It's porno stuff. | 0:12:10 | 0:12:13 | |
No, it is NOT porno stuff. | 0:12:13 | 0:12:15 | |
There is nothing pornographic about a woman's orgasm. | 0:12:15 | 0:12:18 | |
-Oh! Eww! -Trevor Brooking! | 0:12:18 | 0:12:20 | |
-La-la-la-la... I'm not listening! -Trevor Brooking... Trevor Brooking! | 0:12:20 | 0:12:24 | |
-La-la-la! -Trevor Brooking! -Eww! | 0:12:24 | 0:12:26 | |
I don't know why you think I'd be any good. | 0:12:32 | 0:12:34 | |
You've written plays | 0:12:34 | 0:12:35 | |
and you're the only living playwright I have access to. | 0:12:35 | 0:12:38 | |
I wish you'd called on one of the dead ones. | 0:12:38 | 0:12:40 | |
-But... Go on, then. -Uh, I'm going to be performing a monologue... | 0:12:43 | 0:12:47 | |
..by Blanche DuBois... | 0:12:48 | 0:12:50 | |
-SOUTHERN AMERICAN ACCENT: -..from A Streetcar Named Desire. | 0:12:53 | 0:12:57 | |
-Yeah, I'd-I'd save the accent for the piece, if I were you. -OK. | 0:12:57 | 0:13:00 | |
SHE CLEARS HER THROAT | 0:13:02 | 0:13:03 | |
-WITH ACCENT: -When people are soft... | 0:13:05 | 0:13:08 | |
..soft people have got to court the favour of...hard ones, Stella. | 0:13:09 | 0:13:16 | |
Just... Just... Just lose the accent altogether, in fact. | 0:13:16 | 0:13:20 | |
Um... I've-I've got to be seductive... | 0:13:20 | 0:13:23 | |
-NORMAL VOICE: -Put on soft colours, | 0:13:24 | 0:13:26 | |
the colours of butterfly wings and glow... | 0:13:26 | 0:13:31 | |
Yeah, m-maybe just... try the accent again. | 0:13:31 | 0:13:34 | |
OK. Um... | 0:13:35 | 0:13:37 | |
-WITH ACCENT: -M-Make... Make a little temporary magic. | 0:13:37 | 0:13:42 | |
Just in order to pay... | 0:13:43 | 0:13:44 | |
..for one night's shelter... | 0:13:45 | 0:13:47 | |
-Excuse me... -..that... | 0:13:47 | 0:13:49 | |
They symbolise her mental disintegration. | 0:13:49 | 0:13:51 | |
Well, would you mind symbolising by, um, | 0:13:51 | 0:13:53 | |
I don't know, waving them around gently? | 0:13:53 | 0:13:56 | |
-WITH ACCENT: -That's why... | 0:13:58 | 0:13:59 | |
-NORMAL VOICE: -No, I'll just look mad. | 0:13:59 | 0:14:01 | |
I'm not sure you've-you've quite got the hang of this acting lark. | 0:14:01 | 0:14:04 | |
Can I go on? | 0:14:04 | 0:14:05 | |
SHE CLEARS HER THROAT | 0:14:07 | 0:14:09 | |
-WITH ACCENT: -I've run for protection, Stella, | 0:14:09 | 0:14:12 | |
from under one leaky roof to another leaky roof | 0:14:12 | 0:14:16 | |
because it was storm...all storm, | 0:14:16 | 0:14:21 | |
and I was caught in the centre. | 0:14:21 | 0:14:24 | |
People don't see you... | 0:14:24 | 0:14:26 | |
Men don't... | 0:14:26 | 0:14:27 | |
..don't even admit your existence unless... | 0:14:28 | 0:14:31 | |
..they are making love to you. | 0:14:34 | 0:14:38 | |
"Dear Vic, nobody has any shame except me. | 0:14:39 | 0:14:43 | |
"Everyone does what they feel like doing, whenever they want. | 0:14:43 | 0:14:46 | |
"Amanda - nanny friend from up the road - | 0:14:46 | 0:14:48 | |
"asked Malcolm to listen to her audition piece for drama school | 0:14:48 | 0:14:52 | |
"and then behaved like a lunatic!" | 0:14:52 | 0:14:54 | |
A bit much at the end there? | 0:14:54 | 0:14:55 | |
"The yoga teacher keeps shouting things out about our genitals | 0:15:03 | 0:15:06 | |
"for no reason... | 0:15:06 | 0:15:07 | |
"And then there's Nunney, going where he wants, when he wants. | 0:15:08 | 0:15:12 | |
"That probably isn't shameless, as such, | 0:15:13 | 0:15:15 | |
"but it feels selfish and unfeeling. | 0:15:15 | 0:15:17 | |
"I thought he might change his mind because of our situation, but no. | 0:15:19 | 0:15:23 | |
"Anyway, talking of shamelessness... | 0:15:24 | 0:15:26 | |
"did Margaret in your office | 0:15:26 | 0:15:28 | |
"ever come clean about the chocolate digestives?" | 0:15:28 | 0:15:31 | |
NUNNEY CHATS QUIETLY | 0:15:31 | 0:15:33 | |
-So, Robert... -It's Robber. | 0:15:38 | 0:15:41 | |
Robber? | 0:15:42 | 0:15:43 | |
-Like a...thief... I thought you said Robert on the phone. -No, Robber. | 0:15:44 | 0:15:49 | |
-Why are you called that? -You know what they say... | 0:15:49 | 0:15:52 | |
Not all of it! SHE CHUCKLES | 0:15:52 | 0:15:54 | |
He who asks no questions gets told no lies. | 0:15:54 | 0:15:56 | |
Hm. | 0:15:56 | 0:15:57 | |
Ah... I... I suppose it would be remiss of us | 0:15:57 | 0:16:00 | |
if we didn't ask whether you're called Robber because of robbing? | 0:16:00 | 0:16:04 | |
Well, that's a question. | 0:16:04 | 0:16:05 | |
-Yep. -So now what do you want me to do? | 0:16:06 | 0:16:09 | |
OK, this whole asking no questions thing, | 0:16:10 | 0:16:12 | |
does it apply to job interviews as well? | 0:16:12 | 0:16:14 | |
That's the beauty of it, it's across the board. It's a proper rule. | 0:16:14 | 0:16:17 | |
It's not like I before E, except after C, or any...all of that. | 0:16:17 | 0:16:21 | |
-Yeah? There's no except. -What team do you support? | 0:16:21 | 0:16:25 | |
-Oh, don't ask, Ray, he won't tell you the truth. -Of course I will. | 0:16:25 | 0:16:27 | |
Oh, well, there's an exception straightaway. | 0:16:27 | 0:16:29 | |
-Have a guess. -Not Arsenal? | 0:16:29 | 0:16:31 | |
-God, no. -Not Spurs? -Keep going. | 0:16:31 | 0:16:33 | |
No, can we not go through | 0:16:33 | 0:16:34 | |
every football team in the world again, please? | 0:16:34 | 0:16:37 | |
It would be really helpful, um, Robber, | 0:16:37 | 0:16:39 | |
if you just told him and we-we just moved on. | 0:16:39 | 0:16:43 | |
Oh, hello. | 0:16:44 | 0:16:46 | |
Hello. | 0:16:46 | 0:16:47 | |
-D'you come with the job? -ROBBER WHEEZES | 0:16:48 | 0:16:50 | |
I suppose she does. She is Nunney's girlfriend at the moment, | 0:16:50 | 0:16:54 | |
but he's buggering off, so... | 0:16:54 | 0:16:56 | |
There's so much in that I take exception to. | 0:16:56 | 0:16:59 | |
Like what? | 0:16:59 | 0:17:01 | |
You don't come with the job, for a start. | 0:17:01 | 0:17:03 | |
That's not so many things, though, is it? | 0:17:03 | 0:17:05 | |
That's one thing and, um, yes, you are buggering off, | 0:17:05 | 0:17:08 | |
which only leaves the thorny topic of our status. | 0:17:08 | 0:17:11 | |
Would you two mind if I carried on with the interview? | 0:17:11 | 0:17:13 | |
-Come on, Robber, who do you support? -The pride of New Cross - Millwall! | 0:17:13 | 0:17:17 | |
Yes! You've got the job. | 0:17:17 | 0:17:20 | |
-No, we've got more people to meet. -No, we don't. | 0:17:20 | 0:17:22 | |
-Pleasure doing business with you. -You too. | 0:17:22 | 0:17:24 | |
And we'll work out your hours when I start. | 0:17:24 | 0:17:26 | |
HE LAUGHS | 0:17:29 | 0:17:30 | |
-DOOR CLOSES -And you're absolutely sure he's not Robert? | 0:17:31 | 0:17:35 | |
He corrected us. | 0:17:35 | 0:17:36 | |
It would be funny if he were ACTUALLY a robber. | 0:17:36 | 0:17:38 | |
Maybe that's the point of Nina's story. | 0:17:38 | 0:17:40 | |
-He's ACTUALLY a robber called Robber? -Well, not officially. | 0:17:40 | 0:17:44 | |
It's just that we're not sure which parts are unofficial. | 0:17:44 | 0:17:47 | |
-Well, I don't want him coming to our house. -Well, why should he? | 0:17:47 | 0:17:51 | |
-Nunney comes round here all the time. -Not you as well? Right. | 0:17:51 | 0:17:55 | |
Will everybody please get into their heads | 0:17:56 | 0:17:59 | |
that Nunney's replacement does not automatically get | 0:17:59 | 0:18:02 | |
Nunney's girlfriend. | 0:18:02 | 0:18:03 | |
Ah, not automatically? | 0:18:03 | 0:18:05 | |
-MAX: -What's he going to steal from YOU, anyway? | 0:18:05 | 0:18:07 | |
-JOE: -Nothing, I'm going to hide it all. | 0:18:07 | 0:18:10 | |
-Everybody leaves. -What does that mean? | 0:18:11 | 0:18:14 | |
Nunney - 9460981... | 0:18:14 | 0:18:18 | |
Nunney is coming back and then you'll be at university, | 0:18:18 | 0:18:21 | |
about four stops away on the Northern Line. | 0:18:21 | 0:18:23 | |
And 946 lives in Ladbroke Grove, | 0:18:23 | 0:18:25 | |
and will you please stop calling your father by his phone number? | 0:18:25 | 0:18:28 | |
You see him every weekend. | 0:18:28 | 0:18:30 | |
At least Malcolm isn't going anywhere. | 0:18:30 | 0:18:33 | |
He'll still be complaining about Nina's cooking when you're 90. | 0:18:33 | 0:18:36 | |
Except he won't, will he? Because he'll be dead. | 0:18:36 | 0:18:38 | |
-Oh, break it to me gently(!) -Sorry, Malcolm, but it's true. | 0:18:38 | 0:18:43 | |
Why can't everything stay exactly the same? | 0:18:43 | 0:18:46 | |
I agree. There's no need for change. | 0:18:46 | 0:18:49 | |
-Why do we need any more than we already have? WE are happy. -Exactly. | 0:18:49 | 0:18:54 | |
Why does Nunney have to go trudging round Vietnam getting smelly? | 0:18:54 | 0:18:58 | |
And why does Amanda have to go to drama school? | 0:18:58 | 0:19:01 | |
We have a perfectly good life, why can't we just enjoy it? | 0:19:01 | 0:19:05 | |
I'm going to hide my things from Robber. | 0:19:07 | 0:19:09 | |
NINA SIGHS Bloody Robber! | 0:19:11 | 0:19:13 | |
I don't think Robber's to blame | 0:19:13 | 0:19:15 | |
for the pitiless impermanence of the universe. | 0:19:15 | 0:19:18 | |
Well, he doesn't help. | 0:19:19 | 0:19:20 | |
NUNNEY TUNES GUITAR | 0:19:26 | 0:19:29 | |
Blanche DuBois thinks men only notice her during sex. | 0:19:32 | 0:19:35 | |
Blanche DuBois, the made-up person from the Marlon Brando film? | 0:19:37 | 0:19:40 | |
-It was a play first. -Wasn't she a bit of a scrubber? | 0:19:40 | 0:19:42 | |
Yeah, but...only because she wanted her existence admitted. | 0:19:42 | 0:19:46 | |
I admitted it in the Blanche DuBois sense, very recently. | 0:19:46 | 0:19:49 | |
Yeah, well... Now you're tuning your guitar and... | 0:19:50 | 0:19:52 | |
And...then you're going backpacking and then you're going to university. | 0:19:52 | 0:19:57 | |
Is this hard work, this chat? | 0:20:00 | 0:20:01 | |
If it was hard work, | 0:20:01 | 0:20:02 | |
I wouldn't be able to tune my guitar at the same time, would I? | 0:20:02 | 0:20:05 | |
I will admit your existence in Vietnam and at university. | 0:20:08 | 0:20:12 | |
In spite of all the university girls? | 0:20:12 | 0:20:15 | |
-What have university girls got that you haven't? -A levels and degrees. | 0:20:15 | 0:20:19 | |
Is that what this is about? Your education? | 0:20:19 | 0:20:22 | |
Well, so be a university girl! | 0:20:23 | 0:20:25 | |
-Is that supposed to make me feel better? -What? | 0:20:25 | 0:20:27 | |
You saying I'm uneducated. | 0:20:27 | 0:20:29 | |
-What would have been the right thing to say? -That I'm NOT uneducated. | 0:20:29 | 0:20:32 | |
-You are NOT uneducated. -But I AM, though! -Oh! | 0:20:32 | 0:20:35 | |
OK, you're very clever, but you have no plans to get a degree. | 0:20:36 | 0:20:40 | |
-That better? -Not much. | 0:20:40 | 0:20:43 | |
D'you really think I could go to university? | 0:20:44 | 0:20:46 | |
Of course. Maybe not Cambridge with one A level, but somewhere. | 0:20:47 | 0:20:53 | |
That wrong too? | 0:20:55 | 0:20:56 | |
-I can't go. -Why? | 0:20:57 | 0:20:59 | |
Because then that'll show that nothing stays the same. | 0:20:59 | 0:21:02 | |
-Nothing does stay the same. -Yes, but I don't want Joe to know that. | 0:21:03 | 0:21:07 | |
Oh, right, well, you'll have to do | 0:21:07 | 0:21:09 | |
the same thing forever then, won't you? | 0:21:09 | 0:21:11 | |
HE STRUMS CHORDS ON GUITAR | 0:21:21 | 0:21:23 | |
-It's a heart. -That is not a heart. | 0:21:32 | 0:21:34 | |
It's upside down, look. | 0:21:34 | 0:21:36 | |
No... Those are his balls. | 0:21:36 | 0:21:38 | |
-Oh, yes, I see now. -Whose balls? -Well, whoever drew it. | 0:21:38 | 0:21:43 | |
-You think he's drawn his own penis? -Sexist! Might not even be a he. | 0:21:43 | 0:21:47 | |
-Oh, it's a he, all right. -How can you be so sure? | 0:21:47 | 0:21:49 | |
Well... Women don't go around drawing penises on front doorsteps. | 0:21:49 | 0:21:52 | |
-What do women draw, elephants? -Women don't draw anything. | 0:21:52 | 0:21:56 | |
-Really? -I mean, sexual organs, graffiti. | 0:21:56 | 0:21:59 | |
We don't know that's true. | 0:21:59 | 0:22:01 | |
What, you really think there's a woman somewhere that would draw dicks on steps? | 0:22:01 | 0:22:04 | |
-What about boobs? -Why would you want to draw boobs on steps, | 0:22:04 | 0:22:06 | |
if you were a woman? | 0:22:06 | 0:22:08 | |
Well, you could say the same about men and...penises. | 0:22:08 | 0:22:10 | |
Oh, this sounds interesting(!) | 0:22:10 | 0:22:12 | |
Mm. George was trying to persuade us that THIS was a heart. | 0:22:12 | 0:22:16 | |
Well, you have to say, she thinks the best of people. | 0:22:17 | 0:22:20 | |
Also, she's been telling us | 0:22:20 | 0:22:21 | |
that no woman has ever drawn sexual organs on a wall. | 0:22:21 | 0:22:24 | |
-I didn't say no woman ever. -You actually did say that, Mum. | 0:22:24 | 0:22:27 | |
I simply meant a statistically insignificant number. | 0:22:27 | 0:22:30 | |
-Did this happen under Labour? -It wasn't even there yesterday. | 0:22:30 | 0:22:34 | |
But did people draw penises on walls under Labour? | 0:22:34 | 0:22:36 | |
-MALCOLM: -Not that I can remember. -What's going on? | 0:22:36 | 0:22:39 | |
There's a penis on our step! | 0:22:39 | 0:22:41 | |
There isn't much to do around here. | 0:22:41 | 0:22:43 | |
-RAY: -Oh, he's done one on yours as well? | 0:22:43 | 0:22:45 | |
-Who? -Robber, we've had to let him go. | 0:22:45 | 0:22:48 | |
He's been doing it up and down the street in protest. | 0:22:48 | 0:22:50 | |
-How did you know it was him? -He watched him do it. | 0:22:50 | 0:22:52 | |
-And why did you let him go? -He's mad. | 0:22:52 | 0:22:55 | |
He was mad when you gave him the job, Ray. | 0:22:55 | 0:22:57 | |
I was going to show him the ropes and he turned up stoned and abusive. | 0:22:57 | 0:23:00 | |
-So now what? -Nunney's staying. | 0:23:00 | 0:23:03 | |
-JOE AND MAX CHEER -Everything's going to be the same! | 0:23:03 | 0:23:06 | |
"Dear Vic, good news about the driving lessons. | 0:23:12 | 0:23:15 | |
"I wondered whether you'd ever get round to it. | 0:23:15 | 0:23:17 | |
"But even people you know and love, or at least like, | 0:23:17 | 0:23:19 | |
"or are maybe just confused about, | 0:23:19 | 0:23:21 | |
"can end up surprising you, can't they?" | 0:23:21 | 0:23:23 | |
Why, hello, Joe! | 0:23:23 | 0:23:24 | |
"I'm not talking about you, of course, | 0:23:24 | 0:23:25 | |
"apart from the bit about the driving lessons." | 0:23:25 | 0:23:27 | |
-You all done? -Yep. | 0:23:27 | 0:23:30 | |
Come on, Max. | 0:23:30 | 0:23:31 | |
-Do I have to? -Yep. | 0:23:33 | 0:23:35 | |
"As you may have guessed by now, it's Nunney who has surprised me. | 0:23:36 | 0:23:40 | |
"He isn't going backpacking because he's decided to stay | 0:23:40 | 0:23:43 | |
"and look after Ray until they find a suitable replacement. | 0:23:43 | 0:23:46 | |
"Also, I have surprised myself. | 0:23:48 | 0:23:51 | |
"I'm thinking about going to university if I pass my A level... | 0:23:51 | 0:23:54 | |
"I haven't told Joe yet because we agreed that people like Nunney, | 0:23:56 | 0:24:00 | |
"who do what they want whenever they feel like it, are...shameless | 0:24:00 | 0:24:03 | |
"and only think of themselves. | 0:24:03 | 0:24:05 | |
"It's funny how things turn out. | 0:24:06 | 0:24:07 | |
"Love, Nina." | 0:24:08 | 0:24:10 | |
"PS, on Tuesday, I took Joe for his weekly swim." | 0:24:39 | 0:24:43 | |
-How was it? -Fine, but my trust is lost. | 0:24:44 | 0:24:48 | |
Why? | 0:24:48 | 0:24:50 | |
Why don't you just jump in? | 0:24:50 | 0:24:52 | |
I don't like jumping in. | 0:24:52 | 0:24:54 | |
I like to take my time. | 0:24:54 | 0:24:56 | |
Well, you could just jump in like the other kids. | 0:24:57 | 0:25:00 | |
No, I'm... I'm going to use the ladder. | 0:25:00 | 0:25:02 | |
HE SCREAMS | 0:25:02 | 0:25:03 | |
HE YELLS | 0:25:05 | 0:25:08 | |
-Joe? -I'm going to get you, Stibbe! | 0:25:08 | 0:25:11 |