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This programme contains some strong language. | 0:00:02 | 0:00:04 | |
CRUNCH, GLASS SMASHES | 0:00:24 | 0:00:26 | |
Shit. | 0:00:38 | 0:00:40 | |
Shit. | 0:00:50 | 0:00:51 | |
ENGINE SPLUTTERS | 0:01:00 | 0:01:02 | |
"Dear Vic, I didn't know Toffos came in boxes. | 0:01:10 | 0:01:14 | |
"Unless you mean a retailer's box containing many tubes. | 0:01:14 | 0:01:18 | |
"If that's what you mean, then, yes, I agree, | 0:01:18 | 0:01:21 | |
"she needs help of some kind. | 0:01:21 | 0:01:22 | |
"It has been a dramatic and difficult week here | 0:01:24 | 0:01:27 | |
"and I may have to come home." | 0:01:27 | 0:01:29 | |
Are the boys ready? | 0:01:36 | 0:01:37 | |
Um, they're just finishing their betting coupon. | 0:01:37 | 0:01:40 | |
-Ooh, shoes. Thank you. -That's all right. | 0:01:40 | 0:01:42 | |
I do listen, sometimes. | 0:01:42 | 0:01:44 | |
I just think it's dangerous to drive in bare feet. | 0:01:44 | 0:01:47 | |
Here's the thing, though - | 0:01:47 | 0:01:49 | |
why on earth would the sole of a shoe make any difference? | 0:01:49 | 0:01:52 | |
Without shoes on, you can feel everything much better. | 0:01:52 | 0:01:54 | |
You don't have full control of the pedals. | 0:01:54 | 0:01:56 | |
I don't agree, I think I'm more likely to overdo it with shoes on. | 0:01:56 | 0:02:00 | |
Go faster than I intended to. | 0:02:00 | 0:02:02 | |
Right. Well, maybe you should drive in bare feet. | 0:02:03 | 0:02:06 | |
I want to do what you're comfortable with. | 0:02:06 | 0:02:08 | |
No, no, no, you've convinced me. Take them off. | 0:02:08 | 0:02:11 | |
Did you go out for petrol, by the way? | 0:02:12 | 0:02:15 | |
Um, no. | 0:02:15 | 0:02:16 | |
I was too busy looking for shoes. | 0:02:16 | 0:02:18 | |
I'll do it on the way. | 0:02:20 | 0:02:22 | |
Come on, boys! | 0:02:22 | 0:02:24 | |
-God, look at that. -What? -The car. Someone's pranged it. | 0:02:29 | 0:02:32 | |
Trevor Brooking! | 0:02:32 | 0:02:34 | |
-It must have been Malcolm. -Why? | 0:02:42 | 0:02:44 | |
That's his car behind it, he's driven into the back of ours | 0:02:44 | 0:02:47 | |
-and not said anything. -Bastard! -I'm sure it wasn't him. -I'm sure it was. | 0:02:47 | 0:02:51 | |
-That's exactly the sort of thing he'd do. -Malcolm? | 0:02:51 | 0:02:54 | |
-Yes! -Well, it would've been an accident, so... | 0:02:54 | 0:02:57 | |
-let's not say anything to him. -Are you mad? | 0:02:57 | 0:02:59 | |
-We can take him to court. -You don't take your friends to court. Come on. | 0:02:59 | 0:03:02 | |
-You have to if they're criminals. -Sue him! Sue him! | 0:03:02 | 0:03:06 | |
-Sue him! -Where are you going? | 0:03:06 | 0:03:07 | |
To tell George. She'll want to call our solicitor. | 0:03:07 | 0:03:10 | |
Of course she won't, she'll just sort it out with Malcolm. | 0:03:10 | 0:03:13 | |
He'll deny it. | 0:03:13 | 0:03:14 | |
When did Malcolm become this awful person who tries to deny prangs? | 0:03:14 | 0:03:18 | |
-He's already denied it. -When? | 0:03:18 | 0:03:20 | |
He did a prang and he just cleared off without saying anything. | 0:03:20 | 0:03:24 | |
-Well, someone cleared off, we don't know it was him. -It was him. Mum! | 0:03:24 | 0:03:29 | |
Wait for me! | 0:03:29 | 0:03:30 | |
THUNDER RUMBLES | 0:03:30 | 0:03:32 | |
KNOCKING ON THE DOOR | 0:03:34 | 0:03:36 | |
Ah, hello, everyone. | 0:03:39 | 0:03:41 | |
Nina. Gosh, that was a right old biff this morning. | 0:03:41 | 0:03:45 | |
Someone punched you. | 0:03:45 | 0:03:47 | |
Not really. | 0:03:47 | 0:03:49 | |
Was it Nanny? | 0:03:49 | 0:03:50 | |
-No. -It sounded terrible. | 0:03:50 | 0:03:53 | |
-Much damage done? -Ah. | 0:03:53 | 0:03:56 | |
-What? -Nina pranged the car. | 0:03:56 | 0:03:58 | |
-That's not true, Malcolm did it. -Me? | 0:03:58 | 0:04:01 | |
She reversed right into that lamppost, | 0:04:01 | 0:04:03 | |
-I saw her through the upstairs window. -Should we go home? | 0:04:03 | 0:04:06 | |
-Unless you want to pursue this, Nina. -Well... | 0:04:06 | 0:04:10 | |
-I don't think so. -I'm lost. -Ah. | 0:04:10 | 0:04:13 | |
Well, we came here to accuse you. | 0:04:13 | 0:04:16 | |
-We were going to sue you. -Because Nina didn't own up. | 0:04:16 | 0:04:19 | |
-I would have in the end. -Sorry to disturb you, Malcolm. | 0:04:19 | 0:04:22 | |
Bare feet, you see. Always telling you. There's no control. | 0:04:22 | 0:04:25 | |
-I was wearing shoes. -Oh, give it a rest. | 0:04:25 | 0:04:28 | |
You ran in, put your shoes on after you'd pranged. | 0:04:28 | 0:04:31 | |
Then you took them off again because you argued about it. Bloody hell! | 0:04:31 | 0:04:34 | |
Well, I do still believe that bare feet are safer in theory. | 0:04:34 | 0:04:38 | |
-This isn't even the first prang. -I owned up straightaway about the other one. | 0:04:38 | 0:04:43 | |
-I didn't think you'd forgive a second. -Now, hold on. | 0:04:43 | 0:04:46 | |
You all thought that it was me who'd done it without saying anything? | 0:04:46 | 0:04:50 | |
Now, I can understand Nina's position, | 0:04:51 | 0:04:53 | |
straightforward lying for advantage. | 0:04:53 | 0:04:55 | |
But you three. | 0:04:55 | 0:04:57 | |
Oh. Very disappointed. | 0:04:57 | 0:05:00 | |
-Stupid Stibbe! -Thanks a lot. | 0:05:09 | 0:05:12 | |
RAIN PATTERS, THUNDER RUMBLES | 0:05:19 | 0:05:21 | |
I made this for you. | 0:05:25 | 0:05:27 | |
I made a whole series of bad decisions. | 0:05:28 | 0:05:31 | |
-Is this you saying sorry? -I did say sorry before. | 0:05:33 | 0:05:36 | |
-Oh, so there's a quota? -No. | 0:05:36 | 0:05:38 | |
-Sorry. -Don't overdo it. | 0:05:38 | 0:05:41 | |
I was saying sorry for not saying sorry enough. | 0:05:41 | 0:05:43 | |
-You won't be 20 and cute forever, you know. -I know. | 0:05:47 | 0:05:51 | |
Sorry. | 0:05:52 | 0:05:53 | |
I don't know what to do with you. | 0:05:55 | 0:05:57 | |
'You know how you only started to care about Keith | 0:06:12 | 0:06:15 | |
'when he went off with Kim from the Conservative club? | 0:06:15 | 0:06:18 | |
'Well, something similar has happened to me in this job. | 0:06:18 | 0:06:21 | |
'I thought it was something that would do for the time being. | 0:06:22 | 0:06:26 | |
'But now George thinks I'm a lying idiot, | 0:06:26 | 0:06:28 | |
'it's all I want out of life.' | 0:06:28 | 0:06:30 | |
DOORBELL | 0:06:49 | 0:06:50 | |
-That'll be Maria-Fernanda. -Who's Maria-Fernanda? -Susannah's cleaner. | 0:06:52 | 0:06:57 | |
She's got some spare hours. | 0:06:57 | 0:06:59 | |
You hate cleaning, and you're absolutely useless at it. | 0:06:59 | 0:07:02 | |
I'm employing her. | 0:07:02 | 0:07:03 | |
-Maria-Fernanda? -Senora George. | 0:07:07 | 0:07:09 | |
Uh... Uh, excuse me. Uh, uh... | 0:07:16 | 0:07:20 | |
-Book! -Que? -My book! | 0:07:20 | 0:07:22 | |
Uh... | 0:07:24 | 0:07:26 | |
SHE SWITCHES HOOVER OFF | 0:07:26 | 0:07:27 | |
It's a book. Like this. It was around somewhere, | 0:07:27 | 0:07:31 | |
now gone. | 0:07:31 | 0:07:33 | |
Um... Seamus Heaney, except Shay is spelt S-E-A, | 0:07:33 | 0:07:38 | |
so you might have thought it said "Seemus". | 0:07:38 | 0:07:41 | |
Not that that would have made any difference to where you put it. | 0:07:41 | 0:07:44 | |
I know who is Seamus Heaney. | 0:07:44 | 0:07:47 | |
"The slobber of frogspawn." Internal rhyme. | 0:07:47 | 0:07:51 | |
I know also what is "book". | 0:07:51 | 0:07:52 | |
Well, if you could keep an extra special eye on where you put things, | 0:07:52 | 0:07:55 | |
that would be... SHE STARTS HOOVER | 0:07:55 | 0:07:57 | |
..really... | 0:07:57 | 0:07:58 | |
It's "Shaymus". | 0:08:00 | 0:08:01 | |
-Three nights in a row. -Yeah, I know. | 0:08:09 | 0:08:12 | |
Must be very cross with us, bloody Stibbe. | 0:08:12 | 0:08:15 | |
-It's not my fault. -It's completely your fault. | 0:08:15 | 0:08:18 | |
No, he made it very clear, | 0:08:18 | 0:08:20 | |
he was disappointed in the three of you, not me. | 0:08:20 | 0:08:23 | |
Oh, so you don't think that the phrase "straightforward | 0:08:23 | 0:08:26 | |
"lying for advantage" contains even a hint of disapproval? | 0:08:26 | 0:08:29 | |
He found it understandable. | 0:08:29 | 0:08:31 | |
You three, though, you marched across the road to accuse an innocent man. | 0:08:31 | 0:08:35 | |
It was Max's fault. I just went along with it. | 0:08:35 | 0:08:38 | |
Well, how are we going to make it up to him? | 0:08:38 | 0:08:41 | |
He doesn't need to come for his tea every night, does he? I mean, | 0:08:42 | 0:08:45 | |
we've already made it up to him by cooking him 1,000 dinners. | 0:08:45 | 0:08:49 | |
Before it even happened. | 0:08:49 | 0:08:51 | |
We're his family. | 0:08:52 | 0:08:53 | |
Your behaviour has made him an orphan. | 0:08:53 | 0:08:55 | |
That's terrible! We've destroyed his life! | 0:08:55 | 0:08:58 | |
Well, Nina has, anyway. | 0:08:58 | 0:09:00 | |
And how have you fallen out with the cleaner already? | 0:09:02 | 0:09:04 | |
-Have I? -She told me you treat her like a peasant. | 0:09:06 | 0:09:08 | |
There was a misunderstanding about the amount of English she speaks. | 0:09:08 | 0:09:12 | |
She didn't want to work here, you know. | 0:09:12 | 0:09:14 | |
I really had to persuade her. So be careful. | 0:09:14 | 0:09:17 | |
She lost my Seamus Heaney, though. | 0:09:17 | 0:09:19 | |
So? Buy another one. | 0:09:19 | 0:09:21 | |
It's got all my notes in it and the exam is in three days. | 0:09:21 | 0:09:24 | |
Well, what I say to the boys in situations like these is, | 0:09:24 | 0:09:28 | |
"It's in the house somewhere". | 0:09:28 | 0:09:30 | |
Yes, I never understand what you mean. | 0:09:30 | 0:09:32 | |
So, Nina, you have three jobs. You have to find your book, | 0:09:32 | 0:09:35 | |
you have to make things right with Malcolm, | 0:09:35 | 0:09:37 | |
and if you don't make things right with Maria-Fernanda... | 0:09:37 | 0:09:40 | |
Ooo! | 0:09:42 | 0:09:43 | |
I've got to pass an A level, too. | 0:09:43 | 0:09:45 | |
That is extracurricular. | 0:09:45 | 0:09:47 | |
Paradoxically. | 0:09:47 | 0:09:49 | |
That's quite a list. It's like the Four Tasks of Psyche. | 0:09:56 | 0:10:00 | |
Is it really, or are you just showing off? | 0:10:00 | 0:10:02 | |
No, it's relevant. | 0:10:02 | 0:10:03 | |
You can always learn something from the old myths. | 0:10:03 | 0:10:06 | |
Name one thing you've learned from a myth. | 0:10:06 | 0:10:08 | |
Er...most of them say, you know, never give up. | 0:10:08 | 0:10:11 | |
You can learn that from watching It's A Knockout. | 0:10:11 | 0:10:14 | |
Anyway, Psyche. What were his tasks? | 0:10:14 | 0:10:18 | |
Psyche was a she. | 0:10:18 | 0:10:19 | |
Well, that's a good start. I always thought it was a he. | 0:10:19 | 0:10:22 | |
"The male psyche." That's what people say, isn't it? | 0:10:22 | 0:10:25 | |
Yeah, there's the female psyche, too, though. | 0:10:25 | 0:10:28 | |
Let's stick with her, then. | 0:10:28 | 0:10:29 | |
I think her first task was sorting | 0:10:29 | 0:10:31 | |
a load of seeds into different piles. | 0:10:31 | 0:10:34 | |
It was supposed to be impossible, but an ant helped her. | 0:10:34 | 0:10:37 | |
-One ant? -Yeah. If you're going to pick apart the Greek myths, | 0:10:37 | 0:10:40 | |
I wouldn't begin with ant numbers. | 0:10:40 | 0:10:42 | |
Insects aren't going to get me out of these, though, are they? | 0:10:42 | 0:10:45 | |
So, um...what else was there? | 0:10:45 | 0:10:46 | |
She had to get some golden wool off some rams | 0:10:46 | 0:10:49 | |
and some, you know, beauty cream stuff from somewhere. | 0:10:49 | 0:10:52 | |
-Presumably not Boots. -The Underworld. | 0:10:52 | 0:10:54 | |
Same thing, if she went to Boots on Saturday. | 0:10:54 | 0:10:56 | |
And she had to get some water from somewhere, I remember that. | 0:10:56 | 0:10:59 | |
-Water? -Well, it wasn't tap water, it was special water. | 0:10:59 | 0:11:02 | |
Drawn from a place that's impossible to get to. | 0:11:02 | 0:11:04 | |
What were the point of all these tasks? Where did they get her? | 0:11:04 | 0:11:08 | |
I think it was all about sex. | 0:11:08 | 0:11:09 | |
You say that about every piece of literature. | 0:11:09 | 0:11:11 | |
Because every piece of literature is about sex! | 0:11:11 | 0:11:13 | |
-Apart from Lord of the Flies. -Hm. | 0:11:13 | 0:11:16 | |
So, none of these tasks got her anywhere? | 0:11:16 | 0:11:19 | |
What do you want me to say? | 0:11:19 | 0:11:21 | |
I want you to say that after Psyche had befriended the ants | 0:11:21 | 0:11:24 | |
and bought the moisturiser, | 0:11:24 | 0:11:26 | |
her boss decided not to fire her | 0:11:26 | 0:11:28 | |
and she didn't have to go back to Leicester. | 0:11:28 | 0:11:30 | |
And she passed her A level, went to college. | 0:11:30 | 0:11:35 | |
And then...I don't know, | 0:11:35 | 0:11:37 | |
sorted out her love life, knew where she stood, sort of thing. | 0:11:37 | 0:11:42 | |
She was banished to Leicester, I'm afraid. | 0:11:42 | 0:11:45 | |
Just outside, actually. Mansfield. | 0:11:45 | 0:11:48 | |
What happened to never give up? | 0:11:48 | 0:11:51 | |
Now I come to think of it, I think that was the myth of somebody else. | 0:11:51 | 0:11:55 | |
Ow! | 0:11:55 | 0:11:56 | |
I always land on Income Tax! I'm not going to pay. | 0:12:03 | 0:12:06 | |
You can't do that! George, tell him! | 0:12:06 | 0:12:08 | |
-Cock off, Max! -You cock off! | 0:12:08 | 0:12:10 | |
WASP! | 0:12:10 | 0:12:11 | |
That was so deliberate! He did it on purpose! | 0:12:11 | 0:12:14 | |
-All right, everybody, calm down. -You know I hate wasps, Max! | 0:12:14 | 0:12:17 | |
Yeah, nobody likes them. | 0:12:17 | 0:12:19 | |
I hate them more than anybody! | 0:12:19 | 0:12:20 | |
-There! -I'll get it, I'll get it! | 0:12:20 | 0:12:22 | |
JOE AND MAX CHANT: Kill him! Kill him! Kill him! | 0:12:22 | 0:12:25 | |
-Kill the wasp! -Kill him! -Kill the wasp! -Kill him! | 0:12:25 | 0:12:28 | |
BOTH: Kill the wasp! Kill the wasp! | 0:12:28 | 0:12:30 | |
-Yes! -Good shot. | 0:12:30 | 0:12:31 | |
If you want to carry on playing, | 0:12:31 | 0:12:33 | |
you're going to have to pick this all up. | 0:12:33 | 0:12:35 | |
I don't want to carry on playing! | 0:12:35 | 0:12:37 | |
ARGUMENT FADES OUT | 0:12:37 | 0:12:39 | |
Found me book. | 0:12:42 | 0:12:44 | |
..I'm on a very shallow maternal learning curve. | 0:12:44 | 0:12:46 | |
NINA SIGHS An insect. | 0:12:46 | 0:12:49 | |
Right, Psyche, what else have you got for me? | 0:12:49 | 0:12:52 | |
What do we have that's golden? | 0:12:52 | 0:12:54 | |
-Golden syrup. -No, I mean, golden... | 0:12:54 | 0:12:57 | |
Actually, that's rather brilliant. | 0:12:58 | 0:13:00 | |
Peace offering. | 0:13:00 | 0:13:02 | |
-Thank you. -Treacle tart, your favourite. | 0:13:03 | 0:13:06 | |
Made with golden syrup, which was | 0:13:06 | 0:13:08 | |
as close as I could get to the Golden Fleece. | 0:13:08 | 0:13:10 | |
Why did you need to get close to the Golden Fleece? | 0:13:10 | 0:13:12 | |
I'd have thought the further away the better, | 0:13:12 | 0:13:14 | |
when it comes to puddings. | 0:13:14 | 0:13:16 | |
The Four Tasks of Nina, like the Four Tasks of Psyche. | 0:13:16 | 0:13:19 | |
I've found my book, you're second on the list. | 0:13:19 | 0:13:22 | |
I don't want to be a task, thank you very much. | 0:13:22 | 0:13:24 | |
And, anyway, why wasn't I first? | 0:13:24 | 0:13:26 | |
I found my book by accident, via a wasp. | 0:13:26 | 0:13:29 | |
You are my first deliberate attempt at task-solving. | 0:13:29 | 0:13:31 | |
Hm. | 0:13:31 | 0:13:33 | |
I'm sorry I let the others accuse you. | 0:13:34 | 0:13:37 | |
I'm sorry I went along with Max's suspicions. | 0:13:37 | 0:13:40 | |
Max? | 0:13:41 | 0:13:42 | |
I'm sorry I was misled by the evidence. | 0:13:42 | 0:13:45 | |
Well, there was no evidence. | 0:13:45 | 0:13:47 | |
Well, I'm sorry Stibbe didn't come clean quicker, then. | 0:13:47 | 0:13:49 | |
-Where's George? -She's at work. | 0:13:49 | 0:13:52 | |
She wants you to come for supper tonight. | 0:13:52 | 0:13:54 | |
I've already bought myself a piece of cod. | 0:13:54 | 0:13:57 | |
And now I've got a pudding. | 0:13:57 | 0:13:58 | |
Er...the tart will be served at Number 55. | 0:13:58 | 0:14:02 | |
I'm glad that's over with. | 0:14:05 | 0:14:07 | |
Oh! Oh! It's just very good, Nina. | 0:14:20 | 0:14:23 | |
Hm! | 0:14:23 | 0:14:24 | |
I have to say, Greek myths are marvellous. | 0:14:24 | 0:14:27 | |
They're clever, but they're fun and practical, too. | 0:14:27 | 0:14:31 | |
Mm. That's how the Greeks should advertise them on television. | 0:14:31 | 0:14:34 | |
MALCOLM CHUCKLES | 0:14:34 | 0:14:36 | |
So, what's next? | 0:14:36 | 0:14:37 | |
-Maria-Fernanda. -Mm. And is your task to make her like you? | 0:14:37 | 0:14:41 | |
-How did you know? -Well, you've got a job on, I know that much. | 0:14:41 | 0:14:45 | |
Hm. Maria-Fernanda's hatred for Nina is well-known? | 0:14:45 | 0:14:48 | |
Well, only in the street. So, what on earth have you done? | 0:14:48 | 0:14:51 | |
I've done nothing! | 0:14:51 | 0:14:52 | |
I thought she couldn't understand the word "book", that's all. | 0:14:52 | 0:14:55 | |
And I know she can't pronounce Seamus. | 0:14:55 | 0:14:58 | |
Oh, well, she deserves everything she gets. | 0:14:58 | 0:15:00 | |
She thinks you should be doing more. | 0:15:00 | 0:15:02 | |
-And sometimes she says... -SPANISH ACCENT: -"What is girl for?" | 0:15:02 | 0:15:06 | |
-BUZZING STARTS -What is girl for, actually? | 0:15:06 | 0:15:08 | |
It's not like I don't work! | 0:15:08 | 0:15:10 | |
STIFLED LAUGHTER AND SNORTING | 0:15:12 | 0:15:14 | |
Wow! Right, make your own lasagne, then. | 0:15:14 | 0:15:16 | |
Oh, dear. I'm worried about Maria-Fernanda. | 0:15:16 | 0:15:18 | |
We really don't want to lose her. | 0:15:18 | 0:15:20 | |
I shall go on a charm offensive. | 0:15:20 | 0:15:22 | |
You're always saying that, "I shall go on a charm offensive", | 0:15:22 | 0:15:25 | |
but nothing happens. | 0:15:25 | 0:15:26 | |
When else have I said it? BUZZING STOPS | 0:15:26 | 0:15:28 | |
When Mum was fed up with you the other week | 0:15:28 | 0:15:30 | |
after you turned all the washing green. | 0:15:30 | 0:15:32 | |
Do you remember when Stibbe pranged the car | 0:15:32 | 0:15:34 | |
and she tried to blame it on Malcolm? | 0:15:34 | 0:15:36 | |
-Yes. -Boys, I've told you before, | 0:15:36 | 0:15:37 | |
-you can't reminisce about something that's only just happened. -Why not? | 0:15:37 | 0:15:40 | |
Because when you ask the question, "Do you remember...?" | 0:15:40 | 0:15:43 | |
there has to be a chance that the other person has forgotten. | 0:15:43 | 0:15:45 | |
-We never forget anything. -It's true, they never do. | 0:15:45 | 0:15:48 | |
-Neither do you. -Me? I can't remember what I've just eaten. | 0:15:48 | 0:15:52 | |
So, we can never say, "Do you remember..." to each other? | 0:15:52 | 0:15:55 | |
Wait 30 years. | 0:15:55 | 0:15:56 | |
You can talk about the prang in 2013, on your videophones. | 0:15:56 | 0:15:59 | |
I'm sorry if none of you have ever noticed my charm offensives before, | 0:15:59 | 0:16:03 | |
but I can assure you, Maria-Fernanda will notice this one. | 0:16:03 | 0:16:07 | |
MUSIC PLAYS ON RADIO | 0:16:07 | 0:16:08 | |
GEORGE TURNS VOLUME DOWN | 0:16:12 | 0:16:14 | |
What are you doing? | 0:16:14 | 0:16:16 | |
I want everything to look nice for her. | 0:16:16 | 0:16:18 | |
-For who? -Maria-Fernanda. | 0:16:20 | 0:16:22 | |
She thinks I do nothing. Well, this isn't nothing. | 0:16:22 | 0:16:26 | |
No, she'll think this is an act of war. What's she going to do? | 0:16:26 | 0:16:31 | |
Washing, ironing...deep-cleaning. | 0:16:31 | 0:16:34 | |
What's deep-cleaning when it's at home? | 0:16:34 | 0:16:37 | |
I don't know. | 0:16:37 | 0:16:39 | |
Oh, hell! | 0:16:39 | 0:16:41 | |
All right, I can see two scenarios here. | 0:16:41 | 0:16:44 | |
One where Maria-Fernanda walks in, | 0:16:44 | 0:16:46 | |
sees what you've done and hates you. | 0:16:46 | 0:16:48 | |
Another when she walks in, | 0:16:48 | 0:16:49 | |
sees you in the middle of messing the place up again, and hates you. | 0:16:49 | 0:16:53 | |
I've bought her some cold cream. | 0:16:53 | 0:16:54 | |
What? Oh! | 0:16:54 | 0:16:56 | |
Beauty ointment? Like Psyche. | 0:16:56 | 0:16:59 | |
-What do you think? -Well, if a woman I didn't know | 0:16:59 | 0:17:01 | |
took one look at me and bought me some cold cream, | 0:17:01 | 0:17:04 | |
I don't know if I'd be overflowing with gratitude. | 0:17:04 | 0:17:06 | |
-So, what should I do? -I don't know. | 0:17:06 | 0:17:08 | |
Don't try and be clever. Just go out. | 0:17:08 | 0:17:11 | |
Any shopkeepers locally you haven't pissed off? | 0:17:11 | 0:17:13 | |
If so, go talk to them. | 0:17:13 | 0:17:15 | |
MUSIC: Goody Two Shoes by Adam Ant | 0:17:20 | 0:17:22 | |
Hm. | 0:17:30 | 0:17:32 | |
# With the heartbreak open | 0:17:45 | 0:17:48 | |
# So much you can't hide | 0:17:48 | 0:17:50 | |
# Put on a little make-up, make-up | 0:17:50 | 0:17:52 | |
# Make sure they get your good side good side | 0:17:52 | 0:17:55 | |
# If the words unspoken | 0:17:55 | 0:17:57 | |
# Get stuck in your throat | 0:17:57 | 0:17:59 | |
# Send a treasure token, token | 0:17:59 | 0:18:02 | |
# Write it on a pound note pound note | 0:18:02 | 0:18:05 | |
# Goody two, goody two Goody, goody two shoes | 0:18:11 | 0:18:13 | |
# Goody two, goody two Goody, goody two shoes...# | 0:18:13 | 0:18:16 | |
Hello, Maria-Fernanda. | 0:18:18 | 0:18:21 | |
Um...believe it or not, I was actually helping us both out here. | 0:18:21 | 0:18:26 | |
-Is good. -Yes? | 0:18:26 | 0:18:28 | |
Si. More work. More work is good. | 0:18:28 | 0:18:32 | |
Si! | 0:18:32 | 0:18:34 | |
NINA LAUGHS NERVOUSLY | 0:18:40 | 0:18:42 | |
Right. | 0:18:44 | 0:18:45 | |
Huh-huh! | 0:18:51 | 0:18:53 | |
Gosh! Would you like a glass of water, Maria-Fernanda? | 0:18:53 | 0:18:56 | |
That's probably enough work for now, isn't it? | 0:19:03 | 0:19:05 | |
Um... Oooh! | 0:19:10 | 0:19:12 | |
Have you ever tried this, Maria-Fernanda? | 0:19:12 | 0:19:14 | |
Um...it says, "for the older woman" on it, but just ignore that. | 0:19:14 | 0:19:17 | |
Now...it's enough work. | 0:19:23 | 0:19:25 | |
-I think so, yes. -For you! | 0:19:25 | 0:19:27 | |
Please do tell Senora George that I have ressig-ned! | 0:19:28 | 0:19:32 | |
Ressig-ned? | 0:19:34 | 0:19:35 | |
Resigned! No-no-no-no-no! You can't resign! | 0:19:35 | 0:19:38 | |
If you resign, she will be so angry with me, so please! | 0:19:38 | 0:19:42 | |
CRASH! | 0:19:44 | 0:19:46 | |
So this poem, Act of Union... | 0:19:54 | 0:19:55 | |
I know, I know. Sex. Sex, sex, sex. | 0:19:55 | 0:20:00 | |
No, this one's not really about sex. | 0:20:00 | 0:20:02 | |
Jesus Christ! Are you joking? | 0:20:02 | 0:20:04 | |
Act of Union. | 0:20:04 | 0:20:06 | |
He's talking about sex as if the man and the woman | 0:20:06 | 0:20:09 | |
were, you know, countries at war. | 0:20:09 | 0:20:12 | |
And the man is imperial and so on | 0:20:12 | 0:20:14 | |
and, you know, his penis is an invading army. | 0:20:14 | 0:20:17 | |
It's the other way around. | 0:20:18 | 0:20:19 | |
The other way around? | 0:20:19 | 0:20:21 | |
How does that work? Some sort of, um...dildo? | 0:20:21 | 0:20:24 | |
-No! -No? | 0:20:24 | 0:20:26 | |
-NUNNEY LAUGHS -No. | 0:20:26 | 0:20:27 | |
He's talking about the relationship between Britain and Ireland | 0:20:27 | 0:20:31 | |
as if Britain is the man taking the woman. | 0:20:31 | 0:20:33 | |
I think you should stick to the turkeys and the frogspawn. | 0:20:33 | 0:20:36 | |
I hate nature. | 0:20:36 | 0:20:39 | |
-What do you actually like? -What do you mean? | 0:20:39 | 0:20:41 | |
You don't like being a nanny, so you want to go to college. | 0:20:41 | 0:20:44 | |
Er, I love being a nanny. You made me take an A level. | 0:20:44 | 0:20:47 | |
I made you? | 0:20:47 | 0:20:49 | |
-Are you serious? -Yes. | 0:20:50 | 0:20:52 | |
You more or less said that if I didn't get myself to college, | 0:20:52 | 0:20:54 | |
I'd be of no further interest to you. | 0:20:54 | 0:20:56 | |
-What?! -Yeah. -When? | 0:20:56 | 0:20:58 | |
Well, you say it all the time with your body language and your eyes. | 0:20:58 | 0:21:03 | |
-I say you should go to college with my eyes? -Yes. | 0:21:03 | 0:21:06 | |
What am I saying with my eyes now? | 0:21:06 | 0:21:08 | |
That I should get myself to college, or I'll be of no further interest to you. | 0:21:08 | 0:21:11 | |
Can I ask you what you want to do at college? | 0:21:16 | 0:21:18 | |
You haven't denied it, I note. | 0:21:18 | 0:21:20 | |
I deny it. I've never said it with my voice, | 0:21:20 | 0:21:23 | |
my eyes, my ears, or any other part of me. | 0:21:23 | 0:21:26 | |
English literature. | 0:21:26 | 0:21:28 | |
Except you don't like anything. | 0:21:28 | 0:21:31 | |
You don't like Heaney, or Hardy, or Joyce. | 0:21:31 | 0:21:34 | |
You weren't very keen on the Jacobeans. | 0:21:34 | 0:21:36 | |
You don't like nannying and you don't like studying. | 0:21:36 | 0:21:38 | |
You don't like me very much, half the time. | 0:21:38 | 0:21:41 | |
Look, I need to get this A level. | 0:21:41 | 0:21:43 | |
I'm worried George is going to sack me, and I can't do this forever. | 0:21:43 | 0:21:47 | |
You haven't denied the bit about liking me, I note. | 0:21:48 | 0:21:51 | |
I'm just not very good at it. | 0:21:53 | 0:21:55 | |
Any of it. | 0:21:55 | 0:21:57 | |
You don't have to be good at it. | 0:21:57 | 0:21:59 | |
You just have to want to do it. | 0:22:00 | 0:22:02 | |
Whether it's work or, you know... | 0:22:03 | 0:22:06 | |
..relationships. | 0:22:08 | 0:22:09 | |
How do I know what I want to do? | 0:22:12 | 0:22:14 | |
Thanks a lot(!) | 0:22:18 | 0:22:19 | |
No, I didn't... | 0:22:20 | 0:22:22 | |
(Fuck!) | 0:22:24 | 0:22:25 | |
That should do it. | 0:22:42 | 0:22:44 | |
Have you got the quiz books? | 0:22:44 | 0:22:46 | |
Which one do you want - football or cricket? | 0:22:46 | 0:22:48 | |
Is there an "Oi, Ref!" we haven't done in the football book? | 0:22:48 | 0:22:52 | |
I'll have a look in a sec. | 0:22:52 | 0:22:54 | |
Right, all set. | 0:22:54 | 0:22:56 | |
-Ready? -Yeah. | 0:22:56 | 0:22:57 | |
MACHINE WHIRS LOUDLY | 0:22:59 | 0:23:01 | |
Right, a-hem! | 0:23:10 | 0:23:13 | |
Oi, Ref. Where is it? OK. | 0:23:13 | 0:23:15 | |
-NINA SHOUTS: Ready?! -Yep. -Right. | 0:23:15 | 0:23:19 | |
A dog runs onto the pitch just as a striker is taking a shot at goal. | 0:23:20 | 0:23:24 | |
The ball hits the dog, leaves the goalie wrong-footed | 0:23:24 | 0:23:28 | |
and bounces into the other corner. | 0:23:28 | 0:23:30 | |
-Am I the ref? -It's called, "Oi, Ref!" | 0:23:30 | 0:23:33 | |
It's probably the same answer as the one about the pigeon. | 0:23:33 | 0:23:36 | |
I don't remember a question about a pigeon. | 0:23:36 | 0:23:38 | |
It was in my magazine. | 0:23:38 | 0:23:39 | |
The ball hit a flying pigeon and it dipped underneath the bar. | 0:23:39 | 0:23:44 | |
Imagine if it was a Ray Stewart penalty. | 0:23:44 | 0:23:47 | |
I don't know what that means! | 0:23:47 | 0:23:48 | |
-He has a hard shot. -Ah! | 0:23:48 | 0:23:52 | |
-So, he would vaporise the pigeon, is that right? -Yes! | 0:23:52 | 0:23:56 | |
And the dog? NINA GIGGLES | 0:23:56 | 0:23:58 | |
Right, what's the answer to this one? | 0:23:58 | 0:24:00 | |
I'd give a goal, but I'm afraid that the goalie and all the defenders | 0:24:00 | 0:24:04 | |
would get very cross with me. | 0:24:04 | 0:24:06 | |
-It makes me nervous. -NINA CHUCKLES | 0:24:06 | 0:24:08 | |
-Right. Do you want another one? -Yeah. -Right. | 0:24:08 | 0:24:11 | |
Everything all right? | 0:24:11 | 0:24:13 | |
Er...number two. A player... | 0:24:18 | 0:24:20 | |
Maria-Fernanda hasn't turned up yet. | 0:24:20 | 0:24:22 | |
Sorry? | 0:24:25 | 0:24:26 | |
Anything to do with you? | 0:24:26 | 0:24:29 | |
Sorry? | 0:24:29 | 0:24:31 | |
A player is on his knees from a tackle which was not a foul. | 0:24:40 | 0:24:46 | |
And then she said to tell you that she wasn't coming back, | 0:24:46 | 0:24:49 | |
which I chose not to do because I knew I'd get into even more trouble. | 0:24:49 | 0:24:53 | |
On top of all the other troubles. | 0:24:53 | 0:24:55 | |
I've thought long and hard about this, George, | 0:24:56 | 0:24:58 | |
and I've decided to offer you my resignation. | 0:24:58 | 0:25:01 | |
Here's a counterproposal. I resign, you stay. | 0:25:05 | 0:25:08 | |
The garage called to say it's going to cost me £80 to repair the car, | 0:25:09 | 0:25:12 | |
I have no cleaner and my nanny is an idiot. | 0:25:12 | 0:25:15 | |
I think my position here is untenable. Good luck. | 0:25:15 | 0:25:18 | |
I'm sorry, I'm crap. | 0:25:20 | 0:25:21 | |
Yep. Be less crap. | 0:25:21 | 0:25:24 | |
Is that all you're going to say? | 0:25:26 | 0:25:28 | |
What do you want me to do? | 0:25:28 | 0:25:29 | |
There are some things you're very crap at indeed. | 0:25:29 | 0:25:32 | |
And I'm not sure if I can even categorise them. | 0:25:32 | 0:25:34 | |
Your crapness is random, always surprising, | 0:25:34 | 0:25:37 | |
but there's one thing I'm sure about | 0:25:37 | 0:25:39 | |
and that is that I'm not going to find anyone else | 0:25:39 | 0:25:42 | |
who's going to be able to extract the snot from Joe | 0:25:42 | 0:25:44 | |
while making him laugh and asking him West Ham questions. | 0:25:44 | 0:25:47 | |
-That's the easy bit. -Well, actually, it isn't. | 0:25:47 | 0:25:50 | |
You're like a...film star, or a star footballer. | 0:25:51 | 0:25:55 | |
-Really? -Yeah. | 0:25:55 | 0:25:56 | |
Chaotic, unreliable, self-serving and a liar. | 0:25:56 | 0:26:01 | |
But blessed...with an irreplaceable talent, | 0:26:01 | 0:26:05 | |
namely, my children love you. | 0:26:05 | 0:26:07 | |
No, I'm afraid there's no way out. | 0:26:09 | 0:26:12 | |
Not until you find your calling. | 0:26:12 | 0:26:14 | |
I'll do ALL the cleaning. | 0:26:14 | 0:26:16 | |
Cleaning is not your calling. | 0:26:16 | 0:26:18 | |
It's not even an area of competence. | 0:26:18 | 0:26:20 | |
No, Ursula VW's cleaner, Carmelita, | 0:26:20 | 0:26:22 | |
has offered kindly to step into the breach. | 0:26:22 | 0:26:25 | |
BUT I'd really appreciate it if you didn't start abusing her | 0:26:25 | 0:26:29 | |
or patronising her the moment she walks through the door. | 0:26:29 | 0:26:32 | |
Is it the exam tomorrow? | 0:26:34 | 0:26:35 | |
Right. Well, good luck. Go to bed. | 0:26:37 | 0:26:39 | |
And be less crap. | 0:26:39 | 0:26:42 | |
INSTRUMENTAL | 0:26:42 | 0:26:44 | |
Thank you. | 0:26:46 | 0:26:48 | |
'Dear Vic, I passed my A level. | 0:26:51 | 0:26:54 | |
'I got an E. | 0:26:54 | 0:26:56 | |
'That's the lowest grade you can get without failing. | 0:26:56 | 0:26:58 | |
'Nunney told me that literature would speak to me, | 0:26:58 | 0:27:01 | |
'but it hasn't spoken very loudly, I must say. | 0:27:01 | 0:27:04 | |
'I can go to college now if I want. | 0:27:04 | 0:27:06 | |
'It does feels as though I've turned a page and gone onto a new chapter. | 0:27:06 | 0:27:10 | |
'Even though I probably read the last one too quickly, | 0:27:10 | 0:27:13 | |
'without understanding it properly. | 0:27:13 | 0:27:16 | |
'Have you heard of a BLT? | 0:27:33 | 0:27:35 | |
'It's a new sandwich they've invented in America. | 0:27:35 | 0:27:37 | |
'Bacon, lettuce, tomato. | 0:27:37 | 0:27:39 | |
'That's the only plan I have at the moment - | 0:27:41 | 0:27:43 | |
'to make one and eat it. | 0:27:43 | 0:27:46 | |
'Love, Nina. | 0:27:46 | 0:27:47 | |
'PS. We now have a video-cassette player and recorder. | 0:28:21 | 0:28:26 | |
'You're supposed to be able to tape your favourite programmes when you're out. | 0:28:26 | 0:28:29 | |
'It's like science fiction.' | 0:28:29 | 0:28:31 | |
Was it a night game, Joe? | 0:28:31 | 0:28:34 | |
Yes, but they have floodlights! | 0:28:34 | 0:28:36 | |
Oh, Trevor Brooking! This thing's useless! | 0:28:39 | 0:28:42 |