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'This programme contains some violent scenes and scenes which some viewers may find upsetting.' | 0:00:02 | 0:00:05 | |
You've got to make a full statement, on the record, today. | 0:00:05 | 0:00:08 | |
I need a deal. That can't happen, Justin. | 0:00:08 | 0:00:10 | |
I won't lose my job for anyone. Not him, not you. | 0:00:10 | 0:00:13 | |
So I'll call you. | 0:00:13 | 0:00:15 | |
And that makes you think coming here's a good idea? | 0:00:15 | 0:00:17 | |
No. But this does. | 0:00:17 | 0:00:20 | |
DCI Luther has never, to my knowledge, broken any laws, | 0:00:20 | 0:00:23 | |
either in pursuit of his duty or otherwise. | 0:00:23 | 0:00:25 | |
I've been honoured to work with him. | 0:00:25 | 0:00:27 | |
I don't want to play games, you know. I'm too old for that. | 0:00:27 | 0:00:29 | |
I'm not a game player. | 0:00:29 | 0:00:31 | |
Good. Cos neither am I. | 0:00:31 | 0:00:32 | |
Take care, right, see you later. | 0:01:00 | 0:01:02 | |
All right, sweetheart, see you later. | 0:01:02 | 0:01:05 | |
Bye, guys. | 0:01:05 | 0:01:06 | |
I was going to say, do you want a lift? | 0:01:06 | 0:01:08 | |
Er, yeah, yeah, that would be lovely. Yeah. | 0:01:08 | 0:01:10 | |
Yeah, cool. Well, I'm just parked round here. | 0:01:10 | 0:01:13 | |
OK, cool. | 0:01:13 | 0:01:14 | |
So... | 0:01:28 | 0:01:30 | |
So... | 0:01:31 | 0:01:33 | |
You took your time. | 0:01:46 | 0:01:48 | |
I was just picking my moment. | 0:01:48 | 0:01:50 | |
For three years? | 0:01:50 | 0:01:51 | |
Well, you know. This thing. | 0:01:54 | 0:01:56 | |
Me and you. It's not just... | 0:01:56 | 0:01:58 | |
SUDDEN BANG | 0:01:58 | 0:01:59 | |
VOICES YELLING | 0:01:59 | 0:02:02 | |
Just ignore them, just ignore them. | 0:02:07 | 0:02:09 | |
It's going to be all right. Here, mate, what is going on? | 0:02:09 | 0:02:14 | |
SHE SCREAMS GLASS SMASHING | 0:02:14 | 0:02:16 | |
Get off me! Just leave her alone! | 0:02:21 | 0:02:26 | |
Leave him alone! | 0:02:35 | 0:02:37 | |
Get off me! | 0:02:41 | 0:02:43 | |
Hey, boy, hey, boy, what you doing with this? | 0:02:48 | 0:02:51 | |
Ah, nah, nah, nah, stay here, stay here, stay here. | 0:02:53 | 0:02:56 | |
Hey, pass me this. | 0:02:56 | 0:02:58 | |
How can I help you? | 0:03:01 | 0:03:03 | |
What is it, bruv? | 0:03:03 | 0:03:04 | |
You going to do me something, yeah? | 0:03:04 | 0:03:06 | |
What, are you deaf? | 0:03:06 | 0:03:08 | |
Hey, deal with him, man! | 0:03:08 | 0:03:11 | |
SHOTGUN BLAST | 0:03:17 | 0:03:18 | |
Run! Run! | 0:03:20 | 0:03:21 | |
Stop! | 0:03:21 | 0:03:23 | |
Put your hoods down. HOODS DOWN! | 0:03:23 | 0:03:27 | |
Oh, Callum. | 0:03:36 | 0:03:38 | |
Oh, please. | 0:03:38 | 0:03:39 | |
SHOTGUN BLAST | 0:03:40 | 0:03:42 | |
Please just wake up, Callum. Please. | 0:03:47 | 0:03:50 | |
# Love is like a sin, my love | 0:04:04 | 0:04:11 | |
# For the ones that feel it the most | 0:04:11 | 0:04:17 | |
# Look at her with her eyes like a flame | 0:04:19 | 0:04:24 | |
# She will love you like a fly... # | 0:04:25 | 0:04:30 | |
How old were you when you got together? | 0:04:56 | 0:04:58 | |
21, 22? | 0:05:00 | 0:05:02 | |
You've erm, still got love in your voice. | 0:05:02 | 0:05:05 | |
Well, you don't stop loving someone, do you? | 0:05:06 | 0:05:08 | |
Is that a problem? | 0:05:12 | 0:05:13 | |
It's um, it's the opposite of a problem. | 0:05:15 | 0:05:17 | |
She was very beautiful. | 0:05:20 | 0:05:22 | |
She was. Yeah. | 0:05:22 | 0:05:24 | |
DOORBELL | 0:05:27 | 0:05:29 | |
Duty calls. | 0:05:29 | 0:05:31 | |
Justin! Come in. | 0:05:39 | 0:05:41 | |
Sorry? | 0:05:41 | 0:05:42 | |
Come in. | 0:05:44 | 0:05:46 | |
Why? | 0:05:46 | 0:05:47 | |
What do you mean, why? | 0:05:47 | 0:05:49 | |
Well, you never ask me in. Not ever. | 0:05:49 | 0:05:51 | |
Mmm. | 0:05:52 | 0:05:54 | |
Mary... | 0:06:02 | 0:06:03 | |
Oh, sorry! | 0:06:03 | 0:06:05 | |
This is my mate Justin. | 0:06:07 | 0:06:09 | |
-Hey there. -Hey. | 0:06:09 | 0:06:11 | |
Justin, this is Mary. | 0:06:11 | 0:06:13 | |
All right, Mary? | 0:06:14 | 0:06:15 | |
He's my mate, and I love him. | 0:06:18 | 0:06:20 | |
Right. Work! You going to be all right? | 0:06:25 | 0:06:28 | |
-Fine. -Yeah? | 0:06:28 | 0:06:29 | |
-Fine, yeah. -Make yourself at home. | 0:06:29 | 0:06:31 | |
Will do. Totally. | 0:06:31 | 0:06:33 | |
Well, come on then, Justin. | 0:06:35 | 0:06:37 | |
Nice to meet you Mary, briefly. | 0:06:39 | 0:06:42 | |
All right, boss. | 0:06:56 | 0:06:57 | |
Victims are Steven Meredith and Shaun Butler. | 0:06:59 | 0:07:01 | |
This is Meredith. Murdered a young solicitor six years ago. | 0:07:01 | 0:07:05 | |
It's in the file. | 0:07:05 | 0:07:07 | |
Eyewitnesses? | 0:07:20 | 0:07:21 | |
Dozens. White male, 25 to 40. | 0:07:21 | 0:07:25 | |
Lightish, darkish hair, short, possibly longish. | 0:07:25 | 0:07:29 | |
Non-descript clothes. | 0:07:29 | 0:07:31 | |
May ride a motorcycle. | 0:07:33 | 0:07:35 | |
Possibly a scooter. Or a car. | 0:07:35 | 0:07:37 | |
Who's the other one? | 0:07:41 | 0:07:43 | |
Over here. | 0:07:43 | 0:07:44 | |
Shooter walks up during the affray, puts the sawn-off to Butler's chest. | 0:07:46 | 0:07:50 | |
Doesn't hesitate? | 0:07:51 | 0:07:53 | |
Apparently not. | 0:07:53 | 0:07:54 | |
It's not an easy thing, that, | 0:07:58 | 0:08:01 | |
to put a sawn-off to someone's chest and pull the trigger. | 0:08:01 | 0:08:04 | |
Even if you hate 'em. | 0:08:07 | 0:08:08 | |
Let alone make this mess. | 0:08:09 | 0:08:11 | |
So who's Caitlin? | 0:08:14 | 0:08:15 | |
Well, we turned up no Caitlin in Meredith and Butler's ambit. | 0:08:15 | 0:08:19 | |
No family, or known associates. | 0:08:19 | 0:08:21 | |
There's no Caitlin connection to the solicitor. | 0:08:21 | 0:08:25 | |
That rules out a revenge attack | 0:08:25 | 0:08:27 | |
and this is way too heavy for a gang beef. | 0:08:27 | 0:08:29 | |
So what's up with the website? | 0:08:31 | 0:08:33 | |
-It goes live in two hours. -Well, can't we just pull it down | 0:08:33 | 0:08:35 | |
or trace it to the source or whatever you do with websites? | 0:08:35 | 0:08:39 | |
Apparently not. It's being hosted from Uzbekistan. Or Kazakhstan. | 0:08:39 | 0:08:44 | |
One of the Stans, anyway. | 0:08:45 | 0:08:46 | |
The upshot is, is that there's no way we can pull it down in time. | 0:08:46 | 0:08:49 | |
Apparently there's hundreds of these leaflets already in the wild. | 0:08:49 | 0:08:52 | |
People have been tweeting the address since about 5am. | 0:08:52 | 0:08:55 | |
So the chances of containing this, | 0:08:55 | 0:08:56 | |
essentially, are three eighths of sod all. | 0:08:56 | 0:08:59 | |
KNOCKING AT DOOR | 0:09:13 | 0:09:15 | |
Hello, Mary. | 0:09:20 | 0:09:21 | |
Maxine, I'm DCI John Luther, you all right? | 0:09:24 | 0:09:28 | |
This man, the killer, he spoke to you? | 0:09:33 | 0:09:39 | |
He did, yeah. | 0:09:41 | 0:09:42 | |
What did he say? | 0:09:42 | 0:09:44 | |
He, erm... | 0:09:47 | 0:09:49 | |
..he told me not to be afraid. | 0:09:51 | 0:09:53 | |
Do you remember anything about his voice? Maybe he had an accent? | 0:09:57 | 0:10:00 | |
Um... | 0:10:00 | 0:10:01 | |
Er... | 0:10:02 | 0:10:04 | |
It was nice. | 0:10:06 | 0:10:08 | |
In what way? | 0:10:09 | 0:10:10 | |
Kind. He, um, he had a very kind voice. | 0:10:10 | 0:10:14 | |
He had a kind voice. | 0:10:15 | 0:10:17 | |
And then? | 0:10:18 | 0:10:19 | |
He... | 0:10:21 | 0:10:23 | |
He sat and he held Callum's hand until the ambulance arrived. | 0:10:29 | 0:10:33 | |
Can you describe him? | 0:10:36 | 0:10:38 | |
Sorry? | 0:10:39 | 0:10:40 | |
Describe him. | 0:10:40 | 0:10:42 | |
The killer of these men. | 0:10:45 | 0:10:46 | |
Why? | 0:10:51 | 0:10:52 | |
Maxine, they're dead. | 0:10:55 | 0:10:57 | |
Now, I know he seemed kind, | 0:10:59 | 0:11:01 | |
but that doesn't give him the right... | 0:11:01 | 0:11:03 | |
To give him the right to save Callum's life? | 0:11:03 | 0:11:05 | |
Stop me from being gang-raped? | 0:11:05 | 0:11:07 | |
The way I see it, two people were going to die last night. | 0:11:07 | 0:11:11 | |
Thanks to this man - and no thanks to the police, by the way - | 0:11:11 | 0:11:14 | |
it wasn't me and it wasn't Callum. | 0:11:14 | 0:11:16 | |
And now you're asking me to help you send him to prison? | 0:11:17 | 0:11:21 | |
I would rather go to prison myself. | 0:11:21 | 0:11:23 | |
So, how did you and John meet? | 0:11:26 | 0:11:28 | |
I'm sorry, I'm just not very comfortable having this conversation. | 0:11:33 | 0:11:36 | |
How much do you actually know about John Luther? | 0:11:36 | 0:11:40 | |
Um, I'm not actually sure what that means. | 0:11:42 | 0:11:46 | |
Look, why don't, why don't we just give him a ring and... | 0:11:46 | 0:11:49 | |
Put it this way - try, if you like. | 0:11:49 | 0:11:52 | |
Does he ever talk about her? | 0:11:56 | 0:11:58 | |
Well, he doesn't not talk about her. | 0:11:58 | 0:12:00 | |
OK. Um, I've actually got to go. | 0:12:02 | 0:12:03 | |
Sit down. | 0:12:03 | 0:12:04 | |
I'm late for work. | 0:12:09 | 0:12:11 | |
Did John ever mention how she died? | 0:12:13 | 0:12:15 | |
Um, I'm not actually sure that's any of your business. | 0:12:15 | 0:12:21 | |
She left him. | 0:12:21 | 0:12:23 | |
Shacked up with another man. | 0:12:23 | 0:12:25 | |
And not long after she was killed. | 0:12:25 | 0:12:27 | |
Did he mention that? | 0:12:28 | 0:12:30 | |
I'm sorry. I'm not sure what's supposed to be going on here. | 0:12:30 | 0:12:34 | |
I'm completely lost. | 0:12:34 | 0:12:37 | |
That's why we're here. | 0:12:37 | 0:12:38 | |
To help you understand how lost you really are. | 0:12:38 | 0:12:42 | |
You all right? | 0:13:05 | 0:13:07 | |
Yeah. Got it down to about 14 possibles. It's just weird. | 0:13:07 | 0:13:11 | |
Seeing all these terrible things happening to women with the same name. | 0:13:11 | 0:13:14 | |
Caitlin raped. Caitlin stabbed. Caitlin drowned. | 0:13:14 | 0:13:17 | |
It just seems... I don't know. | 0:13:17 | 0:13:19 | |
Justin, I think it's time you moved on, mate. | 0:13:21 | 0:13:24 | |
I mean, you should be doing my job. | 0:13:27 | 0:13:30 | |
Having little Ripleys of your own. | 0:13:30 | 0:13:32 | |
I've been meaning to tell you that for a while. | 0:13:35 | 0:13:37 | |
You need to get to Hamlyn Woods. | 0:13:37 | 0:13:39 | |
All right, Guv. | 0:13:41 | 0:13:42 | |
Couple of dog walkers found him, apparently. | 0:13:57 | 0:14:00 | |
-Do we know who he is? -Yeah, Liam Glass. | 0:14:00 | 0:14:03 | |
Why's that name sound familiar? | 0:14:03 | 0:14:04 | |
For a few months, he was the tabloid's favourite bogeyman. | 0:14:04 | 0:14:07 | |
-Because? -He lived in the spare room of the flat where Lucinda King died. | 0:14:07 | 0:14:10 | |
Ah, the little girl. | 0:14:10 | 0:14:12 | |
Yeah, four years old. Mr Glass was her stepfather's cousin. | 0:14:12 | 0:14:16 | |
Crack cocaine addict, arsonist, career burglar. | 0:14:16 | 0:14:20 | |
Sat by and took no action | 0:14:20 | 0:14:21 | |
while her mother and stepfather starved and beat her to death. | 0:14:21 | 0:14:24 | |
Yeah, what'd he get, five years? | 0:14:24 | 0:14:26 | |
Four, with time served. | 0:14:26 | 0:14:27 | |
Four for four. | 0:14:29 | 0:14:31 | |
Well, our boy's killing predators, isn't he? | 0:14:32 | 0:14:34 | |
People the justice system spat out. | 0:14:36 | 0:14:38 | |
He's on a mission. | 0:14:40 | 0:14:41 | |
We better find him, find him fast. | 0:14:46 | 0:14:49 | |
It's going live now, boss. | 0:15:02 | 0:15:05 | |
By now, many of you will be wondering who Caitlin is. | 0:15:05 | 0:15:09 | |
She was my wife. | 0:15:11 | 0:15:12 | |
This is Caitlin. | 0:15:15 | 0:15:17 | |
Four years ago, she was raped and murdered | 0:15:17 | 0:15:22 | |
by a man called Milan Knizac. | 0:15:22 | 0:15:24 | |
Mr Knizac had been classified as "medium risk" | 0:15:24 | 0:15:27 | |
by probation staff when he was released from prison, | 0:15:27 | 0:15:31 | |
less than half-way through a nine-year sentence | 0:15:31 | 0:15:35 | |
for robbery with violence. | 0:15:35 | 0:15:37 | |
Caitlin wasn't just taken from me, | 0:15:40 | 0:15:42 | |
she was taken from her friends, | 0:15:42 | 0:15:43 | |
she was taken from her mother and father. | 0:15:43 | 0:15:46 | |
She was taken from the children... | 0:15:46 | 0:15:48 | |
she will never have. | 0:15:48 | 0:15:50 | |
The criminal justice system was created to protect us | 0:15:53 | 0:15:56 | |
from people who would do us harm. | 0:15:56 | 0:15:59 | |
But time and again, it fails in that purpose. | 0:16:00 | 0:16:05 | |
For all the Caitlins, | 0:16:05 | 0:16:08 | |
and for all their families, | 0:16:08 | 0:16:10 | |
it's time for that failure to end. | 0:16:10 | 0:16:14 | |
OK. | 0:16:16 | 0:16:17 | |
I think we've got a big problem. | 0:16:19 | 0:16:21 | |
HE SIGHS | 0:16:26 | 0:16:27 | |
'..for all their families, it's time for that failure to end.' | 0:16:48 | 0:16:53 | |
-KNOCKING ON DOOR -Come on. | 0:16:53 | 0:16:55 | |
Tom Marwood. Architect. Pretty good one, apparently. | 0:16:58 | 0:17:02 | |
Caitlin dies, he's depressed, spends a bit of time in hospital. | 0:17:02 | 0:17:05 | |
Then, all of a sudden - boom! He's energized. | 0:17:05 | 0:17:08 | |
Joins a gun club. Takes lessons in Krav Maga. Urban survival courses. | 0:17:08 | 0:17:12 | |
-It's like he's in training for the zombie apocalypse. -Wow. | 0:17:12 | 0:17:15 | |
So before this all kicked off, who was he talking to? | 0:17:15 | 0:17:18 | |
Who was his confidante? | 0:17:18 | 0:17:19 | |
Er...Alan Ramsey, Caitlin's brother. | 0:17:19 | 0:17:22 | |
-This one? -Yeah. | 0:17:22 | 0:17:24 | |
Ramsey. All right, find him. I've got to talk to him. | 0:17:24 | 0:17:27 | |
Guv, Marwood's been planning this for a long time - | 0:17:29 | 0:17:32 | |
he's well-prepared, he's off the grid. | 0:17:32 | 0:17:34 | |
We're not going to find him where he's at, but where he's going to be next. | 0:17:34 | 0:17:37 | |
And how are we going to do that? | 0:17:37 | 0:17:38 | |
Well, he's making a play for public sympathy, | 0:17:38 | 0:17:40 | |
meaning he'll keep targeting offenders that people hate the most. The worst of the worst. | 0:17:40 | 0:17:44 | |
-So...? -So, let's say we find the ten most debased scumbags in London, | 0:17:44 | 0:17:50 | |
put a surveillance team on them. | 0:17:50 | 0:17:52 | |
See if we can't get to Marwood before he gets to them. | 0:17:52 | 0:17:55 | |
Yeah, well, how do we narrow down the possibles? | 0:17:55 | 0:17:57 | |
I mean, depravity is hardly in short supply in this city. | 0:17:57 | 0:18:01 | |
We collate nature of offence against the volume of press coverage. | 0:18:01 | 0:18:04 | |
It can definitely be done, boss. | 0:18:04 | 0:18:06 | |
All right, let's do it. | 0:18:10 | 0:18:13 | |
DIALLING TONE | 0:18:28 | 0:18:29 | |
'Hey...' | 0:18:30 | 0:18:31 | |
Can we meet? | 0:18:31 | 0:18:33 | |
'Yeah... Are you all right?' | 0:18:33 | 0:18:34 | |
Yep. I'd just...really need to talk. | 0:18:35 | 0:18:38 | |
'OK.' | 0:18:38 | 0:18:39 | |
-Seriously, are you all right? -Some people came round, after you'd gone. | 0:18:39 | 0:18:43 | |
What people? | 0:18:43 | 0:18:45 | |
'A man and a woman. Police.' | 0:18:45 | 0:18:49 | |
I can't, I can't talk about this on the phone. I can't. | 0:18:50 | 0:18:53 | |
I need to see you. | 0:18:53 | 0:18:55 | |
Mary, all right. Listen, just tell me where you are right now. | 0:18:55 | 0:18:59 | |
-At work. -'At work?' | 0:18:59 | 0:19:01 | |
All right. Good, I'll just come now. | 0:19:01 | 0:19:03 | |
No! No, don't do that. | 0:19:03 | 0:19:04 | |
Mary? | 0:19:13 | 0:19:15 | |
Hey. | 0:19:15 | 0:19:16 | |
Shall we get a cup of coffee or something? | 0:19:19 | 0:19:22 | |
Yeah, in a minute. | 0:19:22 | 0:19:23 | |
-Um... -You all right? -Yeah, um... | 0:19:25 | 0:19:27 | |
How did your wife die? | 0:19:29 | 0:19:31 | |
Zoe. | 0:19:32 | 0:19:33 | |
Er, it's a long... | 0:19:37 | 0:19:39 | |
..it's a long story. | 0:19:40 | 0:19:41 | |
She was er... | 0:19:45 | 0:19:46 | |
..taken by a friend of mine. Someone I knew. | 0:19:48 | 0:19:53 | |
And if I'd asked that question this morning... | 0:19:57 | 0:20:00 | |
before that Glaswegian dick had done his dirty business, | 0:20:00 | 0:20:05 | |
-would you have given me the same answer? -Of course. -Why? | 0:20:05 | 0:20:09 | |
Because it's the truth. | 0:20:09 | 0:20:10 | |
Hey, listen, whatever they said, they were lying. | 0:20:12 | 0:20:15 | |
They had a file on you. | 0:20:15 | 0:20:16 | |
-What did you do? -Nothing. I did nothing. | 0:20:23 | 0:20:25 | |
-Whatever they told you, they were lying. -I...I think you should stay away from me. | 0:20:26 | 0:20:30 | |
-Mary, come on... -Please. | 0:20:34 | 0:20:36 | |
Mary! | 0:20:48 | 0:20:49 | |
They were lying. | 0:20:52 | 0:20:54 | |
MOBILE PHONE VIBRATES | 0:20:57 | 0:21:02 | |
Justin, what? | 0:21:02 | 0:21:03 | |
We're down to 263 potentials. | 0:21:03 | 0:21:05 | |
'Well, we better move faster than that, eh?' | 0:21:05 | 0:21:07 | |
Yeah, we'll get there. Where will you be? | 0:21:07 | 0:21:09 | |
Oh, I'll be checking out the brother-in-law. | 0:21:09 | 0:21:12 | |
OK. | 0:21:12 | 0:21:13 | |
MOBILE PHONE RINGS | 0:21:19 | 0:21:21 | |
Hello. | 0:21:21 | 0:21:22 | |
-'George.' -John Luther! | 0:21:22 | 0:21:25 | |
How the devil are you? | 0:21:25 | 0:21:26 | |
'I'm fair to middling. Have you got two minutes for me?' | 0:21:26 | 0:21:30 | |
I'll put the kettle on. | 0:21:30 | 0:21:32 | |
What? | 0:21:50 | 0:21:51 | |
What are you scared of, Erin? | 0:21:53 | 0:21:55 | |
I'm scared of what this is turning into. | 0:22:03 | 0:22:06 | |
HE RINGS THE BUZZER | 0:22:39 | 0:22:40 | |
DOOR BUZZES | 0:22:40 | 0:22:42 | |
HE KNOCKS ON THE DOOR | 0:22:49 | 0:22:50 | |
-So? -So here's the thing. | 0:23:15 | 0:23:17 | |
You come for me, I'm fine with that. | 0:23:17 | 0:23:20 | |
I'll match you bite for bite | 0:23:20 | 0:23:21 | |
and in the end, we'll see who's still standing, right? | 0:23:21 | 0:23:24 | |
But you need to keep away from Mary. | 0:23:25 | 0:23:29 | |
She's off limits. | 0:23:29 | 0:23:30 | |
But what's the point of knowing your weak spot | 0:23:32 | 0:23:37 | |
if I don't get a chance to... | 0:23:37 | 0:23:40 | |
poke it a bit? | 0:23:40 | 0:23:41 | |
See, here's the thing, John - this isn't some pre-match symposium. | 0:23:44 | 0:23:49 | |
There are no rules of play. | 0:23:49 | 0:23:51 | |
-George, if you sow these seeds... -And what? | 0:23:51 | 0:23:54 | |
I reap the whirlwind? Is that right? | 0:23:56 | 0:24:00 | |
You know your problem? | 0:24:02 | 0:24:03 | |
You've spent your life thinking you're the whirlwind. | 0:24:05 | 0:24:08 | |
Well, you're not. | 0:24:09 | 0:24:10 | |
Because I'm the whirlwind, John. | 0:24:12 | 0:24:14 | |
I'm the whirlwind. | 0:24:16 | 0:24:17 | |
We'll see. | 0:24:22 | 0:24:23 | |
HE CHUCKLES | 0:24:34 | 0:24:35 | |
-TELEVISION: -'A big police search is under way in London trying to find | 0:25:17 | 0:25:20 | |
'vigilante suspect Tom Marwood after he posted an online video on the Internet this morning...' | 0:25:20 | 0:25:25 | |
KNOCKING ON DOOR | 0:25:25 | 0:25:26 | |
'..Marwood made a public announcement blaming the criminal justice system for failing...' | 0:25:26 | 0:25:30 | |
Who is it? | 0:25:30 | 0:25:32 | |
It's Lee, from downstairs. | 0:25:32 | 0:25:33 | |
Um...courier dropped something off for you. I signed for it. | 0:25:35 | 0:25:39 | |
What is it? | 0:25:39 | 0:25:40 | |
It's...I dunno, a book or something. | 0:25:40 | 0:25:42 | |
Please. | 0:25:52 | 0:25:53 | |
DIALLING TONE | 0:25:59 | 0:26:00 | |
MOBILE PHONE RINGS | 0:26:00 | 0:26:03 | |
MOBILE PHONE RINGS | 0:26:10 | 0:26:12 | |
Hello? | 0:26:13 | 0:26:15 | |
'Alan Ramsey?' | 0:26:16 | 0:26:18 | |
-'Speaking.' -This is DCI John Luther. | 0:26:18 | 0:26:20 | |
This'll be about Tom, I take it. | 0:26:23 | 0:26:24 | |
'Yes, it is. Got a couple of minutes to spare for me?' | 0:26:24 | 0:26:27 | |
Sure. | 0:26:27 | 0:26:28 | |
I'll see you then. | 0:26:29 | 0:26:30 | |
Alan Ramsey? | 0:26:53 | 0:26:55 | |
Alan? | 0:26:55 | 0:26:56 | |
DCI John Luther. | 0:26:56 | 0:26:58 | |
Don't move! | 0:27:11 | 0:27:13 | |
All right. | 0:27:13 | 0:27:14 | |
Stop! Stop! Stop! Stop! | 0:27:43 | 0:27:45 | |
Well, do me a favour and throw me your phone and wallet, please. | 0:27:49 | 0:27:53 | |
One out of five murders are committed by men on bail. | 0:28:08 | 0:28:13 | |
-You know that? -Every copper knows that. | 0:28:13 | 0:28:17 | |
So why does nobody do anything about it? | 0:28:17 | 0:28:19 | |
Because it's complicated. | 0:28:19 | 0:28:20 | |
No, it's not. | 0:28:22 | 0:28:23 | |
No, it's not. | 0:28:25 | 0:28:26 | |
You got me there. | 0:28:28 | 0:28:29 | |
Listen. | 0:28:31 | 0:28:33 | |
Detective Chief Inspector John Luther. | 0:28:34 | 0:28:37 | |
All I want is what you want - to have these people locked up, | 0:28:37 | 0:28:40 | |
so they can't do any more harm to anyone else. | 0:28:40 | 0:28:43 | |
Now, look me in the eye and tell me you disagree with that. | 0:28:45 | 0:28:48 | |
Not with the motive, maybe. | 0:28:48 | 0:28:51 | |
But I seriously dispute the means. | 0:28:51 | 0:28:55 | |
So you've never been tempted? | 0:28:55 | 0:28:58 | |
To administer a bit of personal justice? | 0:28:58 | 0:29:00 | |
I don't have the right to do that. | 0:29:02 | 0:29:04 | |
Nobody does. | 0:29:06 | 0:29:08 | |
Two days. | 0:29:11 | 0:29:12 | |
Give me two days, that's all I need. | 0:29:14 | 0:29:16 | |
For what? | 0:29:16 | 0:29:17 | |
To make things better. | 0:29:17 | 0:29:19 | |
You know I can't do that, Tom. | 0:29:19 | 0:29:20 | |
Yes you can... | 0:29:20 | 0:29:23 | |
if you chose to. | 0:29:23 | 0:29:24 | |
Tom. | 0:29:28 | 0:29:29 | |
You know they're going to kill you. | 0:29:29 | 0:29:31 | |
This is how all these things end. | 0:29:33 | 0:29:34 | |
I died the day I came home | 0:29:38 | 0:29:40 | |
and found my wife's corpse stuffed into the airing cupboard. | 0:29:40 | 0:29:43 | |
Don't make me your enemy, John. | 0:29:48 | 0:29:50 | |
We're on the same side. | 0:29:51 | 0:29:54 | |
I'm sorry you think that. | 0:29:54 | 0:29:55 | |
Tom, listen to me. | 0:29:58 | 0:29:59 | |
Tom! | 0:30:04 | 0:30:05 | |
SHE CLEARS HER THROAT | 0:30:09 | 0:30:11 | |
Um...DCI Luther? | 0:30:11 | 0:30:13 | |
He's not here, ma'am. | 0:30:19 | 0:30:21 | |
Oh, OK. | 0:30:21 | 0:30:22 | |
Then, um... I wonder if you could spare me a minute, DS Ripley? | 0:30:22 | 0:30:26 | |
Thank you. | 0:30:37 | 0:30:38 | |
So what is this, like a Derren Brown thing? | 0:30:48 | 0:30:51 | |
Mind reader. Mentalist. Reads minds. | 0:30:51 | 0:30:53 | |
Oh, right. No, you don't want to read my mind right now. | 0:30:53 | 0:30:57 | |
Full of scorpions. | 0:30:59 | 0:31:00 | |
It's all right. He's long gone. | 0:31:04 | 0:31:07 | |
I didn't know he'd be here. I swear to God. | 0:31:11 | 0:31:14 | |
I didn't call him or anything. | 0:31:14 | 0:31:15 | |
He cloned your SIM. | 0:31:15 | 0:31:18 | |
He's a clever boy, your brother-in-law. | 0:31:18 | 0:31:20 | |
I'm beginning to like him. You all right? | 0:31:22 | 0:31:24 | |
Yeah, yeah, I think so. | 0:31:24 | 0:31:26 | |
Justin, I think I may have taken a wrong turn, somewhere along the way. | 0:31:30 | 0:31:34 | |
Surely not. | 0:31:34 | 0:31:35 | |
Well, that wasn't exactly the disarmingly gallant reaction I was hoping for... | 0:31:37 | 0:31:42 | |
in my heart of hearts. | 0:31:42 | 0:31:43 | |
What were you hoping for? In your heart of hearts? | 0:31:43 | 0:31:47 | |
MOBILE PHONE RINGS | 0:31:51 | 0:31:53 | |
SHE CLEARS HER THROAT | 0:31:53 | 0:31:54 | |
DS Ripley. | 0:31:55 | 0:31:56 | |
Boss? | 0:31:58 | 0:31:59 | |
Yeah, on my way. | 0:32:01 | 0:32:02 | |
Got to go. | 0:32:04 | 0:32:05 | |
And fight the good fight? | 0:32:05 | 0:32:07 | |
Listen. We'll... We'll put it right, but...I really do need to go. | 0:32:07 | 0:32:10 | |
Sure. | 0:32:10 | 0:32:11 | |
-Do you want to talk about this properly? -That's why I'm here. | 0:32:17 | 0:32:20 | |
No, I mean, properly. As actual human beings. | 0:32:20 | 0:32:24 | |
A drink or something? | 0:32:24 | 0:32:26 | |
Oh. | 0:32:26 | 0:32:27 | |
OK. | 0:32:29 | 0:32:30 | |
Right, well...I'll give you a bell. | 0:32:30 | 0:32:32 | |
OK. | 0:32:33 | 0:32:34 | |
SHE SIGHS | 0:32:39 | 0:32:41 | |
This got my numbers on it? | 0:32:45 | 0:32:47 | |
All six of them, yeah. | 0:32:47 | 0:32:48 | |
Who needs more than six numbers? Marwood? | 0:32:48 | 0:32:51 | |
Had it on his toes. Long gone. | 0:32:51 | 0:32:53 | |
So I had a visitor. Erin Grey. | 0:32:53 | 0:32:55 | |
Oh, yeah? She have problems parking her broomstick? | 0:32:55 | 0:32:58 | |
Well, she wasn't a happy flower. | 0:32:58 | 0:33:00 | |
This about Stark? | 0:33:00 | 0:33:01 | |
I think so. | 0:33:01 | 0:33:03 | |
-I get the impression... -He's not playing with a straight bat? | 0:33:03 | 0:33:07 | |
Yeah. I get that impression too. | 0:33:07 | 0:33:09 | |
Why? What's happened? | 0:33:09 | 0:33:12 | |
Nothing. | 0:33:12 | 0:33:14 | |
Listen, I've got to go, cover for me! | 0:33:14 | 0:33:17 | |
-VOICE MAIL: -'You have one saved message.' | 0:33:19 | 0:33:21 | |
BLEEP | 0:33:21 | 0:33:22 | |
'Wow, you were right about your phone. So anyway, it's me, hi. | 0:33:22 | 0:33:27 | |
'It's Mary, Mary Day from last night. | 0:33:27 | 0:33:31 | |
'So yeah, anyway, cool. | 0:33:31 | 0:33:34 | |
'Speak soon.' | 0:33:34 | 0:33:36 | |
DOOR OPENS | 0:34:00 | 0:34:02 | |
I know, I know you said to leave you alone, don't talk to you. | 0:34:02 | 0:34:05 | |
And I will, I just... | 0:34:05 | 0:34:07 | |
-I just wanted to say one thing, and then I'm gone. -Say it. | 0:34:07 | 0:34:10 | |
I'm really sorry that you saw what you saw. | 0:34:12 | 0:34:14 | |
I can only imagine how it made you feel. | 0:34:14 | 0:34:16 | |
It made me want to throw up, that's how it made me feel. | 0:34:16 | 0:34:19 | |
It made me want to...vomit. | 0:34:19 | 0:34:22 | |
I didn't do those things. | 0:34:22 | 0:34:23 | |
So why did they say that you did? Was it for a laugh? | 0:34:23 | 0:34:27 | |
Look, I'm not going to say I haven't done stupid things, I have. | 0:34:27 | 0:34:29 | |
I've done stupid things, really stupid. | 0:34:29 | 0:34:32 | |
But I was trying to help people. And I, and, you know, it just got... | 0:34:32 | 0:34:36 | |
Kind of like when your car goes into a skid | 0:34:38 | 0:34:40 | |
and they tell you, you know, turn into the skid, | 0:34:40 | 0:34:42 | |
and then, you find yourself coasting. | 0:34:42 | 0:34:45 | |
Trying to hang on and hoping | 0:34:47 | 0:34:48 | |
that somehow you'll straighten out before you... | 0:34:48 | 0:34:51 | |
..get to the edge. | 0:34:53 | 0:34:54 | |
None of what they said was true. None of it. | 0:35:00 | 0:35:03 | |
So you need to tell me what is. | 0:35:03 | 0:35:06 | |
I don't know if that's a good idea. | 0:35:08 | 0:35:10 | |
Right, well, how am I supposed to trust you, if you don't trust me? | 0:35:10 | 0:35:13 | |
I need to know, John. | 0:35:15 | 0:35:17 | |
OK. | 0:35:20 | 0:35:21 | |
All of it? | 0:35:23 | 0:35:24 | |
All of it. | 0:35:26 | 0:35:27 | |
Every last drop. | 0:35:30 | 0:35:31 | |
MOBILE PHONE VIBRATES | 0:35:37 | 0:35:39 | |
I've got to take this. I'm sorry, I've, I've got to take it. | 0:35:39 | 0:35:42 | |
Yeah. | 0:35:42 | 0:35:44 | |
-Boss? -'Good news,' | 0:35:48 | 0:35:49 | |
the proactive strategy seems to be working, in principle. | 0:35:49 | 0:35:53 | |
In principle? What? | 0:35:54 | 0:35:56 | |
A sex offender, Dennis Cochrane, | 0:35:56 | 0:35:59 | |
was abducted from his flat a little more than two hours ago. | 0:35:59 | 0:36:02 | |
-'He's on the list, but we were too late.' -Oh, I had him. I had him! | 0:36:02 | 0:36:05 | |
Right in my hands and I just let him go. | 0:36:05 | 0:36:08 | |
He had a gun to your head. | 0:36:08 | 0:36:10 | |
-So I think it's more a case of him letting you go. -'Right, I know.' | 0:36:10 | 0:36:12 | |
Just have Benny send me the, um... | 0:36:12 | 0:36:15 | |
address. | 0:36:15 | 0:36:16 | |
All right. | 0:36:17 | 0:36:18 | |
HE SIGHS | 0:36:20 | 0:36:21 | |
I'm having a horrible day. | 0:36:23 | 0:36:25 | |
It's OK. | 0:36:25 | 0:36:26 | |
But um... | 0:36:28 | 0:36:29 | |
..I, I'm going to be back late tonight. | 0:36:31 | 0:36:34 | |
Bit later than usual, I mean. | 0:36:34 | 0:36:36 | |
I will be back. | 0:36:37 | 0:36:38 | |
You know where everything is. | 0:36:44 | 0:36:46 | |
Yeah, I think so. | 0:36:46 | 0:36:48 | |
I'll be there. | 0:36:51 | 0:36:52 | |
Right. | 0:36:52 | 0:36:53 | |
You all right? | 0:37:28 | 0:37:29 | |
Cochrane's a paedophile. | 0:37:43 | 0:37:45 | |
Did 15 years for false imprisonment and rape. | 0:37:45 | 0:37:48 | |
Bit of a tabloid nightmare. | 0:37:48 | 0:37:50 | |
Went on to self-publish poems and essays | 0:37:50 | 0:37:52 | |
about "inter-generational love." | 0:37:52 | 0:37:54 | |
Sees himself as a champion of freedom, | 0:37:56 | 0:37:58 | |
ungoverned by religion or law. | 0:37:58 | 0:38:00 | |
Yeah, I've heard that one before. | 0:38:00 | 0:38:02 | |
Lack of conscience dressed up as philosophy. | 0:38:02 | 0:38:05 | |
It's not right, is it? | 0:38:10 | 0:38:11 | |
-What's not? -Well, Marwood walks up to Butler and Meredith, bam! | 0:38:13 | 0:38:17 | |
Doesn't do the same with Cochrane? Why's that? | 0:38:17 | 0:38:20 | |
We find any keys? | 0:38:22 | 0:38:24 | |
Not that I'm aware of, no. Why? | 0:38:24 | 0:38:26 | |
Well, it's what you do, you know. | 0:38:26 | 0:38:28 | |
You walk in. Big bag of books in one hand, pop them down. | 0:38:28 | 0:38:33 | |
Put your keys on the table, fish out your wallet and your phone. | 0:38:34 | 0:38:38 | |
Yeah. OK. | 0:38:40 | 0:38:41 | |
So who took his keys and why? | 0:38:43 | 0:38:45 | |
'My name is Dennis Cochrane.' | 0:39:06 | 0:39:08 | |
Boss! | 0:39:08 | 0:39:09 | |
'I'm a paedophile. | 0:39:09 | 0:39:11 | |
'I spent 15 years in prison | 0:39:11 | 0:39:13 | |
'for the heinous violation of young children. | 0:39:13 | 0:39:16 | |
'I've shown no contrition, | 0:39:16 | 0:39:18 | |
'because I don't believe sex between adults and children to be wrong. | 0:39:18 | 0:39:22 | |
'Statistics suggest that, having been released, | 0:39:22 | 0:39:26 | |
'I'll go on to commit many further offences | 0:39:26 | 0:39:30 | |
'against many other children. | 0:39:30 | 0:39:32 | |
'But still, the criminal justice system set me free. | 0:39:34 | 0:39:37 | |
'So what should be done with me?' | 0:39:39 | 0:39:42 | |
MUFFLED SCREAMS | 0:39:57 | 0:39:59 | |
No! | 0:40:14 | 0:40:16 | |
MUFFLED SCREAMS | 0:40:16 | 0:40:17 | |
KNOCKING ON DOOR | 0:40:28 | 0:40:29 | |
Do you understand social networking? | 0:40:36 | 0:40:39 | |
No. | 0:40:39 | 0:40:40 | |
Good. Then, I'm not alone. | 0:40:41 | 0:40:44 | |
But apparently people are climbing over each other to incite Dennis Cochrane's execution. | 0:40:44 | 0:40:49 | |
Bread and circuses. | 0:40:49 | 0:40:51 | |
Nothing new under the sun. | 0:40:51 | 0:40:52 | |
If Tom Marwood gets his wish and people vote to hang the paedophile, | 0:40:52 | 0:40:55 | |
and they will, | 0:40:55 | 0:40:56 | |
for who would suffer a paedophile to live? | 0:40:56 | 0:40:59 | |
Then, there's no telling where this is going to end. | 0:40:59 | 0:41:02 | |
Riots, copycat murders, lynchings, pogroms. | 0:41:02 | 0:41:07 | |
Gangs of vigilantes kicking to death people whose faces don't fit. | 0:41:07 | 0:41:10 | |
Where's your head at? | 0:41:13 | 0:41:14 | |
Well, we're not going to find Tom Marwood before midnight. | 0:41:18 | 0:41:20 | |
But if you're right, | 0:41:20 | 0:41:22 | |
if he executes Cochrane, this all gets very ugly very quickly. | 0:41:22 | 0:41:26 | |
But we know he's monitoring the media. And you're right. | 0:41:26 | 0:41:30 | |
There's nothing more potent than private pain made public. | 0:41:30 | 0:41:33 | |
MUFFLED SCREAMS | 0:41:38 | 0:41:41 | |
Please. | 0:41:47 | 0:41:49 | |
Help. | 0:41:52 | 0:41:53 | |
Upstairs has signed off, | 0:42:04 | 0:42:07 | |
having made it perfectly clear that if this goes lopsided, | 0:42:07 | 0:42:10 | |
it's you and me who will swing from the gibbet. | 0:42:10 | 0:42:13 | |
It won't go lopsided. | 0:42:13 | 0:42:14 | |
Benny, if this goes lopsided, | 0:42:22 | 0:42:24 | |
then I need you to find every bit of intel on Cochrane - | 0:42:24 | 0:42:27 | |
haunts, associates... Anything that makes your nose twitch, all right? | 0:42:27 | 0:42:30 | |
Wilco, Blue Leader. | 0:42:30 | 0:42:32 | |
Cheers, Ben. | 0:42:32 | 0:42:34 | |
Cheers, Justin. Look after yourself. | 0:42:34 | 0:42:35 | |
Excuse me, mate, Kiera Mills? | 0:42:39 | 0:42:41 | |
Just over there. | 0:42:41 | 0:42:42 | |
Kiera? | 0:42:48 | 0:42:49 | |
Kiera Mills? | 0:42:52 | 0:42:54 | |
Do you know what that man did to me? | 0:42:59 | 0:43:02 | |
Dennis Cochrane. | 0:43:02 | 0:43:03 | |
I say "man". | 0:43:06 | 0:43:07 | |
SHE CHUCKLES | 0:43:07 | 0:43:08 | |
Do you know what he did? | 0:43:08 | 0:43:10 | |
Yes. | 0:43:12 | 0:43:13 | |
I was a little girl. I was 11! | 0:43:18 | 0:43:21 | |
-And he... -Kiera, I should explain to you | 0:43:26 | 0:43:29 | |
that I have no sympathy for Dennis Cochrane. | 0:43:29 | 0:43:32 | |
All right, not one bit. | 0:43:34 | 0:43:35 | |
But I don't get to choose who should live and who should die. | 0:43:35 | 0:43:39 | |
Even if I hate them myself. | 0:43:39 | 0:43:41 | |
This is the hardest thing I've ever had to ask someone to do. | 0:43:44 | 0:43:48 | |
What do you want? | 0:43:51 | 0:43:53 | |
I want you to plead for Dennis Cochrane's life. | 0:43:56 | 0:43:59 | |
Benny Boy? | 0:44:14 | 0:44:15 | |
So I've been trawling a list of Cochrane's known associates. | 0:44:15 | 0:44:19 | |
Nothing solid, but about a month back, | 0:44:19 | 0:44:22 | |
a Parole Officer got a tip-off that a nonce, Gordon Murray, | 0:44:22 | 0:44:27 | |
was in breach of his parole, | 0:44:27 | 0:44:29 | |
associating with known sex-offenders. | 0:44:29 | 0:44:32 | |
Cochrane's not been named, but him and Murray were known to be BFFs. | 0:44:32 | 0:44:35 | |
Right, and where do we find Murray? | 0:44:35 | 0:44:37 | |
-TELEVISION: -'..most videos went viral, | 0:44:46 | 0:44:48 | |
'with the viewing figures reaching the hundreds of thousands...' | 0:44:48 | 0:44:51 | |
All right, Gordon. We're the filth. | 0:44:54 | 0:44:58 | |
Which is funny, really, considering who we're talking to. | 0:44:58 | 0:45:01 | |
HE MOANS | 0:45:03 | 0:45:05 | |
Shall we try that again? | 0:45:05 | 0:45:07 | |
I'll have a lemonade, please. | 0:45:07 | 0:45:09 | |
Help. | 0:45:22 | 0:45:23 | |
MUFFLED SCREAMS | 0:45:23 | 0:45:25 | |
What do you want? | 0:45:28 | 0:45:29 | |
-TELEVISION: -'..people to remain calm and not to respond to the suspected vigilante's appeal. | 0:45:29 | 0:45:34 | |
'They say Marwood could be unpredictable and dangerous.' | 0:45:34 | 0:45:36 | |
Everyone wants him dead. Your mate, Dennis Cochran. | 0:45:36 | 0:45:40 | |
King Nonce. | 0:45:40 | 0:45:43 | |
He's got less than an hour. | 0:45:43 | 0:45:45 | |
-I think you know where he is. -How could I? | 0:45:45 | 0:45:47 | |
I think Marwood's been following you. | 0:45:47 | 0:45:49 | |
I think he's taken Dennis back to your...club-house | 0:45:49 | 0:45:51 | |
where you and your dirty little mates have your social gatherings. | 0:45:51 | 0:45:55 | |
So where is it? Back of someone's pub? Dirty little shop somewhere? | 0:45:57 | 0:46:01 | |
-Come on? -No, you've got it wrong, mate. | 0:46:01 | 0:46:03 | |
I'm not your mate. I'm far from your mate. | 0:46:03 | 0:46:05 | |
The sight of you makes me want to wash my skin with Domestos. | 0:46:05 | 0:46:07 | |
The terms of my parole forbid me from using the Internet | 0:46:07 | 0:46:10 | |
or mixing with other sex offenders. | 0:46:10 | 0:46:11 | |
-TV: -'We can take you live to a police news conference.' | 0:46:11 | 0:46:14 | |
Boss. | 0:46:14 | 0:46:15 | |
Can you turn that up, please, love? | 0:46:16 | 0:46:18 | |
-TELEVISION: -'Thank you very much, ladies and gentleman. | 0:46:18 | 0:46:20 | |
'I know you are all aware of how urgent this situation is.' | 0:46:20 | 0:46:26 | |
So, Kiera will now make a short statement. | 0:46:26 | 0:46:30 | |
My name is Kiera Mills. | 0:46:33 | 0:46:36 | |
You don't know me, because I was never named in the press. | 0:46:36 | 0:46:39 | |
But 18 years ago, | 0:46:42 | 0:46:43 | |
'when I was a little girl, | 0:46:43 | 0:46:45 | |
'Dennis Cochrane stole me from the back of my mum's car. | 0:46:45 | 0:46:48 | |
'She'd just popped to the shops to get some milk.' | 0:46:48 | 0:46:51 | |
Dennis Cochrane kidnapped me and raped me. | 0:46:51 | 0:46:55 | |
He ruined my life. | 0:46:57 | 0:46:59 | |
'This morning, a man kidnapped Dennis Cochrane | 0:47:06 | 0:47:11 | |
'and threatened to kill him for all the terrible things he has done,' | 0:47:11 | 0:47:15 | |
not just to me, but to other little boys and girls. | 0:47:15 | 0:47:18 | |
Help! | 0:47:22 | 0:47:23 | |
So I have come here today | 0:47:25 | 0:47:28 | |
to send a message | 0:47:28 | 0:47:31 | |
to the man who has Dennis Cochrane in his keeping. | 0:47:31 | 0:47:35 | |
And that message... | 0:47:38 | 0:47:40 | |
..that message is kill him! | 0:47:45 | 0:47:47 | |
THEY SHOUT | 0:47:47 | 0:47:51 | |
MUFFLED SCREAMS | 0:47:51 | 0:47:54 | |
Right. You tell me where he is or when they come for you, | 0:47:57 | 0:48:00 | |
I'll let you just hang. | 0:48:00 | 0:48:02 | |
-Don't look at me, mate. -Come on! -All right! | 0:48:02 | 0:48:05 | |
-There's a lockup. -A lock up? Where is it? | 0:48:05 | 0:48:07 | |
We use it for meetings, socialising. | 0:48:07 | 0:48:09 | |
You disgust me! Come on. | 0:48:09 | 0:48:10 | |
If I tell you, you might find some...materials. | 0:48:10 | 0:48:13 | |
-Shut up, shut up, shut up! Where is it? -None of it's mine! | 0:48:13 | 0:48:16 | |
-I want that in writing. None of it's mine! -Where is it? Tell me now! | 0:48:16 | 0:48:20 | |
Horsemonger Lane! The railway arches! | 0:48:20 | 0:48:23 | |
You just...all you do is cross the estate. | 0:48:23 | 0:48:26 | |
Benny! Cochrane's got a lockup - railway arches, Horsemonger Lane. | 0:48:26 | 0:48:30 | |
Scramble ARV now! | 0:48:30 | 0:48:31 | |
No. No. | 0:48:38 | 0:48:39 | |
Please. | 0:48:39 | 0:48:40 | |
MUFFLED SCREAMS | 0:48:40 | 0:48:44 | |
Oh, God, oh, oh! | 0:48:44 | 0:48:46 | |
HE SOBS | 0:48:51 | 0:48:53 | |
Oh! No! | 0:48:53 | 0:48:55 | |
HE SCREAMS | 0:49:00 | 0:49:03 | |
Please. No. | 0:49:05 | 0:49:07 | |
HE SOBS | 0:49:07 | 0:49:08 | |
Please! No! | 0:49:16 | 0:49:18 | |
Oh, God! Oh, God! | 0:49:19 | 0:49:21 | |
Shh. | 0:49:21 | 0:49:22 | |
HE SCREAMS | 0:49:25 | 0:49:28 | |
HE CRIES | 0:49:30 | 0:49:32 | |
CO19 are en route. ETA, 13 minutes. | 0:49:39 | 0:49:43 | |
Local units should be there in nine. | 0:49:43 | 0:49:45 | |
Wait, boss, he's tweeting the address! | 0:49:45 | 0:49:47 | |
We're on our way. We'll be there in two, three minutes. | 0:49:47 | 0:49:50 | |
Watch out! | 0:50:08 | 0:50:09 | |
THEY SHOUT | 0:50:10 | 0:50:12 | |
Move, move, move! | 0:50:23 | 0:50:25 | |
THEY SHOUT | 0:50:25 | 0:50:27 | |
MOB GO QUIET | 0:50:34 | 0:50:36 | |
Quiet now! | 0:50:36 | 0:50:38 | |
THEY CHEER | 0:50:46 | 0:50:48 | |
THEY SHOUT: Come on, do it! Do it! | 0:50:48 | 0:50:51 | |
Come on! | 0:50:51 | 0:50:52 | |
Stop right now! | 0:51:01 | 0:51:02 | |
Thomas Marwood! Enough! | 0:51:04 | 0:51:06 | |
MOB CHEER | 0:51:12 | 0:51:14 | |
Move! | 0:51:14 | 0:51:15 | |
Ah, come on! | 0:51:29 | 0:51:31 | |
HE MOANS | 0:51:33 | 0:51:35 | |
-Get back! Get back! -Go! Get Marwood! | 0:51:52 | 0:51:55 | |
Get him! | 0:51:55 | 0:51:57 | |
THEY SHOUT | 0:52:14 | 0:52:16 | |
SIRENS WAILING | 0:52:20 | 0:52:22 | |
He's still alive, cut him down! | 0:52:39 | 0:52:41 | |
Tom Marwood! Stop! | 0:53:05 | 0:53:06 | |
OK, enough. | 0:53:14 | 0:53:15 | |
We're done, Tom, all right? | 0:53:20 | 0:53:22 | |
-What's your name? -DS Ripley. | 0:53:24 | 0:53:26 | |
-Justin. -What I need you to do, Justin, | 0:53:27 | 0:53:31 | |
I need you to back away. | 0:53:31 | 0:53:33 | |
I can't do it. | 0:53:35 | 0:53:36 | |
Of course you can. | 0:53:37 | 0:53:39 | |
No, I can't. Sorry. | 0:53:41 | 0:53:43 | |
You've already done enough tonight. | 0:53:43 | 0:53:46 | |
I saw how you waded into that mob. That was brave. | 0:53:46 | 0:53:49 | |
Nobody could ask any more of you. So just... | 0:53:49 | 0:53:52 | |
..back off. | 0:53:54 | 0:53:55 | |
Let me go. | 0:53:57 | 0:53:58 | |
Say I did that... | 0:54:00 | 0:54:01 | |
..yeah, and all this carries on. | 0:54:03 | 0:54:05 | |
Someone innocent gets hurt. | 0:54:05 | 0:54:07 | |
-How am I supposed to live with that? -It won't happen. | 0:54:07 | 0:54:10 | |
It'll happen. | 0:54:11 | 0:54:12 | |
You've made your point, Tom. People are talking. | 0:54:14 | 0:54:16 | |
You're all over the Internet. All over TV. | 0:54:16 | 0:54:18 | |
You've done what you needed to do. | 0:54:20 | 0:54:22 | |
I don't want to do this. | 0:54:22 | 0:54:23 | |
I'm a copper. | 0:54:31 | 0:54:32 | |
We're on the same side. | 0:54:34 | 0:54:35 | |
I don't think you're going to shoot me. | 0:54:37 | 0:54:39 | |
Now, please... | 0:54:40 | 0:54:43 | |
just back off. | 0:54:43 | 0:54:45 | |
I'd love to. | 0:54:45 | 0:54:47 | |
Please! | 0:54:47 | 0:54:48 | |
No. | 0:54:51 | 0:54:52 | |
HE SOBS | 0:55:00 | 0:55:01 | |
Justin! Justin! | 0:55:31 | 0:55:34 | |
Ripley! Hey. Hey! Hey! | 0:55:34 | 0:55:36 | |
Hey! | 0:55:38 | 0:55:39 | |
No. Don't you... Don't you... | 0:55:39 | 0:55:42 | |
Hey. Get up! | 0:55:42 | 0:55:43 | |
Justin! | 0:55:45 | 0:55:47 | |
No! Get up! | 0:55:49 | 0:55:51 | |
HE SCREAMS | 0:55:58 | 0:55:59 | |
No, mate, get up. Get up! | 0:56:10 | 0:56:12 | |
-TELEVISION: -'..Several people, including some police officers, | 0:56:16 | 0:56:19 | |
'have been hurt after a crowd in East London turned violent. | 0:56:19 | 0:56:22 | |
'The police had intervened in what vigilante Tom Marwood...' | 0:56:22 | 0:56:24 | |
'It's John. Leave a message.' | 0:56:24 | 0:56:26 | |
I asked you nicely. | 0:56:26 | 0:56:28 | |
Now, look. Now, look what happens! | 0:56:28 | 0:56:31 | |
This is YOUR fault. | 0:56:31 | 0:56:33 | |
This is on YOUR head. | 0:56:33 | 0:56:35 | |
I warned you not to make me your enemy! | 0:56:36 | 0:56:39 | |
I warned you! | 0:56:39 | 0:56:40 | |
-TV: -'..The public execution of sex offender Dennis Cochran...' | 0:57:05 | 0:57:08 | |
BANGING NOISE | 0:57:08 | 0:57:09 | |
'Marwood's whereabouts are currently unknown. | 0:57:09 | 0:57:12 | |
'Police say he is armed and extremely dangerous...' | 0:57:12 | 0:57:14 | |
GLASS SHATTERS | 0:57:14 | 0:57:15 | |
'They say anyone who believes they've seen Marwood should...' | 0:57:15 | 0:57:19 | |
SHE SIGHS | 0:57:41 | 0:57:43 | |
HE MOANS | 0:57:53 | 0:57:55 | |
HE SCREAMS | 0:58:01 | 0:58:02 | |
SHE SCREAMS | 0:58:14 | 0:58:16 | |
SHE SCREAMS | 0:58:24 | 0:58:26 | |
Subtitles by Red Bee Media Ltd | 0:58:34 | 0:58:37 |