Episode 1 Luther


Episode 1

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Transcript


LineFromTo

-'DCI John Luther. DS Justin Ripley.'

-I lobbied to be stationed with you.

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I put in the request nine months ago, I chased it up three times a week, in writing.

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My mate Justin. I love him.

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I don't think you're going to shoot me.

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Don't you...don't you.

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Hey! Get up!

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John, I don't know what to say.

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SCREAMING

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Wotcha. I wanted something.

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-What?

-You.

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I assumed you'd need it eventually.

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This programme contains some strong language

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This programme contains some scenes which some viewers may find upsetting

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So, now what?

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So, now what?

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Your phone's off. You're wanted.

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That's why my phone's off.

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Fair enough.

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Nice view.

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Yeah.

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Do you never do this?

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Do you never come up to a really high place

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and wonder what it would be like to fall?

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Why would I do that? I've got enough to worry about.

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LUTHER CHUCKLES

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Why do you do it? Come up here?

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You ever have that dream when you're falling?

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Yeah.

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Do you ever wake up in it?

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No.

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Do you?

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Nah.

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What do you think would happen?

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Dunno.

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Nah. Me, neither.

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PHONE VIBRATES

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MUSIC PLAYS: Tokyo Joe by Bryan Ferry

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PHONE VIBRATES

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CREAKING

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RATTLING

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CHECKOUT SCANNER BEEPS

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CLATTERING CONTINUES

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Oh!

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CLATTERING INTENSIFIES

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CLATTERING STOPS

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MUSIC: Love Is The Drug by Roxy Music

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Hello, love.

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One of us left the bathroom window open this morning

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and a bloody pigeon got in.

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It scared the crap out of me, flapping about.

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Who are you?

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SHE SCREAMS

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# Love is like a sin, my love

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# For the ones that feel it the most

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# Look at her with her eyes like a flame

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# She will love you like a fly

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# Will never love you again. #

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Guv.

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How goes it?

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Fair to middling.

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John Luther, this is DS Lane.

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Emma.

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Wotcha.

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Guv?

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Fancy a cuppa?

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Always.

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Crikey! Pretty close to the edge.

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Closer and closer every day.

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That's why the place comes cheap.

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How are you filling your days?

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Days seem to fill themselves, really.

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So?

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So...Alice Morgan.

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Ah. They gave you that, did they?

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Yeah. What can you do?

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What can you do?

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Has she been in contact at all?

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Alice? Since when?

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Well, since you last saw her - on Southwark Bridge, was it?

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No.

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No e-mails, no phone calls?

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No.

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She didn't say where she was going?

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Nope.

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And you didn't ask?

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Has something happened?

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Interpol caught her scent in Berlin.

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OK.

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They pick her up?

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No. No, the trail went cold in Madrid. And then this happened.

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In Antwerp, three days ago.

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Blimey.

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Hm.

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The dead man at the wheel.

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Akram el-Mejjati. Small-time hoodlum from the 18th Arrondissement.

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Paris.

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The other bloke?

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Who can say?

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What was she doing?

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We were hoping you might shine a light on that.

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No.

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I can't be of any help.

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Oh. OK.

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I don't suppose we thought you could.

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Not really.

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So what are we all doing here?

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Well, I'm afraid she's dead, John.

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No, she's not.

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They found her in the Schelde.

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I mean, yeah, it does look like her, but it's not her.

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An autopsy confirms it. Dental records.

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They can be faked.

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Prints, too. I'm sorry, John. It's her.

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Just give me a sec.

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How?

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Um, she drowned.

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Alice?

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HE LAUGHS

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Toxicology's clean. No signs of trauma.

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Water on the lungs.

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The theory seems to be that she was concussed after the car crash.

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Possibly confused.

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They're saying she fell?

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John?

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You understand that we need to have a look around the place?

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Yeah. I mean, yeah.

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OK, DS Lane, if you'd like to keep John company?

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Yes.

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May I?

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Can I get you that cup of tea?

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-Yeah.

-Yeah? Tea. OK.

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PHONE VIBRATES

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Boss?

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How so?

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Hm-mm.

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Understood. OK.

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OK. OK.

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So now what? You going to arrest me?

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Why? You done something wrong?

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You know I haven't.

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Then why arrest you?

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We'll have to leave the tea, though, I'm afraid. Duty calls.

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Vivid misdeeds in Hackney Wick.

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Give me a second.

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You and Alice Morgan.

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I'm aware that, um, there was a...fondness between you.

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Yeah, there was... a fondness, yeah.

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So maybe you shouldn't be alone right now.

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Hm? Is there someone I can call?

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No. No, no, I'll, um, be fine.

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Give 'em all my love.

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Hey.

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Are you OK? Really?

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Yeah.

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Everything's tickety boo. Totally disco.

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Thank you, guv.

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You've been with Luther?

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We have, yes.

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And did he know? About Alice Morgan?

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It's difficult to be certain.

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And that's what we'll tell the Lokale Politie Antwerpen, is it?

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"It's difficult to be certain?"

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He didn't know, boss. He was, um, crushed.

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The victim's Chloe Morley.

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Looks like her husband's the killer, Alastair Morley.

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Dentist.

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Picture's in the file.

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SOCO's left?

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Yep.

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And her husband did this?

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Apparently so.

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God help us.

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What did he do with the heart?

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He ate it.

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Forensics found what was left of it.

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Guv?

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One sec.

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Emma? Guv?

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These CCTV images.

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He's letting himself out of Alastair Morley's workplace,

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driving Alastair Morley's car, texting on Alastair Morley's phone.

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He's killing Alastair Morley's wife and eating her heart.

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But whoever this is, it's not Alastair Morley.

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Alastair Morley.

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Guv.

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It belongs to a Julian Lewis.

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Is he our man on the CCTV?

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Definitely not.

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PHONE RINGS

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DS Silver.

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'Wotcha.'

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Wotcha, boss.

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Benny, what's going on with this Alice Morgan thing?

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Hang on a minute.

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I'll give you the bones of it.

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Morning, sir.

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OK, so, truth is, we don't know much.

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'The Belgians are looking after it,

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'and you know what they're like with sharing stuff.'

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Do they like anyone for it?

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'Honestly, I don't know.'

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I don't know if they're even looking for anybody because,

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as far as I'm aware, they're treating it as an accident.

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Yeah, well, it wasn't an accident.

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Did Theo Bloom take something from my house today?

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Something like what?

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Like a phone. A burner.

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'Well, if he did, he'd have logged it for chain of evidence.'

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Yeah, cos he's squeaky clean, isn't he? Eh, Benny?

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No cleaner man.

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No cleaner man, not since the chap in the manger.

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So he wouldn't take a phone, would he?

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'Look, why would he?

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'He had a warrant, didn't he?'

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Then if he didn't, who did?

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'Boss, what's going on?'

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Nothing, Benny, nothing. I'll let you crack on.

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ENGINE REVS

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TRAIN RUMBLES BY OUTSIDE

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MURMUR OF DIFFERENT TV CHANNELS

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FOOTSTEPS

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RECORD CRACKLES

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KNOCK

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Julian Lewis! Police! Open up!

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Armed police! Armed police!

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-Search!

-Searching!

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-Bathroom clear!

-Clear!

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Medic says he ate the tongue.

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Boss, what do we do with something like this?

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We keep going.

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Trace it back to a point of origin.

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First cause. And there we will find our man.

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Belongs to a Bruno Dresller.

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How are you?

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Well, to be honest, boss, I don't know how I am.

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She was...

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'Yeah, she was.'

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Any idea how it happened?

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'Do you?'

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-No.

-In that case, let me offer some friendly counsel.

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'Such as?'

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Step back and let the Belgians do their job.

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Yeah, of course. I mean, what else am I going to do?

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How's your thing?

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'Not great.'

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Playing catch-up with some bedlamite.

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Following his spoor back to source.

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No, you don't want to be doing that.

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An animal like that - he's always moving forward.

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You should be, too.

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'You know, John, we can't discuss this any further.

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'Not unless you walk away from this leave of absence thing.'

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Got to go, boss. Sorry.

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DANCE MUSIC PLAYING IN DISTANCE

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MUSIC GETS LOUDER

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MUSIC STOPS

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All right, mate? Looking a bit militant, there.

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It's the police.

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Well, can I see a badge, then?

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No.

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Errol, is he having a laugh?

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Are you having a laugh?

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Let's have a talk in my office, then, shall we?

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Yeah.

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MUSIC STARTS UP AGAIN

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Recognise her?

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Nope. I wouldn't mind, though. Chung, innit?

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Chung?

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That's very funny, cos I think one of your boys just killed her.

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Callum Greene. He's one of your Mash men, ain't he?

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I wonder how many of those boys out there know that you've been

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a snitch since before Cool Britannia was all the thing?

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I mean, we know what they'd think about that, though, don't we?

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They'd end your days on earth, Errol. Let's have a word.

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Hey, hey, hey. This woman.

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I don't know who she was.

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So what's Callum Greene doing with her in Antwerp?

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All I know is that he was contracted out.

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Oh, yeah, by who?

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Come on!

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Don't matter.

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Hey, hey, hey!

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George Cornelius.

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Come on, man. The old school geezer from Islington?

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That's him, yeah.

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You are a snitch.

0:28:540:28:55

Good afternoon. I'd like to speak to George Cornelius, please.

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Yeah, I'm sorry. He's not in.

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Yes, he is.

0:29:510:29:53

Hurry up!

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You rang, my lord?

0:30:040:30:06

George Cornelius?

0:30:070:30:09

You know I am.

0:30:110:30:12

Come with me, please.

0:30:120:30:14

Sorry, mate. Who are you, again?

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Police.

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Which police?

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THE police.

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I don't care if you're fucking Sting.

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You lot do not come round here, not for any reason.

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This is my house. You all know that.

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Yeah, well, I'm sorry about that, but I'm here now, so we might as well crack on.

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No, straight up now, what's going on? Who's your governor?

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I've got this, Dad.

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Look.

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You're coming along with me. There we go...

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Down the steps, let's go.

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ENGINE STARTS

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Are you really a copper?

0:31:240:31:26

Sort of.

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And this is your gaff, is it?

0:31:340:31:36

Sort of.

0:31:380:31:40

You don't spend a lot of time here, though.

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Not by the look of it.

0:31:420:31:44

No, not really.

0:31:440:31:45

Actually, I was thinking of leaving the country.

0:31:470:31:50

Well, I was until you put a crimp on it.

0:31:520:31:55

Oh, yeah? How'd I do that?

0:31:550:31:57

By killing Alice Morgan. Or having her killed.

0:31:570:32:01

Same difference, really.

0:32:010:32:03

I did what to who now?

0:32:030:32:05

Don't tell me you don't know who she is, George.

0:32:060:32:09

Mate, I didn't put her down. Or have her put down.

0:32:120:32:17

Why would I?

0:32:170:32:18

I don't know. But that's what I'm here to find out.

0:32:180:32:22

Before I end it for you.

0:32:230:32:24

You do know they saw you - my boy, my daughter-in-law.

0:32:260:32:30

They clocked your face, they clocked your car.

0:32:300:32:33

How long do you think you've got

0:32:330:32:35

before my firm are popping your eyeballs out with their thumbs?

0:32:350:32:39

Yeah. I don't care, George, you don't scare me.

0:32:390:32:42

Fair enough.

0:32:450:32:46

All right. What it is - she comes to me, your girl.

0:32:480:32:51

Different name. She's got these uncut diamonds.

0:32:510:32:54

Blue-ribbon merchandise, worth a lot of money,

0:32:540:32:56

but difficult to shift, unless you've got the right connections,

0:32:560:32:59

which I've got - she doesn't. We agree a 70/30 split.

0:32:590:33:03

She doesn't like it, but she needs the money sharpish.

0:33:030:33:07

She say why?

0:33:070:33:09

Her and some geezer are running away to...

0:33:090:33:11

Sao Paulo.

0:33:110:33:12

So that'll be you, then. The geezer.

0:33:150:33:18

Yeah, that'll be me.

0:33:210:33:23

Right.

0:33:250:33:26

So I give her the name of a contact in the trade,

0:33:260:33:29

bent as a bottle of chips,

0:33:290:33:30

she's supposed to meet him in Antwerp...

0:33:300:33:32

Except she meets your boys instead, and you rob her.

0:33:320:33:35

Well, what can I say?

0:33:350:33:36

It's a lot of money, and at the end of the day, I'm a thief.

0:33:360:33:39

But the thing is, she doesn't like being ripped off,

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and she knows how to put up a fight.

0:33:440:33:46

She stabs the driver in the back of the skull with a hat pin.

0:33:460:33:49

What about Callum Greene?

0:33:490:33:52

Callum, he stumbles out the car, gets himself straight to hospital.

0:33:520:33:55

Turns out, she's kicked him in the nuts so hard,

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they've blown up like footballs.

0:33:580:33:59

He's in no condition to hurt anybody.

0:33:590:34:01

And the burner? Why did you steal the burner?

0:34:040:34:07

What burner?

0:34:070:34:08

George, the phone I used to call Alice Morgan.

0:34:080:34:11

Mate, until today I had no idea you existed.

0:34:130:34:18

You didn't do it, did you?

0:34:230:34:25

I really didn't.

0:34:250:34:27

Bruno Dresller. 35. Owns and runs Body By Dresller,

0:34:270:34:31

'a small chain of gymnasiums. A clean record, more or less.

0:34:310:34:36

'His name was connected to a trial in America of

0:34:360:34:39

'a man called Donald Guthrey.'

0:34:390:34:41

Dresller and Guthrey exchanged e-mails on a fetish website

0:34:410:34:45

devoted to, and I quote -

0:34:450:34:48

'"cannibal erotica".

0:34:480:34:50

'He and Guthrey exchanged intensely detailed fantasies about how

0:34:500:34:54

'they wanted to kidnap, rape, cook and eat young women and teenagers.'

0:34:540:35:01

I'm on my way.

0:35:010:35:02

Roger.

0:35:020:35:04

We've got a body in the bath. Dissolved in lye, apparently.

0:35:220:35:26

'Very old school.'

0:35:260:35:28

Could be Dresller. Hard to tell.

0:35:280:35:30

The head and hands are missing.

0:35:300:35:32

'OK. With you in five.'

0:35:320:35:36

PHONE VIBRATES

0:35:500:35:53

Yeah?

0:36:000:36:01

John, Theo.

0:36:010:36:03

'Can you talk?

0:36:030:36:05

'Sorry to impose. I need a disinterested ear.'

0:36:050:36:09

Yeah. Course. Go on.

0:36:110:36:13

You ever had your nose pressed up too close to something?

0:36:130:36:16

'Er, yeah, once too often.'

0:36:160:36:18

I can't see it, John.

0:36:180:36:19

Or I can't see past it,

0:36:190:36:21

or something. I'm, er, like one of those drawings -

0:36:210:36:25

you're looking at a profile of an old hag.

0:36:250:36:27

You know there's a portrait of a young girl in there somewhere.

0:36:270:36:30

You just have to refocus somehow.

0:36:300:36:32

OK.

0:36:320:36:33

What are we looking at?

0:36:340:36:36

You find a body dissolved in lye, the head and hands are missing -

0:36:370:36:41

what's the first assumption?

0:36:410:36:43

'Well, your boy's working hard to prevent you making an ID.'

0:36:430:36:47

But that's not what this boy does. Not what he needs.

0:36:470:36:51

So why does he need it now?

0:36:510:36:53

Why remove the head and hands?

0:36:530:36:55

Because they're important to him?

0:36:550:36:57

Yeah, but in what way?

0:36:570:36:58

'Seems to me, there's one of two options.'

0:36:580:37:00

Option one, that they're important to him personally,

0:37:000:37:04

'so he wants to keep 'em.'

0:37:040:37:06

Option two, for some practical reason, they're important

0:37:070:37:11

so he wants to make sure they're never ever found.

0:37:110:37:14

I'm thinking it's option one. He's keeping them.

0:37:240:37:28

Hang on.

0:37:300:37:32

Theo?

0:37:370:37:38

Just give me a second.

0:37:380:37:39

EXPLOSION

0:37:560:37:57

Theo?

0:38:000:38:01

Theo?!

0:38:030:38:05

'..are reported dead following a large explosion

0:38:420:38:46

'in a central London block of flats.

0:38:460:38:48

'Police and emergency service personnel attending the site

0:38:480:38:51

'have yet to comment on the source of the...'

0:38:510:38:53

Argh!

0:38:530:38:54

You stay there.

0:38:570:38:59

HE SIGHS

0:39:060:39:08

HELICOPTER WHIRS

0:39:200:39:21

They've taken Theo away.

0:39:240:39:26

They'll look after him now.

0:39:280:39:30

The, er, EMT has checked me out.

0:39:330:39:37

I'm fine.

0:39:380:39:39

Of course you're not fine.

0:39:390:39:41

Once they've signed me off...

0:39:410:39:43

..I can come back. I'm fine.

0:39:440:39:46

I'm fine.

0:39:470:39:49

HORN TOOTS

0:39:490:39:50

Where do I sit?

0:40:350:40:37

Budge up.

0:40:410:40:43

Alice Morgan.

0:40:500:40:52

There's not a lot to see, boss.

0:40:530:40:55

I still need to see it.

0:40:550:40:56

Guv.

0:40:570:40:59

Boss.

0:40:590:41:01

You got a minute?

0:41:020:41:03

I'm sorry you lost him like that.

0:41:210:41:22

I loved him.

0:41:280:41:30

I don't mean, er, loved him loved him.

0:41:360:41:39

-I mean that...

-I know what you mean.

0:41:390:41:41

I just want to say...

0:41:480:41:50

..whatever it takes...

0:41:550:41:57

..you know?

0:41:590:42:00

I'm in.

0:42:020:42:04

Anything?

0:42:060:42:07

Anything.

0:42:090:42:11

HE SIGHS

0:42:150:42:16

You've got a family?

0:42:180:42:20

Yeah.

0:42:200:42:21

Your girlfriend's expecting a baby?

0:42:210:42:24

Six weeks.

0:42:240:42:25

You love her?

0:42:270:42:29

More than anything.

0:42:310:42:32

That's good.

0:42:380:42:40

There are some things that you might have heard about me

0:42:410:42:44

that quite possibly could be true.

0:42:440:42:46

I know what you're going through right now. I sincerely do.

0:42:500:42:53

But there's something I need you to hear from me.

0:42:590:43:03

Never cut corners.

0:43:050:43:08

Never.

0:43:080:43:10

Not even if you know no-one else will know,

0:43:110:43:14

no-one else will find out...

0:43:140:43:15

..that it is exactly the right thing to do - because it never, ever is.

0:43:170:43:21

Ever.

0:43:230:43:24

You do this the right way.

0:43:270:43:29

All right, straight down the line.

0:43:300:43:32

You do it that way or I get you kicked off for being unfit for duty.

0:43:330:43:39

Lab reports confirmed that it's Dresller in the bath.

0:44:110:44:13

And we got into Dresller's laptop.

0:44:130:44:15

He spent a lot of time online over the last couple of months,

0:44:150:44:18

boss, exchanging fantasies about cooking and eating human flesh.

0:44:180:44:23

I mean, detailed fantasies at that.

0:44:230:44:25

There's a lot in there about brides. Wedding dresses, pregnant mothers.

0:44:250:44:29

And all of that's in there, is it?

0:44:290:44:30

-Yep.

-So if we can find all that, our boy can find it, too.

0:44:300:44:33

He leads us to Dresller, right?

0:44:350:44:38

The fridge, the laptop, all that time spent

0:44:380:44:41

running around in circles, all so he's got the time to...

0:44:410:44:45

To what?

0:44:450:44:47

To finish off what he's started.

0:44:480:44:50

I dunno.

0:44:520:44:54

Let's see who's been poking around Dresller's private life, shall we?

0:44:550:44:58

'That was last year, so we thought, yeah, I know,

0:45:000:45:03

'we thought you could all come to ours this year...

0:45:030:45:05

'I know, why not, right?'

0:45:050:45:07

-'Hello?'

-Hello?

0:45:070:45:10

Is this Alastair's mum?

0:45:100:45:13

'Who is this?'

0:45:130:45:15

I was with him.

0:45:170:45:19

When he died.

0:45:190:45:21

-'Who are you?'

-He was asking for you at the end.

0:45:210:45:26

When he couldn't fight any more.

0:45:270:45:30

CRYING DOWN THE PHONE

0:45:300:45:31

"Mum. Mum."

0:45:310:45:34

He was so scared of dying.

0:45:360:45:39

'Why would you do this?!'

0:45:400:45:42

HE GROANS

0:46:040:46:05

What you got?

0:46:380:46:39

Well, you were right. We found spyware deep in Dresller's laptop.

0:46:400:46:44

How closely was he being watched?

0:46:450:46:47

Close enough to know everything there is to know.

0:46:470:46:50

It's not just passwords and bank account log-ins.

0:46:500:46:52

Whoever's been watching him knows every sentence he's composed,

0:46:520:46:55

every website he's visited.

0:46:550:46:57

He knows his thoughts.

0:46:570:46:59

It used to be that we could never know the truth about each other.

0:46:590:47:02

Not really.

0:47:020:47:04

Those days are gone.

0:47:040:47:05

More's the pity.

0:47:050:47:07

And how confident can we be that the killer

0:47:070:47:10

and the fellow who loaded the spyware is the same guy?

0:47:100:47:13

Well, we can't, to be fair, er, we can't be certain -

0:47:140:47:17

it could be anyone who had access to that laptop.

0:47:170:47:20

You say "anyone".

0:47:200:47:21

But, I mean, well, how many people can that be, realistically?

0:47:210:47:25

I mean, someone like Dresller,

0:47:250:47:27

a man with that kind of fantasy life, those kind of secrets.

0:47:270:47:31

How many people are you going to let near your computer?

0:47:310:47:34

How many people do any of us let near our computer?

0:47:340:47:37

So if he was watching Dresller that closely,

0:47:370:47:39

what are the chances he was watching all of them?

0:47:390:47:43

TV ON

0:47:440:47:46

In order to plant the spyware,

0:48:050:48:06

our subject had to have direct physical access

0:48:060:48:09

to everyone's computer, so, we pulled credit card records

0:48:090:48:13

from all the victims and cross referenced.

0:48:130:48:15

Now, over the past two-three years, each of them

0:48:150:48:18

made at least one payment to a company called Geek Patrol.

0:48:180:48:22

They come round your house, fix your computer, set up your wifi network.

0:48:220:48:25

Whatever...

0:48:250:48:27

And all their computers were fixed by one man.

0:48:270:48:30

A Steven Rose.

0:48:320:48:34

That's him.

0:48:350:48:37

Have we got an address?

0:48:370:48:38

SIRENS APPROACH

0:48:540:48:56

What are we waiting for?

0:49:070:49:08

Bomb squad.

0:49:100:49:11

All right, you've got your perimeter, the area's cleared,

0:49:410:49:44

we need to get in there, guv.

0:49:440:49:46

He's not going to booby trap his own place. Come on!

0:49:460:49:49

And you're sure of that, are you?

0:49:490:49:50

Yeah. I am.

0:49:500:49:52

Easy for you to say, John - you weren't here

0:49:520:49:55

when I had to watch them scrape Theo Bloom off the wall.

0:49:550:49:58

Guv, Steven Rose could be on his way to his next victim,

0:50:040:50:06

and we won't know who that is unless we are in there!

0:50:060:50:09

The answer is "no".

0:50:090:50:11

If you want to discuss it further, we can do it back at the factory.

0:50:110:50:14

I think I hear someone in there.

0:50:180:50:20

In fact, I can! I can hear someone screaming for help.

0:50:200:50:23

DCI Luther...

0:50:230:50:24

Exigent circumstances, sir!

0:50:240:50:27

DCI Luther!

0:50:270:50:29

DISTORTED MUSIC PLAYS

0:50:380:50:40

Benny!

0:51:020:51:04

Benny!

0:51:050:51:07

Benny! Ben, come on!

0:51:070:51:09

Come in.

0:51:140:51:16

Benny, can you, er, stop this? Whatever? Turn it off?

0:51:160:51:20

-Whatever.

-I'll give it a go.

0:51:200:51:22

Are you OK? Boss?

0:52:270:52:29

Yeah, it's all right.

0:52:290:52:31

CLATTERING

0:54:240:54:25

Steven!

0:55:050:55:06

You've gotta stop!

0:55:070:55:09

HE SIGHS

0:55:240:55:25

-'Is it US law?'

-No, this one's according to English law.

0:55:350:55:38

'When can I see it?'

0:55:380:55:40

I'm sending it over right now. Why don't we talk tomorrow morning?

0:55:400:55:43

-9.30 your time?

-'OK.'

0:55:430:55:44

ECHOING CLATTER

0:55:510:55:52

CLATTERING IN DISTANCE

0:56:300:56:32

Sorry, guv. She's asked for you by name.

0:56:530:56:55

Can I help?

0:57:010:57:03

Are you DCI Luther?

0:57:030:57:05

Yeah.

0:57:070:57:08

I have a message for you.

0:57:090:57:11

A message from who?

0:57:120:57:14

Alice Morgan.

0:57:150:57:17

MUSIC: Money Is Not Our God (Babylon Dub) by Killing Joke

0:57:260:57:28

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