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This programme contains some scenes which some viewers | 0:00:02 | 0:00:05 | |
may find upsetting and contains some strong language. | 0:00:05 | 0:00:07 | |
-You have a fever. We need to get help. -No. I don't trust the FBI. | 0:00:07 | 0:00:10 | |
It's from Warren Schifford. | 0:00:10 | 0:00:11 | |
I don't trust anyone. | 0:00:11 | 0:00:12 | |
Warren Schifford, I'm going to need your gun and your phone. | 0:00:12 | 0:00:16 | |
You're going home. | 0:00:16 | 0:00:17 | |
She was engaged to my brother Salim. They were expecting a baby. | 0:00:17 | 0:00:20 | |
And then he was killed. | 0:00:20 | 0:00:21 | |
And it was that injustice that made her go into politics, | 0:00:21 | 0:00:25 | |
and that's why I have always supported her. | 0:00:25 | 0:00:28 | |
-Always? -Before she became what she is now. | 0:00:28 | 0:00:31 | |
-How would you assess Warren Schifford? -Extremely skilled. | 0:00:48 | 0:00:51 | |
Sharp. Can't take no for an answer. | 0:00:51 | 0:00:53 | |
You did this to her. | 0:01:25 | 0:01:26 | |
THEY GRUNT | 0:01:32 | 0:01:34 | |
Yeah, OK. | 0:01:42 | 0:01:44 | |
Maybe she and I did get a little rowdy that night. | 0:01:46 | 0:01:48 | |
But, fuck, man... we've all just got to move on. | 0:01:50 | 0:01:53 | |
I'm done. | 0:01:59 | 0:02:00 | |
Ah... | 0:02:05 | 0:02:07 | |
What are you doing? | 0:02:08 | 0:02:10 | |
You've been ordered home by your own people. You broke into my house. | 0:02:10 | 0:02:13 | |
What do you expect? | 0:02:13 | 0:02:14 | |
Have you seen Inger Johanne lately? | 0:02:17 | 0:02:19 | |
-What are you talking about? -I had her tailed. | 0:02:21 | 0:02:23 | |
But she must have spotted him, shook him off. | 0:02:26 | 0:02:29 | |
She's such a clever little girl. | 0:02:30 | 0:02:33 | |
He managed to put a GPS tracker on her car, though. | 0:02:33 | 0:02:36 | |
The only problem is, he won't talk to me. | 0:02:36 | 0:02:39 | |
I figured, what with... | 0:02:40 | 0:02:41 | |
..with you being a Swedish police officer, and all... | 0:02:43 | 0:02:46 | |
..maybe you could ask him. | 0:02:47 | 0:02:48 | |
-All right, give me his name and address. -No, we do this together. | 0:02:53 | 0:02:57 | |
Or not at all. | 0:02:57 | 0:02:58 | |
It's collaboration. | 0:03:01 | 0:03:04 | |
It's what you always wanted. | 0:03:04 | 0:03:05 | |
All right. | 0:03:14 | 0:03:15 | |
Just give me a second, I'm just going to go... | 0:03:17 | 0:03:19 | |
HE SIGHS | 0:03:26 | 0:03:28 | |
WATER RUNS | 0:03:28 | 0:03:29 | |
Oh, fuck. | 0:03:29 | 0:03:31 | |
Now, what is going on in your head... | 0:03:53 | 0:03:56 | |
..Inger Johanne? | 0:03:57 | 0:03:58 | |
# Darkness | 0:04:27 | 0:04:30 | |
# So much darkness | 0:04:31 | 0:04:35 | |
# Once I knew what love was all about | 0:04:38 | 0:04:46 | |
# Inside me | 0:04:49 | 0:04:53 | |
# Mountain of shame | 0:04:53 | 0:04:57 | |
# Who is to blame | 0:04:58 | 0:05:02 | |
# Still no replies | 0:05:03 | 0:05:06 | |
# Spies, secrets and lies | 0:05:06 | 0:05:11 | |
# Don't walk, I'll die. # | 0:05:11 | 0:05:15 | |
SHE SIGHS | 0:05:53 | 0:05:56 | |
HURRIED FOOTSTEPS APPROACH | 0:07:00 | 0:07:04 | |
Madam President. | 0:07:04 | 0:07:06 | |
It would be helpful if we knew why you went down that tunnel. | 0:07:06 | 0:07:09 | |
You went down of your own accord. | 0:07:12 | 0:07:15 | |
We know, in processing the scene, that Hunter politely helped you | 0:07:15 | 0:07:19 | |
over a missing step. | 0:07:19 | 0:07:20 | |
So where were you going? | 0:07:20 | 0:07:22 | |
You had already taken your make-up off, but you picked up | 0:07:24 | 0:07:27 | |
the red lipstick that had been laid out for the next day. | 0:07:27 | 0:07:30 | |
And your red coat. | 0:07:30 | 0:07:32 | |
Who were you meeting? | 0:07:33 | 0:07:35 | |
"They know about the child. | 0:07:46 | 0:07:48 | |
"Warren." | 0:07:48 | 0:07:49 | |
Warren? | 0:07:52 | 0:07:54 | |
So what is it they know about the child? | 0:07:56 | 0:07:59 | |
What is it about this child that makes you sneak | 0:08:01 | 0:08:03 | |
out of your secured perimeter without notifying | 0:08:03 | 0:08:05 | |
the Secret Service or the Swedish police? | 0:08:05 | 0:08:07 | |
I...I panicked. I panicked when I read the note. | 0:08:07 | 0:08:10 | |
They were going to reveal. I... | 0:08:10 | 0:08:12 | |
I didn't want her to find out that way. | 0:08:12 | 0:08:14 | |
Find out what?! | 0:08:14 | 0:08:15 | |
Zoe's adopted. | 0:08:21 | 0:08:22 | |
She doesn't know. | 0:08:25 | 0:08:27 | |
No-one knows. | 0:08:30 | 0:08:32 | |
Warren obviously knows. | 0:08:32 | 0:08:33 | |
I... | 0:08:38 | 0:08:39 | |
What about her mother? | 0:08:45 | 0:08:47 | |
I'm her mother. | 0:08:47 | 0:08:49 | |
I mean her biological mother. Who is she? | 0:08:49 | 0:08:51 | |
She's Swedish. | 0:08:51 | 0:08:52 | |
Hella. | 0:08:53 | 0:08:54 | |
Have you been in touch with her recently? | 0:08:56 | 0:08:59 | |
No. | 0:08:59 | 0:09:00 | |
She...she died. | 0:09:01 | 0:09:03 | |
It was... | 0:09:03 | 0:09:04 | |
It was years ago, it was hit and run, I... | 0:09:04 | 0:09:07 | |
..I don't remember the details. | 0:09:07 | 0:09:09 | |
The night you disappeared... | 0:09:21 | 0:09:23 | |
..a woman was driven around Stockholm pretending to be you, | 0:09:23 | 0:09:27 | |
wearing a blonde wig and a red coat. Molly Svenson. | 0:09:27 | 0:09:30 | |
Among the places she went was the building where you | 0:09:31 | 0:09:33 | |
and your husband and Zoe used to live. | 0:09:33 | 0:09:36 | |
Then she was killed in a hit and run. | 0:09:36 | 0:09:39 | |
Isn't that just a little bit too much of a coincidence? | 0:09:40 | 0:09:43 | |
My car is just round the front. | 0:09:51 | 0:09:53 | |
No, no, no, no, no, we go together in my car. Get in. | 0:09:53 | 0:09:55 | |
PHONE RINGS | 0:10:00 | 0:10:04 | |
Halla? | 0:10:07 | 0:10:08 | |
Garri Vogel? | 0:10:57 | 0:10:59 | |
Friend of yours? | 0:10:59 | 0:11:00 | |
No. | 0:11:00 | 0:11:01 | |
Why? | 0:11:02 | 0:11:04 | |
ENGINE STARTS | 0:11:04 | 0:11:06 | |
SHE SIGHS | 0:12:00 | 0:12:01 | |
She's mine! | 0:12:18 | 0:12:19 | |
SCREAMING ECHOES, SHE GASPS | 0:12:19 | 0:12:21 | |
She's mine! | 0:12:40 | 0:12:41 | |
You can't stop me, I'm going to get her! | 0:12:43 | 0:12:45 | |
SHE SIGHS | 0:12:46 | 0:12:47 | |
SCREAM ECHOES | 0:12:55 | 0:12:56 | |
SHE GASPS | 0:13:07 | 0:13:08 | |
GLASS SMASHES | 0:13:16 | 0:13:17 | |
SHE GASPS | 0:13:22 | 0:13:23 | |
-Are you OK? -Did you get lost? | 0:13:28 | 0:13:30 | |
HELEN SIGHS | 0:13:30 | 0:13:32 | |
Garri Vogel. | 0:13:43 | 0:13:45 | |
Wanted by the FBI for a killing in Miami, 2004, | 0:13:45 | 0:13:50 | |
transnational organised crime... | 0:13:50 | 0:13:54 | |
..served as a state-sanctioned serial killer in Chechnya. | 0:13:54 | 0:13:59 | |
Wow, he got rid of a lot of Muslims. | 0:14:02 | 0:14:05 | |
My one-time colleagues at the FBI will not be happy | 0:14:05 | 0:14:07 | |
to hear about Mr Vogel's involvement. | 0:14:07 | 0:14:10 | |
It, er... | 0:14:10 | 0:14:12 | |
It completely debunks their theory about Islamic State | 0:14:12 | 0:14:15 | |
being behind the President's disappearance. | 0:14:15 | 0:14:18 | |
I mean, er... | 0:14:18 | 0:14:20 | |
..he is hardly the poster boy for an Islamist terrorist, is he? | 0:14:20 | 0:14:23 | |
Does he fit any better with your theory? | 0:14:27 | 0:14:29 | |
About the Saudi billionaire? | 0:14:30 | 0:14:31 | |
Muntasir bin Mahmoud is not a religious man. | 0:14:33 | 0:14:37 | |
He's, er...quite the opposite. | 0:14:37 | 0:14:39 | |
His motives are actually very American, er... | 0:14:39 | 0:14:42 | |
..straight-up business. | 0:14:42 | 0:14:44 | |
He stands to make a shedload of money off of the disappearance | 0:14:44 | 0:14:47 | |
of the President, and can still feel morally justified | 0:14:47 | 0:14:52 | |
because she screwed him over during the election. | 0:14:52 | 0:14:55 | |
Martin Johnson? | 0:15:22 | 0:15:24 | |
Johnson, yeah, that's him. | 0:15:24 | 0:15:25 | |
HE RINGS DOORBELL | 0:15:28 | 0:15:30 | |
I'll call him. | 0:15:37 | 0:15:38 | |
Nothing. | 0:15:47 | 0:15:48 | |
PHONE VIBRATES | 0:15:48 | 0:15:51 | |
DRIPPING | 0:16:22 | 0:16:25 | |
HE SIGHS | 0:16:36 | 0:16:38 | |
Hey. | 0:17:32 | 0:17:34 | |
Who else knows about this? | 0:17:34 | 0:17:36 | |
-About what? -Your friend tailing Inger Johanne. | 0:17:36 | 0:17:39 | |
No-one. | 0:17:39 | 0:17:40 | |
Not unless he's told someone. | 0:17:41 | 0:17:43 | |
Why, what do you know? | 0:17:43 | 0:17:45 | |
Well, obviously we're not the only ones interested in his phone. | 0:17:45 | 0:17:49 | |
HE SIGHS | 0:18:13 | 0:18:14 | |
KNOCKING | 0:20:32 | 0:20:33 | |
I'm not in the mood, OK? | 0:20:46 | 0:20:48 | |
Neither am I. | 0:20:50 | 0:20:51 | |
What the fuck do you think you're doing? | 0:20:53 | 0:20:55 | |
Martin Johnson is dead. | 0:20:56 | 0:20:58 | |
-What? -Now, you were the only person, apart from me, | 0:20:58 | 0:21:02 | |
who knew he was tracking Johanne's car. | 0:21:02 | 0:21:05 | |
So if it wasn't you who killed him, which I very much doubt... | 0:21:05 | 0:21:08 | |
-..who was it? -Are you serious? | 0:21:10 | 0:21:12 | |
-Did you talk to anyone about this? -No. | 0:21:12 | 0:21:14 | |
What about his phone? | 0:21:16 | 0:21:17 | |
I don't know anything about this, Warren, I promise. | 0:21:19 | 0:21:22 | |
I'm... | 0:21:31 | 0:21:32 | |
..sorry for disturbing you. | 0:21:34 | 0:21:36 | |
Get the fuck out of here! | 0:21:36 | 0:21:38 | |
CREAKING | 0:21:56 | 0:21:58 | |
HE BREATHES HEAVILY | 0:22:35 | 0:22:36 | |
DOORBELL RINGS | 0:23:37 | 0:23:39 | |
-IN HER HEAD: -'She's mine! | 0:25:00 | 0:25:03 | |
-SCREAMING: -'Get your hands off her! | 0:25:03 | 0:25:05 | |
'Do you hear me?!' | 0:25:05 | 0:25:06 | |
I know how everything's connected. | 0:25:18 | 0:25:20 | |
-It's time for me to let them know where I am. -OK. | 0:25:21 | 0:25:25 | |
Hedvig? | 0:25:25 | 0:25:26 | |
We need to use your phone as a hot spot. | 0:25:28 | 0:25:31 | |
OK. | 0:25:31 | 0:25:32 | |
It's dead. | 0:25:36 | 0:25:37 | |
I will go to the car and charge it. | 0:25:37 | 0:25:39 | |
SHE SIGHS, ENGINE STARTS | 0:26:53 | 0:26:55 | |
SHE SHIVERS | 0:27:59 | 0:28:01 | |
Homeland Security are very concerned about this Garri Vogel. | 0:28:38 | 0:28:42 | |
They've offered another million dollar reward for any information | 0:28:42 | 0:28:46 | |
of interest on this professional assassin that they've hired, | 0:28:46 | 0:28:51 | |
whoever they are. | 0:28:51 | 0:28:53 | |
Dad? | 0:28:53 | 0:28:54 | |
Oh, hey, Zoe. | 0:28:55 | 0:28:57 | |
I will leave you two alone. | 0:29:00 | 0:29:02 | |
Did she say anything about Mom? | 0:29:09 | 0:29:10 | |
Erm...no. | 0:29:12 | 0:29:13 | |
But she would tell us before it makes news, right? | 0:29:15 | 0:29:18 | |
Tell us what? | 0:29:18 | 0:29:20 | |
If something happens. | 0:29:20 | 0:29:22 | |
What do you mean if something happens? Something has happened. | 0:29:22 | 0:29:25 | |
I'm sorry, honey. Please sit down. | 0:29:28 | 0:29:31 | |
Dad, can I ask you something? | 0:29:38 | 0:29:40 | |
Yeah. | 0:29:41 | 0:29:42 | |
Do you think this whole thing, Mom's disappearance, | 0:29:44 | 0:29:49 | |
has something to do with you and her being here when you were young? | 0:29:49 | 0:29:52 | |
Why do you ask? | 0:29:54 | 0:29:55 | |
I mean, the coincidence seems strange. | 0:29:56 | 0:29:59 | |
No. | 0:30:01 | 0:30:03 | |
No, no, no. I'm sure it has nothing to do with that. | 0:30:03 | 0:30:05 | |
Shouldn't you at least try to get some sleep? | 0:30:07 | 0:30:10 | |
Yeah, maybe. | 0:30:12 | 0:30:13 | |
-Goodnight. -Come here. | 0:30:16 | 0:30:18 | |
She should be back by now. | 0:30:41 | 0:30:42 | |
She'll be back any minute. | 0:30:44 | 0:30:45 | |
What if she isn't? | 0:30:46 | 0:30:48 | |
I'm still wondering, how come you and your husband | 0:31:04 | 0:31:07 | |
never told Zoe she's adopted? | 0:31:07 | 0:31:09 | |
That's private. | 0:31:12 | 0:31:13 | |
But is there anyone in your past who could know about this? | 0:31:15 | 0:31:19 | |
Someone who has a reason to use this against you? | 0:31:19 | 0:31:22 | |
Come on, Inger Johanne, talk to me. | 0:32:49 | 0:32:53 | |
"Externalising behaviour." | 0:32:57 | 0:32:59 | |
You had traces of lime. | 0:33:11 | 0:33:13 | |
Cement factory. | 0:33:31 | 0:33:33 | |
Good girl. | 0:33:35 | 0:33:36 | |
OK. | 0:34:53 | 0:34:55 | |
Now we do like this. | 0:34:55 | 0:34:57 | |
DOG BARKS | 0:35:59 | 0:36:01 | |
Sorry, it took a while. | 0:36:07 | 0:36:09 | |
How long will it take for them to get from Stockholm to here? | 0:36:17 | 0:36:21 | |
-By car you mean? -No, no, no, helicopter. | 0:36:21 | 0:36:23 | |
I'm not sure, but not long. | 0:36:24 | 0:36:27 | |
Yeah. | 0:36:27 | 0:36:29 | |
It's working. | 0:36:29 | 0:36:30 | |
When the FBI and the Secret Service get here, it'll be chaos. | 0:36:41 | 0:36:44 | |
Before that happens, I want to thank you... | 0:36:47 | 0:36:49 | |
..both. | 0:36:51 | 0:36:52 | |
Listen to this. | 0:37:39 | 0:37:40 | |
"Special Agent Warren Schifford has of now been stood down | 0:37:43 | 0:37:47 | |
"from immediate effect of all duties and communications." | 0:37:47 | 0:37:50 | |
Warren was obsessed with this conspiracy theory, | 0:37:59 | 0:38:03 | |
he called it Troy. Did he ever mention it you? | 0:38:03 | 0:38:05 | |
Yes, he did, but he never said what it was. | 0:38:06 | 0:38:10 | |
Why? | 0:38:10 | 0:38:11 | |
DOOR SLAMS | 0:38:36 | 0:38:38 | |
DOG BARKS | 0:38:38 | 0:38:41 | |
KING YELPS | 0:38:50 | 0:38:52 | |
KING WHIMPERS | 0:39:06 | 0:39:09 | |
HE SOBS, KING WHIMPERS | 0:39:22 | 0:39:25 | |
GUNSHOT | 0:39:30 | 0:39:32 | |
MULTIPLE GUNSHOTS | 0:39:33 | 0:39:35 | |
DISTANT DRILLING | 0:39:36 | 0:39:39 | |
Did you hear that? | 0:39:39 | 0:39:41 | |
FOOTSTEPS APPROACH | 0:40:16 | 0:40:19 | |
SHE GASPS | 0:40:22 | 0:40:24 | |
SHE BREATHES HEAVILY | 0:40:26 | 0:40:29 | |
LOUD CREAKING | 0:40:34 | 0:40:36 | |
Where is she? | 0:41:57 | 0:41:58 | |
I'm now convinced that Mahmoud Muntasir is Troy. | 0:42:03 | 0:42:07 | |
SIREN BLARES | 0:42:11 | 0:42:15 | |
I saw the grandmother. | 0:42:21 | 0:42:22 | |
-Did she see Zoe? -I think so. | 0:42:24 | 0:42:26 | |
-What's happening? -Zoe is not in her room. -Then, where is she? | 0:42:26 | 0:42:29 | |
SHE SCREAMS | 0:42:32 | 0:42:34 |