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# It's all right It's OK | 0:00:02 | 0:00:03 | |
# Doesn't really matter if you're old and grey | 0:00:03 | 0:00:05 | |
# It's all right I say it's OK | 0:00:05 | 0:00:08 | |
# Listen to what I say | 0:00:08 | 0:00:11 | |
# It's all right, doing fine | 0:00:11 | 0:00:13 | |
# Doesn't really matter if the sun don't shine | 0:00:13 | 0:00:16 | |
# It's all right I say it's OK | 0:00:16 | 0:00:19 | |
# We're gettin' to the end of the day. # | 0:00:19 | 0:00:22 | |
Border Agency picked her up yesterday. | 0:00:26 | 0:00:29 | |
Cash-in-handing it at a restaurant in Dalston. | 0:00:29 | 0:00:31 | |
-She try to run? -They all try to run. | 0:00:31 | 0:00:33 | |
Anyone told you why we're here? | 0:00:37 | 0:00:39 | |
(Lipstick. Left cheek.) | 0:00:49 | 0:00:52 | |
-Oh, you do understand. Good. -So... | 0:00:53 | 0:00:55 | |
-The Grenville Arms. -Beautiful, isn't it? | 0:00:57 | 0:01:00 | |
Stood for hundreds of years. Cornerstone of the community. | 0:01:00 | 0:01:04 | |
-In 2010, you were living and working there. -Illegally. | 0:01:04 | 0:01:07 | |
Until somebody decided to redecorate the place. | 0:01:07 | 0:01:10 | |
9th November, 2010. Don't think much of the colour choice, do you? | 0:01:10 | 0:01:15 | |
They started the fire around half past midnight in the cellar. | 0:01:15 | 0:01:19 | |
Which is where the landlord, Richard Gibson, was found. | 0:01:19 | 0:01:21 | |
Or what was left of him. | 0:01:21 | 0:01:23 | |
Several witnesses claim you were alone, after closing, with Richard. | 0:01:23 | 0:01:27 | |
We wanted to ask you what happened but, well, you vanished. | 0:01:27 | 0:01:30 | |
But now you're here, you could... | 0:01:30 | 0:01:32 | |
You know, you can clear your name. | 0:01:32 | 0:01:34 | |
Thank God for dental records. | 0:01:40 | 0:01:42 | |
With these teeth, your boss must have had quite a smile, eh? | 0:01:42 | 0:01:46 | |
The smoke... | 0:01:52 | 0:01:54 | |
it made me wake up. | 0:01:54 | 0:01:55 | |
I knew I had to get out. | 0:01:57 | 0:01:58 | |
-So, how did you get out? -Fire escape. | 0:02:00 | 0:02:02 | |
I didn't want to be sent back home so I ran away. | 0:02:04 | 0:02:07 | |
Smoke? | 0:02:08 | 0:02:09 | |
In your room? | 0:02:10 | 0:02:11 | |
We searched your bedsit this morning. | 0:02:13 | 0:02:15 | |
Did you bring all this with you from Turkey? | 0:02:18 | 0:02:20 | |
And the letters from your mother? | 0:02:24 | 0:02:26 | |
All dated before the fire. | 0:02:26 | 0:02:28 | |
There was no smoke in the room, was there? | 0:02:29 | 0:02:32 | |
You killed Richard Gibson, | 0:02:32 | 0:02:33 | |
and then you packed your stuff and you set the pub alight. | 0:02:33 | 0:02:36 | |
There must be real solidarity in this place. | 0:02:42 | 0:02:45 | |
Everybody running from injustice or poverty. | 0:02:46 | 0:02:50 | |
Everybody scared. | 0:02:50 | 0:02:52 | |
Start telling us the truth or you're going to a prison where I promise you, | 0:02:55 | 0:02:59 | |
it's every woman for herself. | 0:02:59 | 0:03:01 | |
Middle-aged man plus beautiful girl | 0:03:06 | 0:03:09 | |
divided by he won't take no for an answer. | 0:03:09 | 0:03:12 | |
Equals, "Yes, we know what it looks like, Gerry." | 0:03:12 | 0:03:15 | |
Let's get those letters translated from Asye's mother. | 0:03:15 | 0:03:17 | |
-See if there's any mention of Richard. -I know an excellent Turkish translator. | 0:03:17 | 0:03:21 | |
Is that from your time in the Diplomatic Service? | 0:03:21 | 0:03:23 | |
Kebab shop round the corner. | 0:03:23 | 0:03:25 | |
You'd never know there'd been a fire, would you? | 0:03:25 | 0:03:27 | |
That's cos these places were built to last, mate. | 0:03:27 | 0:03:30 | |
DAN READS PLAQUE | 0:03:30 | 0:03:33 | |
-Hilaire Belloc. -Typical French. | 0:03:35 | 0:03:38 | |
-Yeah, it's true, though, isn't it? -Course it isn't. | 0:03:38 | 0:03:40 | |
Take more than a few boozers closing to bring this country down. | 0:03:40 | 0:03:44 | |
That's what I love about you, Gerry. | 0:03:44 | 0:03:46 | |
You're a "there'll always be an England", glass-half-full sort of bloke. | 0:03:46 | 0:03:49 | |
Glass half full, just not for very long. | 0:03:49 | 0:03:51 | |
Listen, Guv'nor, why don't I go in there on me own, | 0:03:51 | 0:03:53 | |
sort of incognito, see what I can find out? | 0:03:53 | 0:03:56 | |
Rather than all four of us barging in. | 0:03:56 | 0:03:57 | |
Get your Serpico on. | 0:04:00 | 0:04:01 | |
Morning. | 0:04:09 | 0:04:11 | |
A half of your best bitter beer, please. | 0:04:11 | 0:04:13 | |
-Are you a copper? -No. | 0:04:14 | 0:04:17 | |
They look like a copper's shoes. | 0:04:17 | 0:04:19 | |
-Copper's shoes? -You walk like a copper. | 0:04:19 | 0:04:21 | |
Doesn't he walk like a copper, Jase? | 0:04:21 | 0:04:23 | |
Even smell like one. | 0:04:25 | 0:04:27 | |
Do coppers have a smell? | 0:04:27 | 0:04:28 | |
Mid-priced cologne, my love. | 0:04:28 | 0:04:31 | |
Coppers are too vain to fly cheap but too tight to fly classy. | 0:04:31 | 0:04:36 | |
Used to get a lot of your boys around here. | 0:04:36 | 0:04:38 | |
All right, fair's fair. I'm a retired policeman. | 0:04:38 | 0:04:41 | |
Gerry Standing. | 0:04:41 | 0:04:43 | |
Are they with you, Mr Standing? | 0:04:44 | 0:04:46 | |
Yeah, yeah. | 0:04:49 | 0:04:51 | |
It's all right - I decided on the direct approach. | 0:04:51 | 0:04:54 | |
Why did you employ an illegal immigrant? | 0:04:54 | 0:04:56 | |
Thank you. | 0:04:56 | 0:04:58 | |
Sit down. | 0:04:58 | 0:04:59 | |
I knew we were taking a risk. | 0:05:01 | 0:05:03 | |
But times were so tight. | 0:05:05 | 0:05:06 | |
You opened your home to a complete stranger? | 0:05:06 | 0:05:09 | |
We thought with the job, the room rent free, she'd be appreciative. | 0:05:09 | 0:05:13 | |
Trustworthy, at least. | 0:05:15 | 0:05:16 | |
She'd been with us for nine months. | 0:05:20 | 0:05:22 | |
I could see the signs. Takings going down. Fiver here, tenner there. | 0:05:23 | 0:05:27 | |
I tried to tell Rich, but... | 0:05:29 | 0:05:31 | |
he always thought the best of people. | 0:05:31 | 0:05:33 | |
Ask me? He caught her that night, chased her down to the cellar | 0:05:36 | 0:05:40 | |
and the stupid girl must've panicked. | 0:05:40 | 0:05:42 | |
I'm glad you've found her. | 0:05:45 | 0:05:47 | |
You were away that night, yeah? | 0:05:47 | 0:05:49 | |
Surprise birthday present. | 0:05:49 | 0:05:51 | |
From Richard. | 0:05:53 | 0:05:54 | |
He was supposed to join me once he'd closed up. | 0:05:56 | 0:05:59 | |
Was he often alone in the pub with Asye? | 0:05:59 | 0:06:01 | |
Of course. You're always popping out for this or that. | 0:06:01 | 0:06:04 | |
-No. -Believe me, Joanne, it's not always that easy to tell. | 0:06:08 | 0:06:12 | |
I knew my husband. | 0:06:12 | 0:06:14 | |
We're not saying you didn't. | 0:06:14 | 0:06:16 | |
That's exactly what you're saying. | 0:06:16 | 0:06:18 | |
I met Richard when I was 18. | 0:06:18 | 0:06:21 | |
We put our best 24 years into keeping this place alive. | 0:06:22 | 0:06:25 | |
Saw off two recessions, smoking ban, beer tax. | 0:06:26 | 0:06:30 | |
We couldn't have done any of it if we hadn't loved each other. | 0:06:30 | 0:06:33 | |
If we hadn't been together. | 0:06:35 | 0:06:36 | |
You really think some girl could just walk in and take all that away? | 0:06:39 | 0:06:42 | |
No. | 0:06:44 | 0:06:46 | |
I never heard Rich and Joanne argue. Not once, no. | 0:06:47 | 0:06:52 | |
They're like a couple of swans. | 0:06:53 | 0:06:55 | |
You mean, they hissed at you when you tried to give them bread? | 0:06:55 | 0:06:58 | |
You remember Asye? | 0:07:00 | 0:07:02 | |
Hard not to. Very pretty girl. | 0:07:03 | 0:07:06 | |
Did she and Richard get on? | 0:07:06 | 0:07:08 | |
Like a house on fire. | 0:07:09 | 0:07:11 | |
Oh, sorry. | 0:07:11 | 0:07:12 | |
Oh, you mean... | 0:07:13 | 0:07:15 | |
Oh, no. | 0:07:15 | 0:07:16 | |
You're barking up the wrong tree there, mate. | 0:07:17 | 0:07:21 | |
Joanne would've had his balls pickled | 0:07:21 | 0:07:23 | |
and put in a jar for all to see. | 0:07:23 | 0:07:25 | |
So she wore the trousers, eh? | 0:07:25 | 0:07:27 | |
No, no, no. | 0:07:27 | 0:07:29 | |
She's just a tough cookie - that's all. | 0:07:29 | 0:07:32 | |
They got on good together. | 0:07:32 | 0:07:34 | |
And made you feel like you were family | 0:07:36 | 0:07:38 | |
Like you belonged. | 0:07:39 | 0:07:41 | |
So you're here every day, then? | 0:07:42 | 0:07:45 | |
Yup. Here all week, ladies and gentlemen. | 0:07:45 | 0:07:47 | |
When I lost me job, | 0:07:49 | 0:07:52 | |
Rich asked me if I'd like to play regular, you know? | 0:07:52 | 0:07:55 | |
Fantastic! Punters seem to like it. | 0:07:55 | 0:07:59 | |
-Get the odd request. Odd pint, even. -HE CHUCKLES | 0:07:59 | 0:08:04 | |
-We're just going down to the cellar. -OK, Guv. | 0:08:04 | 0:08:06 | |
Any punters we should know about? | 0:08:07 | 0:08:09 | |
Er...his best mate - David. | 0:08:10 | 0:08:15 | |
He was here that night. | 0:08:15 | 0:08:17 | |
Still pops in now and then. | 0:08:18 | 0:08:20 | |
Makes sure Joanne's all right. | 0:08:21 | 0:08:23 | |
What about Richard's younger brother? | 0:08:24 | 0:08:26 | |
Gavin? | 0:08:28 | 0:08:29 | |
No, I didn't see much of him around here. | 0:08:32 | 0:08:34 | |
Him and Rich didn't exactly see eye to eye, you know? | 0:08:36 | 0:08:39 | |
He was found here. | 0:08:46 | 0:08:48 | |
It was an empty space before the fire. | 0:08:48 | 0:08:51 | |
You've fixed it up since then, obviously. | 0:08:51 | 0:08:53 | |
I couldn't keep it the way it was. | 0:08:53 | 0:08:55 | |
Looking at your bank statements, things were pretty tight for you. | 0:08:55 | 0:08:59 | |
Us and every other pub in the country. | 0:08:59 | 0:09:01 | |
After the fire, Forensics found evidence of subsidence here. | 0:09:01 | 0:09:04 | |
Fixing the roof doesn't bring in customers. | 0:09:04 | 0:09:07 | |
-But it does keep them safe. -You were one bad inspection away from being closed down. | 0:09:07 | 0:09:11 | |
You still think insurance had something to do with this? | 0:09:11 | 0:09:13 | |
We're just trying to understand your husband's state of mind. | 0:09:13 | 0:09:16 | |
-You've found his killer. -We've found one suspect. | 0:09:16 | 0:09:19 | |
You know the thing every landlord needs to really make a go of it? | 0:09:22 | 0:09:26 | |
An instinct for knowing when it's time to send punters on their way... | 0:09:26 | 0:09:30 | |
Of course. Thank you. | 0:09:32 | 0:09:35 | |
Thanks for your help. | 0:09:35 | 0:09:37 | |
I think Joanne's in denial about Richard and Asye. | 0:09:45 | 0:09:48 | |
Maybe it's me. Maybe Asye's telling the truth. | 0:09:48 | 0:09:51 | |
Nothing went on with Richard and she did wake up and the pub was on fire. | 0:09:51 | 0:09:54 | |
She'd know the emergency services were on their way. | 0:09:54 | 0:09:57 | |
People in uniform asking difficult questions. | 0:09:57 | 0:09:59 | |
What else was she supposed to do? | 0:09:59 | 0:10:01 | |
So how did the fire start, then? | 0:10:01 | 0:10:03 | |
Richard? Insurance job. | 0:10:03 | 0:10:04 | |
No. His family have been at the Grenville for five generations. | 0:10:04 | 0:10:08 | |
He was born there, for gawd's sake. | 0:10:08 | 0:10:09 | |
Most preservationists are one bad month away from becoming arsonists. | 0:10:09 | 0:10:14 | |
What about the brother - Gavin? | 0:10:14 | 0:10:16 | |
Rejected by his father. It's definitely worth a chat. | 0:10:16 | 0:10:19 | |
What's this Gavin do? | 0:10:19 | 0:10:21 | |
Runs his own business. Mends gaming machines - | 0:10:21 | 0:10:23 | |
-fruit machines, that kind of thing. -I'll go. | 0:10:23 | 0:10:25 | |
And what about this mate - David? The one who was there that night? | 0:10:27 | 0:10:31 | |
-David Halburton. -Owns a vineyard in Kent. | 0:10:31 | 0:10:33 | |
A vineyard? In England? | 0:10:33 | 0:10:35 | |
Yes. Kent is in England. | 0:10:35 | 0:10:37 | |
You're not volunteering to go under cover on this one, Gerry? | 0:10:37 | 0:10:40 | |
Oh, I know that neck of the woods, as it happens. | 0:10:40 | 0:10:42 | |
My mum used to take us hop picking every summer. | 0:10:42 | 0:10:45 | |
Yeah, hundreds of families, all living in little huts. | 0:10:45 | 0:10:48 | |
No running water. No TV. | 0:10:48 | 0:10:49 | |
-Sounds charming(!) -Ah, it was brilliant. | 0:10:49 | 0:10:53 | |
It's all changed, of course. They use machines now. | 0:10:53 | 0:10:56 | |
A whole way of life gone. | 0:10:56 | 0:10:58 | |
And that's what's going to happen with places like the Grenville one day. | 0:10:58 | 0:11:01 | |
-And here. -No, people will always need to eat and drink, Gerry. | 0:11:01 | 0:11:05 | |
-Yeah, but bistros and wine bars? -Booze is booze, isn't it? | 0:11:05 | 0:11:09 | |
No, pubs aren't all about booze. | 0:11:09 | 0:11:10 | |
Oh, really? Well, you could've fooled me. | 0:11:10 | 0:11:12 | |
Gerry's right. It's about family, community. | 0:11:12 | 0:11:15 | |
Or, in our case, the opportunity to decontextualise working practice. | 0:11:15 | 0:11:18 | |
-Eh? -Getting out of the office. | 0:11:18 | 0:11:22 | |
-Oh. -When was that quiz night that we came to here? | 0:11:22 | 0:11:25 | |
It was a good six months ago. | 0:11:25 | 0:11:27 | |
Eight months. They have them every Tuesday and we have come once. | 0:11:27 | 0:11:31 | |
What about the fundraising day for the youth centre roof? | 0:11:31 | 0:11:34 | |
-Anyone come to that? -No, I thought about it but... -No, I was, er... | 0:11:34 | 0:11:37 | |
Well, I think it's time you three put your money where your mouth is. | 0:11:37 | 0:11:40 | |
You know, if it's not that we all come here to drink - | 0:11:40 | 0:11:43 | |
if it's all about community - then how about that? | 0:11:43 | 0:11:47 | |
-What? -"Five-a-side fundraising tournament. Teams needed." | 0:11:47 | 0:11:52 | |
We could start by training tonight. | 0:11:52 | 0:11:54 | |
My knees aren't great at the moment, Guv. | 0:11:54 | 0:11:56 | |
I've got a hamstring. | 0:11:56 | 0:11:57 | |
Well, as long as I'm not in goal. | 0:11:57 | 0:11:59 | |
What? | 0:11:59 | 0:12:00 | |
Gerry? | 0:12:02 | 0:12:03 | |
Well, I'm not in goal. | 0:12:03 | 0:12:05 | |
"Not going in goal." Who does he think he is? | 0:12:05 | 0:12:08 | |
Danielle bleeding Messi? | 0:12:08 | 0:12:09 | |
Maybe he's a bit tasty. | 0:12:09 | 0:12:11 | |
-No. -I -was tasty. | 0:12:11 | 0:12:13 | |
Took out a mortgage on the right wing for Fisher Schoolboys. | 0:12:13 | 0:12:16 | |
Were those the days when the pig stomach was still in the pig? | 0:12:16 | 0:12:19 | |
Listen, mate, I was feared by every left back in south London. | 0:12:19 | 0:12:22 | |
Yeah, well they always put the fat kids in defence, eh? | 0:12:22 | 0:12:25 | |
Right, we'll go in mine. All right? | 0:12:25 | 0:12:27 | |
Gerry, we can't get to Kent and back in that thing in time for training. | 0:12:27 | 0:12:30 | |
"That thing" is a classic. | 0:12:30 | 0:12:32 | |
Gerry, you seem to think because something's old it's good, you know? | 0:12:32 | 0:12:36 | |
In my experience, | 0:12:36 | 0:12:38 | |
something is old BECAUSE it's good. | 0:12:38 | 0:12:40 | |
-Yeah, yeah. -Built to last, mate. Built to last. | 0:12:40 | 0:12:44 | |
Yeah, it does this from time to time. | 0:12:44 | 0:12:48 | |
I know how to fix it, it's all right. | 0:12:48 | 0:12:50 | |
Back on the road in two minutes. | 0:12:50 | 0:12:52 | |
You all right? | 0:12:54 | 0:12:55 | |
Terrific. | 0:12:57 | 0:12:58 | |
You look like the Third Man, mate. | 0:12:59 | 0:13:02 | |
HE HUMS The Third Man Theme | 0:13:02 | 0:13:04 | |
MUSIC: The Third Man Theme by Anton Karas | 0:13:04 | 0:13:07 | |
A Quadreel - ha! | 0:13:35 | 0:13:36 | |
One of the last of its kind before the microprocessors took over | 0:13:38 | 0:13:42 | |
the mathematical computations. | 0:13:42 | 0:13:44 | |
Patented in Australia, 1968. | 0:13:44 | 0:13:47 | |
Stop stroking it. | 0:13:47 | 0:13:48 | |
He can stroke it if he wants. | 0:13:48 | 0:13:50 | |
But it was patented in 1967, not '68. | 0:13:50 | 0:13:54 | |
You looking to buy something? | 0:13:54 | 0:13:55 | |
-Gavin Gibson? -Yeah. | 0:13:55 | 0:13:57 | |
DCI Sasha Miller. This is Danny Griffin. | 0:13:57 | 0:13:59 | |
We're reinvestigating your brother's murder. | 0:13:59 | 0:14:01 | |
-Oh, I see. -So, Gavin, tell me - | 0:14:01 | 0:14:05 | |
why did you try to buy the pub after the fire? | 0:14:05 | 0:14:07 | |
Well, you've seen the place. | 0:14:07 | 0:14:10 | |
Used to be packed to the rafters when my old man had it. | 0:14:10 | 0:14:13 | |
City boys, market traders - all sorts of people from all walks of life. | 0:14:13 | 0:14:17 | |
And now you're lucky if you get ten punters in a week | 0:14:18 | 0:14:21 | |
and they usually have shallow pockets. | 0:14:21 | 0:14:23 | |
So you thought you could do better than Joanne? | 0:14:23 | 0:14:26 | |
I'm not saying that - she does her best. | 0:14:26 | 0:14:28 | |
But it was never going to be the same without Rich by her side. | 0:14:28 | 0:14:32 | |
You know the worst thing? | 0:14:32 | 0:14:33 | |
I don't think that sod ever realised how lucky he was to have Jo. | 0:14:35 | 0:14:38 | |
She was loyal, you know, a trooper. | 0:14:38 | 0:14:40 | |
Was Richard faithful to her? | 0:14:40 | 0:14:42 | |
I wouldn't know. We weren't talking the last few years. | 0:14:42 | 0:14:46 | |
I never went near the place. | 0:14:46 | 0:14:47 | |
So you never saw this woman? | 0:14:47 | 0:14:49 | |
No. | 0:14:51 | 0:14:53 | |
But for what it's worth, | 0:14:53 | 0:14:55 | |
I don't think my brother would've stood a chance with her. | 0:14:55 | 0:14:58 | |
-Why not? -She's Premier League. He was Conference. | 0:14:58 | 0:15:02 | |
This'd only happen if they draw each other in the Cup. | 0:15:02 | 0:15:05 | |
Why did you and Richard stop talking? | 0:15:07 | 0:15:10 | |
Well, it's not what you think. | 0:15:10 | 0:15:12 | |
I knew I was never going to get the pub. | 0:15:12 | 0:15:15 | |
Our old man made that clear to us. | 0:15:15 | 0:15:17 | |
But every time I tried to help Richard, | 0:15:17 | 0:15:19 | |
he thought I was plotting against him. He was wrong. | 0:15:19 | 0:15:23 | |
I could just see which way the wind was blowing, with the recession. | 0:15:23 | 0:15:27 | |
I told him to get a new kitchen - serve some decent food. | 0:15:27 | 0:15:30 | |
Have live entertainment. But Rich? | 0:15:30 | 0:15:33 | |
He didn't want his little brother sticking his oar in. | 0:15:33 | 0:15:35 | |
This is a Dragon Skipper Element 7 Assembly. | 0:15:35 | 0:15:39 | |
That's right. | 0:15:39 | 0:15:40 | |
You've got a Palace of Magic? | 0:15:40 | 0:15:42 | |
One of only three left in the country. | 0:15:42 | 0:15:44 | |
Do you want to see it? | 0:15:44 | 0:15:45 | |
Five minutes. | 0:15:47 | 0:15:48 | |
-Terry the Tow will be here in three hours. -Three hours? | 0:15:58 | 0:16:01 | |
Yeah, well, Paul the Pull, his cousin, has got the truck. | 0:16:01 | 0:16:03 | |
Does everyone in that family have towing-based titles? | 0:16:03 | 0:16:06 | |
Nah, just Terry and Paul. Well, mind you, we call Terry's dad... | 0:16:06 | 0:16:09 | |
I don't need a list of names, Gerry. Just someone who can get here faster. | 0:16:09 | 0:16:12 | |
No, Terry's the only one I trust with the Stag. | 0:16:12 | 0:16:15 | |
-Excuse me, Mr Haliburton? -Halburton. | 0:16:15 | 0:16:18 | |
-Oh, right, yeah. -Ah, yes, you're the chaps from London? | 0:16:18 | 0:16:21 | |
-Yes. -Yes. We are the chaps. | 0:16:21 | 0:16:23 | |
Something happen to your car? | 0:16:25 | 0:16:27 | |
Er, yeah, hiccup. | 0:16:27 | 0:16:29 | |
-Bon. Je vous laisse. J'y vais, moi. -Ah oui. Merci. | 0:16:29 | 0:16:32 | |
-A bientot. -Oui, oui, oui. -Excusez-moi. | 0:16:32 | 0:16:33 | |
TRANSLATION: | 0:16:33 | 0:16:35 | |
Francais? | 0:16:36 | 0:16:37 | |
-Vroom! -Clappers? Oui. | 0:16:46 | 0:16:48 | |
-THEY CHUCKLE -Bon dit! | 0:16:56 | 0:16:59 | |
-Messieurs. -Bonjour. -Bon journee. -Au revoir, yeah. -Au revoir. | 0:16:59 | 0:17:02 | |
I knew Asye to say hello to in the pub and that's about it. | 0:17:04 | 0:17:06 | |
Did Richard fancy her? | 0:17:06 | 0:17:09 | |
Over the years, there were a lot of bar girls sleeping in that spare room. | 0:17:09 | 0:17:12 | |
Far as I know, Rich never misbehaved with any of them. | 0:17:12 | 0:17:15 | |
If he did, he never told me about it. | 0:17:15 | 0:17:17 | |
You just can't let these little buggers get a foothold. | 0:17:20 | 0:17:24 | |
You do your own weeding? | 0:17:24 | 0:17:26 | |
Our pickers are good but they lack an eye for detail. | 0:17:26 | 0:17:29 | |
Where do you get them from? | 0:17:29 | 0:17:30 | |
Oh, mostly Poland. Few Romanians. | 0:17:30 | 0:17:32 | |
Anyone from Turkey? | 0:17:32 | 0:17:33 | |
Everyone I employ is legal and above board. | 0:17:35 | 0:17:37 | |
Unlike Richard. | 0:17:37 | 0:17:39 | |
Yes, well, we all make choices. | 0:17:39 | 0:17:41 | |
You were at the Grenville the night of the fire? | 0:17:42 | 0:17:45 | |
Heading to an industry tasting. Popped in for a quick one. | 0:17:45 | 0:17:47 | |
How did Richard seem? | 0:17:47 | 0:17:49 | |
Actually, he was in one of his moods. | 0:17:50 | 0:17:52 | |
-Without Joanne there, he had to do some work for a change. -Did he have a lot of moods? | 0:17:52 | 0:17:55 | |
Look, I know Richard employing Asye looks bad | 0:17:57 | 0:18:00 | |
but we're talking about a good guy here. | 0:18:00 | 0:18:02 | |
When I started work in the City in my 20s, | 0:18:02 | 0:18:04 | |
the Grenville Arms was my port in a storm. | 0:18:04 | 0:18:07 | |
Richard and I were the same age and we hit it off. | 0:18:07 | 0:18:10 | |
He knew a hell of a lot about beer. Sod all about wine. | 0:18:10 | 0:18:12 | |
He was a publican. | 0:18:12 | 0:18:14 | |
He had a house red that would've made a passable paint stripper. | 0:18:14 | 0:18:17 | |
This was 1982, mind. Things have moved on. | 0:18:17 | 0:18:19 | |
Even at the Grenville. | 0:18:19 | 0:18:21 | |
-Thanks. -Cheers. | 0:18:23 | 0:18:25 | |
1982 - isn't that when Joanne and Richard met? | 0:18:25 | 0:18:28 | |
She was working in our back office. | 0:18:28 | 0:18:30 | |
What, you introduced them? | 0:18:30 | 0:18:32 | |
She was my girlfriend when I did! | 0:18:32 | 0:18:34 | |
My first real girlfriend. Lived together for ten months. | 0:18:34 | 0:18:38 | |
But, look, they were the better match. Soon got over it. | 0:18:38 | 0:18:41 | |
On their wedding day, Richard's dad told me he could die a peaceful man. | 0:18:41 | 0:18:45 | |
It's just a shame they were never able to give him grandchildren. | 0:18:45 | 0:18:48 | |
Was that a problem? | 0:18:48 | 0:18:50 | |
Not for Jo. But it bothered Richard - I know that. | 0:18:50 | 0:18:52 | |
You chaps thirsty? | 0:18:54 | 0:18:55 | |
-Well... -Yeah. | 0:18:55 | 0:18:57 | |
There. Give her a whirl now. | 0:19:01 | 0:19:03 | |
MACHINE BLEEPS | 0:19:04 | 0:19:06 | |
-Good as new, isn't she? -Beautiful. | 0:19:06 | 0:19:08 | |
-You been doing this long? -Too bloody long. | 0:19:08 | 0:19:11 | |
My old man had the first units in the Grenville, | 0:19:11 | 0:19:14 | |
but they were always breaking down - it cost a fortune to fix it. | 0:19:14 | 0:19:17 | |
So I started learning about the insides. Got the touch. | 0:19:17 | 0:19:21 | |
I know about their insides, too. | 0:19:21 | 0:19:23 | |
I only ever play machines with backing. That way the coin goes into the cash box... | 0:19:23 | 0:19:26 | |
-And not the skipper. -Yes. Makes a payout far more likely. | 0:19:26 | 0:19:30 | |
Except that's not going to happen in this case. | 0:19:32 | 0:19:34 | |
Modifications. | 0:19:36 | 0:19:38 | |
A skill stop? | 0:19:38 | 0:19:39 | |
Maybe. | 0:19:41 | 0:19:42 | |
The lights are flickering because the current's being drawn away from the main board. | 0:19:44 | 0:19:48 | |
This is definitely a skill stop. | 0:19:48 | 0:19:50 | |
You've installed a Hi-Lo reel too, I see. | 0:19:51 | 0:19:53 | |
This machine will only ever pay out on a 2 or 11. | 0:19:55 | 0:19:58 | |
Keeps them chasing. | 0:19:58 | 0:19:59 | |
-Very clever. -Like I said, I've been doing this a long time. | 0:19:59 | 0:20:02 | |
MACHINE BLEEPS COINS DROP | 0:20:05 | 0:20:07 | |
That makes two of us. | 0:20:09 | 0:20:11 | |
Look at him. A few sparkles, he thinks he's Champagne Charlie. | 0:20:23 | 0:20:26 | |
Well, they grow the same grapes as Champagne. | 0:20:26 | 0:20:29 | |
Listen, I'm half-glass French, mate. | 0:20:30 | 0:20:32 | |
Standing's an Anglicised version of Lestade. | 0:20:32 | 0:20:35 | |
I know my wine. | 0:20:35 | 0:20:37 | |
Yeah, well, it's the same methods as they use in France, Gerry. | 0:20:37 | 0:20:40 | |
Yeah, well, I'm not sure my palate is ready for English champagne. | 0:20:40 | 0:20:45 | |
-Here we go. -Thank you. -Cheers. | 0:20:45 | 0:20:48 | |
Oh, unless your palate can't quite support it? | 0:20:48 | 0:20:52 | |
We'll give it a try. | 0:20:52 | 0:20:53 | |
You know it was the English actually who invented Champagne? | 0:20:54 | 0:20:57 | |
-HE SCOFFS -No, the method was discovered by an Englishman named Merret. | 0:20:57 | 0:21:01 | |
It's not quite coming through yet, as... | 0:21:01 | 0:21:03 | |
Yeah, it's adequate, I suppose. | 0:21:05 | 0:21:07 | |
-Gerry! -No, it's all right. | 0:21:07 | 0:21:09 | |
The one thing you learn to develop in this business is a thick skin. | 0:21:09 | 0:21:13 | |
You know, I had no idea I was in the presence of a connoisseur. | 0:21:13 | 0:21:17 | |
I really must try harder. | 0:21:17 | 0:21:18 | |
Adequate? | 0:21:21 | 0:21:22 | |
It's growing on me. | 0:21:24 | 0:21:25 | |
You know, 15 years ago, | 0:21:28 | 0:21:29 | |
these fingers used to get a weekly manicure. | 0:21:29 | 0:21:32 | |
No dirty nails on the trading floor. | 0:21:32 | 0:21:36 | |
But in this place, they've found a whole new purpose. | 0:21:36 | 0:21:38 | |
New way of life. | 0:21:38 | 0:21:40 | |
And so have I. | 0:21:40 | 0:21:42 | |
Those French blokes - do they buy your wine? | 0:21:42 | 0:21:45 | |
Far too proud for that. No, they want to buy the entire place off me. | 0:21:45 | 0:21:49 | |
I can see why. | 0:21:49 | 0:21:51 | |
Yeah, but you won't sell, will you? | 0:21:51 | 0:21:53 | |
Never. | 0:21:53 | 0:21:54 | |
Look, I've got work to do on the guest house. | 0:21:56 | 0:21:58 | |
You two be all right here till your tow arrives? | 0:21:58 | 0:22:01 | |
-We'll manage. -Oh, yeah. | 0:22:01 | 0:22:03 | |
PHONE BLEEPS | 0:22:06 | 0:22:08 | |
HE GROANS | 0:22:13 | 0:22:15 | |
Crash on the M20. Terry's turned back. | 0:22:15 | 0:22:17 | |
Oh, no. | 0:22:17 | 0:22:18 | |
Still, there are worse places to spend the night. | 0:22:20 | 0:22:22 | |
Well, we could certainly take advantage of this. | 0:22:22 | 0:22:25 | |
PHONE RINGS | 0:22:27 | 0:22:28 | |
Don't tell me he's changed his mind? | 0:22:28 | 0:22:31 | |
No. | 0:22:31 | 0:22:32 | |
It's the boss. | 0:22:32 | 0:22:34 | |
Shit. What time is it? | 0:22:34 | 0:22:35 | |
You all right, Guv'nor? | 0:22:36 | 0:22:37 | |
'Gerry? Where are you? You're 20 minutes late.' | 0:22:37 | 0:22:39 | |
Late? What for? | 0:22:39 | 0:22:41 | |
Oh, the training. | 0:22:41 | 0:22:42 | |
'Yeah. I was just about to ring you, as it happens.' | 0:22:42 | 0:22:45 | |
You're not coming back tonight? | 0:22:45 | 0:22:47 | |
'No, the Stag broke down on the way here. Nothing serious, no, but they' | 0:22:47 | 0:22:51 | |
can't get anyone to look at it until the morning. | 0:22:51 | 0:22:53 | |
And I tell you, we're gutted. Both of us. | 0:22:53 | 0:22:56 | |
Yeah, I mean, this place is dead. There's nothing to do here. | 0:22:56 | 0:23:00 | |
I mean, you should see little Steve's face. He's nearly in tears. | 0:23:00 | 0:23:03 | |
He wanted to get out there. Show you his silky skills - do you know what I mean? | 0:23:03 | 0:23:07 | |
'And me of course. Well, on the other hand, you have got Long Shanks.' | 0:23:07 | 0:23:10 | |
Danny? Gerry, I'm not being funny | 0:23:10 | 0:23:12 | |
but what do you think Danny knows about football? | 0:23:12 | 0:23:15 | |
Fruit machines, higher mathematics and obscure facts? Yes. | 0:23:15 | 0:23:17 | |
-Football? No. -Yeah, with a bit of training he'll be fine. | 0:23:17 | 0:23:21 | |
CORK POPS | 0:23:21 | 0:23:22 | |
-What was that? -Shotgun. | 0:23:22 | 0:23:24 | |
'Yeah, they're shooting some grouse down here.' | 0:23:24 | 0:23:27 | |
-Grouse? -Yeah. Massive things they are, too. | 0:23:27 | 0:23:30 | |
I didn't know grouse could get that big. | 0:23:30 | 0:23:32 | |
'But anyway, they've got to keep the grouse population down, you see, | 0:23:32 | 0:23:35 | |
'because they keep eating the wine.' | 0:23:35 | 0:23:38 | |
Eating all the wine? | 0:23:38 | 0:23:40 | |
No, no, I meant vine, obviously. | 0:23:40 | 0:23:43 | |
Gerry, if I find out you're just staying down there for a jolly.... | 0:23:43 | 0:23:46 | |
Guv'nor, we'd rather be anywhere than here. | 0:23:46 | 0:23:48 | |
It's horrible. I mean, I don't know how we're going to last the night. | 0:23:48 | 0:23:51 | |
Well, it is murder, isn't it? | 0:23:55 | 0:23:57 | |
Terrible. | 0:23:58 | 0:23:59 | |
Right, Danny. | 0:24:03 | 0:24:05 | |
Let's take you through some drills. | 0:24:05 | 0:24:07 | |
Can I help you? | 0:24:57 | 0:24:59 | |
Oh, sorry. | 0:24:59 | 0:25:00 | |
It's, er... | 0:25:00 | 0:25:02 | |
quite an operation you've got here. | 0:25:02 | 0:25:04 | |
You really shouldn't wander around here on your own, you know. | 0:25:04 | 0:25:08 | |
Well, last time I checked wine wasn't particularly dangerous. | 0:25:09 | 0:25:13 | |
Yes, well, the equipment we use to make it can be. | 0:25:13 | 0:25:16 | |
Oh, I'm a very careful...chap. | 0:25:16 | 0:25:20 | |
Well, I've got something far more interesting to show you. | 0:25:20 | 0:25:23 | |
There's only ever one first kiss, isn't there? | 0:25:26 | 0:25:30 | |
One first love. | 0:25:30 | 0:25:31 | |
My first crop. | 0:25:34 | 0:25:36 | |
Only ten bottles left. | 0:25:36 | 0:25:38 | |
-We couldn't possibly... -No, come on, I insist. | 0:25:38 | 0:25:41 | |
Come on, Stevie. Our host insists. | 0:25:41 | 0:25:44 | |
I haven't had guests for a while. And, to be honest, | 0:25:44 | 0:25:48 | |
all this chat about Richard and Jo... | 0:25:48 | 0:25:50 | |
I fancy a glass myself. | 0:25:51 | 0:25:54 | |
Now, this was a very special year. | 0:25:54 | 0:25:57 | |
-Cheers. -Cheers. | 0:26:02 | 0:26:03 | |
One sip will change your life. | 0:26:03 | 0:26:05 | |
Go on, Stevie, get it down you. | 0:26:09 | 0:26:10 | |
THEY MUTTER APPROVINGLY | 0:26:13 | 0:26:15 | |
Now, that is different class, yeah. | 0:26:17 | 0:26:19 | |
Water. I need some water. | 0:26:26 | 0:26:28 | |
Cigarette. | 0:26:31 | 0:26:32 | |
They're... | 0:26:34 | 0:26:36 | |
They're in your back pocket. | 0:26:36 | 0:26:38 | |
How'd you know that? | 0:26:38 | 0:26:39 | |
Now, what happened was, there were two crashes - one on the M25... | 0:26:44 | 0:26:48 | |
-Spare me. -Did you get a chance to try the wine? | 0:26:48 | 0:26:52 | |
Barely. | 0:26:52 | 0:26:53 | |
Yeah, and what we did try had hints of badger and hedgehog piss. | 0:26:53 | 0:26:56 | |
-Not good. -Look, I'm sorry we let you down, Guv'nor, | 0:26:56 | 0:26:59 | |
but it's five-a-side competition, right? There's only four of us. | 0:26:59 | 0:27:03 | |
Well, I was thinking of asking Strickland. | 0:27:03 | 0:27:06 | |
No, you're right. Anyway, Danny's worth two. | 0:27:09 | 0:27:11 | |
-What? -Well, you should see his first touch. | 0:27:11 | 0:27:13 | |
And the turn on him! | 0:27:13 | 0:27:15 | |
Yeah, well, Steve had trials for Rangers. | 0:27:15 | 0:27:17 | |
Celtic, Gerry. | 0:27:17 | 0:27:19 | |
We're building our team around Danny. | 0:27:19 | 0:27:21 | |
-Yeah, well, I'm not going in goal. -Neither am I. | 0:27:21 | 0:27:24 | |
I am the manager and I will decide who is playing where at the next training session. | 0:27:24 | 0:27:28 | |
Now, did you find out anything useful there? | 0:27:29 | 0:27:33 | |
Only that all was not quite so rosy in the garden of Richard and Joanne. | 0:27:33 | 0:27:36 | |
Yeah. He wanted children, she didn't. | 0:27:36 | 0:27:38 | |
And I think David still holds a candle for Joanne. | 0:27:38 | 0:27:41 | |
David was in London that night. | 0:27:41 | 0:27:43 | |
And she was staying at a hotel. | 0:27:45 | 0:27:46 | |
Well, let's try and put them together. | 0:27:46 | 0:27:48 | |
We need to go back and see Asye. | 0:27:48 | 0:27:50 | |
The translations of her mother's letters are back. | 0:27:50 | 0:27:52 | |
-Right. -Coffee? | 0:27:52 | 0:27:54 | |
"He sounds older than you. | 0:27:56 | 0:27:58 | |
"You do not say if he is married. | 0:27:59 | 0:28:02 | |
"I do not trust this man." | 0:28:03 | 0:28:05 | |
Sounds a bit like my mum - just without the swearing and the tequila. | 0:28:07 | 0:28:09 | |
Your mum's last letter before the fire's interesting. | 0:28:09 | 0:28:13 | |
"I hope he can help you. | 0:28:13 | 0:28:16 | |
"I will pray for you." | 0:28:16 | 0:28:17 | |
And then the letter after the fire. | 0:28:17 | 0:28:19 | |
"You say this man has gone away. | 0:28:21 | 0:28:22 | |
"But where has he gone?" | 0:28:22 | 0:28:25 | |
We were right. This is about Richard, isn't it? | 0:28:25 | 0:28:27 | |
-Did Joanne find out? -I would never betray her. | 0:28:27 | 0:28:30 | |
This isn't betrayal? | 0:28:30 | 0:28:31 | |
I did not sleep with Richard! | 0:28:31 | 0:28:33 | |
Then what were you doing with him? | 0:28:33 | 0:28:34 | |
He was a good man to me. | 0:28:34 | 0:28:36 | |
He was helping you? | 0:28:36 | 0:28:38 | |
How? | 0:28:38 | 0:28:39 | |
Put me in prison, keep me here... | 0:28:44 | 0:28:47 | |
Do what you like to me. | 0:28:47 | 0:28:49 | |
You mean that, don't you? | 0:28:51 | 0:28:53 | |
You would rather be locked away than have to explain all this. | 0:28:54 | 0:28:59 | |
What are you so afraid of? | 0:29:00 | 0:29:02 | |
Well, if Joanne left the hotel that night, | 0:29:09 | 0:29:11 | |
it wasn't through the main door. | 0:29:11 | 0:29:12 | |
But are we sure she was actually there? | 0:29:12 | 0:29:14 | |
Yes, I've got footage of her here, leaving the restaurant 9:32pm, | 0:29:14 | 0:29:18 | |
headed towards the lift, presumably going up to the rooms. | 0:29:18 | 0:29:21 | |
That's as far as I've got. | 0:29:21 | 0:29:23 | |
Hold on, she's talking to someone. | 0:29:24 | 0:29:26 | |
Who's he? | 0:29:26 | 0:29:27 | |
See if you can pick him up anywhere else. | 0:29:30 | 0:29:32 | |
Shall we go in mine? | 0:29:33 | 0:29:34 | |
I thought yours had broken down. | 0:29:34 | 0:29:36 | |
No - loan car. Last one Terry had in the yard. | 0:29:36 | 0:29:39 | |
Nice change. | 0:29:40 | 0:29:42 | |
Good swap. | 0:29:42 | 0:29:43 | |
ENGINE STARTS | 0:29:50 | 0:29:51 | |
'Please state your destination.' | 0:29:51 | 0:29:55 | |
The Castle pub, Armwell Street. | 0:29:55 | 0:29:58 | |
'Did you say the Parcel Club, Amwell Street?' | 0:29:58 | 0:30:01 | |
This is driving me bleeding mad. | 0:30:01 | 0:30:03 | |
'I'm sorry. Please say that again.' | 0:30:03 | 0:30:05 | |
I said, the Castle pub. Armwell Street. | 0:30:05 | 0:30:12 | |
'I'm sorry.' | 0:30:12 | 0:30:14 | |
YOU'RE bleeding sorry? | 0:30:14 | 0:30:16 | |
'I'm sorry. I do not recognise that destination.' | 0:30:16 | 0:30:19 | |
Yeah, I think we'll use my phone. | 0:30:19 | 0:30:20 | |
Do you need anything else, mate? | 0:30:28 | 0:30:31 | |
GERRY: Why do I have a bad feeling about this? | 0:30:31 | 0:30:35 | |
GENERAL CHATTER | 0:30:35 | 0:30:38 | |
-All right, ladies, anything you need, just shout. My name's Lee. OK? -Thank you. | 0:30:41 | 0:30:46 | |
Lee Connery? | 0:30:46 | 0:30:47 | |
Five O, right? | 0:30:49 | 0:30:51 | |
DCI Sasha Miller. Gerry Standing. | 0:30:51 | 0:30:53 | |
Ain't no drugs in my pocket, officer. Swear down. | 0:30:53 | 0:30:56 | |
Seriously though, there aren't any drugs. Want some drinks though? | 0:30:59 | 0:31:04 | |
Let me take a wild one: half a bitter and... | 0:31:04 | 0:31:08 | |
-Archers and lemonade. -Psychic. | 0:31:08 | 0:31:11 | |
Just very, very sensitive to the needs of others. | 0:31:11 | 0:31:15 | |
-We're on duty. -All right. | 0:31:15 | 0:31:17 | |
The ninth of November 2010 - you met up with Joanne Gibson at the Brightling Chase hotel. | 0:31:17 | 0:31:22 | |
Looks like I'm not the only psychic. How'd you find me? | 0:31:24 | 0:31:27 | |
Company logo on your business card. | 0:31:27 | 0:31:30 | |
Yeah. I've had those redone, actually. Thicker paper. | 0:31:30 | 0:31:34 | |
Embossed. | 0:31:34 | 0:31:36 | |
We're a classier act these days. | 0:31:36 | 0:31:38 | |
-Why did you meet Joanne? -Wasn't the first time. | 0:31:39 | 0:31:42 | |
I know what you're thinking, "Playa". | 0:31:44 | 0:31:47 | |
But that is not a booty call I would answer. | 0:31:47 | 0:31:50 | |
-She just wanted to sell her pub. -She wanted to sell? | 0:31:50 | 0:31:53 | |
Yeah. Said she'd had enough. Thought it was time to cash in. | 0:31:53 | 0:31:55 | |
Nah, nah, nah. She couldn't sell unless Richard agreed? | 0:31:55 | 0:31:58 | |
Or unless Richard was out of the picture somehow. | 0:31:58 | 0:32:01 | |
Did we buy the place? | 0:32:02 | 0:32:04 | |
Shame, though. Could have made that dump viable again. | 0:32:05 | 0:32:08 | |
Given it a future. | 0:32:08 | 0:32:10 | |
GERRY SCOFFS Call this a future? | 0:32:10 | 0:32:12 | |
No offence, but you're not exactly the target demographic. | 0:32:12 | 0:32:16 | |
-Good. I don't want to drink in a creche. -Gerry. | 0:32:16 | 0:32:19 | |
Did you speak to Joanne after the fire? | 0:32:19 | 0:32:22 | |
Waited for her to call. She never did. | 0:32:22 | 0:32:24 | |
-Came to her senses. -Thank you. | 0:32:24 | 0:32:27 | |
You told us that you and Richard sacrificed everything for this place. | 0:32:31 | 0:32:34 | |
That it meant the world to you. | 0:32:34 | 0:32:36 | |
-But Lee Connery was a charlatan. -He was just a salesman. | 0:32:36 | 0:32:41 | |
It was either sell to him or go under. | 0:32:41 | 0:32:44 | |
It was far more than that. | 0:32:44 | 0:32:46 | |
I mean, the guy was the exact opposite of everything that you and Richard stood for. | 0:32:46 | 0:32:50 | |
Something else drove you towards Connery, didn't it? | 0:32:50 | 0:32:53 | |
Yeah, and it must have been very, very serious. | 0:32:53 | 0:32:57 | |
You knew about Richard and Asye. | 0:32:57 | 0:32:59 | |
He'd been behaving strangely for ages. Evasive. | 0:33:06 | 0:33:10 | |
Keeping things from me. | 0:33:10 | 0:33:12 | |
When I asked him about it, he said it was all part of his plan. | 0:33:12 | 0:33:15 | |
Plan? | 0:33:15 | 0:33:17 | |
To save this place. Find the money we needed. | 0:33:17 | 0:33:20 | |
I suppose I'd rather believe that than the truth. | 0:33:23 | 0:33:26 | |
He was my Richard. Mine. | 0:33:28 | 0:33:31 | |
He had the best of me. | 0:33:34 | 0:33:35 | |
This bloody place had the best of me. And all for nothing. | 0:33:36 | 0:33:40 | |
I could've killed him. Believe me. | 0:33:43 | 0:33:45 | |
But I didn't. | 0:33:45 | 0:33:47 | |
Nevertheless, you see where this leaves us, Joanne. | 0:33:47 | 0:33:52 | |
You've got me on CCTV, haven't you? | 0:33:52 | 0:33:55 | |
How could I have been here, murdering Richard, when I was halfway across town? | 0:33:57 | 0:34:03 | |
PIANO PLAYS | 0:34:03 | 0:34:06 | |
Ooh, Steve, um... | 0:34:12 | 0:34:14 | |
One go, OK? Cos we're... | 0:34:14 | 0:34:16 | |
-That's good. -Oh, cheers. | 0:34:21 | 0:34:23 | |
SLOT MACHINE BLEEPS | 0:34:29 | 0:34:30 | |
PIANO CONTINUES | 0:34:30 | 0:34:33 | |
The lights are flickering. | 0:34:33 | 0:34:34 | |
Of course they're flickering, it's a fruit machine. | 0:34:34 | 0:34:37 | |
-PIANO STOPS -Not that kind of flicker. | 0:34:37 | 0:34:39 | |
Is everything all right? | 0:34:39 | 0:34:41 | |
The lights are flickering. | 0:34:41 | 0:34:42 | |
Is it on the blink? It's been there years, that. | 0:34:42 | 0:34:45 | |
Have you ever seen anybody win on this machine? | 0:34:45 | 0:34:48 | |
-Don't think so, no. -Who installed it? | 0:34:48 | 0:34:50 | |
Every fruit machine in a public house must be licensed and monitored by the Gambling Commission. | 0:34:56 | 0:35:01 | |
Now, the one in the Grenville was installed in 2008. | 0:35:01 | 0:35:05 | |
And according to its service history | 0:35:05 | 0:35:07 | |
had a maintenance check the day before the fire. | 0:35:07 | 0:35:10 | |
Gavin Gibson? | 0:35:10 | 0:35:11 | |
The man who told us he hadn't been near the place in years. | 0:35:11 | 0:35:13 | |
Guv. Take a look at this. | 0:35:13 | 0:35:15 | |
What's Richard keeping locked up in here? | 0:35:17 | 0:35:20 | |
Chateau Tromeur. 1945. | 0:35:23 | 0:35:26 | |
Good year? | 0:35:26 | 0:35:27 | |
Let's ask Marie Antoinette over here. | 0:35:27 | 0:35:29 | |
Gerry. Take a gander. | 0:35:29 | 0:35:32 | |
'45 was a fantastic year. | 0:35:35 | 0:35:37 | |
Now, this bottle of wine is worth 20, 25 grand. | 0:35:37 | 0:35:44 | |
-Wow! -The plan. | 0:35:44 | 0:35:46 | |
Joanne said Richard talked about "the plan" to get the money he needed. Maybe this is it. | 0:35:46 | 0:35:52 | |
We'll ask her. | 0:35:52 | 0:35:54 | |
Find out why Gavin Gibson lied to us, | 0:35:54 | 0:35:57 | |
what was really going on between him and his brother. | 0:35:57 | 0:36:00 | |
-SAT NAV: -'You have arrived at your destination, Gerry'. -Thank you. | 0:36:04 | 0:36:08 | |
'You're welcome, Gerry.' | 0:36:08 | 0:36:10 | |
It knows your name? | 0:36:10 | 0:36:12 | |
Yeah, the manual tells you how to put it in. | 0:36:12 | 0:36:15 | |
She's not bad when you get to know her. | 0:36:15 | 0:36:17 | |
Looks like we won't be talking to him. | 0:36:18 | 0:36:20 | |
-SAT NAV: -'Where would you like to go?' | 0:36:41 | 0:36:43 | |
It's all right. We're following someone. | 0:36:43 | 0:36:45 | |
'Would you like me to power down, Gerry?' | 0:36:45 | 0:36:49 | |
Yeah, you have a little rest, love. | 0:36:49 | 0:36:51 | |
Gerry, this is a machine not a person. | 0:36:52 | 0:36:56 | |
Course, after the trials, there's the waiting you know? In the end, | 0:37:02 | 0:37:06 | |
after all that, they didn't offer me a contract. | 0:37:06 | 0:37:09 | |
Said I was too short to be a defender. I mean! | 0:37:09 | 0:37:12 | |
What's height got to do with it when you've got speed? That's what I think. | 0:37:12 | 0:37:16 | |
'I'm sorry, can you say that again, Steve?' | 0:37:16 | 0:37:19 | |
What I'm saying is... | 0:37:40 | 0:37:42 | |
Well? | 0:37:44 | 0:37:46 | |
Who were you talking to just then? | 0:37:46 | 0:37:47 | |
-Jennifer. -Who? | 0:37:47 | 0:37:50 | |
-'Hello, Gerry.' -She's a good listener. | 0:37:50 | 0:37:53 | |
-Her name's not Jennifer. -'My name is Jennifer.' | 0:37:53 | 0:37:56 | |
We had a look in the manual. | 0:37:56 | 0:37:58 | |
"We"? You just leave her alone, all right? | 0:37:58 | 0:38:02 | |
-So, what's Gibson up to? -Oh - here we go. | 0:38:02 | 0:38:06 | |
He was talking to the landlord while he mended the machine. Same as all the other pubs. | 0:38:06 | 0:38:10 | |
BOTH GRUNT IN FRUSTRATION | 0:40:08 | 0:40:10 | |
-Bloody hell! -Whoa! | 0:40:27 | 0:40:29 | |
It's incredible. | 0:40:32 | 0:40:34 | |
GERRY CHUCKLES Tell you what, | 0:40:34 | 0:40:36 | |
-this is better than that time we got locked in the off-licence. -Much better. | 0:40:36 | 0:40:40 | |
-Gerry. -What? | 0:40:44 | 0:40:46 | |
David Halburton. | 0:40:49 | 0:40:50 | |
SIREN WAILS | 0:40:53 | 0:40:55 | |
Six lorry loads of alcohol smuggled in from the continent in a week. | 0:41:15 | 0:41:20 | |
Plus the stuff you were getting from Halburton. | 0:41:20 | 0:41:22 | |
Meanwhile, the fruit machines helped you sift out | 0:41:22 | 0:41:24 | |
the pub landlords with money worries and a twinkle in their eye. | 0:41:24 | 0:41:27 | |
Then you offered them the chance to fill their cellars with knock-off booze. | 0:41:27 | 0:41:30 | |
I'm guessing you didn't think to give Customs a call? | 0:41:30 | 0:41:33 | |
You had a built-in distribution network. | 0:41:35 | 0:41:38 | |
Why not use it? | 0:41:38 | 0:41:39 | |
How much cash would your brother save getting all his booze tax free? | 0:41:41 | 0:41:45 | |
-Couple of grand a week? -Enough to keep the pub alive, anyway. | 0:41:45 | 0:41:48 | |
-Was Joanne in on it too? -No. | 0:41:48 | 0:41:50 | |
You and Gavin. You and Richard. Gavin and Richard. | 0:41:52 | 0:41:57 | |
Right little web of intrigue. | 0:41:57 | 0:41:59 | |
You knew that if you put "Champagne" on the label of this swill | 0:42:01 | 0:42:05 | |
instead of "Sparkling English Wine", it would fly off the shelves. | 0:42:05 | 0:42:09 | |
You don't care about taste and techniques. | 0:42:10 | 0:42:14 | |
You only are about what you've always only cared about: profit. | 0:42:14 | 0:42:19 | |
You can take the man out of the city... | 0:42:19 | 0:42:22 | |
Rich came in with us to save the pub but he didn't want Jo anywhere near it. | 0:42:22 | 0:42:25 | |
-Why not? -Cos she's naive, that's why. | 0:42:25 | 0:42:29 | |
Still believes that old-fashioned hard work can get you through anything. | 0:42:29 | 0:42:33 | |
But you don't? | 0:42:33 | 0:42:35 | |
I live in the real world. | 0:42:36 | 0:42:38 | |
So, is this stuff genuine or did you fake that, too? | 0:42:38 | 0:42:43 | |
I made sure it was genuine. | 0:42:45 | 0:42:47 | |
What was Richard going to do with it? | 0:42:47 | 0:42:50 | |
Sell it. After its value had increased sufficiently. | 0:42:50 | 0:42:53 | |
It was a sound investment strategy. | 0:42:56 | 0:42:59 | |
Far more so than stocks and shares. | 0:42:59 | 0:43:01 | |
Booze is for drinking. Sharing. It's not an investment. | 0:43:01 | 0:43:04 | |
No? | 0:43:04 | 0:43:05 | |
Within 18 months, he would have been able to finance | 0:43:05 | 0:43:08 | |
the repairs on the building and pay off all his debts. | 0:43:08 | 0:43:12 | |
You really think that's worth drinking away? | 0:43:13 | 0:43:15 | |
Did both of you fall out with Richard or just one? | 0:43:16 | 0:43:20 | |
He was my brother. | 0:43:21 | 0:43:22 | |
So both of you were there that night. | 0:43:23 | 0:43:26 | |
What went wrong? Who's covering for who? | 0:43:26 | 0:43:30 | |
One of them did it, but we need to put them in the Grenville Arms at the time of the fire. | 0:43:33 | 0:43:37 | |
I hate to say this, but at this point we should be in the pub with a pint. | 0:43:37 | 0:43:40 | |
-We're not taking this to the pub. -But we do our best work there. | 0:43:40 | 0:43:43 | |
Excuse me. What is this? | 0:43:43 | 0:43:45 | |
-It's a nazar. The Turks believe they ward off evil spirits. -I see. | 0:43:45 | 0:43:49 | |
Asye and Gavin? | 0:43:57 | 0:43:59 | |
Tell us about these. | 0:44:03 | 0:44:04 | |
Gavin's the one you told your mum about, isn't he? | 0:44:07 | 0:44:09 | |
It wasn't Richard. | 0:44:09 | 0:44:11 | |
This is from Gavin's collection. | 0:44:15 | 0:44:17 | |
Did he not tell you about the camera in his bedroom? | 0:44:19 | 0:44:23 | |
-That was careless of him. -Classy of him. | 0:44:23 | 0:44:26 | |
OK, let's start again. | 0:44:29 | 0:44:30 | |
You were seeing Gavin at the time of the fire. | 0:44:30 | 0:44:33 | |
-Are you still together today? -No. | 0:44:33 | 0:44:35 | |
-Why? What happened? What came between you? -Bit more than a visa. | 0:44:35 | 0:44:39 | |
You're scared of him. You're scared of Gavin. | 0:44:40 | 0:44:44 | |
Asye, Joanne and Richard, they liked you. They trusted you. | 0:44:47 | 0:44:51 | |
They were my family. | 0:44:51 | 0:44:52 | |
-Well, then don't they deserve better than this? -Yes. | 0:44:52 | 0:44:55 | |
Joanne? Doesn't she deserve better? | 0:44:55 | 0:44:57 | |
I would have told her, but I thought... | 0:44:57 | 0:45:00 | |
I thought he would hurt her. | 0:45:00 | 0:45:04 | |
-Gavin? -Why would he hurt Joanne? | 0:45:04 | 0:45:06 | |
Asye. | 0:45:10 | 0:45:12 | |
If Gavin did what I think you're suggesting, | 0:45:12 | 0:45:15 | |
he is going to prison for a very long time. | 0:45:15 | 0:45:17 | |
He won't be able to hurt you or Joanne. | 0:45:17 | 0:45:19 | |
I saw him burn Richard's body. | 0:45:25 | 0:45:27 | |
What's on that thing anyway? | 0:45:46 | 0:45:48 | |
Celtic/Rangers Cup Final, 2002. A classic. | 0:45:48 | 0:45:51 | |
Asye will stand up in court and swear that you met Richard in the Grenville after closing. | 0:45:54 | 0:45:59 | |
She will also swear that before you set fire to the pub, you woke her up. | 0:45:59 | 0:46:03 | |
What a gent(!) | 0:46:03 | 0:46:04 | |
You've been living with this on your conscience for four years. | 0:46:04 | 0:46:07 | |
You must be knackered. | 0:46:07 | 0:46:09 | |
All right. | 0:46:09 | 0:46:10 | |
I did go to the Grenville after closing. | 0:46:12 | 0:46:14 | |
But I didn't talk to Richard. | 0:46:15 | 0:46:18 | |
I never got the chance. | 0:46:19 | 0:46:21 | |
The front door was unlocked, so I walked in. | 0:46:23 | 0:46:26 | |
Called his name. There was no answer. | 0:46:27 | 0:46:31 | |
The cellar door was open. | 0:46:33 | 0:46:35 | |
'At first I thought it was a break in. | 0:46:38 | 0:46:40 | |
'And then I saw him lying there. | 0:46:42 | 0:46:44 | |
'It was like he'd crashed out after a session. | 0:46:46 | 0:46:49 | |
'But then I noticed the blood. | 0:46:50 | 0:46:53 | |
'I went to dial 999, but something stopped me. | 0:46:57 | 0:47:01 | |
'I realised that every bottle in that place' | 0:47:03 | 0:47:06 | |
would lead you lot to me. | 0:47:06 | 0:47:08 | |
'I'd already woken Asye up and told her to pack a bag. | 0:47:15 | 0:47:18 | |
'I didn't expect her to come down to the cellar. | 0:47:20 | 0:47:22 | |
'When I realised she'd seen what I'd done, I panicked.' | 0:47:45 | 0:47:47 | |
SHE GASPS Go, go! Get out! | 0:47:47 | 0:47:50 | |
You say one word and I will find you! | 0:48:09 | 0:48:13 | |
Now, take that and get out! | 0:48:13 | 0:48:15 | |
I didn't go round there to kill my brother. | 0:48:25 | 0:48:29 | |
Why would I? I loved him. | 0:48:29 | 0:48:31 | |
Then why did you go? Another one of your deliveries? | 0:48:31 | 0:48:35 | |
He wanted some help shifting the Normelle. | 0:48:35 | 0:48:38 | |
The piano? | 0:48:38 | 0:48:39 | |
He was getting rid of it. | 0:48:39 | 0:48:41 | |
But it's been at the Grenville for decades. | 0:48:41 | 0:48:44 | |
-Well he wanted shot of it that night. -Why? | 0:48:44 | 0:48:47 | |
PIANO PLAYS | 0:48:49 | 0:48:54 | |
MUSIC STOPS | 0:49:06 | 0:49:09 | |
HE SIGHS Another pint. | 0:49:25 | 0:49:28 | |
Another story. | 0:49:29 | 0:49:31 | |
That night I'd had a couple of pints, | 0:49:33 | 0:49:36 | |
nothing out of the ordinary, and I fancied one for the road. | 0:49:36 | 0:49:39 | |
'And after I'd paid for it I looked at my change.' | 0:49:46 | 0:49:50 | |
Richard, I think you've made a mistake. I gave you a 20. | 0:49:53 | 0:49:58 | |
No, you gave me a tenner. | 0:49:58 | 0:49:59 | |
Are you sure about that, Richard? | 0:49:59 | 0:50:01 | |
Cos I've just been to the cashpoint | 0:50:01 | 0:50:03 | |
and they're only dishing out twenties. | 0:50:03 | 0:50:05 | |
'And he looked me dead in the eye.' | 0:50:05 | 0:50:07 | |
You gave me a tenner, Jason. Now drink up. | 0:50:07 | 0:50:10 | |
'And I thought, | 0:50:10 | 0:50:12 | |
'"well, fair enough, I must've had much more than I thought." | 0:50:12 | 0:50:16 | |
'But when he opened the till, I saw it. | 0:50:16 | 0:50:19 | |
'He tucked it down, casual like. | 0:50:20 | 0:50:22 | |
'But he knew I'd seen it.' | 0:50:24 | 0:50:26 | |
And all he had to do was put his hand up | 0:50:29 | 0:50:32 | |
and say he'd made a mistake. | 0:50:32 | 0:50:34 | |
-And he didn't? -No. | 0:50:34 | 0:50:37 | |
See, you don't scam your friends. | 0:50:37 | 0:50:40 | |
Anyway, when things cleared up a bit I tried to have it out with him. | 0:50:44 | 0:50:49 | |
And he started manhandling me, you know? | 0:50:49 | 0:50:51 | |
Trying to get me out, as if I was some bloody punter. | 0:50:51 | 0:50:54 | |
And then it hit me - that's all I was to him, was a punter. | 0:50:54 | 0:50:58 | |
Not family. | 0:50:58 | 0:51:00 | |
And not a friend. | 0:51:01 | 0:51:04 | |
Just some bloody punter to chuck out onto the street. | 0:51:04 | 0:51:09 | |
And... And suddenly, you know, everything I'd ever thought about this place, it changed. | 0:51:09 | 0:51:14 | |
Do you know what he said to me? | 0:51:14 | 0:51:16 | |
He said he was going to get rid of the Normelle. | 0:51:21 | 0:51:24 | |
Have Gavin come round, burn it that night. | 0:51:26 | 0:51:28 | |
He said that the only reason that he'd let me play | 0:51:33 | 0:51:37 | |
was because Joanne felt sorry for me. | 0:51:37 | 0:51:39 | |
And the worst of it is that I believed him. | 0:51:42 | 0:51:44 | |
So, I wanted to get my own back on him. | 0:51:44 | 0:51:47 | |
So, at closing time I hid in the gents, | 0:51:47 | 0:51:50 | |
in the store cupboard there that Richard used to hide in when he was a kid. | 0:51:50 | 0:51:55 | |
And when everyone had gone Richard went upstairs, | 0:51:55 | 0:51:58 | |
I went down into the cellar. | 0:51:58 | 0:52:00 | |
'I just wanted to get something to take home. | 0:52:02 | 0:52:05 | |
'Get me own back. | 0:52:05 | 0:52:07 | |
'So, I grabbed the first bottle from his precious cabinet. | 0:52:10 | 0:52:14 | |
'But Richard caught me.' | 0:52:14 | 0:52:16 | |
Give me that bottle, Jason! Jason! | 0:52:16 | 0:52:18 | |
'Well, he wasn't going to call the police, was he? | 0:52:18 | 0:52:21 | |
'With all that illegal booze lying around.' | 0:52:21 | 0:52:24 | |
Give me the bottle! | 0:52:24 | 0:52:25 | |
GRUNTING | 0:52:25 | 0:52:27 | |
But, you know... | 0:52:32 | 0:52:34 | |
In that moment, I felt that we were all square, you know? | 0:52:36 | 0:52:39 | |
And when this place went up in flames, I felt as if I'd been forgiven. | 0:52:41 | 0:52:46 | |
As if I had a guardian angel who was looking after me. | 0:52:48 | 0:52:53 | |
But ever since then, the only thing I want to do... | 0:52:55 | 0:52:59 | |
..from when I first open my eyes in the morning... | 0:53:01 | 0:53:05 | |
..is to make it up to Joanne. | 0:53:07 | 0:53:09 | |
Because Richard was right, you know? | 0:53:14 | 0:53:16 | |
She really does care for me. | 0:53:20 | 0:53:22 | |
So, ever since, I've been paying her back. | 0:53:25 | 0:53:30 | |
Day by day. | 0:53:31 | 0:53:32 | |
Pound by pound. | 0:53:34 | 0:53:35 | |
S-song by song. | 0:53:40 | 0:53:42 | |
Richard was trying to save this place. Protect you. | 0:53:51 | 0:53:55 | |
Thank you. | 0:54:00 | 0:54:02 | |
For what? | 0:54:03 | 0:54:04 | |
Richard never betrayed me, did he? With Asye? | 0:54:10 | 0:54:15 | |
Not for a single second. | 0:54:15 | 0:54:17 | |
SHE SOBS | 0:54:17 | 0:54:20 | |
Haven't even got a bloody hanky. | 0:54:29 | 0:54:31 | |
Not very dignified, is it? | 0:54:38 | 0:54:40 | |
I think you're incredibly dignified. | 0:54:40 | 0:54:42 | |
And I think Richard would be very proud of you. | 0:54:44 | 0:54:47 | |
He wasn't a bad man, you know? He was just... | 0:54:52 | 0:54:54 | |
..my Richard. | 0:54:55 | 0:54:57 | |
These boys look a bit athletic, don't they? | 0:55:06 | 0:55:08 | |
-We can take them. -You bloody take them. | 0:55:08 | 0:55:10 | |
That number 16 looks like a complete nutter. | 0:55:10 | 0:55:12 | |
Where's Gerry? | 0:55:14 | 0:55:15 | |
He's picking up the car from Terry the Tow - don't ask. | 0:55:15 | 0:55:18 | |
The tournament starts in 20 minutes. We can't go out there with three men. | 0:55:18 | 0:55:21 | |
Well, what about Griffionado here? Though you said he was worth two? | 0:55:21 | 0:55:24 | |
I'm ready for this. | 0:55:24 | 0:55:25 | |
Just make sure I get the ball in the final third. | 0:55:25 | 0:55:28 | |
Look, I said I wasn't going in goal, right, and then this turns up. | 0:55:42 | 0:55:45 | |
We need your natural agility between those sticks, Gerry. | 0:55:45 | 0:55:49 | |
Put these shin pads in. | 0:55:49 | 0:55:50 | |
Oh, thanks. | 0:55:50 | 0:55:52 | |
What took you so long? | 0:55:52 | 0:55:54 | |
Oh, I got Terry to make a little improvement. | 0:55:54 | 0:55:57 | |
Didn't you say it was perfect? | 0:55:57 | 0:56:00 | |
-SAT NAV: -'Have a nice day, Gerry.' | 0:56:00 | 0:56:02 | |
"Gerry"? | 0:56:05 | 0:56:06 | |
-GERRY CHUCKLES -Weirdo. | 0:56:08 | 0:56:10 | |
REFEREE'S WHISTLE BLOWS | 0:56:10 | 0:56:11 | |
You should've passed to me at the end there. I was totally unmarked. | 0:56:16 | 0:56:19 | |
Well, if you hadn't nutted my cross to the goalie's right... | 0:56:19 | 0:56:23 | |
No, no, no, no, no. Everything in his body language suggested | 0:56:23 | 0:56:26 | |
he was going to dive to the left. | 0:56:26 | 0:56:28 | |
-Oh, come on. -Haven't you ever seen a goalie throw a dummy? | 0:56:28 | 0:56:31 | |
-I've never watched a football match. -What?! -What?! | 0:56:31 | 0:56:34 | |
-Well, you must've played in one. -That was my first. | 0:56:34 | 0:56:37 | |
What about all these tricks? You know, the shoulder thing and that. What's all that? | 0:56:37 | 0:56:41 | |
-Yeah, what about the dribbling? -Well, it's basic physics, isn't it? | 0:56:41 | 0:56:44 | |
I just read up on a basic technique. | 0:56:44 | 0:56:46 | |
Look, the main problem is we're over 40 years too old | 0:56:46 | 0:56:50 | |
and there were only four of us. | 0:56:50 | 0:56:51 | |
Yeah, we were lucky to get nil. | 0:56:51 | 0:56:53 | |
-Ah, my man. -Your usual. -Well, look at that! | 0:56:56 | 0:56:58 | |
-Pete, well done, there. -Cheers, Pete. -He knows our usual. | 0:56:58 | 0:57:01 | |
-We've been coming here too often. -I don't believe it. | 0:57:01 | 0:57:04 | |
I've never had a usual. Not anywhere. | 0:57:05 | 0:57:08 | |
"When you have lost your inns, drown your empty selves, | 0:57:08 | 0:57:11 | |
"for you will have lost the last of UCOS." | 0:57:11 | 0:57:15 | |
ALL: UCOS! | 0:57:15 | 0:57:16 | |
THEY CHUCKLE | 0:57:16 | 0:57:19 | |
# It's all right It's OK | 0:57:19 | 0:57:21 | |
# Doesn't really matter If you're old and grey | 0:57:21 | 0:57:24 | |
# It's all right I say it's OK | 0:57:24 | 0:57:28 | |
# Listen to what I say | 0:57:28 | 0:57:30 | |
# It's all right, doing fine | 0:57:30 | 0:57:32 | |
# Doesn't really matter If the sun don't shine | 0:57:32 | 0:57:36 | |
# It's all right I say it's OK | 0:57:36 | 0:57:38 | |
# We're gettin' To the end of the day. # | 0:57:38 | 0:57:41 |