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# It's all right, it's OK | 0:00:02 | 0:00:03 | |
# Doesn't really matter if you're old and grey | 0:00:03 | 0:00:05 | |
# It's all right, I say it's OK | 0:00:05 | 0:00:08 | |
# Listen to what I say | 0:00:08 | 0:00:11 | |
# It's all right, doing fine | 0:00:11 | 0:00:13 | |
# Doesn't really matter if the sun don't shine | 0:00:13 | 0:00:16 | |
# It's all right, I say it's OK | 0:00:16 | 0:00:18 | |
# We're getting to the end of the day. # | 0:00:18 | 0:00:20 | |
Uh-uh. I think not. | 0:00:46 | 0:00:48 | |
You don't own it, Archie. | 0:00:48 | 0:00:49 | |
Consuetudo pro lege servatur, I think you'll find. | 0:00:49 | 0:00:54 | |
OK, let's get started. The day after tomorrow, | 0:00:54 | 0:00:56 | |
the Right Honourable Geoffrey Parks MP will be visiting the school | 0:00:56 | 0:01:00 | |
to open the new computer centre. | 0:01:00 | 0:01:01 | |
Well, it wouldn't be a language lab. | 0:01:01 | 0:01:03 | |
That boy couldn't conjugate a verb to save his life. | 0:01:03 | 0:01:05 | |
So Mr Parks will be accompanied by a dozen or so members of the press | 0:01:05 | 0:01:10 | |
and also by his daughter, Melissa, who is his private secretary. | 0:01:10 | 0:01:13 | |
I'm sure many of you will remember Melissa | 0:01:13 | 0:01:15 | |
from her time here as a pupil. | 0:01:15 | 0:01:17 | |
I hope someone's put the caterers on red alert. | 0:01:17 | 0:01:19 | |
Archie! | 0:01:19 | 0:01:21 | |
< NOISE FROM DIGGING TRUCK | 0:01:21 | 0:01:23 | |
I'll get it, shall I? | 0:01:33 | 0:01:34 | |
Yes. | 0:01:34 | 0:01:36 | |
He's been in the ground long enough and fits the height and age description, | 0:01:57 | 0:02:01 | |
but New Zealand police say it might be up to 48 hours before they can match the dental records | 0:02:01 | 0:02:06 | |
-so there is a window if you want us to use it... -Hiya. | 0:02:06 | 0:02:09 | |
-OK, we'll do our best. Thanks, bye. -Who's this? | 0:02:10 | 0:02:13 | |
Jason Bowe. A 25-year-old PE teacher from New Zealand. | 0:02:14 | 0:02:18 | |
He worked at Peregrine Manor school but went missing | 0:02:18 | 0:02:21 | |
on the 29th June 2007, | 0:02:21 | 0:02:24 | |
it was the last day of the school year. | 0:02:24 | 0:02:25 | |
The body was found just outside the school grounds. | 0:02:25 | 0:02:28 | |
According to the pathologist, there's no obvious cause of death, | 0:02:28 | 0:02:31 | |
but there is a slight nip to the lower ribs which could have been caused by a stab wound. | 0:02:31 | 0:02:35 | |
Now we've got a body, presumably it'll go to the murder squad? | 0:02:35 | 0:02:38 | |
No, there's going to be a 48-hour delay before New Zealand can match the dental records | 0:02:38 | 0:02:42 | |
so Strickland wants us to re-open the missing persons case | 0:02:42 | 0:02:44 | |
in the hope we can tie things up before the press get hold of it. | 0:02:44 | 0:02:47 | |
-What have the press got to do with it? -Peregrine Manor school is very old, very expensive | 0:02:47 | 0:02:52 | |
and only accepts very high-profile offspring. | 0:02:52 | 0:02:54 | |
So the tabloids will be all over the place once MIT go in. | 0:02:54 | 0:02:58 | |
I do appreciate the police being so discreet in this situation. | 0:02:59 | 0:03:03 | |
Sadly, I don't have anything to add to what I said at the time. | 0:03:04 | 0:03:06 | |
Awful as it sounds, I'd forgotten all about Jason. | 0:03:06 | 0:03:10 | |
Staff come and go. Time rolls on. | 0:03:10 | 0:03:12 | |
We need to establish his last known movements. | 0:03:12 | 0:03:15 | |
According to the file, you noticed he'd gone in the morning, is that right? | 0:03:15 | 0:03:19 | |
Yes. He was in school for tea the night before | 0:03:19 | 0:03:21 | |
-and failed to show up for breakfast or morning meeting. -And you thought he'd left during the night? | 0:03:21 | 0:03:26 | |
Yes. Well, no. The school's locked up at 11, | 0:03:26 | 0:03:29 | |
so I thought he'd left either the previous evening | 0:03:29 | 0:03:31 | |
or early that morning while we were all still at breakfast. | 0:03:31 | 0:03:34 | |
Do you not check teachers are all in the building before locking up? | 0:03:34 | 0:03:38 | |
It's hard enough keeping track of students without having to do lights out for the staff too. | 0:03:38 | 0:03:42 | |
You didn't think it odd? Him upping and leaving with only one day left? | 0:03:42 | 0:03:46 | |
A lifetime in school has taught me that youth often acts on impulse. | 0:03:46 | 0:03:50 | |
I didn't call the police, but I did call his home. | 0:03:50 | 0:03:53 | |
This should all be on your files. | 0:03:53 | 0:03:54 | |
PHONE RINGS | 0:03:54 | 0:03:56 | |
I'm sorry about this. | 0:03:56 | 0:03:58 | |
We have a very high-profile event later in the week and I need to finalise all the arrangements. | 0:03:58 | 0:04:03 | |
Let me take you to Helen, our home support, | 0:04:03 | 0:04:05 | |
I'm sure she'll be able to help you. | 0:04:05 | 0:04:07 | |
Eleanor, take any messages, unless of course it's Geoffrey Parks' office, | 0:04:07 | 0:04:12 | |
-in which case transfer them to my mobile. -Geoffrey Parks the MP? | 0:04:12 | 0:04:15 | |
Yes. He's an ex-pupil, we used to be in the same year here | 0:04:15 | 0:04:19 | |
and we've been friends ever since. | 0:04:19 | 0:04:21 | |
Geoffrey has kindly agreed to open the new computer centre. | 0:04:21 | 0:04:25 | |
Ah, Helen, there you are. We have some visitors. | 0:04:29 | 0:04:31 | |
The police, I presume? | 0:04:34 | 0:04:36 | |
Are we that obvious? | 0:04:36 | 0:04:38 | |
No, but we've all heard about the find in the woods, I'm afraid. | 0:04:38 | 0:04:42 | |
Helen Hadley. Nurse and home support. | 0:04:42 | 0:04:46 | |
We used to use the word "Matron". Much simpler. | 0:04:46 | 0:04:48 | |
-Archie Milgrow - Latin. -Detective Superintendent Pullman. | 0:04:48 | 0:04:51 | |
These are my colleagues Gerry Standing and Brian Lane. | 0:04:51 | 0:04:54 | |
They have some questions about Jason Bowe. If you could... | 0:04:54 | 0:04:56 | |
-I'm up to my eyes. -Of course. | 0:04:56 | 0:04:59 | |
Is the body Jason Bowe's? | 0:05:01 | 0:05:03 | |
Well, we can't be sure, but it's possible. | 0:05:03 | 0:05:05 | |
Jason Bowe was last seen at tea by your head teacher. Did either of you see him after that? | 0:05:06 | 0:05:11 | |
-No. -But that's not unusual because most of the staff go to their rooms and relax after tea. | 0:05:11 | 0:05:17 | |
The evenings are my busy time, not the teachers'. | 0:05:17 | 0:05:21 | |
-How well did either of you know him? -PE and Latin aren't a natural mix. | 0:05:21 | 0:05:24 | |
We'd be speaking a different language in more ways than one. | 0:05:24 | 0:05:27 | |
Now, if you'll excuse me, | 0:05:27 | 0:05:29 | |
I'd better go and prepare for Upper 3A and the imperfect tense, | 0:05:29 | 0:05:32 | |
the irony of which will no doubt strike halfway through the lesson. | 0:05:32 | 0:05:35 | |
I liked Jason. We weren't overly close, but he was good fun. | 0:05:39 | 0:05:44 | |
-Was he seeing anyone? -Not that I know of. | 0:05:44 | 0:05:46 | |
-Close friends on the staff? -I don't think he had many. | 0:05:46 | 0:05:49 | |
He liked a drink in the pub of an evening, | 0:05:49 | 0:05:51 | |
but I think he was closer to the students than the teachers. | 0:05:51 | 0:05:55 | |
Nearer his age. | 0:05:55 | 0:05:57 | |
That's him on the right. He wasn't exactly handsome, but he had something about him, don't you think? | 0:05:57 | 0:06:02 | |
This was a couple of days before he disappeared. York? | 0:06:02 | 0:06:06 | |
-Did they stay away? -They must have done. | 0:06:06 | 0:06:08 | |
Who's that boy? Oliver Lebbon? | 0:06:08 | 0:06:11 | |
He was the sports captain. Very, umm... | 0:06:11 | 0:06:13 | |
..popular. | 0:06:14 | 0:06:15 | |
I didn't warm to him, but that's just me. | 0:06:17 | 0:06:19 | |
He was very close to Jason - | 0:06:21 | 0:06:22 | |
probably closer to him than any of the staff were. | 0:06:22 | 0:06:26 | |
I take it you're not an athlete any more. | 0:06:30 | 0:06:32 | |
Smashed my leg surfing the summer after school. | 0:06:32 | 0:06:35 | |
Now I can't run for a bus. | 0:06:35 | 0:06:38 | |
< God, I'm so late! | 0:06:38 | 0:06:41 | |
I should have been back 20 minutes ago. Dad's going to kill me! | 0:06:41 | 0:06:44 | |
Hi. | 0:06:45 | 0:06:46 | |
Police. Asking questions about Mr Bowe. | 0:06:46 | 0:06:50 | |
Mr Bowe from school? | 0:06:50 | 0:06:51 | |
My girlfriend, Melissa Parks. | 0:06:52 | 0:06:54 | |
Detective Superintendent Pullman. | 0:06:54 | 0:06:57 | |
So you were at Peregrine Manor as well, were you? | 0:06:57 | 0:06:59 | |
Yes. We were in the same year together. | 0:06:59 | 0:07:02 | |
He went missing, didn't he, Mr Bowe? | 0:07:02 | 0:07:05 | |
PHONE RINGS | 0:07:05 | 0:07:07 | |
Hi... | 0:07:09 | 0:07:10 | |
Yes, I know, sorry, I ran into a girlfriend from Uni and we lost track of... | 0:07:10 | 0:07:14 | |
Yes, I'm heading back now. | 0:07:14 | 0:07:17 | |
OK, I'll see you in... | 0:07:17 | 0:07:18 | |
Charming(!) | 0:07:19 | 0:07:21 | |
Tell me, how would you characterise your relationship with Jason Bowe? | 0:07:21 | 0:07:25 | |
I liked Mr Bowe. | 0:07:26 | 0:07:29 | |
He was a good coach. | 0:07:29 | 0:07:31 | |
Laugh, too - not like the rest. | 0:07:31 | 0:07:34 | |
Were you ever in trouble with him? | 0:07:34 | 0:07:35 | |
-No, he was cool. -Did he talk to you about his personal life? | 0:07:37 | 0:07:39 | |
Was he seeing anyone? | 0:07:39 | 0:07:41 | |
There was no school gossip if that's what you're asking. | 0:07:41 | 0:07:44 | |
Some of the girls had crushes, but... | 0:07:46 | 0:07:48 | |
Two days before he disappeared, you were all away on a sports trip. | 0:07:50 | 0:07:53 | |
Were you still getting on with him then? | 0:07:53 | 0:07:55 | |
Yeah, we were. | 0:07:55 | 0:07:58 | |
But actually... | 0:07:58 | 0:08:00 | |
He was a bit...weird. | 0:08:00 | 0:08:03 | |
Distracted. | 0:08:04 | 0:08:06 | |
Snappy. Not like him. | 0:08:06 | 0:08:09 | |
Did you ask why? | 0:08:09 | 0:08:11 | |
No, and he didn't say. | 0:08:11 | 0:08:13 | |
That evening, when you got back to the school, did you see him at any point? | 0:08:13 | 0:08:17 | |
No, don't think so. | 0:08:17 | 0:08:19 | |
But it was five years ago. I'm a bit hazy. | 0:08:19 | 0:08:24 | |
I saw you when you got back. | 0:08:24 | 0:08:25 | |
I met you by the minibus. | 0:08:25 | 0:08:28 | |
You were still talking to Mr Bowe, joking about something. | 0:08:28 | 0:08:31 | |
Just before tea. | 0:08:31 | 0:08:33 | |
There you go then. | 0:08:33 | 0:08:34 | |
Then he saw another teacher and just left us mid-sentence. | 0:08:34 | 0:08:37 | |
They started quite an intense chat. | 0:08:37 | 0:08:40 | |
Who was the other teacher? | 0:08:40 | 0:08:41 | |
Oh God, I can see him in my head, but the name's gone. | 0:08:41 | 0:08:45 | |
Old. Dull. Fuddy-duddy. | 0:08:45 | 0:08:47 | |
Wasn't it that Latin teacher? | 0:08:47 | 0:08:49 | |
Mildew? Mr Milgrow. | 0:08:49 | 0:08:51 | |
They were arguing about something, you're right. | 0:08:52 | 0:08:55 | |
We just left them to it. | 0:08:55 | 0:08:57 | |
That was the last time I saw Mr Bowe. | 0:08:57 | 0:08:59 | |
You lied to us. | 0:09:12 | 0:09:14 | |
On the evening that Jason Bowe disappeared, | 0:09:14 | 0:09:17 | |
you were seen having an argument with him. | 0:09:17 | 0:09:19 | |
Which is somewhat surprising, considering you told us you hardly ever spoke to him. | 0:09:19 | 0:09:23 | |
I didn't. | 0:09:23 | 0:09:24 | |
If you're observant, and I like to consider myself an observer of life, | 0:09:24 | 0:09:28 | |
then you find you know a person without talking to them very much at all. | 0:09:28 | 0:09:31 | |
But yes, we did have words. | 0:09:31 | 0:09:34 | |
What about? | 0:09:34 | 0:09:36 | |
I've never been keen on the over-popular teachers. | 0:09:36 | 0:09:39 | |
You can be loved too much by students. You can want to be loved by them too much. | 0:09:39 | 0:09:43 | |
It can cloud one's judgement. | 0:09:43 | 0:09:45 | |
The relationship between Lebbon and Jason Bowe was a good example. | 0:09:45 | 0:09:49 | |
They were more like friends than student and teacher. | 0:09:49 | 0:09:53 | |
The particular case in question concerned a hunting knife | 0:09:53 | 0:09:56 | |
that Lebbon had brought into the school. | 0:09:56 | 0:09:58 | |
He had been told to hand it over to Jason Bowe, his tutor. | 0:09:58 | 0:10:02 | |
I heard about it and checked with Bowe that the item had at least been confiscated. | 0:10:02 | 0:10:07 | |
-And had it? -No. | 0:10:07 | 0:10:08 | |
He said Lebbon hadn't got round to handing it in yet. | 0:10:08 | 0:10:10 | |
As if it were a mobile telephone or something. | 0:10:10 | 0:10:13 | |
That was just before they left for the championships. | 0:10:13 | 0:10:15 | |
When they got back, I told Bowe enough was enough and I expected the knife to be in his possession | 0:10:15 | 0:10:22 | |
by the following morning. But by morning, Bowe had vanished. | 0:10:22 | 0:10:25 | |
And what about the knife? | 0:10:25 | 0:10:27 | |
I have no idea what happened to it. | 0:10:27 | 0:10:30 | |
It was the last day of term, I'm afraid I didn't pursue it. | 0:10:30 | 0:10:33 | |
Did you see Oliver Lebbon at all that night? | 0:10:33 | 0:10:35 | |
I didn't. | 0:10:35 | 0:10:36 | |
Presumably, he was cavorting with Eleanor Higgins, as usual. | 0:10:36 | 0:10:39 | |
The most popular couple in school - | 0:10:39 | 0:10:42 | |
now one of them is a failed athlete, | 0:10:42 | 0:10:45 | |
and the other is the headmistress' secretary. | 0:10:45 | 0:10:48 | |
'So often the case with those who peak too early.' | 0:10:48 | 0:10:52 | |
So, you were Oliver Lebbon's girlfriend. When did you break up? | 0:10:52 | 0:10:55 | |
Pretty much as soon as school did. It's not that serious. | 0:10:56 | 0:11:00 | |
And now he's with Melissa Parks. | 0:11:00 | 0:11:02 | |
Melissa was always mooning around after Oliver. Guess she must have eventually got him drunk enough. | 0:11:04 | 0:11:08 | |
Was he ever violent? Did he get into many fights at school? | 0:11:08 | 0:11:12 | |
Oliver? No. | 0:11:12 | 0:11:15 | |
Who'd want to fight him? | 0:11:15 | 0:11:16 | |
He was incredibly popular. | 0:11:16 | 0:11:19 | |
We understand he collected Japanese blades. Still does, apparently. | 0:11:19 | 0:11:23 | |
And he brought a knife to the school at the end of that term. | 0:11:23 | 0:11:26 | |
What has any of this got to do with Mr Bowe's disappearance? | 0:11:26 | 0:11:28 | |
He was supposed to hand the knife in to Jason Bowe. | 0:11:28 | 0:11:31 | |
How do you think he'd react to that? | 0:11:31 | 0:11:33 | |
-Being told to get rid of it? -I don't know. | 0:11:33 | 0:11:35 | |
Brian? | 0:11:35 | 0:11:36 | |
I've lost me glasses. Well, that wasn't very clever, was it? | 0:11:36 | 0:11:41 | |
The necklace. That's Jason Bowe's. | 0:11:41 | 0:11:45 | |
It's the one he's wearing in that picture on the wall out there. | 0:11:45 | 0:11:48 | |
-That IS interesting. -So you were seeing him as well at the time? | 0:11:48 | 0:11:51 | |
-It wasn't like that. -What was it like? | 0:11:51 | 0:11:54 | |
I was in love with him. I thought he was in love with me too. | 0:11:54 | 0:11:57 | |
-And were you still seeing him when he disappeared? -Yes. | 0:11:57 | 0:12:00 | |
You "thought" he was in love with you. | 0:12:01 | 0:12:03 | |
How do you mean "thought"? | 0:12:03 | 0:12:04 | |
Well he ran off, didn't he? At least I thought he did. | 0:12:04 | 0:12:09 | |
-You didn't wonder why? -I used to get jealous. | 0:12:09 | 0:12:13 | |
All the girls had crushes on him. | 0:12:13 | 0:12:15 | |
They used to make up stories about what they'd done with him. | 0:12:15 | 0:12:18 | |
I used to get scared they weren't just stories and... | 0:12:18 | 0:12:22 | |
I'm sure I wasn't easy to be with. | 0:12:23 | 0:12:26 | |
Where were you when he disappeared? | 0:12:26 | 0:12:29 | |
I was in my dorm. | 0:12:29 | 0:12:30 | |
Can you prove that? | 0:12:30 | 0:12:31 | |
There's the lock-up book. | 0:12:32 | 0:12:34 | |
The whole school is locked up at night, so no one can get in or out. | 0:12:34 | 0:12:37 | |
We had to sign in so they knew we were inside. | 0:12:37 | 0:12:39 | |
Could Oliver Lebbon have discovered you were two-timing him? | 0:12:42 | 0:12:45 | |
No... | 0:12:45 | 0:12:47 | |
I don't know. I don't think so. | 0:12:48 | 0:12:50 | |
Bastard! | 0:12:51 | 0:12:53 | |
I totally looked up to him. | 0:12:53 | 0:12:55 | |
What happened to the knife you had at school? | 0:12:55 | 0:12:59 | |
-What knife? -The hunting knife. | 0:12:59 | 0:13:01 | |
-You were supposed to hand it in to Mr Bowe. -Ah, that knife. It was a Hattori hunter. | 0:13:01 | 0:13:05 | |
Very rare and very expensive. | 0:13:05 | 0:13:08 | |
Why do you think I was so reluctant to give it up? | 0:13:08 | 0:13:10 | |
So you didn't? | 0:13:10 | 0:13:12 | |
I was going to. | 0:13:12 | 0:13:14 | |
When I got back from the competition, I went to get it from my room, | 0:13:14 | 0:13:18 | |
but it was gone. | 0:13:18 | 0:13:19 | |
The next morning, so was Mr Bowe. And whoever nicked it never gave it back. | 0:13:20 | 0:13:25 | |
But I don't think you're going to find Mr Bowe by finding my knife. | 0:13:25 | 0:13:30 | |
We found a body, buried in the woods behind the school. | 0:13:30 | 0:13:33 | |
Mr Bowe? | 0:13:35 | 0:13:37 | |
We don't know that yet. | 0:13:37 | 0:13:39 | |
But we think whoever it was had been stabbed. | 0:13:39 | 0:13:41 | |
So if it does turn out to be Jason Bowe, | 0:13:41 | 0:13:44 | |
the man who was having an affair with your girlfriend, who went missing the same night | 0:13:44 | 0:13:48 | |
as your hunting knife... Can you see where I'm going with this? | 0:13:48 | 0:13:51 | |
I've never hurt anyone in my life. | 0:13:51 | 0:13:53 | |
I didn't know anything about Mr Bowe and Eleanor. | 0:13:54 | 0:13:57 | |
Where were you that night? | 0:13:57 | 0:13:58 | |
I got drunk in my room and passed out. | 0:13:58 | 0:14:01 | |
-Alone? -Yes. | 0:14:01 | 0:14:02 | |
You understand why I wouldn't just take your word for that. | 0:14:02 | 0:14:06 | |
If you found him in the woods, then... | 0:14:06 | 0:14:08 | |
The school's locked up at night. | 0:14:09 | 0:14:11 | |
I couldn't have got out without setting the alarm off, and even if I could, | 0:14:11 | 0:14:15 | |
I wouldn't have been able to get back in. This is nothing to do with me. I swear to you. | 0:14:15 | 0:14:19 | |
I'll only be gone for two nights. | 0:14:21 | 0:14:24 | |
There's some chicken in a Tupperware on the second shelf in the fridge, | 0:14:24 | 0:14:27 | |
and there's fresh salad in the drawer for the lasagne | 0:14:27 | 0:14:30 | |
which is in the middle of the fridge. | 0:14:30 | 0:14:33 | |
They're all labelled. | 0:14:33 | 0:14:34 | |
There's some bread there, and there's a new marmalade jar | 0:14:34 | 0:14:39 | |
in the cupboard, in case that one runs out. | 0:14:39 | 0:14:41 | |
And...there are your spare glasses. | 0:14:42 | 0:14:47 | |
Do not lose those as well. | 0:14:47 | 0:14:49 | |
I didn't lose them. | 0:14:52 | 0:14:54 | |
Did you hear what I said about the lasagne? | 0:14:54 | 0:14:57 | |
-What lasagne? -For your tea tomorrow. | 0:14:57 | 0:14:59 | |
Oh, yes. | 0:14:59 | 0:15:02 | |
Yes! | 0:15:02 | 0:15:04 | |
-Right, how long do you have to cook it for? -What? | 0:15:04 | 0:15:06 | |
You weren't listening, were you? | 0:15:06 | 0:15:08 | |
-Esther, I'm working. -You're not working. You're hiding from me! | 0:15:08 | 0:15:12 | |
You have been ever since Jack retired. | 0:15:12 | 0:15:15 | |
Look? See? Working. | 0:15:15 | 0:15:18 | |
What is the matter, Brian? | 0:15:18 | 0:15:20 | |
How much do you think a new computer centre for a posh private school costs? | 0:15:21 | 0:15:26 | |
I can't see how they can afford it. | 0:15:27 | 0:15:29 | |
I shall miss these intimate little chats while I'm away(!) | 0:15:30 | 0:15:34 | |
Yep, he did spend that last night in the pub. | 0:15:53 | 0:15:58 | |
The landlord said that he was talking to, and being bought drinks by, | 0:15:58 | 0:16:02 | |
a bloke called Lucas Graves, a local property developer. | 0:16:02 | 0:16:06 | |
Apparently he didn't speak to the regulars, which was unusual, | 0:16:06 | 0:16:09 | |
then he left ten minutes before closing, which again, was unusual. | 0:16:09 | 0:16:13 | |
Lucas Graves? Where do I know that name from? | 0:16:13 | 0:16:16 | |
Lucas Graves, the owner of LGG Developments. | 0:16:16 | 0:16:20 | |
The company that dug up the body. | 0:16:20 | 0:16:23 | |
You're asking me to remember a conversation I had with a virtual stranger five years ago? | 0:16:25 | 0:16:29 | |
Apparently you bought him drinks all night, Mr Graves. | 0:16:29 | 0:16:32 | |
Which was pretty generous of you if you didn't know him. | 0:16:32 | 0:16:34 | |
I'm a generous man. I buy a lot of people drinks. | 0:16:34 | 0:16:38 | |
He was often in the pub and normally he was quite chatty with everyone, | 0:16:38 | 0:16:42 | |
but that night he was really quiet. | 0:16:42 | 0:16:44 | |
So I asked him what was wrong and I bought him a drink. | 0:16:44 | 0:16:46 | |
And what was wrong? | 0:16:46 | 0:16:48 | |
He'd been having some trouble with old Archie Milgrow, | 0:16:48 | 0:16:50 | |
the Latin teacher, but it didn't seem like that big a deal to me. | 0:16:50 | 0:16:53 | |
And yet he disappeared a short while later. | 0:16:53 | 0:16:57 | |
Well, obviously if I'd known that in advance, | 0:16:57 | 0:16:59 | |
then I might have dug a little deeper. | 0:16:59 | 0:17:02 | |
Assuming the body in the woods IS Jason Bowe, | 0:17:03 | 0:17:05 | |
then Oliver Lebbon must be our prime suspect. | 0:17:05 | 0:17:07 | |
He considered Bowe to be his mentor and his friend, | 0:17:07 | 0:17:10 | |
but he was shagging his girlfriend. Lebbon had a thing about knives | 0:17:10 | 0:17:13 | |
and the knife he had at school, which he was supposed to hand in to Bowe, | 0:17:13 | 0:17:16 | |
went missing the same night as Bowe did. | 0:17:16 | 0:17:17 | |
Oliver Lebbon says he was passed out in his room all night | 0:17:17 | 0:17:20 | |
but there's no one to corroborate that. | 0:17:20 | 0:17:23 | |
If it wasn't Lebbon, could it have been Eleanor Higgins? | 0:17:23 | 0:17:25 | |
According to her school file, | 0:17:25 | 0:17:27 | |
her mother died in a car accident when she was 11 years old. | 0:17:27 | 0:17:30 | |
She received counselling for it, but there's mention here of self-harming after that, | 0:17:30 | 0:17:36 | |
so there's certainly psychological issues. | 0:17:36 | 0:17:38 | |
If she'd become too attached to Bowe and it seemed he didn't reciprocate... | 0:17:38 | 0:17:43 | |
And if she knew about Lebbon's knife, | 0:17:43 | 0:17:45 | |
and he's telling the truth about it going missing, maybe she took it. | 0:17:45 | 0:17:48 | |
There's no way to pursue that without either a murder weapon or a positive ID on the body, | 0:17:48 | 0:17:52 | |
-and I want to look at the school finances. -Why? | 0:17:52 | 0:17:55 | |
Because this school is practically deserted. | 0:17:55 | 0:17:58 | |
Attendances are down across the board at independent schools, | 0:17:58 | 0:18:01 | |
they're all struggling for money, | 0:18:01 | 0:18:03 | |
but this lot are about to open a state-of-the-art computer centre. | 0:18:03 | 0:18:07 | |
How can they afford it? | 0:18:07 | 0:18:08 | |
What's that got to do with a missing PE teacher? | 0:18:08 | 0:18:10 | |
He might be onto something. | 0:18:10 | 0:18:12 | |
Claire Swain. English teacher. | 0:18:12 | 0:18:15 | |
She started at Peregrine Manor in the summer of 2007 | 0:18:15 | 0:18:19 | |
and appears to have been fired six weeks into the following autumn term. | 0:18:19 | 0:18:23 | |
-OK... -I can't find her. | 0:18:23 | 0:18:26 | |
The references don't check out and the forwarding address is fake. | 0:18:26 | 0:18:31 | |
Another missing teacher. | 0:18:31 | 0:18:33 | |
So maybe Brian's right, | 0:18:33 | 0:18:34 | |
maybe there is something more sinister going on in this place. | 0:18:34 | 0:18:37 | |
Mr Lane. What can we do for you? | 0:18:59 | 0:19:02 | |
Helen, if you could check all the students have clean blazers for tomorrow. Time is ticking on. | 0:19:05 | 0:19:09 | |
We've been going through your staff reports | 0:19:12 | 0:19:15 | |
and we've found a teacher called Claire Swain. | 0:19:15 | 0:19:18 | |
Now, you let go of her during the autumn term of 2007. | 0:19:18 | 0:19:22 | |
Yes, her time-keeping was dreadful. | 0:19:22 | 0:19:24 | |
She never seemed to be where she was supposed to be. | 0:19:24 | 0:19:26 | |
Did her references check out? | 0:19:26 | 0:19:28 | |
Of course. Why? | 0:19:28 | 0:19:29 | |
Well, because we can't track down any of her referees | 0:19:29 | 0:19:32 | |
and the forwarding address she left doesn't exist. | 0:19:32 | 0:19:35 | |
Well, I'm sorry, there's nothing I can do about that. | 0:19:35 | 0:19:38 | |
You know, from your school photographs, | 0:19:40 | 0:19:42 | |
it looks like the numbers have been falling for the last ten years. | 0:19:42 | 0:19:45 | |
That must have caused a bit of belt-tightening. | 0:19:46 | 0:19:48 | |
We receive very generous donations. | 0:19:48 | 0:19:51 | |
It's one of the benefits of being such a well-connected school. | 0:19:51 | 0:19:54 | |
Wouldn't it be easier to allow students from overseas to make up the numbers? | 0:19:54 | 0:19:58 | |
That's what other independent schools do. | 0:19:58 | 0:19:59 | |
That hasn't been necessary. What has this got to do with Jason Bowe? | 0:19:59 | 0:20:03 | |
Well, it's just that, if you're relying on what's basically charity, | 0:20:03 | 0:20:07 | |
rather than having the security of fee-paying pupils, | 0:20:07 | 0:20:10 | |
well, that doesn't make sense, does it? | 0:20:10 | 0:20:12 | |
This school was founded to provide an education for English boys and girls. | 0:20:12 | 0:20:17 | |
It's part of the school's heritage. | 0:20:17 | 0:20:18 | |
You mean white English boys and girls? | 0:20:19 | 0:20:22 | |
Your ancestor, Edwin Clayton, | 0:20:23 | 0:20:27 | |
he was against the abolition of slavery, wasn't he? | 0:20:27 | 0:20:30 | |
And your grandfather, Arthur Clayton, | 0:20:31 | 0:20:34 | |
-was one of Oswald Mosley's most fervent supporters. -I don't see the relevance. | 0:20:34 | 0:20:39 | |
Do you know, I haven't seen a single Asian or black pupil in this place. | 0:20:39 | 0:20:43 | |
Not one. | 0:20:43 | 0:20:44 | |
Are you calling me a racist? | 0:20:44 | 0:20:46 | |
I'm just making an observation. | 0:20:47 | 0:20:49 | |
An offensive one. | 0:20:49 | 0:20:50 | |
And I might say the same of you. | 0:20:50 | 0:20:53 | |
I see no coloured faces in your team. | 0:20:54 | 0:20:56 | |
And very few in your higher ranks. | 0:20:56 | 0:20:59 | |
But we have some, rather than none. | 0:20:59 | 0:21:02 | |
I'd like to take a look at your financial records. | 0:21:02 | 0:21:04 | |
I'm sure your efforts would be better spent concentrating outside the school, but go ahead. | 0:21:04 | 0:21:11 | |
It may take you some time. Our system is still on paper. | 0:21:12 | 0:21:16 | |
Oh I'm good on paper. | 0:21:16 | 0:21:20 | |
Any possible Jack replacements yet? | 0:21:57 | 0:21:59 | |
Not as yet, no. | 0:21:59 | 0:22:01 | |
There's got to be someone! | 0:22:01 | 0:22:03 | |
PHONE RINGS | 0:22:03 | 0:22:05 | |
Sir? | 0:22:07 | 0:22:08 | |
Oh. Yeah. Will do. | 0:22:10 | 0:22:13 | |
Thanks for letting us know. | 0:22:13 | 0:22:15 | |
We're done. The dental records are a match for Jason Bowe, | 0:22:16 | 0:22:20 | |
so I've got to hand it over to MIT. | 0:22:20 | 0:22:22 | |
I wouldn't be too quick with that. I've found Claire Swain. | 0:22:22 | 0:22:25 | |
-Where? -In the UCOS files. | 0:22:25 | 0:22:27 | |
Her real name was Claire Swan, | 0:22:27 | 0:22:29 | |
and her listed profession is "private investigator". | 0:22:29 | 0:22:33 | |
-So she must have been undercover at the school. -Missing or dead? | 0:22:33 | 0:22:37 | |
Dead. Hit and run. Two days after she left Peregrine Manor. | 0:22:37 | 0:22:41 | |
And Lebbon couldn't have killed them both because when Claire Swan was run over, | 0:22:41 | 0:22:45 | |
he was still in hospital recovering from his surfing accident. | 0:22:45 | 0:22:49 | |
But now she's a cold case, I think we should keep them both with UCOS. | 0:22:50 | 0:22:56 | |
That policeman working late? | 0:23:20 | 0:23:22 | |
Maybe I should take him a cup of tea. | 0:23:24 | 0:23:26 | |
This isn't a game, Helen. Enough is enough. You don't need it. | 0:23:26 | 0:23:31 | |
Give it back, it needs to be destroyed. | 0:23:31 | 0:23:33 | |
It's not that simple. | 0:23:33 | 0:23:35 | |
Of course it is. | 0:23:35 | 0:23:36 | |
Nothing's changed. Not for me. | 0:23:36 | 0:23:40 | |
Believe me, Helen, you do not know what you have, | 0:23:41 | 0:23:44 | |
and you do not want to come out on the wrong side of this. | 0:23:44 | 0:23:47 | |
Oh, bloody hell! | 0:24:20 | 0:24:22 | |
That chair's about 200 years old. | 0:24:56 | 0:24:58 | |
What the...? | 0:24:58 | 0:24:59 | |
I don't think you should stand on it. | 0:24:59 | 0:25:01 | |
No. | 0:25:03 | 0:25:05 | |
What do you think that camera's pointing at? | 0:25:07 | 0:25:10 | |
I don't know. Something. | 0:25:12 | 0:25:14 | |
They normally do. | 0:25:16 | 0:25:17 | |
What are you doing out of bed? | 0:25:25 | 0:25:27 | |
I'm conducting an experiment. | 0:25:27 | 0:25:29 | |
Since they found those bones, | 0:25:30 | 0:25:32 | |
everyone's going on about the Peregrine poltergeist. | 0:25:32 | 0:25:35 | |
I'm not following you. | 0:25:35 | 0:25:36 | |
All the stuff that goes missing? They think the poltergeist takes it. | 0:25:36 | 0:25:40 | |
What kind of stuff? | 0:25:40 | 0:25:42 | |
Weird things. Toothbrushes. Bits of clothes. | 0:25:42 | 0:25:46 | |
Been happening for years, apparently. | 0:25:46 | 0:25:48 | |
So what's the camera and thermometer all about? | 0:25:48 | 0:25:52 | |
Well, sometimes ghosts and spirits can be caught on film | 0:25:54 | 0:25:58 | |
even if you can't see them in real life. | 0:25:58 | 0:26:01 | |
Plus, a sudden drop in temperature can be a sign of a paranormal presence. | 0:26:01 | 0:26:06 | |
Well, you've done your research. Anything so far? | 0:26:06 | 0:26:10 | |
Nothing conclusive. | 0:26:10 | 0:26:13 | |
Do you believe in ghosts? | 0:26:15 | 0:26:17 | |
Well, I'm trying to keep an open mind. | 0:26:18 | 0:26:21 | |
-But no. Not really. -No, I didn't think so, | 0:26:21 | 0:26:23 | |
not with you being out here on your own in the middle of the night. | 0:26:23 | 0:26:26 | |
I did try to do it this afternoon after prep. | 0:26:26 | 0:26:30 | |
-But people got in the way. -Yes, people tend to do that. | 0:26:30 | 0:26:34 | |
Have you not got a friend you could do this kind of thing with? | 0:26:35 | 0:26:38 | |
I did have a friend. David. | 0:26:38 | 0:26:41 | |
He left, though. Had to go somewhere else. | 0:26:41 | 0:26:44 | |
I had a friend like that. | 0:26:44 | 0:26:45 | |
Do you miss him? | 0:26:45 | 0:26:47 | |
Do you miss David? | 0:26:49 | 0:26:50 | |
Shh. | 0:26:58 | 0:26:59 | |
What are you still doing here? | 0:27:04 | 0:27:06 | |
The doors are locked, I couldn't get out. | 0:27:06 | 0:27:09 | |
Stay there, I'll come down. | 0:27:09 | 0:27:10 | |
I'm sorry, I didn't wake you, did I? | 0:27:14 | 0:27:17 | |
No. No. I'm a terrible sleeper. | 0:27:18 | 0:27:22 | |
When my son was little, he was hyperactive. | 0:27:23 | 0:27:25 | |
Three hours' sleep a night seems to have become a habit. | 0:27:25 | 0:27:28 | |
And which school did he go to? | 0:27:28 | 0:27:30 | |
Well, he's here. | 0:27:30 | 0:27:32 | |
That's a nice staff perk! | 0:27:32 | 0:27:34 | |
Oh, it isn't normally allowed. Took some hefty persuasion, believe me. | 0:27:34 | 0:27:39 | |
I was going to make some hot chocolate. | 0:27:39 | 0:27:41 | |
Do you fancy a mug? | 0:27:41 | 0:27:43 | |
Then I can set you up in one of the empty dorms for the night? | 0:27:43 | 0:27:47 | |
Well, that would be... Yeah, yeah, go on then. | 0:27:47 | 0:27:50 | |
Thanks very much. | 0:27:50 | 0:27:51 | |
I have a secret stash of marshmallows. | 0:27:51 | 0:27:53 | |
Do you like marshmallows? | 0:27:53 | 0:27:57 | |
No. | 0:27:57 | 0:27:58 | |
You're not really like the rest of them, are you? | 0:28:08 | 0:28:11 | |
I don't know what you mean. | 0:28:13 | 0:28:14 | |
You know. Privileged. Wealthy. Entitled. | 0:28:14 | 0:28:19 | |
Oh, I see. No. Hardly. | 0:28:19 | 0:28:21 | |
But yet you're happy to make your son a part of that world? | 0:28:21 | 0:28:24 | |
Well, I'd like to think I have some influence over who he is, | 0:28:26 | 0:28:30 | |
the person he becomes. | 0:28:30 | 0:28:32 | |
But a good education... | 0:28:33 | 0:28:35 | |
The school he was at, the local school... He was in trouble there. | 0:28:37 | 0:28:42 | |
Drinking. | 0:28:44 | 0:28:45 | |
Drugs - I think, I suspect. | 0:28:46 | 0:28:48 | |
And he was only 12. | 0:28:49 | 0:28:51 | |
There's too many children. | 0:28:51 | 0:28:54 | |
Those poor children. Too many of them in a class. | 0:28:54 | 0:29:00 | |
How can they learn? How can they be helped? | 0:29:00 | 0:29:02 | |
I know you're supposed to do something, | 0:29:04 | 0:29:07 | |
to help make things better. | 0:29:07 | 0:29:10 | |
But who am I? | 0:29:10 | 0:29:11 | |
And all the time I was working here... | 0:29:13 | 0:29:15 | |
..seeing the opportunities this school gives these kids. | 0:29:16 | 0:29:20 | |
And you look at the disparity. | 0:29:21 | 0:29:25 | |
I had to do better for him. | 0:29:25 | 0:29:26 | |
And you think to yourself, "by hook or by crook". | 0:29:29 | 0:29:32 | |
It's defeat, in a way. But what's the alternative? | 0:29:34 | 0:29:39 | |
For him, I mean. | 0:29:39 | 0:29:41 | |
Do you have children? | 0:29:45 | 0:29:47 | |
Yeah. A son. | 0:29:48 | 0:29:49 | |
Grown up now? | 0:29:51 | 0:29:52 | |
Oh, yes. | 0:29:53 | 0:29:54 | |
What does he do? | 0:29:56 | 0:29:57 | |
Well, he used to be an accountant... | 0:29:59 | 0:30:02 | |
I'm not sure now. | 0:30:04 | 0:30:05 | |
I used to drink. | 0:30:09 | 0:30:10 | |
Well, I'd better get to bed. | 0:30:19 | 0:30:21 | |
Thanks for the cocoa. Second on the left? | 0:30:22 | 0:30:25 | |
That's right. | 0:30:25 | 0:30:27 | |
Thanks. Good night. | 0:30:27 | 0:30:29 | |
Night. | 0:30:29 | 0:30:30 | |
I think I found something. | 0:30:41 | 0:30:42 | |
You know, parents can't afford to send their kids to independent schools any more. | 0:30:42 | 0:30:48 | |
Admissions are way down, year on year. | 0:30:48 | 0:30:51 | |
So schools are having to make up the shortfall in income | 0:30:51 | 0:30:54 | |
by bringing in high-paying foreign students. | 0:30:54 | 0:30:57 | |
Yeah, but Klu Klux Clayton won't let anyone in who's not white? | 0:30:57 | 0:31:00 | |
Exactly. So this school's short of money and yet Geoffrey Parks | 0:31:00 | 0:31:05 | |
is on his way to open up a brand-new computer centre. | 0:31:05 | 0:31:08 | |
And how did they pay for that? | 0:31:08 | 0:31:10 | |
Charitable donations from very wealthy, very influential people. | 0:31:10 | 0:31:14 | |
There's a fellow here called Ali Khan. Indian technology millionaire. | 0:31:15 | 0:31:21 | |
He donated £180,000 to this school last year. | 0:31:21 | 0:31:25 | |
Now why does a bloke from his background give money to a school like this? | 0:31:25 | 0:31:30 | |
After Khan had made his donation, | 0:31:30 | 0:31:32 | |
a government data contract was issued to his firm in Mumbai | 0:31:32 | 0:31:36 | |
to the tune of £20 million by a select committee headed by Geoffrey Parks. | 0:31:36 | 0:31:41 | |
All these donors have benefited in some way as a direct result | 0:31:43 | 0:31:46 | |
of Geoffrey Parks' actions in government. | 0:31:46 | 0:31:48 | |
And if that's what Claire Swan found out... | 0:31:48 | 0:31:51 | |
Yeah, but hold on. None of this goes to Parks. It all comes to the school. | 0:31:51 | 0:31:55 | |
If we're following this train of thought, | 0:31:55 | 0:31:57 | |
he has to get something out of it and something worth killing for. | 0:31:57 | 0:32:00 | |
PHONE RINGS | 0:32:00 | 0:32:02 | |
Mr Graves, you hired Claire Swan to go undercover at Peregrine Manor. | 0:32:07 | 0:32:12 | |
-Why? -About six years ago I heard the school was in financial trouble so I made an offer on it. | 0:32:12 | 0:32:16 | |
A generous one. I quite fancied the place as a country club and hotel. | 0:32:16 | 0:32:20 | |
Clayton wouldn't sell, though. | 0:32:20 | 0:32:21 | |
So I got Claire to go in as a teacher and see if she could find some leverage. | 0:32:21 | 0:32:25 | |
If they were having money trouble and if she could find a bit of scandal, | 0:32:25 | 0:32:29 | |
well, Clayton might have had to rethink. | 0:32:29 | 0:32:31 | |
-And what did she find out? -That's the thing. She never told me. | 0:32:31 | 0:32:34 | |
She called to say she was out of the school and she'd found something that might be big. | 0:32:34 | 0:32:38 | |
Said she'd call again when she'd checked out the facts. | 0:32:38 | 0:32:42 | |
But the next night, she was killed, and that was that. | 0:32:42 | 0:32:45 | |
Was it originally Claire Swan who told you the school was in financial trouble? | 0:32:45 | 0:32:48 | |
God, no. That was Archie Milgrow. | 0:32:48 | 0:32:50 | |
He rents a lock-up at one of my premises. Has done for years. | 0:32:50 | 0:32:54 | |
< MAN CLEARS THROAT | 0:33:23 | 0:33:25 | |
Archie Milgrow: the Peregrine Poltergeist. | 0:33:25 | 0:33:29 | |
'Do you know how long I've been at that school? 35 years.' | 0:33:31 | 0:33:36 | |
Hundreds of pupils. Teachers who come and go. | 0:33:36 | 0:33:39 | |
None of them remember me. | 0:33:39 | 0:33:42 | |
-You stole from them. -I didn't steal. Not really. | 0:33:42 | 0:33:46 | |
I took nothing valuable. | 0:33:46 | 0:33:48 | |
Why did you take Mr Lane's glasses? He's not part of the school. | 0:33:48 | 0:33:51 | |
You, this - it's all part of my story. All these things. | 0:33:51 | 0:33:58 | |
They're my memories. My photo albums, if you will. | 0:33:58 | 0:34:02 | |
-They're proof. -Proof of what? | 0:34:02 | 0:34:05 | |
Proof that I was ever here at all. | 0:34:05 | 0:34:07 | |
It's quite the collection. When did you start? 15 years ago? | 0:34:08 | 0:34:13 | |
I don't know exactly. | 0:34:13 | 0:34:14 | |
Oh, I think you do. It's quite clear to us. | 0:34:14 | 0:34:16 | |
See, although you didn't take something from every student, | 0:34:16 | 0:34:20 | |
you took something from every teacher who worked at that school since then. All except one. | 0:34:20 | 0:34:26 | |
Jason Bowe. Why did you take nothing of his? | 0:34:26 | 0:34:29 | |
I have to tell you, Mr Milgrow, that right now things aren't looking that good for you. | 0:34:31 | 0:34:35 | |
None of this is exactly normal, | 0:34:35 | 0:34:37 | |
but the one teacher who isn't represented in your...collection | 0:34:37 | 0:34:41 | |
is the one you were seen arguing with on the night he disappeared. | 0:34:41 | 0:34:44 | |
Did he find out about your little hobby? | 0:34:44 | 0:34:46 | |
A few days before the end of term he saw me taking something from the laundry room | 0:34:48 | 0:34:52 | |
and followed me to the lock-up. | 0:34:52 | 0:34:54 | |
He said I was perverted. | 0:34:54 | 0:34:56 | |
On reflection, perhaps the item I'd taken hadn't helped. | 0:34:56 | 0:35:00 | |
A red bra belonging to Melissa Parks. | 0:35:01 | 0:35:05 | |
He took it away. Along with his T-shirt. | 0:35:05 | 0:35:09 | |
And what happened after that? | 0:35:09 | 0:35:11 | |
I begged him to not report me. | 0:35:11 | 0:35:13 | |
He said he'd decide what to do while he was away. | 0:35:13 | 0:35:15 | |
That's what we were discussing on that last night. | 0:35:15 | 0:35:18 | |
Lebbon's knife went missing. Maybe you took it while he was away. | 0:35:18 | 0:35:21 | |
Then when Jason Bowe came back and decided to report you... | 0:35:21 | 0:35:25 | |
You stabbed him. | 0:35:25 | 0:35:27 | |
I didn't kill him. | 0:35:27 | 0:35:28 | |
APPLAUSE | 0:35:28 | 0:35:30 | |
Thank you, Mr Parks, for taking time out of your very busy schedule. | 0:35:30 | 0:35:33 | |
I thought you'd left. | 0:35:52 | 0:35:53 | |
We've taken somebody in for questioning - Archie Milgrow. | 0:35:53 | 0:35:58 | |
He's the thief. | 0:35:58 | 0:35:59 | |
The Peregrine Poltergeist. | 0:35:59 | 0:36:01 | |
Jason Bowe knew about it and was going to report it. | 0:36:02 | 0:36:04 | |
Archie? Well, I... I'm quite surprised. | 0:36:04 | 0:36:07 | |
Well how did you manage that? | 0:36:07 | 0:36:09 | |
Bowe caught him stealing Melissa Parks' red bra and followed him. | 0:36:09 | 0:36:14 | |
Maybe I should let her know. | 0:36:14 | 0:36:15 | |
You're as bad as him! You're as bad as him! | 0:36:18 | 0:36:20 | |
You're a liar! A stupid, fat liar! | 0:36:20 | 0:36:23 | |
What are you talking about? You're crazy! | 0:36:23 | 0:36:26 | |
Don't touch me! You liar! | 0:36:26 | 0:36:28 | |
I hate you! Don't touch me! | 0:36:28 | 0:36:31 | |
I snuck into Jason's room to surprise him when he got back. | 0:36:38 | 0:36:42 | |
It was the last night of term and I didn't really care if I got caught. | 0:36:42 | 0:36:45 | |
And there it was on his bed. | 0:36:47 | 0:36:48 | |
Her bra. I knew it was hers. | 0:36:50 | 0:36:53 | |
Stupid fat cow. | 0:36:53 | 0:36:55 | |
Melissa, fat? Hardly. | 0:36:56 | 0:36:58 | |
She got fat at school. | 0:36:58 | 0:37:00 | |
"Porky" Parks. | 0:37:01 | 0:37:03 | |
You thought he'd slept with her. | 0:37:03 | 0:37:06 | |
She told everyone she'd lost it getting off with somebody. | 0:37:06 | 0:37:09 | |
It went round the whole school. Every boy, denying it was them. | 0:37:09 | 0:37:14 | |
And then there it was, in Jason's room. | 0:37:14 | 0:37:17 | |
That must have made you extremely angry. | 0:37:17 | 0:37:19 | |
We argued, yes. I was hysterical. | 0:37:19 | 0:37:22 | |
Asking how long it had been going on for. | 0:37:22 | 0:37:24 | |
What did he say? | 0:37:24 | 0:37:25 | |
He said the bra was nothing like that and that he loved me, | 0:37:25 | 0:37:29 | |
but he wouldn't give me another explanation. | 0:37:29 | 0:37:32 | |
Just said I had to trust him. | 0:37:32 | 0:37:34 | |
I said some terrible things. | 0:37:34 | 0:37:35 | |
I told him I was going to tell Miss Clayton that he'd raped me. | 0:37:38 | 0:37:43 | |
In the morning, he was gone. | 0:37:43 | 0:37:44 | |
You called Geoffrey Parks a liar. | 0:37:46 | 0:37:48 | |
I think you've got history with the Parks family that pre-dates Jason Bowe. | 0:37:48 | 0:37:52 | |
My mother used to work for Geoffrey Parks. | 0:37:55 | 0:37:59 | |
Are you trying to say you think they were more than work colleagues? | 0:38:02 | 0:38:06 | |
She bought new things. Underwear. | 0:38:06 | 0:38:10 | |
Started working late. | 0:38:12 | 0:38:13 | |
My father didn't like it. | 0:38:15 | 0:38:16 | |
She was working late the night she died. | 0:38:18 | 0:38:21 | |
What do you mean, Eleanor? | 0:38:22 | 0:38:24 | |
The coroner's report said she was alone in the car, | 0:38:24 | 0:38:27 | |
but the doors weren't locked. | 0:38:27 | 0:38:29 | |
The report says the doors weren't locked. | 0:38:31 | 0:38:35 | |
If my mother was alone in the car or just with me, | 0:38:35 | 0:38:38 | |
she always locked the doors from the inside. Always. | 0:38:38 | 0:38:41 | |
So someone must have been with her. | 0:38:42 | 0:38:44 | |
Whoever was with her left her there to die. | 0:38:47 | 0:38:50 | |
He didn't even call an ambulance. | 0:38:52 | 0:38:54 | |
She was my best friend when we were little, you know. | 0:38:59 | 0:39:03 | |
Until the accident. | 0:39:03 | 0:39:04 | |
Then we drifted. | 0:39:06 | 0:39:07 | |
I started gaining weight and we moved to different friends. | 0:39:09 | 0:39:12 | |
Why would she call your dad a liar? | 0:39:13 | 0:39:16 | |
I don't know. | 0:39:17 | 0:39:18 | |
She used to love my dad when we were kids. | 0:39:19 | 0:39:23 | |
Something changed after the accident. | 0:39:23 | 0:39:26 | |
But your father and her mother were close, yes? | 0:39:26 | 0:39:30 | |
They worked together. Of course they were close. That was it. | 0:39:30 | 0:39:34 | |
If I hadn't told that stupid lie about the bra, | 0:39:34 | 0:39:37 | |
none of this would have come up. | 0:39:37 | 0:39:38 | |
Why would you make something like that up? | 0:39:38 | 0:39:40 | |
You have no idea what it's like to be the chubby girl at school. | 0:39:40 | 0:39:46 | |
"Porky" Parks. Pretending not to care about the snide digs. | 0:39:46 | 0:39:49 | |
I just wanted to feel attractive. Normal. Like someone liked me. | 0:39:50 | 0:39:54 | |
Eleanor wasn't the only one with problems. | 0:39:56 | 0:39:59 | |
Your father's gone, Melissa. | 0:39:59 | 0:40:01 | |
There's a cab for you at the side gate. And Mr Lane? | 0:40:01 | 0:40:04 | |
If you could return the financial records to my office before you leave. | 0:40:04 | 0:40:08 | |
Right, this is starting to make sense. | 0:40:18 | 0:40:20 | |
Eleanor Higgins - she has a history of self-harming, she's emotionally unstable, | 0:40:20 | 0:40:24 | |
she's involved in a relationship with Jason Bowe | 0:40:24 | 0:40:26 | |
and she's come to believe that he's having an affair with Melissa Parks. | 0:40:26 | 0:40:31 | |
Who's the daughter of the man that Eleanor believes was in the car | 0:40:31 | 0:40:35 | |
when her mother crashed. But she couldn't have done it. | 0:40:35 | 0:40:38 | |
The school was locked up and she was inside. | 0:40:38 | 0:40:40 | |
How could she have got out? | 0:40:40 | 0:40:43 | |
Remember what you said the other night? | 0:41:03 | 0:41:05 | |
About what? | 0:41:05 | 0:41:07 | |
I asked where this camera was pointing. You said, "Somewhere. They normally do". | 0:41:07 | 0:41:13 | |
Stay here. | 0:41:42 | 0:41:44 | |
Absolutely not. | 0:41:44 | 0:41:45 | |
No, I didn't think you would. | 0:41:46 | 0:41:48 | |
We must be outside the school perimeter by now. | 0:42:07 | 0:42:11 | |
'The gardener's hut is only a few metres from where the body was found.' | 0:42:26 | 0:42:30 | |
You know that if any blood was spilled in that shed then our forensic team will find it. | 0:42:30 | 0:42:36 | |
No matter how hard you think you scrubbed. | 0:42:36 | 0:42:38 | |
And I imagine some of it will be yours, won't it? | 0:42:38 | 0:42:42 | |
You took Oliver Lebbon's knife out of his room while he was away. | 0:42:42 | 0:42:45 | |
To cut yourself or to kill Jason Bowe? | 0:42:45 | 0:42:49 | |
It was an accident. | 0:42:52 | 0:42:54 | |
I put a note under Jason's door and told him to meet me in the shed. | 0:42:54 | 0:42:58 | |
I said if he didn't come, I'd slit my wrists. | 0:42:58 | 0:43:00 | |
I just kept thinking about that bra, and Melissa and her father... | 0:43:00 | 0:43:06 | |
and my mother. | 0:43:06 | 0:43:07 | |
Melissa's red bra. | 0:43:08 | 0:43:10 | |
My mother bought new underwear before she died. | 0:43:12 | 0:43:15 | |
My father had shouted about it and I couldn't understand why. | 0:43:15 | 0:43:19 | |
Thinking about Jason and Melissa made me think about my mother and Geoffrey Parks and the car doors | 0:43:19 | 0:43:24 | |
and I didn't know why. | 0:43:24 | 0:43:27 | |
I was just shouting all of this at Jason | 0:43:27 | 0:43:30 | |
and I started cutting myself, right there in front of him. | 0:43:30 | 0:43:33 | |
-He tried to stop me. -Then you stabbed him. | 0:43:34 | 0:43:36 | |
It was an accident. | 0:43:36 | 0:43:38 | |
He was trying to stop me and the knife just... | 0:43:38 | 0:43:41 | |
It was so sharp. It didn't even go in that far. | 0:43:41 | 0:43:43 | |
I could still see half the blade. | 0:43:43 | 0:43:45 | |
I just couldn't bring myself to take it out. | 0:43:46 | 0:43:49 | |
But you didn't try to get any help? | 0:43:49 | 0:43:51 | |
No. He died. | 0:43:52 | 0:43:53 | |
I dragged him out to the woods and buried him. | 0:43:54 | 0:43:58 | |
You dragged a fully grown man at dead weight | 0:44:00 | 0:44:03 | |
into the woods all by yourself? | 0:44:03 | 0:44:05 | |
I couldn't do that, and I bet I'm a whole lot stronger than you. | 0:44:05 | 0:44:09 | |
Unless you were extremely unlucky with where that knife hit, | 0:44:09 | 0:44:13 | |
Jason Bowe would have been alive for quite some time after you stabbed him. | 0:44:13 | 0:44:16 | |
So, your story is all very neat and tidy and tragic, | 0:44:16 | 0:44:20 | |
but the ending doesn't work. Who helped you? | 0:44:20 | 0:44:22 | |
That's what happened. | 0:44:22 | 0:44:25 | |
Right, then. | 0:44:37 | 0:44:38 | |
Are you leaving? | 0:44:38 | 0:44:40 | |
Yes. | 0:44:40 | 0:44:42 | |
Eleanor Higgins has confessed to Jason Bowe's murder. | 0:44:42 | 0:44:45 | |
Eleanor? Oh that poor girl. | 0:44:45 | 0:44:49 | |
It's hard to believe. | 0:44:51 | 0:44:54 | |
Yes. Yes, it is. | 0:44:54 | 0:44:56 | |
You don't sound convinced. | 0:44:58 | 0:44:59 | |
-Well, she's more convinced than we are. -What do you mean? | 0:44:59 | 0:45:03 | |
Well, Eleanor's version of events doesn't fit with the forensic evidence. | 0:45:03 | 0:45:07 | |
I don't know, maybe she's just mis-remembering a few things. | 0:45:07 | 0:45:12 | |
-It was a long time ago. -Yeah. | 0:45:12 | 0:45:14 | |
Well, it was nice to meet you, and thanks again for that cocoa. | 0:45:15 | 0:45:19 | |
Why would she say she'd killed him if she hadn't? | 0:45:23 | 0:45:25 | |
Maybe to protect someone. | 0:45:29 | 0:45:31 | |
But there isn't anyone. | 0:45:31 | 0:45:32 | |
He was a big lad, Jason. Heavy. | 0:45:36 | 0:45:38 | |
A lot to drag through the woods and bury all by yourself, | 0:45:39 | 0:45:42 | |
plus she was bleeding - she had some injuries, too. | 0:45:42 | 0:45:46 | |
You think someone helped her? | 0:45:46 | 0:45:48 | |
It's possible. And now she's covering for them. | 0:45:48 | 0:45:52 | |
But even if she had help burying him, she still... | 0:45:52 | 0:45:55 | |
She still did what she said. Killed him, I mean. | 0:45:56 | 0:46:00 | |
Maybe. | 0:46:00 | 0:46:01 | |
But the wound that she inflicted shouldn't have been fatal. | 0:46:02 | 0:46:08 | |
So, if whoever was helping her finished him off, well... | 0:46:09 | 0:46:13 | |
She could have spent all this time thinking she'd killed someone? | 0:46:13 | 0:46:16 | |
-I expect it'll all come out in the wash. -Yes. | 0:46:18 | 0:46:21 | |
There's something you need to see. | 0:46:28 | 0:46:30 | |
And when you've seen it, I'll accept the consequences. | 0:46:30 | 0:46:35 | |
Helen Hadley's been sitting on this footage | 0:46:39 | 0:46:41 | |
since the night of Bowe's death. | 0:46:41 | 0:46:43 | |
That makes her an accessory after the fact. | 0:46:44 | 0:46:47 | |
After a few minutes, we get this. | 0:46:49 | 0:46:53 | |
Well, well, well. | 0:46:59 | 0:47:00 | |
Then there's a time gap of about an hour and a half. | 0:47:02 | 0:47:05 | |
Before this. | 0:47:06 | 0:47:08 | |
We should bring her in. | 0:47:18 | 0:47:19 | |
It's not enough. | 0:47:19 | 0:47:21 | |
But we see her... | 0:47:21 | 0:47:22 | |
We see her with an upset girl. That's all. No body. No murder weapon. | 0:47:22 | 0:47:26 | |
So now what? | 0:47:26 | 0:47:28 | |
OK. Regardless of what we can prove, | 0:47:28 | 0:47:31 | |
we feel certain that Clayton helped Eleanor bury that body. | 0:47:31 | 0:47:34 | |
-Right? -Right. | 0:47:34 | 0:47:35 | |
So she goes into the shed and sees Jason Bowe on the floor. | 0:47:35 | 0:47:39 | |
She's probably left Eleanor in the passage or sent her out of the room. | 0:47:39 | 0:47:43 | |
Bowe is still alive because the wound that Eleanor describes giving him couldn't have killed him. | 0:47:43 | 0:47:47 | |
So Clayton could have saved him, but she didn't. Why? | 0:47:47 | 0:47:50 | |
What made her stick the knife in deeper? | 0:47:50 | 0:47:52 | |
The consequences of him surviving this were obviously greater | 0:47:52 | 0:47:56 | |
than the consequences of her killing him. | 0:47:56 | 0:47:58 | |
Eleanor said that before she stabbed Bowe she was ranting at him | 0:47:59 | 0:48:03 | |
about her mother's crash. | 0:48:03 | 0:48:05 | |
Well, is that it? | 0:48:05 | 0:48:06 | |
Her talking about Geoffrey Parks in relation to her mum's death, | 0:48:06 | 0:48:10 | |
is that the knowledge that got Bowe killed? | 0:48:10 | 0:48:12 | |
It's what Clayton's got on Parks - how she's getting the donations to the school. | 0:48:12 | 0:48:16 | |
So, as she sees it, she killed Jason Bowe to protect the school's future? | 0:48:16 | 0:48:21 | |
But she's not going to admit it, is she? And we can't prove anything that happened that night of the crash. | 0:48:21 | 0:48:26 | |
Parks is hardly going to tell the truth, and Eleanor's testimony wouldn't stand up in court. | 0:48:26 | 0:48:30 | |
But she wasn't the only one traumatised by those events. | 0:48:30 | 0:48:32 | |
If Parks was in that car, then there are two families involved. | 0:48:32 | 0:48:37 | |
We've focused on Eleanor because she was the one that gave us the story in the first place | 0:48:37 | 0:48:42 | |
plus she was the one most obviously affected by it. | 0:48:42 | 0:48:45 | |
Maybe we should be looking elsewhere. | 0:48:45 | 0:48:48 | |
You and Eleanor were best of friends, weren't you, | 0:48:48 | 0:48:51 | |
right up until her mother's car crash. | 0:48:51 | 0:48:53 | |
-So? -Well, everyone can see how it damaged Eleanor. | 0:48:53 | 0:48:58 | |
But you changed after that, as well. | 0:48:58 | 0:49:01 | |
I put on some weight. Lots of kids do. | 0:49:01 | 0:49:05 | |
No, you put on a lot of weight. Very quickly. | 0:49:05 | 0:49:08 | |
And this all started just after Eleanor's mother died. | 0:49:08 | 0:49:13 | |
See, a lot of what's going on here seems to lead back to the events of that night. | 0:49:15 | 0:49:21 | |
Where was your dad, that night? | 0:49:24 | 0:49:26 | |
At home. | 0:49:28 | 0:49:29 | |
This isn't a formal interview, you know. Nothing's being recorded. | 0:49:32 | 0:49:37 | |
There's nobody listening. | 0:49:37 | 0:49:39 | |
I'm not even a policeman. I'm retired. | 0:49:39 | 0:49:44 | |
Whatever happened that night, you filed it away. | 0:49:46 | 0:49:50 | |
So you didn't have to look at it. | 0:49:51 | 0:49:54 | |
That's when you started eating, | 0:49:54 | 0:49:57 | |
that's when you started to distance yourself from Eleanor - | 0:49:57 | 0:50:00 | |
that way you could pretend it never happened. | 0:50:00 | 0:50:03 | |
Well, maybe now's the time to get it off your chest, eh? | 0:50:07 | 0:50:10 | |
Something woke me up. | 0:50:17 | 0:50:18 | |
Maybe it was the car pulling in the drive. It was late. | 0:50:21 | 0:50:24 | |
I wanted a glass of water. | 0:50:26 | 0:50:28 | |
I was at the top of the stairs when the front door opened. | 0:50:32 | 0:50:35 | |
My father came in. | 0:50:38 | 0:50:40 | |
He was crying. | 0:50:43 | 0:50:44 | |
I was only 11, he was my dad. | 0:50:45 | 0:50:49 | |
I couldn't understand why he was crying. | 0:50:49 | 0:50:51 | |
I ran back to bed. | 0:50:55 | 0:50:56 | |
The next day, they all acted so normal. Even my mother. | 0:50:59 | 0:51:05 | |
She came and told me that Eleanor's mother had died. | 0:51:05 | 0:51:10 | |
I asked her about the night before. Where Dad had been. | 0:51:13 | 0:51:16 | |
She said he hadn't gone out. | 0:51:17 | 0:51:19 | |
When he came in, he was on his own, was he? | 0:51:21 | 0:51:25 | |
No. | 0:51:28 | 0:51:29 | |
Miss Clayton was with him. | 0:51:33 | 0:51:34 | |
He ran away from the accident. | 0:51:40 | 0:51:41 | |
He must have rung her, cos she drove him home. | 0:51:44 | 0:51:47 | |
You know, you really should put this down in a statement. | 0:51:51 | 0:51:55 | |
Eleanor's whole future could depend on it. | 0:51:56 | 0:51:59 | |
I know you're not friends now, but you were. | 0:51:59 | 0:52:05 | |
This is a complete fantasy. | 0:52:05 | 0:52:07 | |
No, it isn't. | 0:52:07 | 0:52:08 | |
Then I presume you have some evidence. | 0:52:08 | 0:52:11 | |
We have a videotape from the night that Jason Bowe disappeared, | 0:52:11 | 0:52:14 | |
which Helen Hadley tells us you're very anxious to get hold of. | 0:52:14 | 0:52:18 | |
We've also got a statement from Melissa Parks telling us | 0:52:18 | 0:52:21 | |
that you brought Geoffrey Parks home on the night of the crash. | 0:52:21 | 0:52:25 | |
She was 11 years old. | 0:52:25 | 0:52:27 | |
Eleanor Higgins is next door. | 0:52:27 | 0:52:29 | |
She's confessed to the murder of Jason Bowe. | 0:52:29 | 0:52:31 | |
But we said we didn't believe she buried him on her own. | 0:52:31 | 0:52:35 | |
We also told her that we doubt she delivered the fatal blow. | 0:52:35 | 0:52:39 | |
She's confused at the moment, but it won't be long before she realises what really happened in that shed | 0:52:39 | 0:52:43 | |
and gives you up. | 0:52:43 | 0:52:44 | |
At which point you will have the testimony | 0:52:44 | 0:52:47 | |
of a psychologically damaged, emotionally distraught young girl, | 0:52:47 | 0:52:51 | |
against the word of a woman whose family has run one of the finest schools in England | 0:52:51 | 0:52:55 | |
for six generations. | 0:52:55 | 0:52:57 | |
That's the point, isn't it? That's what all this is about. | 0:52:57 | 0:52:59 | |
You'll do anything to save your school. | 0:52:59 | 0:53:01 | |
But what's going to happen when Eleanor finally gives you up | 0:53:01 | 0:53:04 | |
and, unreliable testimony or not, we bring in Geoffrey Parks | 0:53:04 | 0:53:07 | |
and present him with everything we've discovered? | 0:53:07 | 0:53:10 | |
Do you think Parks cares more about your school than he does about his own career? | 0:53:10 | 0:53:14 | |
No. | 0:53:14 | 0:53:15 | |
He's going to paint you as a murderess, a blackmailer, | 0:53:15 | 0:53:19 | |
and he'd be more than happy to sink your school to save himself. | 0:53:19 | 0:53:23 | |
If you're really serious about saving your school | 0:53:23 | 0:53:27 | |
then it's time for you to fall on your sword. | 0:53:27 | 0:53:29 | |
I think I'm going to need a lawyer, aren't I? | 0:53:40 | 0:53:43 | |
I never asked Elizabeth outright what happened that night. | 0:54:35 | 0:54:38 | |
I thought she'd just helped... with the body. | 0:54:40 | 0:54:44 | |
I thought Eleanor had killed him. | 0:54:44 | 0:54:46 | |
I couldn't afford a school like this for my son. | 0:54:51 | 0:54:54 | |
You've paid in other ways, though, haven't you? | 0:54:57 | 0:55:00 | |
All those sleepless nights. | 0:55:00 | 0:55:02 | |
I don't like to sleep. Jason Bowe haunts my dreams. | 0:55:04 | 0:55:09 | |
He's always cold. | 0:55:12 | 0:55:14 | |
Have you come to arrest me? | 0:55:18 | 0:55:20 | |
They're waiting at the front. | 0:55:24 | 0:55:25 | |
You found a new Jack in those files? | 0:55:33 | 0:55:36 | |
You haven't even read any of them yet, have you? | 0:55:36 | 0:55:39 | |
-Don't you start. -Look, Sandra, | 0:55:39 | 0:55:42 | |
you're not the only one that misses that miserable old bugger. I wish he hadn't left. But he has. | 0:55:42 | 0:55:47 | |
-And he's not coming back. -Gerry, I don't need a lecture. -Well, tough. | 0:55:47 | 0:55:50 | |
Whether you like it or not, Jack has gone. | 0:55:50 | 0:55:53 | |
But Brian and I, we're still here. | 0:55:55 | 0:55:57 | |
And we can't do all this by ourselves! | 0:55:57 | 0:55:59 | |
So read the bloody files! | 0:55:59 | 0:56:00 | |
-All right! All right! I'll read them, OK? -Yeah, properly! | 0:56:00 | 0:56:03 | |
Properly. | 0:56:03 | 0:56:04 | |
-Promise? -Promise. | 0:56:06 | 0:56:07 | |
-Good night. -Night. | 0:56:13 | 0:56:14 | |
Brian? Remind me never to get that train again. | 0:56:30 | 0:56:34 | |
It was full of commuters. | 0:56:34 | 0:56:37 | |
I think the journey was nearly as tiring as looking after Jenny. | 0:56:37 | 0:56:42 | |
Oh, she's camped out on the sofa, poor thing. | 0:56:42 | 0:56:44 | |
Her ankle's black and blue and all swollen up. | 0:56:44 | 0:56:47 | |
All she did was come off the kerb. | 0:56:47 | 0:56:49 | |
Anyway, Anne's there till after the weekend, so I gave them both your love. | 0:56:49 | 0:56:53 | |
What are you doing sitting here like this in the silence? | 0:56:55 | 0:56:58 | |
Did you drop off? | 0:56:59 | 0:57:01 | |
No, no, just... | 0:57:01 | 0:57:05 | |
thinking. | 0:57:05 | 0:57:06 | |
Oh, just thinking. Right, well, I'll leave you to it, then. | 0:57:06 | 0:57:11 | |
I fancy a bath, anyway. | 0:57:11 | 0:57:13 | |
I'm glad you're home. | 0:57:13 | 0:57:15 | |
Are you? | 0:57:17 | 0:57:18 | |
And I'm sorry. | 0:57:21 | 0:57:22 | |
You know, for snapping at you. | 0:57:24 | 0:57:26 | |
What is the matter, Brian? | 0:57:27 | 0:57:29 | |
Why don't you just tell me and put us both out of our misery? | 0:57:31 | 0:57:34 | |
Just sit with me, will you? | 0:57:34 | 0:57:37 | |
All right. | 0:57:38 | 0:57:39 | |
What is it? | 0:57:44 | 0:57:45 | |
It's a secret. | 0:57:45 | 0:57:47 | |
But I keep gnawing away at me head. | 0:57:49 | 0:57:51 | |
I don't think I can carry it on my own. | 0:57:53 | 0:57:57 | |
You can share it with me then, can't you? When you're ready. | 0:57:57 | 0:58:02 | |
I think I'm ready. | 0:58:03 | 0:58:05 | |
Well, go on. | 0:58:10 | 0:58:11 | |
It's about Jack. | 0:58:18 | 0:58:19 | |
Subtitles by Red Bee Media Ltd | 0:58:31 | 0:58:35 |