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# It's all right, it's OK, Doesn't really matter if you're old and grey | 0:00:02 | 0:00:06 | |
# It's all right, I say it's OK | 0:00:06 | 0:00:08 | |
# Listen to what I say | 0:00:08 | 0:00:09 | |
# It's all right, doing fine | 0:00:11 | 0:00:13 | |
# Doesn't really matter if the sun don't shine | 0:00:13 | 0:00:17 | |
# It's all right, I say, it's OK, | 0:00:17 | 0:00:19 | |
# We're getting to the end of the day. # | 0:00:19 | 0:00:21 | |
Why's Strickland called us in so bleeding early? | 0:00:25 | 0:00:27 | |
I know. | 0:00:27 | 0:00:29 | |
Esther didn't even have time to do me a proper breakfast. | 0:00:29 | 0:00:32 | |
You don't think he's leaving as well, do you? | 0:00:32 | 0:00:34 | |
I reckon he's found somebody. | 0:00:36 | 0:00:38 | |
Somebody to replace Jack. I knew it. | 0:00:38 | 0:00:41 | |
They've got some nobody that we've never heard of | 0:00:41 | 0:00:43 | |
and they're just going to parachute him in. | 0:00:43 | 0:00:45 | |
-Or her? -Yeah? | 0:00:45 | 0:00:47 | |
-Morning! -Morning. -Sorry to call you in at this hour. | 0:00:47 | 0:00:49 | |
It's just that something landed on my desk late last night | 0:00:49 | 0:00:52 | |
and I need to act on it now. It's a possible new case. | 0:00:52 | 0:00:54 | |
Linked to an active ongoing investigation. | 0:00:54 | 0:00:57 | |
-Strathclyde CID. -Glasgow?! | 0:00:57 | 0:00:59 | |
-Yeah, is there room for me? -Yeah. -Thanks. | 0:00:59 | 0:01:01 | |
So what's the case then? | 0:01:01 | 0:01:03 | |
There was a robbery at a London petrol station. | 0:01:06 | 0:01:08 | |
Forensics found traces of blood from a woman who was thought to be dead. | 0:01:08 | 0:01:12 | |
DNA from the blood was later identified as female | 0:01:12 | 0:01:14 | |
and belonging to a Georgia Wright from Paisley. | 0:01:14 | 0:01:17 | |
According to Strathclyde Police, Georgia Wright was abducted | 0:01:17 | 0:01:21 | |
and murdered in May 2003. | 0:01:21 | 0:01:23 | |
-Except she obviously wasn't. -Quite. | 0:01:23 | 0:01:25 | |
Hold on, hold on. | 0:01:25 | 0:01:27 | |
If this girl isn't dead and the Met haven't found the robbers, | 0:01:27 | 0:01:30 | |
what's it got to do with us? | 0:01:30 | 0:01:31 | |
Especially at this time of the morning! | 0:01:31 | 0:01:33 | |
The original officer in charge of the case always believed | 0:01:33 | 0:01:36 | |
-that Georgia's death was faked. He thought.. -There you are! | 0:01:36 | 0:01:39 | |
Sorry, I got a wee bit lost. Place is a bloody rabbit warren! | 0:01:39 | 0:01:41 | |
This is retired Detective Inspector Steven McAndrew, | 0:01:41 | 0:01:44 | |
-Strathclyde CID. -Steve. | 0:01:44 | 0:01:45 | |
Detective Superintendent Sandra Pullman. | 0:01:45 | 0:01:47 | |
The boss! How's it going there, Sandra? | 0:01:47 | 0:01:49 | |
-Brian Lane. -Oh, Brian. You all right there, pal? | 0:01:49 | 0:01:52 | |
-Gerry Standing. -All the best, Gerry. You all right? Terrific. | 0:01:52 | 0:01:54 | |
Steve is the former detective I was telling you about. | 0:01:54 | 0:01:58 | |
Nine years, two weeks and two days waiting for this, | 0:01:58 | 0:02:00 | |
same as Georgia's dad. This is one of the best days of my life. | 0:02:00 | 0:02:03 | |
Right, so! First stop the garage, eh? To where they found the blood. | 0:02:03 | 0:02:07 | |
-What'd he say? -Sorry, whose car are we going in? | 0:02:08 | 0:02:11 | |
I didn't come down in mine. London's a bit of a bloody racetrack! | 0:02:11 | 0:02:14 | |
OK, well... | 0:02:14 | 0:02:16 | |
let's boogie! | 0:02:16 | 0:02:18 | |
Coffee, anyone? | 0:02:19 | 0:02:20 | |
So this girl Georgia - only child, loving parents, happy home, | 0:02:23 | 0:02:27 | |
nice boyfriend, never run off or done anything like this before | 0:02:27 | 0:02:30 | |
suddenly disappears. | 0:02:30 | 0:02:31 | |
You know when something just doesn't smell right, you know? | 0:02:31 | 0:02:35 | |
In my bones, I know, somebody's persuaded her to go with them. | 0:02:35 | 0:02:38 | |
But everyone else is on this, | 0:02:38 | 0:02:40 | |
"Oh, she's a teenager, they do mad things", kind of stuff. | 0:02:40 | 0:02:44 | |
So I can't get the numbers or expand the search and then ten days later, | 0:02:44 | 0:02:47 | |
her clothes turn up - bloodstained with her blood, by the river Tweed. | 0:02:47 | 0:02:51 | |
No handbag, no mobile, no dosh - just her clothes. | 0:02:51 | 0:02:54 | |
So anyway, they drag the river and there's nothing. | 0:02:54 | 0:02:56 | |
So now they're all on this, "She's gone, he's done away with her." | 0:02:56 | 0:03:00 | |
-He? -Exactly Sandra! Who's this, "He", all of a sudden? | 0:03:00 | 0:03:04 | |
Assumptions right from the start. | 0:03:04 | 0:03:05 | |
And since then, nothing, not a sniff. | 0:03:05 | 0:03:09 | |
Georgia's mum, well she dies of a broken heart, really. | 0:03:09 | 0:03:12 | |
And her dad tries to get on with his life, but he's in bits, you know. | 0:03:12 | 0:03:16 | |
-There it is, over there. -Jeez, how long's that taken us? | 0:03:16 | 0:03:20 | |
-A bleeding hour. -An hour?! | 0:03:20 | 0:03:22 | |
So what was your take on the bloodied dress, then? | 0:03:24 | 0:03:26 | |
I think I don't know. But I know this - there was no body, | 0:03:26 | 0:03:29 | |
no sign of any other body either. | 0:03:29 | 0:03:30 | |
It's supposed to be a murder scene but what's just as important | 0:03:30 | 0:03:33 | |
-as what's there is what isn't there, are you with me? -No. | 0:03:33 | 0:03:36 | |
There's no sign of a struggle. | 0:03:36 | 0:03:37 | |
No evidence of any other bodily fluids, no footprints, | 0:03:37 | 0:03:40 | |
no marks, no broken twigs - nothing. | 0:03:40 | 0:03:42 | |
I mean it's wrong, it just doesn't add up. | 0:03:42 | 0:03:44 | |
No one else agrees with me, except for the dad. | 0:03:44 | 0:03:46 | |
-That's probably just wishful thinking. -Maybe it was. | 0:03:46 | 0:03:49 | |
Is. But hello, wake up and smell the coffee, here we are. | 0:03:49 | 0:03:52 | |
-Samira Patel? -Yeah. -Detective Superintendent Pullman, UCOS. | 0:03:52 | 0:03:56 | |
Oh, yeah. They said you were coming. | 0:03:56 | 0:03:57 | |
-I've set up the CCTV copy of the raid. -Great, thank you. | 0:03:57 | 0:04:00 | |
There they are. | 0:04:08 | 0:04:09 | |
They hardly said anything. | 0:04:11 | 0:04:12 | |
-I can't see her face. -I was terrified. I just froze. | 0:04:14 | 0:04:18 | |
Did you get a good look at her face? | 0:04:19 | 0:04:21 | |
How old would you say she was? 26/27? | 0:04:21 | 0:04:23 | |
I'm very glad you could come down to help and I'm really grateful | 0:04:23 | 0:04:27 | |
for your input, but let us do the investigating, yeah? | 0:04:27 | 0:04:30 | |
Sure, sorry. Perfectly understand. | 0:04:30 | 0:04:31 | |
-I'm just fired up with everything that's happened. -That's fine. | 0:04:31 | 0:04:34 | |
Was she blonde?! Sorry. | 0:04:34 | 0:04:35 | |
PHONE BEEPS | 0:04:35 | 0:04:37 | |
-Yeah, possibly. -Not very clear, is it? | 0:04:37 | 0:04:40 | |
It's clear enough for the crime team. | 0:04:40 | 0:04:42 | |
They've ID'd the car. It's registered to a Roger Tilbury. | 0:04:42 | 0:04:46 | |
He and his girlfriend, Hayley Ward, were arrested 30 minutes ago. | 0:04:46 | 0:04:50 | |
There you go, that could be her. | 0:04:50 | 0:04:54 | |
We didn't hurt no-one. | 0:04:58 | 0:05:00 | |
We never even threatened the silly cow. | 0:05:00 | 0:05:01 | |
I mean... | 0:05:02 | 0:05:04 | |
All we took was a bit of money. | 0:05:04 | 0:05:05 | |
It was mainly just fags and chewing gum. | 0:05:05 | 0:05:08 | |
"Hayley." Is that your real name? | 0:05:09 | 0:05:12 | |
-Eh? -Hayley Ward. Is that the name you were born with? | 0:05:12 | 0:05:15 | |
Nah, it's the name I was christened with. | 0:05:15 | 0:05:17 | |
-Not Georgia Wright? -I bleeding hope not. | 0:05:17 | 0:05:20 | |
Let me look at your wrists. | 0:05:20 | 0:05:22 | |
-I'm not a junkie. -Just show them to me, come on. | 0:05:22 | 0:05:25 | |
She's not admitting it but she does look a bit like her. | 0:05:37 | 0:05:39 | |
There's no marks on her arms, though. | 0:05:39 | 0:05:41 | |
That's not Georgia - listen to her. Her hair's not right. | 0:05:41 | 0:05:44 | |
You didn't actually meet the missing girl, did you? | 0:05:44 | 0:05:47 | |
Well, no. | 0:05:47 | 0:05:48 | |
Apparently Ken Wright's upstairs. | 0:05:48 | 0:05:50 | |
-What? -Georgia's dad? | 0:05:50 | 0:05:51 | |
Oh, that's brilliant news. | 0:05:51 | 0:05:53 | |
Come and meet him, Sandra, he's such a great guy. | 0:05:53 | 0:05:55 | |
And there's something else. The results are back on Hayley's DNA. | 0:05:55 | 0:05:59 | |
It's not the same as the blood at the petrol station. | 0:05:59 | 0:06:01 | |
-So she's not Georgia? -No. | 0:06:01 | 0:06:03 | |
Ken. | 0:06:07 | 0:06:09 | |
-You all right, Steve? -Yeah. | 0:06:09 | 0:06:11 | |
Unbelievable, pal. Unbelievable. | 0:06:13 | 0:06:15 | |
What did I tell you? One day. | 0:06:15 | 0:06:16 | |
-Just keep the faith, eh? -Aye. | 0:06:16 | 0:06:19 | |
-Oh, sorry. Sorry, sweetheart. -Ken Wright, Georgia's dad. | 0:06:19 | 0:06:21 | |
This is Detective Superintendent Sandra Pullman. | 0:06:21 | 0:06:24 | |
She's been very helpful. | 0:06:24 | 0:06:25 | |
Thanks for seeing us like this, I really appreciate it. | 0:06:25 | 0:06:28 | |
Not at all, it's fine. | 0:06:28 | 0:06:29 | |
When Steve rang last night, I could not believe it. | 0:06:29 | 0:06:32 | |
In the end, I just got up early and drove straight down! | 0:06:32 | 0:06:35 | |
Well, obviously it's early days yet... | 0:06:35 | 0:06:37 | |
Georgia's blood's turned up in the past few days | 0:06:37 | 0:06:39 | |
-and it can't be anybody else's? -That's right, but... | 0:06:39 | 0:06:42 | |
They actually had a girl in custody who they thought might be Georgia | 0:06:42 | 0:06:45 | |
but it's not her, so we're still looking. | 0:06:45 | 0:06:47 | |
But it's still... She's got to be still alive, aye? | 0:06:47 | 0:06:50 | |
Oh yeah, absolutely. | 0:06:50 | 0:06:52 | |
I tell you what, why don't you spend the rest of the day | 0:06:52 | 0:06:54 | |
looking after Ken? Explain where we've got to. | 0:06:54 | 0:06:56 | |
I'll go and talk to the rest of the team about the next step. | 0:06:56 | 0:06:59 | |
-Right you are, thanks. -Good to see you. | 0:06:59 | 0:07:02 | |
ELEVATOR DINGS | 0:07:02 | 0:07:04 | |
If Hayley's not Georgia, | 0:07:04 | 0:07:05 | |
how did that blood get to the petrol station? | 0:07:05 | 0:07:08 | |
I mean, did they check Samira's DNA?! | 0:07:08 | 0:07:10 | |
She's Asian. Georgia was white, blonde. | 0:07:10 | 0:07:14 | |
Yeah, course. So what do we do? | 0:07:14 | 0:07:16 | |
What do we do about Steve? He's driving me round the bend! | 0:07:16 | 0:07:19 | |
It'd be even worse if you could understand him. | 0:07:19 | 0:07:22 | |
He's obviously close to the girl's father. | 0:07:22 | 0:07:25 | |
I think our best bet is to solve this case as quickly as possible | 0:07:25 | 0:07:28 | |
-and then we can get shot of him. -Fair comment, succinctly put. | 0:07:28 | 0:07:31 | |
Morning, Brian. Where's the rest of them? | 0:07:44 | 0:07:47 | |
-I'm in early. -Call this early? Life of Riley, UCOS. | 0:07:47 | 0:07:50 | |
What you up to, pal? | 0:07:50 | 0:07:52 | |
-Looking at CCTV of the robbery. -Great! I was going to suggest... | 0:07:52 | 0:07:56 | |
-Do you mind! -Oh, sorry. | 0:07:56 | 0:07:57 | |
So has the dad gone back then? | 0:08:00 | 0:08:01 | |
No, no, he's staying down for a few days. | 0:08:01 | 0:08:03 | |
I put him up in the same place as I'm in. | 0:08:03 | 0:08:05 | |
It's a bit of a dump but it still costs an arm and a leg in this town. | 0:08:05 | 0:08:08 | |
Wotcha! | 0:08:08 | 0:08:10 | |
BOTH: Hi, Gerry. | 0:08:10 | 0:08:11 | |
Can he afford it? | 0:08:11 | 0:08:14 | |
No, I mean, I'm paying for it. | 0:08:14 | 0:08:16 | |
What's a police pension for if you don't throw it around?! | 0:08:16 | 0:08:18 | |
Wait! Look! Go back, go back! | 0:08:18 | 0:08:20 | |
Come and have a look at this, Gerry. | 0:08:20 | 0:08:23 | |
I think this is Georgia. | 0:08:24 | 0:08:25 | |
Blonde hair, right age. | 0:08:25 | 0:08:27 | |
Oh look, she catches her hand on the shelf. | 0:08:30 | 0:08:33 | |
4.31? When? | 0:08:34 | 0:08:36 | |
In the morning before the robbery. | 0:08:36 | 0:08:37 | |
So what do you think? | 0:08:37 | 0:08:39 | |
I think she's a cleaner. | 0:08:40 | 0:08:42 | |
Yeah. | 0:08:45 | 0:08:46 | |
-Julie, it's Julie. -You know her? | 0:08:48 | 0:08:50 | |
-Yeah, course, she does four nights a week. -Do you know her second name? | 0:08:50 | 0:08:54 | |
Er...Shore? Shorey! | 0:08:54 | 0:08:56 | |
Julie Shorey. | 0:08:56 | 0:08:58 | |
-Shorey? You're positive, are you? -Yes. | 0:08:58 | 0:09:00 | |
Is she Scots? | 0:09:00 | 0:09:02 | |
Does she have a accent like mine? | 0:09:02 | 0:09:04 | |
-Sorry, I don't know. -Well, listen to me? | 0:09:04 | 0:09:06 | |
Haw, hen, see's a pint of heavy... | 0:09:06 | 0:09:08 | |
-Have you got an address for her? -Yeah. | 0:09:08 | 0:09:11 | |
So when's she due in next? | 0:09:12 | 0:09:14 | |
Funnily enough, she hasn't been in since the raid. She should've been. | 0:09:14 | 0:09:18 | |
-She was due on last night but... -She didn't turn up? | 0:09:18 | 0:09:22 | |
No. Which is unusual cos she's always looking to do extra hours. | 0:09:22 | 0:09:25 | |
-I think she needs the money. -What makes you say that? | 0:09:25 | 0:09:28 | |
Did you get her via a contract cleaner? | 0:09:28 | 0:09:30 | |
No, we just employ casual staff. | 0:09:30 | 0:09:32 | |
OK, that's lovely, thanks very much. | 0:09:35 | 0:09:38 | |
-Thank you, thanks a lot. -Thank you, bye. | 0:09:38 | 0:09:40 | |
This is Julie's address, eh? | 0:09:46 | 0:09:48 | |
Home sweet home? | 0:09:51 | 0:09:53 | |
Not. | 0:09:53 | 0:09:54 | |
Not only was the address that "Julie" gave false, | 0:09:59 | 0:10:02 | |
the garage never asked for any proof of identity. | 0:10:02 | 0:10:05 | |
But why just up sticks and disappear? | 0:10:05 | 0:10:07 | |
Do you think she was involved in the robbery? | 0:10:08 | 0:10:10 | |
No, that was just a couple of idiots. | 0:10:10 | 0:10:12 | |
I don't think she had anything to do with them. | 0:10:12 | 0:10:14 | |
I looked for a Julie Shorey on the electoral register, | 0:10:14 | 0:10:16 | |
but there isn't one anywhere in London. | 0:10:16 | 0:10:18 | |
That's not surprising if it's not her real name. | 0:10:18 | 0:10:21 | |
And if it is Georgia, it just brings us back to where I started. | 0:10:21 | 0:10:23 | |
Why fake your own death to end up in a dead-end job | 0:10:23 | 0:10:26 | |
-under a false name and address? -Good question. | 0:10:26 | 0:10:28 | |
No, with all due respect, Guv'nor. | 0:10:28 | 0:10:30 | |
The question is - if Georgia's alive | 0:10:30 | 0:10:33 | |
and no harm's come to her, what's it got to do with UCOS? | 0:10:33 | 0:10:36 | |
-What? -Where's the crime? | 0:10:36 | 0:10:38 | |
If Georgia's a missing person, maybe she doesn't want to be found. | 0:10:38 | 0:10:42 | |
Hey, can I just stop you there a minute, pal? | 0:10:42 | 0:10:44 | |
I don't know what happened nine years ago | 0:10:44 | 0:10:46 | |
but I know when something's not right. | 0:10:46 | 0:10:48 | |
Until I find that girl and reunite her with her father, | 0:10:48 | 0:10:50 | |
I'll never get over the fact that I couldn't crack this case | 0:10:50 | 0:10:53 | |
-and I should've done. -Shit happens. | 0:10:53 | 0:10:55 | |
Oh hey, don't you worry. You want to jack it in, that's fine. | 0:10:55 | 0:10:58 | |
You don't want to carry on, then don't. | 0:10:58 | 0:10:59 | |
But I am, no matter how long it takes. | 0:10:59 | 0:11:01 | |
Just away to see Georgia's dad. I'll let him know how you feel. | 0:11:04 | 0:11:07 | |
-Oh, come on, don't be like that. -Wait a minute, Steve. I'll drive you. | 0:11:07 | 0:11:12 | |
Then we can talk about what we might do next. | 0:11:13 | 0:11:15 | |
No greater love hath any man | 0:11:15 | 0:11:17 | |
than he should spend all afternoon with a Scotchman. | 0:11:17 | 0:11:20 | |
Have a look at this. | 0:11:26 | 0:11:27 | |
We had this identikit picture made up. | 0:11:27 | 0:11:29 | |
It's what we think she could look like now. | 0:11:29 | 0:11:31 | |
Funny thing is - she looks just like her mum. | 0:11:31 | 0:11:34 | |
She took after her mother. | 0:11:34 | 0:11:36 | |
Lot of people thought I was being stupid. | 0:11:38 | 0:11:40 | |
"Refusing to face up to reality" sort of thing. | 0:11:40 | 0:11:43 | |
But it isn't that - it's about faith. | 0:11:43 | 0:11:45 | |
I've always believed in Steve. | 0:11:46 | 0:11:48 | |
Not a million miles away, is it? | 0:11:53 | 0:11:55 | |
It's not a great picture... | 0:11:58 | 0:12:00 | |
-but it is a likeness sure enough, huh? -Mmm-hmm. | 0:12:00 | 0:12:03 | |
But you've no idea where she's gone? | 0:12:05 | 0:12:07 | |
No, no. I'm sorry. | 0:12:07 | 0:12:10 | |
That's the only thing I could never understand. | 0:12:10 | 0:12:12 | |
If she was alive, why she would not get in touch? | 0:12:12 | 0:12:15 | |
It's what Karen, her mum, could never come to terms with. | 0:12:15 | 0:12:17 | |
I think that's what killed her in the end. | 0:12:19 | 0:12:22 | |
Still... | 0:12:22 | 0:12:23 | |
I've waited nine years. A few more days won't... | 0:12:25 | 0:12:27 | |
I'm just pleased Steve's found the right people to help him. | 0:12:29 | 0:12:32 | |
-I think it's brilliant, what you people do. -Ah. | 0:12:32 | 0:12:35 | |
Look... | 0:12:36 | 0:12:37 | |
I need to make a couple of calls, if that's OK? | 0:12:37 | 0:12:39 | |
-Sure, sure. -Thanks for keeping me in touch. | 0:12:39 | 0:12:42 | |
-All right. -OK, Ken. | 0:12:42 | 0:12:44 | |
Look, Steve, I want to be honest with you. | 0:12:47 | 0:12:50 | |
You must think that us at the office have been a bit off with you. | 0:12:50 | 0:12:53 | |
It's just that things have been a bit difficult | 0:12:53 | 0:12:56 | |
-over the last few weeks with Jack leaving. -Jack? | 0:12:56 | 0:12:58 | |
Yeah, it's not easy to explain. | 0:12:59 | 0:13:01 | |
Listen, have you...? | 0:13:03 | 0:13:05 | |
Have you got anything else on this case? | 0:13:05 | 0:13:08 | |
Cor blimey! | 0:13:12 | 0:13:14 | |
-Is this all the official stuff? -No, no, this is just mine. | 0:13:14 | 0:13:17 | |
I've been going through it all, looking for... I don't know. | 0:13:17 | 0:13:21 | |
Well, you really went to town on it, didn't you? | 0:13:21 | 0:13:24 | |
Just trying to be a good cop, you know? | 0:13:24 | 0:13:26 | |
Ah-ha. This takes me back. | 0:13:26 | 0:13:29 | |
Your personal notebook on the case, eh? | 0:13:31 | 0:13:33 | |
Yeah. Oh, hey, have a look at this. | 0:13:33 | 0:13:35 | |
I came across this last night. | 0:13:35 | 0:13:38 | |
Yeah, same date back then. | 0:13:41 | 0:13:42 | |
"I'm convinced Georgia will turn up alive." | 0:13:44 | 0:13:48 | |
-Well, I hope you're right, mate. -Yeah. | 0:13:49 | 0:13:51 | |
So, er... | 0:13:53 | 0:13:54 | |
Who is this Jack? | 0:13:54 | 0:13:56 | |
Ah, don't worry about it. Do you fancy a drink? | 0:13:57 | 0:13:59 | |
Could murder a half and a half. | 0:13:59 | 0:14:02 | |
I didn't think you Sweaties liked water in your whisky? | 0:14:02 | 0:14:04 | |
Sweaty? What's that? | 0:14:04 | 0:14:06 | |
Sweaty Sock - Jock. | 0:14:06 | 0:14:07 | |
STEVE TUTS | 0:14:07 | 0:14:09 | |
No, no, no. You don't do it in a oner like that. | 0:14:09 | 0:14:12 | |
You don't throw it down your neck. Here, look. | 0:14:12 | 0:14:16 | |
Let's try again. | 0:14:16 | 0:14:17 | |
Trickle of water, right. | 0:14:17 | 0:14:19 | |
Now... | 0:14:19 | 0:14:21 | |
Sip it. Sip it. | 0:14:21 | 0:14:23 | |
-Sip it. -And then hold it in your mouth. | 0:14:23 | 0:14:26 | |
Now hold it in your mouth. | 0:14:26 | 0:14:27 | |
Roll it around a little bit. | 0:14:27 | 0:14:28 | |
Do you get that kind of peaty, warm taste? | 0:14:28 | 0:14:30 | |
-Mmm. -Up your nose a little bit? | 0:14:30 | 0:14:33 | |
-Yeah, that's much nicer, isn't it? -Now you're coming along. | 0:14:33 | 0:14:36 | |
Now you're learning, that's good. | 0:14:36 | 0:14:37 | |
Have another couple of those. | 0:14:37 | 0:14:39 | |
The one at the end, darling. | 0:14:39 | 0:14:40 | |
That's like the Rolls Royce of malts, it's gorgeous. | 0:14:40 | 0:14:44 | |
So, hey, tell me about Strickland. | 0:14:47 | 0:14:50 | |
-Strickland? -Mmm. | 0:14:51 | 0:14:53 | |
Oh, he's all right as it happens - for a tosser! | 0:14:53 | 0:14:56 | |
-DACs are all tossers, aren't they? -Exactly. | 0:14:56 | 0:14:59 | |
And what about Brian? | 0:14:59 | 0:15:00 | |
Ah, Brian's lovely. | 0:15:01 | 0:15:03 | |
He's got O...D...H? | 0:15:03 | 0:15:06 | |
-Obsessive compulsive? -That's it, yeah, yeah. | 0:15:06 | 0:15:08 | |
-There you go. -Thanks, darling. | 0:15:08 | 0:15:09 | |
I thought he was just barmy. | 0:15:09 | 0:15:11 | |
He's nice though. | 0:15:12 | 0:15:14 | |
Yeah, well what about your Guv'nor? | 0:15:14 | 0:15:16 | |
She's a bit of all right, isn't she? | 0:15:16 | 0:15:18 | |
Steven, don't even go there! | 0:15:18 | 0:15:20 | |
Oh, no, no, no, I'm hooked up already. | 0:15:20 | 0:15:23 | |
-Married? -Do I look married? | 0:15:23 | 0:15:25 | |
No, no, I've just got a girlfriend, that's all. | 0:15:25 | 0:15:27 | |
How about you? You married? | 0:15:27 | 0:15:29 | |
-Three exes. -Three? | 0:15:30 | 0:15:33 | |
Three! Vampires, sucking all the money out of me. | 0:15:33 | 0:15:37 | |
Hey, want to see a picture of my mistress? | 0:15:37 | 0:15:40 | |
The other woman. | 0:15:40 | 0:15:41 | |
-It's a pigeon(!) -Messina Majestic. | 0:15:45 | 0:15:47 | |
Oh! It's a racing pigeon! | 0:15:47 | 0:15:49 | |
No - tumbler. | 0:15:49 | 0:15:51 | |
No, that's a tumbler. | 0:15:51 | 0:15:53 | |
No, it's a tumbler pigeon. | 0:15:53 | 0:15:55 | |
They all fly up into the air. | 0:15:55 | 0:15:56 | |
Right, pretty, pretty, flock of birds. | 0:15:56 | 0:15:58 | |
And then they start to fall - whoosh! Like that. | 0:15:58 | 0:16:01 | |
Like this, they go like that. | 0:16:01 | 0:16:03 | |
She can tumble like 40 feet. | 0:16:03 | 0:16:05 | |
40! | 0:16:05 | 0:16:07 | |
I love her, she's great. | 0:16:07 | 0:16:09 | |
Oh, and... | 0:16:09 | 0:16:10 | |
-I love Charlie. -Charlie? | 0:16:12 | 0:16:14 | |
Yeah, Charlene. | 0:16:14 | 0:16:16 | |
HE MURMURS APPROVAL | 0:16:18 | 0:16:20 | |
-She's lovely, isn't she? -She's gorgeous, yes. | 0:16:20 | 0:16:23 | |
Well done, son. | 0:16:23 | 0:16:26 | |
DRUNKEN SINGING | 0:16:31 | 0:16:33 | |
# Cos you're drinking... # | 0:16:35 | 0:16:36 | |
Hey, let me in. | 0:16:36 | 0:16:39 | |
I'm a guest. | 0:16:39 | 0:16:41 | |
Oh, there's Ken. | 0:16:42 | 0:16:44 | |
All right, Steve. I'm coming, I'm coming. | 0:16:50 | 0:16:53 | |
BOTH CONTINUE DRUNKENLY SINGING | 0:16:53 | 0:16:55 | |
DRUNKEN SINGING | 0:17:00 | 0:17:01 | |
-Thanks, Ken. -They told me you'd gone out. | 0:17:04 | 0:17:06 | |
I thought, knowing you, I bet it's for a dram! | 0:17:06 | 0:17:07 | |
So I stayed up to make sure I could tell you. | 0:17:07 | 0:17:09 | |
Chris, Georgia's old boyfriend? | 0:17:09 | 0:17:11 | |
He's in the army - I spoke to his mum this afternoon. | 0:17:11 | 0:17:13 | |
You know, to get her to let him know about what had happened? | 0:17:13 | 0:17:15 | |
But when I told her, she just broke down. | 0:17:15 | 0:17:18 | |
In the end, she said she had something to tell me. | 0:17:18 | 0:17:21 | |
-About what? -Georgia. | 0:17:21 | 0:17:24 | |
About what really happened! | 0:17:24 | 0:17:25 | |
The day Georgia went missing, | 0:17:28 | 0:17:30 | |
her boyfriend, Chris Massie's playing rugby in Kilmarnock | 0:17:30 | 0:17:32 | |
so I knew he couldn't have had anything to do with it. | 0:17:32 | 0:17:35 | |
When Chris went into the army, me and his mum kept in touch, | 0:17:35 | 0:17:37 | |
especially after I lost Karen. | 0:17:37 | 0:17:38 | |
When I interviewed Chris and asked him about the days leading up | 0:17:38 | 0:17:41 | |
to her disappearance, he said, "Nothing unusual happened." | 0:17:41 | 0:17:44 | |
Now, according to his mum, that's not true. | 0:17:44 | 0:17:46 | |
They'd been to a disco the week before at Glasgow University. | 0:17:46 | 0:17:49 | |
Yeah, and they'd had a row. | 0:17:49 | 0:17:50 | |
Georgia caught him kissing another girl. Georgia goes mad. | 0:17:50 | 0:17:53 | |
Shouts at him, slaps him. He slaps her back. | 0:17:53 | 0:17:55 | |
People told him to let her go but he hangs on until this DJ steps in. | 0:17:55 | 0:17:58 | |
He saw what was going on and told Chris to, | 0:17:58 | 0:18:00 | |
stop being a bully and leave Georgia alone. | 0:18:00 | 0:18:02 | |
No wonder he never said anything. | 0:18:02 | 0:18:04 | |
Last thing he saw was this DJ comforting Georgia. | 0:18:04 | 0:18:06 | |
-Where is he now? -Afghanistan. | 0:18:06 | 0:18:09 | |
Gerry tried the military but according to them | 0:18:09 | 0:18:12 | |
Chris is currently "Not contactable". Right, Gerry? | 0:18:12 | 0:18:15 | |
-MUMBLING: -Yeah, he's not contactable. | 0:18:16 | 0:18:18 | |
Four quid, gents. | 0:18:22 | 0:18:24 | |
We've come to see the DJ. | 0:18:24 | 0:18:26 | |
# When I was a little girl | 0:18:26 | 0:18:28 | |
# I had a rag doll... # | 0:18:28 | 0:18:29 | |
-Ricky Roddy? -The one and only. | 0:18:30 | 0:18:32 | |
Excuse us, ladies. | 0:18:32 | 0:18:34 | |
We thought we'd have to go to Scotland to find you. | 0:18:34 | 0:18:37 | |
Oh, shit, man, leave it out, I've been clean for six years. | 0:18:37 | 0:18:40 | |
Glasgow University. Summer Smash Spectacular. | 0:18:40 | 0:18:42 | |
-Eh? -You. You did a gig there. | 0:18:42 | 0:18:44 | |
Yeah? Oh yeah, 15 years ago? | 0:18:45 | 0:18:47 | |
-Try nine. -Was it? | 0:18:47 | 0:18:49 | |
May 2003. | 0:18:49 | 0:18:51 | |
You broke up a fight between a boy and a girl. | 0:18:51 | 0:18:53 | |
-I did? -She was blonde, pretty. | 0:18:53 | 0:18:55 | |
Remember? | 0:18:55 | 0:18:56 | |
Her boyfriend slapped her. | 0:18:56 | 0:18:58 | |
You told him to stop bullying her. | 0:18:58 | 0:19:00 | |
Oh, hang on a minute. Wait, yeah, yeah. | 0:19:02 | 0:19:04 | |
Yeah, she cried on my shoulder. | 0:19:04 | 0:19:07 | |
-Nice chick. -She disappeared three days later. | 0:19:07 | 0:19:10 | |
Believed to be murdered. | 0:19:10 | 0:19:11 | |
DAVE stepped in. Slipped in under the radar. | 0:19:15 | 0:19:18 | |
-Dave? -Yeah, my roadie. | 0:19:18 | 0:19:21 | |
I needed one back then, with all the gear I used to have. | 0:19:21 | 0:19:24 | |
That's what roadies are like, with women, I mean. | 0:19:24 | 0:19:27 | |
It's all they're interested in, to be honest. | 0:19:27 | 0:19:29 | |
And blimey, Dave could talk the talk. | 0:19:29 | 0:19:31 | |
Dave what? Second name? | 0:19:31 | 0:19:33 | |
-Dave...the roadie? -Listen, dude, | 0:19:33 | 0:19:35 | |
I've got a bad headache and your sound system's not helping it. | 0:19:35 | 0:19:39 | |
So... | 0:19:39 | 0:19:40 | |
HE GROANS | 0:19:40 | 0:19:42 | |
I know that your brain's fried with the speed but I can tell you, | 0:19:42 | 0:19:45 | |
it's in a lot better shape than your balls are going to be | 0:19:45 | 0:19:47 | |
unless you give us a straight answer. You got me, man? | 0:19:47 | 0:19:50 | |
Her name was Georgia and you were all over her. | 0:19:50 | 0:19:52 | |
I... | 0:19:52 | 0:19:54 | |
I never saw her again, I swear. | 0:19:54 | 0:19:56 | |
Look, it's Dave you want to want to talk to, honestly. | 0:19:56 | 0:20:00 | |
I think I've got his phone number here somewhere. | 0:20:00 | 0:20:03 | |
Let's have a look. Dave, Dave. | 0:20:08 | 0:20:10 | |
Here, here you go. Look, just look. Do you see? | 0:20:10 | 0:20:13 | |
Just Dave Roadie and a mobile number. | 0:20:13 | 0:20:16 | |
I haven't seen him in years. | 0:20:16 | 0:20:18 | |
Rock on. | 0:20:18 | 0:20:20 | |
Dude. | 0:20:20 | 0:20:22 | |
# Cry - yeah, yeah | 0:20:22 | 0:20:24 | |
# If I lost you | 0:20:24 | 0:20:26 | |
# Would I cry? # | 0:20:26 | 0:20:27 | |
-GERRY: -Rick Roddy. | 0:20:27 | 0:20:29 | |
He's flaky, but I don't think it's an act. | 0:20:29 | 0:20:30 | |
The mobile number Roddy gave us is no longer in use | 0:20:30 | 0:20:34 | |
but it was registered to a David Morgan | 0:20:34 | 0:20:36 | |
at the time that Georgia disappeared. | 0:20:36 | 0:20:38 | |
It seems like he still had that number up to about a year ago. | 0:20:38 | 0:20:41 | |
Roddy reckons that Dave stopped working for him | 0:20:41 | 0:20:45 | |
a few weeks after the Glasgow gig. | 0:20:45 | 0:20:47 | |
The phone company had him living in London - Shepherd's Bush. | 0:20:47 | 0:20:51 | |
But when we checked it, it turns out it was rented to a Shane Morrison. | 0:20:51 | 0:20:56 | |
-Still is. -Well, that's something. | 0:20:56 | 0:20:57 | |
Let's go see what this Shane/Dave has to say. | 0:20:57 | 0:21:01 | |
I'm just wondering if that's a good idea. | 0:21:01 | 0:21:04 | |
-What do you mean? -Well, thinking about it, | 0:21:04 | 0:21:06 | |
I thought you might want to be a bit more...circumspect? | 0:21:06 | 0:21:08 | |
Circumspect? | 0:21:08 | 0:21:10 | |
Find out a bit more about this Dave/Shane bloke. | 0:21:10 | 0:21:14 | |
-Slowly, slowly - catchee monkey? -Because? | 0:21:14 | 0:21:17 | |
If it is the same guy, what's with the change of name? | 0:21:17 | 0:21:19 | |
Especially if Georgia's doing the same thing. | 0:21:19 | 0:21:21 | |
That makes it a pattern, not a coincidence. | 0:21:21 | 0:21:24 | |
Who is he? Where's he from? | 0:21:24 | 0:21:26 | |
Tell you what, why don't you and Brian do exactly what you just said? | 0:21:26 | 0:21:30 | |
-There's no-one in. -Well, try it again. | 0:21:39 | 0:21:45 | |
PHONE BEEPS | 0:21:45 | 0:21:46 | |
Sorry, excuse me. | 0:21:47 | 0:21:49 | |
You don't happen to know who lives there, do you? | 0:21:49 | 0:21:51 | |
Not really but I don't think he's in. | 0:21:51 | 0:21:54 | |
I passed him getting in a taxi this morning. | 0:21:54 | 0:21:56 | |
Had suitcases with him, looked like he was going on holiday. | 0:21:56 | 0:21:59 | |
-Was he alone? -I'm not sure. | 0:21:59 | 0:22:01 | |
There might have been someone else in the cab but I didn't see. | 0:22:01 | 0:22:03 | |
Do you know anything about him? | 0:22:03 | 0:22:06 | |
Sorry, I'm a few doors down. | 0:22:06 | 0:22:10 | |
He's not been here that long. Bit of a loner, I think. | 0:22:10 | 0:22:12 | |
He was in the music industry, if that's any help? | 0:22:12 | 0:22:15 | |
-Well, he was a roadie. -No idea. | 0:22:15 | 0:22:18 | |
OK, thank you very much. | 0:22:18 | 0:22:19 | |
We can't find a criminal record for either Shane Morrison or Dave Morgan. | 0:22:23 | 0:22:28 | |
In fact, we can't even find a date of birth for anyone with that name, | 0:22:28 | 0:22:32 | |
not that fits the person Rick Roddy talked about. | 0:22:32 | 0:22:34 | |
Not his real names, obviously. | 0:22:34 | 0:22:36 | |
Maybe we could have another go at Roddy, eh? | 0:22:36 | 0:22:38 | |
Well, is there any point? His brains are mush. | 0:22:38 | 0:22:40 | |
Try the local taxi firms. | 0:22:40 | 0:22:41 | |
We should be able to trace the cab that took him. | 0:22:41 | 0:22:43 | |
-Bloody hell! -What? | 0:22:43 | 0:22:45 | |
Well, I typed Shane Morrison into the search engine | 0:22:45 | 0:22:47 | |
and found a web link that came up with this. | 0:22:47 | 0:22:50 | |
"Warning - Shane Morrison. Women beware." | 0:22:50 | 0:22:52 | |
Hi. | 0:22:55 | 0:22:56 | |
My name is Sophie Thomas. | 0:22:56 | 0:22:58 | |
I'm 30 years old and I'm a fool. | 0:22:58 | 0:22:59 | |
I'm a fool because for three years I believed everything | 0:22:59 | 0:23:03 | |
I was told by a nasty, evil, twisted little man called Shane Morrison. | 0:23:03 | 0:23:07 | |
I've decided to post a warning on the web | 0:23:08 | 0:23:10 | |
just in case I'm not the only one. | 0:23:10 | 0:23:12 | |
I first met him, um, five years ago? | 0:23:15 | 0:23:18 | |
It was a party at Imperial. | 0:23:18 | 0:23:21 | |
-Imperial College? -London University, yeah. | 0:23:21 | 0:23:23 | |
He said he worked for the government, he was quite mysterious about it. | 0:23:24 | 0:23:28 | |
I stupidly thought that was part of his charm. | 0:23:29 | 0:23:31 | |
He could be very charming. | 0:23:31 | 0:23:33 | |
We met up two or three times afterwards. | 0:23:34 | 0:23:37 | |
I was hooked. | 0:23:37 | 0:23:39 | |
Then he tried to warn me off. | 0:23:39 | 0:23:42 | |
Said there were things about him I shouldn't know. | 0:23:42 | 0:23:44 | |
He said he'd tried to protect me | 0:23:44 | 0:23:46 | |
but "They" knew about me | 0:23:46 | 0:23:49 | |
so I was in danger as well. | 0:23:49 | 0:23:52 | |
Danger? From who? | 0:23:52 | 0:23:54 | |
Russian mafia. | 0:23:54 | 0:23:55 | |
Because he was a... | 0:23:55 | 0:23:57 | |
an agent for MI6 - undercover. | 0:23:59 | 0:24:02 | |
But that had been blown and now he had a price on his head. | 0:24:03 | 0:24:07 | |
So he was constantly on the move and now I'd have to do the same. | 0:24:08 | 0:24:12 | |
For the best part of... | 0:24:14 | 0:24:15 | |
..three years we moved round the country, | 0:24:16 | 0:24:20 | |
safe houses mostly. | 0:24:20 | 0:24:22 | |
Rented flats, they actually were. | 0:24:23 | 0:24:25 | |
I did a series of dead-end jobs - barmaid, waitressing... | 0:24:28 | 0:24:33 | |
Cleaner? | 0:24:33 | 0:24:34 | |
Yeah, cleaning as well. | 0:24:35 | 0:24:37 | |
Shane would disappear off for days, weeks at a time sometimes. | 0:24:40 | 0:24:45 | |
Working hush-hush, supposedly. | 0:24:48 | 0:24:50 | |
Then he'd show up again... | 0:24:51 | 0:24:54 | |
-Did you tell anyone? Family, friends? -No. | 0:24:56 | 0:24:59 | |
Shane said... | 0:24:59 | 0:25:00 | |
It sounds ridiculous, I know, I mean, the whole thing's ridiculous. | 0:25:01 | 0:25:05 | |
He said I mustn't contact anyone from my old life | 0:25:07 | 0:25:10 | |
as They were watching. | 0:25:10 | 0:25:11 | |
Waiting for such a contact to try and trace us. | 0:25:11 | 0:25:13 | |
Bastard! | 0:25:15 | 0:25:17 | |
So how did it end? | 0:25:17 | 0:25:18 | |
It was purely by chance. | 0:25:20 | 0:25:22 | |
Unless I was working, which was mostly nights or evenings, | 0:25:22 | 0:25:26 | |
I wasn't ever supposed to go out. | 0:25:26 | 0:25:27 | |
One day there was no food in. | 0:25:31 | 0:25:34 | |
There was often no food. | 0:25:34 | 0:25:36 | |
I had to give him all the money I earned. | 0:25:36 | 0:25:38 | |
Anyway... | 0:25:43 | 0:25:44 | |
I found two pound coins under the sofa. | 0:25:46 | 0:25:49 | |
I was starving, so I chanced it and went to the shops. | 0:25:49 | 0:25:52 | |
On the way... | 0:25:54 | 0:25:55 | |
I passed a bookmaker's. | 0:25:55 | 0:25:56 | |
Shane was inside, | 0:25:58 | 0:26:00 | |
watching a horse race, getting really excited. | 0:26:00 | 0:26:03 | |
He clearly had a bet on. | 0:26:03 | 0:26:04 | |
I...went home. | 0:26:07 | 0:26:09 | |
When he came back, I challenged him, | 0:26:14 | 0:26:17 | |
said I'd...seen him. | 0:26:17 | 0:26:21 | |
If everything was so secret, so dangerous, | 0:26:21 | 0:26:23 | |
what was he doing in a bookies, etc? | 0:26:23 | 0:26:25 | |
He... | 0:26:33 | 0:26:34 | |
..beat me up. | 0:26:36 | 0:26:37 | |
Fractured my jaw. | 0:26:39 | 0:26:40 | |
When I confronted him... | 0:26:47 | 0:26:49 | |
he had no answer except for violence. | 0:26:49 | 0:26:52 | |
Why didn't you go to the police? | 0:26:53 | 0:26:55 | |
And say what? | 0:26:55 | 0:26:57 | |
I'd been taken for a ride for three years? | 0:26:57 | 0:26:59 | |
I was... | 0:27:00 | 0:27:03 | |
I was embarrassed. | 0:27:03 | 0:27:05 | |
Ashamed, even. | 0:27:06 | 0:27:08 | |
You have ABSOLUTELY nothing to be ashamed of. | 0:27:08 | 0:27:12 | |
Nothing. | 0:27:12 | 0:27:13 | |
Is there anything else you can tell us that might help? | 0:27:15 | 0:27:19 | |
He's vain. | 0:27:22 | 0:27:24 | |
He's a hypochondriac. | 0:27:25 | 0:27:26 | |
Although there's nothing wrong with him except asthma. | 0:27:26 | 0:27:29 | |
The only talent he has is for lying. | 0:27:29 | 0:27:31 | |
We don't even know what he looks like. | 0:27:32 | 0:27:34 | |
I don't suppose you've got a photo of him? | 0:27:34 | 0:27:36 | |
I only found this by accident. | 0:27:36 | 0:27:39 | |
He was really paranoid about having his picture taken. | 0:27:39 | 0:27:42 | |
-Shit! -What? | 0:27:45 | 0:27:47 | |
We've talked to the neighbours. | 0:27:52 | 0:27:54 | |
-No-one seems to know who lives there. -All right, there you go. | 0:27:54 | 0:27:57 | |
LOUD THUD | 0:28:00 | 0:28:02 | |
Room clear. | 0:28:05 | 0:28:06 | |
-Room clear. -Clear. | 0:28:06 | 0:28:08 | |
Room clear. | 0:28:08 | 0:28:09 | |
HE SNIFFS | 0:28:17 | 0:28:18 | |
Can you smell that? | 0:28:18 | 0:28:20 | |
Yeah, bleach. | 0:28:20 | 0:28:21 | |
They've gone. | 0:28:21 | 0:28:23 | |
Nothing. Clean as a whistle, like no-one was ever here. | 0:28:23 | 0:28:26 | |
-Spooked him. -I told him we were looking for a roadie. -Shit! | 0:28:26 | 0:28:30 | |
-What? -Well, who else knows that? | 0:28:30 | 0:28:32 | |
About that part of his life? Georgia does. | 0:28:32 | 0:28:34 | |
And if she's still with him, he might think it was her that tipped us off. | 0:28:34 | 0:28:37 | |
-And if he's violent like this Sophie says... -You can't assume that. | 0:28:37 | 0:28:40 | |
It's my fault. You said to wait, now he's gone. My fault. | 0:28:40 | 0:28:44 | |
-Guv'nor. -Yeah. | 0:28:48 | 0:28:49 | |
Someone forgot to turn it on. | 0:28:53 | 0:28:55 | |
Everybody makes mistakes. | 0:28:55 | 0:28:57 | |
-You all right? -Yeah. | 0:28:59 | 0:29:00 | |
Hey, has Sandra ever been married? | 0:29:01 | 0:29:05 | |
-Sandra? I don't think so, no. -Don't you know? | 0:29:05 | 0:29:08 | |
-We know she's... -How long have you worked together? | 0:29:08 | 0:29:11 | |
-Nine years. -Nine years! And you don't know that about her(!) | 0:29:11 | 0:29:13 | |
-What have you been doing...? -Two sets of fingerprints. One on record. | 0:29:13 | 0:29:16 | |
A "Barry Flint", who was nicked for burglary 20 years ago in Lincoln. | 0:29:16 | 0:29:20 | |
-Nothing on him since? -Not in that way, no. | 0:29:20 | 0:29:22 | |
But a year later, in November '93, | 0:29:22 | 0:29:24 | |
his wife Maureen fell down the stairs and broke her neck. | 0:29:24 | 0:29:27 | |
It was Barry who found her | 0:29:27 | 0:29:29 | |
and the coroner said it was a "tragic accident". | 0:29:29 | 0:29:31 | |
BOTH GROAN | 0:29:31 | 0:29:32 | |
Hey, guys, lighten up! You've got something! | 0:29:33 | 0:29:37 | |
You've got a name, a proper ID and a set of prints. | 0:29:37 | 0:29:39 | |
I've had nine years of empty space! We're back in the game here! | 0:29:39 | 0:29:42 | |
No tax record or unemployment benefit for Barry Flint since '98. | 0:29:42 | 0:29:48 | |
DVLA hasn't got a car registered to Barry Flint. | 0:29:48 | 0:29:51 | |
-I can't find him registered to vote either. -Nah. | 0:29:51 | 0:29:53 | |
No council tax, nothing... | 0:29:53 | 0:29:55 | |
There's nothing at that address in Shepherd's Bush either. | 0:29:55 | 0:29:58 | |
He's got to have a car. | 0:29:58 | 0:29:59 | |
It'll just be under another bloody name. | 0:29:59 | 0:30:01 | |
I'll get on to the National Statistics Office. | 0:30:01 | 0:30:03 | |
Lincolnshire Police had their suspicions about Flint's wife's death | 0:30:04 | 0:30:09 | |
but without anything concrete, they closed the file. | 0:30:09 | 0:30:12 | |
We know he's violent, so he could have killed her? | 0:30:12 | 0:30:15 | |
Quite. | 0:30:15 | 0:30:18 | |
I understand it was Mr McAndrew | 0:30:18 | 0:30:21 | |
who spotted the dishwasher hadn't started? | 0:30:21 | 0:30:23 | |
Yes. | 0:30:23 | 0:30:25 | |
Is he still being very annoying? | 0:30:25 | 0:30:28 | |
I don't know what he's being, he's just odd. | 0:30:28 | 0:30:30 | |
PHONE BEEPS | 0:30:32 | 0:30:34 | |
Lab results are back. | 0:30:36 | 0:30:37 | |
They found two sets of DNA on those plates | 0:30:41 | 0:30:43 | |
-and things out of the dishwasher. One male, one female. -Georgia's. | 0:30:43 | 0:30:47 | |
No, you can't be certain of that. | 0:30:47 | 0:30:48 | |
I spoke to the National Statistics Office. | 0:30:48 | 0:30:51 | |
There are 42 Barry Flints | 0:30:51 | 0:30:52 | |
registered with various health authorities across the UK. | 0:30:52 | 0:30:56 | |
12 of those are with doctors in London. | 0:30:56 | 0:30:58 | |
But only one of those Barry Flints is asthmatic. | 0:30:58 | 0:31:00 | |
And he's ten minutes away. | 0:31:00 | 0:31:03 | |
No, hang on. After the other day, I don't want to go rushing in again, | 0:31:03 | 0:31:06 | |
so we should put him under surveillance. | 0:31:06 | 0:31:08 | |
We don't have time for that. Mind if I make a suggestion? It's simple. | 0:31:08 | 0:31:12 | |
Hi there, I've got a parcel for Barry Flint. | 0:31:21 | 0:31:24 | |
-Needs a signature. -I think you've got the wrong address. | 0:31:24 | 0:31:26 | |
No, no, no. Number 24A? | 0:31:26 | 0:31:28 | |
-Is Barry in? -There's no Barry here. -Sorry - can I ask who you are? | 0:31:28 | 0:31:31 | |
-It's not Georgia, it's not her. -No! | 0:31:31 | 0:31:33 | |
It's all right. I'm Detective Superintendent Pullman. | 0:31:33 | 0:31:35 | |
We're looking for the man who lives here. | 0:31:35 | 0:31:37 | |
-Is it Shane you know him as, or Barry? -That's Daddy. | 0:31:37 | 0:31:40 | |
-Hush! Quiet! -Is that your Daddy? | 0:31:40 | 0:31:42 | |
No! You leave her alone! | 0:31:42 | 0:31:44 | |
We need to find him. We're worried about another woman he knows. | 0:31:44 | 0:31:46 | |
A woman about your age. You're both in danger. | 0:31:46 | 0:31:49 | |
He said you'd say stuff like this. | 0:31:49 | 0:31:51 | |
He said this is just the thing that you'd say | 0:31:51 | 0:31:53 | |
-to try and get me to talk to you. -Where is your Daddy, darling? | 0:31:53 | 0:31:55 | |
It's a secret. | 0:31:55 | 0:31:57 | |
The Intelligence Services have run the photo. | 0:31:58 | 0:32:01 | |
They've assured me he's nothing to do with them. | 0:32:01 | 0:32:03 | |
They've no David Morgan, Shane Morrison, Barry Flint or anyone else | 0:32:03 | 0:32:07 | |
resembling him ever having worked for them or under surveillance. | 0:32:07 | 0:32:10 | |
-Any joy with the woman you brought in? -No. | 0:32:10 | 0:32:12 | |
Whoever he is, he's really put the shits up her. | 0:32:12 | 0:32:15 | |
She's still our best bet. I'm going in there in a minute. | 0:32:15 | 0:32:17 | |
OK. | 0:32:17 | 0:32:19 | |
Ah. How'd it go? | 0:32:21 | 0:32:23 | |
There's a WPC in with the little girl. | 0:32:23 | 0:32:25 | |
The mother's not mad about it but she's calmed down a bit. | 0:32:25 | 0:32:28 | |
She say anything? | 0:32:28 | 0:32:29 | |
Only that they'd been in that place since Christmas. | 0:32:30 | 0:32:34 | |
Oh, and the little girl is called Stevie, after her father apparently. | 0:32:34 | 0:32:39 | |
-Steven Wright. -Wright! As in Georgia Wright? | 0:32:39 | 0:32:43 | |
He really is a piece of work, isn't he? | 0:32:43 | 0:32:46 | |
Why in God's name did she run off with this bloke? | 0:32:46 | 0:32:48 | |
What did she see in him? | 0:32:48 | 0:32:51 | |
If you're asking me what happened, I'd say... | 0:32:51 | 0:32:54 | |
an immature 17-year-old girl has a row with her boyfriend, | 0:32:54 | 0:32:57 | |
who's also just a kid. | 0:32:57 | 0:32:59 | |
He behaves badly, gives her a slap and off he goes. | 0:32:59 | 0:33:01 | |
Now she's a miserable, vulnerable, 17-year-old. | 0:33:01 | 0:33:03 | |
And in that moment, this guy turns up out of nowhere. | 0:33:03 | 0:33:07 | |
Somebody extraordinary, or so she thinks. | 0:33:07 | 0:33:09 | |
And then... | 0:33:11 | 0:33:13 | |
everything changes. | 0:33:13 | 0:33:14 | |
Steven Wright's real name is Barry Flint. | 0:33:16 | 0:33:19 | |
He was born in Grantham in 1972 and he went to school in Lincoln. | 0:33:20 | 0:33:25 | |
He left home when he was 17, he was married in 1992. | 0:33:25 | 0:33:29 | |
Six months later, he was arrested and convicted of burglary. | 0:33:29 | 0:33:34 | |
Yes, he got off with a suspended sentence. He was lucky. | 0:33:34 | 0:33:38 | |
This is rubbish. | 0:33:38 | 0:33:40 | |
Ten months after that, his wife was discovered | 0:33:40 | 0:33:43 | |
at the foot of the stairs in their house with a broken neck - | 0:33:43 | 0:33:46 | |
-supposedly an accident. -She wasn't so lucky. | 0:33:46 | 0:33:48 | |
A year later, Barry turned up in Southend, | 0:33:48 | 0:33:52 | |
where he worked as a milkman, a waiter | 0:33:52 | 0:33:56 | |
and a roadie for a DJ. | 0:33:56 | 0:33:58 | |
I'm not stupid. | 0:33:58 | 0:34:00 | |
I know what you really want. | 0:34:00 | 0:34:02 | |
This is exactly how he said it would happen. | 0:34:02 | 0:34:04 | |
That you would lie, invent and then threaten me. | 0:34:04 | 0:34:06 | |
Well, it won't work. | 0:34:06 | 0:34:08 | |
We're looking for a girl called Georgia, Georgia Wright. | 0:34:08 | 0:34:11 | |
She's been missing for nine years and up until last week, | 0:34:11 | 0:34:14 | |
we all thought she was dead. | 0:34:14 | 0:34:15 | |
-But she's not, because she's been living with Steven. -No. | 0:34:15 | 0:34:20 | |
No, this won't work. | 0:34:20 | 0:34:21 | |
CAR ALARM SOUNDS | 0:34:32 | 0:34:33 | |
Somebody just told me your car alarm's gone off. | 0:34:39 | 0:34:41 | |
-You sure? -Yeah, go and sort it out if you want. | 0:34:41 | 0:34:44 | |
-I'll sit with her. -All right. -OK. | 0:34:44 | 0:34:48 | |
-What colour's that? -Orange. -Orange, eh? | 0:34:51 | 0:34:54 | |
-I want my mummy and daddy. -You and me both, sweetheart. | 0:34:54 | 0:34:59 | |
Do you know where your daddy is? | 0:34:59 | 0:35:01 | |
Can I call daddy? Ask mummy to call him. | 0:35:01 | 0:35:03 | |
Yeah. | 0:35:03 | 0:35:05 | |
OK, I will. | 0:35:07 | 0:35:08 | |
We've spoken to another woman who's also lived with Steven | 0:35:08 | 0:35:12 | |
up until just two years ago. | 0:35:12 | 0:35:14 | |
-In fact, when he was living with you. -She's called Sophie. | 0:35:14 | 0:35:17 | |
Now, she left him when he assaulted her. | 0:35:17 | 0:35:19 | |
He beat her up because she discovered it was a pack of lies. | 0:35:19 | 0:35:22 | |
All this being a spy, working undercover, price on his head. | 0:35:22 | 0:35:26 | |
Has he hit you, when you've questioned him? | 0:35:26 | 0:35:29 | |
-Has he hit your daughter? -No, I don't want to hear this. | 0:35:29 | 0:35:31 | |
Mind if I just say something? | 0:35:31 | 0:35:32 | |
You don't want to hear it because that little prick's brainwashed you! | 0:35:32 | 0:35:36 | |
-Get him away from me! -Steve! | 0:35:36 | 0:35:38 | |
-I've spent the last nine years looking for Georgia. -This is it! | 0:35:38 | 0:35:40 | |
-This is the threat he told me about! -Get out! -Get him away from me! | 0:35:40 | 0:35:43 | |
GET OUT! | 0:35:43 | 0:35:46 | |
-What are you doing? -CALMLY: I'm sorry about that. | 0:35:46 | 0:35:49 | |
I really thought you wanted to find her? | 0:35:49 | 0:35:51 | |
Well, to do that, I need to find HIM first, don't I? | 0:35:51 | 0:35:54 | |
This is Catherine's mobile. Just borrowed it off her. | 0:35:54 | 0:35:58 | |
What do you mean you "BORROWED" it? | 0:35:58 | 0:36:00 | |
Just now, I lifted it out of her shoulder bag. | 0:36:00 | 0:36:03 | |
Ah, there you go. | 0:36:03 | 0:36:04 | |
Steve. | 0:36:06 | 0:36:07 | |
You're insane. | 0:36:09 | 0:36:11 | |
You must be getting close soon. | 0:36:19 | 0:36:21 | |
-There! There it is! -Brilliant! How far away is that? | 0:36:22 | 0:36:27 | |
100, maybe 120 yards? | 0:36:27 | 0:36:30 | |
-And he's inside a building. -You mean the phone is. | 0:36:33 | 0:36:37 | |
Yeah, but it's switched on. | 0:36:37 | 0:36:38 | |
Spot on. That'll do. | 0:36:40 | 0:36:42 | |
KNOCK ON DOOR | 0:36:42 | 0:36:44 | |
Yeah, this is it. You're parked just in front of it. | 0:36:57 | 0:37:00 | |
Yeah. | 0:37:00 | 0:37:01 | |
Yes, modern detached, probably turned into flats. | 0:37:05 | 0:37:08 | |
-It's got "for rent" signs all over it. -That makes sense. | 0:37:08 | 0:37:11 | |
So what do you want to do? | 0:37:14 | 0:37:15 | |
-Scratch that. -What is it? -He's coming up. | 0:37:17 | 0:37:20 | |
Is she with him? Is Georgia with him? | 0:37:20 | 0:37:22 | |
No, he's on his own. He's having a cigarette. | 0:37:23 | 0:37:26 | |
He's heading right towards you. | 0:37:26 | 0:37:28 | |
Yeah, we can see it on the tracker. | 0:37:31 | 0:37:32 | |
Any time you like, I'm on me way. | 0:37:32 | 0:37:34 | |
Hello, Barry. | 0:37:41 | 0:37:42 | |
I'm sorry. | 0:37:44 | 0:37:46 | |
She's gone. | 0:37:46 | 0:37:47 | |
-Where is she? -I told you, she's gone. | 0:38:13 | 0:38:15 | |
Where? Where has she gone? | 0:38:15 | 0:38:17 | |
I've no idea. I'm sorry. | 0:38:17 | 0:38:19 | |
Barry John Flint, I'm arresting you on suspicion of kidnapping | 0:38:19 | 0:38:22 | |
and the subsequent false imprisonment | 0:38:22 | 0:38:24 | |
of Georgia Joanne Wright, on or about May 6th, 2003. | 0:38:24 | 0:38:28 | |
You do not have to say anything, but it may harm your defence | 0:38:28 | 0:38:30 | |
if you do not mention when questioned | 0:38:30 | 0:38:32 | |
something you later rely on in court. | 0:38:32 | 0:38:34 | |
-Do you believe he doesn't know where Georgia is? -No. | 0:38:38 | 0:38:41 | |
Do you think she's all right? | 0:38:43 | 0:38:45 | |
What's he being so calm about? | 0:38:48 | 0:38:50 | |
That's a very good question. | 0:38:51 | 0:38:53 | |
He's calm because he knows you've got bugger all on him. | 0:38:53 | 0:38:56 | |
Because he knows you've only got 36 hours | 0:38:58 | 0:39:01 | |
and if he doesn't talk and we can't find her, | 0:39:01 | 0:39:04 | |
-he knows you're going to have to let him go. -Yeah. | 0:39:04 | 0:39:06 | |
There was a time you only needed five minutes. | 0:39:08 | 0:39:10 | |
For the benefit of the tape, is it correct that you're happy | 0:39:13 | 0:39:15 | |
-to be interviewed without a solicitor present? -Absolutely. | 0:39:15 | 0:39:19 | |
OK, let me start by asking you when you last saw Georgia Wright? | 0:39:19 | 0:39:24 | |
This morning. | 0:39:24 | 0:39:26 | |
We stayed at the Albemarle Hotel in Shepherd's Bush. | 0:39:26 | 0:39:29 | |
We had breakfast and left about ten o'clock. | 0:39:29 | 0:39:31 | |
Georgia went off on her own around 10.30. | 0:39:31 | 0:39:34 | |
And why was that? | 0:39:34 | 0:39:36 | |
Because she knew you were looking for her | 0:39:36 | 0:39:38 | |
and didn't want to get me into trouble. | 0:39:38 | 0:39:41 | |
I tried to stop her. | 0:39:41 | 0:39:42 | |
Tried to convince her we shouldn't keep hiding | 0:39:42 | 0:39:44 | |
but she was adamant. | 0:39:44 | 0:39:46 | |
-Where did she go? -I have no idea... | 0:39:48 | 0:39:50 | |
-but I wish I did. -Really? | 0:39:50 | 0:39:52 | |
Yeah, I didn't want this to carry on the way it has. | 0:39:52 | 0:39:54 | |
I've spent the last three days trying to persuade her | 0:39:54 | 0:39:57 | |
we should come in and talk to you but she wouldn't have it. | 0:39:57 | 0:40:00 | |
Ah, hello, I'm looking for Georgia Wright. | 0:40:02 | 0:40:05 | |
No? | 0:40:07 | 0:40:09 | |
Well, actually I'm an old mate of Barry Flint's? | 0:40:09 | 0:40:11 | |
I was... No. | 0:40:11 | 0:40:13 | |
-All right then, thanks. -Stop. It's a waste of time. | 0:40:14 | 0:40:17 | |
We've got to try something. | 0:40:17 | 0:40:19 | |
If you do get through and it is her, she's not going to admit it, is she? | 0:40:19 | 0:40:22 | |
He's made sure of that. | 0:40:22 | 0:40:23 | |
One set of keys. | 0:40:25 | 0:40:27 | |
Key to the flat and a car key. | 0:40:28 | 0:40:31 | |
Barry has a car. | 0:40:34 | 0:40:36 | |
Where was it? | 0:40:36 | 0:40:37 | |
No...where is it? | 0:40:37 | 0:40:41 | |
If he's got a car, there's got to be something in it. | 0:40:41 | 0:40:43 | |
Maybe even DNA from Georgia in there. | 0:40:43 | 0:40:46 | |
We could figure out how far he's driven it today, | 0:40:46 | 0:40:48 | |
or there might even be evidence of other women in the car, I don't know. | 0:40:48 | 0:40:51 | |
But it's got to give us something, even if it's just enough | 0:40:51 | 0:40:54 | |
to convince a judge to let you have more time. | 0:40:54 | 0:40:56 | |
Yeah, in the old days it would be five minutes. | 0:40:56 | 0:40:58 | |
You know... | 0:40:58 | 0:41:01 | |
-this is feeling a bit like the old days. -Yeah. | 0:41:01 | 0:41:05 | |
Tell me what happened when Georgia disappeared? | 0:41:05 | 0:41:09 | |
What do you want to know? | 0:41:09 | 0:41:10 | |
Well, whose idea was it for her to fake her own death? | 0:41:10 | 0:41:12 | |
I have to say it wasn't mine and I deeply regret going along with it. | 0:41:12 | 0:41:17 | |
I thought it was a step too far, but Georgia's... | 0:41:17 | 0:41:20 | |
HE SIGHS | 0:41:20 | 0:41:22 | |
I can't see any BMWs. | 0:41:22 | 0:41:25 | |
Barry gets women to do everything for him. | 0:41:25 | 0:41:27 | |
He leeches off them, he doesn't lift a finger, does no work. | 0:41:27 | 0:41:30 | |
-He's lazy. -Meaning? | 0:41:30 | 0:41:31 | |
I'd be amazed if he ever walks more than 400 yards. | 0:41:31 | 0:41:35 | |
Ah, shit. | 0:41:40 | 0:41:42 | |
So you're saying it was Georgia's idea to cut herself | 0:41:53 | 0:41:56 | |
and to put blood on her clothes? | 0:41:56 | 0:41:58 | |
I didn't stop her. | 0:41:58 | 0:42:00 | |
I should have done but the fact is... | 0:42:01 | 0:42:03 | |
she's very persuasive. | 0:42:05 | 0:42:06 | |
Very special. | 0:42:07 | 0:42:08 | |
Very... | 0:42:10 | 0:42:12 | |
special. | 0:42:12 | 0:42:13 | |
GERRY GROANS | 0:42:15 | 0:42:16 | |
We could be here all bleeding day. | 0:42:17 | 0:42:20 | |
Then we'll be here all day. | 0:42:20 | 0:42:22 | |
It might not even be here. | 0:42:22 | 0:42:23 | |
Do you think he killed his wife? | 0:42:25 | 0:42:28 | |
I'm trying not to think about it. | 0:42:28 | 0:42:30 | |
So you're saying that you've done nothing to prevent her leaving you? | 0:42:33 | 0:42:37 | |
Absolutely. | 0:42:37 | 0:42:39 | |
Georgia is free to come and go wherever and whenever she chooses. | 0:42:39 | 0:42:42 | |
Always has been. | 0:42:42 | 0:42:43 | |
At least in all the time I've known her. | 0:42:43 | 0:42:46 | |
Up until two days ago, | 0:42:46 | 0:42:48 | |
-you and Georgia shared a flat in Stokeley Gardens. -Yes. | 0:42:48 | 0:42:50 | |
So why did you make strenuous efforts | 0:42:50 | 0:42:52 | |
to remove all evidence that you'd been there? | 0:42:52 | 0:42:55 | |
That wasn't my idea, that was Georgia's. | 0:42:55 | 0:42:58 | |
I admit, in the end I did help her. | 0:42:58 | 0:43:00 | |
I shouldn't have done, it was a mistake. I'm sorry. | 0:43:00 | 0:43:04 | |
So you're honestly telling me that Georgia doesn't want to be found? | 0:43:04 | 0:43:07 | |
Yes. | 0:43:07 | 0:43:08 | |
Isn't that simply because she's terrified | 0:43:08 | 0:43:11 | |
as a result of all the lies you've told her? | 0:43:11 | 0:43:14 | |
She's afraid that people are out to get you. | 0:43:14 | 0:43:16 | |
To kill you both. | 0:43:16 | 0:43:18 | |
In the beginning I wasn't honest with Georgia, no. | 0:43:18 | 0:43:20 | |
I didn't tell her the truth about myself. | 0:43:20 | 0:43:22 | |
But all that changed. | 0:43:22 | 0:43:23 | |
Within a couple of months I-I stopped lying to her | 0:43:23 | 0:43:26 | |
-and told her everything. -Really? | 0:43:26 | 0:43:29 | |
-Why was that, then? -Because I fell in love with her. | 0:43:29 | 0:43:32 | |
I didn't mean to. | 0:43:34 | 0:43:35 | |
Selfishly, I didn't even want to. | 0:43:36 | 0:43:40 | |
It just happened. | 0:43:40 | 0:43:42 | |
I love her. | 0:43:42 | 0:43:43 | |
CAR BEEPS | 0:43:51 | 0:43:52 | |
Steve! | 0:43:52 | 0:43:54 | |
Press it again. | 0:43:54 | 0:43:55 | |
CAR BEEPS | 0:43:56 | 0:43:57 | |
Ho-ho. Nice. | 0:44:07 | 0:44:09 | |
30, 35 grand's worth. | 0:44:09 | 0:44:11 | |
He really is a piece of work, this one, isn't he? | 0:44:11 | 0:44:13 | |
-He certainly is. -Let's see what we can find. | 0:44:15 | 0:44:17 | |
OK. | 0:44:19 | 0:44:20 | |
Nothing here. | 0:44:24 | 0:44:26 | |
What's this? | 0:44:26 | 0:44:28 | |
-Oh, bullseye! -That's fantastic! | 0:44:30 | 0:44:32 | |
-Gerry. -What? | 0:44:36 | 0:44:37 | |
Please don't hurt me. | 0:44:41 | 0:44:42 | |
Georgia. | 0:44:43 | 0:44:45 | |
My name's Steve McAndrew. | 0:44:45 | 0:44:47 | |
I've been looking for you for nine years. | 0:44:49 | 0:44:51 | |
It's all right, Georgia. It's all right. | 0:45:03 | 0:45:06 | |
Listen, don't worry, OK. This is... This is Gerry, | 0:45:06 | 0:45:10 | |
he's from a Metropolitan police squad called UCOS. | 0:45:10 | 0:45:14 | |
They arrested David at two o'clock this afternoon. | 0:45:14 | 0:45:18 | |
The reason I've got his keys is that we were waiting for him | 0:45:18 | 0:45:21 | |
when he went to check out the new flat he was taking you to. | 0:45:21 | 0:45:24 | |
You're trying to trick me. | 0:45:25 | 0:45:28 | |
The flat he rented after you had to leave the one in Stokely Gardens. | 0:45:28 | 0:45:31 | |
The one you scrubbed down with bleach. | 0:45:32 | 0:45:34 | |
The one you left in such a hurry you forgot to turn on the dishwasher. | 0:45:34 | 0:45:38 | |
How else would I know about you and him? | 0:45:39 | 0:45:42 | |
He locked you in here, didn't he? | 0:45:42 | 0:45:44 | |
He locked you in and told you not to move until he came back. | 0:45:44 | 0:45:47 | |
You're going to kill him, aren't you? | 0:45:50 | 0:45:52 | |
No, Georgia, I'm not. | 0:45:52 | 0:45:54 | |
Listen to me, where am I from? | 0:45:55 | 0:45:58 | |
I've come to take you home, darling. | 0:45:59 | 0:46:01 | |
We spoke to Catherine earlier today. | 0:46:06 | 0:46:08 | |
I'm sorry? | 0:46:10 | 0:46:11 | |
Catherine - the mother of your little girl. | 0:46:11 | 0:46:14 | |
She thinks you're called Steven Wright. | 0:46:14 | 0:46:16 | |
So does your daughter. | 0:46:16 | 0:46:18 | |
So you lied to them, just like you lied to Georgia. | 0:46:18 | 0:46:20 | |
Here. | 0:46:31 | 0:46:33 | |
What are you doing? | 0:46:33 | 0:46:34 | |
-I'm giving you the keys. You can go. -What are you playing at? | 0:46:34 | 0:46:37 | |
I'm letting her go. | 0:46:37 | 0:46:39 | |
She's over 18, she can do what she wants. | 0:46:39 | 0:46:41 | |
Go on drive off, go on. | 0:46:41 | 0:46:42 | |
I can't drive. | 0:46:44 | 0:46:46 | |
He really did a number on you, didn't he? | 0:46:46 | 0:46:47 | |
-You just want to see him, don't you? -Aye. | 0:46:49 | 0:46:51 | |
Yeah. | 0:46:52 | 0:46:54 | |
OK. | 0:46:54 | 0:46:56 | |
I'll take you to him. | 0:46:56 | 0:46:58 | |
-I'll phone the Guv'nor. -Yeah, sure. | 0:47:02 | 0:47:04 | |
But don't let her tell Barry Flint that we've got Georgia. | 0:47:04 | 0:47:07 | |
He mustn't know. Trust me. | 0:47:07 | 0:47:10 | |
Trust you? I've only known you five minutes. | 0:47:11 | 0:47:13 | |
You lied to all these women to get them into bed, | 0:47:16 | 0:47:19 | |
get them to live with you, give all their money to you. | 0:47:19 | 0:47:23 | |
Are you telling me you've never lied to a woman to get what you want? | 0:47:23 | 0:47:26 | |
Yes, I constructed a fantasy. | 0:47:27 | 0:47:31 | |
Which they believed in totally | 0:47:31 | 0:47:34 | |
because they wanted to. | 0:47:34 | 0:47:35 | |
Because it was exciting... | 0:47:37 | 0:47:39 | |
thrilling... | 0:47:40 | 0:47:41 | |
romantic. | 0:47:41 | 0:47:42 | |
And it made them feel alive. | 0:47:44 | 0:47:45 | |
I told you, Georgia was different. | 0:47:47 | 0:47:49 | |
Is different. | 0:47:50 | 0:47:52 | |
I love her. | 0:47:52 | 0:47:54 | |
I even offered to marry her. | 0:47:54 | 0:47:55 | |
She said, "No." | 0:47:56 | 0:47:58 | |
Interview suspended at 5.07PM. | 0:48:03 | 0:48:05 | |
DOOR SLAMS | 0:48:14 | 0:48:16 | |
Well, he's right. | 0:48:18 | 0:48:19 | |
We can't do him for just lying, | 0:48:19 | 0:48:21 | |
not least because half the time I'm like all these other women. | 0:48:21 | 0:48:24 | |
I don't know when he's telling the truth and when he isn't. | 0:48:24 | 0:48:26 | |
If he's never physically prevented anyone from leaving, then... | 0:48:26 | 0:48:29 | |
We'd have a problem. The CPS definitely would. | 0:48:29 | 0:48:32 | |
Gerry. They've found her. | 0:48:32 | 0:48:34 | |
Got ya! | 0:48:34 | 0:48:36 | |
Come on, Georgia, it's all right. Come on. | 0:48:36 | 0:48:38 | |
-Is David here? -Of course he is, I swear. | 0:48:39 | 0:48:41 | |
I swear on my son's life, come on. | 0:48:41 | 0:48:43 | |
He's just through here, go on. | 0:48:45 | 0:48:47 | |
Just wait there a second, sweetheart. | 0:49:00 | 0:49:02 | |
Where's Mum? | 0:49:43 | 0:49:45 | |
Sweetheart... | 0:49:52 | 0:49:53 | |
Interview with Barry Flint recommenced at 5.55PM. | 0:50:19 | 0:50:22 | |
Detective Superintendent Sandra Pullman and Brian Lane | 0:50:24 | 0:50:27 | |
having re-entered the room. | 0:50:27 | 0:50:29 | |
May I remind you, Mr Flint, that you are still under caution. | 0:50:29 | 0:50:32 | |
I understand. | 0:50:32 | 0:50:34 | |
You say Georgia's special to you. | 0:50:34 | 0:50:37 | |
Very, she's the love of my life. | 0:50:37 | 0:50:41 | |
And there have been a few. | 0:50:41 | 0:50:43 | |
No, I like women. Love them. But none like Georgia. | 0:50:43 | 0:50:47 | |
OK. | 0:50:47 | 0:50:49 | |
Let's talk about some of the other women that you've deceived | 0:50:49 | 0:50:52 | |
during the past nine years or so. | 0:50:52 | 0:50:54 | |
Sophie Thomas, Catherine Hendry, | 0:50:54 | 0:50:57 | |
several more, probably. | 0:50:57 | 0:50:59 | |
Am I correct in thinking that you met them all the same way, | 0:50:59 | 0:51:02 | |
-at university dances? -Yes. | 0:51:02 | 0:51:04 | |
And you told all of them the same story - | 0:51:05 | 0:51:08 | |
that you were a British secret agent in fear for his life? | 0:51:08 | 0:51:11 | |
-Yes. -Which is a lie. | 0:51:11 | 0:51:12 | |
And which I regret. | 0:51:12 | 0:51:14 | |
So what happened when they found out that you'd lied? | 0:51:15 | 0:51:18 | |
What did they do? | 0:51:18 | 0:51:20 | |
-They walked out. -What else? | 0:51:20 | 0:51:22 | |
-What do you mean? -Well, that's not all, is it? | 0:51:22 | 0:51:24 | |
There weren't just words, were there? | 0:51:24 | 0:51:26 | |
Certainly not as far as Sophie's concerned. | 0:51:26 | 0:51:28 | |
No. | 0:51:28 | 0:51:31 | |
-She was very angry. -SHE was angry! | 0:51:31 | 0:51:33 | |
Barry, you put her in hospital. | 0:51:33 | 0:51:35 | |
You broke her jaw. | 0:51:35 | 0:51:37 | |
You punched her so hard it had to be wired back together. | 0:51:37 | 0:51:39 | |
But then you just don't need a woman to leave you to be violent, do you? | 0:51:39 | 0:51:44 | |
I mean, when was the last time you hit Catherine? | 0:51:44 | 0:51:46 | |
Barry? | 0:51:49 | 0:51:50 | |
Care to answer the question? | 0:51:50 | 0:51:52 | |
I'm trying to help you. | 0:51:54 | 0:51:57 | |
I've told you everything you've asked. | 0:51:57 | 0:51:59 | |
Now you're just saying things for the sake of it. | 0:51:59 | 0:52:01 | |
I don't know why, but I think you're being unfair. | 0:52:01 | 0:52:04 | |
We've found her. | 0:52:06 | 0:52:07 | |
I'm sorry? | 0:52:09 | 0:52:11 | |
We found her. | 0:52:11 | 0:52:12 | |
Oh, very good. | 0:52:14 | 0:52:16 | |
What is? | 0:52:16 | 0:52:18 | |
Nice try. | 0:52:18 | 0:52:19 | |
36 hours, is that what you're banking on? | 0:52:21 | 0:52:25 | |
String it out for a day and a half and then you can just walk out | 0:52:25 | 0:52:28 | |
-and go back to where you left her? -I'm sorry, I'm not with you. | 0:52:28 | 0:52:31 | |
No... | 0:52:31 | 0:52:33 | |
SHE is. | 0:52:33 | 0:52:34 | |
Now you don't know whether I just made that up, do you? | 0:52:36 | 0:52:39 | |
You just don't know. | 0:52:39 | 0:52:43 | |
So tell me... | 0:52:43 | 0:52:45 | |
..Barry, Dave, Steve, Shane, how does it feel? | 0:52:45 | 0:52:49 | |
I mean, for all you know she could be the other side of that glass, | 0:52:49 | 0:52:51 | |
watching, listening to every word you've said. | 0:52:51 | 0:52:56 | |
You can't bear it, can you? | 0:52:58 | 0:52:59 | |
You just can't bear it. | 0:53:00 | 0:53:02 | |
-Bear what? -A man like me. | 0:53:02 | 0:53:05 | |
Being in control. | 0:53:05 | 0:53:07 | |
Having power. | 0:53:07 | 0:53:08 | |
Deep down, you and I know that's what you want, isn't it? | 0:53:09 | 0:53:13 | |
All of you. You... | 0:53:14 | 0:53:16 | |
Catherine, Sophie, Georgia. | 0:53:16 | 0:53:18 | |
You want it. | 0:53:18 | 0:53:20 | |
You need it. | 0:53:20 | 0:53:22 | |
You're desperate for it. | 0:53:22 | 0:53:24 | |
And what about Stevie... | 0:53:27 | 0:53:30 | |
your daughter. | 0:53:30 | 0:53:31 | |
When you hit her, your five-year-old child, | 0:53:32 | 0:53:35 | |
does she want it? Is she desperate for it? | 0:53:35 | 0:53:38 | |
You know what really gets me, Barry? | 0:53:44 | 0:53:46 | |
Is that you could leave Georgia alone in that car | 0:53:46 | 0:53:49 | |
and you know that 36 hours later she'll still be there, | 0:53:49 | 0:53:52 | |
too afraid to move. What a man. | 0:53:52 | 0:53:55 | |
-GEORGIA: -I asked if I could get a secret message to my parents. | 0:53:58 | 0:54:02 | |
just to let them know I was alive. | 0:54:02 | 0:54:04 | |
He said, "No." | 0:54:06 | 0:54:07 | |
He said it was | 0:54:10 | 0:54:11 | |
safer for everyone if they actually believed that I was dead. | 0:54:11 | 0:54:15 | |
I'm so sorry. | 0:54:17 | 0:54:19 | |
Ssh! Ssh, sweetheart, It's OK. It's all right. | 0:54:19 | 0:54:21 | |
We did know. | 0:54:23 | 0:54:25 | |
Somehow... | 0:54:25 | 0:54:26 | |
somewhere... | 0:54:26 | 0:54:27 | |
we always knew. | 0:54:28 | 0:54:30 | |
All the money I got, I gave to him. | 0:54:35 | 0:54:38 | |
Everything. | 0:54:40 | 0:54:41 | |
Sometimes, when I couldn't get work, I was so scared I'd steal. | 0:54:42 | 0:54:46 | |
Little things. Bits of money even. | 0:54:48 | 0:54:51 | |
Am I in trouble for that? | 0:54:52 | 0:54:54 | |
No, no, you're not in trouble. | 0:54:54 | 0:54:56 | |
I'm so sorry. | 0:54:59 | 0:55:00 | |
You have absolutely nothing to be sorry about. | 0:55:00 | 0:55:02 | |
What will you do to him? | 0:55:07 | 0:55:08 | |
Don't you worry about that. | 0:55:09 | 0:55:11 | |
Why don't you go and get something to eat. | 0:55:11 | 0:55:14 | |
I've organised food for you in the canteen. | 0:55:14 | 0:55:15 | |
Oh, cheers. | 0:55:15 | 0:55:17 | |
Come on, love. | 0:55:17 | 0:55:18 | |
I'll see you later. | 0:55:22 | 0:55:23 | |
-Well done. -Thanks. -See you later. | 0:55:23 | 0:55:26 | |
She's right, though. | 0:55:32 | 0:55:34 | |
What will we do to him? | 0:55:34 | 0:55:35 | |
Come on, we can't just let him just walk. This guy's a monster! | 0:55:35 | 0:55:38 | |
There has to be something. | 0:55:38 | 0:55:40 | |
The money. | 0:55:46 | 0:55:47 | |
So sorry to have kept you waiting, just needed to check something. | 0:55:59 | 0:56:02 | |
And as a result of new information that's come to light, | 0:56:02 | 0:56:06 | |
Barry John Flint, I am arresting you | 0:56:06 | 0:56:08 | |
-on suspicion of living off immoral earnings. -What? | 0:56:08 | 0:56:10 | |
You do not have to say anything, but it may harm your defence... | 0:56:10 | 0:56:13 | |
You can't charge me with that. | 0:56:13 | 0:56:15 | |
Where'd you get this load of shit from? | 0:56:15 | 0:56:17 | |
Are you listening to me? HE GASPS | 0:56:17 | 0:56:18 | |
Oh, dear, that looks bad. What is it, asthma? | 0:56:18 | 0:56:20 | |
It's often brought on by stress, you know? | 0:56:20 | 0:56:23 | |
Horrible illness. | 0:56:23 | 0:56:25 | |
You need looking after, son. | 0:56:25 | 0:56:27 | |
What'll happen now? | 0:56:31 | 0:56:32 | |
Well, we wait while our people get their evidence together. | 0:56:32 | 0:56:36 | |
Then we wait a bit more for the legal team to do their thing. | 0:56:36 | 0:56:39 | |
And then wait a bit more for a trial date to be set. | 0:56:39 | 0:56:42 | |
Will he go down, do you think? | 0:56:42 | 0:56:44 | |
Kidnapping and false imprisonment? Arguable. | 0:56:44 | 0:56:46 | |
But the money thing shook him. He didn't see that coming. | 0:56:46 | 0:56:49 | |
And will Georgia have to... | 0:56:49 | 0:56:50 | |
-give evidence? -I will, I want to. | 0:56:50 | 0:56:54 | |
-Will you be there? -I should bloody well hope so. | 0:56:55 | 0:56:57 | |
-Thank you. -OK. -Cheers, pal, keep the faith. | 0:57:00 | 0:57:04 | |
-Bye-Bye. -Thanks. -Bye, Ken. | 0:57:06 | 0:57:08 | |
You all right, darling? | 0:57:09 | 0:57:11 | |
I'll be back in a minute. | 0:57:11 | 0:57:13 | |
Ken. | 0:57:15 | 0:57:16 | |
It's going to take a while for her to come to terms with all this. | 0:57:16 | 0:57:20 | |
She's going to need some help. | 0:57:20 | 0:57:21 | |
-Morning, Guv. -All right. | 0:57:21 | 0:57:23 | |
-OK. -All right. | 0:57:25 | 0:57:27 | |
I'll give you a call when I get back, OK? | 0:57:27 | 0:57:29 | |
Steve, it's been a joy and a delight. | 0:57:38 | 0:57:40 | |
-Oh, come here. -People will talk. | 0:57:40 | 0:57:42 | |
They will if I stay down here much longer! | 0:57:42 | 0:57:44 | |
I'll end up bloody miserable like you lot. | 0:57:44 | 0:57:46 | |
Nah, it's been brilliant actually. | 0:57:46 | 0:57:48 | |
Thanks for your help, Steve. | 0:57:48 | 0:57:50 | |
-Nah. Piece of pi... pleasure. -Keep tumbling. | 0:57:50 | 0:57:53 | |
Sip it. All the best, Brian. | 0:57:53 | 0:57:56 | |
And you. | 0:57:56 | 0:57:57 | |
-See you around. -Ta-ra. | 0:57:57 | 0:58:00 | |
-Steve. -Yeah. | 0:58:01 | 0:58:03 | |
How long is it exactly since you retired? | 0:58:04 | 0:58:06 | |
Five years. Why? | 0:58:06 | 0:58:07 | |
# It's all right, it's OK | 0:58:12 | 0:58:15 | |
# Doesn't really matter if you're old and grey | 0:58:15 | 0:58:18 | |
# It's all right, I say, it's OK | 0:58:18 | 0:58:20 | |
# Listen to what I say | 0:58:20 | 0:58:22 | |
# It's all right, doing fine | 0:58:24 | 0:58:26 | |
# Doesn't really matter if the sun don't shine | 0:58:26 | 0:58:28 | |
# It's all right, I say, it's OK | 0:58:28 | 0:58:32 | |
# We're getting to the end of the day. # | 0:58:32 | 0:58:33 | |
Subtitles by Red Bee Media Ltd | 0:58:36 | 0:58:38 |