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This programme contains some violent scenes from the start | 0:00:02 | 0:00:05 | |
-I must find the right time. -6pm tomorrow. Finish it. | 0:00:05 | 0:00:07 | |
SOC was funding al-Qaeda. We can show people the truth. | 0:00:07 | 0:00:10 | |
But the man who framed me is now a US senator. | 0:00:10 | 0:00:13 | |
-Senator! -I'm looking for an American woman. | 0:00:13 | 0:00:15 | |
You brought him to me because you were trying to help them. | 0:00:15 | 0:00:18 | |
You will give me the phone number | 0:00:18 | 0:00:19 | |
-for your Osela contact. -GUNSHOT | 0:00:19 | 0:00:21 | |
You bitch! Now we're both dead. | 0:00:21 | 0:00:23 | |
WHISPERING | 0:00:29 | 0:00:30 | |
You think of escape, but there is none. | 0:00:49 | 0:00:52 | |
Who are you? | 0:00:52 | 0:00:54 | |
I am of my people. | 0:00:54 | 0:00:56 | |
A protector. | 0:00:56 | 0:00:59 | |
You have killed many. | 0:00:59 | 0:01:00 | |
I know that you're angry. I'm an American soldier. | 0:01:08 | 0:01:11 | |
But I didn't come to your country to kill. | 0:01:11 | 0:01:13 | |
You bring death, Odelle Ballard. | 0:01:13 | 0:01:15 | |
-No. -You will suffer. | 0:01:15 | 0:01:18 | |
Why are you doing this to me? | 0:01:18 | 0:01:21 | |
Is this Luc? | 0:01:24 | 0:01:26 | |
You can't trust him. | 0:01:26 | 0:01:27 | |
I did what I had to do to survive. | 0:01:27 | 0:01:30 | |
You know what you have done. | 0:01:30 | 0:01:32 | |
No, please. That's important. | 0:01:32 | 0:01:35 | |
Please don't take that. | 0:01:35 | 0:01:36 | |
No, please, don't... | 0:01:39 | 0:01:40 | |
I didn't mean any harm. | 0:01:51 | 0:01:53 | |
You have eyes, but you do not see. | 0:01:53 | 0:01:56 | |
-See what? -Death. | 0:01:57 | 0:01:58 | |
It is the only way. | 0:01:58 | 0:02:01 | |
No. | 0:02:01 | 0:02:02 | |
SHE SCREAMS | 0:02:02 | 0:02:03 | |
Agh! | 0:02:05 | 0:02:06 | |
What did you do? Sell her? | 0:02:08 | 0:02:10 | |
How much did they pay you? | 0:02:10 | 0:02:12 | |
You're a coward. | 0:02:13 | 0:02:15 | |
What are you doing? | 0:02:16 | 0:02:17 | |
Calling Odelle. | 0:02:17 | 0:02:19 | |
She doesn't have a phone. | 0:02:19 | 0:02:20 | |
In America. | 0:02:20 | 0:02:21 | |
I'm calling her in America. | 0:02:24 | 0:02:26 | |
Why are you doing this? The Oselas will come. | 0:02:26 | 0:02:28 | |
That's right, genius. Then the Oselas will come. | 0:02:28 | 0:02:31 | |
But why are you doing that? | 0:02:31 | 0:02:34 | |
It's called an out. An exit. | 0:02:34 | 0:02:36 | |
A way through this mess you and your girlfriend have got me in. | 0:02:36 | 0:02:39 | |
They will come, they will see I've done their dirty work for them, | 0:02:39 | 0:02:41 | |
they will thank me, and then they will leave me the hell alone. | 0:02:41 | 0:02:44 | |
How could you do this to her? | 0:02:44 | 0:02:45 | |
Oh, yeah, why would I betray Odelle Ballard | 0:02:45 | 0:02:47 | |
after all she has done for me? | 0:02:47 | 0:02:48 | |
Yes. Why? Explain it to me. | 0:02:48 | 0:02:50 | |
Trust me, the way she was going, | 0:02:50 | 0:02:52 | |
she would have had us all killed. | 0:02:52 | 0:02:53 | |
You don't know that. | 0:02:53 | 0:02:55 | |
Death is the only way. | 0:02:55 | 0:02:57 | |
I'll be back. | 0:02:58 | 0:03:00 | |
The suspect, identified as wanted terrorist | 0:03:00 | 0:03:03 | |
Yusuf Ibrahim Qasim, | 0:03:03 | 0:03:04 | |
will be arraigned later today | 0:03:04 | 0:03:06 | |
for the murder of Senator Thomas Darnell. | 0:03:06 | 0:03:08 | |
At this time, we believe the suspect acted alone, | 0:03:08 | 0:03:11 | |
but we have stepped up security protocols | 0:03:11 | 0:03:12 | |
throughout the New York metropolitan area. | 0:03:12 | 0:03:14 | |
Excuse me, how did a known terrorist | 0:03:14 | 0:03:16 | |
get into this country and live here | 0:03:16 | 0:03:18 | |
for several years without detection? | 0:03:18 | 0:03:19 | |
What evidence do you have that Yusuf Qasim | 0:03:19 | 0:03:21 | |
is a terrorist at all? | 0:03:21 | 0:03:22 | |
And isn't it true that Mr Qasim | 0:03:22 | 0:03:24 | |
was branded a terrorist to silence him? | 0:03:24 | 0:03:25 | |
What about the Joint Terrorism Task Force? | 0:03:25 | 0:03:27 | |
Nobody had the Jack of Spades under surveillance? | 0:03:27 | 0:03:28 | |
Senator Darnell was CEO of GBR Industries. | 0:03:28 | 0:03:31 | |
That's all the questions we have time for. Thank you. | 0:03:31 | 0:03:32 | |
Yusuf Qasim discovered GBR was engaged | 0:03:32 | 0:03:35 | |
in criminal activity in Pakistan. | 0:03:35 | 0:03:37 | |
Isn't that why Darnell branded him a terrorist? | 0:03:37 | 0:03:40 | |
To silence him. | 0:03:40 | 0:03:41 | |
I saw you. | 0:03:46 | 0:03:48 | |
The drone protest on Coney Island. | 0:03:48 | 0:03:50 | |
So? | 0:03:51 | 0:03:52 | |
You were meeting Yusuf. | 0:03:52 | 0:03:54 | |
I'm Peter Decker. You're Harrison Walters? | 0:03:55 | 0:03:56 | |
Randall Walters was your father? | 0:03:56 | 0:03:58 | |
Is that why Yusuf Qasim trusted you? | 0:03:58 | 0:03:59 | |
I don't know what you're talking about. | 0:03:59 | 0:04:01 | |
I'm Yusuf's lawyer. | 0:04:01 | 0:04:04 | |
At least I used to be. | 0:04:04 | 0:04:05 | |
We need to talk. | 0:04:09 | 0:04:11 | |
Give me five minutes. | 0:04:11 | 0:04:13 | |
Why are you doing this? | 0:04:22 | 0:04:23 | |
Can you feel the suffering? | 0:04:23 | 0:04:25 | |
This is what you have caused to so many. | 0:04:25 | 0:04:28 | |
You know this. | 0:04:28 | 0:04:29 | |
Please! | 0:04:41 | 0:04:42 | |
I don't... I don't understand. | 0:04:42 | 0:04:44 | |
You must see the pain you have caused. | 0:04:51 | 0:04:55 | |
I see. I see. | 0:04:55 | 0:04:57 | |
You are close. SHE COUGHS | 0:04:57 | 0:05:00 | |
But how can you understand death when your blood runs red? | 0:05:00 | 0:05:03 | |
-Huh? -Life is in you. | 0:05:03 | 0:05:05 | |
You cannot see unless you die. | 0:05:05 | 0:05:07 | |
Ah! Please! Please, no! | 0:05:07 | 0:05:09 | |
You're right. He's not a terrorist. | 0:05:14 | 0:05:17 | |
So, er, defence lawyer? | 0:05:18 | 0:05:21 | |
Actually, no. I was a US attorney. | 0:05:21 | 0:05:23 | |
Why... Er, how did you meet Yusuf? | 0:05:23 | 0:05:27 | |
Mutual friend. | 0:05:27 | 0:05:29 | |
I was trying to get him out of the country. | 0:05:29 | 0:05:31 | |
You said your father was killed because of what he knew. | 0:05:31 | 0:05:35 | |
What did you mean? | 0:05:35 | 0:05:37 | |
My father met Yusuf five years ago | 0:05:37 | 0:05:39 | |
when he was writing a story on GBR Industries in Pakistan. | 0:05:39 | 0:05:43 | |
They became friends. He was... | 0:05:43 | 0:05:45 | |
He was my father's source. | 0:05:45 | 0:05:47 | |
How can I find that article? | 0:05:47 | 0:05:49 | |
-You can't. It was never published. -Why not? | 0:05:49 | 0:05:52 | |
Threats. | 0:05:52 | 0:05:54 | |
Intimidation. | 0:05:54 | 0:05:56 | |
When I told my father about Odelle Ballard's unit | 0:05:56 | 0:05:58 | |
being killed in Mali, | 0:05:58 | 0:06:00 | |
he started asking questions again. | 0:06:00 | 0:06:03 | |
That's what got him killed. | 0:06:04 | 0:06:06 | |
I'm sorry for your loss. | 0:06:07 | 0:06:09 | |
But if your father was killed because of what he knew, | 0:06:10 | 0:06:13 | |
he must have had proof, evidence. | 0:06:13 | 0:06:16 | |
Did he have anything on a company called Societel Mining? | 0:06:16 | 0:06:19 | |
How does a former US attorney become Yusuf's lawyer? | 0:06:19 | 0:06:24 | |
Who was the mutual friend that introduced you? | 0:06:24 | 0:06:26 | |
I can't really say. But if your father has anything... | 0:06:26 | 0:06:29 | |
Documentation, notes, | 0:06:29 | 0:06:31 | |
anything that can incriminate Societel... | 0:06:31 | 0:06:33 | |
Who did you say you work for? | 0:06:33 | 0:06:36 | |
Currently I work for Simons-Wachtel. | 0:06:36 | 0:06:38 | |
Wealth Management. I'm in corporate intelligence. | 0:06:38 | 0:06:40 | |
You work for them. | 0:06:40 | 0:06:42 | |
I work for investors. Root out criminal behaviour. | 0:06:42 | 0:06:44 | |
Liability. | 0:06:44 | 0:06:45 | |
Or cover it up, right? | 0:06:45 | 0:06:47 | |
Why am I even talking to you? | 0:06:47 | 0:06:49 | |
You know what? No wonder Yusuf is sitting in jail. | 0:06:49 | 0:06:51 | |
Yusuf is in jail because he didn't trust me. | 0:06:51 | 0:06:53 | |
I wonder why. | 0:06:53 | 0:06:54 | |
Wait. | 0:06:56 | 0:06:57 | |
-Stay the hell away from me. -You've got it wrong. | 0:06:57 | 0:06:59 | |
I'm not the enemy. We're on the same side. | 0:06:59 | 0:07:02 | |
PHONE RINGS | 0:07:04 | 0:07:05 | |
-Hey. -'Sorry I'm running late. | 0:07:10 | 0:07:12 | |
'Where are you?' | 0:07:12 | 0:07:13 | |
Er, Federal Building. | 0:07:13 | 0:07:14 | |
Heading towards the subway on Chambers. | 0:07:14 | 0:07:16 | |
'Wait there. I'll pick you up.' | 0:07:16 | 0:07:18 | |
Pick me up? | 0:07:18 | 0:07:20 | |
CAR HORN BEEPS | 0:08:11 | 0:08:12 | |
Harrison. | 0:08:14 | 0:08:15 | |
-Where'd you get this? -It's a rental. I felt like driving. | 0:08:18 | 0:08:21 | |
Hop in. Come on. Let's have some fun. | 0:08:21 | 0:08:24 | |
How was the press conference? | 0:08:28 | 0:08:29 | |
A joke. I met Peter Decker. | 0:08:29 | 0:08:32 | |
-Who's that? -Lawyer representing Yusuf. | 0:08:32 | 0:08:34 | |
But he really works for Simons-Wachtel. | 0:08:34 | 0:08:36 | |
They've got this thing locked down from the inside out. | 0:08:36 | 0:08:39 | |
-So where are we going? -I'm kidnapping you. | 0:08:39 | 0:08:42 | |
Where'd you learn to drive? | 0:08:49 | 0:08:51 | |
I like fast cars. | 0:08:51 | 0:08:52 | |
You're way too stressed. | 0:08:53 | 0:08:55 | |
HORN BLARES | 0:08:58 | 0:09:00 | |
I'm taking you out of the city. | 0:09:01 | 0:09:03 | |
I found a place on the beach. | 0:09:03 | 0:09:05 | |
It's too cold for the beach. | 0:09:05 | 0:09:07 | |
I'll keep you warm. | 0:09:14 | 0:09:16 | |
It's just for a night. | 0:09:22 | 0:09:25 | |
What beach? | 0:09:25 | 0:09:26 | |
King's Point. | 0:09:26 | 0:09:27 | |
Water, please. | 0:09:52 | 0:09:54 | |
Water. | 0:09:59 | 0:10:00 | |
Drink. SHE GAGS | 0:10:07 | 0:10:09 | |
It will open windows. | 0:10:09 | 0:10:11 | |
You will see clearly what you have done. | 0:10:15 | 0:10:18 | |
No, don't...leave me. | 0:10:20 | 0:10:23 | |
Please don't leave me. | 0:10:23 | 0:10:24 | |
SHE SCREAMS | 0:10:27 | 0:10:28 | |
Don't leave me! | 0:10:29 | 0:10:30 | |
Please don't leave me. | 0:10:34 | 0:10:36 | |
Hello? | 0:11:37 | 0:11:39 | |
Hello? | 0:12:05 | 0:12:07 | |
Hello? | 0:12:16 | 0:12:17 | |
No, please. | 0:12:17 | 0:12:19 | |
Hello? | 0:12:25 | 0:12:26 | |
Captain? | 0:12:36 | 0:12:38 | |
Captain Worthington? | 0:12:38 | 0:12:39 | |
Hello, Odelle. | 0:12:40 | 0:12:42 | |
What's happening? Why... | 0:12:42 | 0:12:44 | |
This is where I died. | 0:12:44 | 0:12:46 | |
Am I... | 0:12:48 | 0:12:50 | |
Oh, my God. | 0:12:52 | 0:12:53 | |
What did I tell you, Odelle? | 0:12:53 | 0:12:55 | |
Follow orders. | 0:12:55 | 0:12:57 | |
Please. | 0:12:57 | 0:12:59 | |
Am I dead? | 0:12:59 | 0:13:01 | |
This is on you. You killed me. | 0:13:01 | 0:13:03 | |
No, that was...that was Osela. | 0:13:03 | 0:13:05 | |
No. You made a choice. | 0:13:05 | 0:13:07 | |
-And now your entire unit, your friends, are all gone. -No. | 0:13:07 | 0:13:12 | |
Are you happy now? | 0:13:13 | 0:13:15 | |
We only met briefly. | 0:13:19 | 0:13:21 | |
Serena? | 0:13:25 | 0:13:27 | |
Yes. | 0:13:27 | 0:13:28 | |
So are you happy now? | 0:13:45 | 0:13:49 | |
You like him. | 0:13:49 | 0:13:51 | |
You want him. | 0:13:52 | 0:13:54 | |
No. He's a horrible person. | 0:13:54 | 0:13:56 | |
I'm married. I have a daughter. | 0:13:58 | 0:14:00 | |
Let go, or you will kill them all. | 0:14:00 | 0:14:03 | |
Kill them all. | 0:14:06 | 0:14:08 | |
Let go, or you will kill them all. | 0:14:09 | 0:14:11 | |
Let go of what? | 0:14:13 | 0:14:14 | |
-Shakir? -I know you blame yourself. | 0:14:17 | 0:14:22 | |
What's happening to me? What's happening? | 0:14:22 | 0:14:25 | |
What did you do? | 0:14:25 | 0:14:27 | |
I defied an order. | 0:14:28 | 0:14:29 | |
Of course you did. | 0:14:29 | 0:14:31 | |
And all of the people I've killed... | 0:14:31 | 0:14:34 | |
Not killed by you. | 0:14:34 | 0:14:36 | |
Serena. | 0:14:36 | 0:14:37 | |
Not your fault. | 0:14:37 | 0:14:39 | |
-And you. -You have to stop. | 0:14:40 | 0:14:43 | |
-I can't. -You know. | 0:14:43 | 0:14:47 | |
-Make it stop. Make it stop. Make it... -You know. | 0:14:47 | 0:14:53 | |
SHE WAILS | 0:14:53 | 0:14:54 | |
SHE GAGS | 0:14:57 | 0:14:58 | |
You know what you did. | 0:15:01 | 0:15:03 | |
I killed you. | 0:15:03 | 0:15:04 | |
Now, you have to die. | 0:15:06 | 0:15:09 | |
SHE GROANS | 0:15:09 | 0:15:10 | |
Now are you ready? | 0:15:31 | 0:15:33 | |
Sassel Beach. | 0:15:40 | 0:15:42 | |
Where the hell were you? | 0:15:48 | 0:15:50 | |
-I hope you didn't screw this up. -You got your wish. | 0:15:50 | 0:15:54 | |
Odelle is dead. Your problems are solved. | 0:15:54 | 0:15:57 | |
Slow down. We need to talk. | 0:15:57 | 0:15:59 | |
There is nothing left to say. | 0:15:59 | 0:16:01 | |
I never want to see you again. | 0:16:01 | 0:16:03 | |
Hey, stop. | 0:16:03 | 0:16:05 | |
You killed her! | 0:16:06 | 0:16:08 | |
Odelle is dead. We trusted you, and you killed her! | 0:16:08 | 0:16:10 | |
-I can explain. -Leave me alone! | 0:16:10 | 0:16:12 | |
-Calm down. I can explain. -Leave me! | 0:16:12 | 0:16:13 | |
Explain what? | 0:16:13 | 0:16:15 | |
Let me guess. Osela. | 0:16:19 | 0:16:20 | |
Yup. | 0:16:22 | 0:16:23 | |
And you are the white man travelling with Odelle Ballard. | 0:16:23 | 0:16:26 | |
Where is she? | 0:16:27 | 0:16:28 | |
Show me. | 0:16:29 | 0:16:30 | |
Not a problem. | 0:16:30 | 0:16:32 | |
Where'd you find this place? | 0:16:50 | 0:16:52 | |
Belongs to an editor friend. She's in Florida. | 0:16:52 | 0:16:54 | |
We have it all to ourselves. | 0:16:54 | 0:16:56 | |
SHE LAUGHS | 0:16:56 | 0:16:57 | |
HE FLINCHES Sorry. Sorry. | 0:17:12 | 0:17:15 | |
Sorry. | 0:17:15 | 0:17:16 | |
Where's Christine? She sick? | 0:17:22 | 0:17:24 | |
Um... no. | 0:17:24 | 0:17:26 | |
She's been reassigned. | 0:17:26 | 0:17:29 | |
What are you talking about? | 0:17:29 | 0:17:31 | |
Mr Decker, I'm... | 0:17:31 | 0:17:33 | |
What the hell is going on? | 0:17:37 | 0:17:38 | |
I don't know anything. | 0:17:38 | 0:17:40 | |
I was just told to pack up your things. | 0:17:40 | 0:17:42 | |
I see. | 0:17:42 | 0:17:43 | |
If you showed up, I was supposed to call security, | 0:17:43 | 0:17:46 | |
have you escorted out. | 0:17:46 | 0:17:47 | |
But maybe if you just leave... | 0:17:47 | 0:17:50 | |
Mr Decker... | 0:17:51 | 0:17:52 | |
Mr Decker, you can't go... | 0:17:55 | 0:17:56 | |
Perfect. The puppet and his puppeteer. | 0:17:57 | 0:18:00 | |
Peter, there's no sense in dragging this out. | 0:18:00 | 0:18:03 | |
The decision's been made. | 0:18:03 | 0:18:04 | |
Maybe we should consult Mr Baker on it, hmm? | 0:18:04 | 0:18:06 | |
Alex? | 0:18:06 | 0:18:08 | |
I'm calling security. | 0:18:08 | 0:18:09 | |
It's all right. | 0:18:09 | 0:18:10 | |
Frank, would you give us a moment? | 0:18:12 | 0:18:14 | |
Yeah. | 0:18:16 | 0:18:17 | |
You violated the terms of our arrangement, Peter. | 0:18:27 | 0:18:29 | |
I brought Tsaldari back to New York | 0:18:29 | 0:18:31 | |
like you wanted. | 0:18:31 | 0:18:33 | |
I know what you've been doing. Yusuf Qasim... | 0:18:33 | 0:18:34 | |
Tsaldari was intrigued by him. | 0:18:34 | 0:18:37 | |
I knew he was a waste of time. I needed her to trust me. | 0:18:37 | 0:18:39 | |
I... I've made progress with her. | 0:18:39 | 0:18:40 | |
You still need me. | 0:18:40 | 0:18:42 | |
Time's up, Peter. The election is over. | 0:18:42 | 0:18:44 | |
The election's not till tomorrow. I can still... | 0:18:44 | 0:18:46 | |
Peter, she is going to win. | 0:18:46 | 0:18:49 | |
She is the next Greek Prime Minister. | 0:18:49 | 0:18:51 | |
But don't you worry. Situation's under control. | 0:18:51 | 0:18:54 | |
Your services are no longer required. | 0:18:54 | 0:18:56 | |
She'll never agree to work with you. | 0:19:00 | 0:19:01 | |
-Not without me. -Goodbye, Peter. | 0:19:01 | 0:19:04 | |
Best of luck finding yet another career. | 0:19:09 | 0:19:12 | |
She's inside that hut. Good luck to you. | 0:19:35 | 0:19:37 | |
No, no, no, no. | 0:19:37 | 0:19:39 | |
You go first. | 0:19:39 | 0:19:40 | |
Hell, no. | 0:19:40 | 0:19:42 | |
I don't do voodoo, man. | 0:19:42 | 0:19:43 | |
You want her? You get her. | 0:19:43 | 0:19:45 | |
Is this a trap? | 0:19:47 | 0:19:48 | |
The man in there is a medicine man. | 0:19:48 | 0:19:51 | |
Bone in the nose, blood sacrifice. | 0:19:51 | 0:19:52 | |
I don't get involved with that, man. | 0:19:52 | 0:19:55 | |
I mean, shoot me here if you like. | 0:19:55 | 0:19:56 | |
I'm not going in there. | 0:19:56 | 0:19:58 | |
Savages. | 0:20:02 | 0:20:03 | |
No. | 0:20:11 | 0:20:12 | |
She's mine. | 0:20:12 | 0:20:13 | |
The jump drive. The information you stole from Abbas. Where is it? | 0:20:15 | 0:20:19 | |
Where is it? CLAMOURING OUTSIDE | 0:20:20 | 0:20:22 | |
You do not get to kill her. | 0:20:30 | 0:20:31 | |
I do. | 0:20:32 | 0:20:34 | |
And then I will kill you. | 0:20:35 | 0:20:37 | |
Peter, what the hell are you doing? | 0:21:03 | 0:21:05 | |
-It's six in the morning. -Get in. | 0:21:05 | 0:21:07 | |
Come on, spare the neighbours the sight of your legs. | 0:21:09 | 0:21:12 | |
What? | 0:21:21 | 0:21:23 | |
You heard about Yusuf Qasim? | 0:21:23 | 0:21:25 | |
Yeah, it's, er, | 0:21:25 | 0:21:27 | |
kind of hard not to. | 0:21:27 | 0:21:29 | |
He had first-hand knowledge about SOC's dealings with al-Qaeda. | 0:21:33 | 0:21:36 | |
I was trying to lock up his testimony, and then he did this. | 0:21:36 | 0:21:38 | |
I thought you made a deal with Baker. | 0:21:38 | 0:21:40 | |
It was a stall to protect my family. | 0:21:40 | 0:21:43 | |
Buy time to find Yusuf. | 0:21:43 | 0:21:45 | |
I don't want Baker's blood money. I want him in a prison cell. | 0:21:45 | 0:21:49 | |
Peter... take a hint from the universe. | 0:21:49 | 0:21:52 | |
-You're not going to win this. -I have to. | 0:21:52 | 0:21:54 | |
Wake up. The Supreme Court has spoken. | 0:21:54 | 0:21:58 | |
Corporations are people, and they're all a-holes. | 0:21:58 | 0:22:00 | |
Baker's the one I know about, | 0:22:00 | 0:22:02 | |
and he's killed people I know about. | 0:22:02 | 0:22:04 | |
Danny Gentry, Odelle Ballard. | 0:22:04 | 0:22:06 | |
And I just found out... | 0:22:07 | 0:22:09 | |
the journalist Randall Walters. | 0:22:09 | 0:22:11 | |
What? I thought that was some kind of lovers' quarrel. | 0:22:11 | 0:22:14 | |
Walters was working on an expose on Black Sands. | 0:22:14 | 0:22:17 | |
This is the bear you want to keep poking? | 0:22:17 | 0:22:21 | |
With a wooden stake, right through the heart. | 0:22:21 | 0:22:24 | |
I need your help. | 0:22:28 | 0:22:29 | |
I don't think so. | 0:22:31 | 0:22:33 | |
Baker cancelled my deal. Got me fired. | 0:22:34 | 0:22:36 | |
I can't get into the building. I need access. | 0:22:36 | 0:22:39 | |
You just told me he had Randall Walters killed. | 0:22:39 | 0:22:41 | |
I'm not asking you to stick your neck out. | 0:22:41 | 0:22:44 | |
Just dig around a little. | 0:22:44 | 0:22:45 | |
Baker wanted me to deliver Sophia Tsaldari. | 0:22:45 | 0:22:47 | |
Suddenly, he doesn't care? | 0:22:47 | 0:22:49 | |
I need to know what he's up to. | 0:22:49 | 0:22:50 | |
-Did he make a deal with her? -So? Why not just ask Tsaldari? | 0:22:50 | 0:22:53 | |
She's in Greece. | 0:22:53 | 0:22:55 | |
Busy winning an election. Not answering my calls. | 0:22:55 | 0:22:57 | |
Yeah, smart woman. | 0:22:57 | 0:22:59 | |
Maybe you should just park outside her house. | 0:22:59 | 0:23:01 | |
Peter, I'm back at work. | 0:23:01 | 0:23:03 | |
Things are finally getting back to normal. | 0:23:03 | 0:23:05 | |
Hey, if it wasn't for me, you'd still be in jail. | 0:23:05 | 0:23:08 | |
Yeah? If it wasn't for you, | 0:23:08 | 0:23:09 | |
I wouldn't have been in there in the first place. | 0:23:09 | 0:23:11 | |
You're a good man. | 0:23:12 | 0:23:15 | |
You know what they're doing is wrong. | 0:23:15 | 0:23:17 | |
You want to be on the right side of this. | 0:23:17 | 0:23:19 | |
I... I know you do. | 0:23:19 | 0:23:20 | |
I'll keep my eyes and ears open. | 0:23:26 | 0:23:27 | |
That's it. | 0:23:27 | 0:23:29 | |
Joe, Joe. | 0:23:30 | 0:23:31 | |
Ruby? | 0:23:55 | 0:23:56 | |
Coffee. | 0:24:39 | 0:24:41 | |
Coffee. | 0:24:41 | 0:24:43 | |
RINGING TONE | 0:25:41 | 0:25:43 | |
PHONE RINGS | 0:25:43 | 0:25:44 | |
-Hello. -Bob. | 0:25:49 | 0:25:50 | |
Can you check out a phone number for me? | 0:25:50 | 0:25:52 | |
Whose number is it? | 0:25:52 | 0:25:53 | |
It's about Ruby. | 0:25:53 | 0:25:55 | |
I'm checking on her, like you said. | 0:25:55 | 0:25:56 | |
Ruby? | 0:25:56 | 0:25:58 | |
Really? | 0:25:58 | 0:25:59 | |
OK, what's... What's the number? | 0:26:00 | 0:26:04 | |
Where were you? | 0:26:41 | 0:26:42 | |
I went for a walk. | 0:26:42 | 0:26:44 | |
What's going on? | 0:26:45 | 0:26:46 | |
Where are they taking her? | 0:26:58 | 0:26:59 | |
Let me go. | 0:27:15 | 0:27:17 | |
Look. | 0:27:17 | 0:27:18 | |
What are they doing? | 0:27:23 | 0:27:25 | |
You bring death, Odelle Ballard. | 0:27:31 | 0:27:33 | |
You will suffer. | 0:27:34 | 0:27:36 | |
Your turn. | 0:27:51 | 0:27:52 | |
Who lives here? | 0:27:56 | 0:27:57 | |
Who the hell are you? | 0:28:00 | 0:28:02 | |
PHONE RINGS | 0:28:02 | 0:28:03 | |
Who's that? | 0:28:05 | 0:28:06 | |
What did you find out? | 0:28:08 | 0:28:09 | |
The number was unlisted. | 0:28:09 | 0:28:10 | |
I had to hack into a few cellphone company servers. | 0:28:10 | 0:28:13 | |
-But I finally found it. -And? -You're not going to believe this. | 0:28:13 | 0:28:17 | |
The number belongs to Michael Banks, | 0:28:17 | 0:28:19 | |
Chief Executive Officer of Osela Private Security. | 0:28:19 | 0:28:22 | |
'Osela, Harrison. The people that you said killed your father.' | 0:28:22 | 0:28:25 | |
Wait... Oh, my gosh. Are you with... | 0:28:25 | 0:28:26 | |
Are you with Ruby right now? | 0:28:26 | 0:28:28 | |
'Don't...don't say anything. Just... just cough once if she's with you.' | 0:28:28 | 0:28:32 | |
Thanks, Bob. | 0:28:32 | 0:28:34 | |
I got to go. | 0:28:35 | 0:28:36 | |
Ruby? | 0:28:43 | 0:28:44 | |
You couldn't just let it go. | 0:28:44 | 0:28:46 | |
You're Osela. | 0:28:46 | 0:28:48 | |
Everything you said... | 0:28:49 | 0:28:50 | |
..everything you told me about yourself... | 0:28:52 | 0:28:54 | |
Was the truth. | 0:28:54 | 0:28:55 | |
I just left out the part where I was recruited by Michael Banks. | 0:28:55 | 0:28:58 | |
-How could you? -Michael cared about me when no-one else would. | 0:28:58 | 0:29:01 | |
So you'd kill for him? | 0:29:01 | 0:29:03 | |
And then what? Everything else - | 0:29:03 | 0:29:04 | |
meeting me in the park, sleeping with me, | 0:29:04 | 0:29:07 | |
that was your job? | 0:29:07 | 0:29:08 | |
It started out that way, but it became something more. | 0:29:08 | 0:29:11 | |
Right. | 0:29:13 | 0:29:14 | |
SHOUTING | 0:29:14 | 0:29:16 | |
You don't want to do this. It's a mistake. | 0:29:22 | 0:29:24 | |
Money? | 0:29:24 | 0:29:26 | |
You want money? Because I can pay you. | 0:29:26 | 0:29:28 | |
More money than you can ever imagine. | 0:29:28 | 0:29:30 | |
The United States government will pay you. Please, no. | 0:29:30 | 0:29:33 | |
I was ordered to kill you three days ago, | 0:29:33 | 0:29:35 | |
at the drone protest. | 0:29:35 | 0:29:37 | |
That was you? | 0:29:37 | 0:29:38 | |
I had you in my sights. I could've dropped you right there. | 0:29:38 | 0:29:41 | |
Why didn't you? | 0:29:41 | 0:29:42 | |
Because I couldn't. | 0:29:42 | 0:29:44 | |
I was trying to protect you. | 0:29:44 | 0:29:46 | |
I thought we could... | 0:29:46 | 0:29:48 | |
I don't know. So stupid. | 0:29:49 | 0:29:52 | |
How could you ever forgive me? | 0:29:52 | 0:29:54 | |
You killed my father. | 0:29:54 | 0:29:56 | |
Sorry. | 0:29:56 | 0:29:58 | |
You murdered my father, and then you sleep with me? | 0:29:58 | 0:30:01 | |
What kind of sick, twisted person does that? | 0:30:01 | 0:30:04 | |
I am sick. I'm twisted. And I fell in love with you. | 0:30:04 | 0:30:08 | |
What are you doing? | 0:30:14 | 0:30:15 | |
PHONE DIALS | 0:30:15 | 0:30:17 | |
-Um... -'911, what's your emergency?' | 0:30:17 | 0:30:19 | |
Yes, there's a woman with a gun, and she's going to kill someone. | 0:30:19 | 0:30:22 | |
-'Can I get your address?' -12323 Sandy Point Road. | 0:30:22 | 0:30:26 | |
Please hurry. | 0:30:26 | 0:30:27 | |
Don't move. | 0:30:27 | 0:30:28 | |
Please, no. | 0:30:31 | 0:30:33 | |
No, no, no, no, no, no. You do not want to do that. | 0:30:38 | 0:30:41 | |
If you kill this one, they will just send more. | 0:30:41 | 0:30:44 | |
Odelle Ballard kills an Osela, | 0:30:44 | 0:30:45 | |
and look, another one is here to kill Odelle Ballard. | 0:30:45 | 0:30:48 | |
But if you kill this one, | 0:30:48 | 0:30:50 | |
the next one will be coming to kill you, bro. | 0:30:50 | 0:30:52 | |
-Maybe they will never know. -No, they will know, they will know. | 0:30:53 | 0:30:56 | |
Just wait, OK? | 0:30:56 | 0:30:58 | |
Your tracker. | 0:30:58 | 0:31:00 | |
-What? -Where's your tracker? | 0:31:00 | 0:31:01 | |
In the lining of my shirt. | 0:31:01 | 0:31:02 | |
You see? | 0:31:09 | 0:31:10 | |
They are watching you right now. | 0:31:10 | 0:31:12 | |
If you kill this one, they will come, | 0:31:14 | 0:31:17 | |
they will find you, and they will kill you. | 0:31:17 | 0:31:19 | |
And all of them vicious pricks. | 0:31:20 | 0:31:22 | |
Right? Tell him. | 0:31:22 | 0:31:23 | |
Right. | 0:31:23 | 0:31:25 | |
Go. | 0:31:30 | 0:31:32 | |
I need to take her body with me. | 0:31:37 | 0:31:38 | |
That's not going to happen. | 0:31:38 | 0:31:40 | |
I need proof that she's dead. I can't leave without it. | 0:31:41 | 0:31:44 | |
How about her dog tags? | 0:31:45 | 0:31:47 | |
Fine. | 0:31:47 | 0:31:48 | |
We need to go. Now. | 0:31:58 | 0:32:00 | |
So what's the plan, Ruby? | 0:32:02 | 0:32:04 | |
Are you going to turn yourself in? | 0:32:04 | 0:32:06 | |
Then what? | 0:32:06 | 0:32:08 | |
Can you at least tell me why? | 0:32:08 | 0:32:11 | |
-Just... -Why you killed him? | 0:32:11 | 0:32:12 | |
Why you killed my father? | 0:32:12 | 0:32:13 | |
-Stop investigating, asking questions. -How could you? | 0:32:13 | 0:32:16 | |
-Was it Black Sands? Was it Odelle Ballard? -Stop! | 0:32:16 | 0:32:18 | |
OK, fine. Fine. | 0:32:18 | 0:32:20 | |
When the police come to arrest you, you need to tell them about Osela. | 0:32:21 | 0:32:24 | |
You need to tell them the truth | 0:32:24 | 0:32:26 | |
and make this right. | 0:32:26 | 0:32:27 | |
I've killed too many people. | 0:32:29 | 0:32:31 | |
Just tell them what you know. | 0:32:31 | 0:32:33 | |
SIREN BLARES | 0:32:35 | 0:32:37 | |
Oh, no. | 0:32:41 | 0:32:43 | |
My future is jail or death. I'm not going to jail. | 0:32:49 | 0:32:53 | |
Police! | 0:32:53 | 0:32:55 | |
Exit the house with your hands in the air! | 0:32:55 | 0:32:57 | |
No, not like this. | 0:32:57 | 0:32:59 | |
Gun! Drop it! | 0:33:01 | 0:33:03 | |
-Gun! -Gun! Gun! Hold your fire! | 0:33:03 | 0:33:05 | |
Halt! Halt! | 0:33:06 | 0:33:08 | |
Agh! | 0:33:10 | 0:33:13 | |
Gun! | 0:33:13 | 0:33:14 | |
You saved my life. I owe you one. | 0:33:50 | 0:33:53 | |
Go to hell. | 0:34:11 | 0:34:12 | |
Sarah, what are you doing here? | 0:35:12 | 0:35:15 | |
The kids needed a few things. | 0:35:15 | 0:35:17 | |
There was a police officer parked outside waiting for you. | 0:35:19 | 0:35:22 | |
What did they say? | 0:35:23 | 0:35:25 | |
Do you know this man? | 0:35:25 | 0:35:27 | |
No. | 0:35:28 | 0:35:30 | |
Well, he knows you. | 0:35:30 | 0:35:32 | |
He was arrested for aggravated assault somewhere in Florida. | 0:35:33 | 0:35:36 | |
He claims to have information about a murder, | 0:35:36 | 0:35:38 | |
and he says you're involved. | 0:35:38 | 0:35:40 | |
What did you say? | 0:35:40 | 0:35:42 | |
I told her I didn't know anything, because I don't. | 0:35:42 | 0:35:45 | |
So, why? | 0:35:45 | 0:35:47 | |
Peter, why would this man implicate you in a murder? | 0:35:47 | 0:35:51 | |
I'm as shocked as you are. | 0:35:53 | 0:35:56 | |
I'm not an idiot. | 0:35:56 | 0:35:57 | |
Don't you dare stand there and lie to me. | 0:35:57 | 0:36:00 | |
I know something's going on. | 0:36:00 | 0:36:03 | |
I'm your wife. | 0:36:03 | 0:36:06 | |
I deserve to know the truth. | 0:36:06 | 0:36:07 | |
Everything is going to be all right, I promise. | 0:36:07 | 0:36:11 | |
But you... you just... You have to trust me. | 0:36:11 | 0:36:14 | |
Well, that's the thing, Peter. I don't trust you any more. | 0:36:14 | 0:36:16 | |
You don't mean that. | 0:36:16 | 0:36:18 | |
Maya told me she saw you here the other night | 0:36:18 | 0:36:21 | |
with Sophia Tsaldari. | 0:36:21 | 0:36:23 | |
-Alone. Drinking wine. -It's not what you think! -In our home! | 0:36:23 | 0:36:26 | |
I was discussing strategy. | 0:36:30 | 0:36:31 | |
She's...she's my friend. | 0:36:31 | 0:36:33 | |
Oh, well, | 0:36:33 | 0:36:34 | |
I envy her. | 0:36:34 | 0:36:36 | |
Don't do this, OK, Sarah? Please. | 0:36:38 | 0:36:40 | |
Don't touch me. | 0:36:40 | 0:36:42 | |
I want a divorce. | 0:36:46 | 0:36:48 | |
-Get in. -Leave me alone. | 0:37:00 | 0:37:03 | |
Something you need to see first. Get in. | 0:37:08 | 0:37:11 | |
Get in. | 0:37:14 | 0:37:15 | |
Why am I here? | 0:37:32 | 0:37:34 | |
I just want to go home. | 0:37:34 | 0:37:36 | |
You can thank me later. | 0:37:36 | 0:37:39 | |
Thank you? For what? | 0:37:39 | 0:37:40 | |
HE CHANTS | 0:37:45 | 0:37:47 | |
What is he doing? | 0:37:48 | 0:37:50 | |
Wait for it. | 0:37:50 | 0:37:51 | |
Odelle? | 0:38:03 | 0:38:05 | |
Gun full of blanks and some blood. | 0:38:05 | 0:38:07 | |
Fools them every time. | 0:38:07 | 0:38:09 | |
I took them from her dead body myself. | 0:38:17 | 0:38:19 | |
Thank you. That's all. | 0:38:19 | 0:38:22 | |
Now, to the world, you are dead. | 0:38:56 | 0:38:59 | |
Where you need to be for the good of all. | 0:39:00 | 0:39:04 | |
Do you understand? | 0:39:04 | 0:39:06 | |
For the good of all. | 0:39:08 | 0:39:09 | |
You didn't know, did you? | 0:39:16 | 0:39:17 | |
I'm so sorry you had to go through that. | 0:39:22 | 0:39:24 | |
I had no choice. | 0:39:26 | 0:39:28 | |
He could have ruined everything. He almost did. | 0:39:28 | 0:39:30 | |
You're an ass. You had no right to do that. | 0:39:30 | 0:39:32 | |
I saved your life. | 0:39:32 | 0:39:34 | |
OK, maybe I should have been more upfront about it, | 0:39:35 | 0:39:38 | |
but you never would have agreed. | 0:39:38 | 0:39:39 | |
Now you're dead, so you can live. | 0:39:39 | 0:39:42 | |
So all of us can. | 0:39:44 | 0:39:45 | |
We need to get going. We've got a plane to catch. | 0:39:46 | 0:39:49 |