Browse content similar to Real World. Check below for episodes and series from the same categories and more!
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I need someone to investigate Osela. If you guys didn't shoot Ruby, | 0:00:02 | 0:00:04 | |
you could be talking to her now. GUNSHOT | 0:00:04 | 0:00:06 | |
Peter's been trying to expose SOC for weeks. He got fired. | 0:00:06 | 0:00:08 | |
Everything you need to destroy SOC and Baker is on this drive. | 0:00:08 | 0:00:11 | |
This little girl that you love... That you can't go back! | 0:00:11 | 0:00:14 | |
-WOMAN: -You're the American woman soldier. | 0:00:14 | 0:00:16 | |
-TEXT MESSAGE WHISTLE -Where did you send that? | 0:00:16 | 0:00:18 | |
Great. Now it's out. | 0:00:18 | 0:00:19 | |
-Aslam! -I am going. | 0:00:19 | 0:00:21 | |
Oh, my God. Odelle lives! | 0:00:21 | 0:00:23 | |
'Are you sure it's authentic?' | 0:00:23 | 0:00:25 | |
Where in Spain? I'll leave immediately. | 0:00:25 | 0:00:27 | |
This programme contains some violent scenes. | 0:00:27 | 0:00:32 | |
Continuing with our top story, | 0:00:32 | 0:00:33 | |
multiple sources claim Special Ops soldier | 0:00:33 | 0:00:35 | |
Sergeant Odelle Ballard is now alive. | 0:00:35 | 0:00:37 | |
Military analysts are investigating the legitimacy of these reports | 0:00:37 | 0:00:41 | |
and, if true, Ballard's exact whereabouts. | 0:00:41 | 0:00:44 | |
As with all of us, they're anxious to hear | 0:00:44 | 0:00:46 | |
her miraculous story of survival. | 0:00:46 | 0:00:48 | |
-CLASSICAL MUSIC PLAYS -Are you sure it's authentic? | 0:00:48 | 0:00:50 | |
Of course. My source got it from the teenager in Algeria who saw her. | 0:00:50 | 0:00:53 | |
She was with her when... Am I keeping you from something? | 0:00:53 | 0:00:57 | |
There are several of your diplomats and congressmen | 0:00:57 | 0:00:59 | |
waiting to hear how I intend | 0:00:59 | 0:01:01 | |
to deal with my country's debt crisis. | 0:01:01 | 0:01:02 | |
Odelle. That's the answer. | 0:01:02 | 0:01:05 | |
When she comes forward, SOC and Baker will be prosecuted. | 0:01:06 | 0:01:09 | |
-Cancel tomorrow's meeting. -I would like to, but... | 0:01:09 | 0:01:12 | |
But what? Y-You've got your proof. | 0:01:12 | 0:01:14 | |
No, you have a photograph, nothing more. | 0:01:14 | 0:01:15 | |
Well, what do you need? | 0:01:15 | 0:01:17 | |
I would need to know what she is going to say. | 0:01:17 | 0:01:19 | |
She'll tell the world what she saw - what Alex Baker did to her. | 0:01:19 | 0:01:22 | |
I wish I could share your optimism, | 0:01:22 | 0:01:23 | |
but the deal Baker offers is a good one. | 0:01:23 | 0:01:25 | |
-HE SIGHS -Much better, thanks to you. | 0:01:25 | 0:01:28 | |
Oh, so that's what this was about? | 0:01:28 | 0:01:30 | |
Getting a better deal? | 0:01:30 | 0:01:32 | |
Madam, they are waiting. | 0:01:32 | 0:01:33 | |
Right away, Kharon. | 0:01:33 | 0:01:34 | |
You're better than this. | 0:01:35 | 0:01:38 | |
Find me more than a photo. | 0:01:46 | 0:01:48 | |
Tell me Odelle Ballard is going to tell the story | 0:01:48 | 0:01:50 | |
we need her to tell. | 0:01:50 | 0:01:51 | |
If so, I will walk away. | 0:01:51 | 0:01:53 | |
Alex Baker murdered my husband. | 0:01:53 | 0:01:56 | |
It sickens me to be in business with him. | 0:01:56 | 0:01:58 | |
(Find me a way not to be.) | 0:01:58 | 0:02:00 | |
DIALLING TONES | 0:02:08 | 0:02:11 | |
PHONE RINGS, KEYBOARD KEYS CLICKING | 0:02:11 | 0:02:14 | |
RINGING CEASES | 0:02:21 | 0:02:23 | |
"The Death of Ruby Simms... | 0:02:26 | 0:02:28 | |
"Osela, Societele and the Hunt for Odelle Ballard." | 0:02:28 | 0:02:31 | |
It's good. | 0:02:31 | 0:02:33 | |
You're an excellent writer, Harrison. | 0:02:34 | 0:02:35 | |
Thanks. And, uh, it's all true. | 0:02:35 | 0:02:38 | |
Every... Every... Everything in there's happened, so... | 0:02:38 | 0:02:40 | |
Well, full disclosure, I'm already working on this story. | 0:02:40 | 0:02:43 | |
Um, my colleague, Isabel Rainey... | 0:02:43 | 0:02:46 | |
is meeting with Odelle. | 0:02:46 | 0:02:48 | |
So you know it's true, then? | 0:02:48 | 0:02:50 | |
Well, we've got people working on background material on... | 0:02:50 | 0:02:53 | |
Alex Baker, SOC, Osela, Black Sands, and your stuff fits right in. | 0:02:53 | 0:02:56 | |
Gives us fantastic personal context. | 0:02:56 | 0:02:58 | |
I mean... I mean, the... | 0:02:58 | 0:03:00 | |
The depth of collusion between SOC and... And Osela. | 0:03:00 | 0:03:03 | |
I think Michael Banks was... | 0:03:03 | 0:03:04 | |
The CEO, he killed... He killed my-my father. | 0:03:04 | 0:03:08 | |
I just need to... I need to find...proof. That's... | 0:03:08 | 0:03:11 | |
-HE CLEARS THROAT -Tell me about your sources. | 0:03:11 | 0:03:14 | |
Uh, what do you, um... What do you... What do you need to know? | 0:03:14 | 0:03:17 | |
You're bleeding. | 0:03:18 | 0:03:20 | |
So you going to... You going to run my story, or what? | 0:03:24 | 0:03:27 | |
On its own? Probably not. | 0:03:27 | 0:03:29 | |
But...you can contribute. | 0:03:29 | 0:03:32 | |
Is that a joke? | 0:03:32 | 0:03:33 | |
LAUGHS: You're just blowin' sunshine up my ass... | 0:03:33 | 0:03:36 | |
No, no, no... | 0:03:36 | 0:03:37 | |
I'm just going to turn everything over to you. Is that... | 0:03:37 | 0:03:40 | |
Is that what you... You know, that's... | 0:03:40 | 0:03:41 | |
-To hell with that. -Wait, wait. | 0:03:41 | 0:03:44 | |
Harrison. Harrison, wait! | 0:03:44 | 0:03:46 | |
If we use your stuff, you'll get a credit. | 0:03:46 | 0:03:48 | |
We're not stealing. | 0:03:48 | 0:03:49 | |
This thing has bulldozed my life. | 0:03:49 | 0:03:50 | |
You want my research? You want my sources? | 0:03:50 | 0:03:53 | |
I want a by-line. | 0:03:53 | 0:03:55 | |
A by-line or I walk. | 0:03:56 | 0:03:57 | |
-HE SIGHS -All right. | 0:03:59 | 0:04:01 | |
If we use it, you get a by-line. | 0:04:01 | 0:04:04 | |
A New York Times by-line. | 0:04:04 | 0:04:06 | |
OK? | 0:04:07 | 0:04:08 | |
OK. | 0:04:09 | 0:04:10 | |
OK. PHONE RINGS | 0:04:12 | 0:04:15 | |
You are here. | 0:04:23 | 0:04:24 | |
You're Odelle. | 0:04:54 | 0:04:56 | |
I recognise you from your picture. I'm Christina Callo. | 0:04:56 | 0:04:58 | |
-Luc never mentioned you. -I'm Aslam. | 0:04:59 | 0:05:03 | |
Come on. It means "peace", right? | 0:05:04 | 0:05:06 | |
Luc said I'd be meeting a colleague? | 0:05:08 | 0:05:11 | |
You thought maybe one of his thugs? | 0:05:11 | 0:05:13 | |
A drug dealer perhaps? | 0:05:13 | 0:05:15 | |
But you did not expect his ex-wife. | 0:05:15 | 0:05:18 | |
You and Luc were married? | 0:05:18 | 0:05:20 | |
Por favor, estais en casa. Right? | 0:05:20 | 0:05:24 | |
I'll set another place. | 0:05:24 | 0:05:25 | |
You must both be hungry. | 0:05:25 | 0:05:27 | |
Thanks. | 0:05:27 | 0:05:28 | |
Can I... Can I please use y-your phone? | 0:05:28 | 0:05:31 | |
Yeah, sure. | 0:05:31 | 0:05:32 | |
Thanks. | 0:05:33 | 0:05:35 | |
DIALLING TONES | 0:05:35 | 0:05:37 | |
PHONE RINGS | 0:05:37 | 0:05:39 | |
Isabel a l'appareil. | 0:05:39 | 0:05:40 | |
'Hey, it's me. I'm... I'm here.' | 0:05:40 | 0:05:42 | |
You made it. | 0:05:42 | 0:05:43 | |
'Yep.' | 0:05:43 | 0:05:44 | |
When are you coming? | 0:05:44 | 0:05:45 | |
'Tomorrow morning.' | 0:05:45 | 0:05:46 | |
Are you both OK? | 0:05:46 | 0:05:47 | |
'Yeah, we're fine.' | 0:05:47 | 0:05:49 | |
You know where to meet me? At 11am? | 0:05:49 | 0:05:52 | |
Yeah. I... Did you... Did you... Did you talk to them? | 0:05:52 | 0:05:54 | |
My family? | 0:05:54 | 0:05:56 | |
'Of course I did.' | 0:05:56 | 0:05:57 | |
And? What-What did they... What did they say? | 0:05:59 | 0:06:02 | |
'There were a lot of tears and relief...and joy.' | 0:06:03 | 0:06:07 | |
Odelle, I am so honoured to have been the one to make that call. | 0:06:08 | 0:06:11 | |
But what... My little girl, what did... What did she say? What did... | 0:06:11 | 0:06:15 | |
That she never gave up. That she always knew. | 0:06:15 | 0:06:19 | |
She knew? | 0:06:21 | 0:06:22 | |
That you'd come home. | 0:06:23 | 0:06:25 | |
Oh, God, I need to see them. | 0:06:30 | 0:06:32 | |
Is tomorrow soon enough? | 0:06:33 | 0:06:35 | |
'The New York Times is flying them into Barcelona. | 0:06:35 | 0:06:38 | |
'We've arranged for a meeting at the airport.' | 0:06:38 | 0:06:40 | |
Really? Tomorrow? | 0:06:40 | 0:06:42 | |
'Yes. Are you all right?' | 0:06:42 | 0:06:44 | |
I'm fine. Thank you. Thank you so much. | 0:06:44 | 0:06:48 | |
Thank you, thank you. | 0:06:48 | 0:06:49 | |
'Good. I will see you tomorrow, then. And, Odelle?' | 0:06:49 | 0:06:52 | |
We're going to get your story out. You did it. | 0:06:52 | 0:06:55 | |
You're going to be a hero. | 0:06:55 | 0:06:56 | |
Thank you. | 0:06:56 | 0:06:58 | |
What's the matter? | 0:07:01 | 0:07:02 | |
-SHE SIGHS -Nothing. | 0:07:02 | 0:07:05 | |
-SNIFFLES: -For once, absolutely nothing. | 0:07:06 | 0:07:09 | |
My family's coming... | 0:07:09 | 0:07:10 | |
Tomorrow. | 0:07:10 | 0:07:12 | |
-You're going to get to meet them. -But do they know about me? | 0:07:13 | 0:07:16 | |
No, not yet, cos the reporter's got to talk to them first | 0:07:16 | 0:07:18 | |
and make sure it's safe. | 0:07:18 | 0:07:20 | |
But... | 0:07:21 | 0:07:22 | |
..they'll love you. | 0:07:23 | 0:07:25 | |
Just like I do. | 0:07:25 | 0:07:27 | |
Dinner is ready. You should come. | 0:07:29 | 0:07:31 | |
CHATTERING IN BAR | 0:07:34 | 0:07:37 | |
PETER SIGHS | 0:07:37 | 0:07:39 | |
Where the hell have you been? I've been waiting for over two hours. | 0:07:49 | 0:07:52 | |
What are you, my mother? What do you want? | 0:07:52 | 0:07:54 | |
You sent that photo. Odelle is alive. | 0:07:54 | 0:07:56 | |
That changes everything. I need your help. | 0:07:56 | 0:07:58 | |
Oh, really? | 0:07:58 | 0:07:59 | |
You don't remember when I was trying to figure out | 0:07:59 | 0:08:01 | |
who killed my father and you wouldn't even return my calls? | 0:08:01 | 0:08:04 | |
-Hey, you walked away from me. -You know, whatever. | 0:08:04 | 0:08:06 | |
You can read about my story when it comes in the New York Times. Ow! | 0:08:06 | 0:08:09 | |
-What happened to you? -Nothing. I'm fine. | 0:08:09 | 0:08:12 | |
So you write for the Times? | 0:08:12 | 0:08:14 | |
Yes. They picked up my blog. | 0:08:14 | 0:08:16 | |
I'm on the Odelle Ballard story and I'm getting my own by-line. | 0:08:16 | 0:08:19 | |
The Ballard story? She's talking? To who? | 0:08:19 | 0:08:21 | |
-To US. -To who? You? | 0:08:21 | 0:08:22 | |
No. There's... Ow! | 0:08:22 | 0:08:24 | |
Listen to me, you idiot. | 0:08:24 | 0:08:26 | |
SOC and Alex Baker are about to make a deal | 0:08:26 | 0:08:29 | |
with the Prime Minister of Greece that I need to stop. | 0:08:29 | 0:08:31 | |
Now, I've sacrificed everything... | 0:08:32 | 0:08:34 | |
I need you to tell me right now - | 0:08:35 | 0:08:37 | |
who is Odelle talking to and what is she going to say? | 0:08:37 | 0:08:39 | |
I don't know. All right? | 0:08:39 | 0:08:41 | |
All right, listen, all I've heard is that she's meeting | 0:08:41 | 0:08:44 | |
with a reporter named Isabel Rainey. | 0:08:44 | 0:08:46 | |
I don't know where... I don't know when... | 0:08:46 | 0:08:49 | |
That's all I know. | 0:08:49 | 0:08:51 | |
-Where are you going? -The Times. | 0:08:51 | 0:08:53 | |
LAUGHS: Well, what makes you think they'll tell you anything? | 0:08:54 | 0:08:57 | |
So, how long were you and Luc married? | 0:08:59 | 0:09:01 | |
Too long! | 0:09:03 | 0:09:04 | |
Well, not long enough. | 0:09:05 | 0:09:07 | |
He's a dazzling habit, but... | 0:09:09 | 0:09:11 | |
-..you know that already. -What do you mean? | 0:09:12 | 0:09:14 | |
You've been out in the desert with him for, what? A month? | 0:09:14 | 0:09:17 | |
Yeah, almost. | 0:09:19 | 0:09:20 | |
How was it? | 0:09:20 | 0:09:21 | |
It was hell. | 0:09:21 | 0:09:22 | |
I mean, yeah, he's charming, | 0:09:24 | 0:09:26 | |
but he's also a conceited, selfish bastard | 0:09:26 | 0:09:29 | |
that almost got me killed. | 0:09:29 | 0:09:31 | |
See, you do know. | 0:09:31 | 0:09:33 | |
Know? Know what? | 0:09:33 | 0:09:34 | |
Luc called me out of the blue to ask me to help you. | 0:09:35 | 0:09:38 | |
Why would he do that? | 0:09:39 | 0:09:42 | |
I don't know. | 0:09:45 | 0:09:46 | |
The answer is simple. | 0:09:46 | 0:09:48 | |
He cares about you. | 0:09:50 | 0:09:52 | |
Maybe even loves you. | 0:09:52 | 0:09:53 | |
And if Luc loves you... you know it. | 0:09:55 | 0:09:58 | |
But now it's time for bed. | 0:10:03 | 0:10:05 | |
You have your husband and daughter coming tomorrow. | 0:10:06 | 0:10:11 | |
You must be so thrilled. | 0:10:12 | 0:10:14 | |
-Thanks for seeing me on short notice. -Hey, happy to do it. | 0:10:26 | 0:10:29 | |
I remember you from...the Justice Department, where you made, huh, | 0:10:29 | 0:10:32 | |
-quite a few headlines! -Well, this is another one. | 0:10:32 | 0:10:35 | |
Right, Odelle Ballard. | 0:10:35 | 0:10:37 | |
-You have information? -I do. | 0:10:38 | 0:10:40 | |
But first I want to know if Isabel Rainey has spoken to Odelle yet. | 0:10:40 | 0:10:43 | |
I know they're meeting. What has she told them? | 0:10:45 | 0:10:47 | |
-Well, I can't divulge that. -PETER CHUCKLES | 0:10:47 | 0:10:49 | |
Did she mention Societel? SOC? | 0:10:49 | 0:10:52 | |
Anything about how they gave millions to Abdul Abbas? | 0:10:52 | 0:10:54 | |
I can't discuss anything that Odelle may or may not have told us. | 0:10:54 | 0:10:57 | |
You just did. I mention one of the biggest companies on the New York Stock Exchange | 0:10:59 | 0:11:02 | |
doing business with an Al-Qaeda terrorist and you didn't bat an eye. | 0:11:02 | 0:11:05 | |
Ballard talked. Gave you the broad strokes at least. | 0:11:05 | 0:11:07 | |
-When do you go to press? -I thought you were here to give me something. | 0:11:07 | 0:11:10 | |
I am. | 0:11:11 | 0:11:12 | |
The information on this drive | 0:11:16 | 0:11:18 | |
will support everything Odelle Ballard has to say and more. | 0:11:18 | 0:11:21 | |
SOC funded terrorism. They've been doing it for years. | 0:11:21 | 0:11:24 | |
To secure markets or gain an advantage. | 0:11:24 | 0:11:26 | |
They've also conspired to murder dozens of innocent people to cover it up. | 0:11:26 | 0:11:29 | |
Where'd you get this? | 0:11:30 | 0:11:31 | |
They used to be my client. | 0:11:31 | 0:11:33 | |
Well, this is whistle-blower stuff then. | 0:11:37 | 0:11:40 | |
You're taking a... very big risk bringing this to me. | 0:11:40 | 0:11:43 | |
CHUCKLES: Don't I know it. | 0:11:43 | 0:11:44 | |
HE SIGHS | 0:11:46 | 0:11:48 | |
How did you get this? | 0:11:48 | 0:11:49 | |
It doesn't matter. | 0:11:51 | 0:11:53 | |
What matters is that it's real, it's credible, | 0:11:54 | 0:11:56 | |
and when you publish it, I'm going to jail. | 0:11:56 | 0:11:59 | |
Joe, it's me. What's going on? | 0:12:02 | 0:12:04 | |
'Hey, Sophia Tsaldari's on her way. Everyone's headed upstairs.' | 0:12:04 | 0:12:07 | |
I just came from the New York Times. | 0:12:07 | 0:12:08 | |
I need you to get me into that meeting. | 0:12:08 | 0:12:10 | |
Odelle. | 0:12:22 | 0:12:23 | |
It's good to see you. | 0:12:26 | 0:12:27 | |
What... What do you want? | 0:12:29 | 0:12:32 | |
I mean it, you know. It is good to see you. | 0:12:32 | 0:12:34 | |
None of this is personal. | 0:12:34 | 0:12:36 | |
How dare you? | 0:12:40 | 0:12:42 | |
This is nothing but personal. | 0:12:42 | 0:12:43 | |
I'm going to tell the world what you did | 0:12:43 | 0:12:45 | |
and nothing that you can say can stop me. | 0:12:45 | 0:12:47 | |
-I'm not here to stop you. -Then what? What do you want? | 0:12:47 | 0:12:49 | |
-20 minutes, right now. -I have a meeting. | 0:12:49 | 0:12:51 | |
With Isabel Rainey of the New York Times, I know. | 0:12:51 | 0:12:54 | |
And Ron and Suzanne are flying in today. | 0:12:54 | 0:12:57 | |
It's 20 minutes, Odelle. It's in your best interest. Please. | 0:12:57 | 0:13:01 | |
You got ten minutes. There. Now. | 0:13:07 | 0:13:10 | |
Whatever you have to say is irrelevant. | 0:13:13 | 0:13:15 | |
And the fact is, you killed all 12 of my unit. | 0:13:15 | 0:13:18 | |
12 brave soldiers. My friends. | 0:13:18 | 0:13:20 | |
There is no answer for that. You killed them. | 0:13:20 | 0:13:23 | |
And in six minutes, I'm going to walk to that cafe | 0:13:23 | 0:13:26 | |
and I'm going to tell my story | 0:13:26 | 0:13:28 | |
and the whole world is going to know what you did. | 0:13:28 | 0:13:31 | |
I think you're smarter than that. | 0:13:31 | 0:13:32 | |
Yes, you can tell your story to the New York Times, | 0:13:34 | 0:13:36 | |
the Washington Post. | 0:13:36 | 0:13:38 | |
You can even write a book. | 0:13:38 | 0:13:39 | |
But what do you think will happen? | 0:13:39 | 0:13:40 | |
Who do you think will listen? Who do you think will believe you? | 0:13:41 | 0:13:45 | |
-I have evidence. -Off a terrorist's computer. | 0:13:45 | 0:13:47 | |
-And bank statements. -That can be buried. | 0:13:47 | 0:13:50 | |
Odelle, do you honestly think | 0:13:50 | 0:13:51 | |
that we will just sit back and do nothing? | 0:13:51 | 0:13:54 | |
That your story will be the only version of what happened? | 0:13:54 | 0:13:56 | |
There are many questions about you right now. | 0:13:57 | 0:14:00 | |
Questions we will answer in one of two ways. | 0:14:00 | 0:14:02 | |
We will either say Odelle Ballard is a brave hero, | 0:14:02 | 0:14:05 | |
a valuable covert operative who was performing a dangerous | 0:14:05 | 0:14:09 | |
and important mission in service to her country. | 0:14:09 | 0:14:12 | |
Or... Odelle Ballard is a calculating and brutal traitor, | 0:14:12 | 0:14:16 | |
who turned on her unit and conspired with terrorists | 0:14:16 | 0:14:19 | |
to ensure their deaths. | 0:14:19 | 0:14:21 | |
The military has now succeeded in capturing her | 0:14:21 | 0:14:24 | |
and will ensure that she spends the rest of her life in prison. | 0:14:24 | 0:14:27 | |
And that she will never, never... | 0:14:27 | 0:14:30 | |
see her home or family again. | 0:14:30 | 0:14:33 | |
How much are they paying you? | 0:14:33 | 0:14:35 | |
This isn't about money. | 0:14:35 | 0:14:37 | |
-No? -This is about the truth. | 0:14:37 | 0:14:39 | |
Not the truth we all want so desperately to believe in, | 0:14:39 | 0:14:41 | |
but the truth that actually is. | 0:14:41 | 0:14:43 | |
People like me face that truth every day, | 0:14:43 | 0:14:46 | |
so people like you can live the lie. | 0:14:46 | 0:14:48 | |
The lie that life isn't, at its core, | 0:14:48 | 0:14:51 | |
unforgivingly and profoundly brutal. | 0:14:51 | 0:14:54 | |
This is the world we live in today. | 0:14:56 | 0:14:58 | |
Nations have no borders... | 0:14:58 | 0:15:00 | |
Our interests are global... | 0:15:00 | 0:15:02 | |
And we're all fighting for world dominance. | 0:15:02 | 0:15:04 | |
That is why we fight. And, yes, we fight brutally. | 0:15:04 | 0:15:09 | |
Then, I feel sorry for you. | 0:15:10 | 0:15:12 | |
I mean, this battle of yours is worth more than life itself. | 0:15:13 | 0:15:16 | |
You once considered me a... | 0:15:19 | 0:15:20 | |
A daughter. | 0:15:21 | 0:15:22 | |
You... You don't think I suffered making that decision? | 0:15:23 | 0:15:27 | |
It was the most painful moment in my life. | 0:15:28 | 0:15:31 | |
-It broke my heart! -Then why do it? | 0:15:31 | 0:15:34 | |
So America can win?! | 0:15:35 | 0:15:37 | |
Who gave you the right to play God, to decide who lives and who dies? | 0:15:37 | 0:15:41 | |
Because I didn't vote for you, nobody did. | 0:15:41 | 0:15:43 | |
You're doing this because you can. | 0:15:45 | 0:15:46 | |
Well, I'm sorry to hear you feel that way. | 0:15:48 | 0:15:50 | |
Because it means Suzanne will grow up without a mother. | 0:15:51 | 0:15:54 | |
How could you? | 0:15:56 | 0:15:58 | |
It's not up to me. | 0:16:02 | 0:16:04 | |
Odelle, you have the power in your hands | 0:16:04 | 0:16:07 | |
to walk to that cafe, | 0:16:07 | 0:16:09 | |
tell Isabel Rainey you're sorry, | 0:16:09 | 0:16:11 | |
but this has all been a terrible mistake, and go home. | 0:16:11 | 0:16:14 | |
And knowing you as I do... | 0:16:14 | 0:16:16 | |
You know what I think? | 0:16:17 | 0:16:18 | |
I think you'll make the right decision for Suzanne. | 0:16:19 | 0:16:22 | |
You'll go home. | 0:16:23 | 0:16:24 | |
Please don't do this. | 0:16:30 | 0:16:32 | |
Please. | 0:16:33 | 0:16:34 | |
-Hey, we good? -Yeah, yeah, yeah. We're good. | 0:16:41 | 0:16:43 | |
Come on. The meeting's about to start. | 0:16:43 | 0:16:45 | |
Thanks for getting my back. I have to talk to Sophia. | 0:16:45 | 0:16:48 | |
Wait, wait. Whoa, hang on, hang on. What just happened? | 0:16:48 | 0:16:50 | |
I gave it to him. | 0:16:52 | 0:16:53 | |
What? You gave the drive to the Times? | 0:16:53 | 0:16:55 | |
-Peter, someone got killed over that. Use it and you go to jail. -I know. | 0:16:55 | 0:16:58 | |
I can't figure out whether you're a saint or a fool. | 0:16:58 | 0:17:02 | |
I don't know what I am. A fool, a criminal... | 0:17:02 | 0:17:04 | |
Maybe I'm just like anybody else trying to do the right thing. | 0:17:04 | 0:17:06 | |
Peter, one thing I know, you're not like anyone else. | 0:17:06 | 0:17:09 | |
ELEVATOR DINGS | 0:17:09 | 0:17:12 | |
Let's go. | 0:17:12 | 0:17:13 | |
RADIO CHATTER | 0:17:14 | 0:17:16 | |
PETER: We can stop this. | 0:17:16 | 0:17:17 | |
Hold it right there. | 0:17:17 | 0:17:19 | |
-It's a private meeting. -I need to speak with Sophia. | 0:17:19 | 0:17:22 | |
I'm sure you do, but that's not going to happen. | 0:17:22 | 0:17:24 | |
You think you've won? You couldn't be more wrong. | 0:17:28 | 0:17:31 | |
I just came from the New York Times. | 0:17:31 | 0:17:32 | |
Everything you've done - the murder, extortion - | 0:17:32 | 0:17:34 | |
-it's all coming out. -Only if they print it. | 0:17:34 | 0:17:36 | |
Oh, they will. | 0:17:36 | 0:17:37 | |
Once they get a look at what's on that flash drive. | 0:17:37 | 0:17:39 | |
-I gave it to them. -Whatever you say, Peter. | 0:17:39 | 0:17:42 | |
Even if for some reason they don't print it, they're not going to ignore her. | 0:17:42 | 0:17:45 | |
Odelle Ballard. | 0:17:45 | 0:17:47 | |
It's awkward to be the last one to know something, so I sympathise. | 0:17:50 | 0:17:53 | |
What are you talking about? | 0:17:53 | 0:17:54 | |
We are acutely aware that Odelle Ballard | 0:17:54 | 0:17:57 | |
is speaking to the New York Times, | 0:17:57 | 0:17:58 | |
but I wouldn't be in my position if I didn't know precisely what she's going to say. | 0:17:58 | 0:18:01 | |
She wants her life back. | 0:18:03 | 0:18:04 | |
She's choosing to keep her family, not destroy them. | 0:18:04 | 0:18:07 | |
She won't say a word about SOC, | 0:18:07 | 0:18:09 | |
nothing about terrorists or the tragic end of her unit. | 0:18:09 | 0:18:13 | |
You see, unlike you, Peter, | 0:18:13 | 0:18:14 | |
Odelle understands the value of her family. | 0:18:14 | 0:18:17 | |
She'll play nice. | 0:18:17 | 0:18:18 | |
-MEN: -Easy. -Come on. Let's go, this way. | 0:18:18 | 0:18:21 | |
Goodbye, Peter. | 0:18:21 | 0:18:22 | |
You might as well join him, Joe. | 0:18:24 | 0:18:25 | |
Your services are no longer required. | 0:18:25 | 0:18:28 | |
-You sure that's the right account? -I'm positive. | 0:18:30 | 0:18:33 | |
-Right. -You ready? | 0:18:33 | 0:18:35 | |
Mm-hm. | 0:18:35 | 0:18:36 | |
KEYBOARD KEYS CLICK | 0:18:39 | 0:18:41 | |
-There's nothing there. -There wouldn't be. | 0:18:42 | 0:18:44 | |
Everything's in the drafts folder. | 0:18:44 | 0:18:46 | |
Bam! | 0:18:49 | 0:18:50 | |
They never send anything over the internet. | 0:18:50 | 0:18:52 | |
It kept them from getting hacked. Until now. | 0:18:52 | 0:18:55 | |
"Operation Beautiful Mind." | 0:18:59 | 0:19:01 | |
That's what they called me? | 0:19:01 | 0:19:03 | |
"Bob Offer showed strong, but non... | 0:19:04 | 0:19:06 | |
"Drugged..." | 0:19:06 | 0:19:08 | |
That's what happened that night? | 0:19:09 | 0:19:11 | |
Why you deleted that e-mail? | 0:19:11 | 0:19:13 | |
She tortured you? | 0:19:14 | 0:19:15 | |
Why didn't you tell me? | 0:19:17 | 0:19:18 | |
Cos she threatened my mother. | 0:19:20 | 0:19:22 | |
I'm, uh... | 0:19:26 | 0:19:27 | |
I'm sorry. | 0:19:27 | 0:19:28 | |
I'm sorry. | 0:19:30 | 0:19:32 | |
Search, uh... | 0:19:33 | 0:19:35 | |
-Yeah. -Search for Randall Walters. | 0:19:35 | 0:19:37 | |
KEYBOARD KEYS CLICK | 0:19:37 | 0:19:39 | |
"Run Rabbit Run." | 0:19:42 | 0:19:43 | |
Open the attachment. | 0:19:48 | 0:19:49 | |
The hotel plans. | 0:19:51 | 0:19:53 | |
It's where your father was murdered. | 0:19:54 | 0:19:55 | |
Finally. The proof she killed him. | 0:19:55 | 0:19:58 | |
Celebrate? | 0:20:03 | 0:20:04 | |
Celebrate? | 0:20:04 | 0:20:05 | |
You know, I don't need to see any more. | 0:20:05 | 0:20:07 | |
-Just... Just send it to the cops. -Oh, no, not the cops. The FBI. | 0:20:07 | 0:20:10 | |
They get all googly-eyed over doc dumps. | 0:20:10 | 0:20:12 | |
Watch. | 0:20:12 | 0:20:14 | |
There's this guy over there who checks his e-mail | 0:20:15 | 0:20:17 | |
every 30 seconds. | 0:20:17 | 0:20:19 | |
-E-MAIL SENDING WHOOSH -Done. -Now what? Hm? | 0:20:22 | 0:20:25 | |
Now we wait. | 0:20:25 | 0:20:27 | |
I've got a better idea. | 0:20:30 | 0:20:31 | |
ELEVATOR DINGS | 0:20:33 | 0:20:34 | |
'We are as stunned as everyone to learn that Sergeant Ballard was alive. | 0:20:39 | 0:20:42 | |
'We are curious about how she spent these last few weeks. | 0:20:42 | 0:20:45 | |
-'We have heard...' -Just give me a second. | 0:20:45 | 0:20:46 | |
'..unsubstantiated rumours | 0:20:46 | 0:20:48 | |
'that Sergeant Ballard has been colluding with the enemy, | 0:20:48 | 0:20:50 | |
'but nothing is confirmed. | 0:20:50 | 0:20:51 | |
'No charges have been filed at this point. | 0:20:51 | 0:20:53 | |
'We're not sure what to believe about Sergeant Ballard.' | 0:20:53 | 0:20:57 | |
My God. | 0:21:10 | 0:21:12 | |
Isabel Rainey. New York Times. | 0:21:16 | 0:21:18 | |
I must say, you look good for someone who has been through hell. | 0:21:18 | 0:21:20 | |
Would you like something to eat? | 0:21:20 | 0:21:22 | |
A coffee, maybe? | 0:21:22 | 0:21:23 | |
-I think I would have missed coffee the most had I been... -No, I'm fine. Thank you. | 0:21:24 | 0:21:28 | |
Is this uncomfortable for you? | 0:21:33 | 0:21:35 | |
We could skip the lunch part and go right to my office. | 0:21:36 | 0:21:39 | |
It's literally across the square. | 0:21:39 | 0:21:40 | |
We could dive right in, you talk, I type. | 0:21:40 | 0:21:42 | |
We could even get a preliminary piece out online today... | 0:21:42 | 0:21:45 | |
What time, um, do Ron and Suzanne get in? | 0:21:45 | 0:21:48 | |
Uh, American Airlines 1138. | 0:21:48 | 0:21:51 | |
Arriving at 4:42. | 0:21:51 | 0:21:53 | |
So, your story... | 0:21:55 | 0:21:57 | |
Are you ready? | 0:21:57 | 0:21:58 | |
What the hell do you want? | 0:22:06 | 0:22:08 | |
I know about Operation Rabbit Run. | 0:22:09 | 0:22:11 | |
I found your e-mails. That account you shared with Ruby? | 0:22:12 | 0:22:16 | |
You don't get to talk about her! You were nothing. A distraction. | 0:22:16 | 0:22:19 | |
You told her what to do. How to kill my father. | 0:22:19 | 0:22:22 | |
You thought she loved you? | 0:22:22 | 0:22:24 | |
-She pitied you. -Then you told her to kill me. | 0:22:24 | 0:22:26 | |
I found her when she was nothing. | 0:22:29 | 0:22:30 | |
I trained her. | 0:22:33 | 0:22:35 | |
What did you ever do besides give her a bullet? | 0:22:36 | 0:22:38 | |
A bullet? FOOTSTEPS APPROACHING | 0:22:38 | 0:22:41 | |
-Wait, wh... -Michael Banks? We have a warrant here for your arrest | 0:22:42 | 0:22:45 | |
for the murder of Randall Walters. | 0:22:45 | 0:22:47 | |
You have the right to remain silent. | 0:22:47 | 0:22:48 | |
-Anything you say... -What do you mean, "A bullet"? | 0:22:48 | 0:22:50 | |
..in a court of law. You have a right to an attorney. | 0:22:50 | 0:22:52 | |
-I didn't kill Ruby. The police did, they shot her! -Back! -You killed her in cold blood. | 0:22:52 | 0:22:56 | |
-I didn't kill her. -Keep telling yourself that. | 0:22:56 | 0:22:58 | |
-I didn't. I didn't. -Ruby had so many chances to kill you, but she didn't and now I know why. | 0:22:58 | 0:23:02 | |
You're a child. She felt sorry for you. | 0:23:02 | 0:23:04 | |
-There was no way you got the drop on Ruby Simms unless she let you. -Get in the car, sir. | 0:23:04 | 0:23:08 | |
-YOU murdered her. -Get in the car! -You're lying! It was the police! | 0:23:08 | 0:23:11 | |
-GUNSHOT RUBY: -The future is jail or death. | 0:23:12 | 0:23:15 | |
-I'm not going to jail. -No, not like this. | 0:23:15 | 0:23:18 | |
-Get in the car. -YOU murdered her! -You're lying! | 0:23:19 | 0:23:21 | |
-HARRISON: Aah! -Police! | 0:23:22 | 0:23:24 | |
Exit the house with your hands in the air! | 0:23:24 | 0:23:26 | |
-BANKS: -'YOU murdered her!' | 0:23:28 | 0:23:31 | |
MUFFLED VOICES TALK AT ONCE | 0:23:31 | 0:23:33 | |
GUNSHOT | 0:23:34 | 0:23:36 | |
PHONE RINGS | 0:23:55 | 0:23:57 | |
Hello? | 0:23:58 | 0:24:00 | |
-Peter Decker? -Kevin Saunders, New York Times. | 0:24:00 | 0:24:02 | |
'Yeah.' | 0:24:02 | 0:24:03 | |
I just want to let you know that we made contact with Odelle Ballard. | 0:24:03 | 0:24:06 | |
She just interviewed with my colleague in Barcelona. | 0:24:06 | 0:24:08 | |
HE SIGHS OK. | 0:24:08 | 0:24:11 | |
What did she say? | 0:24:11 | 0:24:12 | |
It is with great pride that the IMF approves of this debt restructure. | 0:24:13 | 0:24:18 | |
Thank you for the support of the IMF, Monsieur Giroux. | 0:24:18 | 0:24:22 | |
Sophia... | 0:24:22 | 0:24:24 | |
..I think...we're ready. | 0:24:26 | 0:24:29 | |
Thank you. | 0:24:31 | 0:24:32 | |
Is there a problem, Sophia? | 0:24:41 | 0:24:43 | |
What are you waiting for? | 0:24:45 | 0:24:46 | |
I was just... | 0:24:48 | 0:24:49 | |
..hoping for better. | 0:24:51 | 0:24:52 | |
Trust me when I tell you, Prime Minister Tsaldari... | 0:24:55 | 0:24:59 | |
..that this is the best it will ever be. | 0:25:00 | 0:25:03 | |
Alex, may I have a word in my office? | 0:25:18 | 0:25:20 | |
TEXT MESSAGE JINGLE | 0:25:31 | 0:25:32 | |
-PHONES RING AND CHIME -What is going on here? | 0:25:34 | 0:25:38 | |
TEXT MESSAGE JINGLE | 0:25:38 | 0:25:40 | |
It didn't work out, Alex. | 0:25:47 | 0:25:49 | |
You failed. | 0:25:49 | 0:25:51 | |
You underestimated her and now it's out to the world. | 0:25:52 | 0:25:55 | |
Everything Odelle Ballard knows about you and SOC | 0:25:55 | 0:25:59 | |
and all you've done. | 0:25:59 | 0:26:00 | |
My company cannot be associated with your transgressions. | 0:26:02 | 0:26:06 | |
-You know that. -Maybe... | 0:26:06 | 0:26:08 | |
-You could... -What? | 0:26:10 | 0:26:11 | |
I'm afraid you're on your own. | 0:26:15 | 0:26:17 | |
She has proof?! | 0:26:25 | 0:26:26 | |
'A flash drive like yours,' | 0:26:26 | 0:26:28 | |
but hers is taken from Abdul Abbas' computer. | 0:26:28 | 0:26:30 | |
'It covers every transaction.' | 0:26:30 | 0:26:31 | |
That's... That's unbelievable. | 0:26:31 | 0:26:33 | |
She... She survived all this with proof?! | 0:26:33 | 0:26:35 | |
We're planning a number of articles, | 0:26:35 | 0:26:36 | |
including one based on the information you provided. | 0:26:36 | 0:26:39 | |
'Your name will be out there.' | 0:26:39 | 0:26:41 | |
No, that's fine. The feds will find the same information. | 0:26:41 | 0:26:44 | |
'I'll try to get immunity from the Justice Department.' | 0:26:44 | 0:26:46 | |
Great, Peter... and thank you for this. | 0:26:46 | 0:26:49 | |
'We'll be in touch.' | 0:26:49 | 0:26:50 | |
No... No, thank you. | 0:26:50 | 0:26:52 | |
HE SIGHS | 0:26:58 | 0:27:00 | |
-REPORTER: -'Showing a history of Societel paying off terrorist groups | 0:27:04 | 0:27:07 | |
'for almost two decades. | 0:27:07 | 0:27:08 | |
'No word yet on the future of CEO Alex Baker. | 0:27:08 | 0:27:11 | |
'The question now is not whether he will resign, but when? | 0:27:11 | 0:27:15 | |
'This breaking news coming just weeks after | 0:27:15 | 0:27:17 | |
'Baker signed a four-year contract extension | 0:27:17 | 0:27:19 | |
'valued at over 100 million. | 0:27:19 | 0:27:21 | |
'The stock price of SOC...' | 0:27:21 | 0:27:23 | |
PEOPLE SCREAM, BUS BRAKES SCREECH | 0:27:54 | 0:27:56 | |
-MAN 1: -Oh, Jeez! Look at that! Oh! | 0:27:56 | 0:27:58 | |
-MAN 2: -Somebody help him! | 0:27:58 | 0:28:00 | |
PHONE RINGS, HORN HONKS | 0:28:03 | 0:28:07 | |
Sophia. | 0:28:07 | 0:28:08 | |
I-I-I just heard the news about Alex Baker. | 0:28:08 | 0:28:11 | |
'Yeah. It's over.' | 0:28:11 | 0:28:14 | |
-SHE INHALES DEEPLY -How are you doing? | 0:28:14 | 0:28:16 | |
I don't know. A little numb. | 0:28:16 | 0:28:19 | |
Peter, I'm calling to tell you the IMF has already taken action. | 0:28:19 | 0:28:23 | |
All of what my country owes to Societel will be written off. | 0:28:23 | 0:28:26 | |
'We owe them nothing.' | 0:28:26 | 0:28:28 | |
Huh. Congratulations. | 0:28:28 | 0:28:31 | |
Not a bad first week as Prime Minister. | 0:28:31 | 0:28:33 | |
My country has a new debt to pay - to you for your sacrifice. | 0:28:33 | 0:28:37 | |
I am leaving first thing tomorrow, | 0:28:39 | 0:28:41 | |
but I was hoping to begin to repay that debt. | 0:28:41 | 0:28:44 | |
May I bring you to dinner tonight? | 0:28:45 | 0:28:47 | |
HE SIGHS I don't know. | 0:28:47 | 0:28:49 | |
Is there anything left to say? | 0:28:50 | 0:28:53 | |
'There is always "goodbye." ' | 0:28:53 | 0:28:55 | |
One dinner. It would mean a lot to me. | 0:28:55 | 0:28:58 | |
DISTANT SIREN BLARES OK. | 0:28:58 | 0:29:00 | |
I'll see you tonight, eight o'clock, in your hotel. | 0:29:00 | 0:29:03 | |
Peter. | 0:29:03 | 0:29:04 | |
I was hoping I might have a word with you. | 0:29:05 | 0:29:07 | |
Shall we walk? | 0:29:08 | 0:29:09 | |
Such a tragedy, don't you agree? | 0:29:11 | 0:29:14 | |
So, why are we talking? | 0:29:15 | 0:29:16 | |
You're a valuable asset, Peter. | 0:29:16 | 0:29:18 | |
You're smart, resourceful. | 0:29:18 | 0:29:21 | |
How you took down a Goliath organisation like SOC... | 0:29:21 | 0:29:24 | |
-I've got good aim. -Precisely why I want to keep you. | 0:29:24 | 0:29:27 | |
No, you don't. You knew what Baker was up to, | 0:29:27 | 0:29:30 | |
that makes you just as guilty. | 0:29:30 | 0:29:32 | |
There's no evidence of that. | 0:29:32 | 0:29:34 | |
So, you're smarter. Still don't want to work for you. | 0:29:34 | 0:29:37 | |
Stop fighting, Peter. | 0:29:38 | 0:29:40 | |
-Join me. -I made that mistake once. | 0:29:40 | 0:29:44 | |
I can't. | 0:29:44 | 0:29:45 | |
Yes. Peter Decker. | 0:29:48 | 0:29:50 | |
The man who never met a wrong he didn't want to right. | 0:29:50 | 0:29:54 | |
You want to go back to the Justice Department. | 0:29:54 | 0:29:57 | |
Yeah, that's not going to happen. | 0:29:57 | 0:30:00 | |
What I had to do, even if I got immunity... | 0:30:00 | 0:30:03 | |
the Federal Government is not forgiving. | 0:30:03 | 0:30:06 | |
I'm very close with James Sanchez, your old boss. | 0:30:06 | 0:30:09 | |
I could always put in a word. | 0:30:09 | 0:30:10 | |
It's good to have a friend at the Justice Department. | 0:30:13 | 0:30:15 | |
-HE SIGHS -I'll be in touch. | 0:30:25 | 0:30:28 | |
AIRPORT TANNOY CHATTER | 0:30:35 | 0:30:38 | |
-So, we're right on schedule. -Great. | 0:30:42 | 0:30:44 | |
Odelle should be downstairs waiting. | 0:30:44 | 0:30:46 | |
Are you excited to see your mom? | 0:30:47 | 0:30:49 | |
Yeah. I'm not sure why you're here, though. | 0:30:49 | 0:30:51 | |
Uh, to capture the moment for millions of our readers. | 0:30:51 | 0:30:54 | |
Great(!) | 0:30:54 | 0:30:55 | |
AIRPORT TANNOY CHATTER | 0:30:57 | 0:30:59 | |
I don't see her. | 0:31:01 | 0:31:02 | |
-OK. Keep looking. -Is she here? | 0:31:03 | 0:31:05 | |
There's a holding area. Look around. | 0:31:08 | 0:31:10 | |
OK. | 0:31:10 | 0:31:11 | |
-Odelle! -Mom? Mom! | 0:31:18 | 0:31:21 | |
CAMERA SHUTTER CLICKING | 0:31:29 | 0:31:31 | |
BOTH CRY | 0:31:31 | 0:31:34 | |
Oh, my God. I love you. | 0:31:34 | 0:31:36 | |
-I love you so much. -I love you, too. | 0:31:36 | 0:31:38 | |
I never gave up. I never believed them, Mom. | 0:31:38 | 0:31:41 | |
-I love you. -I love you, too. | 0:31:44 | 0:31:47 | |
Did you, did you speak to Isabel? | 0:31:54 | 0:31:56 | |
-I have. Everything's all set. -OK. | 0:31:56 | 0:31:58 | |
What's all set? What's happening? | 0:31:58 | 0:32:00 | |
You're, um... You're going to go with this man and he's going to... | 0:32:00 | 0:32:04 | |
He's going to keep you safe. OK? | 0:32:04 | 0:32:06 | |
-What's going on? -It's OK, honey. | 0:32:06 | 0:32:09 | |
What do you mean, "Keep us safe"? What's happening? | 0:32:09 | 0:32:11 | |
-Mommy? -Um... I can't stay. | 0:32:11 | 0:32:15 | |
What? Why not? | 0:32:16 | 0:32:19 | |
There's going to be an article | 0:32:19 | 0:32:20 | |
written by a woman called Isabel Rainey. | 0:32:20 | 0:32:22 | |
You have to read it and believe it because it's the only truth. | 0:32:22 | 0:32:25 | |
-Odelle... -You're going to hear a lot of lies... | 0:32:25 | 0:32:28 | |
They're going to say I'm a traitor, and... | 0:32:28 | 0:32:30 | |
-And that I'm a liar. -Lied about what? | 0:32:30 | 0:32:33 | |
Oh, God, they're coming. They're here. I've not got much time. | 0:32:33 | 0:32:36 | |
Listen, I'm going to be home soon. I promise, OK? | 0:32:36 | 0:32:39 | |
I promise, I promise. | 0:32:39 | 0:32:41 | |
-PHOTOGRAPHER: -Go. -Please don't go... -OK? | 0:32:41 | 0:32:44 | |
I have to go, honey. I promise I'll be... | 0:32:44 | 0:32:46 | |
-No, please, don't... -I'll be home soon, I promise. | 0:32:46 | 0:32:48 | |
-Mom. -Suzanne. | 0:32:50 | 0:32:52 | |
-SUZANNE CRIES -Suzanne. | 0:32:53 | 0:32:55 | |
She's got to go, Suzanne. She's got to go, she's got to go! | 0:32:57 | 0:32:59 | |
-No! No! -I love you so much. | 0:32:59 | 0:33:01 | |
-Mom! -I'm so sorry. | 0:33:01 | 0:33:02 | |
-GLEN: -There she is. -RADIO 1: -'All team members stand by.' | 0:33:04 | 0:33:07 | |
RADIO 2: 'Target has been spotted, we're moving in.' | 0:33:07 | 0:33:10 | |
-GLEN: -Coming through. | 0:33:10 | 0:33:11 | |
-RADIO 1: -'Let me know if you've got eyes on, keep it moving. | 0:33:11 | 0:33:16 | |
'She's moving fast.' | 0:33:16 | 0:33:17 | |
Where's she going, Ron? I need to protect her. | 0:33:17 | 0:33:19 | |
-We trusted you and you lied to us, you son of a bitch! -You don't understand. | 0:33:20 | 0:33:24 | |
-SUZANNE CRIES -You stay the hell away from us! | 0:33:32 | 0:33:35 | |
All set? | 0:34:06 | 0:34:08 | |
PHONE RINGS | 0:34:15 | 0:34:17 | |
Yes? | 0:34:20 | 0:34:22 | |
What? | 0:34:23 | 0:34:24 | |
But why? | 0:34:25 | 0:34:26 | |
Yeah, OK. | 0:34:26 | 0:34:28 | |
Mm-hm. | 0:34:29 | 0:34:31 | |
Yeah, got it. OK, thank you. | 0:34:31 | 0:34:33 | |
Aslam. | 0:34:33 | 0:34:35 | |
There has been a change. | 0:34:36 | 0:34:38 | |
-Um... -What? What has happened? Is she OK? | 0:34:38 | 0:34:41 | |
Yeah, yeah, she's fine, but, um... | 0:34:41 | 0:34:43 | |
she wants me to take you back to Sassel Beach, | 0:34:43 | 0:34:45 | |
where you will stay with Luc. | 0:34:45 | 0:34:47 | |
-I'll call him. -But... But no. | 0:34:47 | 0:34:50 | |
I'm going to America with Odelle. | 0:34:50 | 0:34:52 | |
-DIALLING TONE -Let me talk to her. -No, you cannot. | 0:34:52 | 0:34:55 | |
You cannot! That was the reporter of the New York Times | 0:34:55 | 0:34:58 | |
delivering a message from her. | 0:34:58 | 0:34:59 | |
You're not going to America. | 0:34:59 | 0:35:02 | |
-Not right now. -But why? Did she change her mind? | 0:35:02 | 0:35:05 | |
-Come on, Luc! -Was it her family? They don't want me to come? | 0:35:05 | 0:35:09 | |
No! No, that's not it. | 0:35:09 | 0:35:11 | |
She just said we must go, now. | 0:35:11 | 0:35:14 | |
-OK? -Aslam... | 0:35:14 | 0:35:16 | |
-PHONE BLEEPS OFF -Aslam, where are you going? | 0:35:16 | 0:35:19 | |
-Aslam. Please, come back. -No. | 0:35:21 | 0:35:23 | |
Something is not right, I have to find her. | 0:35:23 | 0:35:26 | |
Where are you going? Come back! | 0:35:26 | 0:35:29 | |
Just leave me alone. | 0:35:29 | 0:35:31 | |
SHE SIGHS | 0:35:31 | 0:35:33 | |
TV BLARES | 0:35:41 | 0:35:43 | |
-HARRISON GROANS -Hey, Harrison. | 0:35:45 | 0:35:48 | |
What are you doing here, Bob? | 0:35:48 | 0:35:50 | |
-TV: -'You just need about a tablespoon...' | 0:35:50 | 0:35:52 | |
Well, I'm here because you're here. | 0:35:54 | 0:35:57 | |
'The reason being is, the topping is so sweet...' | 0:35:57 | 0:35:59 | |
Your mom said you spoke to the cops. | 0:36:00 | 0:36:03 | |
Self-defence. | 0:36:03 | 0:36:05 | |
'Give this a stir... | 0:36:05 | 0:36:07 | |
'Then you're just going to take your baking dish. | 0:36:07 | 0:36:09 | |
'So you just want to use an 11 x 7 baking dish...' | 0:36:09 | 0:36:11 | |
The Odelle thing is really blowing up. | 0:36:11 | 0:36:14 | |
'And then just take your fruit and sort of...' | 0:36:14 | 0:36:16 | |
'..Odelle Ballard, as she eludes capture in Barcelona, Spain. | 0:36:16 | 0:36:20 | |
'Military sources tell us she is a deserter...' | 0:36:20 | 0:36:23 | |
Harrison, you see what they're doing here?! | 0:36:23 | 0:36:25 | |
-'..As a traitor...' -I mean, are you hearing this? | 0:36:25 | 0:36:27 | |
Harrison, we need to do something, don't we? | 0:36:27 | 0:36:29 | |
'..Successfully killed...' | 0:36:29 | 0:36:31 | |
-Hi, Anna. -Hi, Bob. | 0:36:34 | 0:36:36 | |
Harrison, are you OK? | 0:36:40 | 0:36:43 | |
What do you want, Anna? What do you... | 0:36:43 | 0:36:47 | |
We're worried about you. | 0:36:48 | 0:36:50 | |
(Go...away.) | 0:36:50 | 0:36:54 | |
(Just go away.) | 0:36:58 | 0:37:00 | |
What happened to him? | 0:37:10 | 0:37:12 | |
Everything. | 0:37:12 | 0:37:14 | |
Hey, Sarah. Um, this is message number... | 0:37:17 | 0:37:21 | |
SCOFFS: I don't even know any more. | 0:37:21 | 0:37:24 | |
Uh... | 0:37:24 | 0:37:25 | |
I guess you heard the news. | 0:37:26 | 0:37:28 | |
I just...want to talk. | 0:37:29 | 0:37:32 | |
Now that it's over. | 0:37:32 | 0:37:33 | |
Look, I know I can't undo what I did, but... | 0:37:34 | 0:37:37 | |
..maybe we could start over. | 0:37:39 | 0:37:40 | |
Just... | 0:37:42 | 0:37:43 | |
..call me back when you can. | 0:37:44 | 0:37:46 | |
I've been dreading this goodbye all day, | 0:38:06 | 0:38:08 | |
so I thought I'd get it over with now. | 0:38:08 | 0:38:10 | |
At the beginning of our evening. | 0:38:10 | 0:38:12 | |
Thank you... | 0:38:14 | 0:38:16 | |
For everything you have done for Greece... | 0:38:16 | 0:38:19 | |
and for me, personally. | 0:38:19 | 0:38:20 | |
I know I enticed you into all of this. | 0:38:21 | 0:38:24 | |
Well... | 0:38:24 | 0:38:25 | |
BOTH LAUGH | 0:38:25 | 0:38:28 | |
-I did what I wanted to do. -Oh, it has been an ordeal. | 0:38:28 | 0:38:31 | |
I'm glad we went through it. | 0:38:32 | 0:38:34 | |
In a way... it has brought us closer again. | 0:38:36 | 0:38:39 | |
The last time we parted in shame, | 0:38:43 | 0:38:47 | |
but tonight we part as dear friends. | 0:38:47 | 0:38:50 | |
You will always be in my heart, Peter. | 0:38:52 | 0:38:55 | |
SHE LAUGHS | 0:39:00 | 0:39:02 | |
Next. | 0:39:20 | 0:39:22 | |
Next. | 0:39:29 | 0:39:30 | |
BLEEPING | 0:39:35 | 0:39:37 | |
Isabel Rainey. What is the purpose of your visit? | 0:39:37 | 0:39:40 | |
I'm here to see an old friend. | 0:39:41 | 0:39:44 | |
We got a lot of catching up to do. | 0:39:44 | 0:39:45 | |
-Welcome to the United States. -Thank you. | 0:39:51 | 0:39:54 | |
Next. | 0:39:54 | 0:39:55 |