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This programme contains some violent scenes | 0:00:02 | 0:00:07 | |
Ever hear of Societele Mining, SOC? | 0:00:07 | 0:00:08 | |
Are you going after Alex Baker? | 0:00:08 | 0:00:10 | |
'You talking felony?' | 0:00:10 | 0:00:11 | |
I found something, Harrison! The one thing, like you said. | 0:00:11 | 0:00:13 | |
It's about those Special Ops forces that were killed. | 0:00:13 | 0:00:16 | |
The whole thing is a cover-up. | 0:00:16 | 0:00:17 | |
Danny Gentry? | 0:00:17 | 0:00:18 | |
The CO gave you a direct order to fire on American soldiers? | 0:00:18 | 0:00:21 | |
I was only doing exactly what they told me to do. | 0:00:21 | 0:00:23 | |
-TYRES SCREECH -Danny! | 0:00:23 | 0:00:24 | |
They won't stop until they find me and they kill me. | 0:00:24 | 0:00:27 | |
Only men can go. | 0:00:27 | 0:00:28 | |
I have to keep moving. | 0:00:28 | 0:00:29 | |
MEN CLAP AND CHANT IN NATIVE LANGUAGE | 0:00:39 | 0:00:42 | |
CHANTING DIES DOWN | 0:00:52 | 0:00:53 | |
MEN SHOUT IN NATIVE LANGUAGE | 0:01:07 | 0:01:09 | |
HE CONTINUES TO SHOUT | 0:01:17 | 0:01:19 | |
HE SOBS QUIETLY | 0:01:56 | 0:01:58 | |
Peter? | 0:01:58 | 0:01:59 | |
KNOCKING | 0:02:00 | 0:02:02 | |
-You all right? -Fine. | 0:02:03 | 0:02:05 | |
I'm... | 0:02:05 | 0:02:06 | |
Peter, open the door. | 0:02:06 | 0:02:08 | |
-Hey. -Hey. | 0:02:12 | 0:02:13 | |
-What is it? What happened? -Nothing. | 0:02:13 | 0:02:16 | |
It's OK. | 0:02:16 | 0:02:18 | |
Let's go back to bed, OK? | 0:02:18 | 0:02:21 | |
No, no, no, no. Wait, wait, wait. | 0:02:21 | 0:02:23 | |
Hey. | 0:02:24 | 0:02:26 | |
Look at me. No, look at me. | 0:02:26 | 0:02:28 | |
I don't care what it is. You can tell me. | 0:02:28 | 0:02:31 | |
Just...tell me. | 0:02:31 | 0:02:33 | |
The drone pilot. | 0:02:35 | 0:02:37 | |
Gentry. | 0:02:37 | 0:02:38 | |
He's dead... | 0:02:43 | 0:02:46 | |
because of...because of... | 0:02:46 | 0:02:49 | |
because of me. | 0:02:49 | 0:02:50 | |
HE CRIES | 0:02:50 | 0:02:52 | |
DOOR SLAMS | 0:03:04 | 0:03:05 | |
Josh, stop using my toothbrush. | 0:03:05 | 0:03:07 | |
I didn't touch your disgusting toothbrush. | 0:03:07 | 0:03:09 | |
-I'll get breakfast. -You don't pay attention. -Do I have to go to soccer? | 0:03:09 | 0:03:12 | |
Yes, but I need to pick you up at the late bus. | 0:03:12 | 0:03:14 | |
Why are you guys still in your pyjamas? | 0:03:14 | 0:03:17 | |
Who wants eggs? | 0:03:17 | 0:03:18 | |
-Can we have waffles instead? -No. | 0:03:18 | 0:03:20 | |
'And now to the ongoing debt crisis in Greece. This morning...' | 0:03:20 | 0:03:24 | |
-Turn it up. -'..growing optimism that leaders | 0:03:24 | 0:03:26 | |
'will soon be able to secure a new bailout for that troubled country. | 0:03:26 | 0:03:29 | |
'It's a deal that can't come soon enough for the people of Greece. | 0:03:29 | 0:03:33 | |
'Later in the hour, the frontrunner for Greek Prime Minister, | 0:03:33 | 0:03:36 | |
'Sophia Tsaldari, shares with us | 0:03:36 | 0:03:38 | |
'her startling new vision for Greece.' | 0:03:38 | 0:03:40 | |
-I'd tap that. -Shut up. | 0:03:40 | 0:03:42 | |
TV OFF | 0:03:43 | 0:03:44 | |
-I was watching that. -Can we focus on breakfast, please? | 0:03:44 | 0:03:47 | |
Sophia Tsaldari is, like, amazing. | 0:03:47 | 0:03:50 | |
And she's in New York. | 0:03:50 | 0:03:51 | |
I totally want to meet her. | 0:03:51 | 0:03:53 | |
Dad, do you know anyone who can... | 0:03:53 | 0:03:56 | |
You look terrible. | 0:03:56 | 0:03:58 | |
Wow. You look like crap. | 0:04:01 | 0:04:03 | |
All right, don't do this. | 0:04:03 | 0:04:04 | |
I told you, nothing happened. I...I slept at Russell's. | 0:04:04 | 0:04:07 | |
-Just take the bag, Harrison. -You don't want to hear me out? | 0:04:07 | 0:04:10 | |
You want to throw everything away because you think something happened | 0:04:10 | 0:04:13 | |
when it didn't? All right, there was something | 0:04:13 | 0:04:16 | |
that Russell and I were working on last night. | 0:04:16 | 0:04:18 | |
There's this guy, he's missing. | 0:04:18 | 0:04:20 | |
-That's where I was, with Russell. -What do you mean, missing? | 0:04:20 | 0:04:22 | |
His name is Bob Offer. I don't know. | 0:04:22 | 0:04:25 | |
I was supposed to meet him by that crappy sculpture. | 0:04:25 | 0:04:27 | |
He said he had an e-mail from that woman soldier, Odelle Ballard, | 0:04:27 | 0:04:30 | |
that was sent after she was supposedly killed. | 0:04:30 | 0:04:33 | |
I mean, this could be big. And now we can't find him anywhere. | 0:04:33 | 0:04:37 | |
I need your help. | 0:04:41 | 0:04:43 | |
When was the last time you saw him? | 0:04:43 | 0:04:45 | |
I spoke to him last night. | 0:04:45 | 0:04:46 | |
I was supposed to meet him this morning | 0:04:46 | 0:04:48 | |
with that Time magazine reporter. | 0:04:48 | 0:04:50 | |
-Ruby? -Turns out she doesn't work for Time. | 0:04:50 | 0:04:54 | |
-I'm stunned(!) -Nothing happened. | 0:04:54 | 0:04:56 | |
Yeah, I'll talk to a few people in the Justice Project, | 0:04:56 | 0:04:59 | |
see if your friend Bob is in the system. | 0:04:59 | 0:05:01 | |
So, we'll talk later? | 0:05:02 | 0:05:04 | |
It's our best chance. | 0:05:31 | 0:05:32 | |
Then we can leave? | 0:05:32 | 0:05:34 | |
Yes, by ourselves, to Bamako. | 0:05:34 | 0:05:37 | |
When we get there, I will leave you. | 0:05:37 | 0:05:38 | |
You will be on your own. | 0:05:38 | 0:05:40 | |
I know, you said that. | 0:05:40 | 0:05:42 | |
What will you do? | 0:05:42 | 0:05:44 | |
Who is he? | 0:05:48 | 0:05:50 | |
Glen. | 0:05:50 | 0:05:52 | |
Colonel Stephen Glen. | 0:05:52 | 0:05:55 | |
-Is he in your army? -Yes. | 0:05:55 | 0:05:57 | |
-Assalaamu Alaikum. -Alaikum Assalaamu. | 0:06:00 | 0:06:03 | |
Ohh! | 0:06:16 | 0:06:17 | |
SHOUTING, MUSIC PLAYING | 0:06:32 | 0:06:34 | |
PROTESTORS: Tell us the truth! We want the truth! | 0:06:41 | 0:06:44 | |
You all right? | 0:06:47 | 0:06:49 | |
You hear anything else about her? | 0:06:49 | 0:06:51 | |
Just what the rest of the world is saying. | 0:06:51 | 0:06:54 | |
It's hype, propaganda. | 0:06:54 | 0:06:56 | |
She died with the rest of them. | 0:06:56 | 0:06:58 | |
I don't buy it. | 0:06:58 | 0:07:00 | |
I made another appointment with Ed Dixon | 0:07:05 | 0:07:07 | |
at the US Attorney's office. | 0:07:07 | 0:07:08 | |
I'm going to give him everything we have on Societele. | 0:07:08 | 0:07:11 | |
We got nothing. Gentry's dead. | 0:07:11 | 0:07:13 | |
-Gentry was murdered in broad daylight because of us. -Shh, shh! | 0:07:15 | 0:07:18 | |
The only person that could tell us and the world | 0:07:18 | 0:07:20 | |
what happened to those soldiers is Odelle Ballard. | 0:07:20 | 0:07:23 | |
If she's out there alive, I think we should know that, don't you? | 0:07:23 | 0:07:26 | |
I told you to bring her flowers. | 0:07:28 | 0:07:30 | |
Yeah. Did you find any addresses for me? | 0:07:30 | 0:07:32 | |
Yeah. There's no Bob Offer listed, | 0:07:32 | 0:07:35 | |
but there are two Offers in Manhattan and one in Brooklyn. | 0:07:35 | 0:07:39 | |
-Roslyn Offer. -It's got to be Brooklyn. | 0:07:39 | 0:07:41 | |
Will you send it to me? | 0:07:41 | 0:07:42 | |
-Done. -All right. #OdelleLives is going viral. | 0:07:42 | 0:07:46 | |
Let's release the e-mail when we hit, like, half a million. | 0:07:46 | 0:07:48 | |
Great, you just got to find Bob. | 0:07:48 | 0:07:51 | |
Can you take my bag to your mom's? | 0:07:51 | 0:07:53 | |
Yeah, yeah, man. | 0:07:53 | 0:07:54 | |
She said you can't crash there any more. | 0:07:54 | 0:07:56 | |
It's just something to do with us being pigs, | 0:07:56 | 0:07:59 | |
and me not paying rent. It's just... It's kind of, you know, it's... | 0:07:59 | 0:08:02 | |
-It's me. -That's fine. -Thank you. -Yeah. | 0:08:02 | 0:08:04 | |
-All right, catch you later. -All right, bye. | 0:08:04 | 0:08:06 | |
Where'd you get the file? | 0:08:12 | 0:08:14 | |
Friend of a friend. | 0:08:14 | 0:08:16 | |
Why didn't the IRS pursue Baker? | 0:08:16 | 0:08:18 | |
He struck a deal. | 0:08:18 | 0:08:19 | |
-Can't use it. -I know. | 0:08:19 | 0:08:22 | |
But Gentry told me Societele paid him | 0:08:22 | 0:08:24 | |
to keep quiet about firing on our own troops. | 0:08:24 | 0:08:26 | |
Friendly fire conspiracy? Like that football player. What was his name? | 0:08:26 | 0:08:29 | |
-Tillman. -Tillman. Yeah, Tillman. | 0:08:29 | 0:08:33 | |
-The way Gentry described it, it sounded purposeful. -Premeditated? | 0:08:33 | 0:08:36 | |
OK, why would Societele Mining want to kill American troops? | 0:08:36 | 0:08:39 | |
-That's the million dollar question. -Yeah. And if it's true, it's huge. | 0:08:39 | 0:08:43 | |
But to go up against a behemoth like SOC, | 0:08:43 | 0:08:45 | |
I need more than a dead drone pilot and stolen IRS files. | 0:08:45 | 0:08:48 | |
What if I...poke around a little? Find a disgruntled employee | 0:08:48 | 0:08:51 | |
-who knows something. -They're your client, Peter. | 0:08:51 | 0:08:54 | |
You got breach of confidentiality, | 0:08:54 | 0:08:55 | |
-good faith... -If I get you what you need, | 0:08:55 | 0:08:57 | |
will you find me a place to land back here? | 0:08:57 | 0:08:59 | |
If this pans out, you can write your own ticket. | 0:08:59 | 0:09:03 | |
Good. | 0:09:03 | 0:09:05 | |
Cos I'm going to be out of a job. | 0:09:05 | 0:09:07 | |
SOLDIERS SHOUT IN NATIVE LANGUAGE | 0:09:37 | 0:09:40 | |
BOY SHOUTS | 0:10:04 | 0:10:07 | |
OLD MAN SHOUTS | 0:10:07 | 0:10:08 | |
SOLDIER LAUGHS | 0:10:15 | 0:10:17 | |
Bob? | 0:10:54 | 0:10:56 | |
Are you home? | 0:10:56 | 0:10:58 | |
Is anyone here? | 0:11:01 | 0:11:02 | |
TV PLAYS QUIETLY IN OTHER ROOM | 0:11:02 | 0:11:06 | |
You're not Bob. | 0:12:17 | 0:12:19 | |
Um... | 0:12:19 | 0:12:20 | |
I'm... I'm sorry. | 0:12:24 | 0:12:26 | |
I-I didn't mean to wake you. I'm a friend of Bob's. | 0:12:26 | 0:12:28 | |
I'm Harrison. | 0:12:28 | 0:12:30 | |
Harrison. I know that name. | 0:12:30 | 0:12:32 | |
-Is Bob here? -Oh... Ah... | 0:12:32 | 0:12:35 | |
You're THAT Harrison! | 0:12:35 | 0:12:37 | |
Bob always talks about you. | 0:12:37 | 0:12:39 | |
Do you know where he is? | 0:12:39 | 0:12:41 | |
Busy. He's always busy, my Bob. | 0:12:41 | 0:12:43 | |
When was the last time that you saw him? | 0:12:43 | 0:12:47 | |
Let me think. | 0:12:47 | 0:12:49 | |
-Ohh... -Are you OK? | 0:12:49 | 0:12:51 | |
Do you...want me to make you something to eat? | 0:12:53 | 0:12:55 | |
I don't want to trouble you. | 0:12:55 | 0:12:57 | |
Bob will be home soon. | 0:12:57 | 0:12:59 | |
It's no trouble at all. | 0:12:59 | 0:13:01 | |
BOY MOANS | 0:13:03 | 0:13:05 | |
GUNSHOTS | 0:13:07 | 0:13:09 | |
GUNFIRE AND SHOUTING | 0:13:09 | 0:13:11 | |
What's so important about that? | 0:13:30 | 0:13:33 | |
It's all I've got. | 0:13:37 | 0:13:39 | |
There's a part that's encrypted. | 0:13:44 | 0:13:46 | |
GUNFIRE AND TAUNTING | 0:13:52 | 0:13:54 | |
'Colonel, we've heard the press briefings. | 0:14:00 | 0:14:02 | |
'The bodies of these American heroes are being brought home. | 0:14:02 | 0:14:05 | |
'And yet, the story behind the story, | 0:14:05 | 0:14:07 | |
'it's not going anywhere. | 0:14:07 | 0:14:09 | |
'Odelle Ballard. | 0:14:09 | 0:14:10 | |
'Can you tell us here and now | 0:14:10 | 0:14:12 | |
'whether the Pentagon's going to provide proof of her death | 0:14:12 | 0:14:15 | |
'now that this infamous photo of her | 0:14:15 | 0:14:17 | |
'taken after she is reportedly killed, | 0:14:17 | 0:14:19 | |
'is spreading like wildfire? | 0:14:19 | 0:14:21 | |
'It's a cruel hoax, Joe. As we've repeatedly said, | 0:14:21 | 0:14:24 | |
'all of the members of that special forces team | 0:14:24 | 0:14:27 | |
'were killed in the attack. | 0:14:27 | 0:14:28 | |
'That includes Sergeant Ballard. | 0:14:28 | 0:14:30 | |
'She... | 0:14:30 | 0:14:31 | |
'She was my friend. | 0:14:34 | 0:14:35 | |
'She made the ultimate sacrifice.' | 0:14:35 | 0:14:38 | |
'Here you go, Caillou. | 0:14:38 | 0:14:40 | |
'Do you remember how to feed them? Gentle...' | 0:14:40 | 0:14:43 | |
Caillou? | 0:14:43 | 0:14:44 | |
You haven't watched that since you were four. | 0:14:44 | 0:14:46 | |
You know, it's all right for you to watch the news. | 0:14:53 | 0:14:56 | |
I get it. | 0:14:56 | 0:14:57 | |
I just want us to be able to talk about it. | 0:14:59 | 0:15:02 | |
People are saying Mom's alive. | 0:15:04 | 0:15:06 | |
People who don't even know her. | 0:15:06 | 0:15:07 | |
-I know. -Why don't you believe them? | 0:15:07 | 0:15:09 | |
I want to, more than anything. | 0:15:09 | 0:15:12 | |
But Dolly, they told us... | 0:15:12 | 0:15:15 | |
God... | 0:15:19 | 0:15:20 | |
Your mom was so much better at this stuff. | 0:15:20 | 0:15:23 | |
Stop talking about her like she's dead. | 0:15:23 | 0:15:25 | |
She's not. | 0:15:25 | 0:15:28 | |
You know, this morning when I woke up, | 0:15:28 | 0:15:30 | |
I almost forgot that she... | 0:15:30 | 0:15:33 | |
BOY MOANS | 0:15:40 | 0:15:42 | |
(Aslam.) | 0:15:48 | 0:15:49 | |
BOY MOANS | 0:15:59 | 0:16:01 | |
Shh. | 0:16:12 | 0:16:14 | |
SNORING | 0:16:28 | 0:16:30 | |
-What's going on? -G8 protest. | 0:16:47 | 0:16:49 | |
These people sleep outside, never wash. | 0:16:49 | 0:16:52 | |
They should get job. | 0:16:52 | 0:16:54 | |
'This arrival seems to be causing a commotion with Bowling Green. | 0:16:54 | 0:16:57 | |
'Again, it's her entire motorcade stopping. Just take a look. | 0:16:57 | 0:17:00 | |
'We have the live images here. | 0:17:00 | 0:17:01 | |
'This is Sophia Tsaldari's motorcade. | 0:17:01 | 0:17:04 | |
'Craig Woodhouse, let me start with you. Who is Sophia Tsaldari? | 0:17:04 | 0:17:07 | |
-'Why is she causing such an uproar? -She's frustrating a lot of people, | 0:17:07 | 0:17:10 | |
'not only in Europe but in the US as well. | 0:17:10 | 0:17:12 | |
'She's an extremely popular choice for Greek Prime Minister, | 0:17:12 | 0:17:15 | |
'riding high on this "Greece for the Greeks" platform.' | 0:17:15 | 0:17:18 | |
CHEERING AND SHOUTING | 0:17:18 | 0:17:21 | |
I'm sorry it's so cold. | 0:17:21 | 0:17:22 | |
How are you? | 0:17:22 | 0:17:24 | |
Yes. | 0:17:24 | 0:17:25 | |
Thank you so much. | 0:17:25 | 0:17:26 | |
Ms Tsaldari. | 0:17:26 | 0:17:27 | |
-Ms Tsaldari! -I hope it gets better. -Ms Tsaldari. -It gets better. | 0:17:27 | 0:17:32 | |
I... You... | 0:17:32 | 0:17:35 | |
You're going to change the world. | 0:17:37 | 0:17:38 | |
I certainly hope so. | 0:17:38 | 0:17:40 | |
-What's up? -Hey, hey, hey. #OdelleLives is trending. | 0:17:47 | 0:17:50 | |
Over 200,000 new followers. | 0:17:50 | 0:17:53 | |
Really? That's great. Let's see if we can get some old-media play. | 0:17:53 | 0:17:56 | |
-I got a buddy who PAs at FXN. -All right, good. | 0:17:56 | 0:17:59 | |
-Just need that e-mail. -Whoa, whoa, whoa, whoa. | 0:17:59 | 0:18:02 | |
-Still no Bob? -I'll find him. | 0:18:02 | 0:18:03 | |
Here's your work from school. | 0:18:07 | 0:18:10 | |
Everyone there says to tell you how sorry they are. | 0:18:10 | 0:18:14 | |
Remember Nancy Sullivan? I got a call from her. | 0:18:16 | 0:18:19 | |
She's... Her husband was with Mom. | 0:18:19 | 0:18:21 | |
They're inviting all the families over for dinner, | 0:18:21 | 0:18:24 | |
chance for everyone to get together, | 0:18:24 | 0:18:27 | |
you know, connect. | 0:18:27 | 0:18:29 | |
I don't want to go. | 0:18:29 | 0:18:30 | |
Samantha will be there. | 0:18:30 | 0:18:32 | |
-Probably Tenney's daughter. -I don't care. I'm not going. | 0:18:32 | 0:18:35 | |
That's up to you. | 0:18:35 | 0:18:36 | |
I think it's a good idea. | 0:18:36 | 0:18:38 | |
We're all going through this. | 0:18:38 | 0:18:40 | |
No, we're not. No-one's talking about the rest of them. | 0:18:40 | 0:18:43 | |
They're just talking about Mom. | 0:18:43 | 0:18:45 | |
It's all over the internet. | 0:18:45 | 0:18:47 | |
I told you if there was any chance of that, | 0:18:47 | 0:18:49 | |
they would tell us immediately. | 0:18:49 | 0:18:51 | |
Colonel Glen would be the first to know. | 0:18:51 | 0:18:53 | |
They make mistakes all the time. She's alive. | 0:18:53 | 0:18:56 | |
How could you go to some dinner and pretend she's not? | 0:18:56 | 0:18:58 | |
I'm not pretending. | 0:18:58 | 0:19:00 | |
And I'm just... I need to... | 0:19:00 | 0:19:03 | |
I'm going to go change. | 0:19:03 | 0:19:04 | |
You're OK here by yourself? | 0:19:07 | 0:19:09 | |
If it was you... | 0:19:13 | 0:19:14 | |
Mom wouldn't give up so fast. | 0:19:16 | 0:19:17 | |
Aaghh! | 0:19:55 | 0:19:56 | |
Shh. | 0:20:10 | 0:20:12 | |
OK. | 0:20:18 | 0:20:19 | |
OK, enough. | 0:20:19 | 0:20:20 | |
Aslam, let go. | 0:20:20 | 0:20:22 | |
Aslam, let go. | 0:20:28 | 0:20:29 | |
HE CRIES | 0:20:59 | 0:21:01 | |
Joe, talk to that DoD guy, yet? | 0:21:18 | 0:21:20 | |
Yeah, he didn't know anything. How'd it go with Dixon? | 0:21:20 | 0:21:23 | |
Uh, that was a long shot anyway, right? | 0:21:23 | 0:21:25 | |
He needs more. | 0:21:25 | 0:21:26 | |
Give me the merger files, personnel records, | 0:21:30 | 0:21:32 | |
everything we got on Societele. | 0:21:32 | 0:21:34 | |
What, you didn't get the memo? | 0:21:34 | 0:21:36 | |
We're off Societele. | 0:21:36 | 0:21:37 | |
-Yeah, all corporate intelligence. -What? Why? | 0:21:37 | 0:21:40 | |
Merger deal closed. They're removing files from the building as we speak. | 0:21:40 | 0:21:44 | |
Anthony, right? | 0:21:50 | 0:21:52 | |
Peter Decker, corporate intelligence. | 0:21:52 | 0:21:54 | |
-Take a break for ten minutes. -I got to get these boxes down to the... | 0:21:54 | 0:21:57 | |
I know, I know. I messed up. | 0:21:57 | 0:21:59 | |
I'm supposed to look through these for a deposition. | 0:21:59 | 0:22:01 | |
Five minutes, OK? Come on. | 0:22:01 | 0:22:03 | |
PHONE RINGS | 0:22:12 | 0:22:14 | |
Hey, Christine, what's up? | 0:22:14 | 0:22:15 | |
'Peter, where are you? McDonald wants to see you in his office. | 0:22:15 | 0:22:18 | |
'He's with Baker. As in chairman of SOC Baker.' | 0:22:18 | 0:22:20 | |
Tell him I'll be right there. | 0:22:20 | 0:22:22 | |
Doing any running this weekend? | 0:22:24 | 0:22:27 | |
Peter here is our resident marathoner. | 0:22:27 | 0:22:29 | |
Ran the New York City last November in, what, three hours? | 0:22:29 | 0:22:32 | |
Three hours, 17 minutes. | 0:22:32 | 0:22:34 | |
Takes a certain kind of determination and focus | 0:22:34 | 0:22:36 | |
to accomplish a feat like that. | 0:22:36 | 0:22:37 | |
It's one of the reasons why I knew Peter would be an asset to our firm. | 0:22:37 | 0:22:41 | |
Think you'll find the time to run again this year? | 0:22:41 | 0:22:43 | |
Haven't given it much thought. | 0:22:43 | 0:22:46 | |
What did you want to see me about? | 0:22:46 | 0:22:48 | |
That's why we like you, Peter. Straight to the point. | 0:22:48 | 0:22:51 | |
-Alex? -I assume you're familiar with SOC's holdings in Greece. | 0:22:51 | 0:22:55 | |
Not specifically. I remember it's substantial. | 0:22:55 | 0:22:57 | |
Somewhere in the neighbourhood of 2 billion US. | 0:22:57 | 0:23:00 | |
So a Greek bankruptcy would affect us severely. | 0:23:00 | 0:23:03 | |
Sophia Tsaldari is here in New York | 0:23:03 | 0:23:05 | |
to meet with a select group of business leaders. | 0:23:05 | 0:23:08 | |
We're not on that list...yet. | 0:23:08 | 0:23:11 | |
Then I remembered you once said | 0:23:11 | 0:23:12 | |
you were friendly with the Greek ambassador. He was a school chum. | 0:23:12 | 0:23:15 | |
You want me to arrange a meeting for Societele? | 0:23:15 | 0:23:18 | |
Yes. | 0:23:18 | 0:23:19 | |
It would mean a lot to us. | 0:23:19 | 0:23:23 | |
I'll see what I can do. | 0:23:27 | 0:23:28 | |
Thank you, Peter. | 0:23:28 | 0:23:30 | |
You said you wanted to help. This is how you can help, please. | 0:23:31 | 0:23:34 | |
-OK, yes. -Thank you. | 0:23:34 | 0:23:36 | |
Yeah. It's gonna work if everybody comes together... | 0:23:36 | 0:23:39 | |
You remember me? | 0:23:45 | 0:23:46 | |
-Harrison, hey. -Excuse me! | 0:23:46 | 0:23:48 | |
-Yeah, man, whatever. -Time magazine, huh? So you lied to me. | 0:23:48 | 0:23:51 | |
You called them. | 0:23:51 | 0:23:53 | |
Who the hell are you? | 0:23:53 | 0:23:54 | |
OK. | 0:23:54 | 0:23:56 | |
You got me. | 0:23:56 | 0:23:58 | |
I'm a freelance reporter. | 0:23:58 | 0:24:00 | |
And sometimes I tell a little white lie | 0:24:00 | 0:24:01 | |
to get people to talk to me. Guess what, it worked. | 0:24:01 | 0:24:04 | |
-You talked to me. -You know what, | 0:24:04 | 0:24:06 | |
all I know is, you were the last person I saw | 0:24:06 | 0:24:07 | |
with Bob Offer, and now he's missing. | 0:24:07 | 0:24:10 | |
Is that the guy with the e-mail? | 0:24:10 | 0:24:12 | |
Yeah, and tonight about 200,000 people | 0:24:12 | 0:24:14 | |
are expecting me to post it, | 0:24:14 | 0:24:16 | |
and I have no idea where he is. | 0:24:16 | 0:24:17 | |
Is Bob the only one who has it? | 0:24:17 | 0:24:19 | |
Yeah, and he's not at home. I've checked every precinct. | 0:24:19 | 0:24:22 | |
There's no sign of him anywhere. | 0:24:22 | 0:24:24 | |
So where the hell is he? | 0:24:24 | 0:24:25 | |
I have no idea. | 0:24:25 | 0:24:27 | |
Maybe he got arrested and refused a scan. | 0:24:27 | 0:24:29 | |
Retinal scan. | 0:24:29 | 0:24:31 | |
NYPD uses it to catalogue all the G8 arrests. | 0:24:31 | 0:24:33 | |
I did a story on it. Is Bob the kind of guy to refuse a scan? | 0:24:33 | 0:24:37 | |
Hey, wait! | 0:24:39 | 0:24:41 | |
She has this radiance about her. | 0:24:41 | 0:24:43 | |
It's like royalty or something. | 0:24:43 | 0:24:45 | |
I don't understand. How did you even get into the city? | 0:24:45 | 0:24:47 | |
Caroline and I took the bus. It was no big deal. | 0:24:47 | 0:24:50 | |
You cut class. | 0:24:50 | 0:24:51 | |
Mom, chill, OK? It was Spanish, | 0:24:51 | 0:24:53 | |
and this was a once-in-a-lifetime opportunity. | 0:24:53 | 0:24:55 | |
You can't just leave school. Peter... | 0:24:55 | 0:24:58 | |
You miss a test or anything? | 0:24:59 | 0:25:01 | |
We're watching Spanish soap operas, OK? | 0:25:01 | 0:25:03 | |
And besides, I learned so much more being down there than I did | 0:25:03 | 0:25:06 | |
hanging out in class all day. | 0:25:06 | 0:25:08 | |
DOORBELL RINGS | 0:25:08 | 0:25:10 | |
Expecting someone? | 0:25:11 | 0:25:14 | |
POLICE RADIO CHATTER | 0:25:16 | 0:25:19 | |
KNOCKING | 0:25:19 | 0:25:21 | |
Peter Decker? | 0:25:25 | 0:25:26 | |
-Yes, can I help you? -Mind stepping outside, sir? | 0:25:26 | 0:25:29 | |
-What's this regarding? -We have a warrant for your arrest. | 0:25:29 | 0:25:32 | |
-What? -For the murder of Lieutenant Danny Gentry. | 0:25:32 | 0:25:34 | |
Hang on, wait a second. This is a mistake. | 0:25:34 | 0:25:37 | |
-Peter Decker, you're under arrest for murder. -What?! | 0:25:37 | 0:25:39 | |
-Peter? -Dad? -What's happening? | 0:25:39 | 0:25:41 | |
-You're making a mistake! -You have the right to remain silent. | 0:25:41 | 0:25:43 | |
Where are you going? | 0:25:43 | 0:25:45 | |
-What is going on? -..will be used against you in a court of law. | 0:25:45 | 0:25:48 | |
-They have a search warrant. -Mom, where are they going? | 0:25:48 | 0:25:50 | |
-Is this about Gentry? -It's OK. Call Allan. | 0:25:50 | 0:25:53 | |
You can't take those things. | 0:25:53 | 0:25:55 | |
That's his personal computer. | 0:25:55 | 0:25:56 | |
-That's confidential work... Hey! -Where are you taking him? | 0:25:56 | 0:25:59 | |
-Dad, what's happening? -Josh, it's OK. | 0:25:59 | 0:26:01 | |
Call Allan. I'll be fine, OK? | 0:26:01 | 0:26:03 | |
I'm fine. | 0:26:03 | 0:26:04 | |
-Bob. -Why is she here? | 0:26:29 | 0:26:31 | |
-It's Ruby. She helped me find you. -I've seen you. We've met before. | 0:26:31 | 0:26:34 | |
Yeah, she's the reporter. She's OK. | 0:26:34 | 0:26:35 | |
-Yeah, OK. -All right, is everything all right? | 0:26:35 | 0:26:38 | |
-We've been looking for you. -I need to go home now. | 0:26:38 | 0:26:40 | |
OK, but Bob, Bob, listen to me. | 0:26:40 | 0:26:42 | |
The e-mail from the woman soldier, we need it right away, | 0:26:42 | 0:26:44 | |
because we have this Twitter account with 250,000 followers | 0:26:44 | 0:26:47 | |
-that are just waiting to get it. -OK. | 0:26:47 | 0:26:49 | |
It's still on your computer, right? | 0:26:49 | 0:26:51 | |
So we can hop in a cab, and we'll get you home. We can get it. Sorry. | 0:26:51 | 0:26:54 | |
Hello? | 0:26:54 | 0:26:56 | |
Harrison, where the hell are you? | 0:26:56 | 0:26:57 | |
The cops are clearing the plaza. | 0:26:57 | 0:26:59 | |
Listen, I know, I found Bob. | 0:26:59 | 0:27:01 | |
-'Good, OK. How soon can you get here?' -I have to go to Brooklyn first. | 0:27:01 | 0:27:04 | |
-Like, an hour. -'We don't have an hour.' | 0:27:04 | 0:27:07 | |
By then, we will all be gone or in jail. We need to release it now. | 0:27:07 | 0:27:10 | |
-'Harrison, we can't...' -You know what? | 0:27:10 | 0:27:12 | |
-Just hold on, hold on. What? -Go to the park. | 0:27:12 | 0:27:14 | |
Make sure you have a crowd, and I'll get Bob here back to Brooklyn. | 0:27:14 | 0:27:17 | |
No, uh-uh. I'm good. | 0:27:17 | 0:27:19 | |
They gave me cab fare. | 0:27:19 | 0:27:20 | |
OK, but Bob, listen. | 0:27:20 | 0:27:23 | |
You get this is really important, right? We need that e-mail. | 0:27:23 | 0:27:26 | |
-It's important, I'll send it. -OK. -Definitely. | 0:27:26 | 0:27:29 | |
Thank you. | 0:27:29 | 0:27:31 | |
-I'll be there in five. -'OK, hurry up.' | 0:27:31 | 0:27:33 | |
Somebody, I don't know who, | 0:27:38 | 0:27:39 | |
is trying to implicate me in a crime that I would never commit. | 0:27:39 | 0:27:42 | |
Lieutenant Gentry was a friend. | 0:27:42 | 0:27:44 | |
Whoever killed him and tried to frame me | 0:27:44 | 0:27:46 | |
did an amateurish job, at best. | 0:27:46 | 0:27:48 | |
What was your business with Lieutenant Gentry, again? | 0:27:48 | 0:27:52 | |
Research, it's confidential. | 0:27:52 | 0:27:54 | |
-It's OK? -It's OK. | 0:28:05 | 0:28:08 | |
I was so scared. The kids are here. | 0:28:10 | 0:28:13 | |
I'm OK. I'm OK, hey. | 0:28:13 | 0:28:16 | |
It was a mistake, OK? | 0:28:16 | 0:28:18 | |
OK, all right. | 0:28:18 | 0:28:20 | |
CROWD SHOUTING | 0:28:20 | 0:28:22 | |
..British Petroleum, they're destroying our planet! | 0:28:22 | 0:28:25 | |
We know the truth! | 0:28:25 | 0:28:27 | |
-Did you get the e-mail? -I put Bob in a cab. | 0:28:27 | 0:28:29 | |
He promised to send it as soon as he gets home. | 0:28:29 | 0:28:31 | |
Hey, Mark Greenbarg, FXN. | 0:28:31 | 0:28:32 | |
Let's get you mic'd up, follow me. | 0:28:32 | 0:28:34 | |
They want you on camera as you send the tweet. | 0:28:34 | 0:28:37 | |
-All right, we're going to set up on the steps. -He send it yet? | 0:28:37 | 0:28:40 | |
-No, I... -How long does it take to get to Brooklyn? | 0:28:42 | 0:28:44 | |
Suzanne? | 0:28:45 | 0:28:46 | |
Did you eat something? | 0:28:48 | 0:28:49 | |
'#OdelleLives is now the most trending topic on Twitter.' | 0:29:02 | 0:29:06 | |
And the idea that there's been some type of government cover-up | 0:29:06 | 0:29:09 | |
about these brave soldiers | 0:29:09 | 0:29:11 | |
has really caught fire among the protesters. | 0:29:11 | 0:29:13 | |
We are going to carry that announcement for you live, | 0:29:13 | 0:29:15 | |
right here from Bowling Green Park. | 0:29:15 | 0:29:18 | |
SIREN WAILS | 0:29:18 | 0:29:19 | |
Look, NYPD is moving in at 9pm sharp. | 0:29:19 | 0:29:21 | |
-You want to do this, we got to do it now. -I need to make a call. -Right. | 0:29:21 | 0:29:25 | |
PHONE RINGS | 0:29:29 | 0:29:31 | |
-'Hello?' -Bob, what the hell are you doing? -We got to... | 0:29:38 | 0:29:41 | |
'I just sent it. Check your phone.' | 0:29:41 | 0:29:43 | |
PHONE PINGS | 0:29:43 | 0:29:45 | |
-We got it. -We got it, we got it. -We got it! | 0:29:45 | 0:29:49 | |
-Excuse me. -Are you all ready to hear this? -May I, good sir? | 0:29:49 | 0:29:52 | |
Thank you. | 0:29:52 | 0:29:54 | |
CHEERING | 0:29:56 | 0:29:59 | |
This movement... | 0:30:12 | 0:30:14 | |
Our movement... | 0:30:15 | 0:30:18 | |
CHEERING | 0:30:18 | 0:30:20 | |
..if nothing else, is about finding and telling the truth. | 0:30:20 | 0:30:26 | |
We all know the story of the brave soldiers of Task Force 24, | 0:30:27 | 0:30:31 | |
and their tragic end. | 0:30:31 | 0:30:34 | |
Oh, but we also know that that story is a lie! | 0:30:34 | 0:30:39 | |
Well, we have proof of this lie! | 0:30:39 | 0:30:43 | |
An e-mail sent by Sergeant Ballard | 0:30:43 | 0:30:45 | |
14 hours after the alleged attack happened, | 0:30:45 | 0:30:48 | |
proving she is still alive! | 0:30:48 | 0:30:51 | |
CHEERING | 0:30:51 | 0:30:53 | |
And it's time that we shared that proof with the world. | 0:30:53 | 0:30:58 | |
-Yes! -Right now! | 0:30:58 | 0:30:59 | |
-CROWD CHANT: Right now! -Right now! | 0:30:59 | 0:31:02 | |
-Right now! -Right now! -Right now! | 0:31:02 | 0:31:05 | |
Right now! | 0:31:05 | 0:31:07 | |
Y'all do this with me. | 0:31:12 | 0:31:13 | |
PHONE WHOOSHES | 0:31:19 | 0:31:20 | |
PHONES ALL CHIME | 0:31:20 | 0:31:22 | |
MUSIC FROM "KEYBOARD CAT" PLAYS | 0:31:24 | 0:31:26 | |
CROWD JEERS | 0:31:26 | 0:31:29 | |
Attention, the park is now closed to the general public. | 0:31:37 | 0:31:41 | |
Failure to disperse is a violation | 0:31:41 | 0:31:43 | |
of New York penal code 678.1 subsection B. | 0:31:43 | 0:31:47 | |
Those who remain will be arrested. | 0:31:47 | 0:31:50 | |
It's just a mistake, trust us! | 0:31:50 | 0:31:53 | |
We will figure out. Everybody stay calm, stay calm. | 0:31:53 | 0:31:56 | |
We'll figure this out, come on. You're with us! You're with us! | 0:31:56 | 0:31:59 | |
ANGRY SHOUTING | 0:31:59 | 0:32:01 | |
You're just giving them what they want! | 0:32:01 | 0:32:04 | |
Everyone just stay cool. | 0:32:04 | 0:32:07 | |
-Aaaah! -Stay cool! | 0:32:07 | 0:32:08 | |
We are in this together. | 0:32:08 | 0:32:11 | |
ANIMALS GRUNT | 0:32:19 | 0:32:21 | |
SHE SIGHS | 0:32:24 | 0:32:25 | |
Knife! | 0:33:05 | 0:33:06 | |
Aah! | 0:33:06 | 0:33:07 | |
MEN MUTTER DISAPPROVINGLY | 0:33:13 | 0:33:15 | |
Aah! | 0:33:29 | 0:33:31 | |
American! | 0:33:31 | 0:33:32 | |
I am an American soldier! | 0:33:33 | 0:33:36 | |
SHE SHOUTS IN FOREIGN LANGUAGE | 0:33:36 | 0:33:38 | |
You going for a run? | 0:34:06 | 0:34:08 | |
Now? | 0:34:08 | 0:34:10 | |
I need to clear my head. | 0:34:11 | 0:34:13 | |
It was a misunderstanding, that's all. | 0:34:16 | 0:34:17 | |
They tried to frame you for murder. | 0:34:17 | 0:34:19 | |
And who was it? | 0:34:19 | 0:34:21 | |
Societele? Alex Baker? | 0:34:21 | 0:34:24 | |
Maybe. | 0:34:24 | 0:34:25 | |
Probably. | 0:34:25 | 0:34:27 | |
Allan called. | 0:34:29 | 0:34:30 | |
Those files I copied from Societele, | 0:34:30 | 0:34:34 | |
-they're gone. -Gone? | 0:34:34 | 0:34:35 | |
Police said they went missing. | 0:34:35 | 0:34:37 | |
So, what, they control the police now too? | 0:34:37 | 0:34:39 | |
No, they paid someone off. | 0:34:39 | 0:34:42 | |
It was a warning shot. | 0:34:42 | 0:34:44 | |
-They're afraid of me rocking the boat. -They're afraid? | 0:34:44 | 0:34:47 | |
What about us? | 0:34:47 | 0:34:49 | |
Peter, I'm still shaking from before. | 0:34:49 | 0:34:50 | |
I know. I know. | 0:34:50 | 0:34:53 | |
If it ever gets too close to you or the kids, | 0:34:53 | 0:34:55 | |
threatens you in any way, | 0:34:55 | 0:34:57 | |
I'll stop, done, OK? | 0:34:57 | 0:34:59 | |
OK, but what about you? | 0:34:59 | 0:35:01 | |
I'm going for a run. | 0:35:01 | 0:35:03 | |
ENGINE STARTS AND REVS | 0:35:22 | 0:35:25 | |
Hey! | 0:35:56 | 0:35:58 | |
Keep away from me, my family! | 0:35:58 | 0:36:00 | |
Stay the hell away! | 0:36:00 | 0:36:02 | |
ANGRY SHOUTING | 0:36:10 | 0:36:13 | |
SHE SHOUTS IN FOREIGN LANGUAGE | 0:36:56 | 0:36:58 | |
SHE BREATHES HEAVILY | 0:37:10 | 0:37:13 | |
PHONE RINGS | 0:37:20 | 0:37:22 | |
Hello? | 0:37:28 | 0:37:30 | |
Bob, what the hell? What happened to the e-mail? | 0:37:30 | 0:37:33 | |
Stop yelling at me. | 0:37:33 | 0:37:35 | |
OK, OK. But you have it, right? | 0:37:35 | 0:37:37 | |
-'Bob!' -I have it. | 0:37:39 | 0:37:41 | |
All right, listen. I need it now, | 0:37:41 | 0:37:43 | |
so just send it to me. I'll stay on the phone with you. | 0:37:43 | 0:37:45 | |
I'm sorry. | 0:37:45 | 0:37:47 | |
-Bob! -Sir, I'm going to have to ask you to leave the park. | 0:37:47 | 0:37:50 | |
-Just give me... Bob? -Sir, I'm asking you. | 0:37:50 | 0:37:52 | |
I'm trying... Get off! | 0:37:52 | 0:37:54 | |
I'm...I'm leaving. I'm leaving! | 0:37:54 | 0:37:56 | |
Everything OK? | 0:37:56 | 0:37:58 | |
Yeah, Ma. | 0:37:58 | 0:37:59 | |
It will be. | 0:38:00 | 0:38:02 | |
SHE BREATHES HARD AND FAST | 0:38:15 | 0:38:18 | |
GUNFIRE | 0:38:24 | 0:38:26 | |
SHE WHIMPERS | 0:38:28 | 0:38:30 | |
GUNFIRE, BODIES FALL | 0:38:35 | 0:38:36 | |
Ugh! | 0:38:59 | 0:39:00 |