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This programme contains some violent scenes | 0:00:02 | 0:00:06 | |
All you need to do is drop your ill-advised investigation of my company. | 0:00:06 | 0:00:10 | |
You'll stay away from my family? | 0:00:10 | 0:00:12 | |
-Who is it? -Uh, someone named Khulus. | 0:00:12 | 0:00:14 | |
He wants to meet with you. Can I tag along? | 0:00:14 | 0:00:17 | |
It's not her ring, they got it wrong. | 0:00:17 | 0:00:19 | |
I'm not sure it means anything. | 0:00:19 | 0:00:20 | |
No, Aslam. We need a mechanic. | 0:00:20 | 0:00:22 | |
We'll not stay here. There are bandits on this road. | 0:00:22 | 0:00:25 | |
MEN SHOUTING IN OWN LANGUAGE | 0:00:28 | 0:00:30 | |
ASLAM COUGHS | 0:01:06 | 0:01:08 | |
HE GROANS | 0:01:08 | 0:01:09 | |
MEN LAUGH | 0:01:19 | 0:01:21 | |
Aslam... | 0:01:27 | 0:01:29 | |
Hey, Luc. | 0:01:38 | 0:01:39 | |
She's mine. | 0:01:47 | 0:01:48 | |
I don't think so. | 0:01:50 | 0:01:53 | |
OK, man, I will blow your brains all over this desert. | 0:01:57 | 0:02:00 | |
Then your little band of idiots will kill me | 0:02:00 | 0:02:02 | |
because they won't be thinking | 0:02:02 | 0:02:03 | |
about my much bigger band of idiots | 0:02:03 | 0:02:06 | |
who will hunt each one of your men down, | 0:02:06 | 0:02:08 | |
string them up by their testicles, | 0:02:08 | 0:02:10 | |
and let them hang until they die from the pain. | 0:02:10 | 0:02:13 | |
It's about the money, huh? | 0:02:27 | 0:02:28 | |
Get in the car. | 0:02:42 | 0:02:43 | |
Welcome back. | 0:03:02 | 0:03:03 | |
It's good to see you, Peter. | 0:03:03 | 0:03:06 | |
You look like hell. | 0:03:06 | 0:03:07 | |
HE CHUCKLES | 0:03:07 | 0:03:09 | |
Well, thanks. | 0:03:09 | 0:03:10 | |
Shall we? | 0:03:12 | 0:03:14 | |
Four years ago, Yusuf vanished from our home. | 0:03:14 | 0:03:18 | |
I hired private investigators to find him. | 0:03:18 | 0:03:20 | |
They tracked him to London | 0:03:20 | 0:03:22 | |
where he was staying with a Muslim cleric... Imam Khulus. | 0:03:22 | 0:03:25 | |
Ultimately, the trail ran cold. | 0:03:25 | 0:03:26 | |
Do they have any leads in New York? | 0:03:26 | 0:03:28 | |
Not yet. | 0:03:28 | 0:03:29 | |
Once I hear from them, we'll run down whatever they found. | 0:03:29 | 0:03:33 | |
"We"? Yusuf is still the Jack of Spades. | 0:03:33 | 0:03:35 | |
The future Prime Minister of Greece | 0:03:35 | 0:03:37 | |
can't be seen in the same universe as him. | 0:03:37 | 0:03:39 | |
Then make sure that he knows I am in New York expressly for him. | 0:03:39 | 0:03:44 | |
It's critical. | 0:03:44 | 0:03:45 | |
-I need you to meet with Alex Baker. -Why would I do such a thing? | 0:03:49 | 0:03:52 | |
Because I'm asking you to. | 0:03:52 | 0:03:55 | |
Meet with the man who had my husband killed? | 0:03:55 | 0:03:57 | |
I'm not asking lightly. | 0:03:57 | 0:04:01 | |
If I mean something to you, | 0:04:01 | 0:04:03 | |
if what we... If what we had meant anything at all, | 0:04:03 | 0:04:06 | |
-you'll do this for me. -Now who's manipulating who? | 0:04:06 | 0:04:10 | |
Are you forgetting about that photo of you with Yusuf? | 0:04:10 | 0:04:12 | |
If you don't engage with Baker, he'll use it | 0:04:12 | 0:04:14 | |
to torpedo your campaign. | 0:04:14 | 0:04:15 | |
Buy us time...to find Yusuf. | 0:04:15 | 0:04:18 | |
Without him, we have nothing. | 0:04:18 | 0:04:20 | |
You can do that. At least do that. | 0:04:20 | 0:04:22 | |
Fine. | 0:04:22 | 0:04:25 | |
And for whatever it's worth, I am loyal to you. | 0:04:25 | 0:04:29 | |
And I would never hurt you. | 0:04:29 | 0:04:31 | |
I know. | 0:04:32 | 0:04:34 | |
CALL TO PRAYER PLAYING THROUGH SPEAKER | 0:04:37 | 0:04:39 | |
-What is your name? -Harrison Walters. -Good. | 0:04:47 | 0:04:51 | |
As-salaam alaiku. | 0:04:51 | 0:04:52 | |
Alaikum as-salaam. | 0:04:52 | 0:04:54 | |
Does anyone know you're here? | 0:04:57 | 0:04:59 | |
I didn't... I didn't tell anyone. | 0:04:59 | 0:05:02 | |
Our friend has said kind things about your father. | 0:05:02 | 0:05:05 | |
Y-You mean Yusuf, right? | 0:05:05 | 0:05:07 | |
So what is your plan? How can you be of help to us? | 0:05:09 | 0:05:13 | |
By finishing what my father was writing. | 0:05:13 | 0:05:15 | |
And you work for the New York Times, the Washington Post? | 0:05:15 | 0:05:21 | |
No. | 0:05:21 | 0:05:23 | |
I can do this. I will do this. | 0:05:34 | 0:05:37 | |
Wait outside the barbershop there... | 0:05:47 | 0:05:50 | |
3:00 pm, be prompt. | 0:05:50 | 0:05:53 | |
Allah Hafiz. | 0:05:53 | 0:05:54 | |
Thank you. | 0:05:54 | 0:05:57 | |
DOOR OPENS | 0:05:57 | 0:05:59 | |
So the Fellowship reaches the exit to this place called Moria, | 0:05:59 | 0:06:01 | |
where these massive fire demons are created | 0:06:01 | 0:06:04 | |
by the first Evil Lord, you know, before Sauron. | 0:06:04 | 0:06:06 | |
And then there's also this book called The Silmarillion. | 0:06:06 | 0:06:08 | |
-A tale within a tale. -Yeah. Tolkien is so boss. | 0:06:08 | 0:06:12 | |
Thanks, you know, for buying me the book. | 0:06:12 | 0:06:15 | |
It made me happy, too. | 0:06:15 | 0:06:17 | |
Yeah, I should probably go. | 0:06:17 | 0:06:18 | |
My dad. | 0:06:18 | 0:06:21 | |
Oh, I got you something. | 0:06:21 | 0:06:23 | |
You OK? | 0:06:25 | 0:06:26 | |
You know, if something's bothering you, | 0:06:28 | 0:06:30 | |
I might be able to help. | 0:06:30 | 0:06:32 | |
You know, I want to help. | 0:06:32 | 0:06:33 | |
It's my mom's ring. | 0:06:35 | 0:06:36 | |
It's not hers. I know it. | 0:06:37 | 0:06:39 | |
What makes you say that? | 0:06:39 | 0:06:41 | |
It's got the right date... | 0:06:41 | 0:06:43 | |
you know, which is the wrong date. | 0:06:43 | 0:06:45 | |
It's obvious, but my dad won't see it. | 0:06:47 | 0:06:50 | |
He keeps saying there's probably an explanation. | 0:06:50 | 0:06:52 | |
And I'm like, "Yeah, duh, they're lying." | 0:06:52 | 0:06:56 | |
I don't know. He treats me like I'm crazy. | 0:06:56 | 0:06:59 | |
What do you think? | 0:07:01 | 0:07:03 | |
You're not crazy. | 0:07:03 | 0:07:05 | |
I think you'll know the truth when you feel it... | 0:07:08 | 0:07:11 | |
in here. | 0:07:11 | 0:07:12 | |
And until you do, you don't know the truth. | 0:07:12 | 0:07:15 | |
-Think so? -I do. | 0:07:15 | 0:07:17 | |
And so does every person who ever wrote a book. | 0:07:17 | 0:07:20 | |
-For me? -Mm-hmm. -Thank you. | 0:07:22 | 0:07:24 | |
All right, so what's happened? | 0:07:30 | 0:07:31 | |
You wouldn't be here unless something had happened. | 0:07:31 | 0:07:33 | |
Hmm? | 0:07:33 | 0:07:34 | |
Where are we going? | 0:07:40 | 0:07:42 | |
What's that? | 0:07:42 | 0:07:43 | |
Luc? Luc? All right, stop the truck, now! | 0:07:46 | 0:07:50 | |
SHE GASPS | 0:08:02 | 0:08:04 | |
Surprise. He came to my house. | 0:08:04 | 0:08:06 | |
The son of a bitch came to my house. | 0:08:06 | 0:08:08 | |
So you killed him and brought him here? | 0:08:08 | 0:08:10 | |
-He's not dead. -What? | 0:08:10 | 0:08:13 | |
They showed up, as you said they would. | 0:08:13 | 0:08:16 | |
It wasn't enough they had to kill Serena, now they're trying to kill me? | 0:08:16 | 0:08:19 | |
Well, that's not going to happen. I will not let it. | 0:08:19 | 0:08:22 | |
Yeah, that's right, you son of a bitch. | 0:08:31 | 0:08:34 | |
Now I get to decide who lives and who dies. | 0:08:34 | 0:08:37 | |
How long have you had him? | 0:08:43 | 0:08:45 | |
Three hours, four maybe. | 0:08:45 | 0:08:48 | |
A tracker? Oselas wear trackers. | 0:08:48 | 0:08:50 | |
Let me see it. | 0:08:50 | 0:08:52 | |
-Why? -Curious. | 0:08:52 | 0:08:54 | |
So what now, genius? | 0:08:58 | 0:08:59 | |
You brought him here. | 0:08:59 | 0:09:01 | |
The man needs serious medical attention. | 0:09:01 | 0:09:03 | |
What, you want to save him? | 0:09:03 | 0:09:04 | |
What's your plan? We sit here and watch him die? | 0:09:04 | 0:09:08 | |
No. We'll go to my house in Timbuktu. | 0:09:08 | 0:09:09 | |
I have supplies there. | 0:09:09 | 0:09:11 | |
We go to his house in Timbuktu. | 0:09:13 | 0:09:15 | |
What? | 0:09:19 | 0:09:21 | |
I will guard him. | 0:09:21 | 0:09:22 | |
No, Aslam, that's not a good idea. | 0:09:22 | 0:09:24 | |
It's good. I will watch him. | 0:09:24 | 0:09:27 | |
ENGINE REVS | 0:09:31 | 0:09:32 | |
He so much as blinks, | 0:09:32 | 0:09:35 | |
-bang on that window, and you get my attention. You hear me? If he blinks. -OK. | 0:09:35 | 0:09:39 | |
CAR DOOR CLOSES | 0:09:39 | 0:09:41 | |
Hey. Where's Mom? | 0:09:53 | 0:09:56 | |
You OK? | 0:09:56 | 0:09:57 | |
What's up, kiddo? | 0:09:59 | 0:10:00 | |
When are we coming home? | 0:10:02 | 0:10:04 | |
Mom won't tell me. | 0:10:04 | 0:10:06 | |
She says she's fine, but I hear crying at night. | 0:10:06 | 0:10:09 | |
And I don't even know why we left. | 0:10:09 | 0:10:12 | |
Please don't get a divorce. | 0:10:12 | 0:10:14 | |
I'm sorry about Cameron, OK? | 0:10:14 | 0:10:16 | |
And if that's why you guys are fighting, | 0:10:16 | 0:10:19 | |
it's my fault, and I'm sorry, OK? | 0:10:19 | 0:10:21 | |
Listen to me. You listening? | 0:10:21 | 0:10:25 | |
None of this has anything to do with you. | 0:10:25 | 0:10:28 | |
Your mom and I aren't getting a divorce. | 0:10:28 | 0:10:31 | |
It's just some things at work I need to deal with. | 0:10:31 | 0:10:33 | |
But none of it is worth you worrying about. | 0:10:33 | 0:10:37 | |
We'll figure it out, your mother and I. | 0:10:37 | 0:10:40 | |
But it is never, never you. | 0:10:40 | 0:10:43 | |
OK? Or your bozo brother. | 0:10:44 | 0:10:47 | |
BOTH CHUCKLE | 0:10:47 | 0:10:50 | |
Why doesn't she say that, then? | 0:10:50 | 0:10:53 | |
She never tells me anything. | 0:10:53 | 0:10:56 | |
Because she's your mom. | 0:10:56 | 0:10:57 | |
And she's trying to protect you, and that's what moms do. | 0:10:57 | 0:11:00 | |
Hmm? | 0:11:00 | 0:11:01 | |
PHONE RINGS | 0:11:01 | 0:11:03 | |
HE SIGHS | 0:11:07 | 0:11:09 | |
I'm sorry, sweetie. I need to take this. | 0:11:09 | 0:11:13 | |
-Sophia. -Peter? | 0:11:13 | 0:11:14 | |
We found him... Yusuf's contact, | 0:11:14 | 0:11:17 | |
the cleric from London. | 0:11:17 | 0:11:19 | |
He emigrated here three years ago to run a mosque. | 0:11:19 | 0:11:22 | |
What's the name of the mosque? | 0:11:22 | 0:11:24 | |
Al Kaoutar, in Coney Island. | 0:11:24 | 0:11:26 | |
OK, I-I'll be there as soon as I can. | 0:11:29 | 0:11:30 | |
Go now, Peter. Time is not our friend here. | 0:11:30 | 0:11:34 | |
OK, I'll go now. | 0:11:36 | 0:11:38 | |
Was that Sophia Tsaldari? | 0:11:38 | 0:11:40 | |
Yes. | 0:11:40 | 0:11:41 | |
Mom talks about her. Doesn't like her very much. | 0:11:41 | 0:11:45 | |
I love you, sweetie. | 0:11:48 | 0:11:51 | |
Head back to Grammy's. | 0:11:51 | 0:11:52 | |
I'll check in with you later, OK? | 0:11:52 | 0:11:54 | |
Imam. | 0:12:10 | 0:12:12 | |
I'm Peter Decker. I called earlier. | 0:12:12 | 0:12:15 | |
I know you're being watched. I was careful. | 0:12:15 | 0:12:17 | |
I have to talk to Yusuf in person. | 0:12:17 | 0:12:20 | |
I'm sorry, Mr Decker, | 0:12:20 | 0:12:21 | |
but as I told you on the phone, I do not know this man Yusuf. | 0:12:21 | 0:12:24 | |
We both know that isn't true. | 0:12:24 | 0:12:26 | |
I know you're protecting him. | 0:12:26 | 0:12:29 | |
I know about Black Sands and SOC. | 0:12:29 | 0:12:31 | |
I know Yusuf is innocent. | 0:12:31 | 0:12:33 | |
Good luck with your search. | 0:12:33 | 0:12:34 | |
Sophia Tsaldari asked me to come. | 0:12:34 | 0:12:37 | |
She's in New York. | 0:12:39 | 0:12:41 | |
She asked me to contact you and offer her... | 0:12:41 | 0:12:43 | |
Our help. | 0:12:43 | 0:12:45 | |
What kind of help? | 0:12:45 | 0:12:47 | |
We can get him to Greece | 0:12:47 | 0:12:48 | |
He can tell his story safely under her protection. | 0:12:48 | 0:12:50 | |
Tsaldari I know. But who are you? | 0:12:50 | 0:12:54 | |
Look me up. I was with the Justice Department. | 0:12:55 | 0:12:58 | |
I'm sure this Yusuf person would find that most comforting. | 0:12:58 | 0:13:01 | |
I know the back channels that can get him out of the US. | 0:13:01 | 0:13:04 | |
I'm a friend. | 0:13:07 | 0:13:08 | |
I want to help. | 0:13:09 | 0:13:10 | |
Think about it and call me. | 0:13:13 | 0:13:15 | |
I'll meet wherever he wants. | 0:13:15 | 0:13:17 | |
My cell number's on the back. | 0:13:17 | 0:13:20 | |
-What's going on? -My mom's sleeping. | 0:13:25 | 0:13:29 | |
Ruby's lying about who she is, and I have proof. | 0:13:29 | 0:13:33 | |
The real Ruby Simms died when she was 16... | 0:13:39 | 0:13:41 | |
Murdered. Look. | 0:13:41 | 0:13:44 | |
What is this? | 0:13:47 | 0:13:49 | |
They went to camp together. She's been lying from the beginning. | 0:13:49 | 0:13:52 | |
She told us she was from Time magazine, remember? | 0:13:52 | 0:13:54 | |
Yes, and she explained that. | 0:13:54 | 0:13:56 | |
And then there was that thing that happened in the park. | 0:13:56 | 0:13:58 | |
What thing at the park? | 0:13:58 | 0:14:00 | |
Nothing. L-Look, she's been lying. | 0:14:00 | 0:14:02 | |
And now she's even lying about who she is. | 0:14:02 | 0:14:06 | |
Who she is, Harrison. | 0:14:06 | 0:14:09 | |
Plus, I don't trust anyone with... | 0:14:09 | 0:14:13 | |
explanations. | 0:14:13 | 0:14:16 | |
I just... I didn't want you to do anything rash, | 0:14:16 | 0:14:21 | |
without you knowing this. | 0:14:21 | 0:14:23 | |
She's dangerous. | 0:14:23 | 0:14:25 | |
You can't get too close. | 0:14:25 | 0:14:27 | |
"Too close"? | 0:14:27 | 0:14:28 | |
Yeah, too close. | 0:14:28 | 0:14:31 | |
I care about you, Harrison. | 0:14:34 | 0:14:36 | |
I just wanted you to know that. | 0:14:37 | 0:14:40 | |
OK, and I care about you too, Bob. | 0:14:40 | 0:14:42 | |
Really? | 0:14:43 | 0:14:45 | |
Yeah, I mean... | 0:14:45 | 0:14:47 | |
No, that is... | 0:14:50 | 0:14:52 | |
That's not what I meant by that. | 0:14:52 | 0:14:55 | |
No, Harrison, I, um... | 0:14:55 | 0:14:56 | |
-Oh, God! -It's OK. | 0:14:56 | 0:14:58 | |
It's OK, Bob. Just... | 0:14:58 | 0:15:00 | |
Don't worry about it, and, uh, I'll, uh... | 0:15:00 | 0:15:03 | |
I'll talk... Talk... Talk to you later. | 0:15:03 | 0:15:05 | |
DOOR CLOSES | 0:15:08 | 0:15:09 | |
Hello. | 0:15:17 | 0:15:19 | |
What do you want? | 0:15:40 | 0:15:41 | |
Please. | 0:15:49 | 0:15:51 | |
My husband already spoke yesterday to Homeland Security. | 0:15:51 | 0:15:53 | |
I also know he's in contact with Yusuf Qasim. | 0:15:53 | 0:15:56 | |
He arranged a meeting with a young man, | 0:16:01 | 0:16:03 | |
Harrison Walters, who came to your mosque last night. | 0:16:03 | 0:16:06 | |
So here's your choice. | 0:16:06 | 0:16:08 | |
I tell my superiors what I know - today - | 0:16:08 | 0:16:12 | |
and set your world on fire... | 0:16:12 | 0:16:14 | |
Or you tell me one little piece of information, | 0:16:16 | 0:16:18 | |
and then you and your terrorist husband get to live in peace. | 0:16:18 | 0:16:22 | |
What is this information? | 0:16:22 | 0:16:25 | |
Where and when is Harrison Walters meeting Yusuf? | 0:16:25 | 0:16:27 | |
Where were you? | 0:16:39 | 0:16:41 | |
Bookstore. | 0:16:41 | 0:16:42 | |
Set the table? | 0:16:46 | 0:16:48 | |
Was that woman there? | 0:16:52 | 0:16:54 | |
How many times have you seen her? | 0:16:58 | 0:17:00 | |
-Twice, three times? -Three times. | 0:17:00 | 0:17:03 | |
It's not a big deal. | 0:17:03 | 0:17:04 | |
We just talk about Lord Of The Rings. | 0:17:04 | 0:17:06 | |
No, of course not. | 0:17:06 | 0:17:07 | |
I just... | 0:17:07 | 0:17:09 | |
I need her phone number. | 0:17:10 | 0:17:12 | |
-For what? -To talk. | 0:17:12 | 0:17:14 | |
I need to know who she is. | 0:17:14 | 0:17:16 | |
Maybe we can have her over. | 0:17:16 | 0:17:19 | |
KNOCK AT DOOR | 0:17:19 | 0:17:21 | |
Colonel, please come in. | 0:17:27 | 0:17:29 | |
The unfortunate reality is, | 0:17:29 | 0:17:31 | |
and I'm sorry to be so blunt, Suzanne, | 0:17:31 | 0:17:33 | |
sometimes the bodies of our soldiers | 0:17:33 | 0:17:35 | |
are stripped of valuables before they can be recovered. | 0:17:35 | 0:17:38 | |
The army, in an effort | 0:17:38 | 0:17:40 | |
to spare military families any more heartache, | 0:17:40 | 0:17:42 | |
will often replace sentimental items | 0:17:42 | 0:17:45 | |
such as wedding rings, from their records. | 0:17:45 | 0:17:47 | |
So the Army made another ring? | 0:17:47 | 0:17:49 | |
I'm afraid so. | 0:17:49 | 0:17:50 | |
I didn't know about it, of course, or I would've put a stop to it. | 0:17:50 | 0:17:54 | |
-You're a liar. -Suzanne! | 0:17:54 | 0:17:55 | |
-I'm sorry you feel that way. -He may believe you, but I don't. | 0:17:55 | 0:17:59 | |
Julia's the only one who listens to me. | 0:17:59 | 0:18:01 | |
Maybe that's why you think it's so wrong. | 0:18:01 | 0:18:04 | |
Suzanne. Come back here! | 0:18:04 | 0:18:06 | |
It's an emotional time. It's a lot for a young girl to take in. | 0:18:07 | 0:18:11 | |
DOOR SLAMS I should go talk to her. | 0:18:11 | 0:18:13 | |
Yes, of course. | 0:18:13 | 0:18:15 | |
I've kept you long enough. | 0:18:15 | 0:18:18 | |
Oh, by the way, who's Julia? | 0:18:18 | 0:18:21 | |
May I ask you a question? | 0:18:24 | 0:18:26 | |
Why did they tell you to download it? | 0:18:26 | 0:18:29 | |
What are you talking about? | 0:18:29 | 0:18:31 | |
Hey, come on, I was in the army. | 0:18:31 | 0:18:32 | |
I know you don't even hiccup without getting permission. | 0:18:32 | 0:18:36 | |
-They didn't ask me to download it. -HE SCOFFS | 0:18:36 | 0:18:39 | |
So all of this is happening to me because you defied an order? | 0:18:39 | 0:18:42 | |
Yeah. Wait. You were in the army? | 0:18:42 | 0:18:45 | |
What, like, the French army? | 0:18:45 | 0:18:48 | |
The Foreign Legion. | 0:18:48 | 0:18:49 | |
You do realise, if you had just followed the order, | 0:18:49 | 0:18:52 | |
you would not be here. I wouldn't be here. | 0:18:52 | 0:18:54 | |
The people who are dead would still be alive. | 0:18:54 | 0:18:56 | |
Yes, I am aware of that, Luc. I'm very aware. | 0:18:56 | 0:18:59 | |
I downloaded it because I knew there was something odd. | 0:18:59 | 0:19:02 | |
I just didn't realise how off. | 0:19:02 | 0:19:03 | |
In fact, I could never imagine I could be that far off, OK? | 0:19:03 | 0:19:07 | |
I had a good life until you came. | 0:19:07 | 0:19:09 | |
So when did you get discharged? | 0:19:12 | 0:19:14 | |
Hmm? From the army? | 0:19:14 | 0:19:17 | |
Do they even call the Foreign Legion an army? | 0:19:17 | 0:19:19 | |
What, you went AWOL? | 0:19:21 | 0:19:24 | |
You went AWOL? | 0:19:24 | 0:19:25 | |
-I don't want to talk about it, OK? -I bet you don't. | 0:19:25 | 0:19:29 | |
Huh. That explains a lot. | 0:19:29 | 0:19:31 | |
-ALEX: -Shall we get started? | 0:19:35 | 0:19:37 | |
At last, the people's candidate of Greece | 0:19:37 | 0:19:41 | |
has agreed to sit down with us. | 0:19:41 | 0:19:42 | |
You can thank Peter for that. | 0:19:42 | 0:19:44 | |
Oh, yes. Thank you, Peter. | 0:19:44 | 0:19:46 | |
And thank you, Sophia, for taking time to sit with us | 0:19:48 | 0:19:51 | |
during the last days of your campaign. | 0:19:51 | 0:19:53 | |
I can imagine how demanding your time must be. | 0:19:53 | 0:19:57 | |
How could I not meet with a man | 0:19:57 | 0:19:58 | |
with such a distinguished reputation? | 0:19:58 | 0:20:01 | |
Congratulations. I hear the campaign is going very well. | 0:20:01 | 0:20:04 | |
Now, what do we do | 0:20:06 | 0:20:08 | |
about the Greek debt problem? | 0:20:08 | 0:20:11 | |
-If you're elected... -When I'm elected, I will implement my promise of debt reform, | 0:20:11 | 0:20:16 | |
root out corruption wherever I find it. | 0:20:16 | 0:20:20 | |
-You mean default. -"Default"? No. | 0:20:20 | 0:20:23 | |
No, it is merely following the law. | 0:20:23 | 0:20:26 | |
Well, goodie for us. | 0:20:26 | 0:20:28 | |
Since SOC has not done anything illegal or corrupt, | 0:20:28 | 0:20:31 | |
that won't be a problem. | 0:20:31 | 0:20:32 | |
Peter, why don't you present our offer to our guest? | 0:20:33 | 0:20:37 | |
I think she'd appreciate it most coming from you. | 0:20:37 | 0:20:41 | |
Of course. | 0:20:41 | 0:20:43 | |
My client is willing to accept 50 cents on the dollar, | 0:20:44 | 0:20:47 | |
effectively cutting your balance due in... | 0:20:47 | 0:20:49 | |
Half, yes, I understand mathematics. | 0:20:49 | 0:20:52 | |
If Greece defaults on the debt, | 0:21:00 | 0:21:03 | |
your price of credit will skyrocket. | 0:21:03 | 0:21:05 | |
Your country will need another bailout, | 0:21:05 | 0:21:07 | |
and the cycle continues. | 0:21:07 | 0:21:08 | |
Our repayment terms are very lenient, | 0:21:08 | 0:21:10 | |
allowing Greece to avoid bankruptcy. | 0:21:10 | 0:21:12 | |
You'll be seen as a fiscally responsible leader | 0:21:12 | 0:21:14 | |
right out of the gate. | 0:21:14 | 0:21:16 | |
You knew my husband, Christos, Mr Baker. | 0:21:18 | 0:21:21 | |
What do you think he would say about this deal? | 0:21:23 | 0:21:26 | |
I'd like a moment alone with Ms Tsaldari, please. | 0:21:31 | 0:21:34 | |
TENSE SCORE | 0:21:34 | 0:21:36 | |
PHONE RINGS | 0:21:46 | 0:21:49 | |
-KHULUS: -I didn't know who else to call. | 0:21:49 | 0:21:51 | |
-What is it? -You said you could get him to Greece, protect him. | 0:21:51 | 0:21:55 | |
Can you? | 0:21:55 | 0:21:57 | |
Yes. I'll do everything I can. | 0:21:57 | 0:21:58 | |
In one hour, he'll be at Bashshar Barbershop | 0:21:58 | 0:22:02 | |
on Avenue H in Coney Island. | 0:22:02 | 0:22:04 | |
Someone was here just now. | 0:22:04 | 0:22:06 | |
I don't know if they were FBI or Homeland Security, | 0:22:06 | 0:22:09 | |
but they threatened my wife. | 0:22:09 | 0:22:12 | |
She told them the meeting place. | 0:22:12 | 0:22:14 | |
I'm leaving now. | 0:22:14 | 0:22:17 | |
PROTESTORS SHOUT AND SIRENS WAIL | 0:22:17 | 0:22:19 | |
Harrison Walters? | 0:22:37 | 0:22:38 | |
Are you Yusuf? | 0:22:38 | 0:22:40 | |
No, he's close. | 0:22:40 | 0:22:42 | |
SIREN WAILS | 0:22:42 | 0:22:45 | |
Why should he trust you? | 0:22:58 | 0:22:59 | |
GUNSHOT PEOPLE SCREAM | 0:22:59 | 0:23:03 | |
Hey, hey! | 0:23:10 | 0:23:12 | |
Hey, who the hell are you? Hey! | 0:23:15 | 0:23:17 | |
HEARTBEAT THUMPING | 0:23:33 | 0:23:35 | |
AUDIO DISTORTED | 0:23:36 | 0:23:40 | |
-RUBY: -Harrison! | 0:23:44 | 0:23:46 | |
HORN HONKS | 0:23:46 | 0:23:47 | |
Harrison! | 0:23:47 | 0:23:48 | |
Harrison, hey! | 0:23:52 | 0:23:54 | |
What happened? | 0:23:54 | 0:23:55 | |
-Are you OK? -What are you doing here? | 0:23:55 | 0:23:58 | |
What are you doing? What are you doing? | 0:23:58 | 0:24:00 | |
I heard about the protest, and I came here to write a story. | 0:24:00 | 0:24:02 | |
What happened to you? | 0:24:02 | 0:24:04 | |
Uh, I was... | 0:24:04 | 0:24:06 | |
I was supposed to meet Yusuf, but it... It wasn't Yusuf. | 0:24:06 | 0:24:09 | |
It was someone else. | 0:24:09 | 0:24:12 | |
And suddenly, his head blew up. | 0:24:15 | 0:24:17 | |
His head blew up. | 0:24:17 | 0:24:18 | |
Come on. | 0:24:23 | 0:24:24 | |
Let's go home. | 0:24:24 | 0:24:26 | |
Come on. | 0:24:26 | 0:24:28 | |
Come here. | 0:24:30 | 0:24:32 | |
FRANK COUGHS | 0:24:49 | 0:24:51 | |
No, no, no, wait, wait. | 0:24:52 | 0:24:54 | |
You're that kid, right? | 0:24:56 | 0:24:58 | |
The one who took her to Tessalit. | 0:24:58 | 0:25:01 | |
No, no. Don't you want to hear about it? | 0:25:01 | 0:25:04 | |
Your father? How he died? | 0:25:04 | 0:25:07 | |
Come here. | 0:25:07 | 0:25:08 | |
HE COUGHS | 0:25:08 | 0:25:10 | |
Let me tell you. | 0:25:10 | 0:25:11 | |
He was brave. | 0:25:11 | 0:25:13 | |
He suffered. | 0:25:13 | 0:25:15 | |
THEY GRUNT | 0:25:15 | 0:25:18 | |
Stop! Stop the car! Stop the car! | 0:25:20 | 0:25:23 | |
What the... | 0:25:23 | 0:25:25 | |
Aslam! | 0:25:25 | 0:25:27 | |
Hey, you OK? | 0:25:27 | 0:25:29 | |
Come on. | 0:25:29 | 0:25:30 | |
Your gun. Give me your gun. | 0:25:30 | 0:25:32 | |
It's OK. It's OK. Here, lean on me. | 0:25:32 | 0:25:35 | |
There's only one person here who wants you alive, | 0:25:44 | 0:25:47 | |
and that's me. | 0:25:47 | 0:25:48 | |
Don't push it, or I'm going to kill you. | 0:25:48 | 0:25:50 | |
Unless I kill you first. | 0:25:50 | 0:25:51 | |
HE SPLUTTERS | 0:25:51 | 0:25:52 | |
Let me tell you a secret, my stupid friend. | 0:25:57 | 0:25:59 | |
You've failed to kill her how many times? | 0:25:59 | 0:26:02 | |
Huh? | 0:26:02 | 0:26:03 | |
And now here she is on a silver platter | 0:26:03 | 0:26:06 | |
delivered by me. | 0:26:06 | 0:26:08 | |
So here's what we're going to do. | 0:26:08 | 0:26:10 | |
Since I've been so helpful, you and your Osela friends | 0:26:10 | 0:26:13 | |
will take her and this whole mess away. | 0:26:13 | 0:26:16 | |
And I will never see you or any Osela ever again, | 0:26:16 | 0:26:19 | |
you understand? | 0:26:19 | 0:26:21 | |
He doesn't get it. | 0:26:24 | 0:26:26 | |
He thinks talking to you is dumb or something. | 0:26:26 | 0:26:29 | |
He just doesn't like it. | 0:26:29 | 0:26:31 | |
Unless he can get to know you. | 0:26:31 | 0:26:33 | |
He wants you to come over for dinner. | 0:26:33 | 0:26:36 | |
That's OK, right? | 0:26:38 | 0:26:40 | |
Suzanne, he's your dad. | 0:26:40 | 0:26:43 | |
And I know he might not be showing it, | 0:26:43 | 0:26:45 | |
but he's in a lot of pain about your mom. | 0:26:45 | 0:26:47 | |
-But that doesn't mean... -He's going through a lot right now, | 0:26:47 | 0:26:50 | |
and I don't want to make things harder. | 0:26:50 | 0:26:52 | |
-I think it might be best if we just... -I knew it. I knew he would ruin this. I hate him. | 0:26:52 | 0:26:58 | |
-You don't mean that. -I do. | 0:26:58 | 0:27:00 | |
He's frozen. | 0:27:00 | 0:27:02 | |
Mom's alive, and he just sits there, | 0:27:02 | 0:27:04 | |
ruining everything for me. | 0:27:04 | 0:27:05 | |
Suzanne, it's not his fault. | 0:27:05 | 0:27:07 | |
He's doing the best he can. | 0:27:07 | 0:27:08 | |
Look, I'm sure we can see each other again. I think it's just important that we... | 0:27:08 | 0:27:12 | |
BEGINS CHOKING | 0:27:12 | 0:27:13 | |
Suzanne? Are you OK? | 0:27:13 | 0:27:16 | |
SHE GASPS | 0:27:16 | 0:27:17 | |
Oh, my God. Somebody call an ambulance, please. | 0:27:17 | 0:27:20 | |
PEOPLE SHOUT | 0:27:20 | 0:27:22 | |
How are you feeling? | 0:27:26 | 0:27:28 | |
Harrison, you OK? | 0:27:30 | 0:27:32 | |
Who are you? | 0:27:39 | 0:27:41 | |
I mean, really, for once, the truth, who are you? | 0:27:44 | 0:27:47 | |
I don't... I don't know what you're talking... | 0:27:51 | 0:27:53 | |
Bob found a photo of you when you were younger. | 0:27:53 | 0:27:56 | |
Your name wasn't Ruby Simms. | 0:27:57 | 0:28:00 | |
My real name is Rikki...Castillo. | 0:28:09 | 0:28:13 | |
This is complicated. | 0:28:14 | 0:28:16 | |
I'm listening. | 0:28:16 | 0:28:17 | |
I was... I was abused when I was little. | 0:28:20 | 0:28:24 | |
So, to get away from my parents, | 0:28:26 | 0:28:27 | |
every summer I went to this sleep-away camp. | 0:28:27 | 0:28:30 | |
It's, like, a camp for troubled kids, | 0:28:30 | 0:28:33 | |
you know, juvenile delinquents. | 0:28:33 | 0:28:36 | |
My best friend was a girl named Ruby Simms. | 0:28:38 | 0:28:40 | |
I remember this field, and at the far end of it | 0:28:43 | 0:28:46 | |
was this galaxy of fireflies | 0:28:46 | 0:28:50 | |
swarming everywhere. | 0:28:50 | 0:28:53 | |
She called it "The edge of the world". | 0:28:53 | 0:28:55 | |
We hung out there every night, | 0:28:57 | 0:28:59 | |
and she told me | 0:28:59 | 0:29:01 | |
that her dad had touched her. | 0:29:01 | 0:29:04 | |
I was ten. | 0:29:04 | 0:29:06 | |
She made it sound so bad. | 0:29:07 | 0:29:10 | |
And I didn't know up until that point. | 0:29:12 | 0:29:14 | |
So I told her it happened to me too. | 0:29:16 | 0:29:18 | |
She told me | 0:29:18 | 0:29:21 | |
that I needed to tell a counsellor or somebody, | 0:29:21 | 0:29:24 | |
so I did, and all hell broke loose. | 0:29:24 | 0:29:28 | |
I was in foster homes for seven years, | 0:29:28 | 0:29:31 | |
got kicked out of schools. | 0:29:31 | 0:29:33 | |
When you bring a life | 0:29:36 | 0:29:39 | |
into this world... | 0:29:39 | 0:29:41 | |
that's a promise. | 0:29:41 | 0:29:43 | |
Every promise that's ever been made to me has been broken. | 0:29:43 | 0:29:47 | |
It's not self-pity. | 0:29:47 | 0:29:49 | |
It's just the facts. | 0:29:49 | 0:29:51 | |
So, when an army recruiter came to my school, | 0:29:51 | 0:29:54 | |
it made sense. | 0:29:54 | 0:29:56 | |
It's a commitment, so I signed up. | 0:29:56 | 0:29:59 | |
Wait. You were in the army? | 0:29:59 | 0:30:02 | |
Yeah. You wanted the truth. | 0:30:02 | 0:30:04 | |
So what happened to your friend? | 0:30:07 | 0:30:08 | |
I was mad at her. | 0:30:11 | 0:30:13 | |
Her advice ruined my life... | 0:30:13 | 0:30:16 | |
..or so I thought. | 0:30:17 | 0:30:19 | |
She wrote me these long, handwritten letters, | 0:30:24 | 0:30:27 | |
telling me everything she felt | 0:30:27 | 0:30:30 | |
and thought and saw... | 0:30:30 | 0:30:32 | |
..and that she didn't care that I was mad at her, | 0:30:33 | 0:30:36 | |
that she still loved me. | 0:30:36 | 0:30:37 | |
And then one day, the letters... | 0:30:42 | 0:30:45 | |
They just stopped coming. | 0:30:45 | 0:30:47 | |
And... | 0:30:48 | 0:30:50 | |
turns out social services, in all their wisdom, | 0:30:50 | 0:30:53 | |
said it was OK for her to go back home, that it was safe. | 0:30:53 | 0:30:56 | |
But it wasn't safe. | 0:30:59 | 0:31:01 | |
She... | 0:31:01 | 0:31:02 | |
One day she... | 0:31:04 | 0:31:06 | |
..she stood up to her dad, and... | 0:31:07 | 0:31:09 | |
He... He beat her to death while her mother was at work. | 0:31:12 | 0:31:15 | |
So I gave up my military benefits. | 0:31:18 | 0:31:22 | |
I was honourably discharged at 22, | 0:31:22 | 0:31:26 | |
and I took her name... | 0:31:26 | 0:31:28 | |
..hoping to make a new life for myself | 0:31:29 | 0:31:31 | |
where no-one could find me. | 0:31:31 | 0:31:33 | |
You mean your... You mean your father? | 0:31:33 | 0:31:36 | |
Yeah. | 0:31:36 | 0:31:37 | |
She was my best friend. | 0:31:37 | 0:31:39 | |
So, taking her name, | 0:31:42 | 0:31:45 | |
it kind of made that true for me. | 0:31:45 | 0:31:48 | |
-SCOFFING: -It's stupid. | 0:31:50 | 0:31:51 | |
No, it's not. | 0:31:51 | 0:31:53 | |
I didn't tell you, because sometimes, | 0:31:54 | 0:31:56 | |
you know, when you tell people the darkest thing, | 0:31:56 | 0:31:59 | |
they can't handle it. | 0:31:59 | 0:32:01 | |
They run away. | 0:32:01 | 0:32:03 | |
Don't be afraid of me. | 0:32:09 | 0:32:10 | |
W-wait. | 0:32:40 | 0:32:42 | |
-What's wrong? -Just slow down. Slow down. | 0:32:42 | 0:32:45 | |
Look at me. | 0:32:45 | 0:32:47 | |
Stay with me, OK? | 0:32:47 | 0:32:49 | |
-Suzanne Ballard? -Right over there. | 0:32:55 | 0:32:57 | |
Oh, sweetheart. | 0:33:01 | 0:33:02 | |
What happened? | 0:33:02 | 0:33:04 | |
I'll be outside. | 0:33:04 | 0:33:05 | |
Yes, thank you. | 0:33:05 | 0:33:08 | |
What happened? | 0:33:08 | 0:33:10 | |
You know you're not supposed to eat nuts. | 0:33:10 | 0:33:12 | |
You're usually so careful about that kind of thing. | 0:33:12 | 0:33:15 | |
I don't... | 0:33:16 | 0:33:18 | |
You don't what? | 0:33:18 | 0:33:20 | |
She was going to stop being my friend. | 0:33:22 | 0:33:26 | |
Oh, gosh. | 0:33:29 | 0:33:30 | |
Do you know what you almost did to yourself? | 0:33:33 | 0:33:36 | |
Do you know what it would do to me | 0:33:36 | 0:33:37 | |
if anything ever happened to you? | 0:33:37 | 0:33:40 | |
Do you? | 0:33:40 | 0:33:42 | |
I'm sorry, Daddy. | 0:33:42 | 0:33:43 | |
Thanks...for taking care of her. | 0:33:52 | 0:33:54 | |
Of course. | 0:33:54 | 0:33:56 | |
She's going to be fine. | 0:33:56 | 0:33:58 | |
But they're keeping her overnight. | 0:33:58 | 0:33:59 | |
-Look, this has been really... -I feel like I owe you... | 0:33:59 | 0:34:02 | |
Sorry. Sorry. You go first. | 0:34:02 | 0:34:04 | |
I know you mean a lot to her, but I don't know why. | 0:34:04 | 0:34:08 | |
What do you two talk about? | 0:34:08 | 0:34:11 | |
Lord Of The Rings mostly. | 0:34:11 | 0:34:13 | |
OK, um, look... | 0:34:13 | 0:34:16 | |
clearly, you're very important to her... | 0:34:16 | 0:34:20 | |
More than I realised, which is fine. | 0:34:20 | 0:34:23 | |
But I want to be a part of it... | 0:34:23 | 0:34:25 | |
Need to be a part of it. | 0:34:25 | 0:34:27 | |
I need to know who you are... | 0:34:27 | 0:34:30 | |
or, uh, get to know you. | 0:34:30 | 0:34:32 | |
I really am bad at this. | 0:34:33 | 0:34:37 | |
Can we have coffee sometime? | 0:34:37 | 0:34:39 | |
Yeah, I'd like that. | 0:34:40 | 0:34:42 | |
In fact, I think it's important that we talk. | 0:34:42 | 0:34:45 | |
There are some things I should... | 0:34:46 | 0:34:48 | |
Great. OK. | 0:34:48 | 0:34:50 | |
How about Thursday... | 0:34:50 | 0:34:52 | |
Cafe Arnoux on Sullivan, about 10:00? | 0:34:52 | 0:34:56 | |
I love that place. It's perfect. | 0:34:56 | 0:34:58 | |
OK. | 0:34:58 | 0:34:59 | |
DOORBELL RINGS | 0:34:59 | 0:35:02 | |
I'm sorry to stop in like this. I just... | 0:35:04 | 0:35:07 | |
After what happened to you today, | 0:35:07 | 0:35:09 | |
I thought I should check on you. | 0:35:09 | 0:35:10 | |
SIGHING: Come in. | 0:35:11 | 0:35:13 | |
Where's your security detail? | 0:35:17 | 0:35:19 | |
I gave them the night off. | 0:35:19 | 0:35:21 | |
I want to feel normal, for once. | 0:35:21 | 0:35:23 | |
Is there any more of that wine? | 0:35:26 | 0:35:28 | |
Of course. | 0:35:28 | 0:35:30 | |
Where are my manners? | 0:35:30 | 0:35:31 | |
Thank you. | 0:35:46 | 0:35:48 | |
So what do you think happened? | 0:35:49 | 0:35:51 | |
It wasn't Homeland Security. | 0:35:51 | 0:35:53 | |
Last I heard, they weren't assassinating people on American soil. | 0:35:53 | 0:35:56 | |
This is Societel. | 0:35:56 | 0:35:57 | |
I'll check back with Khulus tomorrow, see what he knows, | 0:35:59 | 0:36:02 | |
see how it affected Yusuf. | 0:36:02 | 0:36:04 | |
What happened with Baker after I left? | 0:36:04 | 0:36:06 | |
You mean, after your elegant proposal? | 0:36:07 | 0:36:10 | |
You were so enthusiastic, I thought for a moment | 0:36:10 | 0:36:12 | |
that you actually believed what you were saying. | 0:36:12 | 0:36:16 | |
I mollified him by telling him | 0:36:16 | 0:36:18 | |
I would think about his offer. | 0:36:18 | 0:36:20 | |
But you, Peter... | 0:36:21 | 0:36:23 | |
You will keep trying to sway me, won't you? | 0:36:23 | 0:36:25 | |
After all, you have 40 million reasons to do so. | 0:36:27 | 0:36:30 | |
HE SIGHS | 0:36:32 | 0:36:34 | |
Sophia, I... | 0:36:34 | 0:36:35 | |
I had to make Baker believe | 0:36:38 | 0:36:40 | |
that I had switched sides... | 0:36:40 | 0:36:42 | |
That the threat to my family had changed things. | 0:36:44 | 0:36:46 | |
Is this true? | 0:36:50 | 0:36:51 | |
HE SIGHS | 0:36:54 | 0:36:56 | |
I... I've lost my family. | 0:36:56 | 0:36:59 | |
My career is over. | 0:37:00 | 0:37:01 | |
Yusuf is a shadow out there. | 0:37:02 | 0:37:04 | |
Would I take that money? | 0:37:04 | 0:37:06 | |
I don't know. | 0:37:09 | 0:37:10 | |
But I need a fallback, a place to land... | 0:37:10 | 0:37:12 | |
Shh. It's OK. | 0:37:12 | 0:37:14 | |
It's OK. | 0:37:14 | 0:37:16 | |
This is terrifying. | 0:37:17 | 0:37:20 | |
It is. There are times when I feel hopeless. | 0:37:20 | 0:37:24 | |
Then I remember that I have a secret... | 0:37:24 | 0:37:27 | |
A way that I am certain to win. | 0:37:27 | 0:37:29 | |
I have you. | 0:37:33 | 0:37:34 | |
I'm sorry. I can't. | 0:37:49 | 0:37:51 | |
I just... | 0:37:52 | 0:37:54 | |
I-I just want my family back. | 0:37:54 | 0:37:56 | |
I understand. | 0:37:56 | 0:37:58 | |
-CHUCKLING: -I should go. | 0:38:01 | 0:38:05 | |
DISTANT DOOR CLOSES | 0:38:06 | 0:38:08 | |
SUSPENSEFUL SCORE | 0:38:08 | 0:38:10 | |
Stay here. | 0:38:10 | 0:38:12 | |
SHE SCREAMS | 0:38:31 | 0:38:32 | |
What the hell are you doing? | 0:38:32 | 0:38:34 | |
This is where I live! | 0:38:34 | 0:38:37 | |
I could have killed you. | 0:38:37 | 0:38:39 | |
Since when do you have a gun? | 0:38:39 | 0:38:40 | |
Next time, call me first. | 0:38:42 | 0:38:44 | |
I didn't have a phone, OK? | 0:38:44 | 0:38:46 | |
I got in a fight with Mom, and I just wanted my bed... | 0:38:46 | 0:38:48 | |
my room, my stuff. | 0:38:48 | 0:38:50 | |
I'm so... I'm so sorry. I'm sorry I scared you. | 0:38:50 | 0:38:53 | |
FOOTSTEPS APPROACHING | 0:38:55 | 0:38:57 | |
What is this? What's going on? | 0:38:59 | 0:39:03 | |
Sweetheart, no, no, you don't understand. I... | 0:39:03 | 0:39:06 | |
Maya! | 0:39:06 | 0:39:07 | |
DOOR SLAMS | 0:39:07 | 0:39:09 | |
HE SIGHS | 0:39:09 | 0:39:10 | |
I want you stop acting like it's a burden to know you. | 0:39:28 | 0:39:31 | |
It is. | 0:39:34 | 0:39:36 | |
Ma! | 0:39:44 | 0:39:47 | |
I'm making peanut butter and jelly sandwiches. Do you want one? | 0:39:47 | 0:39:52 | |
TV ON | 0:39:52 | 0:39:54 | |
Ma. Ma! | 0:39:59 | 0:40:00 | |
Ma? | 0:40:12 | 0:40:13 | |
Ma! | 0:40:17 | 0:40:19 | |
TV: # Hang on to the end of the line... # | 0:40:19 | 0:40:22 |