Browse content similar to Natural Selection. Check below for episodes and series from the same categories and more!
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This programme contains some scenes which some viewers may find upsetting | 0:00:03 | 0:00:09 | |
and contains some scenes of a sexual nature. | 0:00:09 | 0:00:14 | |
TINNY MUSIC FROM EARPHONES | 0:00:14 | 0:00:16 | |
-PA: -'Huxley station.' | 0:00:16 | 0:00:17 | |
Shit. | 0:00:17 | 0:00:20 | |
Sorry. | 0:00:20 | 0:00:22 | |
'Next stop, Huxley station.' | 0:00:22 | 0:00:25 | |
-PA: -'Next train to New York City | 0:00:38 | 0:00:40 | |
'will be departing on platform 8B in ten minutes. | 0:00:40 | 0:00:43 | |
'Next train to New York City, platform 8B in ten minutes.' | 0:00:43 | 0:00:48 | |
Hey, hey, it's Sarah. | 0:00:48 | 0:00:50 | |
Yeah, I'm back in town. | 0:00:50 | 0:00:53 | |
I want to see Kira, OK? | 0:00:57 | 0:00:59 | |
Well, that's not fair, is it? | 0:01:03 | 0:01:05 | |
Can I at least speak to her? | 0:01:08 | 0:01:10 | |
Hello? | 0:01:11 | 0:01:13 | |
SLAMS DOWN PHONE Bitch! | 0:01:13 | 0:01:16 | |
Aah! | 0:02:11 | 0:02:12 | |
Stop the train! Stop the train! | 0:02:15 | 0:02:17 | |
Stop the train! | 0:02:17 | 0:02:19 | |
PA: 'May I have your attention, please. Due to an emergency...' | 0:02:25 | 0:02:29 | |
Stand back. Move back! | 0:02:29 | 0:02:31 | |
Get control down here, now! | 0:02:31 | 0:02:33 | |
Elizabeth Childs. | 0:03:55 | 0:03:57 | |
Two phones. | 0:04:02 | 0:04:03 | |
Oh, my God, | 0:04:18 | 0:04:19 | |
you look like crap. | 0:04:19 | 0:04:21 | |
-Hi. -Hello. | 0:04:23 | 0:04:25 | |
No, but seriously. | 0:04:25 | 0:04:26 | |
Ew. All right. | 0:04:26 | 0:04:28 | |
How's life, Felix? | 0:04:28 | 0:04:30 | |
This long, no see? You don't get to know. | 0:04:30 | 0:04:33 | |
I didn't miss your birthday, did I? | 0:04:33 | 0:04:35 | |
No. I know. It's totally pedestrian | 0:04:35 | 0:04:37 | |
and the only reason I'm here. | 0:04:37 | 0:04:39 | |
Oi, Bobby. | 0:04:39 | 0:04:41 | |
Hey, Felix. | 0:04:41 | 0:04:42 | |
-Guinness? -Yeah. | 0:04:42 | 0:04:43 | |
How's Vic the dick? | 0:04:43 | 0:04:45 | |
Yeah, I hit him first, this time. | 0:04:45 | 0:04:47 | |
With an ashtray, so... | 0:04:47 | 0:04:51 | |
He's a little blue. | 0:04:51 | 0:04:53 | |
Coke? | 0:04:57 | 0:04:58 | |
It's Vic's. Think you can flip it | 0:04:58 | 0:05:00 | |
to one of your Bay Street blow boys? | 0:05:00 | 0:05:01 | |
You have no idea what that costs me. | 0:05:01 | 0:05:03 | |
I'll give you 20%. | 0:05:03 | 0:05:04 | |
I wasn't talking about my cut, Sarah. | 0:05:04 | 0:05:06 | |
I was talking about my pride. | 0:05:06 | 0:05:07 | |
What are you up to? | 0:05:07 | 0:05:09 | |
I'm here for Kira, Fe. | 0:05:09 | 0:05:10 | |
After what happened, you really think Mrs S | 0:05:10 | 0:05:12 | |
is going to let you take her? | 0:05:12 | 0:05:13 | |
She's my daughter. She's going to have to. | 0:05:13 | 0:05:15 | |
You've been gone almost a year, Sarah. | 0:05:15 | 0:05:17 | |
I'm not judging. | 0:05:17 | 0:05:20 | |
I'm just saying. All right? Ta. | 0:05:20 | 0:05:23 | |
Yeah, so I'm back on the run, the usual Sarah shitestorm. | 0:05:23 | 0:05:26 | |
-Apparently. -And on that note, something really weird | 0:05:26 | 0:05:29 | |
-just happened at the train station. -What? | 0:05:29 | 0:05:32 | |
I saw a girl kill herself. | 0:05:32 | 0:05:34 | |
Ew! | 0:05:34 | 0:05:35 | |
A jumper? | 0:05:35 | 0:05:37 | |
Yeah, and she looked | 0:05:37 | 0:05:39 | |
exactly like me, Felix. | 0:05:39 | 0:05:41 | |
What do you mean? | 0:05:41 | 0:05:44 | |
Oh! You robbed the body. | 0:05:46 | 0:05:47 | |
No, she left the bag on the platform. | 0:05:47 | 0:05:49 | |
Isn't that essentially robbing her body? | 0:05:49 | 0:05:51 | |
OK, that's weird. | 0:05:57 | 0:05:59 | |
-Yeah, you think? -Elizabeth Childs? It's you, with a nice haircut. | 0:05:59 | 0:06:03 | |
And a nice address. What the hell, Fe? Did I have a twin sister? | 0:06:03 | 0:06:08 | |
When you're a poor little orphan foster wretch, anything's possible. | 0:06:08 | 0:06:11 | |
Or so we tell ourselves. | 0:06:11 | 0:06:14 | |
I'm going to go up to her flat. | 0:06:14 | 0:06:17 | |
Yeah, to find out who she is or to rob the rest of her shit? | 0:06:17 | 0:06:20 | |
No car. There has to be a car. | 0:06:20 | 0:06:22 | |
MOBILE RINGS | 0:06:22 | 0:06:25 | |
Is that her phone? | 0:06:25 | 0:06:27 | |
-Yeah. -Well, answer it. | 0:06:27 | 0:06:29 | |
Try and get 20K for it, yeah? | 0:06:36 | 0:06:37 | |
All right, fine. What about Vic? | 0:06:37 | 0:06:39 | |
I'll call ya. | 0:06:42 | 0:06:44 | |
-OK. -OK? | 0:06:44 | 0:06:45 | |
OK. | 0:06:45 | 0:06:46 | |
Hello! | 0:07:20 | 0:07:21 | |
Hello? | 0:07:29 | 0:07:30 | |
Boyfriend. | 0:07:58 | 0:07:59 | |
Squares. | 0:08:02 | 0:08:03 | |
Paul Dierden. | 0:08:07 | 0:08:09 | |
Out of town till Saturday. | 0:08:09 | 0:08:10 | |
Well? | 0:08:32 | 0:08:35 | |
Shit for quality. | 0:08:35 | 0:08:36 | |
-I'll give you 10,000 for it. -Ten? With the hay roll? | 0:08:36 | 0:08:40 | |
You can do better. | 0:08:40 | 0:08:42 | |
BANG AT DOOR I'll think about it. | 0:08:42 | 0:08:43 | |
Better think fast. | 0:08:43 | 0:08:45 | |
-BANGING AT DOOR -OK. | 0:08:45 | 0:08:47 | |
-URGENT BANGING -OK! | 0:08:47 | 0:08:49 | |
Shit! | 0:08:49 | 0:08:51 | |
-What? -Where the hell is Sarah? | 0:08:54 | 0:08:57 | |
-Shit, Vic! -Where is she? -Can't. Breathe. | 0:08:57 | 0:08:59 | |
-Oh! -Sarah! | 0:08:59 | 0:09:02 | |
-Sarah?! -What the hell is wrong with you? | 0:09:02 | 0:09:05 | |
-Where the hell is Sarah? -Toodles. | 0:09:05 | 0:09:07 | |
-Where is she?! -I don't know. | 0:09:07 | 0:09:09 | |
-I haven't seen her in, like, a year. She's been with you. -Bullshit! | 0:09:09 | 0:09:11 | |
-She's not my problem any more. -Listen to me, Felix. | 0:09:11 | 0:09:14 | |
I'm just going to ask you once... Where. Is. The. Coke? | 0:09:14 | 0:09:17 | |
Cocaine? | 0:09:17 | 0:09:18 | |
Felix. | 0:09:18 | 0:09:19 | |
All right, fine. | 0:09:21 | 0:09:22 | |
Here. | 0:09:22 | 0:09:25 | |
Blow me. | 0:09:25 | 0:09:27 | |
That's really funny. | 0:09:27 | 0:09:29 | |
What the hell happened to your head? | 0:09:29 | 0:09:31 | |
Well, let's see...Sarah blindsided me, then she took off with the coke. | 0:09:31 | 0:09:34 | |
Listen to me! Listen to me. | 0:09:34 | 0:09:36 | |
Listen! I'm on the hook with Pouchy. Look at me. | 0:09:36 | 0:09:40 | |
You understand? Look at me! That's going to bring pain on me. | 0:09:40 | 0:09:43 | |
Till I find her, it's on you. | 0:09:43 | 0:09:45 | |
You mind if I have this? | 0:09:51 | 0:09:53 | |
I'll be back. She better be here, fruitcake. | 0:09:53 | 0:09:55 | |
Lovely to see you again, Victor(!) | 0:09:55 | 0:09:58 | |
Sarah. | 0:09:59 | 0:10:01 | |
It's "Beth". | 0:10:01 | 0:10:02 | |
So my credit is maxed, but, | 0:10:02 | 0:10:06 | |
I've got a sweet pad and my new boyfriend, Paul's, | 0:10:06 | 0:10:09 | |
out of town for the weekend. | 0:10:09 | 0:10:10 | |
Unfortunately, your real boyfriend, Vic the dick, | 0:10:10 | 0:10:13 | |
-is already here. -Shit! -Oh, I'm fine, by the way. Thank you. | 0:10:13 | 0:10:17 | |
-I'm sorry, Fe. -Your blow is abysmal, by the way. | 0:10:17 | 0:10:20 | |
I'll be lucky to get 10K for it. | 0:10:20 | 0:10:22 | |
-What? That's not enough. -For what? | 0:10:22 | 0:10:24 | |
To get out, Fe, set ourselves up with Kira somewhere. | 0:10:24 | 0:10:27 | |
Sarah, who is Elizabeth Childs? | 0:10:27 | 0:10:29 | |
I don't know. | 0:10:29 | 0:10:30 | |
She's just a girl who looks like me. | 0:10:30 | 0:10:32 | |
A girl with a pretty nice life. | 0:10:32 | 0:10:34 | |
If it's so nice, why'd she kill herself? | 0:10:34 | 0:10:37 | |
Hold on. | 0:10:40 | 0:10:41 | |
Fe, she's got | 0:10:41 | 0:10:43 | |
75,000 in a savings account. | 0:10:43 | 0:10:44 | |
Say again. | 0:10:44 | 0:10:46 | |
75K! | 0:10:46 | 0:10:48 | |
The account was just opened, | 0:10:48 | 0:10:49 | |
like, three weeks ago. | 0:10:49 | 0:10:52 | |
That's enough to lose bloody Vic, yeah? | 0:10:52 | 0:10:54 | |
We can get away with this, Fe, | 0:10:54 | 0:10:56 | |
the three of us. | 0:10:56 | 0:10:57 | |
Any second, someone's going to ID the body and it's game over, | 0:10:57 | 0:11:00 | |
so you should really just drop it all right now. | 0:11:00 | 0:11:03 | |
Nice work with the ashtray. Vic has stitches. Hello? | 0:11:03 | 0:11:06 | |
TV: 'I'm standing outside Huxley station right now...' | 0:11:06 | 0:11:09 | |
-Shut up. I'm thinking. -'Authorities have cleared out the station | 0:11:09 | 0:11:12 | |
'after an unidentified woman fell onto the tracks | 0:11:12 | 0:11:14 | |
'and was killed. Now, witnesses aren't sure | 0:11:14 | 0:11:16 | |
'how the woman came to be on the tracks | 0:11:16 | 0:11:18 | |
'or whether foul play was involved.' | 0:11:18 | 0:11:19 | |
-Fe... -'Police have not released any more details.' | 0:11:19 | 0:11:22 | |
..I have an idea. | 0:11:22 | 0:11:23 | |
'All right, give me a big smile. I want a big smile. | 0:11:23 | 0:11:25 | |
'Why are you shooting me right now? I love shooting you. | 0:11:25 | 0:11:26 | |
'Yeah, yeah, yeah.' | 0:11:26 | 0:11:28 | |
# Live fast, die young | 0:11:33 | 0:11:35 | |
# Bad girls do it well | 0:11:35 | 0:11:37 | |
# Live fast, die young Bad girls do it well | 0:11:37 | 0:11:41 | |
# Live fast, die young Bad girls do it well | 0:11:41 | 0:11:44 | |
# Live fast, die young Bad girls do it well | 0:11:44 | 0:11:46 | |
# My chain hits my chest # | 0:11:46 | 0:11:48 | |
# When I'm bangin' on the dashboard... # | 0:11:48 | 0:11:49 | |
Oh, shit. | 0:11:49 | 0:11:50 | |
Drugstore... | 0:11:50 | 0:11:53 | |
# Get back | 0:11:53 | 0:11:54 | |
# Get down | 0:11:54 | 0:11:56 | |
# Pull me closer if you think you can hang | 0:11:56 | 0:11:58 | |
# Hands up | 0:11:58 | 0:12:01 | |
# Hands high | 0:12:01 | 0:12:02 | |
# Don't go screamin'... # | 0:12:02 | 0:12:03 | |
Are you ready to put your body through months of hell? | 0:12:03 | 0:12:06 | |
You're damn right. | 0:12:06 | 0:12:08 | |
You're damn right. | 0:12:10 | 0:12:11 | |
# There's steam on the window screen Take it, take it | 0:12:11 | 0:12:13 | |
# Wheels bouncin' like a trampoline... # | 0:12:13 | 0:12:16 | |
'You're damn right.' | 0:12:16 | 0:12:18 | |
You're damn right. | 0:12:18 | 0:12:19 | |
You're d... W... | 0:12:19 | 0:12:20 | |
you're damned ... you're damn right. | 0:12:20 | 0:12:22 | |
MOBILE RINGS | 0:12:22 | 0:12:24 | |
# Bad girls do it well | 0:12:24 | 0:12:25 | |
# Live fast, die young Bad girls do it well... # | 0:12:25 | 0:12:27 | |
Sorry, Art, whoever you are. | 0:12:27 | 0:12:30 | |
I'm gone for good. | 0:12:30 | 0:12:32 | |
'You're damn right.' | 0:12:32 | 0:12:33 | |
You're damn right. | 0:12:33 | 0:12:35 | |
You're damn right. | 0:12:36 | 0:12:38 | |
# Back it, back it | 0:12:38 | 0:12:39 | |
# Yeah, pull up to the bumper game | 0:12:39 | 0:12:41 | |
# With a signal | 0:12:41 | 0:12:43 | |
# Cover me, cos I'm changin' lanes | 0:12:43 | 0:12:44 | |
# Had a handle on it | 0:12:44 | 0:12:46 | |
# My life, I broke it... # | 0:12:46 | 0:12:48 | |
Hi. | 0:12:52 | 0:12:53 | |
Uh, Beth Childs. | 0:12:53 | 0:12:55 | |
I have an appointment with the manager, Stephen Riggs. | 0:12:55 | 0:12:57 | |
Sure, I'll let him know you're here. | 0:12:57 | 0:13:00 | |
-SHE SIGHS -Felix! | 0:13:02 | 0:13:04 | |
-Ow! -Use it or hang it up, OK? | 0:13:04 | 0:13:06 | |
Do not snap towels at me, Bobby. I had a very traumatic childhood. | 0:13:06 | 0:13:10 | |
KEYS CLICK | 0:13:15 | 0:13:18 | |
Yeah, hi. Um... | 0:13:22 | 0:13:24 | |
Oh, totally awful...apparently, a girl killed herself | 0:13:24 | 0:13:27 | |
at Huxley Station last night and I think I know her. | 0:13:27 | 0:13:32 | |
-FELIX: -'Sarah. Sarah Manning.' | 0:13:32 | 0:13:34 | |
Beth? | 0:13:34 | 0:13:36 | |
Hi! | 0:13:36 | 0:13:38 | |
Good to see you again. How are you? | 0:13:38 | 0:13:40 | |
Yeah, good, Stephen, thanks. | 0:13:40 | 0:13:41 | |
Busy. | 0:13:41 | 0:13:44 | |
I PR'd last week at 2.14. | 0:13:44 | 0:13:46 | |
It was only a half, but it almost killed me. | 0:13:46 | 0:13:48 | |
How'd you do your last charity run? | 0:13:48 | 0:13:50 | |
I...don't know, in fact. | 0:13:50 | 0:13:54 | |
I need to make a large withdrawal | 0:13:54 | 0:13:56 | |
from that account. | 0:13:56 | 0:13:58 | |
I see. Right, this is the one you just opened. | 0:13:58 | 0:14:01 | |
Yeah, I'll leave 500 in, | 0:14:01 | 0:14:03 | |
to keep the account open, | 0:14:03 | 0:14:05 | |
-but I need the rest, in cash, please. -Cash? | 0:14:05 | 0:14:08 | |
-Yeah. -I'd really recommend a cashier's cheque, if you... | 0:14:08 | 0:14:11 | |
-No, 50s and 100s, please. -Well, we don't keep that much on hand. | 0:14:11 | 0:14:15 | |
See, anything over 10,000, we have to special-order | 0:14:15 | 0:14:18 | |
and that takes two to four business days. | 0:14:18 | 0:14:20 | |
So... | 0:14:20 | 0:14:24 | |
Stephen, what could I do to... | 0:14:26 | 0:14:29 | |
to push a rush on that? | 0:14:29 | 0:14:31 | |
You know, 24 hours. | 0:14:31 | 0:14:34 | |
Could I sponsor your next charity-run thing? | 0:14:35 | 0:14:40 | |
You certainly can. Deal. | 0:14:43 | 0:14:45 | |
But... | 0:14:47 | 0:14:49 | |
This card is... | 0:14:49 | 0:14:51 | |
I'm not even sure I've activated that yet. | 0:14:51 | 0:14:53 | |
If I did, I need to re-PIN it. | 0:14:53 | 0:14:55 | |
-Demagnetised, maybe? -Yeah. | 0:14:55 | 0:14:57 | |
You know what? | 0:14:57 | 0:14:59 | |
Let's start with a new one and then we'll organise the withdrawal. | 0:14:59 | 0:15:02 | |
OK. | 0:15:02 | 0:15:03 | |
OK. | 0:15:03 | 0:15:05 | |
Do you want access to your safe deposit box, as well? | 0:15:05 | 0:15:10 | |
Oh, yeah. | 0:15:10 | 0:15:12 | |
I'd love that, Stephen. | 0:15:12 | 0:15:14 | |
"Where are you? Must see you." | 0:15:18 | 0:15:21 | |
Yeah, good luck with that. | 0:15:24 | 0:15:26 | |
"Alison Hendrix. "Elizabeth Childs. | 0:15:34 | 0:15:37 | |
"Katja Obinger." | 0:15:38 | 0:15:41 | |
What the hell are you doing?! | 0:16:03 | 0:16:05 | |
Shit. | 0:16:05 | 0:16:06 | |
Get in the car! | 0:16:07 | 0:16:09 | |
Yeah... No, thanks. | 0:16:09 | 0:16:12 | |
-Look, get the car, damn it! -What's the charge? | 0:16:12 | 0:16:15 | |
Don't, Beth, not today. | 0:16:15 | 0:16:17 | |
We're late! | 0:16:20 | 0:16:21 | |
Yeah. OK, yeah. Calm down. | 0:16:21 | 0:16:24 | |
Where were you? We were going to walk through it again. | 0:16:33 | 0:16:37 | |
Uh, yeah, yeah. I got held up. | 0:16:37 | 0:16:41 | |
Don't worry about it. | 0:16:42 | 0:16:44 | |
I worry. Suddenly, you don't give a damn, I get pissed. | 0:16:44 | 0:16:47 | |
My fat ass is on the line here, too. | 0:16:47 | 0:16:51 | |
Now, you had better be ready. | 0:16:51 | 0:16:53 | |
Are you ready?! | 0:16:53 | 0:16:54 | |
Yeah. Yeah, I'm ready. | 0:16:54 | 0:16:58 | |
You're sure as hell overdressed. | 0:16:58 | 0:17:00 | |
-Were you out all night, or something? -No, you know what? | 0:17:00 | 0:17:04 | |
Give me a second. I'll go in and change. | 0:17:04 | 0:17:07 | |
Yeah, right. You'd probably take off on me again. | 0:17:07 | 0:17:10 | |
Look, Beth, I know this shit is as hard as it gets, | 0:17:10 | 0:17:14 | |
but you got to stop making it worse. | 0:17:14 | 0:17:16 | |
Art. | 0:17:23 | 0:17:24 | |
Just...drive. | 0:17:26 | 0:17:27 | |
Oh, is that her? | 0:17:27 | 0:17:30 | |
Yes, yeah. | 0:17:30 | 0:17:32 | |
Are you OK? | 0:17:32 | 0:17:34 | |
Yeah. Yeah, I'm good. | 0:17:34 | 0:17:35 | |
OK. | 0:17:35 | 0:17:37 | |
Colin, um... | 0:17:41 | 0:17:43 | |
Can I call you Colin? | 0:17:43 | 0:17:45 | |
My mum does. | 0:17:45 | 0:17:46 | |
Ah. Um, well, don't get me wrong... | 0:17:46 | 0:17:50 | |
I usually do enjoy creepy, I do, it's just, um, | 0:17:50 | 0:17:53 | |
the air in here, is that just me? | 0:17:53 | 0:17:55 | |
-Because it smells like... -Uh, no, it's death. | 0:17:55 | 0:17:58 | |
You can do this, though. | 0:18:01 | 0:18:03 | |
-It can be a Gestalt. -Oh, my. | 0:18:03 | 0:18:06 | |
-Holy shite. -Let's go. | 0:18:23 | 0:18:26 | |
Hey, good luck, Beth. | 0:18:50 | 0:18:51 | |
"Fashionably late," you call that? | 0:18:53 | 0:18:55 | |
She's here, Lieutenant. | 0:18:55 | 0:18:57 | |
You get busy. Detective, come with me. Show's over! | 0:18:57 | 0:19:01 | |
Oh. | 0:19:01 | 0:19:03 | |
Stick to your statement and you'll be fine, OK? | 0:19:04 | 0:19:08 | |
I got to... I got to use the washroom. | 0:19:13 | 0:19:16 | |
Lieutenant. | 0:19:16 | 0:19:18 | |
All right. | 0:19:18 | 0:19:19 | |
Get yourself sorted. | 0:19:19 | 0:19:22 | |
Detective. | 0:19:22 | 0:19:23 | |
Yeah. | 0:19:23 | 0:19:24 | |
Washroom's this way. | 0:19:24 | 0:19:26 | |
Right. | 0:19:27 | 0:19:28 | |
Felix? Beth is a cop. | 0:19:50 | 0:19:52 | |
I'm a cop, Felix. Abort. | 0:19:52 | 0:19:54 | |
This will be shocking, Felix, | 0:19:54 | 0:19:57 | |
but, for her, it was instant. OK? | 0:19:57 | 0:19:59 | |
OK. | 0:19:59 | 0:20:00 | |
Oh, my God! I... Oh! That's...that... | 0:20:03 | 0:20:06 | |
that's so... | 0:20:06 | 0:20:08 | |
All right, I can't. I can't do it. | 0:20:17 | 0:20:19 | |
You got... I need to... That's too messed up. I can't. | 0:20:19 | 0:20:22 | |
It's OK. You can lean on me. | 0:20:22 | 0:20:24 | |
All right. | 0:20:24 | 0:20:26 | |
Thank you. | 0:20:51 | 0:20:52 | |
Morgue water. Delicious. | 0:20:54 | 0:20:58 | |
Is it her? | 0:20:58 | 0:20:59 | |
Yeah. | 0:20:59 | 0:21:00 | |
Your sister. I'm very sorry. | 0:21:00 | 0:21:02 | |
Foster sister. But we were very close. | 0:21:02 | 0:21:05 | |
You know, we spent all our, um, formative years together. | 0:21:05 | 0:21:08 | |
Right. | 0:21:08 | 0:21:10 | |
OK, well, there's a few things you need to sign. | 0:21:10 | 0:21:15 | |
But if you... | 0:21:15 | 0:21:17 | |
if you need...want... anyone to talk to, | 0:21:17 | 0:21:20 | |
you know, | 0:21:20 | 0:21:22 | |
over a drink or... | 0:21:22 | 0:21:25 | |
Well, aren't you an odd duck. | 0:21:26 | 0:21:29 | |
All right, statement of officer Elizabeth Childs, | 0:21:46 | 0:21:49 | |
entering into record her version of the line-of-duty shooting, | 0:21:49 | 0:21:52 | |
7 October of this year, | 0:21:52 | 0:21:53 | |
resulting in a civilian fatality, one Margaret Chen. | 0:21:53 | 0:21:56 | |
In your own words, please. | 0:21:57 | 0:21:59 | |
Begin by stating your name. | 0:21:59 | 0:22:01 | |
Any time, Detective. | 0:22:08 | 0:22:10 | |
SHE RETCHES | 0:22:10 | 0:22:13 | |
I panicked. What do you want me to say? | 0:22:17 | 0:22:19 | |
Pretty much anything but "I panicked". | 0:22:19 | 0:22:21 | |
I'm kidding. | 0:22:24 | 0:22:26 | |
Where's your wit gone? | 0:22:26 | 0:22:29 | |
You haven't called me "dipshit" all day. | 0:22:29 | 0:22:32 | |
-You don't have to babysit me, dipshit. -I know. | 0:22:32 | 0:22:36 | |
But who else would? | 0:22:36 | 0:22:38 | |
-< -Thanks, Doc. See you next week. | 0:22:38 | 0:22:40 | |
Look, Beth, I know this thing has got you all twisted up, | 0:22:40 | 0:22:43 | |
but you got to forgive yourself. | 0:22:43 | 0:22:47 | |
Shootings happen. To whoever's there with the gun in their hand. | 0:22:47 | 0:22:51 | |
Dr Bowers will see you now. | 0:22:56 | 0:22:58 | |
KNOCK AT DOOR | 0:23:05 | 0:23:08 | |
Felix, open the goddamn door! | 0:23:09 | 0:23:12 | |
Felix, I know you're in there! | 0:23:12 | 0:23:14 | |
Open the door, now! | 0:23:14 | 0:23:16 | |
-Ooh! -You bastard. | 0:23:20 | 0:23:23 | |
What the hell is wrong with you? | 0:23:25 | 0:23:27 | |
Huh? | 0:23:27 | 0:23:31 | |
Where's Sarah? | 0:23:31 | 0:23:33 | |
Sarah's dead. | 0:23:33 | 0:23:34 | |
I'm sorry, what? | 0:23:34 | 0:23:38 | |
She's dead. | 0:23:38 | 0:23:39 | |
Vic. | 0:23:39 | 0:23:40 | |
She killed herself. | 0:23:40 | 0:23:42 | |
Yeah? Bullshit. Where is she, Felix? | 0:23:42 | 0:23:44 | |
She jumped in front of a train | 0:23:44 | 0:23:47 | |
because YOU are such an arsehole! | 0:23:47 | 0:23:49 | |
What's this? | 0:23:52 | 0:23:53 | |
Her death certificate. | 0:23:53 | 0:23:55 | |
Bullshit. It's not real. | 0:23:55 | 0:23:57 | |
I identified her body. | 0:23:57 | 0:23:59 | |
Vic, she's dead, she's gone! | 0:23:59 | 0:24:01 | |
OK, Felix, stop. Stop! Stop it! | 0:24:01 | 0:24:03 | |
She told you to say this? She's not dead. Where is she? | 0:24:03 | 0:24:06 | |
HE SNIFFLES | 0:24:11 | 0:24:13 | |
(Stupid bitch.) | 0:24:13 | 0:24:15 | |
Sarah. | 0:24:18 | 0:24:20 | |
It's not coming back to you? | 0:24:32 | 0:24:34 | |
Hmm, no, not really. | 0:24:34 | 0:24:37 | |
Uh, I know I shot a civilian. | 0:24:37 | 0:24:40 | |
Maggie Chen, | 0:24:40 | 0:24:42 | |
44, single, church-goer. | 0:24:42 | 0:24:43 | |
I'm just missing... | 0:24:43 | 0:24:45 | |
Missing what? Explain. | 0:24:45 | 0:24:47 | |
Uh... | 0:24:47 | 0:24:48 | |
Myself? Um... | 0:24:48 | 0:24:50 | |
Yeah, I'm... I glitched, | 0:24:53 | 0:24:56 | |
break, or something. | 0:24:56 | 0:24:59 | |
I think I need some, you know, leave. | 0:24:59 | 0:25:03 | |
-You're under suspension. -Right. | 0:25:03 | 0:25:06 | |
Ahem! See, I'm having trouble with detail, | 0:25:06 | 0:25:09 | |
so I'm not sure I should say anything at all. | 0:25:09 | 0:25:13 | |
It's all confidential. | 0:25:13 | 0:25:15 | |
Have you shared any of these dissociations with Paul? | 0:25:15 | 0:25:18 | |
Yeah, no, we're fine. | 0:25:18 | 0:25:19 | |
I don't want to talk about Paul. Paul's away. | 0:25:19 | 0:25:22 | |
No, he's in Cleveland. | 0:25:22 | 0:25:24 | |
Beth, | 0:25:24 | 0:25:26 | |
uh, a waitress makes a mistake at work. | 0:25:26 | 0:25:29 | |
She, what? Drops a plate of meatloaf, | 0:25:29 | 0:25:32 | |
doesn't get a tip. Try to separate "mistake" from "result". | 0:25:32 | 0:25:35 | |
Getting back on the job, for you, is all about moving forward | 0:25:35 | 0:25:39 | |
from a moment you can never take back. | 0:25:39 | 0:25:42 | |
You need to talk to me about that moment. | 0:25:42 | 0:25:45 | |
About seeing cellphone and reacting "gun". | 0:25:48 | 0:25:51 | |
Mm-hmm. | 0:25:51 | 0:25:53 | |
Can I make another appointment? | 0:25:53 | 0:25:55 | |
So, your twin, all hopped up on cop tranquilisers, | 0:26:03 | 0:26:07 | |
guns down an innocent Chinese lady holding a cellphone in her hand. | 0:26:07 | 0:26:11 | |
Is that true? | 0:26:11 | 0:26:12 | |
I don't know. | 0:26:12 | 0:26:14 | |
I'm not even sure her partner knows. | 0:26:14 | 0:26:15 | |
Feels like she's lying about something. | 0:26:15 | 0:26:18 | |
With 75 grand in a new account? | 0:26:18 | 0:26:20 | |
She's well dodgy. | 0:26:20 | 0:26:21 | |
Yeah, whatever she was into, it drove her bloody nuts, yeah? | 0:26:21 | 0:26:25 | |
Yeah, suicide's thrilling, agreed. | 0:26:25 | 0:26:27 | |
But, can we get the elephant out of the room? | 0:26:27 | 0:26:30 | |
What? | 0:26:30 | 0:26:32 | |
Well, look at her. | 0:26:32 | 0:26:34 | |
What? | 0:26:34 | 0:26:35 | |
You're related. | 0:26:35 | 0:26:37 | |
This could be your story. | 0:26:37 | 0:26:39 | |
It's not. | 0:26:39 | 0:26:40 | |
Every foster kid dreams of their lost family. | 0:26:40 | 0:26:43 | |
-Oh, my God. -Deep down, we all hope we're special. | 0:26:43 | 0:26:47 | |
Yeah, the last thing I am is special. | 0:26:47 | 0:26:51 | |
If that was my boyfriend, I'd jump in front of a train, too. | 0:26:51 | 0:26:55 | |
Don't say that. | 0:26:55 | 0:26:56 | |
Paul's hot and you know it. | 0:26:56 | 0:26:58 | |
Oh, Vic is keening like a banshee. He wants a funeral. | 0:26:58 | 0:27:02 | |
You can't have a funeral. | 0:27:02 | 0:27:03 | |
The whole sad point is nobody would notice if I died. | 0:27:03 | 0:27:07 | |
What's this? Birth certificates? | 0:27:07 | 0:27:09 | |
Alison Hendrix, Beth. | 0:27:09 | 0:27:12 | |
Katja Obinger. Born in Berlin. | 0:27:13 | 0:27:15 | |
Sarah, their birth dates are all within a month of yours. | 0:27:18 | 0:27:23 | |
-It's a coincidence. -I don't care. | 0:27:23 | 0:27:25 | |
It's just a score, Fe. Let me finish what I started and then | 0:27:25 | 0:27:28 | |
-I'll come back for you and Kira, yeah? -Oh. | 0:27:28 | 0:27:32 | |
You're going to disappear again? | 0:27:32 | 0:27:35 | |
Yeah, I have to, Fe. | 0:27:35 | 0:27:38 | |
There's dangerous shit in this life. | 0:27:38 | 0:27:41 | |
Somebody keeps texting her. | 0:27:41 | 0:27:42 | |
Oh, texting. My God, how terrifying(!) | 0:27:42 | 0:27:45 | |
Look, Fe, sell the coke and keep half the money | 0:27:45 | 0:27:47 | |
and give the other half to Kira, yeah? | 0:27:47 | 0:27:49 | |
You left Kira with Mrs S overnight | 0:27:49 | 0:27:51 | |
and you didn't come back for ten months! | 0:27:51 | 0:27:55 | |
I'm trying to fix it. | 0:27:59 | 0:28:01 | |
Tell it to the angels, Sarah. You're already dead. | 0:28:01 | 0:28:05 | |
Shit! | 0:28:36 | 0:28:37 | |
Beth! | 0:28:41 | 0:28:42 | |
Beth. | 0:28:42 | 0:28:45 | |
Hi. | 0:28:47 | 0:28:49 | |
Hey. | 0:28:49 | 0:28:51 | |
The Clash? | 0:28:51 | 0:28:53 | |
Oh, yeah. Uh... | 0:28:53 | 0:28:56 | |
"London Calling". | 0:28:56 | 0:28:59 | |
-The Clash rock. -Yeah, but you don't. | 0:28:59 | 0:29:02 | |
Are you going somewhere? | 0:29:05 | 0:29:07 | |
Uh... | 0:29:07 | 0:29:08 | |
Uh...no. Just gym stuff. | 0:29:08 | 0:29:10 | |
Weren't you coming back on the weekend? | 0:29:10 | 0:29:13 | |
Well, I wanted to be here. | 0:29:13 | 0:29:16 | |
So? | 0:29:16 | 0:29:17 | |
-Yeah? -How was the hearing? | 0:29:19 | 0:29:22 | |
Oh. Uh, I couldn't do it. | 0:29:22 | 0:29:25 | |
I couldn't do it. | 0:29:25 | 0:29:27 | |
You skipped it? | 0:29:27 | 0:29:29 | |
No, um... | 0:29:29 | 0:29:31 | |
I...got sick to my stomach. I basically puked on them. | 0:29:31 | 0:29:35 | |
-Are you serious? -Yeah. | 0:29:35 | 0:29:38 | |
Yeah. Don't worry. I'm OK. | 0:29:38 | 0:29:42 | |
Beth, what's happened? | 0:29:42 | 0:29:44 | |
SHE SIGHS A lot. | 0:29:44 | 0:29:48 | |
Yeah, I know, but you're... | 0:29:48 | 0:29:51 | |
I'm what? | 0:29:53 | 0:29:55 | |
What'd you do to your hair? | 0:29:58 | 0:30:00 | |
Uh...nothing. | 0:30:00 | 0:30:03 | |
I got it cut. | 0:30:03 | 0:30:04 | |
It's longer. | 0:30:04 | 0:30:06 | |
It's just wet. | 0:30:06 | 0:30:09 | |
Something's different. | 0:30:09 | 0:30:13 | |
-Bedroom. -Ah! | 0:30:21 | 0:30:24 | |
Ah! | 0:30:25 | 0:30:26 | |
Right here. | 0:30:30 | 0:30:32 | |
BANGING ON DOOR | 0:31:16 | 0:31:18 | |
-Felix. -(For crying out loud.) | 0:31:18 | 0:31:21 | |
Felix. | 0:31:21 | 0:31:22 | |
-I'm sorry, man. I don't know where else to go. -The men's shelter? | 0:31:24 | 0:31:28 | |
What the hell happened to your face? | 0:31:30 | 0:31:33 | |
I got in a fight. | 0:31:33 | 0:31:34 | |
Why, Vic? | 0:31:34 | 0:31:35 | |
Why are you such a dick? | 0:31:35 | 0:31:37 | |
I don't know. I'm angry. | 0:31:37 | 0:31:40 | |
Can I come in? | 0:31:43 | 0:31:44 | |
No! | 0:31:44 | 0:31:46 | |
Thanks. | 0:31:46 | 0:31:48 | |
I can't sleep. | 0:31:51 | 0:31:53 | |
I keep seeing her face. | 0:31:53 | 0:31:55 | |
Yeah, me, too. | 0:31:55 | 0:31:57 | |
Her pretty face. | 0:31:57 | 0:31:58 | |
Felix, you and me, we have to do something. | 0:31:58 | 0:32:02 | |
There's just no goddamn closure, bro. | 0:32:02 | 0:32:05 | |
We have to have, like, a... a memorial send-off, or something. | 0:32:05 | 0:32:09 | |
OK, Vic. | 0:32:11 | 0:32:13 | |
We'll have a wake. | 0:32:13 | 0:32:15 | |
Really? See, that's what I'm talking about, man, | 0:32:15 | 0:32:17 | |
a coming together. | 0:32:17 | 0:32:19 | |
Yeah. Cremation's today. I'm buying. | 0:32:19 | 0:32:21 | |
Oh, shit. Yeah, it can't be today. | 0:32:21 | 0:32:23 | |
I got to call Glenn and that bitch Sherry | 0:32:23 | 0:32:26 | |
and all her Montreal connects are going to want to be there. | 0:32:26 | 0:32:29 | |
No, no, locals only, Vic. Fast and light, | 0:32:29 | 0:32:30 | |
all right? It's going to be an intimate memorial piss-up. | 0:32:30 | 0:32:33 | |
-OK. -Come on, let's go. | 0:32:33 | 0:32:34 | |
-Can I...? -OK! -That's... | 0:32:34 | 0:32:37 | |
Thank you. | 0:32:37 | 0:32:38 | |
All right, um... | 0:32:38 | 0:32:40 | |
You know what? First, though, you need a shower and a Xanax. | 0:32:40 | 0:32:44 | |
OK. | 0:32:44 | 0:32:45 | |
-Mmm. -Ah! Oh. | 0:33:02 | 0:33:03 | |
For real? | 0:33:03 | 0:33:05 | |
That was amazing. | 0:33:05 | 0:33:08 | |
Was it? | 0:33:08 | 0:33:10 | |
We haven't had that action | 0:33:10 | 0:33:11 | |
for, like, two years. | 0:33:11 | 0:33:14 | |
Uh, | 0:33:14 | 0:33:15 | |
I got up for the gym, Paul. | 0:33:15 | 0:33:18 | |
OK. | 0:33:18 | 0:33:20 | |
Well, you want to tell me what happened at the hearing? | 0:33:20 | 0:33:23 | |
Uh, I choked, I guess. | 0:33:25 | 0:33:30 | |
They reconvene in a couple days. | 0:33:30 | 0:33:31 | |
Don't worry about it. | 0:33:31 | 0:33:33 | |
Beth. | 0:33:33 | 0:33:35 | |
Hmm? What? | 0:33:35 | 0:33:37 | |
Are you back on the meds? | 0:33:37 | 0:33:39 | |
No. | 0:33:42 | 0:33:43 | |
Then you didn't choke. | 0:33:43 | 0:33:46 | |
You're finally feeling something. Feeling like the real you. | 0:33:46 | 0:33:50 | |
I got up for the gym. | 0:33:50 | 0:33:52 | |
Are you driving today? | 0:33:52 | 0:33:55 | |
What? Can I borrow the keys to your car? | 0:33:55 | 0:33:58 | |
Use your own car. | 0:33:58 | 0:34:00 | |
I can't find my keys. | 0:34:00 | 0:34:02 | |
Did you check the thing where they always are? | 0:34:02 | 0:34:04 | |
Yeah. Yeah, I checked the thing where they always are. | 0:34:04 | 0:34:07 | |
Mm. | 0:34:16 | 0:34:18 | |
OK. | 0:34:22 | 0:34:24 | |
Nice. | 0:34:32 | 0:34:35 | |
Felix! We can't part angry this time. It's not good for your skin, OK? | 0:35:04 | 0:35:07 | |
Call me, or I'll squeeze your bloody bollocks in a vice, you little... | 0:35:07 | 0:35:11 | |
-Everything all right? -Yeah. Obnoxious English relative. | 0:35:11 | 0:35:16 | |
Oh. | 0:35:16 | 0:35:17 | |
Well, I've got your cash. | 0:35:17 | 0:35:20 | |
I just need your signature here. | 0:35:22 | 0:35:24 | |
OK. | 0:35:41 | 0:35:44 | |
Right, then. All done. | 0:35:48 | 0:35:49 | |
Here. | 0:36:00 | 0:36:02 | |
OK. Good luck with that run. | 0:36:02 | 0:36:03 | |
Fe? | 0:36:49 | 0:36:52 | |
Felix. | 0:37:11 | 0:37:13 | |
You little shit. | 0:37:15 | 0:37:17 | |
Sarah had a big heart. | 0:37:24 | 0:37:26 | |
It was always fight or flight with her. | 0:37:26 | 0:37:31 | |
You guys remember how she was, right? | 0:37:31 | 0:37:33 | |
This is all based on facts. | 0:37:33 | 0:37:35 | |
She was the kind of person you want to hang | 0:37:35 | 0:37:38 | |
on to, but she would not be held, would she? | 0:37:38 | 0:37:42 | |
Sarah, I'm sorry. | 0:37:45 | 0:37:47 | |
I know I have a lot to answer for. | 0:37:47 | 0:37:50 | |
My favourite moment... | 0:37:52 | 0:37:54 | |
So, | 0:37:54 | 0:37:55 | |
is it heaven or hell? | 0:37:55 | 0:37:57 | |
I didn't want a funeral, for this very reason, Fe. | 0:37:57 | 0:37:59 | |
Well, you can't do much about that when you're dead, can you? | 0:37:59 | 0:38:02 | |
I'm watching right now. | 0:38:02 | 0:38:04 | |
Really? Oh, well. | 0:38:04 | 0:38:07 | |
Pathetic. | 0:38:07 | 0:38:09 | |
Let me ask you... | 0:38:09 | 0:38:11 | |
I dressed Vic. How do we look? | 0:38:11 | 0:38:12 | |
Yeah, not as good as Rockabilly Bob. | 0:38:12 | 0:38:15 | |
I know! Still Rockabilly, after all these years. | 0:38:15 | 0:38:18 | |
Got to respect that. | 0:38:18 | 0:38:19 | |
I want to say she was like an angel that was put on earth... | 0:38:19 | 0:38:23 | |
Sherry's upset, though, in't she? | 0:38:23 | 0:38:24 | |
Oh, yeah, she thinks Vic pushed you in front of the train. | 0:38:24 | 0:38:27 | |
It's priceless, really. | 0:38:27 | 0:38:28 | |
Eh, I got the money, Fe. | 0:38:28 | 0:38:30 | |
I still want us to be together. | 0:38:30 | 0:38:31 | |
It can work, yeah? | 0:38:31 | 0:38:33 | |
This is our chance, for me, you, and Kira | 0:38:33 | 0:38:35 | |
-to start over. -Sarah, I... | 0:38:35 | 0:38:36 | |
Felix, do you mind?! | 0:38:36 | 0:38:38 | |
I'm trying to... Do you want us to go and come back? | 0:38:38 | 0:38:40 | |
Shit. I'm sorry, I... Vic's getting mad. I got to go. | 0:38:40 | 0:38:43 | |
-Could you hang up your phone? -Oh, shit! -What? | 0:38:43 | 0:38:46 | |
-Mrs S is there, Fe. -Shit. | 0:38:46 | 0:38:48 | |
Stop! Stop! Stop! | 0:38:51 | 0:38:53 | |
Oh, shit. | 0:38:53 | 0:38:54 | |
No, no, no, Fe. | 0:38:54 | 0:38:56 | |
(Oh, shit!) | 0:38:58 | 0:39:00 | |
Ohh. | 0:39:00 | 0:39:03 | |
No, Fe, Kira's there. | 0:39:03 | 0:39:05 | |
Uh... | 0:39:05 | 0:39:07 | |
she can't think I'm dead, Fe. | 0:39:07 | 0:39:10 | |
Fe? | 0:39:10 | 0:39:12 | |
Oh, my God, she can't think I'm dead. | 0:39:12 | 0:39:15 | |
Beth. Beth, why don't you respond to me? | 0:39:35 | 0:39:40 | |
-Beth! -Just keep away from me. | 0:39:41 | 0:39:44 | |
Beth, it's Katja. | 0:39:44 | 0:39:47 | |
-Oh, my God. Holy shit. -Why no meeting, Beth? What happening? | 0:39:47 | 0:39:50 | |
-Uh... -I brought the briefcase, ja? | 0:39:50 | 0:39:53 | |
The samples for your friend, Beth. I was careful, like you said. | 0:39:53 | 0:39:57 | |
Yeah, just stay back. | 0:39:57 | 0:39:59 | |
-I'm Katja. Katja Obinger, Beth. -Yeah, I get it, the German, OK? | 0:39:59 | 0:40:03 | |
-I've seen your birth certificate. -Ja, you asked for it, for proof. | 0:40:03 | 0:40:06 | |
SHE COUGHS | 0:40:06 | 0:40:09 | |
Please, I need to see | 0:40:12 | 0:40:14 | |
your scientist friend, Beth. | 0:40:14 | 0:40:17 | |
Uh, I can't help you. | 0:40:17 | 0:40:19 | |
Get out of the car! | 0:40:22 | 0:40:23 | |
Why are you doing this? | 0:40:23 | 0:40:25 | |
Your partner, he was following you. | 0:40:25 | 0:40:27 | |
You were the one in the black car? | 0:40:30 | 0:40:33 | |
The one that flashed your lights. | 0:40:33 | 0:40:35 | |
Ja. | 0:40:35 | 0:40:36 | |
You need to go. | 0:40:36 | 0:40:39 | |
You're police, Beth. We need you. | 0:40:39 | 0:40:41 | |
Don't! | 0:40:41 | 0:40:42 | |
Get out. | 0:40:42 | 0:40:44 | |
Just one. I'm a few. | 0:40:46 | 0:40:48 | |
No family, too. Who am I? | 0:40:48 | 0:40:50 | |
You are not Beth. | 0:40:53 | 0:40:56 | |
GUNSHOT, RICOCHET | 0:40:56 | 0:40:57 | |
SHE GASPS | 0:40:57 | 0:41:01 | |
GUNSHOT | 0:41:01 | 0:41:03 | |
ENGINE TURNS | 0:41:08 | 0:41:10 | |
ENGINE REVS, SCUFFLING TYRES | 0:41:10 | 0:41:13 | |
GUNSHOT, GLASS SMASHES Aah! | 0:41:14 | 0:41:17 | |
BRAKES SQUEAL | 0:41:17 | 0:41:19 | |
TYRES SCREECH | 0:41:21 | 0:41:23 | |
Oh, God! Shit! | 0:41:26 | 0:41:28 | |
Shit! | 0:41:30 | 0:41:32 | |
MOBILE RINGS | 0:41:32 | 0:41:33 | |
Shit! | 0:41:51 | 0:41:53 | |
MOBILE RINGS | 0:41:53 | 0:41:55 | |
Shit. | 0:42:00 | 0:42:02 | |
Hello. | 0:42:04 | 0:42:06 |