Browse content similar to Instinct. Check below for episodes and series from the same categories and more!
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-I saw a girl kill herself. -Ew! -Yeah, and she looked exactly like me. | 0:00:02 | 0:00:05 | |
Elizabeth Childs? | 0:00:05 | 0:00:06 | |
I'm going to go up to her flat. | 0:00:06 | 0:00:07 | |
-To find out who she is or to rob the rest of her shit? -Hello? | 0:00:07 | 0:00:11 | |
She's got 75,000 in a savings account. | 0:00:11 | 0:00:12 | |
Holy shite. | 0:00:12 | 0:00:14 | |
Beth is a cop. I'm a cop. | 0:00:14 | 0:00:15 | |
Your partner, He was following you. | 0:00:15 | 0:00:18 | |
If that was my boyfriend, I'd jump in front of a train, too. | 0:00:18 | 0:00:22 | |
-What's happened? -A lot. | 0:00:22 | 0:00:23 | |
Something's different. How was the hearing? | 0:00:23 | 0:00:25 | |
Officer Elizabeth Childs, entering into record | 0:00:25 | 0:00:26 | |
her version of the line-of-duty shooting... | 0:00:26 | 0:00:29 | |
-resulting in a civilian fatality... -SHE RETCHES | 0:00:29 | 0:00:32 | |
Something's different. | 0:00:32 | 0:00:33 | |
I'm here for Kira, Fe. | 0:00:33 | 0:00:35 | |
You left Kira with Mrs S... | 0:00:35 | 0:00:37 | |
and you didn't come back for ten months! | 0:00:37 | 0:00:39 | |
We have to have, like, a memorial send-off. | 0:00:39 | 0:00:41 | |
No, no, no, Kira's there. She can't think I'm dead, Fe. | 0:00:41 | 0:00:45 | |
Beth, it's Katja. Just one. I'm a few. | 0:00:45 | 0:00:47 | |
No family, too. Who am I? | 0:00:47 | 0:00:48 | |
GUNSHOT | 0:00:51 | 0:00:53 | |
MOBILE RINGS | 0:00:53 | 0:00:55 | |
Hello? | 0:00:55 | 0:00:56 | |
TYRES SCREECH | 0:00:59 | 0:01:01 | |
-WOMAN WITH US ACCENT: -'Beth, where have you been?' | 0:01:06 | 0:01:08 | |
Uh, where have I been? | 0:01:08 | 0:01:10 | |
Um... | 0:01:10 | 0:01:12 | |
Uh, long story. | 0:01:12 | 0:01:13 | |
'Well?' | 0:01:13 | 0:01:15 | |
Well, what? | 0:01:15 | 0:01:16 | |
'Did you meet the German? I can't get a hold of her. | 0:01:16 | 0:01:19 | |
'Beth? | 0:01:21 | 0:01:24 | |
'What?' | 0:01:24 | 0:01:25 | |
The German's dead. | 0:01:25 | 0:01:26 | |
-'Dead?' -Yeah, someone shot her, right in front of me! | 0:01:26 | 0:01:29 | |
'Oh, Jesus! Are you all right?!' | 0:01:29 | 0:01:31 | |
No! No, I'm not all right! She's in the back of my car! | 0:01:31 | 0:01:34 | |
There's blood everywhere! | 0:01:34 | 0:01:35 | |
'Holy shit. Holy shit, it's true.' | 0:01:35 | 0:01:38 | |
What? | 0:01:38 | 0:01:39 | |
'That someone is killing us. | 0:01:39 | 0:01:41 | |
'They must've followed her from Europe.' | 0:01:41 | 0:01:43 | |
Jesus bloody Christ! | 0:01:43 | 0:01:46 | |
'What?' | 0:01:46 | 0:01:47 | |
Nothing. Nothing, nothing. | 0:01:47 | 0:01:48 | |
'OK, OK, OK. Did you get the briefcase?' | 0:01:48 | 0:01:50 | |
-Uh... -'Beth?' -What? -'You know what? Worry about that later.' | 0:01:50 | 0:01:54 | |
'You need to get rid of the body.' | 0:01:54 | 0:01:56 | |
-How? -'I... I...' | 0:01:56 | 0:01:58 | |
-Like, how? -'I don't know. | 0:01:58 | 0:02:01 | |
'You're the cop. Like, buy a shovel. | 0:02:01 | 0:02:03 | |
'Just make sure you get her samples.' | 0:02:03 | 0:02:06 | |
Uh...samples? | 0:02:06 | 0:02:07 | |
'Hair and blood, Beth. | 0:02:07 | 0:02:10 | |
'You can do this.' | 0:02:10 | 0:02:13 | |
Uh...how about you come help me? | 0:02:13 | 0:02:15 | |
'I would if I could. | 0:02:15 | 0:02:17 | |
'Look, one step at a time. I'll call you back.' | 0:02:17 | 0:02:20 | |
SOFT MUSIC PLAYS | 0:03:29 | 0:03:31 | |
Sorry, Elizabeth Childs. | 0:03:36 | 0:03:39 | |
Freaks and punks, | 0:03:39 | 0:03:41 | |
lost puppies... | 0:03:41 | 0:03:43 | |
We always had a friend in Sarah. | 0:03:43 | 0:03:45 | |
You have a few words, Felix? | 0:03:45 | 0:03:47 | |
Hmm? Mm. | 0:03:47 | 0:03:48 | |
Anything you want to express? | 0:03:48 | 0:03:50 | |
Oh, no, I... I can't, Bob. | 0:03:50 | 0:03:52 | |
I'm too verklempt. | 0:03:52 | 0:03:54 | |
We're in bummed-out city... | 0:03:58 | 0:04:00 | |
'I plead your mercy and your pity | 0:04:00 | 0:04:05 | |
'is not life | 0:04:05 | 0:04:08 | |
'a mirror maze?' | 0:04:08 | 0:04:10 | |
SHE COUGHS | 0:04:13 | 0:04:14 | |
'To Sarah. | 0:04:14 | 0:04:16 | |
-ALL: -To Sarah! | 0:04:16 | 0:04:17 | |
GLASSES CLINK | 0:04:17 | 0:04:19 | |
To Sarah. | 0:04:19 | 0:04:20 | |
I can't figure out | 0:04:23 | 0:04:26 | |
why she killed herself. | 0:04:26 | 0:04:28 | |
It's just not Sarah. | 0:04:30 | 0:04:32 | |
It's not Sarah. | 0:04:32 | 0:04:34 | |
Well, at least she had love. | 0:04:40 | 0:04:42 | |
Whose love did she have, yours? | 0:04:42 | 0:04:45 | |
Love...is imperfect. | 0:04:45 | 0:04:50 | |
Love is | 0:04:50 | 0:04:51 | |
imperfection itself. | 0:04:51 | 0:04:53 | |
If that's your definition, no wonder she jumped. | 0:04:53 | 0:04:57 | |
Shit! | 0:04:57 | 0:04:58 | |
Hey! Whoa whoa, take it easy! | 0:04:58 | 0:05:00 | |
Let him go, Vic! | 0:05:00 | 0:05:01 | |
Say it! Go ahead, say it's my fault! | 0:05:01 | 0:05:03 | |
Say it's my fault! | 0:05:03 | 0:05:04 | |
It's...your... | 0:05:04 | 0:05:06 | |
Vic! Vic! Be cool. | 0:05:06 | 0:05:08 | |
Aaah! | 0:05:08 | 0:05:11 | |
Everyone's raw. It's OK. | 0:05:11 | 0:05:13 | |
All right. I'm sorry. | 0:05:13 | 0:05:15 | |
My bad. | 0:05:17 | 0:05:18 | |
I'm not a huggy griever, Vic. | 0:05:20 | 0:05:22 | |
Katja Obinger. | 0:05:44 | 0:05:46 | |
Berlin. | 0:05:46 | 0:05:47 | |
Who the hell are you? | 0:05:52 | 0:05:55 | |
Eh. Oh, what time do you open? | 0:06:25 | 0:06:27 | |
I need a front and driver's-side window. | 0:06:29 | 0:06:33 | |
Vic, I'm tired. | 0:06:38 | 0:06:41 | |
One last drink. | 0:06:41 | 0:06:42 | |
A bourbon for Sarah. | 0:06:42 | 0:06:45 | |
Oh. Oh, Jesus. | 0:06:45 | 0:06:48 | |
Very good. | 0:06:53 | 0:06:54 | |
OK. | 0:06:56 | 0:06:57 | |
Off you go. | 0:06:57 | 0:06:59 | |
Wait a minute. My turn. | 0:06:59 | 0:07:01 | |
God! | 0:07:01 | 0:07:03 | |
I want to get to know Sarah's daughter. | 0:07:05 | 0:07:07 | |
Out, Vic! | 0:07:07 | 0:07:08 | |
-Why not?! -There's a reason you never met her. | 0:07:08 | 0:07:11 | |
What is it? | 0:07:11 | 0:07:12 | |
Well, let's see. For starters, you're a drug dealer. | 0:07:12 | 0:07:15 | |
I could help her financially. | 0:07:15 | 0:07:16 | |
And Sarah left you. | 0:07:16 | 0:07:18 | |
She ran because you're abusive. | 0:07:18 | 0:07:21 | |
I want to make up for that. | 0:07:21 | 0:07:23 | |
All right, let's go. | 0:07:23 | 0:07:25 | |
Let's go. | 0:07:25 | 0:07:27 | |
Felix, I want to stay connected to her. | 0:07:27 | 0:07:30 | |
To who? Who, Vic?! | 0:07:30 | 0:07:32 | |
Her. | 0:07:32 | 0:07:35 | |
Vic, Kira is not Sarah. | 0:07:35 | 0:07:39 | |
Sarah's dead and she's not coming back. | 0:07:39 | 0:07:41 | |
You need to man up and accept that. | 0:07:41 | 0:07:43 | |
Felix? | 0:07:44 | 0:07:46 | |
Hug me. | 0:07:46 | 0:07:47 | |
CLATTERING | 0:08:04 | 0:08:06 | |
Oh, come on. | 0:08:07 | 0:08:09 | |
DOOR OPENS | 0:08:09 | 0:08:11 | |
Vic! I have a knife and I will stab you in the face! | 0:08:11 | 0:08:14 | |
Shit. | 0:08:14 | 0:08:17 | |
Aren't you supposed to wait, like, three days before rising? | 0:08:17 | 0:08:21 | |
What the hell's this? | 0:08:21 | 0:08:23 | |
That is your wake. | 0:08:23 | 0:08:24 | |
It was agony. | 0:08:24 | 0:08:25 | |
Yeah, Vic was here. Why'd you have one? | 0:08:25 | 0:08:28 | |
Because I was mad at you, | 0:08:28 | 0:08:29 | |
so I just decided to blow all the money from your stolen coke on it. | 0:08:29 | 0:08:32 | |
Felix! Does Kira think I'm dead? | 0:08:34 | 0:08:37 | |
I don't know. | 0:08:37 | 0:08:40 | |
Oh, you don't know? | 0:08:40 | 0:08:42 | |
Vic screwed everything up | 0:08:42 | 0:08:45 | |
when he got hold of Mrs S somehow. | 0:08:45 | 0:08:47 | |
I don't know what she told Kira. | 0:08:47 | 0:08:48 | |
Vic. | 0:08:50 | 0:08:51 | |
Yeah. Since you died, he's even more obsessed. | 0:08:51 | 0:08:55 | |
He wants to meet Kira. | 0:08:55 | 0:08:56 | |
No! | 0:08:56 | 0:08:58 | |
No, I know that! | 0:08:58 | 0:09:00 | |
Of course not. You think we'd let that happen? | 0:09:00 | 0:09:02 | |
Hey, what's that? | 0:09:05 | 0:09:06 | |
Right there. Well, it looks like... | 0:09:06 | 0:09:08 | |
It looks like blood. | 0:09:08 | 0:09:10 | |
Hey, whoa! What's going on? | 0:09:10 | 0:09:13 | |
-Nothing. -Hey! | 0:09:13 | 0:09:16 | |
Nothing. I don't want to talk about it. | 0:09:16 | 0:09:19 | |
Sarah! | 0:09:19 | 0:09:22 | |
SHE SIGHS | 0:09:22 | 0:09:24 | |
You remember those birth certificates, yeah? | 0:09:24 | 0:09:28 | |
-Beth's and the two others? -Yeah, Katja and Alison. | 0:09:28 | 0:09:32 | |
-Yeah? -Yeah. | 0:09:32 | 0:09:33 | |
Well, I met the German. | 0:09:33 | 0:09:35 | |
What? Is she...another twin? | 0:09:35 | 0:09:40 | |
Yeah. | 0:09:40 | 0:09:42 | |
-Leave it out, Felix. -Did she say who she was? | 0:09:42 | 0:09:44 | |
-Don't. -What did she say?! -I'm not getting into it. I can't... | 0:09:44 | 0:09:48 | |
-I seriously cannot explain it. -All right, fine. | 0:09:48 | 0:09:50 | |
Stop. | 0:09:50 | 0:09:52 | |
Look, | 0:09:52 | 0:09:53 | |
I need you to tell Mrs S I'm not dead, yeah? | 0:09:53 | 0:09:56 | |
That it was all a mistake. | 0:09:56 | 0:09:58 | |
No! No way. You do it. | 0:09:58 | 0:10:00 | |
If I walk in there now, after ten months, | 0:10:00 | 0:10:03 | |
think about how hard she can make custody. | 0:10:03 | 0:10:05 | |
What, so I go in and I say what? | 0:10:05 | 0:10:06 | |
SHE SIGHS | 0:10:06 | 0:10:09 | |
Lie? | 0:10:09 | 0:10:10 | |
-My God. -Tell her it wasn't me. I don't care. | 0:10:10 | 0:10:14 | |
Just make sure Kira knows that I'm fine. | 0:10:14 | 0:10:17 | |
Yeah? | 0:10:17 | 0:10:18 | |
We can still get out with her. | 0:10:18 | 0:10:21 | |
That's my one bit of good news. | 0:10:21 | 0:10:26 | |
Is this evil twin's money? | 0:10:26 | 0:10:27 | |
Yeah, 75,000 in cash. | 0:10:27 | 0:10:29 | |
That's enough to lose Vic, | 0:10:29 | 0:10:31 | |
lose the twin-sister weirdness, | 0:10:31 | 0:10:33 | |
just somewhere safe with my daughter. Is that so much to ask? | 0:10:33 | 0:10:36 | |
Yeah, maybe. | 0:10:36 | 0:10:39 | |
What? | 0:10:39 | 0:10:41 | |
"Detective Arthur Bell." | 0:10:41 | 0:10:43 | |
What?! | 0:10:43 | 0:10:45 | |
Bastard must've followed me and nicked it. | 0:10:46 | 0:10:48 | |
All right. | 0:10:48 | 0:10:50 | |
All right, let's not go off, though, OK? | 0:10:50 | 0:10:52 | |
No. Hey, let's... No, Sarah! | 0:10:52 | 0:10:54 | |
Agh! | 0:10:54 | 0:10:55 | |
Sarah! Sarah! | 0:10:55 | 0:10:57 | |
Ahh! | 0:10:57 | 0:10:58 | |
Bastard! | 0:10:58 | 0:10:59 | |
Bastard! | 0:10:59 | 0:11:01 | |
Sarah! S... | 0:11:01 | 0:11:03 | |
Whoa, hey, no! Not that. | 0:11:03 | 0:11:06 | |
I'm working on that. | 0:11:06 | 0:11:09 | |
Maggie Chen. | 0:11:12 | 0:11:14 | |
Who the hell is Maggie Chen? | 0:11:14 | 0:11:15 | |
Uh, it's the woman Beth shot. | 0:11:15 | 0:11:17 | |
Right. | 0:11:17 | 0:11:18 | |
So, now, what are these, all right? | 0:11:18 | 0:11:20 | |
"Official statement." | 0:11:20 | 0:11:21 | |
"Detective Arthur Bell, official statement." | 0:11:21 | 0:11:24 | |
"Detective Elizabeth Childs." | 0:11:24 | 0:11:26 | |
What is this? | 0:11:26 | 0:11:28 | |
This is...this is, like, the case. | 0:11:28 | 0:11:30 | |
He left it for me. | 0:11:30 | 0:11:32 | |
Her. | 0:11:32 | 0:11:34 | |
If we want the money back from Art, | 0:11:34 | 0:11:36 | |
-I have to be Beth again. -Oh, for Christ's sake. | 0:11:36 | 0:11:39 | |
How long can you keep gaming a cop? | 0:11:39 | 0:11:41 | |
Till I get our money. | 0:11:41 | 0:11:43 | |
It's 6.00 in the morning. You're going to call him now? | 0:11:43 | 0:11:45 | |
Yeah, believe me...this call, he's waiting for. | 0:11:45 | 0:11:48 | |
PHONE RINGS | 0:11:48 | 0:11:52 | |
PHONE RINGS | 0:11:52 | 0:11:56 | |
Took you a while. | 0:11:56 | 0:11:57 | |
What the hell are you doing? | 0:11:57 | 0:11:59 | |
Hey, I'm just following orders, Beth. | 0:11:59 | 0:12:01 | |
Orders to steal from me? | 0:12:01 | 0:12:03 | |
The lieutenant said, "Take your rookie by the hand, walk her right through the hearing." | 0:12:03 | 0:12:07 | |
Did you stop to check it before you crossed the border? | 0:12:09 | 0:12:11 | |
Art, I'm at home! You got it all wrong. | 0:12:11 | 0:12:13 | |
I never get it all wrong, do I? | 0:12:13 | 0:12:15 | |
Well, it's not what you think. | 0:12:15 | 0:12:17 | |
Meet me at Fung's at noon. | 0:12:17 | 0:12:20 | |
"Fung's"? | 0:12:20 | 0:12:22 | |
DIAL TONE | 0:12:22 | 0:12:25 | |
What the hell's Fung's? | 0:12:25 | 0:12:27 | |
Paul? | 0:12:32 | 0:12:34 | |
Where were you last night? | 0:12:37 | 0:12:39 | |
Aw, shit! Don't do that! | 0:12:39 | 0:12:41 | |
I... I, er... | 0:12:41 | 0:12:43 | |
I was at the station, | 0:12:43 | 0:12:45 | |
I was catching up on this backlog. | 0:12:45 | 0:12:48 | |
You're under suspension. | 0:12:48 | 0:12:49 | |
Yeah, so? | 0:12:49 | 0:12:51 | |
They reconvened the hearing. | 0:12:51 | 0:12:54 | |
I have to get on top of this stuff. | 0:12:54 | 0:12:56 | |
First, you screw me wild for the first time in months, and then, | 0:12:56 | 0:12:58 | |
you don't even call me to tell me that you're out all night? | 0:12:58 | 0:13:01 | |
And why are you suddenly dressing like a punk-rock ho? | 0:13:01 | 0:13:05 | |
Say again. | 0:13:05 | 0:13:06 | |
No. | 0:13:06 | 0:13:08 | |
You know what? Don't. | 0:13:08 | 0:13:10 | |
I'm going to ignore that. | 0:13:10 | 0:13:11 | |
I'm worried you're losing the plot again. | 0:13:11 | 0:13:14 | |
We've been here before. | 0:13:14 | 0:13:15 | |
No, Paul, we definitely haven't been here before. | 0:13:15 | 0:13:19 | |
Sorry. I've got a lot of work to do. | 0:13:19 | 0:13:23 | |
If you want, I can take it to the station, yeah? | 0:13:23 | 0:13:26 | |
Beth, you're not ready for this. You need to take more time. | 0:13:26 | 0:13:29 | |
Is that a diagnosis? Because I have plenty | 0:13:29 | 0:13:31 | |
of professional help for that. | 0:13:31 | 0:13:32 | |
-Babe, please... -Don't touch me. | 0:13:32 | 0:13:34 | |
You know, I can see this shooting is killing you, | 0:13:36 | 0:13:39 | |
but you stopped talking to me months ago. | 0:13:39 | 0:13:41 | |
Paul. | 0:13:41 | 0:13:44 | |
What am I supposed to do? | 0:13:44 | 0:13:47 | |
It's my problem. | 0:13:47 | 0:13:48 | |
You don't have to take this on. | 0:13:48 | 0:13:51 | |
Well, I have. And I can't keep waking up every night, | 0:13:51 | 0:13:55 | |
checking your breathing, worried you're mixing | 0:13:55 | 0:13:58 | |
your meds, booze, God knows what else, so... | 0:13:58 | 0:14:02 | |
-I'm going back to Cody's for a while. -OK. | 0:14:02 | 0:14:05 | |
Yeah, if that's what you want. | 0:14:07 | 0:14:10 | |
"Punk-rock ho"? | 0:14:26 | 0:14:27 | |
Oh. | 0:14:45 | 0:14:46 | |
Hi, monkey. | 0:14:46 | 0:14:48 | |
Did you see my mum? | 0:14:48 | 0:14:50 | |
Oh. Um, sweetie... | 0:14:50 | 0:14:53 | |
Oi-oi, Mrs S. | 0:14:54 | 0:14:56 | |
Go on upstairs, Kira, love. | 0:14:56 | 0:14:59 | |
Uncle Felix has got some explaining to do. | 0:14:59 | 0:15:02 | |
I knew it was too good to be true. | 0:15:05 | 0:15:08 | |
Sarah's too tough to commit suicide. | 0:15:08 | 0:15:11 | |
Most feral mutt I ever took in. | 0:15:11 | 0:15:13 | |
Don't shrug. | 0:15:14 | 0:15:16 | |
Staging a funeral to get away from Vic. | 0:15:16 | 0:15:18 | |
Why would you help with such a stupid plan? | 0:15:18 | 0:15:21 | |
Vic's a dick? | 0:15:21 | 0:15:23 | |
Plagued, that girl was, | 0:15:23 | 0:15:27 | |
-from the very start. -What do you mean by that? | 0:15:27 | 0:15:30 | |
Tell her that she hasn't seen her daughter in almost a year | 0:15:30 | 0:15:34 | |
and I think it's best if it stays like that. | 0:15:34 | 0:15:36 | |
Why don't you tell her yourself, Siobhan? | 0:15:36 | 0:15:38 | |
I'm not going to play Felix in the middle. | 0:15:38 | 0:15:40 | |
Oh, no? You're here at her beck and call, aren't you? | 0:15:40 | 0:15:42 | |
Yes, I am! To make sure that Kira doesn't think | 0:15:42 | 0:15:45 | |
that her mother's dead. | 0:15:45 | 0:15:46 | |
-And, oh, good, look... -she doesn't. | 0:15:46 | 0:15:50 | |
You and Sarah, you can work out the rest. | 0:15:50 | 0:15:53 | |
Years of my life. | 0:15:53 | 0:15:54 | |
Leaving London, all my people there, | 0:15:54 | 0:15:56 | |
to bring the two of you here for a fresh start. | 0:15:56 | 0:15:58 | |
I'd do it all again, Felix. | 0:16:00 | 0:16:02 | |
Every visit from the bloody police, | 0:16:02 | 0:16:04 | |
every missing-persons report, | 0:16:04 | 0:16:07 | |
every punch we threw, | 0:16:07 | 0:16:10 | |
because Kira is a gift. | 0:16:10 | 0:16:14 | |
Sarah knows that. | 0:16:14 | 0:16:16 | |
No, she hasn't a clue. | 0:16:16 | 0:16:21 | |
She is trying. | 0:16:21 | 0:16:24 | |
Badly, granted, | 0:16:24 | 0:16:26 | |
but in her own way, she is, she's really trying | 0:16:26 | 0:16:29 | |
FLOOR CREAKS | 0:16:29 | 0:16:30 | |
Ohh. | 0:16:32 | 0:16:34 | |
Caught you! | 0:16:34 | 0:16:35 | |
Come here. Come here, monkey. | 0:16:35 | 0:16:37 | |
When is Mummy coming? | 0:16:42 | 0:16:45 | |
You know when, love. | 0:16:45 | 0:16:47 | |
When she's ready? | 0:16:47 | 0:16:49 | |
And? | 0:16:49 | 0:16:51 | |
When you say she's ready? | 0:16:51 | 0:16:54 | |
Sounds fair to me. | 0:16:54 | 0:16:57 | |
Right here is where I thought I saw Yip. | 0:17:08 | 0:17:10 | |
That's when I drew my weapon. | 0:17:14 | 0:17:15 | |
She... | 0:17:15 | 0:17:17 | |
What'd she do? | 0:17:17 | 0:17:18 | |
It's not a payoff, Art, it's not. | 0:17:26 | 0:17:28 | |
Then cut the shit, Beth, and tell me where it came from. | 0:17:28 | 0:17:31 | |
It's Paul's, OK? It's Paul's and mine. | 0:17:31 | 0:17:34 | |
I cleaned out our joint savings account. | 0:17:34 | 0:17:37 | |
I haven't told him yet. | 0:17:37 | 0:17:39 | |
Yeah, I was going to leave town, | 0:17:39 | 0:17:42 | |
but I couldn't do it, OK? I turned around. | 0:17:42 | 0:17:44 | |
For Paul. | 0:17:44 | 0:17:47 | |
To clear the shooting, Art. | 0:17:47 | 0:17:49 | |
I'm not dirty, | 0:17:49 | 0:17:51 | |
I just freaked out. | 0:17:51 | 0:17:54 | |
Are you wearing a wire? | 0:17:56 | 0:17:58 | |
No! | 0:17:58 | 0:18:00 | |
You never saw the vic before? | 0:18:00 | 0:18:01 | |
-No previous contact with Margaret Chen? -No! | 0:18:01 | 0:18:05 | |
If there is another version of the story, | 0:18:05 | 0:18:08 | |
if that money is somehow connected. | 0:18:08 | 0:18:10 | |
There's only one story, Art. | 0:18:10 | 0:18:12 | |
Then walk me through it again, | 0:18:15 | 0:18:17 | |
so I know you won't crack under questioning. | 0:18:17 | 0:18:19 | |
I was by myself, I was canvassing witnesses on another case. | 0:18:19 | 0:18:24 | |
-Which case? -The Ramsay thing. Sun Jewelry heist. | 0:18:24 | 0:18:28 | |
The Ramsay thing. | 0:18:28 | 0:18:30 | |
Sun Jewelry heist. | 0:18:30 | 0:18:31 | |
I wasn't even looking for Yip. | 0:18:31 | 0:18:33 | |
Yip who? | 0:18:33 | 0:18:34 | |
Xan Yip, US racketeering warrant. | 0:18:34 | 0:18:36 | |
I'd seen her sheet that morning... Asian female, 41. | 0:18:36 | 0:18:39 | |
And? | 0:18:39 | 0:18:40 | |
And... Right here... | 0:18:43 | 0:18:45 | |
Is where I thought I saw Yip. | 0:18:45 | 0:18:47 | |
You thought? | 0:18:47 | 0:18:49 | |
I did. I saw her. | 0:18:49 | 0:18:50 | |
I called her name, I told her to freeze. | 0:18:50 | 0:18:52 | |
She didn't. She ran. | 0:18:52 | 0:18:54 | |
Disappeared down... | 0:18:54 | 0:18:57 | |
You're making me nervous. | 0:18:57 | 0:18:59 | |
Good. | 0:18:59 | 0:19:00 | |
Now, you know how it feels. | 0:19:00 | 0:19:03 | |
When did you draw your weapon? | 0:19:03 | 0:19:04 | |
I drew when I entered the courtyard, here. | 0:19:04 | 0:19:07 | |
That's when I drew my weapon. | 0:19:07 | 0:19:08 | |
And then she disappeared down there. I crossed to there. | 0:19:08 | 0:19:12 | |
And that's when I heard somebody behind me | 0:19:12 | 0:19:14 | |
and I turned around... SHE IMITATES GUNFIRE | 0:19:14 | 0:19:16 | |
and I fired twice. | 0:19:16 | 0:19:18 | |
They were both wearing black. | 0:19:34 | 0:19:36 | |
It wasn't her. | 0:19:36 | 0:19:37 | |
It wasn't her. | 0:19:37 | 0:19:39 | |
Then what? | 0:19:39 | 0:19:43 | |
Then I saw the phone in her hand and I called it in. | 0:19:43 | 0:19:48 | |
And then you showed up. | 0:19:48 | 0:19:49 | |
If they find out you called me | 0:19:49 | 0:19:52 | |
before you called it in, Beth, they're going to start to dig. | 0:19:52 | 0:19:56 | |
And if they dig, they find the pills | 0:19:56 | 0:19:57 | |
and, if they find the pills, | 0:19:57 | 0:19:59 | |
you may crack under questioning | 0:19:59 | 0:20:00 | |
and tell them that I put the phone | 0:20:00 | 0:20:02 | |
in the vic's hand to cover your tweaker ass. | 0:20:02 | 0:20:04 | |
I wouldn't do that, Art. | 0:20:07 | 0:20:11 | |
I got to carry what I did. | 0:20:11 | 0:20:15 | |
Maggie Chen was | 0:20:15 | 0:20:17 | |
in the wrong place at the wrong time. | 0:20:17 | 0:20:20 | |
That's it. | 0:20:20 | 0:20:24 | |
None of this ends up on you. | 0:20:24 | 0:20:26 | |
Good. | 0:20:26 | 0:20:29 | |
But, to be sure, | 0:20:29 | 0:20:32 | |
I'm going to hang on to that money until you're cleared. | 0:20:32 | 0:20:35 | |
How's that? | 0:20:35 | 0:20:36 | |
Kira's fine. | 0:20:50 | 0:20:51 | |
You're not dead to your daughter. | 0:20:51 | 0:20:53 | |
Come here. | 0:20:53 | 0:20:55 | |
SHE SOBS | 0:20:55 | 0:20:56 | |
-I know. I know. -She knows I'm back, doesn't she? | 0:20:56 | 0:21:00 | |
-I can feel her. -She knows. She's been asking for you. | 0:21:00 | 0:21:04 | |
-She knows. I know. -OK. What about Mrs S? | 0:21:04 | 0:21:07 | |
Don't worry about that now, OK? We'll work it out later. | 0:21:07 | 0:21:10 | |
-Thank you. -Just take us with you when you leave again. | 0:21:10 | 0:21:13 | |
I promise, I promise, I promise. | 0:21:13 | 0:21:16 | |
All right. Do you want a cuppa? | 0:21:16 | 0:21:17 | |
Yeah. | 0:21:17 | 0:21:19 | |
So Art won't give me the money until I clear Beth's shooting. | 0:21:19 | 0:21:24 | |
What do you mean, like, go back in front of a police board, | 0:21:24 | 0:21:26 | |
-with, like, lawyers and cross-examination, and stuff? -Yeah. | 0:21:26 | 0:21:30 | |
MOBILE RINGS | 0:21:30 | 0:21:32 | |
That's the least of my worries. | 0:21:32 | 0:21:34 | |
PHONE RINGS | 0:21:34 | 0:21:36 | |
That's Beth's other phone. | 0:21:36 | 0:21:37 | |
PHONE RINGS | 0:21:37 | 0:21:39 | |
-Is that the German? -It's DEFINITELY not the German. | 0:21:39 | 0:21:42 | |
All right, I think it's time | 0:21:42 | 0:21:44 | |
that you told me what's actually going on. | 0:21:44 | 0:21:47 | |
Beth was investigating her twins, too. | 0:21:47 | 0:21:48 | |
I think whatever she found out drove her nuts and she topped herself. | 0:21:48 | 0:21:52 | |
What? | 0:21:52 | 0:21:53 | |
-So do I pick up? -No! | 0:21:53 | 0:21:55 | |
No! | 0:21:55 | 0:21:57 | |
I can't help myself. | 0:21:57 | 0:21:58 | |
Then why even ask? | 0:21:58 | 0:22:00 | |
Shh. | 0:22:00 | 0:22:02 | |
Hello, er, this is, um, this is Beth. | 0:22:02 | 0:22:05 | |
-WOMAN WITH US ACCENT: -'Finally! Where have you been?' | 0:22:05 | 0:22:06 | |
Busy, obviously. | 0:22:06 | 0:22:09 | |
'Right. Did you get the German's briefcase?' | 0:22:09 | 0:22:10 | |
No. Why? | 0:22:10 | 0:22:11 | |
'Because I told you to. | 0:22:11 | 0:22:14 | |
'Where is she staying, Beth? | 0:22:14 | 0:22:15 | |
-'Hello?' -One sec! | 0:22:18 | 0:22:20 | |
OK. | 0:22:23 | 0:22:24 | |
Uh, | 0:22:24 | 0:22:26 | |
Carlsborough Hotel, room 303. | 0:22:26 | 0:22:28 | |
'Well, go, get the briefcase before they do.' | 0:22:28 | 0:22:31 | |
-'I'll call back at midnight.' -PHONE DISCONNECTS | 0:22:31 | 0:22:33 | |
What's in... | 0:22:33 | 0:22:35 | |
(What's in the briefcase?) | 0:22:35 | 0:22:37 | |
Who is that? | 0:22:37 | 0:22:38 | |
-Every time I think I know something, I'm wrong. -Whoa, hold on. | 0:22:38 | 0:22:44 | |
Beth, | 0:22:45 | 0:22:46 | |
Katja, | 0:22:46 | 0:22:48 | |
and Alison Hendrix. | 0:22:48 | 0:22:49 | |
Is it her? | 0:22:49 | 0:22:51 | |
I don't know, Felix. | 0:22:51 | 0:22:53 | |
Well, what happened to the German? | 0:22:53 | 0:22:55 | |
Are you seriously going there? | 0:22:55 | 0:22:56 | |
-Don't you want to know what's in the briefcase? -No! | 0:22:56 | 0:22:59 | |
Cash? | 0:22:59 | 0:23:01 | |
It's still a hustle, Fe. | 0:23:01 | 0:23:04 | |
Can I borrow this? | 0:23:04 | 0:23:06 | |
No. Yeah. I don't know. | 0:23:06 | 0:23:08 | |
Mmm. | 0:23:08 | 0:23:10 | |
Guten morgen. Katja Obinger. SHE CHUCKLES | 0:23:10 | 0:23:13 | |
Sarah. | 0:23:13 | 0:23:14 | |
Don't worry. | 0:23:14 | 0:23:16 | |
You actually look kind of hot. | 0:23:16 | 0:23:17 | |
It's good, innit? | 0:23:17 | 0:23:19 | |
SHE PRACTISES GERMAN PHRASES | 0:23:19 | 0:23:20 | |
MUSIC: "These Boots Are Made For Walking" in German | 0:23:20 | 0:23:23 | |
Nein, nein. | 0:23:23 | 0:23:24 | |
Miss Obinger. | 0:23:37 | 0:23:39 | |
Miss Obinger? | 0:23:39 | 0:23:42 | |
Miss Obinger! | 0:23:42 | 0:23:45 | |
Miss Obinger! | 0:23:45 | 0:23:46 | |
-Was that her? -Yeah. | 0:23:51 | 0:23:53 | |
LIFT PINGS | 0:23:55 | 0:23:56 | |
PHONE RINGS | 0:24:55 | 0:24:58 | |
Shit. | 0:24:58 | 0:24:59 | |
PHONE RINGS | 0:25:00 | 0:25:02 | |
POUNDING ON DOOR | 0:25:14 | 0:25:15 | |
PHONE RINGS | 0:25:15 | 0:25:18 | |
Shit. | 0:25:18 | 0:25:19 | |
POUNDING ON DOOR | 0:25:19 | 0:25:21 | |
Ahem. Ja. | 0:25:28 | 0:25:31 | |
Hello. Avery, from the front desk. | 0:25:31 | 0:25:34 | |
-Could we talk with you downstairs, please? -SHE SIGHS | 0:25:34 | 0:25:37 | |
Why would you go in my room? | 0:25:37 | 0:25:40 | |
We had a noise complaint, which led to a security check. | 0:25:40 | 0:25:43 | |
Ma'am, your room was trashed. | 0:25:43 | 0:25:45 | |
Rock-n-roll. | 0:25:45 | 0:25:47 | |
"Rock-n-roll"? | 0:25:47 | 0:25:49 | |
The sink is broken. What the heck is wrong with you? | 0:25:49 | 0:25:53 | |
Unfortunately, we have an itemised bill. Sink, mirror, | 0:25:53 | 0:25:56 | |
three pillows. | 0:25:56 | 0:25:58 | |
6,000? | 0:25:58 | 0:26:01 | |
6,437.11, yes. | 0:26:01 | 0:26:04 | |
Ja. | 0:26:04 | 0:26:05 | |
So? You have my card on file, ja? | 0:26:10 | 0:26:12 | |
Yes. | 0:26:12 | 0:26:14 | |
And my briefcase. | 0:26:16 | 0:26:18 | |
One moment. | 0:26:21 | 0:26:23 | |
Authorising. | 0:26:28 | 0:26:32 | |
Must've been a heck of a party. | 0:26:39 | 0:26:41 | |
Everything appears to be in order. | 0:26:48 | 0:26:51 | |
I'm very sorry about this. | 0:26:51 | 0:26:53 | |
Ahem! | 0:26:53 | 0:26:54 | |
Are you enjoying the city? | 0:26:54 | 0:26:56 | |
It's killing me. | 0:26:56 | 0:26:58 | |
Danke schoen. | 0:26:58 | 0:27:00 | |
"Danielle Fournier". | 0:27:50 | 0:27:52 | |
Katja. | 0:28:01 | 0:28:02 | |
Austrian. | 0:28:10 | 0:28:12 | |
Italian? | 0:28:13 | 0:28:15 | |
Danielle Fournier, France. | 0:28:18 | 0:28:21 | |
Alison Hendrix, | 0:28:28 | 0:28:30 | |
Scarborough. | 0:28:30 | 0:28:32 | |
You're practically local. | 0:28:33 | 0:28:35 | |
MOBILE RINGS | 0:28:35 | 0:28:36 | |
And punctual. | 0:28:36 | 0:28:37 | |
Hello? | 0:28:42 | 0:28:43 | |
'Hey. Did you get to the hotel?' | 0:28:43 | 0:28:45 | |
Yeah, but somebody got there first. | 0:28:45 | 0:28:49 | |
They ransacked her room. | 0:28:49 | 0:28:52 | |
'Shit! No briefcase?' | 0:28:52 | 0:28:55 | |
I didn't say that. | 0:28:55 | 0:28:56 | |
'Did you find it, or not?' | 0:28:56 | 0:28:59 | |
Hang on. | 0:28:59 | 0:29:00 | |
(Screw it.) | 0:29:05 | 0:29:07 | |
IN LONDON ACCENT: Hello? Who am I speaking to? | 0:29:07 | 0:29:09 | |
'Beth?' | 0:29:09 | 0:29:11 | |
Alison? | 0:29:11 | 0:29:13 | |
'Who is this? | 0:29:13 | 0:29:15 | |
'Who is this?!' | 0:29:15 | 0:29:17 | |
Beth's indisposed. Is this Alison? | 0:29:17 | 0:29:21 | |
'Just one. I'm a few. No family, too. Who am I?' | 0:29:21 | 0:29:24 | |
Yeah, sorry, Riddler, means nothing to me. | 0:29:24 | 0:29:27 | |
Look, Beth said to say I have the briefcase. | 0:29:27 | 0:29:32 | |
Do you want me to bring it to you? | 0:29:32 | 0:29:34 | |
CLICK, DIAL TONE | 0:29:34 | 0:29:36 | |
"35, Black Oak Drive". | 0:29:52 | 0:29:54 | |
Stop it! | 0:31:11 | 0:31:12 | |
You stop it! | 0:31:12 | 0:31:14 | |
You stop it! | 0:31:14 | 0:31:17 | |
Hey, hey, hey! No, no, no, no. | 0:31:17 | 0:31:19 | |
Don't hurt her. | 0:31:19 | 0:31:21 | |
Holy shite. | 0:31:21 | 0:31:23 | |
A soccer mum. | 0:31:26 | 0:31:29 | |
Follow your sister. Don't run. | 0:31:32 | 0:31:34 | |
Good boy! | 0:31:34 | 0:31:36 | |
-Good boy. -SHE BLOWS WHISTLE | 0:31:36 | 0:31:39 | |
There you go. | 0:31:41 | 0:31:43 | |
MOBILE RINGS | 0:31:43 | 0:31:44 | |
-CHILD: -Over there! | 0:31:44 | 0:31:47 | |
Hello? | 0:31:47 | 0:31:49 | |
Oh. | 0:31:49 | 0:31:51 | |
Go. Go, go! | 0:31:54 | 0:31:56 | |
Vivien! I'm going to cut the...yeah. | 0:31:59 | 0:32:02 | |
SHE GASPS | 0:32:55 | 0:32:57 | |
I just want some answers. | 0:32:57 | 0:32:59 | |
Are you out of your mind? | 0:32:59 | 0:33:02 | |
How dare you show your face in front of my children. | 0:33:02 | 0:33:05 | |
How did you find me? | 0:33:05 | 0:33:06 | |
The German had your address. | 0:33:06 | 0:33:08 | |
I've got what you wanted. I've got her briefcase. | 0:33:08 | 0:33:11 | |
SHE SCOFFS | 0:33:11 | 0:33:13 | |
Idiot. Do you even know who you're talking to? | 0:33:13 | 0:33:15 | |
Hmm? | 0:33:15 | 0:33:16 | |
Where is Beth? | 0:33:16 | 0:33:18 | |
Uh, she's dead. | 0:33:18 | 0:33:20 | |
What? | 0:33:22 | 0:33:24 | |
I'm sorry. She killed herself. | 0:33:24 | 0:33:27 | |
No. No, no, she wouldn't do that. That's impossible. | 0:33:27 | 0:33:31 | |
No, I'm sorry. I saw her do it. | 0:33:31 | 0:33:35 | |
No, that can't be. Uh-uh. | 0:33:35 | 0:33:37 | |
Look, I can explain, OK? My name's Sarah... | 0:33:37 | 0:33:39 | |
I don't care who you are. | 0:33:39 | 0:33:42 | |
(Why, Lord? Why me? | 0:33:42 | 0:33:45 | |
(I never wanted any part of this. | 0:33:45 | 0:33:46 | |
(Do I wear a huge "kick me" sign on my back?) | 0:33:46 | 0:33:49 | |
Please, just tell me... | 0:33:49 | 0:33:50 | |
Who are we to each other? | 0:33:50 | 0:33:52 | |
Are you kidding me? | 0:33:52 | 0:33:56 | |
I'm not doing that. Nope, that is not my responsibility... | 0:33:56 | 0:33:59 | |
You know, you need to get out of here. | 0:33:59 | 0:34:04 | |
Go and wait for a call. | 0:34:04 | 0:34:07 | |
-Eh, tell me what the hell... -Let go! Don't touch me. | 0:34:07 | 0:34:11 | |
This is my neighbourhood. | 0:34:11 | 0:34:13 | |
You wait for a call. | 0:34:13 | 0:34:15 | |
Oh, and hide your ugly face on the way out of here. | 0:34:17 | 0:34:21 | |
(Bitch.) | 0:34:22 | 0:34:24 | |
OK, oranges, guys! | 0:34:24 | 0:34:26 | |
Can I take two? | 0:34:35 | 0:34:37 | |
Yeah, you take two. | 0:34:37 | 0:34:39 | |
MOBILE RINGS | 0:34:39 | 0:34:42 | |
SHE SIGHS | 0:34:44 | 0:34:46 | |
What's up, Art? | 0:34:48 | 0:34:50 | |
Where are you? | 0:34:50 | 0:34:52 | |
-I'm at home in the tub with a bourbon. -Can you hear me knocking? | 0:34:52 | 0:34:54 | |
-HE POUNDS ON DOOR -No? Because you're not home. | 0:34:54 | 0:34:57 | |
OK, I'm in Scarborough. | 0:34:57 | 0:34:59 | |
What? Why?! | 0:34:59 | 0:35:01 | |
I had to go to Bed Bath & Beyond, OK? | 0:35:01 | 0:35:03 | |
Nobody wants to admit that. | 0:35:03 | 0:35:04 | |
Look, whatever, Beth. What the hell did you say to the shrink? | 0:35:04 | 0:35:08 | |
-She's ruling you unfit for duty. -What? Why? | 0:35:08 | 0:35:10 | |
Yeah, "unfit" means no hearing tomorrow. | 0:35:10 | 0:35:13 | |
-Oh, shit! -It means this crap goes on and on and guess what... | 0:35:13 | 0:35:17 | |
I'm keeping your money until it ends. | 0:35:17 | 0:35:19 | |
I'll go see her now. | 0:35:19 | 0:35:20 | |
-No, no, no, it's too late for that, Beth. -Get me another appointment, OK? | 0:35:20 | 0:35:23 | |
Tell her it's an emergency, you're worried about me. | 0:35:23 | 0:35:26 | |
She's my doctor. She has to see me. | 0:35:26 | 0:35:29 | |
And what are you going to say to her to change her mind? | 0:35:29 | 0:35:30 | |
I'll figure something out. | 0:35:30 | 0:35:33 | |
'I'm sorry.' | 0:35:33 | 0:35:35 | |
My opinion is you're not ready for duty. | 0:35:35 | 0:35:38 | |
I am, though. | 0:35:38 | 0:35:39 | |
I'm making progress, full progress. | 0:35:39 | 0:35:41 | |
Go on. | 0:35:41 | 0:35:43 | |
You know, with the guilt, seeing cellphone and reacting "gun". | 0:35:43 | 0:35:49 | |
You're just parroting our last meeting back to me. | 0:35:49 | 0:35:51 | |
No, I'm admitting my mistake, | 0:35:51 | 0:35:53 | |
Dr Bowers, | 0:35:53 | 0:35:55 | |
I'm acknowledging it, like you said. | 0:35:55 | 0:35:58 | |
Honestly, the best thing for me now is to get back to work. | 0:35:58 | 0:36:00 | |
Last time I saw you, you couldn't remember the shooting. | 0:36:00 | 0:36:03 | |
"I'm missing myself. I glitched. | 0:36:03 | 0:36:07 | |
"A break, or something." | 0:36:07 | 0:36:08 | |
I remember it just fine. What I'm trying to do is move on. | 0:36:08 | 0:36:12 | |
Sorry, Beth, but, considering | 0:36:12 | 0:36:14 | |
your mental state, leading up to the incident... | 0:36:14 | 0:36:15 | |
That's behind me now, Dr Bowers. | 0:36:15 | 0:36:18 | |
And by your own admission of blackout or psychotic break, | 0:36:18 | 0:36:20 | |
I can't recommend you for duty. | 0:36:20 | 0:36:21 | |
SHE SIGHS | 0:36:21 | 0:36:24 | |
-That's not going to work for me. -I understand, you're a cop, | 0:36:24 | 0:36:28 | |
but this is my job. | 0:36:28 | 0:36:30 | |
Can you read that back again? | 0:36:32 | 0:36:34 | |
That, um, "I'm missing myself. I glitched." | 0:36:34 | 0:36:38 | |
Does that sound stoned to you? | 0:36:40 | 0:36:42 | |
"Glitched" sounds stoned? | 0:36:42 | 0:36:45 | |
Tweaked, gakked, spun. | 0:36:45 | 0:36:49 | |
Ahem! Allevia, | 0:36:49 | 0:36:51 | |
Superprax, Draxifil. What's the difference between a mood stabiliser | 0:36:51 | 0:36:55 | |
-and an anti-psychotic, again? -Beth... | 0:36:55 | 0:36:58 | |
No, I'm sorry, I've been confused. I mean, it's very confusing. | 0:36:58 | 0:37:01 | |
Um... Antidepressants, antianxieties, SSRIs. | 0:37:01 | 0:37:06 | |
Serotronax... That one's a stimulant. | 0:37:06 | 0:37:08 | |
We have known each other for a while, now, Beth... | 0:37:08 | 0:37:10 | |
Yeah? That's where you're wrong. | 0:37:10 | 0:37:12 | |
You have constantly tested me with your personal appeals for prescriptions. | 0:37:12 | 0:37:15 | |
I know. | 0:37:15 | 0:37:17 | |
My bad. | 0:37:17 | 0:37:19 | |
So I'll just explain to the board that I shot this poor civilian | 0:37:19 | 0:37:22 | |
after mixing up all your overlapping scrips. | 0:37:22 | 0:37:24 | |
Or am I making progress? | 0:37:27 | 0:37:32 | |
All right, if everybody's here, | 0:37:35 | 0:37:37 | |
let's see if we could do this again. | 0:37:37 | 0:37:39 | |
The board convenes in a fatal | 0:37:39 | 0:37:40 | |
line-of-duty shooting, October 7th of this year. | 0:37:40 | 0:37:44 | |
State your name and rank for the record | 0:37:44 | 0:37:47 | |
and begin. | 0:37:47 | 0:37:51 | |
Detective Elizabeth Childs. | 0:37:51 | 0:37:53 | |
You did well. We'll have a ruling in a couple of days. | 0:37:58 | 0:38:01 | |
OK. | 0:38:01 | 0:38:02 | |
MOBILE RINGS | 0:38:02 | 0:38:05 | |
This is Sarah. | 0:38:07 | 0:38:09 | |
'Well, Sarah, this will be quick.' | 0:38:09 | 0:38:11 | |
Good. | 0:38:11 | 0:38:13 | |
Since you apparently already know where I live | 0:38:13 | 0:38:15 | |
and I can't find a sitter, come by after 9.00 tonight. | 0:38:15 | 0:38:18 | |
-How about right now? -Tonight! Bring whatever you got from the German. | 0:38:18 | 0:38:22 | |
'Go around back and go to the basement door.' | 0:38:22 | 0:38:24 | |
Knock quietly! | 0:38:24 | 0:38:26 | |
Not bad, Childs. | 0:38:26 | 0:38:28 | |
Not bad. | 0:38:30 | 0:38:31 | |
I nailed it, man, | 0:38:37 | 0:38:39 | |
-every detail. -Yeah. They haven't ruled yet. | 0:38:39 | 0:38:42 | |
Please contain your excitement(!) | 0:38:42 | 0:38:44 | |
This is me, excited. | 0:38:44 | 0:38:45 | |
Come on, Art, give me a little love, here, yeah? | 0:38:45 | 0:38:49 | |
Why do you have to be such a hardass? | 0:38:49 | 0:38:51 | |
-Because it's your favourite thing about me. -HE CHUCKLES | 0:38:51 | 0:38:55 | |
SIREN WAILS | 0:38:55 | 0:38:57 | |
Look, Paul doesn't know | 0:38:57 | 0:38:58 | |
I took that money out of our account. | 0:38:58 | 0:39:00 | |
So just let me put it back | 0:39:00 | 0:39:03 | |
before he finds out, yeah? | 0:39:03 | 0:39:04 | |
I hang on to it till you're reinstated. That's the deal. | 0:39:04 | 0:39:07 | |
Scoff There was no deal, it was just you, taking... | 0:39:07 | 0:39:10 | |
Looking out for you, | 0:39:10 | 0:39:11 | |
partner. | 0:39:11 | 0:39:14 | |
Oh, my God! Ugh! | 0:39:20 | 0:39:22 | |
You know I never would've got in | 0:39:22 | 0:39:23 | |
if you said we were going to suburbia. | 0:39:23 | 0:39:26 | |
Oi, what are you doing? | 0:39:26 | 0:39:28 | |
Don't stop. Someone might speak to us. | 0:39:28 | 0:39:30 | |
God! | 0:39:30 | 0:39:32 | |
Christ. | 0:39:32 | 0:39:34 | |
You know, my skin just breaks out every time I leave the downtown. | 0:39:34 | 0:39:37 | |
Yeah, yeah. | 0:39:37 | 0:39:39 | |
Right there. Look...acne. | 0:39:39 | 0:39:41 | |
No, | 0:39:41 | 0:39:42 | |
I don't see acne. | 0:39:42 | 0:39:44 | |
Am I blushing? | 0:39:44 | 0:39:46 | |
There's redness! Right there! | 0:39:46 | 0:39:48 | |
Tiny, little suburban stress zits, | 0:39:48 | 0:39:49 | |
emerging in direct proximity to bad architecture. | 0:39:49 | 0:39:52 | |
Look, Fe, I'm going to have the money in a couple days. | 0:39:52 | 0:39:56 | |
OK? And then... Look, | 0:39:56 | 0:39:57 | |
I'll make good with Mrs S. | 0:39:57 | 0:39:59 | |
and we'll take Kira somewhere quiet, yeah? | 0:39:59 | 0:40:02 | |
Somewhere warm. | 0:40:02 | 0:40:03 | |
Yeah, please. | 0:40:03 | 0:40:05 | |
So what's in the house? | 0:40:07 | 0:40:10 | |
I won't be long. | 0:40:10 | 0:40:11 | |
Oh, my God! Who's in there? | 0:40:11 | 0:40:13 | |
Stay here, OK? | 0:40:13 | 0:40:15 | |
Is it the German? | 0:40:15 | 0:40:16 | |
SHE SIGHS | 0:40:16 | 0:40:17 | |
The German's dead. | 0:40:17 | 0:40:19 | |
She's dead?! She died?! | 0:40:19 | 0:40:20 | |
Sadly, yes. | 0:40:20 | 0:40:22 | |
This one's an uptight Soccer mum. | 0:40:22 | 0:40:25 | |
Hey, Sarah! You always do this to me! | 0:40:25 | 0:40:27 | |
I just need you to be my backup, OK? | 0:40:27 | 0:40:30 | |
I don't do backup! | 0:40:30 | 0:40:31 | |
-I don't even know what backup is! -Give me half an hour. | 0:40:31 | 0:40:35 | |
-What am I supposed to do till then? -Nothing. | 0:40:35 | 0:40:37 | |
I just need somebody to know where I am. | 0:40:37 | 0:40:40 | |
Wait, that is not comforting! Sarah! | 0:40:40 | 0:40:42 | |
Sh...! | 0:40:42 | 0:40:43 | |
Close it, lock it. | 0:41:07 | 0:41:10 | |
-Really? -Be quiet. My kids are sleeping. | 0:41:16 | 0:41:19 | |
You're going to shoot me while your kids are sleeping? | 0:41:19 | 0:41:22 | |
You wake them or show your face, yes, I will shoot you. | 0:41:22 | 0:41:24 | |
I've never known a blood relation, but being your twin certainly sucks. | 0:41:24 | 0:41:27 | |
You really have no idea, do you? | 0:41:27 | 0:41:28 | |
Hey. | 0:41:32 | 0:41:33 | |
I'm Cosima. | 0:41:33 | 0:41:35 | |
Bloody hell. | 0:41:35 | 0:41:36 | |
We talked on the phone. | 0:41:36 | 0:41:38 | |
How many of us are there? | 0:41:39 | 0:41:40 |