Browse content similar to Variation under Nature. Check below for episodes and series from the same categories and more!
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This programme contains some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:09 | |
-Elizabeth Childs? -The girl who killed herself looked like me. | 0:00:09 | 0:00:11 | |
-Beth is a cop. I'm a cop. -Is this evil twin's money? | 0:00:11 | 0:00:13 | |
Yeah, that's enough to get somewhere safe with my daughter. | 0:00:13 | 0:00:15 | |
I'm going to hang on to that money until you're cleared. | 0:00:15 | 0:00:17 | |
Who the hell is Maggie Chen? | 0:00:17 | 0:00:19 | |
That's the woman Beth shot. | 0:00:19 | 0:00:20 | |
-Beth. What's happened? -A lot. -Something's different. | 0:00:20 | 0:00:23 | |
You are not Beth. | 0:00:23 | 0:00:25 | |
The German's dead. Someone shot her right in front of me! | 0:00:25 | 0:00:27 | |
-COSIMA: -Holy shit, it's true! -What? | 0:00:27 | 0:00:29 | |
That someone is killing us. | 0:00:29 | 0:00:31 | |
Beth, you need to get rid of the body. | 0:00:31 | 0:00:33 | |
Did you get the German's briefcase? | 0:00:33 | 0:00:35 | |
No. Why? | 0:00:35 | 0:00:37 | |
Get the briefcase before they do. | 0:00:37 | 0:00:39 | |
MOBILE PHONE RINGS | 0:00:39 | 0:00:40 | |
Screw it. Hello? | 0:00:40 | 0:00:43 | |
-Who is this? -Beth's indisposed. Is this Alison? | 0:00:43 | 0:00:46 | |
How dare you show your face in front of my children. | 0:00:46 | 0:00:48 | |
This is my neighbourhood. You wait for a call. | 0:00:48 | 0:00:51 | |
Hey. | 0:00:52 | 0:00:53 | |
I'm Cosima. | 0:00:53 | 0:00:54 | |
How many of us are there? | 0:00:54 | 0:00:56 | |
OK, define "orphan", Sarah. | 0:01:04 | 0:01:06 | |
Orphan, orphanage. | 0:01:06 | 0:01:07 | |
So, you don't know your birth parents? | 0:01:07 | 0:01:09 | |
No, I was fostered out, | 0:01:09 | 0:01:11 | |
then legally adopted and I came here. | 0:01:11 | 0:01:13 | |
When? | 0:01:13 | 0:01:15 | |
Adopted? Like eight. Came here around 12. | 0:01:15 | 0:01:17 | |
Heart-breaking(!) (Can we get back to Beth, please? Suicide? | 0:01:17 | 0:01:20 | |
(I don't accept that. | 0:01:20 | 0:01:22 | |
(This one's some kind of lowlife grifter! How do we know she didn't push her?) | 0:01:22 | 0:01:25 | |
Oi! I already told you... I didn't want to be her. | 0:01:25 | 0:01:28 | |
-I got stuck! I was running from my own shit. -I can only imagine. | 0:01:28 | 0:01:31 | |
Alison, I'm very sorry about Beth, OK? | 0:01:31 | 0:01:34 | |
But she was losing it, | 0:01:34 | 0:01:37 | |
-like, clinically. -She was a cop. She had tools. | 0:01:37 | 0:01:40 | |
If she couldn't cope, then, I mean...! | 0:01:40 | 0:01:43 | |
Look, can you just tell me what the hell this is? | 0:01:43 | 0:01:45 | |
Don't tell her anything! | 0:01:45 | 0:01:48 | |
Short answer? No. | 0:01:48 | 0:01:51 | |
How are we all related? | 0:01:51 | 0:01:53 | |
-We're not! -Well, we are, by nature. | 0:01:53 | 0:01:55 | |
She's referring to nurture. | 0:01:55 | 0:01:58 | |
Just give us the briefcase that you got from the German. | 0:01:58 | 0:02:00 | |
I'm not giving you shit till you give me some answers. | 0:02:00 | 0:02:02 | |
-You don't rate answers. -Alison! | 0:02:02 | 0:02:04 | |
Fine! She wants in? | 0:02:04 | 0:02:07 | |
We're clones. | 0:02:07 | 0:02:08 | |
We're someone's experiment and they're killing us off! | 0:02:08 | 0:02:10 | |
Is that helpful?! Hmm? | 0:02:10 | 0:02:12 | |
Mommy? | 0:02:14 | 0:02:16 | |
Gemma! | 0:02:16 | 0:02:17 | |
Who are those ladies? | 0:02:17 | 0:02:19 | |
Just Mommy's friends! | 0:02:19 | 0:02:21 | |
How did you get out of bed? | 0:02:21 | 0:02:22 | |
Sorry. | 0:02:24 | 0:02:26 | |
I wanted to float that whole clone thing a lot softer. | 0:02:26 | 0:02:29 | |
Come on, Sarah. | 0:02:33 | 0:02:34 | |
Shit! | 0:02:34 | 0:02:36 | |
You're not supposed to be parked here at night. | 0:02:38 | 0:02:40 | |
I'm waiting for someone. | 0:02:40 | 0:02:42 | |
Well, this is a Neighbourhood Watch block, so... | 0:02:42 | 0:02:46 | |
Bitch that guards hell. | 0:02:52 | 0:02:55 | |
Screw it. | 0:02:57 | 0:02:59 | |
DOOR THUDS OUTSIDE | 0:03:14 | 0:03:16 | |
-COSIMA: -We are genetically identical, or whatever. | 0:03:16 | 0:03:19 | |
It's actually kind of cool. | 0:03:19 | 0:03:21 | |
As far as... | 0:03:21 | 0:03:22 | |
Shit! Shit! | 0:03:22 | 0:03:24 | |
Su... | 0:03:24 | 0:03:26 | |
Was there someone there? | 0:03:28 | 0:03:30 | |
-Oh, my God! -Freeze! What are you doing in my yard? | 0:03:33 | 0:03:35 | |
Don't! Do not shoot me! Please! | 0:03:35 | 0:03:37 | |
-Why are you here?! -Do not shoot! Please! | 0:03:37 | 0:03:39 | |
Hey! Alison! Alison! Put it down. | 0:03:39 | 0:03:42 | |
-Get out of the way! -He's with me! OK? | 0:03:42 | 0:03:45 | |
Move! | 0:03:45 | 0:03:47 | |
It's OK. | 0:03:47 | 0:03:48 | |
-Oh, shit! -You point a gun at my brother again, | 0:03:54 | 0:03:57 | |
I will kick the living shite out of you! | 0:03:57 | 0:03:59 | |
SHE SOBS | 0:04:03 | 0:04:05 | |
We need to get my shit. | 0:04:09 | 0:04:10 | |
What the hell were you doing here? | 0:04:10 | 0:04:12 | |
Hey, you need this? | 0:04:12 | 0:04:14 | |
You just broke the first rule of clone club. | 0:04:14 | 0:04:17 | |
What, "never tell anyone about clone club"? | 0:04:17 | 0:04:20 | |
Hi. | 0:04:22 | 0:04:24 | |
Awkward. I'm Cosima. | 0:04:24 | 0:04:25 | |
You have my number. | 0:04:28 | 0:04:30 | |
You want answers? I want the briefcase. | 0:04:30 | 0:04:34 | |
Seriously, it's life-or-death. | 0:04:34 | 0:04:36 | |
-FELIX: -You've got to be kidding me. | 0:05:21 | 0:05:24 | |
Clones? | 0:05:24 | 0:05:27 | |
Clones?! | 0:05:27 | 0:05:28 | |
They're not me. They're not. | 0:05:28 | 0:05:31 | |
They're completely different people. | 0:05:31 | 0:05:32 | |
Soccer-mum Sarah, | 0:05:32 | 0:05:34 | |
dreadlock science-geek Sarah? | 0:05:34 | 0:05:36 | |
(Arguably more attractive than the real Sarah.) | 0:05:36 | 0:05:38 | |
Yeah, I was there, thank you. | 0:05:38 | 0:05:40 | |
How can it be, though? | 0:05:40 | 0:05:41 | |
What difference does it make, Fe? | 0:05:41 | 0:05:44 | |
Last time I checked, human cloning was illegal, let alone impossible. | 0:05:44 | 0:05:47 | |
Yeah, leave it out, OK? It doesn't matter! | 0:05:47 | 0:05:49 | |
It does matter! | 0:05:49 | 0:05:51 | |
Dead Beth, dead German, those two, | 0:05:51 | 0:05:54 | |
three other Euros, you... That's eight. | 0:05:54 | 0:05:56 | |
And dreadlocks is going on about her blood samples, | 0:05:56 | 0:05:58 | |
saying it's life-or-death. You can't just ignore it. | 0:05:58 | 0:06:01 | |
Yes, I can! | 0:06:01 | 0:06:03 | |
I'm just me, OK? | 0:06:03 | 0:06:05 | |
The song remains the same. | 0:06:05 | 0:06:07 | |
We get the 75 grand back from Beth's partner, | 0:06:07 | 0:06:09 | |
we get Kira, and get as far away | 0:06:09 | 0:06:11 | |
from all this as possible! | 0:06:11 | 0:06:13 | |
Am I going insane? | 0:06:22 | 0:06:24 | |
Hey, Beth. I thought you were still off. | 0:06:42 | 0:06:45 | |
Uh, yeah, just can't get enough. | 0:06:45 | 0:06:47 | |
Is Art around? | 0:06:47 | 0:06:49 | |
Beth! What the hell's going on? | 0:06:49 | 0:06:51 | |
Yeah, I got to talk to you for a couple seconds. | 0:06:51 | 0:06:54 | |
Hey, company? | 0:06:55 | 0:06:57 | |
Look, things are bad with Paul. | 0:06:58 | 0:07:00 | |
-OK. -We're dividing up our shit. Any second, | 0:07:00 | 0:07:03 | |
he's going to find that joint account empty. | 0:07:03 | 0:07:05 | |
Look, you get the cash when you're back | 0:07:05 | 0:07:07 | |
on active duty. That's the deal. | 0:07:07 | 0:07:09 | |
Childs! | 0:07:09 | 0:07:11 | |
Sorry, just saying hello. | 0:07:11 | 0:07:12 | |
No, you're not. Both of you. | 0:07:12 | 0:07:14 | |
Bad news... | 0:07:21 | 0:07:23 | |
you're reinstated. | 0:07:23 | 0:07:25 | |
Oh, shit! | 0:07:25 | 0:07:27 | |
Welcome back. | 0:07:27 | 0:07:29 | |
Well, thank God. | 0:07:31 | 0:07:34 | |
Buckle up, kid, we got a 10-45. | 0:07:34 | 0:07:37 | |
Uh, hey, two seconds. | 0:07:40 | 0:07:43 | |
Shit. | 0:07:50 | 0:07:51 | |
DOOR OPENS | 0:07:51 | 0:07:53 | |
Do you want help with that? | 0:07:57 | 0:07:58 | |
Yeah, you mind? | 0:07:58 | 0:08:00 | |
SHE SCOFFS | 0:08:00 | 0:08:02 | |
-DISPATCHER: -'Quarry Road and Ulster. | 0:08:22 | 0:08:24 | |
'Confirmed 10-45. Forensic on site.' | 0:08:24 | 0:08:26 | |
So, Art, about our deal. I'm reinstated now. | 0:08:26 | 0:08:29 | |
Hey, I'm not carrying around | 0:08:29 | 0:08:30 | |
75 grand in the trunk, all right? | 0:08:30 | 0:08:32 | |
Just call us in. | 0:08:32 | 0:08:34 | |
Heading for the 10-45. Roger. | 0:08:40 | 0:08:42 | |
'Responder, please identify.' | 0:08:42 | 0:08:46 | |
Uh... | 0:08:46 | 0:08:47 | |
Fifty-five. | 0:08:48 | 0:08:50 | |
Fifty-five heading for the 10-45, Roger. | 0:08:50 | 0:08:54 | |
Out. | 0:08:55 | 0:08:56 | |
'Copy.' | 0:08:56 | 0:08:59 | |
What? | 0:09:00 | 0:09:01 | |
Something wrong? | 0:09:15 | 0:09:17 | |
Body's chewed up pretty bad. | 0:09:44 | 0:09:47 | |
What do you think? | 0:09:47 | 0:09:49 | |
I think some idiot didn't realise they were burying a body | 0:09:49 | 0:09:52 | |
next to an active quarry. | 0:09:52 | 0:09:54 | |
Got a pretty good tyre print over there. | 0:09:58 | 0:10:00 | |
I'd say the body wasn't in the ground more than two, maybe three, days. | 0:10:00 | 0:10:03 | |
Hey, welcome back. | 0:10:03 | 0:10:05 | |
Now, this would be your industrial sausagemaker. | 0:10:07 | 0:10:11 | |
Nice of them to lend a hand, though! | 0:10:11 | 0:10:13 | |
BOTH CHUCKLE | 0:10:13 | 0:10:15 | |
Prints? | 0:10:15 | 0:10:17 | |
They'd better hit, because | 0:10:17 | 0:10:19 | |
reconstructing the face is going to be tough. | 0:10:19 | 0:10:21 | |
Hey! | 0:10:23 | 0:10:24 | |
Can we get the guy to open this thing up? | 0:10:24 | 0:10:27 | |
Uh, I need to make a call, yeah? | 0:10:27 | 0:10:32 | |
One sec. | 0:10:32 | 0:10:34 | |
I can't talk, or meet. Just answer the question. | 0:10:37 | 0:10:39 | |
Oh, OK, OK. | 0:10:39 | 0:10:41 | |
Our fingerprints are close enough to flag a match, yeah. | 0:10:41 | 0:10:44 | |
-Why? -Beth's partner found the German... | 0:10:44 | 0:10:47 | |
or at least part of her. | 0:10:47 | 0:10:49 | |
-Part of her? -Yeah, I messed up when I buried her. | 0:10:49 | 0:10:52 | |
They have a fingerprint, Cosima. | 0:10:52 | 0:10:53 | |
Oh, wait, are you being Beth right now? | 0:10:53 | 0:10:55 | |
Yes, I'm at the bloody crime scene, pretending to be a bloody cop, | 0:10:55 | 0:10:58 | |
so I need to know if the bloody fingerprints | 0:10:58 | 0:11:00 | |
will flag a bloody match! | 0:11:00 | 0:11:01 | |
Whoa! OK, OK, don't freak out! | 0:11:01 | 0:11:04 | |
They'd need to use Interpol | 0:11:04 | 0:11:05 | |
to find the German, which is unlikely, | 0:11:05 | 0:11:07 | |
but if one of us had a criminal record here... | 0:11:07 | 0:11:10 | |
Do you have a criminal record? | 0:11:13 | 0:11:15 | |
Just petty fraud, assault, whatever. | 0:11:15 | 0:11:18 | |
Wasted youth, all right? | 0:11:18 | 0:11:20 | |
If the body matches me, the cops will see | 0:11:20 | 0:11:24 | |
a mugshot of somebody | 0:11:24 | 0:11:25 | |
who looks like Beth, only it's yours truly, | 0:11:25 | 0:11:27 | |
and I'm already supposed to be dead. | 0:11:27 | 0:11:29 | |
Wow. Wow, welcome to the trip, man. | 0:11:29 | 0:11:31 | |
That is not helpful. | 0:11:31 | 0:11:33 | |
Yeah, OK, sorry. Just don't bolt, OK? Don't bolt. | 0:11:33 | 0:11:36 | |
They can't run prints instantaneously, | 0:11:36 | 0:11:38 | |
so we do have some time here. | 0:11:38 | 0:11:40 | |
How much time? | 0:11:40 | 0:11:42 | |
Bring me the briefcase and we'll talk, OK? | 0:11:42 | 0:11:44 | |
Beckwith will have an exact time of death soon, | 0:11:49 | 0:11:51 | |
but till then, I say we ballpark two, | 0:11:51 | 0:11:53 | |
three days, see who's missing. | 0:11:53 | 0:11:55 | |
And fingerprints, | 0:11:56 | 0:11:58 | |
what, a couple days? | 0:11:58 | 0:11:59 | |
Yeah, you know the lab. Hopefully, overnight. | 0:11:59 | 0:12:02 | |
Look, Art, um, this shit with Paul | 0:12:02 | 0:12:05 | |
is about to go sideways, OK? | 0:12:05 | 0:12:06 | |
I need to get to the bank. | 0:12:06 | 0:12:08 | |
-Let me see your weapon. -Huh? | 0:12:08 | 0:12:11 | |
Come on, show it to me. | 0:12:11 | 0:12:13 | |
-It's empty. -Yeah, what? We left in a hurry. | 0:12:21 | 0:12:23 | |
You rode with me empty! | 0:12:23 | 0:12:25 | |
Art, it's a 10-45 for legs, right, Art, | 0:12:25 | 0:12:28 | |
like, I mean, who am I going to shoot? | 0:12:28 | 0:12:30 | |
That's bullshit, Beth, for regs and your partner. | 0:12:30 | 0:12:32 | |
Look, if the shooting has you trigger-shy, Beth... | 0:12:32 | 0:12:34 | |
No, I'm not, I'm not. I'm not. Just give me an hour or two | 0:12:34 | 0:12:37 | |
to get up to speed, for Christ's sake. | 0:12:37 | 0:12:39 | |
You can get up to speed on the desk, then. I'll work this with DeAngelis. | 0:12:39 | 0:12:42 | |
-Now get outta here. -Hey, Art. | 0:12:42 | 0:12:45 | |
Look, if you ask me about that money | 0:12:45 | 0:12:47 | |
one more time, Beth, I swear to God, it's going in the shredder. | 0:12:47 | 0:12:50 | |
Hey. | 0:13:12 | 0:13:13 | |
-Don't worry, you get used to it. -To clones? | 0:13:20 | 0:13:23 | |
Yeah, I'm not buying that. | 0:13:23 | 0:13:24 | |
How many of us do you have to meet, Sarah? | 0:13:24 | 0:13:29 | |
Can I have the briefcase, please? | 0:13:29 | 0:13:31 | |
I want some answers, first. | 0:13:31 | 0:13:33 | |
Well, the answers are in the briefcase. | 0:13:33 | 0:13:36 | |
Let me guess... | 0:13:36 | 0:13:38 | |
you're the smart one, you're the wild one. | 0:13:38 | 0:13:40 | |
Would you believe we're clones? | 0:13:40 | 0:13:42 | |
HE LAUGHS | 0:13:42 | 0:13:43 | |
-Bourbon, rocks. -You got it. | 0:13:43 | 0:13:46 | |
So you're the scientist the German was on about. | 0:13:46 | 0:13:49 | |
Yes... Well, PhD student, | 0:13:49 | 0:13:51 | |
evolutionary developmental biology | 0:13:51 | 0:13:53 | |
at University of Minnesota. | 0:13:53 | 0:13:55 | |
I'm heading back there tonight. | 0:13:55 | 0:13:57 | |
The German was sick. Should I be worried about that? | 0:13:57 | 0:14:00 | |
Well, if you give me the case, I'll know in a couple weeks. | 0:14:00 | 0:14:04 | |
Do you know who shot her in the head? | 0:14:04 | 0:14:05 | |
SHE EXHALES | 0:14:05 | 0:14:07 | |
OK... | 0:14:07 | 0:14:08 | |
So, six months ago, | 0:14:08 | 0:14:11 | |
Katja contacted Beth with this crazy story | 0:14:11 | 0:14:14 | |
about her genetic identicals being hunted in Europe. | 0:14:14 | 0:14:16 | |
"Hunted"? | 0:14:16 | 0:14:18 | |
-Brilliant(!) -I know. | 0:14:21 | 0:14:23 | |
So Beth used facial-recognition software | 0:14:23 | 0:14:26 | |
to find driver's licences in North America. | 0:14:26 | 0:14:30 | |
-Two matches. -You and soccer bitch. | 0:14:30 | 0:14:32 | |
Yeah, right. But who is the original? | 0:14:32 | 0:14:36 | |
Who's created us? | 0:14:36 | 0:14:39 | |
Who's killing us? | 0:14:39 | 0:14:40 | |
We need to know, but, we lost our cop, so, | 0:14:40 | 0:14:43 | |
however you manage to get into her shoes, | 0:14:43 | 0:14:45 | |
we really need you to stay there. | 0:14:45 | 0:14:47 | |
Stay a cop to help you? | 0:14:47 | 0:14:50 | |
To help us. | 0:14:50 | 0:14:51 | |
Help us find out who's killing us. | 0:14:51 | 0:14:55 | |
How?! I'm not a cop. | 0:14:55 | 0:14:56 | |
Beth's partner's going to figure that out. | 0:14:56 | 0:14:59 | |
Being Beth is what got me into this mess, | 0:14:59 | 0:15:01 | |
-in the first place. -I know, I know. I get it, I get it. | 0:15:01 | 0:15:04 | |
But you can't run away from her. | 0:15:04 | 0:15:06 | |
Look, we are your biological imperative now, OK? | 0:15:06 | 0:15:10 | |
Katja's fingerprints will match your fingerprints. | 0:15:10 | 0:15:14 | |
So get to Katja's fingerprint results, somehow. | 0:15:14 | 0:15:17 | |
I think that's our only option. | 0:15:17 | 0:15:19 | |
All right. | 0:15:21 | 0:15:23 | |
Just answer me one thing... | 0:15:25 | 0:15:27 | |
Anything, yes. | 0:15:27 | 0:15:28 | |
If we're genetically identical, | 0:15:28 | 0:15:31 | |
do you get that little patch of dry skin | 0:15:31 | 0:15:34 | |
between your eyebrows? | 0:15:34 | 0:15:35 | |
SHE LAUGHS | 0:15:35 | 0:15:37 | |
That's good. | 0:15:37 | 0:15:40 | |
Try to keep your sense of humour. | 0:15:40 | 0:15:42 | |
Beth couldn't. | 0:15:44 | 0:15:45 | |
No cream? | 0:15:56 | 0:15:57 | |
You're booked on the range day after tomorrow, 4.00pm. | 0:16:00 | 0:16:03 | |
"The range"? | 0:16:03 | 0:16:05 | |
The gun range? Are you with me or not? | 0:16:05 | 0:16:07 | |
Yeah, yeah, yeah. | 0:16:07 | 0:16:10 | |
So what about Jane Doe? | 0:16:10 | 0:16:11 | |
Beckwith filled a bucket with fragments from the hopper. | 0:16:11 | 0:16:15 | |
Couple solids so far... | 0:16:15 | 0:16:16 | |
Dyed red hair. Like bright red. | 0:16:16 | 0:16:20 | |
And laying out the skull fragments, | 0:16:20 | 0:16:22 | |
she's 99% sure she found entry and exit wounds. | 0:16:22 | 0:16:24 | |
A shooting. So what about the prints? | 0:16:24 | 0:16:28 | |
Start calling. And keep calling while you clear | 0:16:28 | 0:16:31 | |
that shitpile of a desk. | 0:16:31 | 0:16:33 | |
Hey, sorry about poaching your seat on this, eh? | 0:16:33 | 0:16:36 | |
-He's all yours. -Let's go. -Yeah. | 0:16:36 | 0:16:39 | |
PHONE RINGS | 0:16:39 | 0:16:42 | |
Detective Bell. | 0:16:42 | 0:16:43 | |
Yeah, well, what can you tell me about her? ..(Jane Doe.) | 0:16:44 | 0:16:48 | |
Hey, hey! | 0:16:48 | 0:16:50 | |
Shh! Shh! | 0:16:50 | 0:16:52 | |
You want to give me that again? | 0:16:52 | 0:16:54 | |
-ELECTRONIC VOICE: -Am I speaking to your partner now, too, Art? | 0:16:54 | 0:16:59 | |
Actually, we love voicechange apps, | 0:16:59 | 0:17:01 | |
so the whole office is listening. | 0:17:01 | 0:17:04 | |
She was just one of a few, unfit for family, horse glue. | 0:17:04 | 0:17:11 | |
So you didn't like her very much. | 0:17:11 | 0:17:13 | |
How about you tell us her name. | 0:17:13 | 0:17:15 | |
She expired at Allenside Park. | 0:17:15 | 0:17:18 | |
DIAL TONE | 0:17:18 | 0:17:21 | |
So, what, Stephen Hawking did it? | 0:17:23 | 0:17:26 | |
The call came to me. | 0:17:26 | 0:17:28 | |
"Just one of a few, unfit for family..." | 0:17:28 | 0:17:32 | |
"Horse glue"? Shit! | 0:17:32 | 0:17:33 | |
What... What else did they say? | 0:17:33 | 0:17:35 | |
They asked if I was the lead on the quarry body. | 0:17:35 | 0:17:37 | |
Listen, before we go, we'll check the desk, to see who took the call. | 0:17:37 | 0:17:41 | |
Are you going to Allenside? | 0:17:41 | 0:17:43 | |
Yeah. Check the log, to see if there were | 0:17:43 | 0:17:45 | |
any shots fired down there. | 0:17:45 | 0:17:47 | |
Hey, look, I'll see you in a bit, OK? | 0:17:47 | 0:17:49 | |
Hey! | 0:18:14 | 0:18:16 | |
Raj. | 0:18:16 | 0:18:18 | |
Detective. | 0:18:18 | 0:18:20 | |
-Beth. -Hi. | 0:18:20 | 0:18:23 | |
So you probably know I've been off for a while. | 0:18:23 | 0:18:26 | |
-Yeah. -Yeah, nightmare. | 0:18:26 | 0:18:30 | |
PTSD, fatal civilian shooting, | 0:18:30 | 0:18:33 | |
inquiry, medication, the whole enchilada. | 0:18:33 | 0:18:38 | |
Gum? | 0:18:38 | 0:18:39 | |
Uh, thanks. | 0:18:39 | 0:18:42 | |
So I guess you're back, then, right? | 0:18:43 | 0:18:45 | |
Mm, I'm benched. I'm trying to slip in without, you know, | 0:18:45 | 0:18:48 | |
a ripple, but, on the down-low, I'm a little scattered, memory-wise. | 0:18:48 | 0:18:55 | |
You think you could help with a few basics? | 0:18:55 | 0:18:57 | |
Oh, like resetting your password? | 0:18:57 | 0:19:00 | |
Yes, like that. | 0:19:00 | 0:19:02 | |
And the whole procedure for fingerprint results. | 0:19:02 | 0:19:06 | |
I said an hour, Childs. I haven't checked yet. | 0:19:06 | 0:19:08 | |
They're in, though? Because I got a Jane Doe with zero leads. | 0:19:08 | 0:19:11 | |
They're probably in my inbox. Just hang on. | 0:19:11 | 0:19:13 | |
Yep, not a problem. | 0:19:13 | 0:19:15 | |
Childs! | 0:19:17 | 0:19:18 | |
"Results from central". I'm helping you out. | 0:19:18 | 0:19:20 | |
I got to log those! | 0:19:22 | 0:19:24 | |
It's all good! Nothing, anyway. | 0:19:25 | 0:19:27 | |
Don't do that again, Childs. | 0:19:27 | 0:19:30 | |
I don't know, Art, you think someone's jerking your chain? | 0:19:30 | 0:19:33 | |
-Auto glass. -Hmm. | 0:19:41 | 0:19:43 | |
Looks like a fast exit that way. | 0:19:43 | 0:19:45 | |
I don't see any casings. | 0:19:45 | 0:19:47 | |
-Could be line-of-fire, at range. -Hmm. | 0:19:49 | 0:19:53 | |
-SIOBHAN: -I've seen your elaborate ruses | 0:20:04 | 0:20:06 | |
and guises before, but how do you do this, | 0:20:06 | 0:20:08 | |
how do you fake your own demise beneath a train? | 0:20:08 | 0:20:10 | |
Wouldn't you rather know why? | 0:20:10 | 0:20:12 | |
I don't care to know why. | 0:20:12 | 0:20:14 | |
Because I saw a way to dump Vic and get out of that life | 0:20:14 | 0:20:18 | |
and get away with Kira. | 0:20:18 | 0:20:20 | |
Ha! Take her on the run with you? Brilliant(!) | 0:20:20 | 0:20:24 | |
New clothes and a Jaguar do not a mother make. | 0:20:24 | 0:20:27 | |
Lee of the point. | 0:20:27 | 0:20:29 | |
Ugh! I don't remember. Buffleheads. | 0:20:34 | 0:20:38 | |
Barrow's goldeneye. Just passing through. | 0:20:38 | 0:20:41 | |
I'll set up a visit, but the only way | 0:20:47 | 0:20:50 | |
you will regain custody of Kira | 0:20:50 | 0:20:52 | |
is to show me that you can be still. | 0:20:52 | 0:20:55 | |
You're not her legal guardian. | 0:20:59 | 0:21:01 | |
-Mine either, any more. -You can visit. Any other approach, | 0:21:01 | 0:21:04 | |
and I will stop lying to Social Services for you. | 0:21:04 | 0:21:06 | |
You wouldn't do that to Kira. | 0:21:06 | 0:21:08 | |
No. I'd do it to you. | 0:21:08 | 0:21:10 | |
Hey, someone cleared this out, laid down in here. | 0:21:24 | 0:21:28 | |
Around here? Probably homeless. | 0:21:28 | 0:21:30 | |
Yeah, but someone moved this into position. | 0:21:30 | 0:21:32 | |
Hey, this look like a blind to you, | 0:21:32 | 0:21:35 | |
a log for someone to lay a rifle on? | 0:21:35 | 0:21:38 | |
Weeds knocked down for sight lines. | 0:21:38 | 0:21:41 | |
Where are you? | 0:21:41 | 0:21:42 | |
-COSIMA: -Uh, back at school. | 0:21:42 | 0:21:44 | |
What, school? | 0:21:44 | 0:21:45 | |
What? Oh, shit! Right. | 0:21:45 | 0:21:47 | |
Right, right, right. Minneapolis, shit! | 0:21:47 | 0:21:50 | |
-What's going on? -Well, I managed to scrap the fingerprint | 0:21:50 | 0:21:53 | |
results...for a while, anyway... | 0:21:53 | 0:21:54 | |
but the killer contacted Art, Cosima. | 0:21:54 | 0:21:57 | |
He's already at the scene where Katja was shot. | 0:21:57 | 0:22:00 | |
-OK, that's good. Just stick with him. -I can't! | 0:22:00 | 0:22:03 | |
He's benched me because I'm bloody useless! | 0:22:03 | 0:22:05 | |
I need help, Cosima. | 0:22:05 | 0:22:07 | |
He wants me on the range tomorrow. | 0:22:07 | 0:22:09 | |
-I've never even fired a gun. -All right, well, just hold tight. | 0:22:09 | 0:22:12 | |
We know somebody who can help with that. | 0:22:12 | 0:22:14 | |
-Are you serious? -If you are. | 0:22:14 | 0:22:17 | |
-You know we got a motorcycle tread over here, Art. -Yeah? | 0:22:17 | 0:22:20 | |
Yeah. Yeah, it's a good print. Could be the shooter's getaway. | 0:22:20 | 0:22:23 | |
Yeah, but a long gun on a motorcycle? | 0:22:23 | 0:22:25 | |
Could be the weapon broke down, right? | 0:22:25 | 0:22:28 | |
Yeah, it could be. | 0:22:28 | 0:22:29 | |
Hey, I got something over here. | 0:22:33 | 0:22:35 | |
CAMERA SHUTTER CLICKS | 0:22:42 | 0:22:44 | |
Head shot. | 0:22:44 | 0:22:45 | |
Bright red hair. | 0:22:50 | 0:22:51 | |
It has to be this morning. | 0:22:57 | 0:22:59 | |
Art's got me chasing down motorcycle models | 0:22:59 | 0:23:01 | |
from tyre tracks and I'm shooting bloody targets | 0:23:01 | 0:23:04 | |
at a gun range tomorrow. | 0:23:04 | 0:23:06 | |
Well, I can't just conjure a sitter out of thin air. | 0:23:06 | 0:23:09 | |
It's weekend primetime, Sarah. | 0:23:09 | 0:23:10 | |
KNOCKS ON DOOR Well, then, we're all screwed. | 0:23:10 | 0:23:12 | |
Aren't we? | 0:23:12 | 0:23:14 | |
Donnie! | 0:23:14 | 0:23:15 | |
Can you watch the kids for a couple of hours today? | 0:23:17 | 0:23:20 | |
Golf. | 0:23:20 | 0:23:21 | |
On television? | 0:23:21 | 0:23:22 | |
No, I have a tee time, remember? | 0:23:22 | 0:23:24 | |
I'm sorry, I'm coming up empty. | 0:23:27 | 0:23:29 | |
I may have a solution. | 0:23:33 | 0:23:35 | |
Gemma, Oscar, this is Felix. | 0:23:39 | 0:23:42 | |
Hello! | 0:23:43 | 0:23:45 | |
Brilliant(!) | 0:23:48 | 0:23:49 | |
So I'm going out for a couple of hours, | 0:23:49 | 0:23:51 | |
so you be good | 0:23:51 | 0:23:53 | |
or Mommy's going to be very upset, OK? | 0:23:53 | 0:23:57 | |
Same goes for you. | 0:23:57 | 0:23:58 | |
So, what now? | 0:24:00 | 0:24:03 | |
-Does your daddy have a drinks trolley? -What's that? | 0:24:06 | 0:24:09 | |
Don't worry. I'll find it. | 0:24:09 | 0:24:12 | |
You. You want to dress up like a little girl? | 0:24:13 | 0:24:16 | |
-No! -Well, I don't have anything for you, then. | 0:24:16 | 0:24:19 | |
I'll dress up like a boy. | 0:24:19 | 0:24:21 | |
We can work with that. | 0:24:21 | 0:24:23 | |
-RAJ: -No, the make and model | 0:24:23 | 0:24:24 | |
match the tread that DeAngelis sent you. | 0:24:24 | 0:24:26 | |
Sports bike, Suzuki SV650. | 0:24:26 | 0:24:29 | |
Black tank, custom pipes, and stolen when? | 0:24:29 | 0:24:33 | |
Reported four days ago. | 0:24:33 | 0:24:34 | |
I should probably get back to my real job now. | 0:24:34 | 0:24:37 | |
Yeah, yeah, yeah, yeah. Just, um, put out a... You know. | 0:24:37 | 0:24:41 | |
An APB. Yes. Yes, ASAP. | 0:24:41 | 0:24:45 | |
Sorry, I'm at the doctor. My phone's about to die. | 0:24:45 | 0:24:47 | |
-OK, I'll get someone to do it. -Thanks, Raj. | 0:24:47 | 0:24:51 | |
Well, go. | 0:24:55 | 0:24:56 | |
GUNSHOTS | 0:24:59 | 0:25:02 | |
OK, reload, try again. | 0:25:06 | 0:25:09 | |
So, most city cops carry Glocks, | 0:25:09 | 0:25:12 | |
but a Walther p99, it has an optional-sized hand grip. | 0:25:12 | 0:25:15 | |
It's good for women, Beth said, particularly women | 0:25:15 | 0:25:20 | |
living their lives like rats in a lab. | 0:25:20 | 0:25:22 | |
Is that what you think? | 0:25:22 | 0:25:24 | |
Well, what else could it be? | 0:25:24 | 0:25:26 | |
Someone is covering up their illegal experiments | 0:25:26 | 0:25:29 | |
by wiping us out. | 0:25:29 | 0:25:31 | |
Well, whatever it is, | 0:25:31 | 0:25:33 | |
I need to protect my family, | 0:25:33 | 0:25:35 | |
so Beth taught me how to shoot. | 0:25:35 | 0:25:37 | |
For that, I am grateful to her. | 0:25:37 | 0:25:41 | |
I'm sorry you lost her, | 0:25:41 | 0:25:43 | |
but anything you can tell me about her will help. | 0:25:43 | 0:25:47 | |
I fail to see how someone like you can fill Beth's shoes. | 0:25:47 | 0:25:51 | |
Truth is, I barely knew Beth. | 0:25:51 | 0:25:54 | |
She was all business, but I admired her. | 0:25:54 | 0:25:57 | |
She didn't pry. She was discreet. She didn't bring | 0:25:57 | 0:25:59 | |
her foster brother to my house. | 0:25:59 | 0:26:01 | |
I didn't know the rules of clone club, did I? | 0:26:01 | 0:26:03 | |
Can you not use the c-word? Please. | 0:26:03 | 0:26:05 | |
Shit. | 0:26:17 | 0:26:18 | |
Stop here. I'll walk the rest. | 0:26:18 | 0:26:21 | |
So my bottom line is my children can't know | 0:26:24 | 0:26:27 | |
their mother is a freak. | 0:26:27 | 0:26:29 | |
Things have to stay on a need-to-know basis. | 0:26:29 | 0:26:31 | |
-Yeah, I'm fine with that. -Good. | 0:26:31 | 0:26:33 | |
So, we've made a decision to trust you. | 0:26:35 | 0:26:37 | |
-Really? -Sarah, this is my life now | 0:26:37 | 0:26:41 | |
and I'm doing the best I can. | 0:26:41 | 0:26:43 | |
So Beth had, um, a substantial sum, | 0:26:44 | 0:26:48 | |
sort of a fund she used to buy | 0:26:48 | 0:26:50 | |
-information we couldn't get officially. -OK. | 0:26:50 | 0:26:53 | |
We were a cop, | 0:26:53 | 0:26:55 | |
a scientist, and myself. | 0:26:55 | 0:26:59 | |
-The fund was how I could contribute. -How much? | 0:26:59 | 0:27:01 | |
75,000. | 0:27:01 | 0:27:03 | |
You could rob me blind. | 0:27:03 | 0:27:07 | |
But we're hoping you realise you can't run away from this. | 0:27:07 | 0:27:09 | |
So, can you con her bank, or not? | 0:27:13 | 0:27:16 | |
Good. | 0:27:21 | 0:27:22 | |
Oh, Gemma! | 0:27:34 | 0:27:36 | |
Look, Mom, we're crossdressers! | 0:27:36 | 0:27:38 | |
-No, you are not. -I'm you! | 0:27:38 | 0:27:40 | |
Oh! You're back. | 0:27:40 | 0:27:43 | |
-Felix! -Don't go! | 0:27:43 | 0:27:45 | |
Can Felix stay the night, Mom? | 0:27:45 | 0:27:47 | |
No! | 0:27:47 | 0:27:48 | |
-My work here is done, I'm afraid. -No! -Stay, Felix. | 0:27:48 | 0:27:53 | |
Adios, dragsters. | 0:27:53 | 0:27:54 | |
Wow, OK, so, the money belongs to Alison. | 0:27:56 | 0:28:00 | |
-Mm-hmm. -So what are you going to do now? | 0:28:00 | 0:28:03 | |
Are you going to rip off your new sis and abscond with Kira? | 0:28:03 | 0:28:06 | |
-She's not my sister and, yeah, that's exactly what we do. -Well... | 0:28:06 | 0:28:10 | |
-DOOR LOCK CLICKS -Shit! | 0:28:10 | 0:28:12 | |
-Hide! -You cannot hide in minimalist furniture! | 0:28:12 | 0:28:15 | |
Go! | 0:28:15 | 0:28:16 | |
Shit! | 0:28:16 | 0:28:18 | |
What? You're not supposed to be here. | 0:28:19 | 0:28:21 | |
-Nice. -I thought...you're staying at Cody's for a while. | 0:28:21 | 0:28:25 | |
I think that's a good idea! | 0:28:25 | 0:28:27 | |
Well, I think you're being a bitch. I'm the bigger person, here. | 0:28:27 | 0:28:29 | |
I need a change of clothes. | 0:28:29 | 0:28:31 | |
Uh, I've been reinstated, Paul. | 0:28:31 | 0:28:34 | |
-Hey. -Oh. | 0:28:36 | 0:28:38 | |
Well, how do you feel about that? | 0:28:38 | 0:28:39 | |
What, are you painting by numbers? | 0:28:39 | 0:28:42 | |
-I guess I am. -OK, I'm sorry I'm like this, Paul. | 0:28:42 | 0:28:47 | |
You're not like this, Beth, it's your job. | 0:28:47 | 0:28:51 | |
Yeah, but I'm a cop first, Paul, but, shit. | 0:28:51 | 0:28:55 | |
How would you like it if I started pulling | 0:28:55 | 0:28:57 | |
this schizophrenic hot-and-cold crap on you? | 0:28:57 | 0:29:00 | |
Maybe you should, Paul. | 0:29:00 | 0:29:02 | |
I mean, seriously, where are we going with this? | 0:29:02 | 0:29:04 | |
Sorry, got to go. | 0:29:52 | 0:29:55 | |
SHE LAUGHS | 0:30:07 | 0:30:08 | |
Oh. My. God. | 0:30:08 | 0:30:12 | |
Oh! | 0:30:12 | 0:30:14 | |
She doesn't want to break-up with big-dick Paul! Urgh. | 0:30:14 | 0:30:17 | |
He smells it in her musk. | 0:30:17 | 0:30:19 | |
You are stuffed! | 0:30:19 | 0:30:20 | |
-Oh, holy shit. -Oh, don't worry, I bet he's wanking already. | 0:30:20 | 0:30:26 | |
-Oh, he'd better be. -Oh! Paul, all soapy. | 0:30:26 | 0:30:29 | |
No, no, no, no! Ugh, ah! | 0:30:29 | 0:30:32 | |
Eye on the prize, OK? | 0:30:32 | 0:30:33 | |
Get the money back from Beth's other partner, get out. | 0:30:33 | 0:30:37 | |
GUNSHOTS | 0:30:39 | 0:30:42 | |
Maybe it's your lady-grip Walther. | 0:30:47 | 0:30:49 | |
You like your big Glock, don't ya? | 0:30:49 | 0:30:51 | |
HE CHUCKLES | 0:30:51 | 0:30:53 | |
So, two sets of tyre tracks at the crime scene... | 0:30:53 | 0:30:57 | |
one motorcycle and one car? | 0:30:57 | 0:30:58 | |
Yeah, but there had to be three people there. | 0:30:58 | 0:31:01 | |
So, if the killer's on a motorcycle, then, what, | 0:31:01 | 0:31:04 | |
he has an accomplice, drives the vic to the quarry? | 0:31:04 | 0:31:07 | |
Or the vic has a driver, who doesn't go to police, panics, | 0:31:07 | 0:31:10 | |
and half-ass buries the body? | 0:31:10 | 0:31:13 | |
Yeah, the body dump doesn't match the professional hit. | 0:31:13 | 0:31:17 | |
Exactly. | 0:31:17 | 0:31:18 | |
And I got something else for you, Beth. | 0:31:18 | 0:31:21 | |
You're going to love this. | 0:31:21 | 0:31:23 | |
That was in the sniper's nest. | 0:31:23 | 0:31:26 | |
Yeah, we got a live one. | 0:31:26 | 0:31:28 | |
Phone calls, leaving clues, messing with us. | 0:31:28 | 0:31:32 | |
MOBILE PHONE RINGS | 0:31:32 | 0:31:34 | |
Detective Childs. | 0:31:37 | 0:31:39 | |
Yeah, Suzuki? | 0:31:39 | 0:31:42 | |
OK, hang on a sec. | 0:31:42 | 0:31:45 | |
OK. Thanks. | 0:31:47 | 0:31:49 | |
Patrol spotted my stolen Suzuki down in Parkdale. | 0:31:49 | 0:31:52 | |
It's a long shot, but may as well see if the tyres match. | 0:31:52 | 0:31:57 | |
Is this the stolen sport bike? | 0:32:04 | 0:32:06 | |
Yeah, it looks like it. | 0:32:06 | 0:32:08 | |
All right, let's find the super. | 0:32:08 | 0:32:10 | |
My son, my son! | 0:32:14 | 0:32:16 | |
Yeah, I know, he's not home, but the motorcycle, | 0:32:16 | 0:32:19 | |
does it belong to a renter? | 0:32:19 | 0:32:21 | |
Upstairs! My son no here. | 0:32:21 | 0:32:23 | |
Thank you. I thought you were the one who's supposed to deal | 0:32:23 | 0:32:27 | |
-with the non-English-speaking majority. -Yeah, my Ukrainian sucks. | 0:32:27 | 0:32:31 | |
Easy access. | 0:32:44 | 0:32:46 | |
Motorcycle gloves. | 0:32:58 | 0:33:00 | |
HE KNOCKS ON WINDOW | 0:33:00 | 0:33:03 | |
It's open. | 0:33:05 | 0:33:07 | |
What you got there? | 0:33:39 | 0:33:42 | |
Uh... | 0:33:42 | 0:33:43 | |
"For you formed my inward parts... | 0:33:45 | 0:33:47 | |
You knitted me together in my..." | 0:33:47 | 0:33:49 | |
"Mother's womb. I praise you, | 0:33:49 | 0:33:51 | |
for I am fearfully and wonderfully made." | 0:33:51 | 0:33:54 | |
Bibles, dolls. | 0:33:54 | 0:33:56 | |
This perp's got some deep-seated spiritual problems. | 0:33:56 | 0:33:59 | |
GUNSHOTS | 0:33:59 | 0:34:03 | |
HIGHPITCHED TONE | 0:34:03 | 0:34:06 | |
DISTORTED SOUND | 0:34:06 | 0:34:09 | |
-SOUND CLEARING -Go! | 0:34:09 | 0:34:11 | |
-No! -I'm OK! Go! | 0:34:11 | 0:34:13 | |
Go after him! Go! | 0:34:13 | 0:34:15 | |
Shit. | 0:34:22 | 0:34:24 | |
Freeze! Police! | 0:34:27 | 0:34:28 | |
Shit. Shit! | 0:34:30 | 0:34:32 | |
Shots fired! | 0:35:03 | 0:35:04 | |
780 Bain. Bain and Heward! | 0:35:04 | 0:35:07 | |
Foot pursuit in progress. | 0:35:07 | 0:35:09 | |
PHONE DIALLING, PHONE RINGING | 0:35:21 | 0:35:24 | |
-Art. -Where are you? | 0:35:24 | 0:35:27 | |
I think he went west | 0:35:27 | 0:35:29 | |
between the two... The row houses. | 0:35:29 | 0:35:31 | |
I think he went into one of the abandoned buildings here. | 0:35:31 | 0:35:34 | |
Urgh! | 0:35:34 | 0:35:35 | |
Beth! | 0:35:35 | 0:35:37 | |
Beth! | 0:35:42 | 0:35:43 | |
No! | 0:35:43 | 0:35:44 | |
-EASTERN EUROPEAN ACCENT: -Good riddance, Elizabeth Childs. | 0:35:55 | 0:35:59 | |
I'm not Beth! | 0:35:59 | 0:36:01 | |
Dirty little copy cop. | 0:36:17 | 0:36:20 | |
Who are you? | 0:36:20 | 0:36:22 | |
Argh! | 0:36:26 | 0:36:28 | |
Not yet, not Beth. | 0:36:41 | 0:36:44 | |
SHE CHOKES AND GASPS | 0:36:48 | 0:36:50 | |
-ART: -Beth! | 0:36:53 | 0:36:55 | |
Beth! | 0:36:59 | 0:37:01 | |
Jesus Christ! | 0:37:01 | 0:37:02 | |
Are you OK? | 0:37:07 | 0:37:08 | |
-Hey. -I'm fine, I'm fine. | 0:37:08 | 0:37:11 | |
Where'd he go? Hey! | 0:37:11 | 0:37:14 | |
OK, OK, I gotcha. | 0:37:14 | 0:37:16 | |
I gotcha, come on. | 0:37:17 | 0:37:19 | |
All I saw was hoodie. He hit me from behind. | 0:37:30 | 0:37:33 | |
Then you struggled with him at close quarters? | 0:37:33 | 0:37:36 | |
-Yeah, I was almost out. I never saw his face. -Lieutenant. | 0:37:36 | 0:37:39 | |
I almost lost not one, but two detectives. | 0:37:39 | 0:37:41 | |
How the hell are you in this without backup, Art? | 0:37:41 | 0:37:43 | |
It was a thread, Lieutenant. | 0:37:43 | 0:37:45 | |
-It was a flimsy lead on a stolen bike. -Well, it sure hit. | 0:37:45 | 0:37:48 | |
-Are you sure you're all right? -I'm fine. | 0:37:48 | 0:37:52 | |
Just let me take her home. | 0:37:52 | 0:37:54 | |
I never should've told you to go after him. | 0:37:55 | 0:37:58 | |
Of course I'm going to go after him, Art. It's not your fault. | 0:37:58 | 0:38:02 | |
No, no, I should've had your back. | 0:38:02 | 0:38:04 | |
You had mine. I didn't have yours. | 0:38:04 | 0:38:06 | |
Yes, you did. | 0:38:06 | 0:38:08 | |
Look, shit happens fast, OK? | 0:38:08 | 0:38:10 | |
Will you please...? I'm not going to let you drive me home | 0:38:10 | 0:38:13 | |
like an invalid, OK? | 0:38:13 | 0:38:15 | |
I just need a shower and an early start | 0:38:15 | 0:38:18 | |
-so we can catch this guy, OK? -Hey. | 0:38:18 | 0:38:20 | |
Your money's all there. | 0:38:29 | 0:38:30 | |
You did have it in the trunk. | 0:38:32 | 0:38:34 | |
Sorry I held it over you. | 0:38:35 | 0:38:38 | |
Guess I owe you one. | 0:38:38 | 0:38:40 | |
No, we're square, Art. | 0:38:40 | 0:38:42 | |
Hey, you're not going to hug me, are ya? | 0:38:43 | 0:38:45 | |
See you in the morning. | 0:38:48 | 0:38:50 | |
Are you sure about this? | 0:39:12 | 0:39:15 | |
Oh, man. | 0:39:15 | 0:39:16 | |
Bloody Mrs S. She's right. | 0:40:14 | 0:40:16 | |
Really? | 0:40:16 | 0:40:18 | |
What kind of mother am I if I snatch my own daughter? | 0:40:19 | 0:40:22 | |
A crap one, I agree. | 0:40:22 | 0:40:25 | |
And if I rob Alison, | 0:40:26 | 0:40:28 | |
run now and never tell my... | 0:40:28 | 0:40:31 | |
-Clones? -Oh, God, we do have to find another word for that. | 0:40:31 | 0:40:35 | |
Don't tell them what, Sarah, what happened? | 0:40:35 | 0:40:37 | |
After all this, you're really going to go | 0:40:40 | 0:40:42 | |
and just give the money back to bitchface? | 0:40:42 | 0:40:44 | |
Mrs S gave me one visit. | 0:40:44 | 0:40:45 | |
I need to get it right. | 0:40:47 | 0:40:49 | |
OK, well, this has taken years off my life. | 0:40:51 | 0:40:54 | |
Now, can you please tell me | 0:40:56 | 0:40:58 | |
what in the hell happened to your face. | 0:40:58 | 0:41:00 | |
HE LAUGHS | 0:41:00 | 0:41:02 | |
Ah. | 0:41:20 | 0:41:21 | |
Ah! | 0:41:26 | 0:41:27 | |
Subtitles by Red Bee Media Ltd | 0:41:46 | 0:41:49 |