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We're an experiment. They're killing us off. | 0:00:02 | 0:00:03 | |
I'm not Beth. | 0:00:03 | 0:00:04 | |
Beth was on this killer's hit list, and now I am. | 0:00:07 | 0:00:09 | |
Someone is covering up their illegal experiments by wiping us out. | 0:00:09 | 0:00:12 | |
If Sarah misses tonight, then she may never get Kira back. | 0:00:12 | 0:00:15 | |
She want me to impersonate her in front of her daughter? | 0:00:15 | 0:00:17 | |
You're not my mother. | 0:00:17 | 0:00:18 | |
I'm sorry about this, but it's very important | 0:00:18 | 0:00:20 | |
that you keep this a secret. | 0:00:20 | 0:00:22 | |
If that was my boyfriend, I'd just in front of a train too. | 0:00:22 | 0:00:25 | |
Something's different. | 0:00:25 | 0:00:26 | |
-Everything all right here? -Does she seem all right to you? | 0:00:28 | 0:00:31 | |
Look, we need to spend some time together, | 0:00:31 | 0:00:33 | |
figure out what's suddenly going on with us, | 0:00:33 | 0:00:35 | |
because most of it, I like - a lot. | 0:00:35 | 0:00:37 | |
Sarah blindsided me, then she took off with the coke. | 0:00:37 | 0:00:39 | |
I'm on the hook with Pouchy! | 0:00:39 | 0:00:41 | |
Maggie helped make you. | 0:00:41 | 0:00:43 | |
Beth killed her to protect us. | 0:00:43 | 0:00:45 | |
We have a connection. Can you feel it? | 0:00:45 | 0:00:47 | |
Go. Run! | 0:00:47 | 0:00:50 | |
I quit. | 0:00:55 | 0:00:57 | |
-Shh. Shh, shh, shh... -Tomas. | 0:01:24 | 0:01:27 | |
Easy now. | 0:01:27 | 0:01:28 | |
Sleep, child. | 0:01:30 | 0:01:31 | |
Sleep. | 0:01:33 | 0:01:34 | |
SIREN IN THE DISTANCE | 0:01:37 | 0:01:40 | |
So the killer's still out there. | 0:01:45 | 0:01:46 | |
Yeah, probably crawled back to the freaks that sent her after us. | 0:01:46 | 0:01:49 | |
Did you have to quit being a cop? | 0:01:49 | 0:01:52 | |
-How can that help? -Alison, this isn't why I called. | 0:01:52 | 0:01:56 | |
I want to thank you for helping with Kira. | 0:01:56 | 0:01:59 | |
Oh. | 0:01:59 | 0:02:00 | |
Yeah - I get to see her tomorrow, and, er...you set that up, so... | 0:02:00 | 0:02:04 | |
Well, she's a special little girl. | 0:02:04 | 0:02:06 | |
I can tell. You're very lucky. | 0:02:07 | 0:02:08 | |
No. | 0:02:23 | 0:02:24 | |
-Hey! -Beth! Stop, it's me! | 0:03:04 | 0:03:06 | |
Oh, my god. You asshole! | 0:03:06 | 0:03:08 | |
You'd stab me in the eye with a nail file? | 0:03:08 | 0:03:10 | |
Yeah, you sneak up on me in the shower, | 0:03:10 | 0:03:11 | |
I am going to stab you in the eye with a nail file! | 0:03:11 | 0:03:14 | |
Aren't you supposed to be at Cody's? | 0:03:14 | 0:03:16 | |
I didn't mean to scare you. I'm sorry. | 0:03:16 | 0:03:19 | |
How sorry are you? | 0:03:20 | 0:03:22 | |
Beth... | 0:03:22 | 0:03:24 | |
Get in. | 0:03:24 | 0:03:26 | |
# Yeah, yeah, yeah, yeah | 0:03:26 | 0:03:29 | |
# Yeah, yeah, yeah | 0:03:32 | 0:03:35 | |
# Yeah, yeah, yeah, yeah | 0:03:35 | 0:03:39 | |
Beth? | 0:03:41 | 0:03:43 | |
Mm. | 0:03:43 | 0:03:44 | |
Let's go away. | 0:03:47 | 0:03:48 | |
You're off the force. | 0:03:51 | 0:03:54 | |
I hate my job. | 0:03:54 | 0:03:55 | |
Let's pack our bags. | 0:03:57 | 0:04:00 | |
Right now. | 0:04:00 | 0:04:01 | |
I'm serious. | 0:04:03 | 0:04:04 | |
Let's talk about it in the morning. | 0:04:10 | 0:04:12 | |
INDISTINCT TALKING | 0:04:25 | 0:04:27 | |
BEEPING | 0:04:27 | 0:04:30 | |
It's on the scanner. She's coming out. | 0:04:32 | 0:04:34 | |
Let's get her down. | 0:04:34 | 0:04:35 | |
Now! Just put it in now! | 0:04:37 | 0:04:39 | |
SHE GAGS | 0:05:13 | 0:05:15 | |
SHE COUGHS | 0:05:19 | 0:05:20 | |
GASPING | 0:05:26 | 0:05:28 | |
KNOCKING ON DOOR | 0:06:18 | 0:06:20 | |
< Hey, you want coffee? | 0:06:20 | 0:06:22 | |
Uh, no thanks. | 0:06:22 | 0:06:24 | |
How you feeling? | 0:06:38 | 0:06:40 | |
What? | 0:06:40 | 0:06:42 | |
No gun, no badge, nowhere to be. | 0:06:45 | 0:06:49 | |
-Mm-hm. -Let's leave. | 0:06:49 | 0:06:52 | |
We don't have any ties. | 0:06:52 | 0:06:53 | |
I have three simple words for you... | 0:06:54 | 0:06:56 | |
-Paul... -Rio de Janeiro. | 0:06:56 | 0:06:59 | |
I can't just leave now and think about going to Rio. | 0:06:59 | 0:07:02 | |
Why not? | 0:07:02 | 0:07:04 | |
It's what you wanted, right? Commitment. I'm ready. | 0:07:04 | 0:07:07 | |
No, I can't think about this right now. | 0:07:09 | 0:07:11 | |
-What's wrong? -Nothing's wrong. | 0:07:11 | 0:07:13 | |
You're shaking like a leaf. | 0:07:13 | 0:07:15 | |
-Where are you going? -I'm just going out for some air. OK? | 0:07:15 | 0:07:18 | |
It's an electrode from an electroencephalogram array. | 0:07:22 | 0:07:25 | |
A what? | 0:07:25 | 0:07:27 | |
An EEG helmet. It monitors electrical activity in the brain. | 0:07:27 | 0:07:31 | |
So it wasn't a bloody dream, then, was it? | 0:07:31 | 0:07:33 | |
I knew it. How long have I been saying this? | 0:07:33 | 0:07:36 | |
We're like lab rats in an illegal experiment. | 0:07:36 | 0:07:38 | |
Sarah, where was Paul during all this? | 0:07:38 | 0:07:41 | |
Uh...there were doctors, um, two or three of them. | 0:07:41 | 0:07:45 | |
He could be in on it, though. Maybe he set it up. | 0:07:45 | 0:07:47 | |
Well, somebody must be watching the lab rats...someone we know. | 0:07:47 | 0:07:50 | |
Well, I mean, if it were my experiment, yeah, | 0:07:50 | 0:07:52 | |
I would put an observer close to the subject. | 0:07:52 | 0:07:55 | |
You know, somebody to keep tabs and accumulate data. | 0:07:55 | 0:07:59 | |
Cosima...what'd they do to me? | 0:07:59 | 0:08:02 | |
I think you'd know if they'd done anything really...um, invasive. | 0:08:02 | 0:08:07 | |
Oh, my god. | 0:08:07 | 0:08:08 | |
I'm just saying, um, an EEG is like a neurological test, | 0:08:08 | 0:08:11 | |
and that mark on your arm looks like...a blood sample. | 0:08:11 | 0:08:15 | |
-It sounds diagnostic. -With Paul in on it? | 0:08:15 | 0:08:17 | |
-I don't know. -Why? | 0:08:17 | 0:08:19 | |
-Just cos he slept with you? -Fee. | 0:08:19 | 0:08:22 | |
Yeah, we sort of ended up shagging. | 0:08:27 | 0:08:29 | |
Dude, that's complex. | 0:08:30 | 0:08:32 | |
You slept with Beth's boyfriend? | 0:08:32 | 0:08:34 | |
Oh. | 0:08:35 | 0:08:37 | |
Far be it from me. | 0:08:37 | 0:08:39 | |
I may be sleeping with my spy as well. | 0:08:41 | 0:08:44 | |
There's the gun you wanted. I've got to go. | 0:08:44 | 0:08:47 | |
Hey, hey, where's the money? | 0:08:47 | 0:08:48 | |
ALISON SIGHS | 0:08:48 | 0:08:50 | |
What's it for? | 0:08:50 | 0:08:51 | |
It's the self-defence fund, yeah? | 0:08:51 | 0:08:54 | |
Last time I checked, I'm the only one defending us. | 0:08:54 | 0:08:56 | |
Here's 20,000. | 0:09:02 | 0:09:04 | |
-Please use it wisely. -Yeah, I'll bring you the receipt. | 0:09:06 | 0:09:09 | |
I am going to shoot Paul's balls off. | 0:09:11 | 0:09:14 | |
Wait, just, um...just squeeze them, OK? | 0:09:14 | 0:09:16 | |
He's our way into this whole thing. | 0:09:16 | 0:09:18 | |
But if my blind subject were suddenly to become...self-aware, | 0:09:18 | 0:09:22 | |
it'd either be a Eureka moment or... | 0:09:22 | 0:09:26 | |
Yeah? | 0:09:26 | 0:09:27 | |
I would terminate, so... | 0:09:27 | 0:09:30 | |
-Be careful, OK? -On that note... | 0:09:30 | 0:09:33 | |
MOBILE RINGS | 0:09:35 | 0:09:36 | |
Shit. | 0:09:36 | 0:09:38 | |
-Cop station. Third time today. -No, don't answer that. | 0:09:38 | 0:09:41 | |
-Um...Art, what do you want? -It's Raj. | 0:09:41 | 0:09:45 | |
Mmm... | 0:09:45 | 0:09:46 | |
I'm off the force, Raj. | 0:09:47 | 0:09:49 | |
I know. You OK? | 0:09:49 | 0:09:51 | |
-Yeah. -OK, well, you know that surveillance shit that I lent you? | 0:09:51 | 0:09:55 | |
I'll need that back before they inventory. | 0:09:55 | 0:09:56 | |
Surveillance shit? Right. Right. | 0:09:56 | 0:09:59 | |
And, Beth, level with me. | 0:09:59 | 0:10:01 | |
This is just about Paul, right? | 0:10:01 | 0:10:03 | |
Look, I'll get back to you in a couple days, OK? | 0:10:03 | 0:10:06 | |
So, Beth had surveillance equipment. | 0:10:08 | 0:10:10 | |
So then she was on to Paul too. | 0:10:10 | 0:10:13 | |
The question is, did she find anything? | 0:10:13 | 0:10:15 | |
It's critical. | 0:10:15 | 0:10:17 | |
One week she's fine, the next it's Armageddon. | 0:10:17 | 0:10:19 | |
No, I understand that, | 0:10:19 | 0:10:21 | |
but I don't want to give her any reason to react. | 0:10:21 | 0:10:25 | |
Well, you tell me! | 0:10:25 | 0:10:27 | |
If it gets any worse, what are our options? | 0:10:27 | 0:10:29 | |
-What are you doing? -I have to call you back. | 0:10:29 | 0:10:32 | |
Why...why were you in my vanity? | 0:10:32 | 0:10:34 | |
I need...scissors. | 0:10:34 | 0:10:36 | |
-Who were you talking to? -Just now? -Mm-hm. | 0:10:43 | 0:10:47 | |
-Uh, Big Rich, from work. -About me? | 0:10:47 | 0:10:49 | |
About Susan Teller. She's all over us this quarter. | 0:10:49 | 0:10:52 | |
You know that. | 0:10:52 | 0:10:54 | |
Oh, good. Um, can you cut this tag off? | 0:10:54 | 0:10:56 | |
It's driving me crazy. | 0:10:56 | 0:10:58 | |
Much better. | 0:11:02 | 0:11:03 | |
All right, what do we do if he walks in? | 0:11:10 | 0:11:12 | |
Shoot him. | 0:11:12 | 0:11:14 | |
I'm kidding. | 0:11:14 | 0:11:16 | |
Just...find the surveillance stuff, yeah? | 0:11:16 | 0:11:19 | |
And put everything back where you found it. | 0:11:19 | 0:11:21 | |
This place is antiseptic. | 0:11:21 | 0:11:24 | |
Paul's whole world feels fake now. | 0:11:24 | 0:11:27 | |
What? | 0:11:28 | 0:11:30 | |
I don't leave prints when I burgle. | 0:11:30 | 0:11:32 | |
Trexcom Consulting. | 0:11:42 | 0:11:44 | |
If, er, fake Paul was observing Beth, | 0:11:48 | 0:11:51 | |
what makes you so certain no-one's observing Sarah Manning? | 0:11:51 | 0:11:54 | |
Who? Mrs S hates me. I haven't seen her in a year. | 0:11:54 | 0:11:59 | |
And I'm giving you the benefit of the doubt. | 0:11:59 | 0:12:01 | |
A ringing vote of confidence. | 0:12:01 | 0:12:03 | |
Nothing on Beth's computer. Nothing. | 0:12:06 | 0:12:08 | |
No audio files, no video, no transcripts. | 0:12:08 | 0:12:12 | |
Holy shit. | 0:12:16 | 0:12:17 | |
Hey, hey. Hey. | 0:12:17 | 0:12:20 | |
He's military. | 0:12:29 | 0:12:31 | |
Looks like you're not the only one keeping secrets. | 0:12:35 | 0:12:38 | |
What are those? | 0:12:38 | 0:12:40 | |
Letters from Beth. | 0:12:40 | 0:12:41 | |
-To Paul? I want to read them. -Uh-uh-uh. | 0:12:41 | 0:12:43 | |
No, they're private. | 0:12:43 | 0:12:45 | |
Where the hell is this surveillance stuff? | 0:12:47 | 0:12:49 | |
Don't know. We've searched everywhere. | 0:12:49 | 0:12:51 | |
There we go. | 0:12:59 | 0:13:01 | |
She wasn't messing around, was she? | 0:13:05 | 0:13:07 | |
Maybe it's time to check out where Paul works. | 0:13:09 | 0:13:11 | |
Oh, yeah. Trexcom Consulting. | 0:13:11 | 0:13:14 | |
Fake Paul, fake company. | 0:13:14 | 0:13:15 | |
I bet you money there's nothing there. | 0:13:15 | 0:13:18 | |
No way. | 0:13:40 | 0:13:42 | |
Beth... | 0:13:44 | 0:13:45 | |
We downsized, remember? Paul's office is over here now. | 0:13:47 | 0:13:50 | |
Oh, right. Yeah, of course. | 0:13:51 | 0:13:54 | |
He's in a meeting. | 0:13:54 | 0:13:56 | |
Oh. Y...you know what, um... | 0:13:56 | 0:13:59 | |
We kinda got into it this morning. | 0:14:00 | 0:14:02 | |
I brought up some lunch as a peace offering. | 0:14:02 | 0:14:05 | |
Come on. | 0:14:05 | 0:14:07 | |
I'll just... | 0:14:25 | 0:14:26 | |
Sure. | 0:14:26 | 0:14:27 | |
Big Boob Blowies? | 0:14:55 | 0:14:57 | |
-Felix, I hope you can hear this. -Yes! Yeah, I can. | 0:15:14 | 0:15:17 | |
Now, you silly bitch, would you get your fanny out of there? | 0:15:17 | 0:15:20 | |
-You brought me lunch. -Yeah. | 0:15:56 | 0:15:59 | |
Olive branch. | 0:15:59 | 0:16:00 | |
-Beth, this morning... -You want to talk about it? | 0:16:00 | 0:16:04 | |
I'd rather talk about last night in the shower. | 0:16:08 | 0:16:11 | |
Paul...I came to bring you lunch, that's all. | 0:16:11 | 0:16:15 | |
Something's changed with us. | 0:16:19 | 0:16:21 | |
Mmm... | 0:16:21 | 0:16:23 | |
I know you can feel it. | 0:16:23 | 0:16:24 | |
What happened to your scar? | 0:16:27 | 0:16:29 | |
What? | 0:16:29 | 0:16:30 | |
The scar on your neck from the mountain bike crash. | 0:16:30 | 0:16:33 | |
It's gone. | 0:16:33 | 0:16:34 | |
Oh. Really? | 0:16:34 | 0:16:36 | |
I'm using a new lotion. | 0:16:39 | 0:16:41 | |
Let me see. | 0:16:43 | 0:16:44 | |
SHE LAUGHS | 0:16:44 | 0:16:46 | |
You will try anything, won't you? | 0:16:46 | 0:16:47 | |
I will. | 0:16:47 | 0:16:49 | |
But I gotta get back to work. | 0:16:51 | 0:16:53 | |
Thanks for lunch. | 0:16:54 | 0:16:56 | |
-See you tonight. -OK. | 0:16:58 | 0:17:00 | |
Madison? | 0:17:34 | 0:17:36 | |
Clear my afternoon, OK? | 0:17:38 | 0:17:40 | |
-Something came up. -Shit... | 0:17:40 | 0:17:43 | |
Alison, what are you doing? | 0:17:52 | 0:17:54 | |
Uh... | 0:17:59 | 0:18:01 | |
What's in the box, Donnie? | 0:18:01 | 0:18:03 | |
It's private. | 0:18:03 | 0:18:04 | |
No, it isn't! What...what is in it? | 0:18:06 | 0:18:08 | |
Donnie, what's in the box? | 0:18:08 | 0:18:09 | |
I am entitled to a little privacy, even in this house. | 0:18:09 | 0:18:12 | |
Oh, that's rich coming from you. | 0:18:12 | 0:18:14 | |
-What hell is that supposed to mean? -Open the box, Donnie! | 0:18:14 | 0:18:17 | |
-Give it to me! -Open it! | 0:18:17 | 0:18:20 | |
Alison...Alison, stop it! | 0:18:20 | 0:18:23 | |
Yeah, blood looks fine. No infection. | 0:18:43 | 0:18:46 | |
What kind of symptoms are we talking about? | 0:18:46 | 0:18:48 | |
Um...shortness of breath, coughing up blood... | 0:18:48 | 0:18:51 | |
That sort of thing. | 0:18:51 | 0:18:53 | |
Who's the subject? | 0:18:53 | 0:18:54 | |
Uh, subjects, and if I told you that, I'd have to kill you. | 0:18:54 | 0:18:59 | |
HE LAUGHS WEAKLY | 0:18:59 | 0:19:01 | |
SHE LAUGHS | 0:19:01 | 0:19:02 | |
Um, can you run a PCR on these samples, | 0:19:02 | 0:19:04 | |
see if there are any genetic markers? | 0:19:04 | 0:19:06 | |
You're thinking antitrypsin deficiency? | 0:19:06 | 0:19:09 | |
-Cystic fibrosis? -Yeah, that kind of thing. | 0:19:09 | 0:19:11 | |
And, um, can you sequence for Cytochrome C? | 0:19:11 | 0:19:14 | |
-The barcode gene? -Mm-hm. | 0:19:14 | 0:19:16 | |
That's the one we use for species differentiation. | 0:19:16 | 0:19:19 | |
Is it? | 0:19:19 | 0:19:20 | |
AWKWARD CHUCKLE | 0:19:20 | 0:19:22 | |
What's in it for me? | 0:19:22 | 0:19:24 | |
Um, how about you get to have sex...with yourself? | 0:19:24 | 0:19:29 | |
LAUGHING | 0:19:29 | 0:19:31 | |
Aw...awesome deal. | 0:19:31 | 0:19:32 | |
GIRL SPEAKS IN FRENCH | 0:19:34 | 0:19:38 | |
I'm sorry. | 0:19:55 | 0:19:56 | |
SIGHING: He's a bastard. | 0:20:27 | 0:20:30 | |
Who? | 0:20:30 | 0:20:32 | |
Paul. Beth loved him, | 0:20:32 | 0:20:35 | |
but he wouldn't love her back and he wouldn't leave her. | 0:20:35 | 0:20:37 | |
Mm. Well, he's certainly changed his tune now, hasn't he? | 0:20:37 | 0:20:42 | |
Sarah, he's falling for you. | 0:20:42 | 0:20:43 | |
God, what a mess. | 0:20:43 | 0:20:45 | |
SCHOOL BELL RINGS | 0:20:45 | 0:20:48 | |
I'm outside Kira's school. | 0:20:48 | 0:20:50 | |
SHE SIGHS | 0:20:50 | 0:20:51 | |
Of all the things that scare me right now, Fee, | 0:20:51 | 0:20:53 | |
this one's the heaviest. | 0:20:53 | 0:20:55 | |
-You know she can't wait to see you, right? -Yeah, thanks. | 0:20:55 | 0:20:57 | |
She's the only thing that really matters, you know? | 0:20:57 | 0:21:00 | |
KNOCKING ON DOOR | 0:21:00 | 0:21:02 | |
I know. Um, give her my love, OK? | 0:21:02 | 0:21:05 | |
-Colin. -Hi. | 0:21:10 | 0:21:11 | |
-So glad you could step away. -From the morgue? | 0:21:11 | 0:21:14 | |
Uh, trust me, scheduling isn't really an issue. | 0:21:14 | 0:21:17 | |
LAUGHTER AND SHOUTING | 0:21:18 | 0:21:20 | |
Hey. | 0:21:32 | 0:21:34 | |
It's me this time. | 0:21:34 | 0:21:36 | |
I know. | 0:21:39 | 0:21:40 | |
-God, I missed you so much. -I missed you too. | 0:21:48 | 0:21:51 | |
SARAH LAUGHS | 0:21:51 | 0:21:53 | |
Why are you wearing such fancy clothes? | 0:21:53 | 0:21:55 | |
Ah... | 0:21:56 | 0:21:57 | |
You don't miss a thing, do you? | 0:21:57 | 0:21:59 | |
Are you OK, mommy? | 0:22:03 | 0:22:05 | |
Yeah. I am now. | 0:22:07 | 0:22:09 | |
God, you're so big. | 0:22:09 | 0:22:11 | |
I'm the smallest kid in my class. | 0:22:11 | 0:22:12 | |
SHE LAUGHS | 0:22:12 | 0:22:15 | |
Well, you're big to me. | 0:22:15 | 0:22:17 | |
How come you never told me about Auntie Alison? | 0:22:17 | 0:22:21 | |
I didn't know her. | 0:22:21 | 0:22:22 | |
She looks just like you. | 0:22:22 | 0:22:24 | |
Yeah. | 0:22:24 | 0:22:26 | |
One day, I'll explain it all to you. Yeah, monkey? | 0:22:26 | 0:22:30 | |
Is someone trying to hurt us? | 0:22:30 | 0:22:33 | |
Why do you ask that? | 0:22:33 | 0:22:35 | |
Alison said you're making sure we're safe. | 0:22:35 | 0:22:38 | |
CAMERA CLICKS | 0:22:38 | 0:22:39 | |
Hey. Hey. | 0:22:39 | 0:22:41 | |
No. | 0:22:41 | 0:22:43 | |
You're safe, Kira. I promise. | 0:22:43 | 0:22:48 | |
-OK? MRS S: -You coming in? | 0:22:48 | 0:22:49 | |
GIRL CRIES | 0:23:05 | 0:23:08 | |
Hey. Sorry. You just forgot this in the lab. Sorry. | 0:23:12 | 0:23:16 | |
Thank you. | 0:23:16 | 0:23:18 | |
But...full disclosure. I, um...did peek. | 0:23:18 | 0:23:21 | |
You're French. | 0:23:21 | 0:23:23 | |
You have killer grades. | 0:23:23 | 0:23:25 | |
Thank you. | 0:23:25 | 0:23:27 | |
Um, um...oh, God. I am so sorry. | 0:23:27 | 0:23:29 | |
I'm not usually like...like this. | 0:23:29 | 0:23:31 | |
Oh. Bad breakup? | 0:23:31 | 0:23:33 | |
Yeah, well, we're an ocean apart, so... | 0:23:33 | 0:23:36 | |
Yeah. Long distance never works. | 0:23:36 | 0:23:39 | |
Um, you're in microbiology too, right? | 0:23:41 | 0:23:44 | |
Yes. Um, immunology. I study host-parasite relationships. | 0:23:44 | 0:23:47 | |
Oh, cool, cool. Yeah, I'm evo-devo. | 0:23:47 | 0:23:50 | |
Evolutionary development. | 0:23:52 | 0:23:53 | |
Yeah, yeah. That's...that's what we call it here. | 0:23:53 | 0:23:56 | |
-Yeah. -Yeah. | 0:23:56 | 0:23:58 | |
-Delphine. -Cosima. | 0:23:58 | 0:24:00 | |
-Enchante. -Enchante. | 0:24:00 | 0:24:04 | |
You're so independent, aren't you? | 0:24:07 | 0:24:09 | |
Hmm, monkey? | 0:24:09 | 0:24:10 | |
-Little monkey? -Remind you of anyone? | 0:24:10 | 0:24:12 | |
Yeah, but I was much angrier, wasn't I? | 0:24:12 | 0:24:16 | |
Even small. | 0:24:16 | 0:24:17 | |
You were the one who introduced me to punk rock, though. | 0:24:19 | 0:24:23 | |
Yeah. You took all of the attitude, none of the politics. | 0:24:23 | 0:24:27 | |
I'm just happy she doesn't have to bounce around like I did. | 0:24:30 | 0:24:33 | |
I was her age when I came to live with you in London, yeah? | 0:24:33 | 0:24:37 | |
A little bit older. | 0:24:37 | 0:24:38 | |
Well, you got me this far. | 0:24:38 | 0:24:41 | |
I know that. | 0:24:44 | 0:24:45 | |
I still need your help, though. | 0:24:47 | 0:24:49 | |
Ah... | 0:24:49 | 0:24:51 | |
I need you to tell me, er...what you really know about me... | 0:24:51 | 0:24:56 | |
Where I came from. | 0:24:56 | 0:24:57 | |
-Why now? -I'm trying to square things away. | 0:24:57 | 0:25:01 | |
For Kira, you know? | 0:25:01 | 0:25:02 | |
You were part of the foster system. I took in kids. | 0:25:02 | 0:25:05 | |
You know, I don't know who your parents were. | 0:25:05 | 0:25:08 | |
Yeah, I talked to...family services in Brixton already, | 0:25:08 | 0:25:12 | |
but I just wondered if there's anything else. | 0:25:12 | 0:25:14 | |
Is everything OK? | 0:25:14 | 0:25:16 | |
Yeah. | 0:25:17 | 0:25:18 | |
Yeah, I'm fine. | 0:25:18 | 0:25:20 | |
What about Vic? Vic still in the picture? | 0:25:21 | 0:25:25 | |
God, no. | 0:25:25 | 0:25:26 | |
That much I can promise. Vic is done. | 0:25:26 | 0:25:30 | |
OK! | 0:25:36 | 0:25:38 | |
How you doing, boss? Nice to see you, Pouchy. | 0:25:38 | 0:25:42 | |
Pouchy, she jumped in front of a train. | 0:25:44 | 0:25:47 | |
I don't even know why she did it, all right? | 0:25:47 | 0:25:49 | |
Sure, we had our ups and downs, but everything was fine. | 0:25:49 | 0:25:52 | |
She had the coke on her. | 0:25:52 | 0:25:55 | |
So I'm thinking maybe the cops have it. | 0:25:56 | 0:25:59 | |
Give me one week. Pouchy. | 0:25:59 | 0:26:01 | |
I'll get you your money. | 0:26:02 | 0:26:04 | |
-You say that last week! -I know. I'm good for it. | 0:26:05 | 0:26:07 | |
No, wait a minute. I'm good for it, Pouchy. | 0:26:07 | 0:26:09 | |
You know me. Pouchy, please. | 0:26:09 | 0:26:10 | |
Wait a minute, Pouchy. One more week. I'll get you your money, man! OK! | 0:26:10 | 0:26:13 | |
OK! OK! | 0:26:13 | 0:26:15 | |
Pouchy, please! One more week, man! OK, give me a minute! | 0:26:15 | 0:26:18 | |
OK! All right! OK! All right! | 0:26:18 | 0:26:20 | |
OK! You want money? OK! OK! Give me a minute! I just need to... | 0:26:20 | 0:26:25 | |
HE SCREAMS | 0:26:25 | 0:26:28 | |
I'm good. | 0:26:29 | 0:26:31 | |
OK. | 0:26:34 | 0:26:36 | |
One chocolate bar each. | 0:26:36 | 0:26:38 | |
That's it. | 0:26:38 | 0:26:40 | |
OK. | 0:26:40 | 0:26:42 | |
Hold your sister's hand. | 0:26:43 | 0:26:45 | |
OK? And don't talk to anybody. | 0:26:45 | 0:26:47 | |
-OK. -OK, Mom. -I love you. -Love you too. -OK, Mom. | 0:26:47 | 0:26:50 | |
Uh, deterrence or surveillance? | 0:27:01 | 0:27:05 | |
Surveillance, please. | 0:27:05 | 0:27:07 | |
Something small. | 0:27:07 | 0:27:09 | |
You mean something like, er...this? | 0:27:09 | 0:27:12 | |
Wireless, discreet - they call it the nanny cam. | 0:27:12 | 0:27:16 | |
Sometimes the nanny's pinching your valuables. | 0:27:16 | 0:27:18 | |
Sometimes your husband's pinching the nanny, you know? | 0:27:18 | 0:27:21 | |
Just show me how it works, please. | 0:27:21 | 0:27:24 | |
KIDS LAUGH | 0:27:26 | 0:27:28 | |
(Stay in school.) | 0:27:34 | 0:27:36 | |
(I mean it, buddy.) | 0:27:38 | 0:27:39 | |
Sarah? | 0:27:54 | 0:27:55 | |
VIC LAUGHS | 0:27:56 | 0:27:58 | |
Sarah? | 0:27:59 | 0:28:00 | |
Sarah. | 0:28:02 | 0:28:04 | |
Sarah. | 0:28:06 | 0:28:08 | |
Hey, Sarah. | 0:28:08 | 0:28:10 | |
Sarah, you're alive! Sarah, it's me! | 0:28:10 | 0:28:14 | |
Look at me. | 0:28:15 | 0:28:16 | |
Uh, I-I don't... | 0:28:16 | 0:28:18 | |
LAUGHING AWKWARDLY: I don't know who you are. | 0:28:18 | 0:28:21 | |
-You bitch, you faked it? -You've got the wrong person. | 0:28:21 | 0:28:23 | |
You faked it, you bitch! How could you do this to me?! | 0:28:23 | 0:28:26 | |
Sarah, I thought you were dead! | 0:28:26 | 0:28:28 | |
How could you goddamn do this to me...? | 0:28:28 | 0:28:30 | |
Ah! Ahh! | 0:28:30 | 0:28:32 | |
My eyes! Aw, you bitch! | 0:28:32 | 0:28:35 | |
TASER ZAPS | 0:28:35 | 0:28:37 | |
-Ah! Ah! Ahhh! Goddamn it! -Ah, there they are... | 0:28:37 | 0:28:41 | |
-Goddamn! Die! -OK. It's a race. Into the car. | 0:28:41 | 0:28:45 | |
-It's a race to get into the car. -Sarah! | 0:28:45 | 0:28:47 | |
OK, whoever gets in first wins! | 0:28:47 | 0:28:49 | |
-Who's that guy? -Ah! Sarah! | 0:28:49 | 0:28:51 | |
OK... | 0:28:51 | 0:28:52 | |
You bitch! | 0:28:52 | 0:28:54 | |
MOBILE RINGS | 0:28:54 | 0:28:56 | |
-Hello. Alison. -I was just assaulted | 0:28:57 | 0:29:01 | |
by a disgusting thug who thought I was you. | 0:29:01 | 0:29:03 | |
-Who? What'd he look like? -I don't know. He was...urban. | 0:29:03 | 0:29:08 | |
What the hell does that mean? | 0:29:08 | 0:29:09 | |
Not white, OK? | 0:29:09 | 0:29:12 | |
Oh, shit. Vic? | 0:29:12 | 0:29:15 | |
What happened? | 0:29:15 | 0:29:17 | |
I assaulted him back is what happened. | 0:29:17 | 0:29:19 | |
Please tell me that's not Kira's father. | 0:29:19 | 0:29:21 | |
No, no, absolutely not. | 0:29:21 | 0:29:24 | |
Well, what's going on with Paul? | 0:29:25 | 0:29:27 | |
Well, we think Beth was spying on him. | 0:29:27 | 0:29:30 | |
We found surveillance gear. | 0:29:30 | 0:29:32 | |
She never told me about that. | 0:29:32 | 0:29:34 | |
Is it true? Is he a mole? | 0:29:34 | 0:29:36 | |
I don't know that yet. | 0:29:36 | 0:29:38 | |
What's going on with you? | 0:29:38 | 0:29:40 | |
Nothing, I'm fine. | 0:29:40 | 0:29:42 | |
Call me when you know something for sure. | 0:29:42 | 0:29:44 | |
Olivier. | 0:29:50 | 0:29:51 | |
Paul. | 0:29:54 | 0:29:55 | |
What are you doing here? Is something wrong? | 0:29:57 | 0:29:59 | |
We need to talk about Beth. | 0:29:59 | 0:30:02 | |
How was she this morning? | 0:30:02 | 0:30:04 | |
Fine. Everything's fine. | 0:30:05 | 0:30:07 | |
You don't do this sort of thing much, do you? | 0:30:13 | 0:30:16 | |
You mean with a live person? | 0:30:17 | 0:30:20 | |
Oh! Ha! | 0:30:20 | 0:30:21 | |
Morgue humour. | 0:30:21 | 0:30:23 | |
You're awfully cute. | 0:30:23 | 0:30:25 | |
-OK. -OK. | 0:30:25 | 0:30:27 | |
OK, bye. | 0:30:30 | 0:30:32 | |
Bye. | 0:30:32 | 0:30:33 | |
The morgue attendant? Really? | 0:30:39 | 0:30:42 | |
-Can you knock? -Brilliant, Fee. | 0:30:42 | 0:30:45 | |
Shagging the bloke that we conned into identifying my body. | 0:30:45 | 0:30:47 | |
Colin is the first nice boy I've met in ages. | 0:30:47 | 0:30:50 | |
-What, like six weeks? -No. | 0:30:50 | 0:30:53 | |
-At least eight. -Where do you think this is going to go, eh? | 0:30:53 | 0:30:56 | |
Oh, my God. Oh, I'm so sorry. | 0:30:56 | 0:30:58 | |
I completely forget rule number one - | 0:30:58 | 0:31:00 | |
that your life is always more important than mine. | 0:31:00 | 0:31:02 | |
No, it's just way more difficult. Vic is back. | 0:31:02 | 0:31:06 | |
-Oh, shit. -Yeah, he ran into Alison, so he thinks I'm alive. | 0:31:06 | 0:31:11 | |
I'll figure it out. I'll... | 0:31:11 | 0:31:13 | |
I need to know what happened at Paul's office. | 0:31:13 | 0:31:16 | |
Sorry. I've been a bit busy, haven't I? | 0:31:16 | 0:31:20 | |
Well, it did record something. | 0:31:20 | 0:31:21 | |
-PAUL: -What are you doing here? Is something wrong? | 0:31:30 | 0:31:32 | |
This is it. | 0:31:32 | 0:31:33 | |
-OLIVIER: -We need to talk about Beth. | 0:31:33 | 0:31:35 | |
-How was she this morning? -Fine. Everything's fine. | 0:31:35 | 0:31:38 | |
Are you still concerned about her mental health? | 0:31:38 | 0:31:42 | |
-No. She's better. -Certainly better. | 0:31:42 | 0:31:45 | |
You understand your role as monitor is not to interfere. | 0:31:45 | 0:31:48 | |
Monitor. | 0:31:48 | 0:31:49 | |
But if there's anything pertinent I should know, anything at all... | 0:31:49 | 0:31:53 | |
If there were, I would tell you. | 0:31:53 | 0:31:55 | |
MOBILE RINGS | 0:31:55 | 0:31:57 | |
-Oh, shit. It's him. -No, don't answer that. | 0:31:59 | 0:32:01 | |
-No! -Hello? | 0:32:01 | 0:32:03 | |
-Beth. Where are you? -Out. Where are you? | 0:32:03 | 0:32:06 | |
-We have to talk. -About what? -I need you to come home. | 0:32:06 | 0:32:11 | |
Yeah, I don't think so. | 0:32:11 | 0:32:13 | |
He knows something. | 0:32:20 | 0:32:21 | |
Well, you can't go back there. You know that. | 0:32:21 | 0:32:24 | |
No, I can't. | 0:32:24 | 0:32:25 | |
MOBILE BEEPS | 0:32:25 | 0:32:27 | |
-Oh, shit. -Oh, my God. | 0:32:32 | 0:32:35 | |
Paul followed me straight to Kira. | 0:32:35 | 0:32:37 | |
DOOR SLIDES OPEN | 0:32:37 | 0:32:40 | |
Is this a bad time? | 0:32:40 | 0:32:44 | |
You tase me, you mace me, | 0:32:48 | 0:32:50 | |
then you think, "I'm just going to..." | 0:32:50 | 0:32:52 | |
"I'm just going to walk away," like I'm nobody? | 0:32:52 | 0:32:57 | |
I was working a job. | 0:32:57 | 0:32:58 | |
Oh. Yeah? | 0:32:58 | 0:32:59 | |
Yeah, you would've ruined the whole thing. | 0:32:59 | 0:33:01 | |
Yeah? Guess you're on a roll now, huh, Sarah? | 0:33:01 | 0:33:05 | |
And that coke that you stole from me. | 0:33:07 | 0:33:09 | |
Pretending to be dead. | 0:33:09 | 0:33:11 | |
Who do you think took the fall for that? | 0:33:13 | 0:33:15 | |
Huh? | 0:33:15 | 0:33:16 | |
Pouchy took my finger. | 0:33:16 | 0:33:19 | |
If I don't come up with 15k... | 0:33:20 | 0:33:22 | |
HE CLICKS HIS TONGUE | 0:33:22 | 0:33:23 | |
..he's going to lobster me. | 0:33:23 | 0:33:24 | |
A finger every week until all I have left is a lobster claw. | 0:33:24 | 0:33:27 | |
-Sit down. Sit down... -Do you want the money, or not? | 0:33:27 | 0:33:30 | |
Look - that's 20k... | 0:33:39 | 0:33:41 | |
15 for your debt, and then five for your pain and suffering. | 0:33:41 | 0:33:44 | |
That must have been some play. | 0:33:44 | 0:33:46 | |
Uh-uh. | 0:33:48 | 0:33:49 | |
This is "piss off" money, OK? You don't get to know anything. | 0:33:49 | 0:33:52 | |
I'm entitled to know everything. | 0:33:54 | 0:33:56 | |
Can I ask you a question? How do you do it? | 0:33:58 | 0:34:01 | |
Lying there in that morgue. | 0:34:01 | 0:34:04 | |
Holding your breath, Sarah, while I am bawling, | 0:34:04 | 0:34:08 | |
I'm crying like a goddamn child. | 0:34:08 | 0:34:10 | |
You know what's crazy? | 0:34:13 | 0:34:15 | |
You know how stupid I am? | 0:34:15 | 0:34:17 | |
I'm standing here, looking at you, | 0:34:17 | 0:34:20 | |
and I keep thinking about is Myrtle Beach. | 0:34:20 | 0:34:22 | |
-You remember? -Yeah, that was a long time ago, Vic. | 0:34:22 | 0:34:26 | |
I was working with that mook, Angel. You had your in with the carnies. | 0:34:26 | 0:34:28 | |
I'm not proud of what we did. | 0:34:28 | 0:34:30 | |
-We were on top of the world, Sarah. -We were parasites. | 0:34:30 | 0:34:32 | |
-No, we were in love. -Not me. | 0:34:32 | 0:34:36 | |
Ever. | 0:34:36 | 0:34:37 | |
I think she means it, Victor. | 0:34:42 | 0:34:44 | |
You want that money? | 0:34:44 | 0:34:46 | |
Take it and go, now. | 0:34:46 | 0:34:48 | |
Right now, Vic! | 0:34:50 | 0:34:53 | |
OK. | 0:34:53 | 0:34:54 | |
This is not over, Sarah. | 0:34:58 | 0:34:59 | |
Is every man in your life a complete wanker except me? | 0:35:04 | 0:35:08 | |
I need you to go to S's house. | 0:35:08 | 0:35:11 | |
Make sure Kira's OK, yeah? | 0:35:11 | 0:35:13 | |
You're not going back to Paul's. | 0:35:13 | 0:35:15 | |
I will not let him threaten my daughter. | 0:35:15 | 0:35:16 | |
Sarah, you're not going back to Paul's! Sarah! | 0:35:16 | 0:35:19 | |
No, it's fine. Don't worry. | 0:35:45 | 0:35:48 | |
If anything else comes up, I'll let you know. | 0:35:48 | 0:35:50 | |
SIREN IN THE DISTANCE | 0:36:01 | 0:36:05 | |
MOBILE RINGS | 0:36:05 | 0:36:07 | |
SHE SIGHS | 0:36:10 | 0:36:12 | |
-Felix called you? -Yeah. | 0:36:14 | 0:36:16 | |
He just played me the recording. I heard everything. Where are you? | 0:36:16 | 0:36:19 | |
I'm about to go in and shoot Paul in the balls. | 0:36:19 | 0:36:22 | |
Wait, Sarah. This is our chance to get answers. | 0:36:22 | 0:36:25 | |
He followed me to Kira, Cos. | 0:36:25 | 0:36:27 | |
I know, I know, but he also covered for you. | 0:36:27 | 0:36:29 | |
Right? That Olivier guy, he asked if anything was wrong, | 0:36:29 | 0:36:32 | |
and Paul said no. Why? | 0:36:32 | 0:36:34 | |
Cos I think he may be falling for fake Beth. | 0:36:34 | 0:36:38 | |
Yes! That's awesome! That...you can use that. | 0:36:38 | 0:36:41 | |
What do you think got me into this mess in the first place, huh? | 0:36:41 | 0:36:43 | |
OK, I know. Just chill. | 0:36:43 | 0:36:45 | |
I think that Olivier guy, he runs Paul. | 0:36:45 | 0:36:48 | |
It sounds like some kind of double blind. | 0:36:48 | 0:36:52 | |
What are you going on about? | 0:36:52 | 0:36:53 | |
They are keeping Paul in the dark too. | 0:36:53 | 0:36:55 | |
Right? So that he can't skew the results either. | 0:36:55 | 0:36:57 | |
GUN LOADED | 0:36:57 | 0:36:59 | |
You mean he may not even know he's watching a clone? | 0:36:59 | 0:37:01 | |
Yes, right. | 0:37:01 | 0:37:03 | |
But Olivier definitely knows. | 0:37:03 | 0:37:05 | |
OK? He's the one that we need to get to. | 0:37:05 | 0:37:07 | |
-You mind if I get through Paul first? -Sarah...? | 0:37:07 | 0:37:10 | |
I'll sleep on the couch. | 0:37:23 | 0:37:25 | |
Donnie. Donnie, Donnie... | 0:37:25 | 0:37:27 | |
ALISON SIGHS | 0:37:27 | 0:37:28 | |
You're right. | 0:37:28 | 0:37:30 | |
Everyone deserves their privacy. | 0:37:30 | 0:37:33 | |
Come. | 0:37:36 | 0:37:37 | |
-I thought you handed in your sidearm. -Huh? | 0:37:56 | 0:38:00 | |
Left jacket pocket, hanging low. | 0:38:00 | 0:38:02 | |
Well, apparently I've got a stalker. | 0:38:04 | 0:38:06 | |
Sit. | 0:38:09 | 0:38:10 | |
Put it on the table. | 0:38:13 | 0:38:14 | |
I knew. | 0:38:21 | 0:38:23 | |
I couldn't put my finger on it, but I knew. | 0:38:23 | 0:38:27 | |
It was that day you were supposed to do the hearing, | 0:38:27 | 0:38:29 | |
first time we had sex in months. | 0:38:29 | 0:38:30 | |
What? I missed you. | 0:38:30 | 0:38:32 | |
You were wearing that Clash T-shirt. | 0:38:32 | 0:38:34 | |
LAUGHING: I was like, "What?" | 0:38:34 | 0:38:36 | |
And then, wham, you screw me right on the kitchen counter. | 0:38:36 | 0:38:40 | |
Are you complaining, Paul? What are you saying? | 0:38:40 | 0:38:43 | |
You quit the force, after refusing ever even to think it. | 0:38:43 | 0:38:46 | |
You know what I've been through. | 0:38:46 | 0:38:48 | |
And then the scar on your neck just disappears because of what? | 0:38:48 | 0:38:51 | |
Some cream? | 0:38:51 | 0:38:54 | |
And now... | 0:38:54 | 0:38:55 | |
This little girl. | 0:38:59 | 0:39:00 | |
I was there when Beth found out she couldn't have kids. | 0:39:02 | 0:39:05 | |
So who was this girl? | 0:39:07 | 0:39:09 | |
-She's my half-sister. -I watched you together | 0:39:09 | 0:39:13 | |
She's your daughter, isn't she? | 0:39:13 | 0:39:15 | |
-You're losing it. -Am I? | 0:39:17 | 0:39:19 | |
Well, I was looking at some old video today. | 0:39:19 | 0:39:21 | |
You were training for that half-marathon. | 0:39:21 | 0:39:24 | |
What was the last race you were in? | 0:39:24 | 0:39:26 | |
What city was it in? | 0:39:29 | 0:39:30 | |
Where is Beth? | 0:39:36 | 0:39:38 | |
One last time. | 0:39:41 | 0:39:43 | |
Whoever you are...where is Beth? | 0:39:45 | 0:39:49 | |
She killed herself. | 0:39:49 | 0:39:52 | |
She jumped in front of a train. | 0:39:52 | 0:39:55 | |
You're English. Who are you? | 0:39:55 | 0:39:58 | |
I'm her twin. | 0:39:58 | 0:40:00 | |
Twin? | 0:40:00 | 0:40:01 | |
Is this a test? | 0:40:03 | 0:40:04 | |
A test of what? | 0:40:04 | 0:40:06 | |
Beth didn't have a sister. | 0:40:06 | 0:40:08 | |
-What's your name? -Sarah. | 0:40:09 | 0:40:12 | |
Sarah what? | 0:40:12 | 0:40:14 | |
Sarah's good enough. | 0:40:14 | 0:40:15 | |
When Beth died, I took her identity. | 0:40:17 | 0:40:19 | |
Beth isn't dead. | 0:40:19 | 0:40:21 | |
Look, I was just going to clean out her bank accounts. | 0:40:24 | 0:40:26 | |
I didn't mean to get all tangled up with you. | 0:40:26 | 0:40:29 | |
If she really is dead, how do I know you didn't kill her? | 0:40:29 | 0:40:32 | |
-Cos you killed her. -What? | 0:40:32 | 0:40:35 | |
You're her monitor, aren't you? | 0:40:35 | 0:40:36 | |
-And what's that? -You observe her. | 0:40:38 | 0:40:40 | |
You let people into her home. | 0:40:40 | 0:40:44 | |
Like last night. | 0:40:44 | 0:40:45 | |
Doctors came and medically examined her in her sleep. | 0:40:46 | 0:40:49 | |
And she knew. | 0:40:51 | 0:40:52 | |
You're a plant, and she killed herself | 0:40:58 | 0:41:01 | |
because the man that she loved turned her whole life into a lie. | 0:41:01 | 0:41:05 | |
She knew you didn't love her | 0:41:05 | 0:41:07 | |
and she couldn't understand why you wouldn't leave. | 0:41:07 | 0:41:09 | |
And now she figured it out. | 0:41:09 | 0:41:11 | |
This isn't true. | 0:41:11 | 0:41:13 | |
This is a test. | 0:41:15 | 0:41:16 | |
Isn't it? | 0:41:18 | 0:41:20 | |
Isn't it? | 0:41:20 | 0:41:22 | |
She trusted you. | 0:41:22 | 0:41:25 | |
How could you do that to her? | 0:41:26 | 0:41:28 | |
You think I had a choice? | 0:41:33 | 0:41:36 | |
Just tell me why. | 0:41:37 | 0:41:39 | |
They don't tell us why. | 0:41:40 | 0:41:42 | |
Subtitles by Red Bee Media Ltd | 0:42:18 | 0:42:21 |