Browse content similar to Variations under Domestication. Check below for episodes and series from the same categories and more!
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We're clones, someone's experiment. They're killing us off. | 0:00:02 | 0:00:04 | |
We're like lab rats in an illegal experiment. | 0:00:04 | 0:00:05 | |
Sarah, where was Paul during all this? | 0:00:05 | 0:00:07 | |
We think Beth was spying on him. | 0:00:07 | 0:00:09 | |
Maybe it's time to check out where Paul works. | 0:00:09 | 0:00:11 | |
We need to talk about Beth. | 0:00:11 | 0:00:13 | |
You understand your role as monitor's not to interfere. | 0:00:13 | 0:00:16 | |
Paul followed me straight to Kira. | 0:00:16 | 0:00:18 | |
You're in microbiology, too? | 0:00:18 | 0:00:20 | |
-Delphine. -Cosima. | 0:00:20 | 0:00:22 | |
Enchante. | 0:00:22 | 0:00:23 | |
I may be sleeping with my spy as well. | 0:00:23 | 0:00:26 | |
Donnie, what's in the box?! | 0:00:26 | 0:00:27 | |
I'm entitled to a little privacy. | 0:00:27 | 0:00:29 | |
Alison, stop it! | 0:00:29 | 0:00:31 | |
"Big Boob Blowies"?! | 0:00:32 | 0:00:33 | |
If anything else comes up, I'll let you know. | 0:00:33 | 0:00:35 | |
Surveillance, please. | 0:00:35 | 0:00:36 | |
-CLERK: -They call it the Nanny Cam. | 0:00:36 | 0:00:38 | |
Sarah, I thought you were dead! | 0:00:38 | 0:00:40 | |
Aaah! | 0:00:40 | 0:00:41 | |
I'll get you your money, man. Aaah! | 0:00:41 | 0:00:42 | |
Pouchy took my finger. | 0:00:42 | 0:00:44 | |
You want that money? Take it and go, now. | 0:00:44 | 0:00:46 | |
Where is Beth? | 0:00:46 | 0:00:47 | |
She killed herself. | 0:00:47 | 0:00:48 | |
I took her identity. | 0:00:48 | 0:00:50 | |
You're her monitor, aren't you? | 0:00:50 | 0:00:51 | |
Doctors came and medically examined her in her sleep. | 0:00:51 | 0:00:54 | |
Just tell me why. | 0:00:54 | 0:00:55 | |
They don't tell us why. | 0:00:55 | 0:00:57 | |
HE SNORES | 0:01:11 | 0:01:12 | |
ALERT BEEPS | 0:02:14 | 0:02:16 | |
-Ridiculous! God! -CLATTERING | 0:02:20 | 0:02:22 | |
I got to do everything around here? | 0:02:25 | 0:02:27 | |
Three hours to go, and the dishes still haven't been washed, | 0:02:29 | 0:02:32 | |
the drink cart hasn't been loaded up, | 0:02:32 | 0:02:34 | |
the kids' gift bags haven't been sorted, | 0:02:34 | 0:02:36 | |
and did we even get ice? | 0:02:36 | 0:02:39 | |
Hello, did we get ice? | 0:02:39 | 0:02:40 | |
Alison, come on! | 0:02:40 | 0:02:41 | |
Get with the programme, here. We need to get moving. | 0:02:41 | 0:02:44 | |
Where did you go in the middle of the night, Donnie? | 0:02:44 | 0:02:46 | |
Uh, I don't know. Never Never Land? | 0:02:46 | 0:02:48 | |
I woke up. You weren't in bed. | 0:02:48 | 0:02:50 | |
Honey, we don't have time for this. | 0:02:50 | 0:02:51 | |
The kids are outside, doing God knows what, | 0:02:51 | 0:02:53 | |
we got a million things to do, and you're not helping! | 0:02:53 | 0:02:56 | |
Just make a list of what we need | 0:02:56 | 0:02:57 | |
and I'll do it when I'm out getting the damn ice. | 0:02:57 | 0:02:59 | |
I need to know where you went. | 0:02:59 | 0:03:01 | |
-Look, I know we had a bad day yesterday. -A bad day?! | 0:03:01 | 0:03:03 | |
Is that what you call it? Where are you going? | 0:03:03 | 0:03:06 | |
I'm going out to get the stuff that you were supposed to get yesterday! | 0:03:06 | 0:03:10 | |
I'm trying to have a conversation with you, Donnie. | 0:03:13 | 0:03:16 | |
And, oh, what a joy it is. | 0:03:16 | 0:03:17 | |
But don't worry, honey, I'm sure we'll talk about this later. | 0:03:17 | 0:03:20 | |
It's all good. | 0:03:20 | 0:03:22 | |
Ugh... | 0:03:22 | 0:03:23 | |
PAUL: My problems didn't start in the military. | 0:04:00 | 0:04:03 | |
They started out of uniform, as a private contractor. | 0:04:03 | 0:04:08 | |
Understand? | 0:04:09 | 0:04:11 | |
I'm not doing any of this by choice. | 0:04:11 | 0:04:13 | |
Right, so, they forced you to be Beth's monitor | 0:04:13 | 0:04:16 | |
for two years, without ever knowing why. | 0:04:16 | 0:04:19 | |
You're some kind of hustler. | 0:04:19 | 0:04:21 | |
You understand leverage, right? | 0:04:21 | 0:04:24 | |
The difference is, you chose | 0:04:24 | 0:04:26 | |
to infiltrate Beth's life, to screw her boyfriend, | 0:04:26 | 0:04:29 | |
right on this counter. | 0:04:29 | 0:04:30 | |
And you weren't even you. | 0:04:30 | 0:04:32 | |
And you weren't you, either. | 0:04:32 | 0:04:34 | |
I don't think you understand how serious this is. | 0:04:34 | 0:04:37 | |
We need to try and be honest with each other, twin sister. | 0:04:37 | 0:04:41 | |
OK. | 0:04:42 | 0:04:43 | |
So what happens to the results | 0:04:43 | 0:04:45 | |
of the medical tests you performed on me? | 0:04:45 | 0:04:47 | |
I wanted to get you away from that. I was serious about Rio. | 0:04:47 | 0:04:50 | |
Just tell me, what happens to the results? | 0:04:50 | 0:04:53 | |
They go to Olivier. | 0:04:53 | 0:04:54 | |
From there, I don't know. | 0:04:54 | 0:04:56 | |
What are you doing? | 0:05:01 | 0:05:02 | |
I'm going to take a shower, wash off the filth. | 0:05:02 | 0:05:05 | |
Is that OK with you? | 0:05:05 | 0:05:07 | |
So, do you think the results might tell them I'm not Beth? | 0:05:10 | 0:05:13 | |
I don't know what the tests are for. | 0:05:13 | 0:05:15 | |
I explained that. This is my world, Sarah. | 0:05:15 | 0:05:17 | |
It is you that I'm worried about. | 0:05:17 | 0:05:19 | |
Yeah? | 0:05:19 | 0:05:21 | |
What is it that worries you about me? | 0:05:21 | 0:05:23 | |
Whatever it is you're not telling me. | 0:05:23 | 0:05:24 | |
Sarah. | 0:05:28 | 0:05:29 | |
Hey, Cosima, you were right... | 0:05:40 | 0:05:43 | |
Paul doesn't even know about clones. | 0:05:43 | 0:05:44 | |
See? It's a double blind... | 0:05:44 | 0:05:46 | |
The monitor's unaware of the purpose of the experiment. | 0:05:46 | 0:05:49 | |
That way, they can't skew the results. | 0:05:49 | 0:05:51 | |
-Oh, hey. -I just had to get out of there. | 0:05:51 | 0:05:53 | |
I don't even know where I'm going. | 0:05:53 | 0:05:54 | |
Right, well, I may have a...a monitor dilemma of my own. | 0:05:54 | 0:05:59 | |
I'm new here this semester. | 0:05:59 | 0:06:02 | |
I didn't bring anybody with me, but someone wants to be friends. | 0:06:02 | 0:06:07 | |
Just stay away from them, Cos. | 0:06:07 | 0:06:09 | |
Stick to the science, yeah? | 0:06:09 | 0:06:11 | |
"Stick to the science"? | 0:06:11 | 0:06:12 | |
What am I, the geek monkey, now? | 0:06:12 | 0:06:14 | |
Seriously! Paul's a bad-arse, OK? | 0:06:14 | 0:06:17 | |
He's ex-military. | 0:06:17 | 0:06:18 | |
If somebody's trying to get close to you, just stay away. | 0:06:18 | 0:06:21 | |
Right, the old "Do as I say, not as I do"? | 0:06:21 | 0:06:23 | |
-ALERT BEEPS -Sorry. | 0:06:23 | 0:06:25 | |
Look, Alison's calling through. Are we good? | 0:06:25 | 0:06:27 | |
-SIGHS: -Sure. | 0:06:27 | 0:06:30 | |
ALERT BEEPS | 0:06:30 | 0:06:32 | |
Hey. | 0:06:32 | 0:06:33 | |
I need you. | 0:06:33 | 0:06:34 | |
What's going on? | 0:06:34 | 0:06:36 | |
Um, I have a situation. | 0:06:36 | 0:06:38 | |
What kind of situation? | 0:06:38 | 0:06:39 | |
Just get over here right now. | 0:06:39 | 0:06:41 | |
-You're it! -Hey, that's not fair! | 0:06:41 | 0:06:43 | |
Oh, then I'll get you again. Ha! | 0:06:43 | 0:06:45 | |
OK, OK, you're going to walk your sister | 0:06:45 | 0:06:47 | |
-to Aynsley's house and you're going to stay there. -But, Mom! | 0:06:47 | 0:06:49 | |
Yes, it's going to be fun! | 0:06:49 | 0:06:51 | |
-No! -Go! Tell her I said it's OK. | 0:06:51 | 0:06:53 | |
Ngh... | 0:06:59 | 0:07:01 | |
Aah! Ooh. | 0:07:03 | 0:07:05 | |
Where are you off to, Sarah? | 0:07:31 | 0:07:33 | |
Uh... | 0:07:43 | 0:07:44 | |
Alison? | 0:07:48 | 0:07:50 | |
Why am I tied to the chair? | 0:07:52 | 0:07:54 | |
Shh! Shh! | 0:07:54 | 0:07:55 | |
Tell me what was really in the box, Donnie. | 0:07:55 | 0:07:57 | |
What? | 0:07:57 | 0:07:59 | |
Your special box. | 0:07:59 | 0:08:00 | |
What was inside of it? | 0:08:00 | 0:08:02 | |
-Are you out of your mind? Untie me. -No! | 0:08:02 | 0:08:05 | |
Donnie, I have questions that need answers. | 0:08:05 | 0:08:09 | |
Come on, Alison, this is insane! | 0:08:09 | 0:08:11 | |
Don't worry, honey. | 0:08:14 | 0:08:15 | |
It's all good. | 0:08:15 | 0:08:17 | |
Isn't that what you always tell me? | 0:08:17 | 0:08:19 | |
Think about what you really want to get off your chest. | 0:08:24 | 0:08:29 | |
Or what, you're going to stick sequins on me? | 0:08:29 | 0:08:32 | |
You moved the files. | 0:08:32 | 0:08:34 | |
Files? What files? | 0:08:34 | 0:08:35 | |
Your files that you have on me. | 0:08:35 | 0:08:37 | |
From your box. Your special box. | 0:08:37 | 0:08:39 | |
Aaah! | 0:08:39 | 0:08:41 | |
Aaah! | 0:08:41 | 0:08:42 | |
Ohhh! Oh, ohh! | 0:08:42 | 0:08:44 | |
Have you lost your mind?! | 0:08:45 | 0:08:47 | |
-I know what you do, Donnie! -What? What do I do? | 0:08:47 | 0:08:49 | |
You spy. | 0:08:49 | 0:08:50 | |
-You perform medical examinations on me in my sleep. -What?! | 0:08:50 | 0:08:53 | |
You turned my whole life into a big, embarrassing lie | 0:08:53 | 0:08:56 | |
and you switched the files in your special box for porno DVDs | 0:08:56 | 0:08:59 | |
of Big Boob Blowies! | 0:08:59 | 0:09:02 | |
Ohh...! Please, no. | 0:09:02 | 0:09:03 | |
Argh! | 0:09:03 | 0:09:05 | |
Hey, Delphine. | 0:09:22 | 0:09:23 | |
Hey. Bonjour, Cosima. | 0:09:23 | 0:09:25 | |
-I'm bored. -Well, you know, there's this lecture today | 0:09:25 | 0:09:29 | |
that I was going to see... | 0:09:29 | 0:09:31 | |
Wait, where is it? | 0:09:31 | 0:09:32 | |
I was going to, if you want to come with me. | 0:09:32 | 0:09:35 | |
Neolutionism, really? | 0:09:37 | 0:09:40 | |
You've... You've heard of it? | 0:09:40 | 0:09:42 | |
Yeah, it's kind of fringe, don't you think? | 0:09:42 | 0:09:44 | |
Well, I think that, as a Darwinist, it would interest you, | 0:09:44 | 0:09:48 | |
and this Dr Leekie is a really, really interesting speaker. | 0:09:48 | 0:09:52 | |
I saw his Ted talk online and... phew. | 0:09:52 | 0:09:55 | |
Hmm. | 0:09:55 | 0:09:57 | |
So...? | 0:09:57 | 0:09:59 | |
Sure. Why not? | 0:10:00 | 0:10:04 | |
VOICEMAIL BEEPS | 0:10:08 | 0:10:10 | |
Sarah, I can understand why you took off this morning, but I need... | 0:10:10 | 0:10:14 | |
We need to know that the ground beneath us is solid. | 0:10:14 | 0:10:18 | |
So, please... | 0:10:18 | 0:10:20 | |
Let's talk about all this tonight. | 0:10:22 | 0:10:24 | |
PHONE HANGS UP | 0:10:24 | 0:10:26 | |
Why do you do it, Donnie? | 0:10:32 | 0:10:34 | |
Alison, I don't examine you in your sleep. | 0:10:34 | 0:10:36 | |
Oh, no, no. | 0:10:36 | 0:10:39 | |
Am I sick, like the German? | 0:10:39 | 0:10:41 | |
What German? Who's German?! | 0:10:41 | 0:10:45 | |
No, no, no! | 0:10:45 | 0:10:46 | |
KNOCK AT DOOR | 0:10:46 | 0:10:48 | |
What the hell is going on, Alison? | 0:10:49 | 0:10:51 | |
Shh! | 0:10:51 | 0:10:53 | |
Please, no. | 0:10:53 | 0:10:54 | |
What are you doing? | 0:10:54 | 0:10:56 | |
Please...agh. | 0:10:56 | 0:10:57 | |
Alison, no! | 0:10:57 | 0:10:59 | |
Come here! | 0:10:59 | 0:11:00 | |
MUFFLED SHOUTS | 0:11:00 | 0:11:02 | |
Eh, what's the emergency? | 0:11:06 | 0:11:09 | |
Umm... | 0:11:09 | 0:11:10 | |
You might want to sit down for this. | 0:11:10 | 0:11:12 | |
Er, I'll stand, thanks. | 0:11:12 | 0:11:14 | |
OK. | 0:11:14 | 0:11:16 | |
Alison? Alison? | 0:11:16 | 0:11:19 | |
-Who's that? -Donnie. | 0:11:19 | 0:11:21 | |
-Who's Donnie? -He's my husband. | 0:11:21 | 0:11:24 | |
-What?! -I think he's my watcher! | 0:11:24 | 0:11:27 | |
Jesus Christ, Alison! What have you done? | 0:11:27 | 0:11:28 | |
-AYNSLEY: -Yoo-hoo! Hello! | 0:11:28 | 0:11:31 | |
KNOCKING AND RINGING DOORBELL | 0:11:31 | 0:11:32 | |
Who's that? | 0:11:32 | 0:11:35 | |
Oh... | 0:11:35 | 0:11:38 | |
I completely forgot. | 0:11:38 | 0:11:40 | |
CHILDREN CHATTER | 0:11:40 | 0:11:43 | |
Oh, you're not ready for the potluck. | 0:11:43 | 0:11:45 | |
-Oh, yeah, um... -You're not even dressed. | 0:11:45 | 0:11:47 | |
Well, I was just thinking. Could we change venues? | 0:11:47 | 0:11:50 | |
Change venues? Ally, what's wrong? | 0:11:50 | 0:11:52 | |
Nothing, I'm just... I think I'm coming down with something. | 0:11:52 | 0:11:55 | |
-I think we should... -Well, it's too late now, | 0:11:55 | 0:11:56 | |
so just take some of your happy pills and let me help. | 0:11:56 | 0:11:59 | |
Don't worry, we'll get this party started. | 0:11:59 | 0:12:01 | |
OK. | 0:12:01 | 0:12:02 | |
What's up, Hendrix? | 0:12:02 | 0:12:04 | |
Hello. Hi! | 0:12:06 | 0:12:09 | |
-Hi! WOMAN: -Is this a pyjama party? | 0:12:09 | 0:12:11 | |
Good. | 0:12:11 | 0:12:12 | |
# Yo, I'll tell you what I want What I really, really want | 0:12:12 | 0:12:15 | |
# So, tell me what you want What you really, really want | 0:12:15 | 0:12:17 | |
# I'll tell you what I want What I really, really want... # | 0:12:17 | 0:12:20 | |
-Ally. -Mm! -Nothing's ready. | 0:12:20 | 0:12:22 | |
Oh, I know. Cover for me. | 0:12:22 | 0:12:24 | |
-OK. -What's all off-limits? | 0:12:24 | 0:12:26 | |
Mmm! The basement. It's a disaster. | 0:12:26 | 0:12:29 | |
-Donnie's starting renos this week. -Ah. -Mm-hm! | 0:12:29 | 0:12:31 | |
Well, the kids are screaming for chips. | 0:12:31 | 0:12:34 | |
I'll go get some from the pantry. | 0:12:34 | 0:12:36 | |
-Sausage rolls, freezer. -Got it. -OK. | 0:12:36 | 0:12:39 | |
# We could be just fine | 0:12:39 | 0:12:40 | |
# I'll tell you what I want What I really, really... # | 0:12:40 | 0:12:43 | |
-A potluck, seriously? -Seriously. | 0:12:43 | 0:12:45 | |
OK, you got to kick them out. | 0:12:45 | 0:12:47 | |
I can't...back out of the monthly potluck. | 0:12:47 | 0:12:50 | |
It's my turn. | 0:12:50 | 0:12:52 | |
But I have no gift bags, no ice... | 0:12:52 | 0:12:55 | |
and no bartender, because my husband is tied to a chair. | 0:12:55 | 0:12:58 | |
Alison, you need to take a deep breath. | 0:12:58 | 0:13:00 | |
I hate yoga. | 0:13:00 | 0:13:01 | |
OK, you need to go up there | 0:13:01 | 0:13:03 | |
and just play hostess, like nothing's wrong. | 0:13:03 | 0:13:05 | |
Fine. | 0:13:05 | 0:13:08 | |
You interrogate Donnie. | 0:13:08 | 0:13:10 | |
What? | 0:13:10 | 0:13:11 | |
Yes. You are the expert. | 0:13:11 | 0:13:14 | |
Go in there and get that lying bastard to confess. | 0:13:14 | 0:13:17 | |
Wh...? Are you serious? | 0:13:17 | 0:13:19 | |
-Be me. Put this on. -What if he's just your husband? | 0:13:19 | 0:13:22 | |
Sarah, I need you to help me with this. | 0:13:22 | 0:13:23 | |
I impersonated you in front of your daughter. | 0:13:23 | 0:13:26 | |
Now, it's your turn. | 0:13:26 | 0:13:27 | |
-# I wanna -Ha -I wanna -Ha -I wanna -Ha -I wanna -Ha | 0:13:27 | 0:13:29 | |
# I wanna really, really, really wanna... # | 0:13:29 | 0:13:31 | |
-FELIX: -With a golf club? | 0:13:31 | 0:13:34 | |
No, no, I can't bar tend. | 0:13:34 | 0:13:36 | |
I've got a very handsome guest here. | 0:13:36 | 0:13:38 | |
Please tell me you're not with the morgue attendant again. | 0:13:38 | 0:13:41 | |
No, but I plan to be. | 0:13:41 | 0:13:43 | |
Hang on. | 0:13:43 | 0:13:44 | |
Teddy, is that all you can handle? | 0:13:44 | 0:13:47 | |
All right, looks like my afternoon just opened up. | 0:13:51 | 0:13:54 | |
OK. How soon can you be here? | 0:13:54 | 0:13:56 | |
To Scarberia? | 0:13:56 | 0:13:58 | |
Yeah. And dress suburban. | 0:13:58 | 0:13:59 | |
You've got to be joking. | 0:13:59 | 0:14:01 | |
I know, it sucks to be my sister. | 0:14:01 | 0:14:03 | |
Don't forget the ice. | 0:14:03 | 0:14:05 | |
CHILDREN LAUGH | 0:14:05 | 0:14:06 | |
ALARM BEEPS | 0:14:06 | 0:14:08 | |
OK... | 0:14:08 | 0:14:10 | |
The kids are looking for the gift bags. | 0:14:10 | 0:14:12 | |
And we're running out of wine glasses. Where are your disposables? | 0:14:12 | 0:14:15 | |
They are under the sink. No, top shelf, | 0:14:15 | 0:14:18 | |
left-hand side of the stove. | 0:14:18 | 0:14:19 | |
I don't know. I don't know. | 0:14:19 | 0:14:21 | |
What's going on downstairs? | 0:14:21 | 0:14:23 | |
Sausage roll? | 0:14:23 | 0:14:25 | |
No, thanks. So...? | 0:14:25 | 0:14:27 | |
Meera wants to know the name of your contractor. | 0:14:27 | 0:14:30 | |
Oh! | 0:14:30 | 0:14:32 | |
-I will give you his info. -Perfect. | 0:14:32 | 0:14:35 | |
OK. Sausage? No. | 0:14:35 | 0:14:36 | |
OK, that is fine. | 0:14:36 | 0:14:39 | |
She's drunk already? | 0:14:39 | 0:14:40 | |
Whoopsie-whoo! Who put that chair there? | 0:14:40 | 0:14:43 | |
Did you want any? | 0:14:43 | 0:14:44 | |
And where the hell's Donnie? | 0:14:44 | 0:14:47 | |
-AS ALISON: -Hello, Donnie. | 0:14:47 | 0:14:49 | |
Hello, Donnie. "Donnie." | 0:14:49 | 0:14:52 | |
SHE SIGHS | 0:14:52 | 0:14:54 | |
-MUFFLED: -Alison? | 0:15:03 | 0:15:05 | |
Agh... | 0:15:16 | 0:15:17 | |
Hello, Donnie. | 0:15:21 | 0:15:23 | |
-Alison... -Shh, shh, shh! Shh! | 0:15:23 | 0:15:25 | |
Ah... Can we stop now, please? | 0:15:28 | 0:15:31 | |
Yes. After a few questions. | 0:15:31 | 0:15:35 | |
You told me yesterday she was fine. | 0:15:35 | 0:15:38 | |
She's right back in her dark place, Olivier. | 0:15:38 | 0:15:41 | |
I stopped her from ODing on pills last night. | 0:15:41 | 0:15:43 | |
She's quit the force, dumped her therapist. | 0:15:43 | 0:15:45 | |
She has no-one else. | 0:15:45 | 0:15:47 | |
She has you, | 0:15:47 | 0:15:48 | |
to share in this crisis, like any other event. | 0:15:48 | 0:15:51 | |
Don't interfere unless it's critical. | 0:15:51 | 0:15:54 | |
I need to know that I won't be blamed if she tries it again, | 0:15:58 | 0:16:01 | |
if I can't stop her. | 0:16:01 | 0:16:03 | |
You done well for us, Paul. | 0:16:05 | 0:16:08 | |
As long as your subject makes her own choices, | 0:16:08 | 0:16:10 | |
there are no wrong decisions. | 0:16:10 | 0:16:13 | |
Yes? | 0:16:13 | 0:16:15 | |
Then soldier on. | 0:16:15 | 0:16:18 | |
I know, Donnie, so you can tell me how it works. | 0:16:25 | 0:16:30 | |
How what works? | 0:16:30 | 0:16:32 | |
The double blind, monitoring. | 0:16:32 | 0:16:35 | |
Alison, would you listen to yourself? | 0:16:35 | 0:16:38 | |
I got up in the middle of the night to watch cricket! | 0:16:38 | 0:16:41 | |
Cricket? | 0:16:41 | 0:16:43 | |
The South African games start at 4am. | 0:16:43 | 0:16:46 | |
Is there nothing in my life left unexamined by you? | 0:16:46 | 0:16:50 | |
Now take off the GD blindfold! | 0:16:50 | 0:16:52 | |
CHILDREN LAUGH AND PLAY | 0:16:52 | 0:16:54 | |
The whole neighbourhood is here? | 0:16:54 | 0:16:56 | |
What kind of irrational nonsense is going through that head of yours? | 0:16:56 | 0:17:00 | |
Hey, watch your tone, Donnie! | 0:17:00 | 0:17:02 | |
Alison, get your frazzled, PMS shit together! | 0:17:02 | 0:17:06 | |
Hey! You watch your tone! | 0:17:06 | 0:17:08 | |
Your wife is the rock of this family! | 0:17:08 | 0:17:10 | |
You will no longer speak down to her! Am I clear?! | 0:17:10 | 0:17:13 | |
Yeah. | 0:17:13 | 0:17:14 | |
-DELPHINE: Cosima! Hey. -Hey. | 0:17:16 | 0:17:19 | |
-I am so glad you came. -Mm-hm! | 0:17:19 | 0:17:20 | |
-You won't be disappointed. -Yeah, I can tell. | 0:17:20 | 0:17:23 | |
BOTH LAUGH | 0:17:23 | 0:17:25 | |
Yeah, Dr Leekie attracts diverse thinkers. Come. | 0:17:25 | 0:17:28 | |
OK. | 0:17:28 | 0:17:29 | |
Oh. | 0:17:31 | 0:17:33 | |
Neolution... | 0:17:35 | 0:17:37 | |
A philosophy of today for tomorrow, | 0:17:37 | 0:17:40 | |
rooted in our past, | 0:17:40 | 0:17:42 | |
in the evolution of the human organism. | 0:17:42 | 0:17:45 | |
But before we go to the future, let me take you back 3,000 years, | 0:17:45 | 0:17:51 | |
to the great Greek philosopher Plato and his twilight years. | 0:17:51 | 0:17:56 | |
-HOARSELY: -Poor old Plato was going blind... | 0:17:56 | 0:17:59 | |
LAUGHTER | 0:17:59 | 0:18:00 | |
Going lame, and losing his hearing! | 0:18:00 | 0:18:05 | |
Now, imagine if he knew we could correct his sight, | 0:18:05 | 0:18:10 | |
restore his hearing, | 0:18:10 | 0:18:12 | |
and replace his ailing body parts with titanium ones. | 0:18:12 | 0:18:16 | |
Plato would've thought we were gods! | 0:18:16 | 0:18:18 | |
But we're not, we're just fundamentally flawed | 0:18:18 | 0:18:22 | |
human beings. | 0:18:22 | 0:18:24 | |
Your glasses, for example, | 0:18:27 | 0:18:30 | |
make you somewhat, um...Platonic. | 0:18:30 | 0:18:34 | |
But within the very near future, | 0:18:34 | 0:18:35 | |
I'll be able to offer you the ability | 0:18:35 | 0:18:38 | |
to see into a spectrum never before seen by the naked eye. | 0:18:38 | 0:18:42 | |
Infrared, x-rays, ultraviolet. Are you interested? | 0:18:42 | 0:18:47 | |
Maybe I'll just start with basic Lasik. | 0:18:47 | 0:18:49 | |
LAUGHTER | 0:18:49 | 0:18:51 | |
And so you should. | 0:18:51 | 0:18:53 | |
That's making an evolutionary choice. | 0:18:53 | 0:18:55 | |
Neolution gives us the opportunity at a self-directed evolution | 0:18:55 | 0:19:00 | |
and I believe that's not only a choice, | 0:19:00 | 0:19:03 | |
but a human right. | 0:19:03 | 0:19:06 | |
CLATTERING | 0:19:10 | 0:19:12 | |
Ah, Felix, Felix, Felix. | 0:19:40 | 0:19:43 | |
All right, Felix, | 0:19:47 | 0:19:50 | |
time to party with the party. | 0:19:50 | 0:19:52 | |
# This is how we do it... # KNOCK AT DOOR | 0:19:52 | 0:19:56 | |
# This is how we do it. # | 0:19:56 | 0:19:59 | |
Oh... | 0:19:59 | 0:20:01 | |
Oh, shit, I totally thought you were Alison. | 0:20:01 | 0:20:04 | |
Have you looked in the mirror? | 0:20:04 | 0:20:06 | |
There's a thing on your head. | 0:20:06 | 0:20:07 | |
Shit, as they say, is completely sideways, Fee. | 0:20:07 | 0:20:11 | |
What do you need? | 0:20:11 | 0:20:13 | |
SHE LAUGHS AND SNORTS | 0:20:13 | 0:20:15 | |
-Ahh. -Crackers. | 0:20:15 | 0:20:16 | |
Hmm! What?! | 0:20:16 | 0:20:18 | |
Do you have any crackers? | 0:20:18 | 0:20:20 | |
How should I know, Charity? | 0:20:20 | 0:20:22 | |
-Why don't you check the cracker cupboard? -Alison. | 0:20:22 | 0:20:25 | |
Meera is talking. Where is Donnie? | 0:20:25 | 0:20:28 | |
Oh, my God. | 0:20:28 | 0:20:31 | |
-Why isn't he helping you with this? -He's tied up. | 0:20:31 | 0:20:34 | |
Ally, don't you dare cover for him, not again and not to me. | 0:20:34 | 0:20:37 | |
You know what I've been going through with Chad. | 0:20:37 | 0:20:39 | |
-AS BEASTIE BOY: -Hey, ladies! -Yes. -Incoming. | 0:20:39 | 0:20:42 | |
I am all over those sexy stretchies. | 0:20:42 | 0:20:43 | |
You been working your glutes again? | 0:20:43 | 0:20:45 | |
What's your programme? | 0:20:45 | 0:20:46 | |
Why is everybody asking me so many goddamn questions?! | 0:20:46 | 0:20:49 | |
Hello, neighbours! Your bartender's here. | 0:20:49 | 0:20:52 | |
I'm just going to have a quick word with our hostess | 0:20:52 | 0:20:54 | |
and then I'm going to be right back to, uh, top you up. | 0:20:54 | 0:20:56 | |
Yeah? Let's go. | 0:20:56 | 0:20:59 | |
It's a gay bartender. That's awesome. | 0:21:04 | 0:21:05 | |
Chad, shut your stupid mouth and feed the kids. | 0:21:05 | 0:21:08 | |
# All hands are in the air | 0:21:08 | 0:21:10 | |
# And wave them from here to there | 0:21:10 | 0:21:11 | |
# If you're an OG Mack or a wannabe player... # | 0:21:11 | 0:21:14 | |
-No. -Oh, no. | 0:21:14 | 0:21:18 | |
I screwed up, didn't I? | 0:21:18 | 0:21:20 | |
It's not Donnie, is it? It's not him. | 0:21:20 | 0:21:24 | |
But I whacked him, and it felt so good. | 0:21:24 | 0:21:26 | |
-Is he really in there? -Yeah, tied to a chair. | 0:21:26 | 0:21:29 | |
Oh, my God. | 0:21:29 | 0:21:31 | |
OK, I'll go handle the mess upstairs. | 0:21:31 | 0:21:33 | |
I tortured my husband, | 0:21:35 | 0:21:37 | |
I messed up my family, | 0:21:37 | 0:21:39 | |
and you're the only person I can talk to, | 0:21:39 | 0:21:42 | |
and you're just another version of me. | 0:21:42 | 0:21:44 | |
Come on. | 0:21:44 | 0:21:47 | |
I'm a horrible person. | 0:21:47 | 0:21:50 | |
-I'm not even a real person. -Of course you are. | 0:21:50 | 0:21:53 | |
Look, you stood up to all this, so far. | 0:21:53 | 0:21:55 | |
Mnh...mnh-mnh-mnh. | 0:21:57 | 0:22:00 | |
Alison, Donnie says that he got up | 0:22:00 | 0:22:03 | |
in the middle of the night to watch cricket. | 0:22:03 | 0:22:05 | |
Cricket? | 0:22:05 | 0:22:07 | |
Yeah. | 0:22:07 | 0:22:08 | |
Look, Paul's military. He's a professional. | 0:22:08 | 0:22:11 | |
-You've known Donnie since, what? -High school. | 0:22:11 | 0:22:14 | |
Right, high school, yeah? | 0:22:14 | 0:22:18 | |
So how could he be your monitor? | 0:22:18 | 0:22:20 | |
So he's just Donnie? | 0:22:20 | 0:22:22 | |
Eating, farting Donnie? | 0:22:22 | 0:22:25 | |
My monitor is probably one of those bitches upstairs. | 0:22:28 | 0:22:32 | |
Look, Alison, just... | 0:22:32 | 0:22:35 | |
Alison?! | 0:22:35 | 0:22:37 | |
SHE SNORES | 0:22:37 | 0:22:39 | |
I know. OK. I know, I know. | 0:22:54 | 0:22:55 | |
No, no, Neolution is not Eugenical. | 0:22:55 | 0:22:59 | |
OK, so what is it? Is it Utopian? | 0:22:59 | 0:23:01 | |
It's...Neotopian, maybe? | 0:23:01 | 0:23:03 | |
Cosima. Oh, my God, look. | 0:23:03 | 0:23:05 | |
There he is. | 0:23:05 | 0:23:08 | |
I would just love to meet him. | 0:23:08 | 0:23:10 | |
Come on. | 0:23:10 | 0:23:12 | |
OK. | 0:23:12 | 0:23:14 | |
What?! | 0:23:14 | 0:23:16 | |
-Hello. -Hi. | 0:23:18 | 0:23:20 | |
NO AUDIBLE DIALOGUE | 0:23:23 | 0:23:24 | |
THEY SPEAK FRENCH | 0:23:27 | 0:23:30 | |
Ah, c'est mon adversaire. | 0:23:30 | 0:23:33 | |
Oui. | 0:23:33 | 0:23:35 | |
You speak French. | 0:23:35 | 0:23:37 | |
Oui. I have a neurolingual chip. | 0:23:37 | 0:23:39 | |
Bullshit. | 0:23:39 | 0:23:41 | |
Good, a sceptic. | 0:23:41 | 0:23:44 | |
Neural implants are something we're exploring, however. | 0:23:44 | 0:23:46 | |
At the Dyad Institute. | 0:23:46 | 0:23:48 | |
-You've heard of us. -Yes. | 0:23:48 | 0:23:49 | |
Are they from the Dyad Institute? | 0:23:49 | 0:23:52 | |
Ah, my "Freaky Leekies", | 0:23:52 | 0:23:54 | |
as they've been dubbed in the media. | 0:23:54 | 0:23:57 | |
It was once asked what my perfect human would look like. | 0:23:57 | 0:23:59 | |
I offhandedly suggested silver-grey hair and one white eye. | 0:23:59 | 0:24:04 | |
Little did I know. | 0:24:04 | 0:24:06 | |
Well, I enjoyed your lecture very much. | 0:24:06 | 0:24:08 | |
-Oh, thank you so much. Thank you. -You know, I'm in immunology. | 0:24:08 | 0:24:11 | |
Mm. And you? | 0:24:11 | 0:24:14 | |
Um, Evo-devo, so, whenever somebody talks | 0:24:14 | 0:24:16 | |
about the future, I always say, "Show, don't tell." | 0:24:16 | 0:24:20 | |
I hope you'll give me the chance. | 0:24:20 | 0:24:23 | |
Please, have a look at our work at Dyad. | 0:24:26 | 0:24:30 | |
Adieu. | 0:24:30 | 0:24:32 | |
You are such a brat. | 0:24:34 | 0:24:37 | |
SHE CHUCKLES | 0:24:38 | 0:24:40 | |
GASPS: No! | 0:24:40 | 0:24:42 | |
Come on, let's get out of here. Come on! | 0:24:42 | 0:24:44 | |
MUSIC: "Lovefool" by The Cardigans | 0:24:44 | 0:24:46 | |
# Dear, I fear we're facing a problem | 0:24:46 | 0:24:50 | |
# You love me no longer, I know... # | 0:24:50 | 0:24:54 | |
Mmm! Alison. | 0:24:55 | 0:24:57 | |
Another pint of Chablis? | 0:24:57 | 0:24:58 | |
It's me, Fee. | 0:24:58 | 0:25:00 | |
Oh, shit. Sorry. | 0:25:00 | 0:25:02 | |
Code red. Alison just went down in a heap. | 0:25:02 | 0:25:04 | |
-No. -We need to get her life out of the fire, somehow. | 0:25:04 | 0:25:06 | |
OK. Listen, I think that I may have spotted her real monitor. | 0:25:06 | 0:25:10 | |
-What? -There. | 0:25:10 | 0:25:13 | |
-There you are. -Here I am. | 0:25:14 | 0:25:17 | |
What is with you? | 0:25:17 | 0:25:19 | |
-Hendrix! -Oh! Hey! | 0:25:19 | 0:25:21 | |
-Nobody finds that funny, Chad. -Whoa, whoa, easy! | 0:25:21 | 0:25:23 | |
-Just bouncing quarters here. -I've seen you before. | 0:25:23 | 0:25:26 | |
-Do you work at the Plaza? -Ha! I don't do plazas. | 0:25:26 | 0:25:30 | |
Oh, how do you two know each other? | 0:25:30 | 0:25:31 | |
Oh, um, because... | 0:25:31 | 0:25:33 | |
-He's, uh... -I'm her acting coach. | 0:25:33 | 0:25:36 | |
Felix. | 0:25:36 | 0:25:37 | |
Aynsley, from across the street. | 0:25:37 | 0:25:39 | |
You didn't tell me you were getting professional training, Ally. | 0:25:39 | 0:25:42 | |
Really? Hmm. | 0:25:42 | 0:25:44 | |
Aynsley, do you want red or white? | 0:25:44 | 0:25:47 | |
-What do you think? -Um... | 0:25:47 | 0:25:51 | |
# Love me, love me... # | 0:25:51 | 0:25:53 | |
You run so fast! Did we lose them? | 0:25:53 | 0:25:56 | |
Yes! OK, so let's steal some bikes and go bomb downtown. | 0:25:56 | 0:26:00 | |
-Oh, no, no, that's too much crime for me. -Oh, come on. | 0:26:00 | 0:26:03 | |
-I have a class to TA. -Oh, OK. All right. | 0:26:03 | 0:26:06 | |
-You know what's a very French thing to do? -What? | 0:26:06 | 0:26:10 | |
After a jogging like this, | 0:26:10 | 0:26:12 | |
we like to smoke a nice little cigarette. | 0:26:12 | 0:26:14 | |
-Did you say "a jogging"? -Yes. | 0:26:14 | 0:26:16 | |
-You did. OK, just checking. -You smoke? Do you want one? | 0:26:16 | 0:26:19 | |
-No, just pot for me. -Ooh, really? | 0:26:19 | 0:26:22 | |
-Yes, I'm from San Fran, so... -Ooh. | 0:26:22 | 0:26:24 | |
I am going to get you so baked one day. | 0:26:24 | 0:26:27 | |
Mm! | 0:26:27 | 0:26:29 | |
OK, one day. | 0:26:29 | 0:26:32 | |
OK. | 0:26:33 | 0:26:35 | |
It's, um, it's really nice to make a friend | 0:26:35 | 0:26:37 | |
in the Brave New World. | 0:26:37 | 0:26:40 | |
Yeah. | 0:26:40 | 0:26:42 | |
-I have to go. -OK, yeah. | 0:26:42 | 0:26:44 | |
-OK. -Ciao. | 0:26:49 | 0:26:51 | |
Bye. Ciao. | 0:26:51 | 0:26:52 | |
SHE SNORES | 0:27:04 | 0:27:06 | |
Mmm... | 0:27:11 | 0:27:13 | |
Donnie, sweetie, | 0:27:13 | 0:27:15 | |
I'm so sorry about all this. | 0:27:15 | 0:27:17 | |
Alison... | 0:27:20 | 0:27:22 | |
Please untie me. | 0:27:26 | 0:27:28 | |
I can't, until the party's over. | 0:27:28 | 0:27:31 | |
-TEARFULLY: -I bought mulled wine. | 0:27:31 | 0:27:33 | |
If I can help... | 0:27:33 | 0:27:36 | |
While you're down here, | 0:27:36 | 0:27:38 | |
I want you to really think about us, | 0:27:38 | 0:27:41 | |
what we've got, | 0:27:41 | 0:27:43 | |
with our house and our kids. | 0:27:43 | 0:27:46 | |
You don't want to lose that. | 0:27:46 | 0:27:49 | |
That is a really good look on you. | 0:28:07 | 0:28:09 | |
PHONE RINGS | 0:28:14 | 0:28:16 | |
Yeah? | 0:28:19 | 0:28:20 | |
-FELIX: -You need to come upstairs, now. | 0:28:20 | 0:28:22 | |
What's wrong? | 0:28:22 | 0:28:24 | |
Vic is here. | 0:28:24 | 0:28:26 | |
-Vic? -Yeah. | 0:28:26 | 0:28:29 | |
Hi, Sarah. | 0:28:29 | 0:28:30 | |
If you don't come upstairs, I'm going to start making friends, fast. | 0:28:30 | 0:28:33 | |
OK, fine. Er... | 0:28:33 | 0:28:35 | |
Not downstairs. | 0:28:35 | 0:28:37 | |
Upstairs bedroom, two minutes. | 0:28:37 | 0:28:39 | |
ALISON SNORTS | 0:29:14 | 0:29:16 | |
Mm... | 0:29:16 | 0:29:18 | |
Beth. | 0:29:23 | 0:29:24 | |
No scar. | 0:29:28 | 0:29:30 | |
Sarah. | 0:29:30 | 0:29:31 | |
-Oh! -Are you Sarah? | 0:29:31 | 0:29:33 | |
Mm... | 0:29:33 | 0:29:36 | |
Alison. | 0:29:36 | 0:29:37 | |
You want some of this? | 0:29:40 | 0:29:42 | |
Come to bed with me. | 0:29:42 | 0:29:45 | |
CLATTERING | 0:29:45 | 0:29:46 | |
-MUFFLED: -Ow! | 0:29:46 | 0:29:49 | |
Ow! Damn! | 0:29:49 | 0:29:51 | |
That's worse! | 0:29:51 | 0:29:53 | |
Ow! | 0:29:53 | 0:29:54 | |
Agh! | 0:29:54 | 0:29:56 | |
Ow! | 0:30:04 | 0:30:06 | |
MUFFLED SHOUTS | 0:30:18 | 0:30:20 | |
Look at all this shit. | 0:30:34 | 0:30:35 | |
Whoa! | 0:30:35 | 0:30:36 | |
A stroller and a latte and you could even fool me. | 0:30:38 | 0:30:41 | |
-You have five seconds, Vic. -Oh, yeah? Or what, | 0:30:41 | 0:30:43 | |
you're going to call neighbourhood watch? | 0:30:43 | 0:30:45 | |
-Neighbourhood watch! -Hey. Hey. Keep your voice down. | 0:30:45 | 0:30:48 | |
You and I have unfinished business. | 0:30:48 | 0:30:50 | |
Sit. | 0:30:50 | 0:30:51 | |
So, you faked your own death, so... | 0:30:53 | 0:30:57 | |
You could move on to a new scam, hmm? | 0:30:57 | 0:30:59 | |
Who are you now, Sarah? HE CHUCKLES | 0:30:59 | 0:31:02 | |
-Sarah, it must be so confusing. -You have no idea. | 0:31:02 | 0:31:06 | |
You've got your money, Vic, and then some. | 0:31:06 | 0:31:08 | |
Five measly grand doesn't cover my finger, | 0:31:08 | 0:31:10 | |
or my pain and suffering. | 0:31:10 | 0:31:12 | |
Whatever this scandal, I want a cut, | 0:31:12 | 0:31:14 | |
or I'm going to blow your whole charade wide open. | 0:31:14 | 0:31:16 | |
Let's move this along, yeah? | 0:31:16 | 0:31:17 | |
What's it going to take? | 0:31:17 | 0:31:19 | |
Look at them. Hey! | 0:31:19 | 0:31:20 | |
Could've been our kids. | 0:31:20 | 0:31:22 | |
Got the wrong room, pal. | 0:31:25 | 0:31:26 | |
You must be Vic. | 0:31:26 | 0:31:28 | |
Yeah. And you are? | 0:31:28 | 0:31:30 | |
Eh, eh, this is none of your business. | 0:31:30 | 0:31:32 | |
Am I talking to you?! | 0:31:32 | 0:31:33 | |
Whoa, whoa, whoa, whoa. HE WHISTLES | 0:31:33 | 0:31:35 | |
What's she done this time? | 0:31:35 | 0:31:37 | |
Ah, Sarah, Sarah, Sarah. | 0:31:37 | 0:31:38 | |
Hey, she works for me. You talk to me. | 0:31:38 | 0:31:40 | |
Oh, yeah, is that right? | 0:31:40 | 0:31:43 | |
-Whoa. -Eh, Vic. | 0:31:43 | 0:31:44 | |
-Whoa, whoa. OK. -All right, turn around. | 0:31:44 | 0:31:47 | |
Turn around! | 0:31:47 | 0:31:49 | |
Put your hands up. | 0:31:49 | 0:31:50 | |
What do you want, Vic? | 0:31:50 | 0:31:51 | |
Sarah and I have unfinished business. | 0:31:51 | 0:31:53 | |
I want a cut of the play. | 0:31:53 | 0:31:55 | |
I'm the taxman. | 0:31:55 | 0:31:57 | |
Can't you see we're right in the middle of it? | 0:31:57 | 0:31:59 | |
I appreciate that. | 0:31:59 | 0:32:00 | |
Got to wait on the line. | 0:32:00 | 0:32:01 | |
So can we go somewhere else, | 0:32:01 | 0:32:03 | |
before someone walks in, talk out in the garage? | 0:32:03 | 0:32:05 | |
Vic... | 0:32:05 | 0:32:08 | |
OK, after you two. | 0:32:08 | 0:32:10 | |
Aah! | 0:32:16 | 0:32:19 | |
Uh... | 0:32:19 | 0:32:20 | |
Ally, can we talk? | 0:32:20 | 0:32:22 | |
Excuse us, ma'am. You can talk inside. | 0:32:22 | 0:32:24 | |
-No, no, no, no... -We got this, Alison. | 0:32:24 | 0:32:26 | |
Alison. | 0:32:26 | 0:32:28 | |
Who was that? | 0:32:31 | 0:32:34 | |
Uh, wh-which one? | 0:32:34 | 0:32:36 | |
The impossibly handsome one, obviously. | 0:32:36 | 0:32:38 | |
Oh, a friend from university. | 0:32:38 | 0:32:40 | |
College. | 0:32:40 | 0:32:42 | |
-CRYING: -Oh, God, Ally, | 0:32:43 | 0:32:45 | |
I know you're sick of hearing about Chad. | 0:32:45 | 0:32:48 | |
Uh, no. | 0:32:49 | 0:32:51 | |
I think the asshole is having another affair. | 0:32:53 | 0:32:56 | |
Slowly, slowly. | 0:33:02 | 0:33:03 | |
OK, let's go. | 0:33:03 | 0:33:05 | |
Slowly, let's go. | 0:33:05 | 0:33:07 | |
Don't move. | 0:33:07 | 0:33:09 | |
Sit on the chair. | 0:33:09 | 0:33:11 | |
Let's go, buddy. Come on, go, sit! | 0:33:11 | 0:33:13 | |
Let's stand. | 0:33:13 | 0:33:15 | |
I'm not going to hurt you. | 0:33:15 | 0:33:17 | |
It's that slut from spinning class. | 0:33:24 | 0:33:27 | |
After he swore he'd never do it again. | 0:33:27 | 0:33:30 | |
Are people talking? | 0:33:30 | 0:33:31 | |
Has he said anything to Donnie? | 0:33:31 | 0:33:33 | |
-No. -No? | 0:33:33 | 0:33:35 | |
Not a word. | 0:33:35 | 0:33:36 | |
Um, every marriage has its little secrets. | 0:33:36 | 0:33:40 | |
We all have them. | 0:33:40 | 0:33:42 | |
I'm sorry. I know you and Donnie are going through things, too. | 0:33:42 | 0:33:45 | |
Hmm? | 0:33:45 | 0:33:47 | |
College friend. | 0:33:47 | 0:33:49 | |
I've, uh... I should get back to the party. | 0:33:49 | 0:33:51 | |
Your shirt. | 0:33:51 | 0:33:53 | |
What? | 0:33:53 | 0:33:54 | |
You've changed your shirt since the party started. | 0:33:54 | 0:33:58 | |
Oh, one of the kids must've spilt something on it. | 0:33:58 | 0:34:01 | |
One of the kids. | 0:34:01 | 0:34:04 | |
I should get back to the kitchen. | 0:34:04 | 0:34:06 | |
You're acting very strange. | 0:34:06 | 0:34:09 | |
I'm going to get to the bottom of it. | 0:34:09 | 0:34:12 | |
What do you want, man, huh? | 0:34:23 | 0:34:25 | |
I want you to tell me everything about her. | 0:34:25 | 0:34:27 | |
About Sarah? | 0:34:30 | 0:34:31 | |
What are you going to do with that? | 0:34:33 | 0:34:35 | |
Huh? | 0:34:35 | 0:34:37 | |
What are you going to do with that, buddy? | 0:34:37 | 0:34:40 | |
What's her last name? | 0:34:40 | 0:34:42 | |
Manning. Sarah Manning. | 0:34:42 | 0:34:44 | |
Does she have a twin sister? | 0:34:44 | 0:34:46 | |
What? | 0:34:46 | 0:34:47 | |
No, man, she doesn't have a twin. She's an orphan. | 0:34:47 | 0:34:51 | |
-Do you know Beth or Alison? -Who? | 0:34:51 | 0:34:54 | |
Listen, buddy. Calm down, OK? | 0:34:54 | 0:34:56 | |
Look, | 0:34:56 | 0:34:59 | |
I'm not trying to shake you down. | 0:34:59 | 0:35:01 | |
I'm in love with her. | 0:35:01 | 0:35:02 | |
I do crazy things for her. OK, OK! Calm down, man! | 0:35:02 | 0:35:06 | |
All right. Calm down, buddy. | 0:35:06 | 0:35:10 | |
Close the door, Sarah Manning. | 0:35:10 | 0:35:12 | |
Paul, | 0:35:15 | 0:35:17 | |
he doesn't have anything to do with this. | 0:35:17 | 0:35:19 | |
It's true, man. I swear to God. Listen to her. | 0:35:19 | 0:35:21 | |
Who's the woman on the couch inside? | 0:35:21 | 0:35:23 | |
Look, he doesn't know anything! | 0:35:23 | 0:35:24 | |
-Why is her husband tied to a chair? -Listen man, I swear to God, | 0:35:24 | 0:35:27 | |
I don't know anything. Sarah, could you please tell him? | 0:35:27 | 0:35:30 | |
Could you please call him off?! | 0:35:30 | 0:35:31 | |
-I don't know! -Be a man, Vic! -All right. | 0:35:31 | 0:35:34 | |
OK, I'm a man. | 0:35:34 | 0:35:35 | |
You are putting me in a very precarious position, Sarah. | 0:35:35 | 0:35:38 | |
I can't have any loose ends with this thing. | 0:35:38 | 0:35:41 | |
This guy seems like a very loose end. | 0:35:41 | 0:35:44 | |
He doesn't know anything, Paul! | 0:35:44 | 0:35:46 | |
Look, man, I don't want to die, all right? | 0:35:46 | 0:35:48 | |
Just calm down. Please, man. | 0:35:48 | 0:35:50 | |
Hey, Paul? I'll explain everything. | 0:35:50 | 0:35:52 | |
Beth, Alison... I'll tell you what's going on, just let him go. | 0:35:52 | 0:35:56 | |
OK, look! I swear to God, I'm not going to say a word. Not one word. | 0:35:56 | 0:35:59 | |
Sarah can you please do something, goddamn it?! | 0:35:59 | 0:36:01 | |
Look, look, I'll be honest with you, Paul! | 0:36:01 | 0:36:03 | |
Mommy? | 0:36:03 | 0:36:05 | |
Got you, Mommy! | 0:36:05 | 0:36:06 | |
-Hey, hey! Gemma, get out. -Mom... | 0:36:06 | 0:36:09 | |
Aah! Aaaaah! | 0:36:10 | 0:36:12 | |
Aggghhh! Ahh! | 0:36:12 | 0:36:15 | |
Aaah! | 0:36:15 | 0:36:17 | |
SHE SNORES | 0:36:23 | 0:36:24 | |
Quick siesta? | 0:36:33 | 0:36:35 | |
I don't feel so good. | 0:36:35 | 0:36:37 | |
OK. Let's get you to bed. | 0:36:37 | 0:36:39 | |
-Come on. -OK. | 0:36:39 | 0:36:41 | |
-That's it. -Whoops. | 0:36:42 | 0:36:44 | |
OK. | 0:36:44 | 0:36:46 | |
It's fine. Don't worry about it. | 0:36:50 | 0:36:52 | |
Move. | 0:36:57 | 0:36:59 | |
You and me end here, Vic. | 0:36:59 | 0:37:03 | |
Never come back. | 0:37:03 | 0:37:05 | |
Sarah, wait a minute... | 0:37:07 | 0:37:09 | |
Alison! | 0:37:12 | 0:37:14 | |
I just... Did you fly down here? | 0:37:14 | 0:37:16 | |
What? | 0:37:16 | 0:37:18 | |
I literally just put you to bed. | 0:37:18 | 0:37:20 | |
I-I got up. | 0:37:20 | 0:37:23 | |
Oh. We still haven't met. | 0:37:23 | 0:37:25 | |
I'm Aynsley from across the street. | 0:37:25 | 0:37:28 | |
-You're? -Just visiting. | 0:37:28 | 0:37:32 | |
Um, like I said, every... | 0:37:32 | 0:37:36 | |
marriage has its little secrets. | 0:37:36 | 0:37:39 | |
This one's between consenting adults. | 0:37:39 | 0:37:42 | |
No-one gets hurt. | 0:37:42 | 0:37:44 | |
Um, you know what? You're right. | 0:37:44 | 0:37:48 | |
This is none of my business. | 0:37:48 | 0:37:51 | |
SHE CHUCKLES | 0:37:55 | 0:37:57 | |
Time to go home. | 0:38:05 | 0:38:06 | |
Ahem... | 0:38:28 | 0:38:29 | |
Donnie... | 0:38:31 | 0:38:33 | |
about my little, um, breakdown... | 0:38:33 | 0:38:37 | |
No. No, no, no, it's my fault. | 0:38:37 | 0:38:41 | |
You're right... | 0:38:41 | 0:38:44 | |
You are the rock of this family. | 0:38:44 | 0:38:46 | |
I'm so sorry. | 0:38:49 | 0:38:51 | |
Of course you knew. | 0:38:51 | 0:38:53 | |
It wasn't just porn in my special box. | 0:38:53 | 0:38:58 | |
You remember Ginny Nusbaum? | 0:38:58 | 0:39:01 | |
From college? | 0:39:01 | 0:39:04 | |
I don't know how to say this... | 0:39:04 | 0:39:08 | |
but she and I had an affair once. | 0:39:08 | 0:39:11 | |
OK, twice, but you and I were broken up. | 0:39:11 | 0:39:15 | |
We traded letters for a few years after it ended... | 0:39:15 | 0:39:19 | |
Dirty talk, mostly... | 0:39:19 | 0:39:21 | |
Tsk. | 0:39:21 | 0:39:23 | |
Then, she got Lupus and I never heard from her again. | 0:39:23 | 0:39:28 | |
She got Lupus? | 0:39:28 | 0:39:29 | |
I don't know what happened to her. | 0:39:31 | 0:39:36 | |
I'm so sorry. I was just trying to hold on to something... | 0:39:36 | 0:39:38 | |
personal, something... | 0:39:38 | 0:39:42 | |
-SOBS: -I'm sorry. | 0:39:42 | 0:39:44 | |
-PAUL: -Drink? -Yeah. | 0:39:53 | 0:39:56 | |
Talk. | 0:40:00 | 0:40:01 | |
Clones. | 0:40:06 | 0:40:07 | |
Clones? | 0:40:14 | 0:40:15 | |
Well, we don't use the c-word. | 0:40:15 | 0:40:18 | |
That's Alison's rule. | 0:40:18 | 0:40:21 | |
But, yeah, we're genetic identicals. | 0:40:21 | 0:40:23 | |
Not triplets... | 0:40:23 | 0:40:26 | |
genetic identicals. | 0:40:26 | 0:40:28 | |
Yeah, we count nine of us, so far. | 0:40:28 | 0:40:30 | |
That's what you do, Paul, | 0:40:35 | 0:40:37 | |
that's why you were watching Beth. | 0:40:37 | 0:40:40 | |
You monitor human clones. | 0:40:40 | 0:40:43 | |
You should've just told me that in the first place. | 0:40:43 | 0:40:47 | |
Tiens. | 0:41:22 | 0:41:25 | |
Comment va-t'il? | 0:41:25 | 0:41:27 | |
Bien, je crois. | 0:41:27 | 0:41:30 | |
Subtitles by Red Bee Media Ltd | 0:41:45 | 0:41:48 |