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This programme contains some violent scenes | 0:00:02 | 0:00:05 | |
20 years ago the original genome was destroyed. | 0:00:05 | 0:00:07 | |
-These were Rachel's parents. -Susan and Ethan Duncan. | 0:00:07 | 0:00:09 | |
-They were geneticists. -ON TV: -'I love you too, Daddy.' | 0:00:09 | 0:00:11 | |
What are you scared for us to find out about Project LEDA? | 0:00:11 | 0:00:15 | |
I shot you! You were dead! | 0:00:15 | 0:00:18 | |
You ready to tell us what really happened with Helena? | 0:00:18 | 0:00:20 | |
I'm sick, Delphine. | 0:00:20 | 0:00:22 | |
I'm willing to disregard Rachel and proceed with the treatment. | 0:00:22 | 0:00:26 | |
-This was Daniel's gun. -What do you need me to do? | 0:00:26 | 0:00:29 | |
Felix will be charged with murder unless Rachel gets what she wants. | 0:00:29 | 0:00:33 | |
-You have until morning. -More riddles from your sister. | 0:00:33 | 0:00:36 | |
-This matches the coordinates. -This is Maggie Chen's locker. | 0:00:36 | 0:00:39 | |
She must have used it as a drop for information for Helena. | 0:00:39 | 0:00:42 | |
"Swan Man." | 0:00:42 | 0:00:44 | |
Professor Ethan Duncan, alive. It's vital my brother goes free. | 0:00:44 | 0:00:48 | |
-I can buy you three days. -Only you can help me find Swan Man. | 0:00:48 | 0:00:51 | |
-Where are we going? -Cold River. | 0:00:51 | 0:00:53 | |
-What's that? A town? -A place of screams. | 0:00:53 | 0:00:57 | |
You've got an iron gut, haven't you? | 0:01:13 | 0:01:15 | |
I only ate half. | 0:01:18 | 0:01:20 | |
No, thank you. | 0:01:22 | 0:01:24 | |
You have to eat, Sarah. | 0:01:24 | 0:01:26 | |
So, your Cold River, | 0:01:28 | 0:01:30 | |
it's not on the map. Where is it? | 0:01:30 | 0:01:32 | |
That would spoil the surprise. | 0:01:32 | 0:01:34 | |
Why don't you just tell me where Duncan is? | 0:01:34 | 0:01:37 | |
We can take him to Leekie. | 0:01:37 | 0:01:39 | |
If you knew where Swan Man was, you would leave me behind. | 0:01:39 | 0:01:42 | |
-Sestra? -Yeah? | 0:01:46 | 0:01:48 | |
If you have Kira, | 0:01:48 | 0:01:50 | |
and we are twins, | 0:01:50 | 0:01:53 | |
could I have babies too? | 0:01:53 | 0:01:56 | |
Why? | 0:01:56 | 0:01:58 | |
I'm very good with children. | 0:01:58 | 0:02:01 | |
You said the Proletheans did something to you. | 0:02:05 | 0:02:08 | |
Something about... Married? | 0:02:08 | 0:02:11 | |
What happened? | 0:02:13 | 0:02:15 | |
I don't know. | 0:02:17 | 0:02:18 | |
I've had a fever. | 0:02:18 | 0:02:21 | |
-Kira is lucky. -Why is that? | 0:02:26 | 0:02:28 | |
You are a good mother. | 0:02:28 | 0:02:30 | |
Mm, I don't really think so. | 0:02:30 | 0:02:32 | |
There's somebody here. | 0:02:35 | 0:02:37 | |
What? | 0:02:37 | 0:02:39 | |
Ruff! Ruff! Look, look. | 0:02:41 | 0:02:44 | |
He likes you. | 0:02:44 | 0:02:46 | |
He likes you. | 0:02:46 | 0:02:48 | |
SMOOCH | 0:02:48 | 0:02:50 | |
Ew! | 0:02:52 | 0:02:53 | |
Gross. | 0:02:53 | 0:02:55 | |
Go to sleep, weirdo. | 0:02:55 | 0:02:57 | |
We've got an early start. | 0:02:57 | 0:02:59 | |
Don't let the bedbugs bite. | 0:03:07 | 0:03:10 | |
SHE BREAKS WIND | 0:03:20 | 0:03:21 | |
Excuse me. | 0:03:21 | 0:03:23 | |
Piss off! | 0:03:23 | 0:03:24 | |
God, you act like you've never been in a car before. | 0:04:31 | 0:04:34 | |
I've never been on road trip, | 0:04:34 | 0:04:37 | |
only told where to go and what to do. | 0:04:37 | 0:04:39 | |
VARIOUS RADIO STATIONS PLAY | 0:04:39 | 0:04:41 | |
Can you just... | 0:04:43 | 0:04:46 | |
pick a station, please? | 0:04:46 | 0:04:48 | |
# Sugar... # | 0:04:53 | 0:04:55 | |
RADIO OFF Not happening. | 0:04:55 | 0:04:57 | |
RADIO ON Oh, for... | 0:04:57 | 0:05:00 | |
# You are my candy girl | 0:05:00 | 0:05:04 | |
# And you've got me wanting you. # | 0:05:04 | 0:05:07 | |
Well, this must have been | 0:05:07 | 0:05:08 | |
a huge hit with the nuns in Ukraine(!) | 0:05:08 | 0:05:11 | |
Yes. Super Sunshine Kids. | 0:05:11 | 0:05:13 | |
# You are my candy girl | 0:05:15 | 0:05:19 | |
# And you got me wanting you... # | 0:05:19 | 0:05:22 | |
Are you going to sing the whole way? | 0:05:22 | 0:05:24 | |
# I just can't believe the loving and... | 0:05:24 | 0:05:28 | |
# Uh, I just can't believe it's you | 0:05:28 | 0:05:31 | |
# Oh, honey... # | 0:05:31 | 0:05:33 | |
Stop, please. | 0:05:33 | 0:05:34 | |
# Oh, sug... Honey | 0:05:34 | 0:05:36 | |
-OUT OF TUNE: -# You are my candy girl | 0:05:38 | 0:05:41 | |
# And you've got me wanting you... # | 0:05:41 | 0:05:44 | |
Oh, my God! Helena, stop, please! | 0:05:44 | 0:05:46 | |
# Oh, honey! # | 0:05:46 | 0:05:47 | |
There's no sign of inflammation. | 0:05:51 | 0:05:53 | |
Are you OK? No pain? | 0:05:53 | 0:05:55 | |
It's fine. | 0:05:55 | 0:05:57 | |
It's promising. | 0:05:57 | 0:05:59 | |
Hey, contain yourself, please. | 0:06:00 | 0:06:02 | |
Sarah is scared now of getting sick too, | 0:06:02 | 0:06:05 | |
her and Kira, as if she needed anything else to worry about. | 0:06:05 | 0:06:08 | |
You have to tell them eventually. | 0:06:08 | 0:06:10 | |
Yeah, but I wanted to have some answers, you know? | 0:06:10 | 0:06:12 | |
Give them something, not just more crappy news. | 0:06:12 | 0:06:14 | |
You can offer hope. If these results | 0:06:14 | 0:06:16 | |
stay positive, we move to implantation. | 0:06:16 | 0:06:18 | |
Stem cells from the exfoliated dental pulp of baby teeth | 0:06:18 | 0:06:21 | |
in my uterus. That's not invasive at all(!) | 0:06:21 | 0:06:25 | |
Come on. | 0:06:27 | 0:06:28 | |
How do you even know this is a match? | 0:06:30 | 0:06:33 | |
The odds of compatibility are like a million to one. | 0:06:33 | 0:06:36 | |
Luckily, we only had to search | 0:06:36 | 0:06:37 | |
thousands of samples before we found it. There are benefits to being a multinational. | 0:06:37 | 0:06:41 | |
Oh, pauvre petit chou. | 0:06:45 | 0:06:46 | |
You're the puppy. | 0:06:46 | 0:06:48 | |
PHONE RINGS | 0:06:48 | 0:06:51 | |
Dr Cormier. | 0:06:53 | 0:06:56 | |
Who? | 0:06:58 | 0:06:59 | |
Hey, Scott. | 0:07:00 | 0:07:02 | |
-Cosima, hey. -Hi. | 0:07:02 | 0:07:04 | |
-What are you doing here? -I can't believe it either. | 0:07:04 | 0:07:06 | |
Dr Leekie personally approved my application. | 0:07:06 | 0:07:09 | |
Did you know about this? | 0:07:09 | 0:07:12 | |
Well, we need a sequencing tech, | 0:07:12 | 0:07:14 | |
and you said he was the best. | 0:07:14 | 0:07:17 | |
OK, one sec. | 0:07:17 | 0:07:19 | |
Delphine, we can't involve him in this. | 0:07:19 | 0:07:23 | |
-That's crazy. -Well, he is involved. | 0:07:23 | 0:07:25 | |
-You gave him your samples. -Yeah, | 0:07:25 | 0:07:27 | |
but he doesn't know that. | 0:07:27 | 0:07:29 | |
Look, he found your synthetic sequence, | 0:07:29 | 0:07:30 | |
and we need an expert we can trust on examining that. | 0:07:30 | 0:07:34 | |
Hey, sorry, we're not hiring right now. | 0:07:38 | 0:07:40 | |
-But... -No. | 0:07:40 | 0:07:42 | |
-Cosima... -I know about the clones. | 0:07:42 | 0:07:44 | |
I thought stealing from my kids was rock bottom, | 0:07:49 | 0:07:52 | |
till I, uh, blew my dealer in a bus station bathroom. | 0:07:52 | 0:07:56 | |
It's pretty much get clean or die trying after that. | 0:07:56 | 0:07:59 | |
21 days, Gus. | 0:07:59 | 0:08:01 | |
You're stronger than you think. | 0:08:01 | 0:08:03 | |
Alison. | 0:08:07 | 0:08:09 | |
Me? | 0:08:09 | 0:08:11 | |
No, thank you. I'm going to sit this one out. | 0:08:11 | 0:08:14 | |
No, you won't. You're up. | 0:08:14 | 0:08:16 | |
I'm just here for my kids. | 0:08:16 | 0:08:18 | |
And I'm sorry that I ruined the play with my drinking. | 0:08:22 | 0:08:25 | |
Alison, it's not about sorry. | 0:08:25 | 0:08:28 | |
It's about taking responsibility. | 0:08:28 | 0:08:30 | |
Well, I'm not an actual drunk, am I? | 0:08:30 | 0:08:33 | |
KNOCK ON DOOR | 0:08:33 | 0:08:35 | |
Sorry, I'm so sorry. | 0:08:35 | 0:08:36 | |
Back from the world. | 0:08:36 | 0:08:38 | |
-How was the specialist, Victor? -Whew! Doc offers me oxy. | 0:08:38 | 0:08:42 | |
I was like, "No, thanks." | 0:08:42 | 0:08:44 | |
So he offers me a local, and I'm like, "Mm-mmm." | 0:08:44 | 0:08:47 | |
Then he gets to poking | 0:08:47 | 0:08:49 | |
and snipping at the stump. | 0:08:49 | 0:08:51 | |
Pain like a tidal wave. But... Thank you, Lord. | 0:08:51 | 0:08:55 | |
I just didn't cave. | 0:08:55 | 0:08:58 | |
Just don't confuse suffering | 0:08:58 | 0:09:00 | |
with healing, Victor. | 0:09:00 | 0:09:02 | |
Victor. | 0:09:04 | 0:09:06 | |
Yeah, no, I don't want that, for sure. | 0:09:06 | 0:09:09 | |
All right, let's talk Family Day. | 0:09:09 | 0:09:11 | |
MUSIC PLAYS | 0:09:12 | 0:09:14 | |
KNOCK ON DOOR | 0:09:16 | 0:09:20 | |
MUSIC STOPS | 0:09:35 | 0:09:36 | |
-Oi! -Whoa! | 0:09:36 | 0:09:37 | |
-Whoa! -Jesus Christ! | 0:09:37 | 0:09:40 | |
-Get out. Piss off. -Sarah told me to check on you. | 0:09:40 | 0:09:43 | |
That's so thoughtful. Oh, my lord, | 0:09:43 | 0:09:45 | |
that really takes the sting out of being | 0:09:45 | 0:09:47 | |
-framed for murder(!) -OK, I think | 0:09:47 | 0:09:49 | |
-you've had enough. Come on. -Yeah, | 0:09:49 | 0:09:51 | |
I've had enough. My love life's a shambles, | 0:09:51 | 0:09:54 | |
and I've been demoted from | 0:09:54 | 0:09:55 | |
baby-sitter to bargaining chip, so you're right, Arthur. | 0:09:55 | 0:09:58 | |
-I've had enough. -OK, all right, all right, | 0:09:58 | 0:10:00 | |
come on. Bedtime. | 0:10:00 | 0:10:02 | |
Arthur, you beast. | 0:10:02 | 0:10:04 | |
I'm not even taking any new clients. | 0:10:04 | 0:10:06 | |
-Yeah? -Yeah. | 0:10:06 | 0:10:08 | |
Then how about you take your hand off my ass? | 0:10:08 | 0:10:10 | |
OK, everyone, that's it. See you next week. | 0:10:14 | 0:10:16 | |
Hey, whoa, whoa, whoa. | 0:10:16 | 0:10:18 | |
-We need to talk. -I'm not Sarah. | 0:10:20 | 0:10:23 | |
And I'm not stupid. You... | 0:10:23 | 0:10:24 | |
Take care, man. | 0:10:24 | 0:10:26 | |
You're the one that maced me in the parking lot. | 0:10:26 | 0:10:28 | |
Right? | 0:10:28 | 0:10:30 | |
What are you, twins? | 0:10:32 | 0:10:34 | |
We're clones, Victor. What do you think of that? | 0:10:34 | 0:10:38 | |
Fine. | 0:10:38 | 0:10:40 | |
You don't want to tell me, | 0:10:40 | 0:10:41 | |
it's all outside those walls anyway. | 0:10:41 | 0:10:43 | |
In all honesty, that face is the last thing that I ever wanted to see again. | 0:10:43 | 0:10:46 | |
-Good. Then leave me alone. -But... | 0:10:46 | 0:10:49 | |
I can't help but think that the Godhead has put you here to test me. | 0:10:49 | 0:10:52 | |
-The Godhead? -Yeah. | 0:10:52 | 0:10:54 | |
Oh, my God. Please just | 0:10:54 | 0:10:58 | |
let me eat my humble pie in peace. | 0:10:58 | 0:11:00 | |
Thank you. | 0:11:00 | 0:11:02 | |
This isn't Cold River, Helena. | 0:11:11 | 0:11:13 | |
The church. Is this is where Duncan is? | 0:11:16 | 0:11:19 | |
Where he was last seen. | 0:11:19 | 0:11:20 | |
Ah. | 0:11:20 | 0:11:22 | |
Maggie tracked him here. | 0:11:22 | 0:11:24 | |
Now we follow his trail, | 0:11:27 | 0:11:28 | |
-yes? -Oh, no, no, no. No, you | 0:11:28 | 0:11:31 | |
are staying in the car. Don't cause any trouble. | 0:11:31 | 0:11:34 | |
-Can I have radio? -No, Helena, | 0:11:34 | 0:11:36 | |
just... Don't do anything. Please. | 0:11:36 | 0:11:40 | |
Can I help you with anything? | 0:12:26 | 0:12:28 | |
Uh... | 0:12:28 | 0:12:29 | |
What is this place? I've seen it before. | 0:12:29 | 0:12:33 | |
That's the Cold River Institute. | 0:12:33 | 0:12:35 | |
Cold River. | 0:12:35 | 0:12:36 | |
Yes. It was shut down in the '70s. | 0:12:36 | 0:12:39 | |
What's your interest in it? | 0:12:39 | 0:12:40 | |
Have you ever seen this man? | 0:12:43 | 0:12:45 | |
Mr Peckham. | 0:12:45 | 0:12:47 | |
He's been here a few times to look at the archives. | 0:12:47 | 0:12:49 | |
-I'd like to see the archives. -Uh, no. | 0:12:49 | 0:12:53 | |
I think they're best left alone. | 0:12:53 | 0:12:55 | |
Oh, I'm a student of his. | 0:12:55 | 0:12:59 | |
It's for my thesis. | 0:12:59 | 0:13:02 | |
A 36 base pair variation in identical samples? | 0:13:23 | 0:13:26 | |
Didn't make sense. But then you guys started asking | 0:13:26 | 0:13:29 | |
about genetic patents, so I was like, | 0:13:29 | 0:13:31 | |
"Encoded marker tags. Duh." | 0:13:31 | 0:13:35 | |
Anyway... Uh, | 0:13:35 | 0:13:37 | |
identical genomes with markers and embedded patents | 0:13:37 | 0:13:40 | |
had to be clones. | 0:13:40 | 0:13:42 | |
So... | 0:13:42 | 0:13:45 | |
Can I see one? | 0:13:45 | 0:13:46 | |
You want to see a clone? | 0:13:46 | 0:13:49 | |
Yeah. | 0:13:49 | 0:13:51 | |
Let's... Take it | 0:13:51 | 0:13:53 | |
one step at a time. | 0:13:53 | 0:13:55 | |
# I had no trouble finding a friend | 0:13:57 | 0:14:01 | |
# When I was abroad | 0:14:01 | 0:14:03 | |
# I'd wander for miles and miles | 0:14:06 | 0:14:11 | |
# And every face gave me a smile... # | 0:14:11 | 0:14:15 | |
Starting early, huh? Better pace yourself. | 0:14:15 | 0:14:19 | |
I'm on vacation. | 0:14:19 | 0:14:22 | |
Do you want to join us? | 0:14:26 | 0:14:27 | |
We're nicer than we look. | 0:14:27 | 0:14:30 | |
I think you bad goat. | 0:14:30 | 0:14:33 | |
-Meh! -Are you being rude, | 0:14:33 | 0:14:36 | |
you little skank? I'm not quite sure | 0:14:36 | 0:14:39 | |
I heard what you said. | 0:14:39 | 0:14:41 | |
-Agh! Jeez! You broke my finger! -Don't be baby. I only sprain. | 0:14:41 | 0:14:45 | |
-Next one I break. -You know what? | 0:14:45 | 0:14:47 | |
Hey, hey, let her be, Carl. | 0:14:47 | 0:14:49 | |
-Carl. -Move it, Jesse. She just... | 0:14:49 | 0:14:51 | |
Made herself clear. | 0:14:51 | 0:14:53 | |
Crazy bitch! | 0:14:56 | 0:14:57 | |
Sorry about that, ma'am. | 0:15:01 | 0:15:03 | |
Miller and pork rind. | 0:15:03 | 0:15:05 | |
Sure thing. | 0:15:05 | 0:15:06 | |
There you go. | 0:15:07 | 0:15:09 | |
White Russian? | 0:15:13 | 0:15:15 | |
Pork rind? | 0:15:23 | 0:15:25 | |
When the institution was torn down, | 0:15:39 | 0:15:42 | |
we moved the records here for their historical value. | 0:15:42 | 0:15:44 | |
Sometimes I wish we'd burned the lot. | 0:15:44 | 0:15:48 | |
Your professor was poking around in this section. | 0:15:48 | 0:15:51 | |
-1910, 1920. -Early years. | 0:15:51 | 0:15:55 | |
But the institute was active a lot longer than most people think. | 0:15:55 | 0:15:58 | |
Could you? | 0:16:01 | 0:16:02 | |
What you see here won't leave you. | 0:16:07 | 0:16:10 | |
Yeah, I get that feeling. | 0:16:10 | 0:16:12 | |
You said you'd bring the kids. | 0:16:14 | 0:16:17 | |
I will. | 0:16:17 | 0:16:18 | |
On Family Day. | 0:16:18 | 0:16:20 | |
I wanted to see them today. | 0:16:20 | 0:16:22 | |
Well, Alison, until you start taking this place seriously, | 0:16:22 | 0:16:25 | |
I don't think it's a good environment for them. | 0:16:25 | 0:16:27 | |
As if I'm the one who should be in here proving myself. | 0:16:27 | 0:16:29 | |
And what does that mean? | 0:16:29 | 0:16:30 | |
It means, Donnie, that once this is all over, you'll have nowhere to hide. | 0:16:30 | 0:16:34 | |
OK, you know what? Now you're threatening me... | 0:16:34 | 0:16:37 | |
I'm not actually making threats. And if you show up here | 0:16:37 | 0:16:40 | |
without my kids again, I will cut off your dangly balls! | 0:16:40 | 0:16:42 | |
Hey, you guys all good? | 0:16:42 | 0:16:44 | |
-Sorry? -Anger is a tool, | 0:16:47 | 0:16:50 | |
and we use it on problems, not people. | 0:16:50 | 0:16:52 | |
She's working on this a lot harder than you'd think. | 0:16:52 | 0:16:55 | |
Don't. | 0:16:57 | 0:16:59 | |
Well, I hope he's right, honey. We'll see you on Family Day. | 0:16:59 | 0:17:03 | |
Fine. | 0:17:03 | 0:17:04 | |
CLANG | 0:17:17 | 0:17:19 | |
CLANGING AND CREAKING | 0:17:26 | 0:17:28 | |
Oh... God. | 0:17:35 | 0:17:37 | |
Bollocks. | 0:17:37 | 0:17:39 | |
Why are you still here? | 0:17:41 | 0:17:43 | |
Is that coffee? | 0:17:46 | 0:17:47 | |
Jesus, you're the best date I've had in ages. | 0:17:49 | 0:17:52 | |
Holy shit. He's moved in. | 0:17:53 | 0:17:56 | |
Helena's storage locker was a gold mine. | 0:17:56 | 0:18:00 | |
I need your help. | 0:18:00 | 0:18:01 | |
Are you serious? | 0:18:01 | 0:18:03 | |
God, this shit's like pure nightmare fuel. | 0:18:05 | 0:18:08 | |
Oi. | 0:18:10 | 0:18:11 | |
-I don't understand any of this. -Well, welcome to the party. | 0:18:11 | 0:18:15 | |
Come on! We've got to put it all together. | 0:18:15 | 0:18:17 | |
I know all about you. | 0:18:41 | 0:18:43 | |
Felix told me all about Vic the Dick. | 0:18:44 | 0:18:46 | |
-Yeah, I'm sure he did. -I know you were abusive to Sarah. | 0:18:46 | 0:18:50 | |
And that you attacked me in a parking lot. | 0:18:50 | 0:18:53 | |
Yeah, I was in a lot of pain. | 0:18:54 | 0:18:56 | |
But I'm walking the path of the Buddha now... | 0:18:56 | 0:18:58 | |
Oh, would you quit it with the Buddha business? | 0:18:58 | 0:19:00 | |
You're here for your kids, right? | 0:19:00 | 0:19:03 | |
Yes, why else would I be here? | 0:19:03 | 0:19:05 | |
Sure(!) | 0:19:05 | 0:19:06 | |
OK. I'm a...bottle hider. | 0:19:06 | 0:19:13 | |
Why do I have to admit that to a bunch of drug losers? | 0:19:14 | 0:19:18 | |
You don't have to admit it, but you will realise | 0:19:18 | 0:19:20 | |
that sober smackheads are the best listeners, so... | 0:19:20 | 0:19:22 | |
I feel like I'm in the prison yard. | 0:19:25 | 0:19:27 | |
THEY LAUGH | 0:19:27 | 0:19:29 | |
Aw. Terrible. | 0:19:38 | 0:19:40 | |
In Ukraine, I was police detective. | 0:19:46 | 0:19:49 | |
I shot many criminals. | 0:19:49 | 0:19:51 | |
Ukraine, huh? | 0:19:51 | 0:19:54 | |
Phew... I've never been further than Sioux Falls myself. | 0:19:54 | 0:19:57 | |
Then I was brilliant scientist. But I quit to be with my family. | 0:19:57 | 0:20:02 | |
Oh, come on. Don't tell me you're spoken for. | 0:20:02 | 0:20:05 | |
The worst, after rehab, drinking problems. | 0:20:05 | 0:20:10 | |
But now I am...with my sestra, | 0:20:10 | 0:20:14 | |
having adventures. | 0:20:14 | 0:20:16 | |
You sure have led a life, huh? | 0:20:17 | 0:20:19 | |
I wonder how a simple guy | 0:20:19 | 0:20:21 | |
like me keeps a girl like you in a place like this. | 0:20:21 | 0:20:24 | |
You'd have to be very strong. | 0:20:26 | 0:20:28 | |
No... Oh! | 0:20:31 | 0:20:33 | |
Aw! God! | 0:20:33 | 0:20:35 | |
Here. | 0:20:35 | 0:20:38 | |
You're good. | 0:20:42 | 0:20:44 | |
I didn't even notice you on their tail till last night. | 0:20:44 | 0:20:47 | |
Special forces? | 0:20:47 | 0:20:49 | |
JTF2? | 0:20:49 | 0:20:50 | |
Boy Scouts. Yep. | 0:20:50 | 0:20:53 | |
But I never met a real Prolethean before. | 0:20:53 | 0:20:56 | |
I expect Dyad sent you after the other one. | 0:20:56 | 0:20:59 | |
Are you waiting till she drinks herself senseless, | 0:20:59 | 0:21:01 | |
-or for the bar to clear out? -Just letting her enjoy herself a bit. | 0:21:01 | 0:21:05 | |
-She's a miracle, I'm told. -Well, whatever she is, | 0:21:05 | 0:21:08 | |
she's not worth dying for. | 0:21:08 | 0:21:10 | |
Is yours? | 0:21:11 | 0:21:12 | |
'You know, good intentions, bad science. | 0:21:14 | 0:21:17 | |
-'Sound familiar?' -Not really. | 0:21:17 | 0:21:19 | |
-Should it? -'Yeah. | 0:21:19 | 0:21:21 | |
'Project LEDA. I mean, Cold River is, like,' | 0:21:21 | 0:21:24 | |
the perfect ideological breeding ground | 0:21:24 | 0:21:26 | |
for a nature-nurture cloning fiasco. | 0:21:26 | 0:21:28 | |
Well, they did a shite job breeding us, didn't they? | 0:21:28 | 0:21:31 | |
'Well, science is what scientists do, Sarah.' | 0:21:31 | 0:21:34 | |
You know, nobody's got any idea. We're just, | 0:21:34 | 0:21:38 | |
poking at things with sticks. | 0:21:38 | 0:21:40 | |
Are you going to be all right, Cosima? | 0:21:43 | 0:21:46 | |
Yeah, of course. | 0:21:48 | 0:21:50 | |
Honestly. Honestly. | 0:21:51 | 0:21:53 | |
We just... We just started testing with, um, | 0:21:53 | 0:21:55 | |
a new stem cell match, actually. | 0:21:55 | 0:21:57 | |
'I don't know what that means.' | 0:21:57 | 0:21:59 | |
It's promising. | 0:22:01 | 0:22:03 | |
I can't do this without you. | 0:22:06 | 0:22:08 | |
Yeah, obviously. | 0:22:10 | 0:22:12 | |
I'm the geek monkey. | 0:22:13 | 0:22:15 | |
Yes, you are. | 0:22:17 | 0:22:19 | |
'Hey, when I get back, we're going to get Alison out of rehab.' | 0:22:19 | 0:22:21 | |
I know. Yeah, definitely. | 0:22:21 | 0:22:24 | |
We're stronger together. | 0:22:24 | 0:22:26 | |
-'Go figure.' -Hold on. | 0:22:26 | 0:22:29 | |
Cambridge Biology Delegation. | 0:22:29 | 0:22:30 | |
'Hmm?' | 0:22:30 | 0:22:32 | |
Duncan was at Cold River. | 0:22:33 | 0:22:36 | |
You know what? | 0:22:42 | 0:22:44 | |
You...have real pretty eyes. | 0:22:44 | 0:22:47 | |
You...have a nice hat. | 0:22:47 | 0:22:50 | |
Very nice red face. | 0:22:50 | 0:22:53 | |
Oh! No! | 0:22:53 | 0:22:54 | |
Damn! Oh, all right. | 0:22:55 | 0:22:58 | |
-All right, tie breaker. -OK. | 0:23:03 | 0:23:05 | |
-Let's do this. -Real challenge, please. | 0:23:05 | 0:23:07 | |
Wait, wait, wait, wait. | 0:23:12 | 0:23:14 | |
# Crazy | 0:23:14 | 0:23:17 | |
# That's what they call me... # | 0:23:18 | 0:23:21 | |
May I? | 0:23:23 | 0:23:25 | |
# Walk along the razor's edge | 0:23:25 | 0:23:29 | |
# Into black and back again | 0:23:29 | 0:23:35 | |
# Crazy | 0:23:35 | 0:23:38 | |
# That's what they tell me | 0:23:39 | 0:23:44 | |
# No-one's heard a word I've said | 0:23:46 | 0:23:51 | |
# You've got me hanging by a thread... # | 0:23:51 | 0:23:55 | |
Sarah's off the table, so how about you take your girl | 0:23:55 | 0:23:58 | |
and I'll take mine? | 0:23:58 | 0:24:00 | |
No bloodshed? | 0:24:00 | 0:24:02 | |
Your boss is happy, so are mine. | 0:24:02 | 0:24:06 | |
# There's nothing I can say to change the past | 0:24:08 | 0:24:13 | |
# Tell me, what is life without a chance? | 0:24:13 | 0:24:18 | |
# Crazy | 0:24:18 | 0:24:20 | |
# You think you can save me | 0:24:22 | 0:24:26 | |
# You can't even save yourself | 0:24:28 | 0:24:34 | |
# It's you I want and not your health | 0:24:34 | 0:24:40 | |
# Crazy | 0:24:40 | 0:24:47 | |
# There's nothing I can say to change the past | 0:24:49 | 0:24:53 | |
# Tell me, what is life without a chance...? # | 0:24:53 | 0:24:58 | |
-I'm cuttin' in. -Carl. Come on, Carl. | 0:24:58 | 0:25:01 | |
-I already told you! -Oh! | 0:25:01 | 0:25:04 | |
Agh! | 0:25:04 | 0:25:07 | |
Agh! | 0:25:07 | 0:25:09 | |
Agh! | 0:25:09 | 0:25:12 | |
Aaagh! | 0:25:12 | 0:25:14 | |
-Hey! Hey! -Agh! | 0:25:16 | 0:25:18 | |
Good luck with that, kid. | 0:25:23 | 0:25:24 | |
There were some patient histories missing, | 0:25:30 | 0:25:34 | |
-some files missing. -Pilfering. | 0:25:34 | 0:25:36 | |
Another reason why I try to keep them locked up. | 0:25:36 | 0:25:39 | |
You think it was my professor? | 0:25:39 | 0:25:41 | |
Mr Peckham? I don't think so, no. | 0:25:41 | 0:25:44 | |
A woman came in after him, | 0:25:44 | 0:25:46 | |
maybe another student friend of yours. | 0:25:46 | 0:25:48 | |
Uh... Margaret? | 0:25:48 | 0:25:50 | |
Asian? 40s? | 0:25:50 | 0:25:52 | |
Yes. | 0:25:52 | 0:25:54 | |
Maggie Chen. | 0:25:54 | 0:25:55 | |
-In the eye. -Roy. Hey, come on. Roy! | 0:25:55 | 0:25:59 | |
-Come on. -Roy! | 0:25:59 | 0:26:01 | |
Roy, pl... Come on, man. She didn't do nothing! | 0:26:01 | 0:26:04 | |
I want my boyfriend. | 0:26:04 | 0:26:06 | |
Roy! Roy! | 0:26:06 | 0:26:08 | |
Sestra. | 0:26:21 | 0:26:23 | |
I want my boyfriend. | 0:26:31 | 0:26:33 | |
-Where is Jesse? -No idea. | 0:26:33 | 0:26:35 | |
But those guys you beat up | 0:26:35 | 0:26:37 | |
-aren't pressing charges. -Good. So I continue my holiday. | 0:26:37 | 0:26:41 | |
Yeah, as soon as the paperwork's done. | 0:26:41 | 0:26:44 | |
Your, uh, sister is here. | 0:26:44 | 0:26:46 | |
Sister. | 0:26:49 | 0:26:51 | |
It's good to see you. | 0:26:54 | 0:26:56 | |
You tried to kill me. | 0:26:59 | 0:27:00 | |
Yes. | 0:27:02 | 0:27:03 | |
My father and I, we don't... | 0:27:05 | 0:27:07 | |
we don't always see eye to eye, so... | 0:27:07 | 0:27:10 | |
He sewed you silent. | 0:27:10 | 0:27:12 | |
Your lips. I had this | 0:27:12 | 0:27:15 | |
also once. It will heal. | 0:27:15 | 0:27:18 | |
Helena... | 0:27:19 | 0:27:20 | |
We want you to come back. | 0:27:21 | 0:27:23 | |
I have my sestra now. She needs me. | 0:27:23 | 0:27:26 | |
She's not coming back for you. | 0:27:26 | 0:27:28 | |
Helena... | 0:27:31 | 0:27:33 | |
We want to take you to your children. | 0:27:36 | 0:27:38 | |
You took my babies from inside me. | 0:27:40 | 0:27:43 | |
Your eggs. | 0:27:43 | 0:27:45 | |
My father, he... | 0:27:45 | 0:27:47 | |
He made them whole for you. | 0:27:47 | 0:27:49 | |
-Why? -Because he sees something beautiful in you. | 0:27:49 | 0:27:54 | |
But you don't. | 0:27:56 | 0:27:57 | |
It doesn't matter what I see. | 0:27:59 | 0:28:01 | |
He will take my babies... | 0:28:08 | 0:28:10 | |
..and put them inside me like how I was made. | 0:28:12 | 0:28:17 | |
How? | 0:28:17 | 0:28:18 | |
Yes. | 0:28:21 | 0:28:22 | |
Like that. | 0:28:22 | 0:28:24 | |
She's free to go. | 0:28:25 | 0:28:27 | |
Hello, Helena. | 0:28:34 | 0:28:35 | |
Your friend asked me to give you this. | 0:28:35 | 0:28:38 | |
Take me to my babies. | 0:28:46 | 0:28:47 | |
Hey, can you make sure she's all right? | 0:28:50 | 0:28:52 | |
'Well, I can make some phone calls and see if I can get Helena released.' | 0:28:52 | 0:28:55 | |
Thanks. Uh, | 0:28:55 | 0:28:58 | |
look, there were files missing, OK? Patient histories. | 0:28:58 | 0:29:01 | |
'Maggie Chen hid them in her locker. You should have | 0:29:01 | 0:29:04 | |
-'something about a Peckham.' -Really? | 0:29:04 | 0:29:06 | |
Hang on. Um... | 0:29:06 | 0:29:08 | |
-What? -Here. | 0:29:08 | 0:29:10 | |
It's a patient medical record | 0:29:10 | 0:29:13 | |
for an Andrew Peckham. | 0:29:13 | 0:29:15 | |
He died in 1943, he was two years old, | 0:29:15 | 0:29:17 | |
his father was deceased, and his mother died in childbirth. | 0:29:17 | 0:29:20 | |
An orphan. | 0:29:20 | 0:29:21 | |
Well, look, the date's right. Duncan would be over 70. | 0:29:21 | 0:29:24 | |
You thinking what I'm thinking, Fee? | 0:29:24 | 0:29:25 | |
'That Duncan stole Peckham's identity?' | 0:29:25 | 0:29:27 | |
The archivist told me that Duncan got to the archives by car, | 0:29:27 | 0:29:31 | |
so just find me an Andrew Peckham | 0:29:31 | 0:29:32 | |
somewhere within old-man-driving range. | 0:29:32 | 0:29:36 | |
It's good to have you here, Scott. | 0:29:39 | 0:29:40 | |
Do you need anything? | 0:29:40 | 0:29:42 | |
Yeah, one thing. | 0:29:42 | 0:29:44 | |
I signed my confidentiality agreement, OK? | 0:29:44 | 0:29:47 | |
You guys can trust me. | 0:29:47 | 0:29:49 | |
-OK. -Cosima had me looking | 0:29:49 | 0:29:52 | |
at stem cell growth kinetics, but I wanted to see if Dyad tagged them | 0:29:52 | 0:29:55 | |
like they tagged the clones, so I ran a PCR. | 0:29:55 | 0:29:57 | |
And... | 0:29:58 | 0:30:00 | |
They're not clone cells. They're from a totally different person. | 0:30:00 | 0:30:03 | |
So I checked for familial markers. | 0:30:03 | 0:30:06 | |
The clones share 13 STR loci with the stem cell donor. | 0:30:06 | 0:30:11 | |
Whoever you cloned, do they have a female relative? | 0:30:11 | 0:30:15 | |
Like a niece or even a daughter? | 0:30:15 | 0:30:17 | |
Scott, you cannot tell Cosima about this. | 0:30:19 | 0:30:23 | |
-Uh... -Not... Not one word. | 0:30:23 | 0:30:25 | |
Do you understand me? | 0:30:25 | 0:30:27 | |
Victor? | 0:30:33 | 0:30:35 | |
-Hey. You want to come for a smoke? -No. No, no, no, no. | 0:30:37 | 0:30:40 | |
It's not one of my vices. | 0:30:40 | 0:30:42 | |
Well, I'm kicking mine one at a time. | 0:30:42 | 0:30:44 | |
Good. | 0:30:44 | 0:30:46 | |
Oh, I have to make these place settings | 0:30:48 | 0:30:50 | |
for Family Day. Just... | 0:30:50 | 0:30:53 | |
OK. | 0:30:53 | 0:30:54 | |
I could use some help, if you... | 0:30:55 | 0:30:57 | |
OK, sure. | 0:31:00 | 0:31:01 | |
Two good hands between us, right? | 0:31:01 | 0:31:03 | |
Yeah. | 0:31:03 | 0:31:04 | |
See you up there? | 0:31:04 | 0:31:06 | |
-Yes. Thank you. -Namaste. | 0:31:06 | 0:31:09 | |
-Don't do that. -OK. | 0:31:09 | 0:31:11 | |
A-hem! | 0:31:15 | 0:31:16 | |
How's recovery going, Vic? | 0:31:34 | 0:31:37 | |
We're going to make doilies together. | 0:31:37 | 0:31:39 | |
-I'm impressed. -Yeah? | 0:31:39 | 0:31:41 | |
That makes one of us. | 0:31:41 | 0:31:42 | |
Hey, no second thoughts. We have a deal. | 0:31:42 | 0:31:45 | |
I'll get you your dirt on Alison Hendrix, | 0:31:49 | 0:31:52 | |
but my charges go away and I'm done. | 0:31:52 | 0:31:54 | |
-Mm-hmm. -No, I mean it. I'm done. | 0:31:54 | 0:31:56 | |
This shit's cramping my recovery, Detective. | 0:31:58 | 0:32:02 | |
'Hey, I found an Andrew Peckham in Brockville. | 0:32:07 | 0:32:09 | |
-'It's about two and a half hours away.' -Thanks, Art. | 0:32:09 | 0:32:12 | |
I should have known you'd show up. | 0:32:42 | 0:32:44 | |
-With shit on your shoe, no doubt. -You bitch. | 0:32:44 | 0:32:47 | |
You knew all along. My whole life you knew. | 0:32:47 | 0:32:50 | |
You're just one of them, aren't you? | 0:32:50 | 0:32:52 | |
I am not one of them. | 0:32:52 | 0:32:54 | |
Just like you, I got caught up in a struggle I didn't ask for. | 0:32:54 | 0:32:57 | |
Only I've been at it longer, so I'm better at it than you. | 0:32:57 | 0:33:00 | |
I didn't come here for your shit, Siobhan. | 0:33:00 | 0:33:02 | |
Where's Duncan? Is he here? | 0:33:02 | 0:33:04 | |
His name is Peckham. | 0:33:04 | 0:33:06 | |
It has been ever since he came over to our side 20 years ago. | 0:33:06 | 0:33:09 | |
We hid him in exchange for information about... | 0:33:09 | 0:33:12 | |
experiments on unborn children | 0:33:12 | 0:33:17 | |
and a surrogate who ran away. | 0:33:17 | 0:33:19 | |
-Amelia. -Yes. | 0:33:19 | 0:33:21 | |
Carlton found you in the foster system | 0:33:21 | 0:33:24 | |
and Dyad have been after us ever since. | 0:33:24 | 0:33:27 | |
I don't believe a word you say. | 0:33:27 | 0:33:30 | |
The question is, who do you trust? | 0:33:32 | 0:33:35 | |
SCREECHING | 0:33:35 | 0:33:38 | |
After you. | 0:33:41 | 0:33:42 | |
Rosaline. | 0:33:50 | 0:33:51 | |
Come on, Rosaline. Good girl. Come on. | 0:33:51 | 0:33:55 | |
Andrew. | 0:33:58 | 0:34:00 | |
I've got someone who wants to meet you. | 0:34:00 | 0:34:02 | |
-Hmm? -Here. | 0:34:02 | 0:34:05 | |
You're, uh... | 0:34:11 | 0:34:13 | |
Sarah Manning. | 0:34:13 | 0:34:16 | |
Not Rachel? | 0:34:16 | 0:34:17 | |
She's the one I told you about. | 0:34:17 | 0:34:20 | |
Remember? Amelia's child. | 0:34:20 | 0:34:22 | |
-Ah, sorry. Forgive me. -Yeah, that's not what I'm here for. | 0:34:32 | 0:34:35 | |
Can I, um, get you both some tea? | 0:34:37 | 0:34:39 | |
Oh, you've... You've done it. | 0:34:39 | 0:34:41 | |
We need to get moving, unfortunately. | 0:34:41 | 0:34:44 | |
The birds can't feed themselves. Rosaline... | 0:34:44 | 0:34:47 | |
Don't worry. I'll take care of it. | 0:34:47 | 0:34:50 | |
I always do. | 0:34:50 | 0:34:51 | |
Five minutes. | 0:34:56 | 0:34:57 | |
-I'm not sure where to start. -I don't know | 0:35:00 | 0:35:03 | |
how many there are. | 0:35:03 | 0:35:05 | |
We weren't the only implantation team. | 0:35:05 | 0:35:08 | |
Project LEDA. | 0:35:08 | 0:35:10 | |
-What are we for? -Proof of concept... | 0:35:10 | 0:35:12 | |
How everything starts. | 0:35:12 | 0:35:14 | |
The military recruited Susan and I in... | 0:35:14 | 0:35:17 | |
1974, '75? | 0:35:17 | 0:35:19 | |
-'76. -Huh. Susan was the brains, | 0:35:19 | 0:35:23 | |
really. Did you know that she cracked the spindle protein problem? | 0:35:23 | 0:35:26 | |
What did you do? | 0:35:26 | 0:35:29 | |
We succeeded. Cloned human embryos. | 0:35:30 | 0:35:33 | |
What a feat. | 0:35:33 | 0:35:35 | |
But an oversight committee declared us an ethical failure. | 0:35:37 | 0:35:41 | |
Um, are you sure you won't have some tea? | 0:35:41 | 0:35:44 | |
-How was Dyad involved? -Contractor. | 0:35:44 | 0:35:48 | |
When the military... scuppered our work, | 0:35:48 | 0:35:51 | |
Dyad persuaded us to, um, push on to full term. | 0:35:51 | 0:35:54 | |
-So Dyad hijacked Project LEDA. -Once you've gone too far, | 0:35:54 | 0:35:57 | |
it's hard not to go all the way. | 0:35:57 | 0:36:00 | |
Why? | 0:36:00 | 0:36:02 | |
What did you want? | 0:36:02 | 0:36:04 | |
Babies. | 0:36:06 | 0:36:08 | |
Little girls. | 0:36:08 | 0:36:10 | |
You know we're not just a concept, right? | 0:36:25 | 0:36:29 | |
-That we're your consequences? -Have you met Rachel? | 0:36:29 | 0:36:32 | |
-My Rachel? -Yes, I have. | 0:36:32 | 0:36:35 | |
What a treat. You've really created a monster there. | 0:36:35 | 0:36:38 | |
We didn't. We loved her. | 0:36:38 | 0:36:40 | |
No, please. | 0:36:40 | 0:36:42 | |
I want to see her. | 0:36:42 | 0:36:43 | |
What makes you think I'd do that for you? | 0:36:43 | 0:36:45 | |
Hello, Paul. | 0:37:10 | 0:37:11 | |
Sarah's in there with Duncan? | 0:37:13 | 0:37:15 | |
Oh, yes. Tea? | 0:37:15 | 0:37:18 | |
It's just tea, Paul. Just a conversation. | 0:37:19 | 0:37:22 | |
And what would I talk about with you? | 0:37:22 | 0:37:24 | |
Well, your next move, of course. | 0:37:24 | 0:37:26 | |
-I've got biscuits in my pocket. -No, thanks. | 0:37:26 | 0:37:30 | |
-Who sent you? -Dyad. | 0:37:32 | 0:37:34 | |
Hardly an answer. Dyad's a hydra. | 0:37:34 | 0:37:36 | |
God's sake. | 0:37:38 | 0:37:39 | |
If Sarah's caught between Leekie and Rachel, | 0:37:44 | 0:37:46 | |
I bet you are too. | 0:37:46 | 0:37:47 | |
And a man with two masters | 0:37:47 | 0:37:49 | |
answers only to himself. | 0:37:49 | 0:37:51 | |
Who does Siobhan Sadler answer to? | 0:37:51 | 0:37:54 | |
I'm a mum, aren't I? | 0:37:54 | 0:37:56 | |
If you think you're taking Sarah back, | 0:37:58 | 0:38:00 | |
you'll have to kill me. | 0:38:00 | 0:38:02 | |
And if you think you're going to take Duncan back, | 0:38:02 | 0:38:04 | |
the only man alive | 0:38:04 | 0:38:06 | |
who can give Sarah and her sisters what they need, | 0:38:06 | 0:38:09 | |
then you'll have to kill us both. | 0:38:09 | 0:38:12 | |
But you don't want to do that. | 0:38:12 | 0:38:14 | |
Or Afghanistan would all have been for naught. | 0:38:14 | 0:38:17 | |
What would you know about that? | 0:38:19 | 0:38:21 | |
Paul, | 0:38:21 | 0:38:24 | |
in your position, | 0:38:24 | 0:38:26 | |
you could really use a new friend. | 0:38:26 | 0:38:29 | |
Was it ever real, your little family? | 0:38:31 | 0:38:33 | |
Or was it just an experiment? | 0:38:33 | 0:38:35 | |
-It was both. -So was Daddy Rachel's first monitor? | 0:38:35 | 0:38:38 | |
-Of course, but... -Do you know what Dyad's done to her? | 0:38:38 | 0:38:41 | |
-What she's become? -That wasn't us. | 0:38:41 | 0:38:43 | |
It wasn't even Dyad. | 0:38:43 | 0:38:45 | |
It was the Neolutionists inside Dyad. | 0:38:45 | 0:38:48 | |
Dr Leekie. | 0:38:48 | 0:38:50 | |
-I don't have to talk to you. -Yes, | 0:38:50 | 0:38:54 | |
-you do, and you know it! -It's all in the past. | 0:38:54 | 0:38:57 | |
No, it's not! This is my life! | 0:38:57 | 0:38:59 | |
And you gave it to me, so you're going to help us! | 0:38:59 | 0:39:02 | |
-No. -Yes, you are. I will take you to Leekie. | 0:39:02 | 0:39:05 | |
You can talk to him, then. | 0:39:05 | 0:39:07 | |
They stole my daughter. | 0:39:11 | 0:39:13 | |
Your daughter is lost. | 0:39:13 | 0:39:16 | |
There's just me. | 0:39:16 | 0:39:19 | |
And Alison, | 0:39:19 | 0:39:21 | |
a housewife with two adopted kids. | 0:39:21 | 0:39:24 | |
And Cosima, | 0:39:24 | 0:39:26 | |
a brilliant scientist, | 0:39:26 | 0:39:28 | |
-just like you. -I can't. | 0:39:28 | 0:39:30 | |
We're real, Ethan. | 0:39:30 | 0:39:33 | |
Cosima is... | 0:39:35 | 0:39:38 | |
unlike anybody I've ever met. | 0:39:38 | 0:39:41 | |
And she's sick. | 0:39:41 | 0:39:43 | |
We're sick. | 0:39:45 | 0:39:48 | |
Your...little girls are dying. | 0:39:48 | 0:39:51 | |
It could happen to Rachel too. | 0:39:54 | 0:39:58 | |
I t-tried to stop it. | 0:39:58 | 0:40:00 | |
You can help us now. | 0:40:00 | 0:40:02 | |
You don't understand. | 0:40:02 | 0:40:05 | |
What don't I understand? | 0:40:05 | 0:40:07 | |
Leekie. | 0:40:09 | 0:40:10 | |
Leekie wouldn't let us raise her. | 0:40:10 | 0:40:14 | |
We were going to expose everything, | 0:40:14 | 0:40:17 | |
but he found out. | 0:40:17 | 0:40:19 | |
Go on. | 0:40:21 | 0:40:23 | |
You can tell her. | 0:40:23 | 0:40:25 | |
Who do you think I've been hiding from all these years? | 0:40:26 | 0:40:30 | |
Aldous Leekie killed my Susan. | 0:40:32 | 0:40:36 | |
He killed Rachel's mother. | 0:40:38 | 0:40:41 | |
My neighbour always thought she was better than me. | 0:40:44 | 0:40:46 | |
You have to forgive... | 0:40:46 | 0:40:47 | |
And I killed her. | 0:40:47 | 0:40:49 | |
Do you smell salt? | 0:40:49 | 0:40:50 | |
Whoa! | 0:40:52 | 0:40:53 | |
I may have spiked his tea. | 0:40:53 | 0:40:54 | |
They're onto me. The computer's been hacked, | 0:40:54 | 0:40:57 | |
so they could have my location. I'm on the move. | 0:40:57 | 0:40:59 | |
-What have we there? -Everything, absolutely everything. | 0:40:59 | 0:41:03 | |
-I'm impressed you've come here. -Well, I have something you want. | 0:41:03 | 0:41:07 |