Browse content similar to Knowledge of Causes, and Secret Motion of Things. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Alison, help! | 0:00:02 | 0:00:03 | |
I killed Aynsley, Felix. | 0:00:03 | 0:00:05 | |
I thought it was her. My husband is my monitor. | 0:00:05 | 0:00:08 | |
COUGHING I'm sick, Delphine. | 0:00:08 | 0:00:10 | |
I'm willing to disregard Rachel and proceed | 0:00:10 | 0:00:13 | |
-with the treatment. -They're not clone cells. | 0:00:13 | 0:00:15 | |
They're from a totally different person. Whoever you cloned, | 0:00:15 | 0:00:17 | |
do they have a niece or even a daughter? | 0:00:17 | 0:00:20 | |
I didn't think your mom had any sisters. | 0:00:20 | 0:00:22 | |
They all look the same, | 0:00:22 | 0:00:24 | |
but I can tell them apart. | 0:00:24 | 0:00:26 | |
-MOANING IN PAIN -He took my finger. | 0:00:26 | 0:00:29 | |
This is piss-off money, OK? You don't get to know anything. | 0:00:29 | 0:00:31 | |
-SCREAMING -You're the one that meets me the parking lot. | 0:00:31 | 0:00:34 | |
I have to make these, uh, place settings for Family Day. | 0:00:34 | 0:00:38 | |
-I could use some help. -I'll get you your dirt on Alison Hendrix. | 0:00:38 | 0:00:41 | |
But my charges go when I'm done. | 0:00:41 | 0:00:43 | |
Six scientists incinerated in a lab explosion. | 0:00:43 | 0:00:46 | |
-Susan and Ethan Duncan... -They were Rachel's parents. | 0:00:46 | 0:00:49 | |
If you think you're going to take Duncan back, | 0:00:49 | 0:00:51 | |
then you'll have to kill us both. | 0:00:51 | 0:00:53 | |
Leekie wouldn't let us raise her. He killed Rachel's mother. | 0:00:53 | 0:00:57 | |
My neighbour Aynsley always thought she was better than me. | 0:01:01 | 0:01:04 | |
Yeah, it's tough, the judgment. | 0:01:04 | 0:01:06 | |
Yes! And it wasn't, you know, outright. | 0:01:06 | 0:01:09 | |
It was just these little jabs and looks. | 0:01:09 | 0:01:11 | |
-I hate people like that. -Mm-hmm. Yeah. | 0:01:11 | 0:01:14 | |
I guess, you know, in that sense, she had it coming. | 0:01:14 | 0:01:16 | |
Had what coming? | 0:01:16 | 0:01:18 | |
TV PLAYING IN THE BACKGROUND | 0:01:18 | 0:01:21 | |
Oh, just an incident. | 0:01:21 | 0:01:23 | |
Come on, Ali. Unburden yourself. | 0:01:23 | 0:01:25 | |
-That's why we're here. -No, I can't. | 0:01:25 | 0:01:28 | |
Hey. Look at me. | 0:01:28 | 0:01:32 | |
You can trust me. The stuff that I've done... | 0:01:33 | 0:01:37 | |
No judgment. | 0:01:37 | 0:01:39 | |
TV IN THE BACKGROUND | 0:01:39 | 0:01:42 | |
I slept with her husband. | 0:01:42 | 0:01:44 | |
In a parking lot. | 0:01:44 | 0:01:46 | |
Do you think I'm awful? | 0:01:46 | 0:01:48 | |
No, I think you're brave. | 0:01:48 | 0:01:50 | |
Alison, you're brave for sharing. | 0:01:50 | 0:01:53 | |
-Feels nice, feels good, no? -Yeah. | 0:01:54 | 0:01:58 | |
You know, the next step is, | 0:01:58 | 0:02:00 | |
-you have to learn to forgive... -Then I killed her. | 0:02:00 | 0:02:02 | |
Well, she was choking and I didn't stop it. | 0:02:04 | 0:02:07 | |
What, like on a piece of chicken? | 0:02:07 | 0:02:09 | |
No. Not like on a piece of chicken. | 0:02:09 | 0:02:13 | |
I could have saved her, and I didn't. | 0:02:13 | 0:02:16 | |
WHISPERING She clawed at the countertop... | 0:02:16 | 0:02:19 | |
..begging for her life. | 0:02:20 | 0:02:22 | |
I stood there... | 0:02:23 | 0:02:25 | |
until it was over. | 0:02:25 | 0:02:27 | |
SIGHING | 0:02:29 | 0:02:31 | |
It feels so good to say it out loud. | 0:02:34 | 0:02:37 | |
-Yeah, I bet. -You have been so supportive. | 0:02:37 | 0:02:40 | |
I made something. | 0:02:40 | 0:02:42 | |
Oh, it's for me? | 0:02:46 | 0:02:48 | |
Yeah. Who else? | 0:02:49 | 0:02:51 | |
GASPING IN DISGUST | 0:02:54 | 0:02:55 | |
BIRDSONG | 0:02:55 | 0:02:57 | |
Oi! Mr Duncan. | 0:03:00 | 0:03:03 | |
Is this it? | 0:03:03 | 0:03:05 | |
No. No, I told you. Red box, no label. | 0:03:06 | 0:03:09 | |
We simply cannot leave without it. | 0:03:09 | 0:03:12 | |
-SIGHING -He's mad, Siobhan. | 0:03:12 | 0:03:14 | |
He's afraid we'll side with Leekie. | 0:03:14 | 0:03:17 | |
SIGHING | 0:03:17 | 0:03:19 | |
Maybe we'll side with Rachel. | 0:03:19 | 0:03:21 | |
After what she's done? Rachel is a creature of DYAD. | 0:03:21 | 0:03:24 | |
She may know full well that Leekie killed her mother. She might even approve. | 0:03:24 | 0:03:27 | |
-No, she had those videos of them. -That doesn't mean anything. | 0:03:27 | 0:03:30 | |
I don't know how we use him yet, but...I say | 0:03:30 | 0:03:33 | |
we divide and conquer. | 0:03:33 | 0:03:36 | |
That's a good enough strategy, isn't it? | 0:03:36 | 0:03:38 | |
-Might be. With more facts. -Aha! | 0:03:38 | 0:03:41 | |
-Did you find it? -No. This. | 0:03:41 | 0:03:44 | |
SIGHING IN RELIEF | 0:03:44 | 0:03:46 | |
MOANING IN DISGUST | 0:03:52 | 0:03:54 | |
MUMBLING TO HERSELF | 0:03:55 | 0:03:58 | |
Oh. | 0:04:01 | 0:04:03 | |
BACKGROUND CHATTER | 0:04:03 | 0:04:05 | |
Yeah, Detective, it's me. | 0:04:08 | 0:04:10 | |
I got, uh, I got something big for you. | 0:04:10 | 0:04:13 | |
No, I'll tell you in person. | 0:04:13 | 0:04:15 | |
Listen, DeAngelis, this is not a negotiation. | 0:04:15 | 0:04:17 | |
You want Alison Hendrix, you show up tomorrow with my paperwork. | 0:04:17 | 0:04:20 | |
After I see my charges have been dropped, then I'll talk. | 0:04:20 | 0:04:23 | |
I don't give a shit what you think. | 0:04:23 | 0:04:26 | |
SHE MOANS | 0:05:14 | 0:05:15 | |
-Mommy... -Shh. Shh. | 0:05:23 | 0:05:25 | |
It's OK, Kira. | 0:05:25 | 0:05:28 | |
HE SIGHS | 0:05:31 | 0:05:33 | |
Shit. | 0:05:47 | 0:05:49 | |
BIRDSONG | 0:05:53 | 0:05:55 | |
SHE SCREAMS IN DISGUST | 0:05:58 | 0:06:00 | |
-You OK? -Yeah. | 0:06:00 | 0:06:03 | |
Oh, bloody hell! | 0:06:03 | 0:06:04 | |
Aha! | 0:06:04 | 0:06:06 | |
-There it is. -What? | 0:06:06 | 0:06:09 | |
That's just junk! | 0:06:12 | 0:06:15 | |
What, is that it? That's what we've been looking for? | 0:06:15 | 0:06:18 | |
Thank you! | 0:06:18 | 0:06:20 | |
PHONE RINGING | 0:06:21 | 0:06:24 | |
-Hey, is Kira all right? -Yeah, she's fine. | 0:06:24 | 0:06:28 | |
-But they're on to me. -What? | 0:06:28 | 0:06:30 | |
-'How?' -Computer's been hacked. | 0:06:30 | 0:06:32 | |
Which means they could have my location. | 0:06:32 | 0:06:35 | |
But I'll throw 'em off the trail. | 0:06:35 | 0:06:37 | |
Shit! I'm... I'm coming for her. | 0:06:37 | 0:06:40 | |
No, no, I'm on the move. | 0:06:40 | 0:06:42 | |
I'll call you at the meet-up spot. | 0:06:42 | 0:06:45 | |
Are you going to tell me who your mystery sitter is? | 0:06:50 | 0:06:54 | |
No. | 0:06:54 | 0:06:56 | |
I'm not. | 0:06:56 | 0:06:58 | |
I'll trust you know what's best for Kira, | 0:06:58 | 0:07:00 | |
if you will trust me with him. | 0:07:00 | 0:07:02 | |
I don't. | 0:07:02 | 0:07:04 | |
-Not by a long shot. -He's still my responsibility. | 0:07:04 | 0:07:07 | |
Just, let me get him to town, we'll take it from there. | 0:07:07 | 0:07:10 | |
Hey. | 0:07:12 | 0:07:13 | |
Watch your back with this one. | 0:07:13 | 0:07:16 | |
Come on. | 0:07:19 | 0:07:21 | |
We have to go. | 0:07:21 | 0:07:23 | |
Can you feel that? | 0:07:36 | 0:07:38 | |
Mm-hmm. | 0:07:41 | 0:07:42 | |
-Feel that? -Kinda. | 0:07:50 | 0:07:53 | |
Yeah? | 0:07:53 | 0:07:55 | |
And that? MONITOR BEEPING | 0:07:59 | 0:08:02 | |
The spinal's working. | 0:08:05 | 0:08:07 | |
-We're going to begin. -OK. | 0:08:07 | 0:08:09 | |
-Yeah? -Yeah. | 0:08:09 | 0:08:11 | |
She's inserting into the uterus | 0:08:13 | 0:08:17 | |
and she's going to inject directly into the muscles. | 0:08:17 | 0:08:20 | |
This is the beginning of getting you well, Cosima. | 0:08:32 | 0:08:35 | |
-OK? -Mm-hmm. | 0:08:37 | 0:08:39 | |
PHONE RINGING Huh? | 0:08:47 | 0:08:49 | |
God. Jesus Christ. | 0:08:49 | 0:08:52 | |
What the f... | 0:08:52 | 0:08:54 | |
Oh, wait. | 0:08:57 | 0:08:59 | |
-What? -'(Felix, we have a problem.)' | 0:09:01 | 0:09:03 | |
What? Why are you whispering? | 0:09:03 | 0:09:05 | |
(Because I'm not supposed to be using the telephone. Vic is here.) | 0:09:05 | 0:09:10 | |
-Vic is in rehab? -'Yes.' | 0:09:10 | 0:09:12 | |
And he's snitching to a cop called DeAngelis. | 0:09:12 | 0:09:15 | |
'Wait, wait, wait, wait.' | 0:09:15 | 0:09:15 | |
-Angela DeAngelis? -(I can't go to jail, Felix. | 0:09:15 | 0:09:18 | |
(I don't have the temperament. In the shower if they touch me, I will cut them!) | 0:09:18 | 0:09:21 | |
Alison. Alison! | 0:09:21 | 0:09:23 | |
Look, I will be there first thing. | 0:09:24 | 0:09:27 | |
-'All right?' -OK. | 0:09:27 | 0:09:30 | |
Hey, where's Kira? | 0:09:40 | 0:09:42 | |
Uh, she's sleeping. | 0:09:42 | 0:09:44 | |
Did anyone follow ya? | 0:09:44 | 0:09:46 | |
No, I took the side streets and doubled back. | 0:09:46 | 0:09:50 | |
All right, I'm so sorry about this. I don't know how they found me in the first place. | 0:09:50 | 0:09:54 | |
I encrypted everything. I routed all my traffic through anonymous proxies. | 0:09:54 | 0:09:57 | |
I mean, I'm untraceable. | 0:09:57 | 0:09:59 | |
-It wasn't your fault. -They're trying hard. | 0:09:59 | 0:10:01 | |
That tells me Kira's quite the prize for 'em. | 0:10:01 | 0:10:04 | |
Listen, I have no idea | 0:10:04 | 0:10:06 | |
who these "aunties" are, | 0:10:06 | 0:10:08 | |
but they came with a weird story. | 0:10:08 | 0:10:11 | |
She's just got an overactive imagination, Cal. | 0:10:12 | 0:10:15 | |
-You sure? -Yes. | 0:10:15 | 0:10:17 | |
-Well, hi. -Hi. | 0:10:21 | 0:10:25 | |
-I'm Cal. -Sarah. | 0:10:25 | 0:10:26 | |
Want to come in? | 0:10:26 | 0:10:28 | |
-I'm not that kinda girl. -CAL LAUGHS | 0:10:28 | 0:10:31 | |
Yes, you are. | 0:10:31 | 0:10:32 | |
Sarah and Helena were separated. | 0:10:41 | 0:10:43 | |
-How? -By a Prolethean. | 0:10:43 | 0:10:45 | |
-Mark Rollins. Known to us. -And then? | 0:10:45 | 0:10:47 | |
I followed Sarah, as instructed, and she came up empty. | 0:10:47 | 0:10:50 | |
-No sign of the scientist? -None. | 0:10:50 | 0:10:53 | |
You know what this is? | 0:10:56 | 0:10:57 | |
Synthetic amniotic fluid. | 0:10:59 | 0:11:01 | |
We're developing an artificial womb. | 0:11:01 | 0:11:03 | |
A bit of a hobby of mine. | 0:11:03 | 0:11:05 | |
I like pottery. | 0:11:05 | 0:11:07 | |
What have you told Rachel? | 0:11:07 | 0:11:10 | |
I came to you first. What should I tell her? | 0:11:10 | 0:11:12 | |
-CHUCKLING -What you told me, Paul. | 0:11:12 | 0:11:15 | |
The truth. | 0:11:15 | 0:11:17 | |
Thank you. | 0:11:21 | 0:11:22 | |
-BEEP -'Yes, Dr Leekie?' | 0:11:29 | 0:11:31 | |
I need to meet with Marian Bowles. | 0:11:31 | 0:11:33 | |
It's an emergency. | 0:11:33 | 0:11:36 | |
BIRDSONG | 0:11:36 | 0:11:38 | |
We really must go now. | 0:11:45 | 0:11:47 | |
-It's time. -Right, then. | 0:11:49 | 0:11:52 | |
Y... your box. | 0:11:55 | 0:11:58 | |
-Hmm? -Your mementos. | 0:11:58 | 0:12:00 | |
Ah, yes. | 0:12:00 | 0:12:01 | |
We really do have to go. | 0:12:04 | 0:12:06 | |
Wh... what? | 0:12:06 | 0:12:08 | |
What have we there? | 0:12:13 | 0:12:16 | |
Everything, Ms Sadler. | 0:12:16 | 0:12:19 | |
Absolutely everything. | 0:12:19 | 0:12:20 | |
GULLS CRYING | 0:12:26 | 0:12:28 | |
-Mommy. -Morning, monkey. | 0:12:46 | 0:12:48 | |
Mommy. | 0:12:48 | 0:12:50 | |
'We share a lab.' | 0:12:54 | 0:12:56 | |
Why do we have to keep the source from her? | 0:12:56 | 0:12:58 | |
Because you signed a confidentiality agreement. | 0:12:58 | 0:13:01 | |
And I'm your boss. Is that clear? | 0:13:01 | 0:13:04 | |
SCOTT SIGHING | 0:13:08 | 0:13:10 | |
-Cosima... -What's going on, Scott? | 0:13:10 | 0:13:13 | |
Um... | 0:13:13 | 0:13:15 | |
You gave me Kira's stem cells? | 0:13:17 | 0:13:19 | |
-Please, listen to me. Leekie set us up. -Us? | 0:13:19 | 0:13:22 | |
-What? -Yes, remember the culture | 0:13:22 | 0:13:23 | |
we stumbled upon? The match? | 0:13:23 | 0:13:25 | |
-He planted it for us to find. -You knew it was Kira's! | 0:13:25 | 0:13:29 | |
But only after I realised that it was working! | 0:13:29 | 0:13:31 | |
The tests were positive and I had to keep going. | 0:13:31 | 0:13:34 | |
Did you ever stop to think once that this is my decision and not yours? | 0:13:34 | 0:13:37 | |
There is no decision, Cosima. You have one way forward and this is it. | 0:13:37 | 0:13:40 | |
How did you harvest her? | 0:13:42 | 0:13:43 | |
Kira lost a tooth in her accident | 0:13:43 | 0:13:48 | |
and Leekie procured it from the hospital. | 0:13:48 | 0:13:51 | |
It is a finite source. | 0:13:51 | 0:13:53 | |
Unless you bring her in for more. | 0:13:53 | 0:13:56 | |
Yeah. | 0:13:56 | 0:13:58 | |
-Out. -You don't understand. | 0:13:59 | 0:14:01 | |
This is my lab. | 0:14:01 | 0:14:03 | |
My body! I'm the science. Get out! | 0:14:03 | 0:14:06 | |
DOOR OPENS AND CLOSES | 0:14:09 | 0:14:13 | |
HE EXHALES | 0:14:19 | 0:14:21 | |
-Whoa. Hi. -Hi. | 0:14:26 | 0:14:28 | |
-Could I talk to you for a second? -HE EXHALES | 0:14:28 | 0:14:31 | |
-Yeah, sure. What's up? -Privately. | 0:14:31 | 0:14:34 | |
Hey, Ali. | 0:14:34 | 0:14:36 | |
-You ready for Family Day? -Absolutely. | 0:14:36 | 0:14:38 | |
Mm-hmm. | 0:14:38 | 0:14:39 | |
So, what's on your mind? | 0:14:42 | 0:14:44 | |
You selfish, manure bag of a man! | 0:14:44 | 0:14:47 | |
What's this? | 0:14:47 | 0:14:50 | |
You were supposed to come to rehab to heal and to grow. | 0:14:50 | 0:14:52 | |
-You're not supposed to come to get even sleazier. -I opened up to you, | 0:14:52 | 0:14:56 | |
-Vic. I trusted you. -Alison. | 0:14:56 | 0:14:58 | |
I'm honestly sorry. I got a past I'm trying to get out from under. | 0:14:58 | 0:15:01 | |
I have to meet DeAngelis this afternoon. | 0:15:01 | 0:15:04 | |
And what would your dealer friends say about Squeally Vic? | 0:15:04 | 0:15:07 | |
I'm moving forward, and if you knew what was good for you, you'd do the same. | 0:15:07 | 0:15:10 | |
Starting by removing the, uh, unsavoury elements from your life. | 0:15:10 | 0:15:13 | |
-Sarah's not pleased. -DOOR SQUEAKS | 0:15:13 | 0:15:17 | |
-Sarah? -Mm-hmm. | 0:15:19 | 0:15:22 | |
-She here? -She's nearby. | 0:15:22 | 0:15:25 | |
-Aldous. -Marian. | 0:15:36 | 0:15:39 | |
MARIAN CHUCKLES | 0:15:39 | 0:15:40 | |
Oh, please tell me your hands have not been soaking in | 0:15:40 | 0:15:44 | |
some gruesomely fecund jelly. BOTH LAUGHING | 0:15:44 | 0:15:47 | |
What I do with my free time is my business, Marian. Please. | 0:15:47 | 0:15:51 | |
Ethan Duncan is alive. | 0:16:00 | 0:16:01 | |
-How? -I don't know. But Sarah Manning | 0:16:03 | 0:16:05 | |
tracked him down. | 0:16:05 | 0:16:07 | |
Well... | 0:16:09 | 0:16:11 | |
This is a thing. | 0:16:11 | 0:16:15 | |
-It's a thing. -Well, you know Rachel better than anyone. | 0:16:15 | 0:16:18 | |
How do you think she's react when she learns the truth? | 0:16:18 | 0:16:21 | |
At one time, I'd have counted on her | 0:16:21 | 0:16:23 | |
-to see the big picture. -And now? | 0:16:23 | 0:16:25 | |
She's taking things personally. | 0:16:26 | 0:16:28 | |
If Rachel has become too entangled... | 0:16:29 | 0:16:32 | |
..we have to step in. | 0:16:33 | 0:16:35 | |
-She will fight. -Then she will lose. | 0:16:35 | 0:16:39 | |
You know, I was just thinking. | 0:16:45 | 0:16:47 | |
Our paths rarely cross anymore. | 0:16:47 | 0:16:50 | |
-My misfortune. -But when they do, | 0:16:50 | 0:16:53 | |
it's almost always because of Sarah Manning. | 0:16:53 | 0:16:56 | |
-We need to look at that. Done? -Mm-hmm. | 0:16:57 | 0:17:01 | |
So, look, I've been... | 0:17:12 | 0:17:14 | |
I've been working on something for the past few days. | 0:17:14 | 0:17:17 | |
I think I might have the answer for us. | 0:17:17 | 0:17:19 | |
-OK. -Reykjavik. | 0:17:19 | 0:17:21 | |
-What was the question? -I'm serious. | 0:17:21 | 0:17:24 | |
-I have people there. -Ay. | 0:17:24 | 0:17:26 | |
Who's got people in Iceland? | 0:17:26 | 0:17:28 | |
I can get the paperwork. | 0:17:28 | 0:17:30 | |
I got money. Just say yes. | 0:17:30 | 0:17:33 | |
-Cal, it's not that easy. -All right, right on cue! | 0:17:34 | 0:17:38 | |
The vague warnings. | 0:17:38 | 0:17:40 | |
Look, there are other people involved. | 0:17:40 | 0:17:43 | |
You know I've tangled with corporate heavies before. | 0:17:43 | 0:17:45 | |
Yeah, not like these. | 0:17:45 | 0:17:46 | |
I know. Point is, I made some friends along the way. | 0:17:46 | 0:17:49 | |
I got contacts, sources. | 0:17:49 | 0:17:52 | |
Some of them are tinfoil-hat guys. | 0:17:52 | 0:17:54 | |
But the chatter about the DYAD Group, it's... | 0:17:54 | 0:17:57 | |
What? Hey. | 0:17:58 | 0:18:00 | |
Listen. We're just going to do it. | 0:18:00 | 0:18:03 | |
We're just going to say it out loud, OK? Your big secret. | 0:18:03 | 0:18:06 | |
Sarah Manning, I know this may sound crazy, but I think you're a... | 0:18:06 | 0:18:10 | |
..a Pisces. | 0:18:12 | 0:18:14 | |
-Am I right? -You twat. | 0:18:14 | 0:18:16 | |
-It makes so much sense to me. -Yeah, yeah. | 0:18:16 | 0:18:19 | |
Whatever it is, I don't care. | 0:18:19 | 0:18:21 | |
Let's just get outta here. | 0:18:22 | 0:18:25 | |
PHONE RINGING | 0:18:25 | 0:18:27 | |
-Yeah? -'Hey, Sarah. Look.' | 0:18:31 | 0:18:33 | |
We need your help with a little something at rehab. | 0:18:33 | 0:18:36 | |
'What's Alison done?' | 0:18:36 | 0:18:37 | |
-She hurled herself off the wagon? -No, she... | 0:18:37 | 0:18:40 | |
I... I am sober as a judge, Sarah. | 0:18:40 | 0:18:43 | |
It's you. Your people. | 0:18:43 | 0:18:45 | |
Your finks and rats and snitches and fuzz. | 0:18:45 | 0:18:47 | |
'Vic's here and he's going to give me up to the police unless you meet with him.' | 0:18:47 | 0:18:51 | |
I need you to come here right now and clean up your doo-doo. | 0:18:51 | 0:18:54 | |
SHE SIGHS | 0:18:54 | 0:18:55 | |
# I feel it in my fingers | 0:19:02 | 0:19:05 | |
# I feel it in my toes | 0:19:05 | 0:19:09 | |
# Well, love is all around me | 0:19:11 | 0:19:14 | |
# And so the feeling grows... # | 0:19:14 | 0:19:18 | |
(Come on, come on!) | 0:19:18 | 0:19:20 | |
-Oi. -Oi. | 0:19:20 | 0:19:22 | |
Where is Alison? | 0:19:22 | 0:19:25 | |
Welcoming her family. | 0:19:25 | 0:19:26 | |
It's some kind of public flagellation day. Follow me. | 0:19:26 | 0:19:30 | |
# So if you really love me | 0:19:30 | 0:19:34 | |
# Come on and let it show... # | 0:19:34 | 0:19:36 | |
-Hi. -Hi. I'm here. What? | 0:19:40 | 0:19:43 | |
What do you want? | 0:19:43 | 0:19:45 | |
Victor. You have the floor. | 0:19:45 | 0:19:48 | |
VICTOR SIGHS | 0:19:51 | 0:19:54 | |
I have to atone. | 0:19:59 | 0:20:01 | |
"Dear Sarah... | 0:20:07 | 0:20:08 | |
"You are a rock in my stream. | 0:20:10 | 0:20:14 | |
"Blocking the flow." | 0:20:16 | 0:20:17 | |
I'm not getting it, Vic. | 0:20:19 | 0:20:21 | |
I have to apologise. | 0:20:24 | 0:20:25 | |
-OK? -OK. | 0:20:25 | 0:20:28 | |
Good! Yeah. Fine. | 0:20:28 | 0:20:30 | |
-Accepted. -Wait, I haven't done it yet. | 0:20:30 | 0:20:32 | |
Uh, I atone you, Vic. | 0:20:32 | 0:20:34 | |
-You're atoned. -OK? | 0:20:34 | 0:20:36 | |
-OK? We're done? -Cool. Thank you. -Wait a minute. | 0:20:36 | 0:20:39 | |
Sarah, you don't have anything you want to say to me? | 0:20:39 | 0:20:41 | |
After everything? Come on, the heartbreak, | 0:20:41 | 0:20:43 | |
-the finger loss. -Pff! | 0:20:43 | 0:20:46 | |
-Oh, you want me to apologise to you? -Which of the 12 Steps is that? | 0:20:46 | 0:20:49 | |
Sarah, I want a conversation with you, back and forth. | 0:20:49 | 0:20:52 | |
No. No, Vic. We had a deal. | 0:20:52 | 0:20:54 | |
You get to say your bit to Sarah and then you stay | 0:20:54 | 0:20:56 | |
buttoned up re Alison's little bouts of criminal negligence. | 0:20:56 | 0:20:59 | |
That was not the deal. | 0:20:59 | 0:21:00 | |
New deal. | 0:21:01 | 0:21:04 | |
-Mom! -Babies! | 0:21:04 | 0:21:06 | |
Hello! Hello! | 0:21:06 | 0:21:08 | |
I missed you so much, my little babies! | 0:21:10 | 0:21:13 | |
-Daddy says you're coming home soon. -Yes, I am. | 0:21:13 | 0:21:17 | |
-Soon as Daddy deems me fit. -Hey, hey. | 0:21:18 | 0:21:20 | |
Come on. Today's going to be good. All right? | 0:21:20 | 0:21:23 | |
-Nothing to worry about. -Hey, let's go. | 0:21:23 | 0:21:25 | |
Can you find your nametag on the table? | 0:21:25 | 0:21:26 | |
-Oh! -Oh, look at that! -Where's my nametag? | 0:21:26 | 0:21:30 | |
Look at that! That is exciting! | 0:21:30 | 0:21:32 | |
-They did that for you. -Honey, can you pass my nametag? | 0:21:32 | 0:21:34 | |
-You know who made them? -Honey, can you pass my nametag? -You. | 0:21:34 | 0:21:36 | |
-Relax! -Sarah, you always do this! | 0:21:36 | 0:21:39 | |
You always keep yourself at a distance. You never let me in. | 0:21:39 | 0:21:41 | |
No wonder, with those giant banana hands of yours. | 0:21:41 | 0:21:43 | |
For the love of Buddha, can you please stay | 0:21:43 | 0:21:45 | |
-out of this? -Listen, listen. Hey, Vic! | 0:21:45 | 0:21:47 | |
-Look, I apologise. -'Kay. | 0:21:47 | 0:21:50 | |
Really, truly. We were two colliding | 0:21:50 | 0:21:52 | |
-train wrecks. -Yeah. | 0:21:52 | 0:21:53 | |
-OK? -Sarah, I've been doing a lot of the work. | 0:21:53 | 0:21:55 | |
Great. Yeah, that's good. | 0:21:55 | 0:21:56 | |
-I'm getting a lot better. -Good for you. | 0:21:56 | 0:21:59 | |
-Thank you. -Good luck. | 0:21:59 | 0:22:01 | |
(I want you back.) | 0:22:01 | 0:22:03 | |
-Oh, dear God. -Sarah. -This is all fake. | 0:22:03 | 0:22:04 | |
Listen, I've changed. All right? Let me prove it to you. | 0:22:04 | 0:22:07 | |
-Not happening, it's not happening. -What? | 0:22:07 | 0:22:09 | |
Don't tell me that Nail Gun Ken is still in the picture. | 0:22:09 | 0:22:12 | |
-No, but you should see the new one. -There's a new one? | 0:22:12 | 0:22:14 | |
-Felix. -What? | 0:22:14 | 0:22:16 | |
Those guys are not you. I am you. | 0:22:16 | 0:22:20 | |
I stand for... | 0:22:20 | 0:22:21 | |
Jesus Christ. | 0:22:23 | 0:22:25 | |
OK. Look. | 0:22:25 | 0:22:27 | |
What I'm trying to say is this. | 0:22:27 | 0:22:30 | |
HE SIGHS | 0:22:32 | 0:22:34 | |
Do you smell salt? | 0:22:34 | 0:22:36 | |
Whoa! | 0:22:37 | 0:22:38 | |
What the hell just happened? | 0:22:42 | 0:22:44 | |
I may have spiked his tea. | 0:22:44 | 0:22:47 | |
If you've done your homework, I shouldn't | 0:22:59 | 0:23:02 | |
have to introduce myself. | 0:23:02 | 0:23:04 | |
Siobhan Sadler. | 0:23:04 | 0:23:05 | |
I have to say, | 0:23:05 | 0:23:07 | |
-I'm pretty impressed you'd come here. -I have something you want. | 0:23:07 | 0:23:10 | |
My favourite kind of visitor. | 0:23:10 | 0:23:13 | |
Please. | 0:23:13 | 0:23:14 | |
Have a seat. | 0:23:19 | 0:23:20 | |
I have the early research of Professors Susan and Ethan Duncan. | 0:23:22 | 0:23:25 | |
Key formulas. Methodology. Sequences. | 0:23:25 | 0:23:29 | |
-A summary, on disc. -Where'd you get it? | 0:23:29 | 0:23:32 | |
It's your missing science, Dr Leekie. | 0:23:34 | 0:23:36 | |
What is it worth to you? | 0:23:36 | 0:23:38 | |
Well, that depends. | 0:23:38 | 0:23:41 | |
I'd need to authenticate it. | 0:23:41 | 0:23:44 | |
With Duncan himself. | 0:23:44 | 0:23:45 | |
I give you Duncan, you give up on Kira. | 0:23:53 | 0:23:56 | |
And we disappear once and for all. You drop your hunt. | 0:23:56 | 0:23:59 | |
What about Sarah? | 0:23:59 | 0:24:00 | |
Sarah sadly insists on fending for herself. | 0:24:00 | 0:24:03 | |
But the child deserves better. | 0:24:03 | 0:24:05 | |
Ugh! It's like he was molested by elves. | 0:24:07 | 0:24:10 | |
-What did you give him? -Benzodiazepine. | 0:24:10 | 0:24:12 | |
In small doses, | 0:24:12 | 0:24:14 | |
it's perfectly recreational. | 0:24:14 | 0:24:16 | |
-It's true. -Sorry. | 0:24:16 | 0:24:18 | |
God! He weighs a ton. PHONE RINGING | 0:24:20 | 0:24:23 | |
S. What's wrong? | 0:24:23 | 0:24:26 | |
Nothing, for once. I was fact-checking. | 0:24:26 | 0:24:28 | |
Seems safe to assume Rachel doesn't know Leekie killed her mother. | 0:24:28 | 0:24:32 | |
-What? How do you know that? -He told me, in not so many words. | 0:24:32 | 0:24:35 | |
He does want Duncan silent and all the science to himself. | 0:24:35 | 0:24:38 | |
What, you talked to Leekie? | 0:24:38 | 0:24:41 | |
Divide and conquer, Sarah. | 0:24:41 | 0:24:43 | |
But if we drop this bomb on Rachel, | 0:24:43 | 0:24:45 | |
there's no telling which one of them will fall. | 0:24:45 | 0:24:47 | |
I'm good with either one. | 0:24:47 | 0:24:49 | |
-'Let's blow up their shit.' -Then I'll set it up. | 0:24:49 | 0:24:52 | |
KNOCKING | 0:24:52 | 0:24:54 | |
-Alison? -Damn it to hell. | 0:24:54 | 0:24:55 | |
I, uh... Yep. | 0:24:57 | 0:24:59 | |
Mm-hmm. | 0:24:59 | 0:25:01 | |
What' you doing ducking out? You volunteered. | 0:25:01 | 0:25:05 | |
-Uh, I know. -OK, come on. | 0:25:05 | 0:25:08 | |
Alison. | 0:25:10 | 0:25:12 | |
Do I have to drag you out of there? Alison! | 0:25:12 | 0:25:15 | |
Mm-hmm. | 0:25:15 | 0:25:17 | |
Coming. | 0:25:17 | 0:25:19 | |
Bollocks. | 0:25:22 | 0:25:25 | |
Have you seen Victor? | 0:25:25 | 0:25:27 | |
-Nope. -Great. | 0:25:27 | 0:25:29 | |
-HE GROANS -Oh, my God. | 0:25:35 | 0:25:38 | |
-What is this? Wh... -You're welcome. | 0:25:38 | 0:25:41 | |
Thanks to me, he's going to miss his meeting with DeAngelis. | 0:25:41 | 0:25:44 | |
No, no, no! He can't be here. | 0:25:44 | 0:25:47 | |
There's family tours after the assembly. | 0:25:47 | 0:25:49 | |
They're coming to this room! | 0:25:49 | 0:25:51 | |
-No bodies. -Oh... | 0:25:51 | 0:25:54 | |
So we're all going to be nice to Mommy, right? OK? | 0:26:17 | 0:26:20 | |
Come on. | 0:26:20 | 0:26:22 | |
Hello, everyone! OK! | 0:26:22 | 0:26:25 | |
Well, hello. Please take your seats. We'll get started now. | 0:26:25 | 0:26:28 | |
-Great to see all shining faces here today. -Oh, Alison. We have a seat in front. | 0:26:28 | 0:26:31 | |
Front row. Come on. | 0:26:31 | 0:26:33 | |
-Welcome to our Family Day. -Ali! | 0:26:33 | 0:26:35 | |
As is the custom on Family Day, | 0:26:35 | 0:26:37 | |
the group has chosen a resident to make some opening remarks. | 0:26:37 | 0:26:40 | |
Ladies and gentlemen, Alison Hendrix! | 0:26:40 | 0:26:44 | |
Oh, shit... | 0:26:51 | 0:26:53 | |
-Hey, Mom! -Hello, kids. OK. | 0:27:04 | 0:27:07 | |
Thank you all for coming today. | 0:27:07 | 0:27:10 | |
Not that any of us really had any choice, | 0:27:10 | 0:27:13 | |
I guess. | 0:27:13 | 0:27:15 | |
So, um, | 0:27:15 | 0:27:17 | |
we stand among you today, pill poppers | 0:27:17 | 0:27:21 | |
and booze hounds, hop-heads, tweakers, | 0:27:21 | 0:27:25 | |
-rummies... -Alison. | 0:27:25 | 0:27:27 | |
Right. | 0:27:27 | 0:27:29 | |
Where the bloody hell are we going? | 0:27:38 | 0:27:40 | |
Come on. We need to get him downstairs. | 0:27:40 | 0:27:42 | |
Trust me, I have a plan. | 0:27:42 | 0:27:44 | |
Christ on a log! The man's made of cement. | 0:27:44 | 0:27:47 | |
Hurry up, Felix. I need to make it to the assembly for the role-playing demonstration. | 0:27:48 | 0:27:52 | |
-The what?! -Role-playing. | 0:27:52 | 0:27:55 | |
-Let's begin. -OK. | 0:27:55 | 0:27:57 | |
Hello, everyone. | 0:28:01 | 0:28:03 | |
OK, he's being Alison. | 0:28:03 | 0:28:06 | |
-That's right. -And I'm being Alison being Donnie? | 0:28:06 | 0:28:09 | |
Uh, this teaches you to see things from your partner's point of view. | 0:28:09 | 0:28:12 | |
So, Donnie, what's on your mind? | 0:28:12 | 0:28:16 | |
Um, uh... | 0:28:17 | 0:28:20 | |
Don't stammer, Donnie. And stand up straight. | 0:28:26 | 0:28:30 | |
Or I'll withhold affection. CROWD LAUGHS | 0:28:30 | 0:28:33 | |
Engage him, Alison. | 0:28:33 | 0:28:35 | |
Make eye contact. | 0:28:35 | 0:28:36 | |
-Donnie, look at me. -Yeah. | 0:28:36 | 0:28:38 | |
Alison, I think you should come home to your family. | 0:28:38 | 0:28:41 | |
No, Donnie, because I, Alison, | 0:28:41 | 0:28:44 | |
need supervision. | 0:28:44 | 0:28:46 | |
That sounds about right. | 0:28:46 | 0:28:47 | |
Uh, I'm Donnie and I like to | 0:28:47 | 0:28:50 | |
spy on my wife and monitor her every move. | 0:28:50 | 0:28:53 | |
Now, wait a minute. You're just using my voice | 0:28:53 | 0:28:56 | |
-for your words. -Well, maybe you should listen | 0:28:56 | 0:28:57 | |
to Alison's words a little more often, Donnie. | 0:28:57 | 0:29:00 | |
-OK, is she doing this right? -You do seem to be blocking, Alison. | 0:29:00 | 0:29:03 | |
No, he's the one who's blocking...her. Her. | 0:29:03 | 0:29:06 | |
Shhh... It's what you do. | 0:29:06 | 0:29:09 | |
Now who are you being? CROWD WHISPERING | 0:29:09 | 0:29:13 | |
I really have to tinkle. | 0:29:16 | 0:29:18 | |
(Oh. Go back. Back.) | 0:29:22 | 0:29:25 | |
PHONE RINGING | 0:29:28 | 0:29:31 | |
Shit. It's her. Get his phone. Get his phone. | 0:29:31 | 0:29:34 | |
-Vic? -PHONE RINGING IN BACKGROUND | 0:29:35 | 0:29:38 | |
DOOR CLOSING | 0:29:42 | 0:29:44 | |
BEE | 0:29:50 | 0:29:52 | |
Pff. Quit screwing around, Vic. | 0:29:53 | 0:29:56 | |
What were you thinking? How could you go in there? | 0:30:14 | 0:30:17 | |
-Sweet Jesus, I'm done. -I didn't have a choice. | 0:30:17 | 0:30:20 | |
-Did I? Where's Vic? -Sorted. | 0:30:20 | 0:30:23 | |
-For now. -This is a disaster. | 0:30:23 | 0:30:26 | |
-Give me that. -Ah. Piss off. | 0:30:26 | 0:30:28 | |
Alison? | 0:30:28 | 0:30:30 | |
Wha... | 0:30:32 | 0:30:33 | |
Yes. Relax, Donnie. | 0:30:33 | 0:30:36 | |
It's Sarah Manning. The runaway clone. So... | 0:30:36 | 0:30:40 | |
I guess you'll be | 0:30:40 | 0:30:42 | |
running off to call Dr Leekie, hmm? | 0:30:42 | 0:30:44 | |
Clone? | 0:30:44 | 0:30:46 | |
I don't think he knows, Alison. | 0:30:48 | 0:30:50 | |
Of course he knows. He's a monitor. | 0:30:50 | 0:30:53 | |
No, darling. I think Sarah's right. This kind of cluelessness can't be faked. | 0:30:53 | 0:30:57 | |
Vic, I don't know what kind of game you're playing, | 0:31:00 | 0:31:03 | |
but you better call me...now. | 0:31:03 | 0:31:05 | |
'On-duty nurse, please come to the reception area.' | 0:31:05 | 0:31:07 | |
-SIGHS -You can't be serious. | 0:31:15 | 0:31:19 | |
Must have been the pressure of Family Day. | 0:31:19 | 0:31:23 | |
Hello, Paul. | 0:31:31 | 0:31:32 | |
Do come in. | 0:31:37 | 0:31:38 | |
You have 15 minutes. | 0:31:41 | 0:31:44 | |
Once you've gone, your father will remain here. | 0:31:44 | 0:31:46 | |
If anybody moves against this house, I will put a bullet in his head. | 0:31:46 | 0:31:50 | |
Are we clear? | 0:31:50 | 0:31:53 | |
Rachel. | 0:32:20 | 0:32:23 | |
My dear, dear Rachel... | 0:32:25 | 0:32:27 | |
Hello, father. | 0:32:29 | 0:32:31 | |
-I can hardly believe it's been 20 years. -So how is Dr Leekie? | 0:32:39 | 0:32:43 | |
He's making his own moves, I'm sure. | 0:32:45 | 0:32:47 | |
You don't know the truth about your mother, do you? | 0:32:47 | 0:32:49 | |
What Rachel's going to learn is going to force both of their hands. | 0:32:49 | 0:32:52 | |
I can see where Sarah gets it. | 0:32:52 | 0:32:54 | |
Her knack for burning things down. | 0:32:55 | 0:32:57 | |
RACHEL SNIFFLING | 0:32:59 | 0:33:01 | |
It's OK. | 0:33:06 | 0:33:08 | |
You have to believe me. I had no idea. | 0:33:08 | 0:33:11 | |
What did you think you were doing? | 0:33:11 | 0:33:13 | |
You remember Sociology 201? | 0:33:13 | 0:33:16 | |
With that prof... | 0:33:16 | 0:33:18 | |
What's his name? With the cleft palate. | 0:33:18 | 0:33:20 | |
He recruited me into a study. | 0:33:20 | 0:33:23 | |
A study? | 0:33:24 | 0:33:26 | |
Long-term social metrics. | 0:33:26 | 0:33:27 | |
They told me it was totally benign but... | 0:33:27 | 0:33:30 | |
the subjects had to remain completely unaware. | 0:33:30 | 0:33:33 | |
So when men came in vanloads at night with their gloves and their probes, | 0:33:33 | 0:33:37 | |
-was that benign? -What? What... what men? | 0:33:37 | 0:33:40 | |
You destroyed us, Donnie, with the spying | 0:33:40 | 0:33:42 | |
and the lies. | 0:33:42 | 0:33:45 | |
I loved you so much, and you ruined our family! | 0:33:45 | 0:33:48 | |
And you're so stupid, you don't even know why! | 0:33:49 | 0:33:53 | |
My father sends his regards. | 0:34:22 | 0:34:26 | |
It's important you think | 0:34:29 | 0:34:32 | |
very carefully about your next steps, Rachel. | 0:34:32 | 0:34:35 | |
Or what? | 0:34:35 | 0:34:37 | |
(I'll die in a fire?) | 0:34:37 | 0:34:39 | |
Ethan and Susan Duncan left us no choice. | 0:34:39 | 0:34:42 | |
Oh please. By salting your Petri dishes? | 0:34:42 | 0:34:45 | |
Yes. They set the science back decades. | 0:34:45 | 0:34:48 | |
When they tried to run away with you... | 0:34:48 | 0:34:51 | |
I intervened. | 0:34:52 | 0:34:54 | |
Your task now is to put it behind you. | 0:34:57 | 0:35:00 | |
And do not fight. | 0:35:00 | 0:35:03 | |
It won't end well for you. | 0:35:03 | 0:35:04 | |
It's already over, Aldous. | 0:35:04 | 0:35:08 | |
BEEP | 0:35:11 | 0:35:13 | |
PHONE RINGING | 0:35:13 | 0:35:16 | |
Rachel, is it done? | 0:35:19 | 0:35:22 | |
It's in motion. | 0:35:22 | 0:35:24 | |
'Not a happy task, I know. | 0:35:24 | 0:35:27 | |
'He was your mentor.' | 0:35:27 | 0:35:29 | |
-Yes, he was. -'But he lost his way' | 0:35:29 | 0:35:31 | |
with Sarah Manning. Serves us right, | 0:35:31 | 0:35:34 | |
really, putting a lab coat in the big chair. | 0:35:34 | 0:35:37 | |
Let me know when it's done, yep? | 0:35:39 | 0:35:41 | |
BEEP | 0:35:41 | 0:35:43 | |
-Rachel... -Go now. | 0:35:45 | 0:35:48 | |
-No, Rachel. -Don't get in your car. Don't go home. | 0:35:48 | 0:35:52 | |
-You might survive. -Thank you. | 0:35:52 | 0:35:56 | |
It's foolish to spare you. | 0:35:57 | 0:35:59 | |
But you raised me. | 0:35:59 | 0:36:02 | |
Nurture prevails. | 0:36:03 | 0:36:05 | |
LEEKIE SNIFFLING | 0:36:17 | 0:36:19 | |
CAR ENGINE STARTS | 0:36:45 | 0:36:47 | |
PHONE RINGING | 0:36:59 | 0:37:02 | |
Hey. | 0:37:04 | 0:37:06 | |
Hey, Sarah. | 0:37:06 | 0:37:08 | |
Hey, Cos. What's... what's going on? | 0:37:08 | 0:37:11 | |
I really hate to make this call. | 0:37:11 | 0:37:14 | |
'But it's about all of us.' | 0:37:15 | 0:37:17 | |
And it's about Kira. | 0:37:17 | 0:37:20 | |
-But why did she need Kira's tooth? -Cal... | 0:37:22 | 0:37:24 | |
-What the hell? -I don't know. She's sick, Cal. | 0:37:24 | 0:37:28 | |
This is one of the "aunts" you | 0:37:28 | 0:37:29 | |
-won't tell me about? -Yes, yes. | 0:37:29 | 0:37:30 | |
We've been running from DYAD and now you want to take Kira in to have them what? | 0:37:30 | 0:37:33 | |
-Harvest her? -I don't know, Cal! OK? She's sick. | 0:37:33 | 0:37:37 | |
This might be her only chance. | 0:37:37 | 0:37:39 | |
Don't do this to our kid. | 0:37:39 | 0:37:41 | |
DOOR BANGING AND KIRA SCREAMING | 0:37:43 | 0:37:45 | |
Kira? | 0:37:46 | 0:37:48 | |
Will this help? | 0:37:49 | 0:37:51 | |
-Oh God, monkey. -Shit. | 0:37:51 | 0:37:54 | |
It was already loose. | 0:37:56 | 0:37:58 | |
Whatever this is, it's going to swallow you both. | 0:37:58 | 0:38:01 | |
Oh, Kira... | 0:38:05 | 0:38:07 | |
It's not your decision. We have to go back. | 0:38:08 | 0:38:11 | |
Let's get this... | 0:38:11 | 0:38:13 | |
The number we practiced... You still remember it? | 0:38:13 | 0:38:16 | |
-Yeah. -OK, good. | 0:38:16 | 0:38:18 | |
You call it any time, OK? You need me, I'll be there. | 0:38:18 | 0:38:21 | |
No matter what. | 0:38:21 | 0:38:23 | |
OK. | 0:38:24 | 0:38:25 | |
I'm sorry. | 0:38:34 | 0:38:36 | |
-Don't worry. -OK, see ya. See ya. | 0:38:36 | 0:38:39 | |
Taxi! Taxi! Hey! Hey! | 0:38:58 | 0:39:01 | |
Come on! God... | 0:39:01 | 0:39:04 | |
Dr Leekie, I need a word. | 0:39:19 | 0:39:21 | |
-CHUCKLING -Another time, Donnie. | 0:39:23 | 0:39:26 | |
HORN BEEPS Get in. | 0:39:28 | 0:39:31 | |
Jesus... | 0:39:35 | 0:39:37 | |
-You lied to me. -No. | 0:39:43 | 0:39:45 | |
I offered you a chance to be part of something special. | 0:39:45 | 0:39:48 | |
-Well, it's not right. All the secrets. -Donnie... | 0:39:48 | 0:39:52 | |
-It's late. -You came into my house... | 0:39:52 | 0:39:55 | |
-..and probed my wife. -Listen to me, | 0:39:56 | 0:39:59 | |
you turnip. | 0:39:59 | 0:40:01 | |
In 100 years' time, | 0:40:01 | 0:40:03 | |
no-one will care in any way about Donnie Hendrix except | 0:40:03 | 0:40:06 | |
as a footnote in this experiment. | 0:40:06 | 0:40:08 | |
You ruined my marriage. | 0:40:08 | 0:40:10 | |
-My wife hates me. -I gave you your wife. | 0:40:10 | 0:40:13 | |
Put the gun away and | 0:40:17 | 0:40:18 | |
go home to bed, huh? | 0:40:18 | 0:40:20 | |
I won't participate any more. | 0:40:20 | 0:40:24 | |
-Thank you. -I quit! GUNSHOT | 0:40:24 | 0:40:27 | |
# I feel it in my fingers... # | 0:40:33 | 0:40:36 | |
Oh! Oh God. | 0:40:36 | 0:40:38 | |
Oh God. | 0:40:38 | 0:40:41 | |
THUNDER RUMBLING | 0:40:41 | 0:40:43 | |
# Well, love is all around me | 0:40:43 | 0:40:45 | |
# And so the feeling grows... # | 0:40:45 | 0:40:48 | |
-Where is Aldous? -Aldous suffered a fatal heart attack | 0:40:51 | 0:40:54 | |
-on one of our jets. -They want to make more of us? | 0:40:54 | 0:40:58 | |
-They've tried and tried. -I'm leaving. | 0:40:58 | 0:41:00 | |
Just picks up and abandons his kids in the middle of the night. | 0:41:00 | 0:41:04 | |
We have to find Beth Childs. | 0:41:04 | 0:41:06 | |
(You are running out of time.) | 0:41:06 | 0:41:07 | |
Cosima! | 0:41:07 | 0:41:09 |