Knowledge of Causes, and Secret Motion of Things Orphan Black


Knowledge of Causes, and Secret Motion of Things

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Alison, help!

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I killed Aynsley, Felix.

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I thought it was her. My husband is my monitor.

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COUGHING I'm sick, Delphine.

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I'm willing to disregard Rachel and proceed

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-with the treatment.

-They're not clone cells.

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They're from a totally different person. Whoever you cloned,

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do they have a niece or even a daughter?

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I didn't think your mom had any sisters.

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They all look the same,

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but I can tell them apart.

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-MOANING IN PAIN

-He took my finger.

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This is piss-off money, OK? You don't get to know anything.

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-SCREAMING

-You're the one that meets me the parking lot.

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I have to make these, uh, place settings for Family Day.

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-I could use some help.

-I'll get you your dirt on Alison Hendrix.

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But my charges go when I'm done.

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Six scientists incinerated in a lab explosion.

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-Susan and Ethan Duncan...

-They were Rachel's parents.

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If you think you're going to take Duncan back,

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then you'll have to kill us both.

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Leekie wouldn't let us raise her. He killed Rachel's mother.

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My neighbour Aynsley always thought she was better than me.

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Yeah, it's tough, the judgment.

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Yes! And it wasn't, you know, outright.

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It was just these little jabs and looks.

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-I hate people like that.

-Mm-hmm. Yeah.

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I guess, you know, in that sense, she had it coming.

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Had what coming?

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TV PLAYING IN THE BACKGROUND

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Oh, just an incident.

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Come on, Ali. Unburden yourself.

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-That's why we're here.

-No, I can't.

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Hey. Look at me.

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You can trust me. The stuff that I've done...

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No judgment.

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TV IN THE BACKGROUND

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I slept with her husband.

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In a parking lot.

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Do you think I'm awful?

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No, I think you're brave.

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Alison, you're brave for sharing.

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-Feels nice, feels good, no?

-Yeah.

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You know, the next step is,

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-you have to learn to forgive...

-Then I killed her.

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Well, she was choking and I didn't stop it.

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What, like on a piece of chicken?

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No. Not like on a piece of chicken.

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I could have saved her, and I didn't.

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WHISPERING She clawed at the countertop...

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..begging for her life.

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I stood there...

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until it was over.

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SIGHING

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It feels so good to say it out loud.

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-Yeah, I bet.

-You have been so supportive.

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I made something.

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Oh, it's for me?

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Yeah. Who else?

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GASPING IN DISGUST

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BIRDSONG

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Oi! Mr Duncan.

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Is this it?

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No. No, I told you. Red box, no label.

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We simply cannot leave without it.

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-SIGHING

-He's mad, Siobhan.

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He's afraid we'll side with Leekie.

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SIGHING

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Maybe we'll side with Rachel.

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After what she's done? Rachel is a creature of DYAD.

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She may know full well that Leekie killed her mother. She might even approve.

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-No, she had those videos of them.

-That doesn't mean anything.

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I don't know how we use him yet, but...I say

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we divide and conquer.

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That's a good enough strategy, isn't it?

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-Might be. With more facts.

-Aha!

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-Did you find it?

-No. This.

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SIGHING IN RELIEF

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MOANING IN DISGUST

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MUMBLING TO HERSELF

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Oh.

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BACKGROUND CHATTER

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Yeah, Detective, it's me.

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I got, uh, I got something big for you.

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No, I'll tell you in person.

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Listen, DeAngelis, this is not a negotiation.

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You want Alison Hendrix, you show up tomorrow with my paperwork.

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After I see my charges have been dropped, then I'll talk.

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I don't give a shit what you think.

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SHE MOANS

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-Mommy...

-Shh. Shh.

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It's OK, Kira.

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HE SIGHS

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Shit.

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BIRDSONG

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SHE SCREAMS IN DISGUST

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-You OK?

-Yeah.

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Oh, bloody hell!

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Aha!

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-There it is.

-What?

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That's just junk!

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What, is that it? That's what we've been looking for?

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Thank you!

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PHONE RINGING

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-Hey, is Kira all right?

-Yeah, she's fine.

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-But they're on to me.

-What?

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-'How?'

-Computer's been hacked.

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Which means they could have my location.

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But I'll throw 'em off the trail.

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Shit! I'm... I'm coming for her.

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No, no, I'm on the move.

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I'll call you at the meet-up spot.

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Are you going to tell me who your mystery sitter is?

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No.

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I'm not.

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I'll trust you know what's best for Kira,

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if you will trust me with him.

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I don't.

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-Not by a long shot.

-He's still my responsibility.

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Just, let me get him to town, we'll take it from there.

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Hey.

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Watch your back with this one.

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Come on.

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We have to go.

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Can you feel that?

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Mm-hmm.

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-Feel that?

-Kinda.

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Yeah?

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And that? MONITOR BEEPING

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The spinal's working.

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-We're going to begin.

-OK.

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-Yeah?

-Yeah.

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She's inserting into the uterus

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and she's going to inject directly into the muscles.

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This is the beginning of getting you well, Cosima.

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-OK?

-Mm-hmm.

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PHONE RINGING Huh?

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God. Jesus Christ.

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What the f...

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Oh, wait.

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-What?

-'(Felix, we have a problem.)'

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What? Why are you whispering?

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(Because I'm not supposed to be using the telephone. Vic is here.)

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-Vic is in rehab?

-'Yes.'

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And he's snitching to a cop called DeAngelis.

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'Wait, wait, wait, wait.'

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-Angela DeAngelis?

-(I can't go to jail, Felix.

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(I don't have the temperament. In the shower if they touch me, I will cut them!)

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Alison. Alison!

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Look, I will be there first thing.

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-'All right?'

-OK.

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Hey, where's Kira?

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Uh, she's sleeping.

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Did anyone follow ya?

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No, I took the side streets and doubled back.

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All right, I'm so sorry about this. I don't know how they found me in the first place.

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I encrypted everything. I routed all my traffic through anonymous proxies.

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I mean, I'm untraceable.

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-It wasn't your fault.

-They're trying hard.

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That tells me Kira's quite the prize for 'em.

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Listen, I have no idea

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who these "aunties" are,

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but they came with a weird story.

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She's just got an overactive imagination, Cal.

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-You sure?

-Yes.

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-Well, hi.

-Hi.

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-I'm Cal.

-Sarah.

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Want to come in?

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-I'm not that kinda girl.

-CAL LAUGHS

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Yes, you are.

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Sarah and Helena were separated.

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-How?

-By a Prolethean.

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-Mark Rollins. Known to us.

-And then?

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I followed Sarah, as instructed, and she came up empty.

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-No sign of the scientist?

-None.

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You know what this is?

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Synthetic amniotic fluid.

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We're developing an artificial womb.

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A bit of a hobby of mine.

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I like pottery.

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What have you told Rachel?

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I came to you first. What should I tell her?

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-CHUCKLING

-What you told me, Paul.

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The truth.

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Thank you.

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-BEEP

-'Yes, Dr Leekie?'

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I need to meet with Marian Bowles.

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It's an emergency.

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BIRDSONG

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We really must go now.

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-It's time.

-Right, then.

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Y... your box.

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-Hmm?

-Your mementos.

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Ah, yes.

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We really do have to go.

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Wh... what?

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What have we there?

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Everything, Ms Sadler.

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Absolutely everything.

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GULLS CRYING

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-Mommy.

-Morning, monkey.

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Mommy.

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'We share a lab.'

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Why do we have to keep the source from her?

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Because you signed a confidentiality agreement.

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And I'm your boss. Is that clear?

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SCOTT SIGHING

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-Cosima...

-What's going on, Scott?

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Um...

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You gave me Kira's stem cells?

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-Please, listen to me. Leekie set us up.

-Us?

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-What?

-Yes, remember the culture

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we stumbled upon? The match?

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-He planted it for us to find.

-You knew it was Kira's!

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But only after I realised that it was working!

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The tests were positive and I had to keep going.

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Did you ever stop to think once that this is my decision and not yours?

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There is no decision, Cosima. You have one way forward and this is it.

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How did you harvest her?

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Kira lost a tooth in her accident

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and Leekie procured it from the hospital.

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It is a finite source.

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Unless you bring her in for more.

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Yeah.

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-Out.

-You don't understand.

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This is my lab.

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My body! I'm the science. Get out!

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DOOR OPENS AND CLOSES

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HE EXHALES

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-Whoa. Hi.

-Hi.

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-Could I talk to you for a second?

-HE EXHALES

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-Yeah, sure. What's up?

-Privately.

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Hey, Ali.

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-You ready for Family Day?

-Absolutely.

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Mm-hmm.

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So, what's on your mind?

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You selfish, manure bag of a man!

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What's this?

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You were supposed to come to rehab to heal and to grow.

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-You're not supposed to come to get even sleazier.

-I opened up to you,

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-Vic. I trusted you.

-Alison.

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I'm honestly sorry. I got a past I'm trying to get out from under.

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I have to meet DeAngelis this afternoon.

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And what would your dealer friends say about Squeally Vic?

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I'm moving forward, and if you knew what was good for you, you'd do the same.

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Starting by removing the, uh, unsavoury elements from your life.

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-Sarah's not pleased.

-DOOR SQUEAKS

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-Sarah?

-Mm-hmm.

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-She here?

-She's nearby.

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-Aldous.

-Marian.

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MARIAN CHUCKLES

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Oh, please tell me your hands have not been soaking in

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some gruesomely fecund jelly. BOTH LAUGHING

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What I do with my free time is my business, Marian. Please.

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Ethan Duncan is alive.

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-How?

-I don't know. But Sarah Manning

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tracked him down.

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Well...

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This is a thing.

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-It's a thing.

-Well, you know Rachel better than anyone.

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How do you think she's react when she learns the truth?

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At one time, I'd have counted on her

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-to see the big picture.

-And now?

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She's taking things personally.

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If Rachel has become too entangled...

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..we have to step in.

0:16:330:16:35

-She will fight.

-Then she will lose.

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You know, I was just thinking.

0:16:450:16:47

Our paths rarely cross anymore.

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-My misfortune.

-But when they do,

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it's almost always because of Sarah Manning.

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-We need to look at that. Done?

-Mm-hmm.

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So, look, I've been...

0:17:120:17:14

I've been working on something for the past few days.

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I think I might have the answer for us.

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-OK.

-Reykjavik.

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-What was the question?

-I'm serious.

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-I have people there.

-Ay.

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Who's got people in Iceland?

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I can get the paperwork.

0:17:280:17:30

I got money. Just say yes.

0:17:300:17:33

-Cal, it's not that easy.

-All right, right on cue!

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The vague warnings.

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Look, there are other people involved.

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You know I've tangled with corporate heavies before.

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Yeah, not like these.

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I know. Point is, I made some friends along the way.

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I got contacts, sources.

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Some of them are tinfoil-hat guys.

0:17:520:17:54

But the chatter about the DYAD Group, it's...

0:17:540:17:57

What? Hey.

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Listen. We're just going to do it.

0:18:000:18:03

We're just going to say it out loud, OK? Your big secret.

0:18:030:18:06

Sarah Manning, I know this may sound crazy, but I think you're a...

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..a Pisces.

0:18:120:18:14

-Am I right?

-You twat.

0:18:140:18:16

-It makes so much sense to me.

-Yeah, yeah.

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Whatever it is, I don't care.

0:18:190:18:21

Let's just get outta here.

0:18:220:18:25

PHONE RINGING

0:18:250:18:27

-Yeah?

-'Hey, Sarah. Look.'

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We need your help with a little something at rehab.

0:18:330:18:36

'What's Alison done?'

0:18:360:18:37

-She hurled herself off the wagon?

-No, she...

0:18:370:18:40

I... I am sober as a judge, Sarah.

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It's you. Your people.

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Your finks and rats and snitches and fuzz.

0:18:450:18:47

'Vic's here and he's going to give me up to the police unless you meet with him.'

0:18:470:18:51

I need you to come here right now and clean up your doo-doo.

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SHE SIGHS

0:18:540:18:55

# I feel it in my fingers

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# I feel it in my toes

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# Well, love is all around me

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# And so the feeling grows... #

0:19:140:19:18

(Come on, come on!)

0:19:180:19:20

-Oi.

-Oi.

0:19:200:19:22

Where is Alison?

0:19:220:19:25

Welcoming her family.

0:19:250:19:26

It's some kind of public flagellation day. Follow me.

0:19:260:19:30

# So if you really love me

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# Come on and let it show... #

0:19:340:19:36

-Hi.

-Hi. I'm here. What?

0:19:400:19:43

What do you want?

0:19:430:19:45

Victor. You have the floor.

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VICTOR SIGHS

0:19:510:19:54

I have to atone.

0:19:590:20:01

"Dear Sarah...

0:20:070:20:08

"You are a rock in my stream.

0:20:100:20:14

"Blocking the flow."

0:20:160:20:17

I'm not getting it, Vic.

0:20:190:20:21

I have to apologise.

0:20:240:20:25

-OK?

-OK.

0:20:250:20:28

Good! Yeah. Fine.

0:20:280:20:30

-Accepted.

-Wait, I haven't done it yet.

0:20:300:20:32

Uh, I atone you, Vic.

0:20:320:20:34

-You're atoned.

-OK?

0:20:340:20:36

-OK? We're done?

-Cool. Thank you.

-Wait a minute.

0:20:360:20:39

Sarah, you don't have anything you want to say to me?

0:20:390:20:41

After everything? Come on, the heartbreak,

0:20:410:20:43

-the finger loss.

-Pff!

0:20:430:20:46

-Oh, you want me to apologise to you?

-Which of the 12 Steps is that?

0:20:460:20:49

Sarah, I want a conversation with you, back and forth.

0:20:490:20:52

No. No, Vic. We had a deal.

0:20:520:20:54

You get to say your bit to Sarah and then you stay

0:20:540:20:56

buttoned up re Alison's little bouts of criminal negligence.

0:20:560:20:59

That was not the deal.

0:20:590:21:00

New deal.

0:21:010:21:04

-Mom!

-Babies!

0:21:040:21:06

Hello! Hello!

0:21:060:21:08

I missed you so much, my little babies!

0:21:100:21:13

-Daddy says you're coming home soon.

-Yes, I am.

0:21:130:21:17

-Soon as Daddy deems me fit.

-Hey, hey.

0:21:180:21:20

Come on. Today's going to be good. All right?

0:21:200:21:23

-Nothing to worry about.

-Hey, let's go.

0:21:230:21:25

Can you find your nametag on the table?

0:21:250:21:26

-Oh!

-Oh, look at that!

-Where's my nametag?

0:21:260:21:30

Look at that! That is exciting!

0:21:300:21:32

-They did that for you.

-Honey, can you pass my nametag?

0:21:320:21:34

-You know who made them?

-Honey, can you pass my nametag?

-You.

0:21:340:21:36

-Relax!

-Sarah, you always do this!

0:21:360:21:39

You always keep yourself at a distance. You never let me in.

0:21:390:21:41

No wonder, with those giant banana hands of yours.

0:21:410:21:43

For the love of Buddha, can you please stay

0:21:430:21:45

-out of this?

-Listen, listen. Hey, Vic!

0:21:450:21:47

-Look, I apologise.

-'Kay.

0:21:470:21:50

Really, truly. We were two colliding

0:21:500:21:52

-train wrecks.

-Yeah.

0:21:520:21:53

-OK?

-Sarah, I've been doing a lot of the work.

0:21:530:21:55

Great. Yeah, that's good.

0:21:550:21:56

-I'm getting a lot better.

-Good for you.

0:21:560:21:59

-Thank you.

-Good luck.

0:21:590:22:01

(I want you back.)

0:22:010:22:03

-Oh, dear God.

-Sarah.

-This is all fake.

0:22:030:22:04

Listen, I've changed. All right? Let me prove it to you.

0:22:040:22:07

-Not happening, it's not happening.

-What?

0:22:070:22:09

Don't tell me that Nail Gun Ken is still in the picture.

0:22:090:22:12

-No, but you should see the new one.

-There's a new one?

0:22:120:22:14

-Felix.

-What?

0:22:140:22:16

Those guys are not you. I am you.

0:22:160:22:20

I stand for...

0:22:200:22:21

Jesus Christ.

0:22:230:22:25

OK. Look.

0:22:250:22:27

What I'm trying to say is this.

0:22:270:22:30

HE SIGHS

0:22:320:22:34

Do you smell salt?

0:22:340:22:36

Whoa!

0:22:370:22:38

What the hell just happened?

0:22:420:22:44

I may have spiked his tea.

0:22:440:22:47

If you've done your homework, I shouldn't

0:22:590:23:02

have to introduce myself.

0:23:020:23:04

Siobhan Sadler.

0:23:040:23:05

I have to say,

0:23:050:23:07

-I'm pretty impressed you'd come here.

-I have something you want.

0:23:070:23:10

My favourite kind of visitor.

0:23:100:23:13

Please.

0:23:130:23:14

Have a seat.

0:23:190:23:20

I have the early research of Professors Susan and Ethan Duncan.

0:23:220:23:25

Key formulas. Methodology. Sequences.

0:23:250:23:29

-A summary, on disc.

-Where'd you get it?

0:23:290:23:32

It's your missing science, Dr Leekie.

0:23:340:23:36

What is it worth to you?

0:23:360:23:38

Well, that depends.

0:23:380:23:41

I'd need to authenticate it.

0:23:410:23:44

With Duncan himself.

0:23:440:23:45

I give you Duncan, you give up on Kira.

0:23:530:23:56

And we disappear once and for all. You drop your hunt.

0:23:560:23:59

What about Sarah?

0:23:590:24:00

Sarah sadly insists on fending for herself.

0:24:000:24:03

But the child deserves better.

0:24:030:24:05

Ugh! It's like he was molested by elves.

0:24:070:24:10

-What did you give him?

-Benzodiazepine.

0:24:100:24:12

In small doses,

0:24:120:24:14

it's perfectly recreational.

0:24:140:24:16

-It's true.

-Sorry.

0:24:160:24:18

God! He weighs a ton. PHONE RINGING

0:24:200:24:23

S. What's wrong?

0:24:230:24:26

Nothing, for once. I was fact-checking.

0:24:260:24:28

Seems safe to assume Rachel doesn't know Leekie killed her mother.

0:24:280:24:32

-What? How do you know that?

-He told me, in not so many words.

0:24:320:24:35

He does want Duncan silent and all the science to himself.

0:24:350:24:38

What, you talked to Leekie?

0:24:380:24:41

Divide and conquer, Sarah.

0:24:410:24:43

But if we drop this bomb on Rachel,

0:24:430:24:45

there's no telling which one of them will fall.

0:24:450:24:47

I'm good with either one.

0:24:470:24:49

-'Let's blow up their shit.'

-Then I'll set it up.

0:24:490:24:52

KNOCKING

0:24:520:24:54

-Alison?

-Damn it to hell.

0:24:540:24:55

I, uh... Yep.

0:24:570:24:59

Mm-hmm.

0:24:590:25:01

What' you doing ducking out? You volunteered.

0:25:010:25:05

-Uh, I know.

-OK, come on.

0:25:050:25:08

Alison.

0:25:100:25:12

Do I have to drag you out of there? Alison!

0:25:120:25:15

Mm-hmm.

0:25:150:25:17

Coming.

0:25:170:25:19

Bollocks.

0:25:220:25:25

Have you seen Victor?

0:25:250:25:27

-Nope.

-Great.

0:25:270:25:29

-HE GROANS

-Oh, my God.

0:25:350:25:38

-What is this? Wh...

-You're welcome.

0:25:380:25:41

Thanks to me, he's going to miss his meeting with DeAngelis.

0:25:410:25:44

No, no, no! He can't be here.

0:25:440:25:47

There's family tours after the assembly.

0:25:470:25:49

They're coming to this room!

0:25:490:25:51

-No bodies.

-Oh...

0:25:510:25:54

So we're all going to be nice to Mommy, right? OK?

0:26:170:26:20

Come on.

0:26:200:26:22

Hello, everyone! OK!

0:26:220:26:25

Well, hello. Please take your seats. We'll get started now.

0:26:250:26:28

-Great to see all shining faces here today.

-Oh, Alison. We have a seat in front.

0:26:280:26:31

Front row. Come on.

0:26:310:26:33

-Welcome to our Family Day.

-Ali!

0:26:330:26:35

As is the custom on Family Day,

0:26:350:26:37

the group has chosen a resident to make some opening remarks.

0:26:370:26:40

Ladies and gentlemen, Alison Hendrix!

0:26:400:26:44

Oh, shit...

0:26:510:26:53

-Hey, Mom!

-Hello, kids. OK.

0:27:040:27:07

Thank you all for coming today.

0:27:070:27:10

Not that any of us really had any choice,

0:27:100:27:13

I guess.

0:27:130:27:15

So, um,

0:27:150:27:17

we stand among you today, pill poppers

0:27:170:27:21

and booze hounds, hop-heads, tweakers,

0:27:210:27:25

-rummies...

-Alison.

0:27:250:27:27

Right.

0:27:270:27:29

Where the bloody hell are we going?

0:27:380:27:40

Come on. We need to get him downstairs.

0:27:400:27:42

Trust me, I have a plan.

0:27:420:27:44

Christ on a log! The man's made of cement.

0:27:440:27:47

Hurry up, Felix. I need to make it to the assembly for the role-playing demonstration.

0:27:480:27:52

-The what?!

-Role-playing.

0:27:520:27:55

-Let's begin.

-OK.

0:27:550:27:57

Hello, everyone.

0:28:010:28:03

OK, he's being Alison.

0:28:030:28:06

-That's right.

-And I'm being Alison being Donnie?

0:28:060:28:09

Uh, this teaches you to see things from your partner's point of view.

0:28:090:28:12

So, Donnie, what's on your mind?

0:28:120:28:16

Um, uh...

0:28:170:28:20

Don't stammer, Donnie. And stand up straight.

0:28:260:28:30

Or I'll withhold affection. CROWD LAUGHS

0:28:300:28:33

Engage him, Alison.

0:28:330:28:35

Make eye contact.

0:28:350:28:36

-Donnie, look at me.

-Yeah.

0:28:360:28:38

Alison, I think you should come home to your family.

0:28:380:28:41

No, Donnie, because I, Alison,

0:28:410:28:44

need supervision.

0:28:440:28:46

That sounds about right.

0:28:460:28:47

Uh, I'm Donnie and I like to

0:28:470:28:50

spy on my wife and monitor her every move.

0:28:500:28:53

Now, wait a minute. You're just using my voice

0:28:530:28:56

-for your words.

-Well, maybe you should listen

0:28:560:28:57

to Alison's words a little more often, Donnie.

0:28:570:29:00

-OK, is she doing this right?

-You do seem to be blocking, Alison.

0:29:000:29:03

No, he's the one who's blocking...her. Her.

0:29:030:29:06

Shhh... It's what you do.

0:29:060:29:09

Now who are you being? CROWD WHISPERING

0:29:090:29:13

I really have to tinkle.

0:29:160:29:18

(Oh. Go back. Back.)

0:29:220:29:25

PHONE RINGING

0:29:280:29:31

Shit. It's her. Get his phone. Get his phone.

0:29:310:29:34

-Vic?

-PHONE RINGING IN BACKGROUND

0:29:350:29:38

DOOR CLOSING

0:29:420:29:44

BEE

0:29:500:29:52

Pff. Quit screwing around, Vic.

0:29:530:29:56

What were you thinking? How could you go in there?

0:30:140:30:17

-Sweet Jesus, I'm done.

-I didn't have a choice.

0:30:170:30:20

-Did I? Where's Vic?

-Sorted.

0:30:200:30:23

-For now.

-This is a disaster.

0:30:230:30:26

-Give me that.

-Ah. Piss off.

0:30:260:30:28

Alison?

0:30:280:30:30

Wha...

0:30:320:30:33

Yes. Relax, Donnie.

0:30:330:30:36

It's Sarah Manning. The runaway clone. So...

0:30:360:30:40

I guess you'll be

0:30:400:30:42

running off to call Dr Leekie, hmm?

0:30:420:30:44

Clone?

0:30:440:30:46

I don't think he knows, Alison.

0:30:480:30:50

Of course he knows. He's a monitor.

0:30:500:30:53

No, darling. I think Sarah's right. This kind of cluelessness can't be faked.

0:30:530:30:57

Vic, I don't know what kind of game you're playing,

0:31:000:31:03

but you better call me...now.

0:31:030:31:05

'On-duty nurse, please come to the reception area.'

0:31:050:31:07

-SIGHS

-You can't be serious.

0:31:150:31:19

Must have been the pressure of Family Day.

0:31:190:31:23

Hello, Paul.

0:31:310:31:32

Do come in.

0:31:370:31:38

You have 15 minutes.

0:31:410:31:44

Once you've gone, your father will remain here.

0:31:440:31:46

If anybody moves against this house, I will put a bullet in his head.

0:31:460:31:50

Are we clear?

0:31:500:31:53

Rachel.

0:32:200:32:23

My dear, dear Rachel...

0:32:250:32:27

Hello, father.

0:32:290:32:31

-I can hardly believe it's been 20 years.

-So how is Dr Leekie?

0:32:390:32:43

He's making his own moves, I'm sure.

0:32:450:32:47

You don't know the truth about your mother, do you?

0:32:470:32:49

What Rachel's going to learn is going to force both of their hands.

0:32:490:32:52

I can see where Sarah gets it.

0:32:520:32:54

Her knack for burning things down.

0:32:550:32:57

RACHEL SNIFFLING

0:32:590:33:01

It's OK.

0:33:060:33:08

You have to believe me. I had no idea.

0:33:080:33:11

What did you think you were doing?

0:33:110:33:13

You remember Sociology 201?

0:33:130:33:16

With that prof...

0:33:160:33:18

What's his name? With the cleft palate.

0:33:180:33:20

He recruited me into a study.

0:33:200:33:23

A study?

0:33:240:33:26

Long-term social metrics.

0:33:260:33:27

They told me it was totally benign but...

0:33:270:33:30

the subjects had to remain completely unaware.

0:33:300:33:33

So when men came in vanloads at night with their gloves and their probes,

0:33:330:33:37

-was that benign?

-What? What... what men?

0:33:370:33:40

You destroyed us, Donnie, with the spying

0:33:400:33:42

and the lies.

0:33:420:33:45

I loved you so much, and you ruined our family!

0:33:450:33:48

And you're so stupid, you don't even know why!

0:33:490:33:53

My father sends his regards.

0:34:220:34:26

It's important you think

0:34:290:34:32

very carefully about your next steps, Rachel.

0:34:320:34:35

Or what?

0:34:350:34:37

(I'll die in a fire?)

0:34:370:34:39

Ethan and Susan Duncan left us no choice.

0:34:390:34:42

Oh please. By salting your Petri dishes?

0:34:420:34:45

Yes. They set the science back decades.

0:34:450:34:48

When they tried to run away with you...

0:34:480:34:51

I intervened.

0:34:520:34:54

Your task now is to put it behind you.

0:34:570:35:00

And do not fight.

0:35:000:35:03

It won't end well for you.

0:35:030:35:04

It's already over, Aldous.

0:35:040:35:08

BEEP

0:35:110:35:13

PHONE RINGING

0:35:130:35:16

Rachel, is it done?

0:35:190:35:22

It's in motion.

0:35:220:35:24

'Not a happy task, I know.

0:35:240:35:27

'He was your mentor.'

0:35:270:35:29

-Yes, he was.

-'But he lost his way'

0:35:290:35:31

with Sarah Manning. Serves us right,

0:35:310:35:34

really, putting a lab coat in the big chair.

0:35:340:35:37

Let me know when it's done, yep?

0:35:390:35:41

BEEP

0:35:410:35:43

-Rachel...

-Go now.

0:35:450:35:48

-No, Rachel.

-Don't get in your car. Don't go home.

0:35:480:35:52

-You might survive.

-Thank you.

0:35:520:35:56

It's foolish to spare you.

0:35:570:35:59

But you raised me.

0:35:590:36:02

Nurture prevails.

0:36:030:36:05

LEEKIE SNIFFLING

0:36:170:36:19

CAR ENGINE STARTS

0:36:450:36:47

PHONE RINGING

0:36:590:37:02

Hey.

0:37:040:37:06

Hey, Sarah.

0:37:060:37:08

Hey, Cos. What's... what's going on?

0:37:080:37:11

I really hate to make this call.

0:37:110:37:14

'But it's about all of us.'

0:37:150:37:17

And it's about Kira.

0:37:170:37:20

-But why did she need Kira's tooth?

-Cal...

0:37:220:37:24

-What the hell?

-I don't know. She's sick, Cal.

0:37:240:37:28

This is one of the "aunts" you

0:37:280:37:29

-won't tell me about?

-Yes, yes.

0:37:290:37:30

We've been running from DYAD and now you want to take Kira in to have them what?

0:37:300:37:33

-Harvest her?

-I don't know, Cal! OK? She's sick.

0:37:330:37:37

This might be her only chance.

0:37:370:37:39

Don't do this to our kid.

0:37:390:37:41

DOOR BANGING AND KIRA SCREAMING

0:37:430:37:45

Kira?

0:37:460:37:48

Will this help?

0:37:490:37:51

-Oh God, monkey.

-Shit.

0:37:510:37:54

It was already loose.

0:37:560:37:58

Whatever this is, it's going to swallow you both.

0:37:580:38:01

Oh, Kira...

0:38:050:38:07

It's not your decision. We have to go back.

0:38:080:38:11

Let's get this...

0:38:110:38:13

The number we practiced... You still remember it?

0:38:130:38:16

-Yeah.

-OK, good.

0:38:160:38:18

You call it any time, OK? You need me, I'll be there.

0:38:180:38:21

No matter what.

0:38:210:38:23

OK.

0:38:240:38:25

I'm sorry.

0:38:340:38:36

-Don't worry.

-OK, see ya. See ya.

0:38:360:38:39

Taxi! Taxi! Hey! Hey!

0:38:580:39:01

Come on! God...

0:39:010:39:04

Dr Leekie, I need a word.

0:39:190:39:21

-CHUCKLING

-Another time, Donnie.

0:39:230:39:26

HORN BEEPS Get in.

0:39:280:39:31

Jesus...

0:39:350:39:37

-You lied to me.

-No.

0:39:430:39:45

I offered you a chance to be part of something special.

0:39:450:39:48

-Well, it's not right. All the secrets.

-Donnie...

0:39:480:39:52

-It's late.

-You came into my house...

0:39:520:39:55

-..and probed my wife.

-Listen to me,

0:39:560:39:59

you turnip.

0:39:590:40:01

In 100 years' time,

0:40:010:40:03

no-one will care in any way about Donnie Hendrix except

0:40:030:40:06

as a footnote in this experiment.

0:40:060:40:08

You ruined my marriage.

0:40:080:40:10

-My wife hates me.

-I gave you your wife.

0:40:100:40:13

Put the gun away and

0:40:170:40:18

go home to bed, huh?

0:40:180:40:20

I won't participate any more.

0:40:200:40:24

-Thank you.

-I quit! GUNSHOT

0:40:240:40:27

# I feel it in my fingers... #

0:40:330:40:36

Oh! Oh God.

0:40:360:40:38

Oh God.

0:40:380:40:41

THUNDER RUMBLING

0:40:410:40:43

# Well, love is all around me

0:40:430:40:45

# And so the feeling grows... #

0:40:450:40:48

-Where is Aldous?

-Aldous suffered a fatal heart attack

0:40:510:40:54

-on one of our jets.

-They want to make more of us?

0:40:540:40:58

-They've tried and tried.

-I'm leaving.

0:40:580:41:00

Just picks up and abandons his kids in the middle of the night.

0:41:000:41:04

We have to find Beth Childs.

0:41:040:41:06

(You are running out of time.)

0:41:060:41:07

Cosima!

0:41:070:41:09

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