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This programme contains some violent scenes, strong language | 0:00:02 | 0:00:08 | |
and some scenes which some viewers may find upsetting | 0:00:08 | 0:00:13 | |
I'm not interested in you. | 0:00:13 | 0:00:14 | |
Yeah, well, I don't believe that and neither do you. | 0:00:14 | 0:00:16 | |
Tara lost her family in the 2015 quake. | 0:00:16 | 0:00:19 | |
You set your mind to anything, you'd smash it. | 0:00:19 | 0:00:21 | |
Be a lawyer, Prime Minister even! | 0:00:21 | 0:00:23 | |
In UK? | 0:00:23 | 0:00:24 | |
Maya, where is she? Where's Tara? | 0:00:24 | 0:00:26 | |
-She's gone. -Gone? | 0:00:26 | 0:00:27 | |
She wants to go to UK. | 0:00:27 | 0:00:28 | |
Captain Azizi! | 0:01:09 | 0:01:10 | |
Hey. | 0:01:12 | 0:01:13 | |
Good to see you, my friend. You look well. | 0:01:13 | 0:01:16 | |
Old. | 0:01:16 | 0:01:17 | |
They didn't tell me it was you. | 0:01:19 | 0:01:21 | |
Why would they? Is this the truck? | 0:01:22 | 0:01:24 | |
I thought it'd be more like the films. | 0:01:27 | 0:01:29 | |
The films? What, so you thought it would be more exciting? | 0:01:29 | 0:01:33 | |
Maybe. | 0:01:33 | 0:01:34 | |
Haven't been here before, have I? | 0:01:34 | 0:01:36 | |
Trust me, excitement is the last thing you want here. | 0:01:36 | 0:01:39 | |
Guys, less chat. | 0:01:39 | 0:01:40 | |
All right, guys, the ANA will take us from here to the base | 0:01:40 | 0:01:43 | |
where we'll rendezvous with the SF. | 0:01:43 | 0:01:45 | |
Ooh, bring on the real men. | 0:01:45 | 0:01:48 | |
Steady on, Richards. | 0:01:50 | 0:01:51 | |
You worked with blades before, then? | 0:01:58 | 0:02:00 | |
Yeah. | 0:02:00 | 0:02:01 | |
That Elvis one seconded me and Lane for a rescue job in Syria. | 0:02:01 | 0:02:05 | |
Let's just say the action continued into decompression. | 0:02:05 | 0:02:08 | |
You and Elvis? | 0:02:10 | 0:02:12 | |
Yeah, I mean, he's a bit full of himself | 0:02:12 | 0:02:14 | |
-but you can't deny that body. -Hey. | 0:02:14 | 0:02:16 | |
-What? -Shh. | 0:02:18 | 0:02:20 | |
Is he riddled with something? | 0:02:20 | 0:02:22 | |
Not exactly. He was engaged to Georgie. | 0:02:22 | 0:02:24 | |
-Yes, ages ago. -Oh... -We're just friends now. | 0:02:24 | 0:02:27 | |
What kind of a name is Elvis anyway? | 0:02:31 | 0:02:32 | |
-HE SNIFFS -What is that smell? | 0:03:03 | 0:03:05 | |
I thought it was you. | 0:03:05 | 0:03:07 | |
Eau de Kabul, that, mate. Breathe it in, my friend. | 0:03:07 | 0:03:11 | |
INDISTINCT CHATTER | 0:03:18 | 0:03:22 | |
Over there. | 0:03:25 | 0:03:26 | |
Thought you and your brothers weren't allowed so much as a beer. | 0:03:29 | 0:03:32 | |
They're not. | 0:03:32 | 0:03:34 | |
It is a product of the conflict. | 0:03:34 | 0:03:36 | |
The allies needed help to fight the Taliban | 0:03:36 | 0:03:38 | |
so they turned to the warlords. | 0:03:38 | 0:03:41 | |
They wanted to grow the poppy, the Taliban used to forbid it. | 0:03:41 | 0:03:44 | |
So what changed? | 0:03:44 | 0:03:46 | |
Taliban were skint after the war, | 0:03:46 | 0:03:48 | |
they had to make their money back somehow. | 0:03:48 | 0:03:49 | |
Heroin is now our largest export. | 0:03:49 | 0:03:52 | |
Get the driver to step on it, please. | 0:04:09 | 0:04:11 | |
We're nearly there. | 0:04:11 | 0:04:12 | |
Is everything all right, boss? | 0:04:12 | 0:04:14 | |
Incoming, get down! | 0:04:25 | 0:04:26 | |
-Contact left. Has anybody got eyes on? -Nothing seen, boss. | 0:04:30 | 0:04:34 | |
No-one else, boss. | 0:04:34 | 0:04:35 | |
Get us into base, now! | 0:04:35 | 0:04:36 | |
HE STRUGGLES TO BREATHE | 0:04:36 | 0:04:38 | |
Keep your heads down, guys. | 0:04:41 | 0:04:42 | |
INDISTINCT SPEECH | 0:04:58 | 0:05:00 | |
-No... -Unless you want him to die, | 0:05:02 | 0:05:03 | |
you're going to have to accept a little female help. | 0:05:03 | 0:05:06 | |
HE SPEAKS OWN LANGUAGE | 0:05:06 | 0:05:08 | |
He's got an entry but not exit wound upper right chest. | 0:05:09 | 0:05:12 | |
HE SPEAKS OWN LANGUAGE | 0:05:12 | 0:05:14 | |
No, let him stay. He might learn something. | 0:05:18 | 0:05:21 | |
Right, guys, on me. Is everyone OK? | 0:05:25 | 0:05:28 | |
-Boss. -All right, Kalil? You look a little pasty. | 0:05:28 | 0:05:30 | |
I'm fine, boss. | 0:05:30 | 0:05:32 | |
Welcome to Afghanistan. | 0:05:32 | 0:05:33 | |
# Can you hear the people marching louder than the drums? | 0:05:38 | 0:05:43 | |
# Can you hear the people coming louder than the drums? | 0:05:43 | 0:05:47 | |
Can you hear the people marching louder than the drums? | 0:05:47 | 0:05:52 | |
Can you hear the people coming? | 0:05:52 | 0:05:56 | |
# Can you hear the people marching louder than the drums? | 0:05:57 | 0:06:01 | |
# This is a battle cry | 0:06:01 | 0:06:02 | |
# Can you hear the people marching louder than the drums? | 0:06:02 | 0:06:05 | |
# This is a battle cry. # | 0:06:05 | 0:06:07 | |
Your face when they started shooting. | 0:06:14 | 0:06:16 | |
Reckon he's got proper skidders. | 0:06:16 | 0:06:17 | |
I thought we were here as support. | 0:06:17 | 0:06:19 | |
Didn't expect to be shot at the minute we arrived. | 0:06:19 | 0:06:22 | |
Afghan popped your cherry, mate. First live fire and all that. | 0:06:22 | 0:06:24 | |
Don't worry, mate, we all shit ourselves the first time. | 0:06:24 | 0:06:27 | |
I didn't shit myself! No skidders neither. | 0:06:27 | 0:06:30 | |
Hi, guys. | 0:06:30 | 0:06:32 | |
-All right, boss. -Boss. | 0:06:32 | 0:06:34 | |
Nice work, Lane. | 0:06:39 | 0:06:40 | |
He appreciates what you did for him, as do I. | 0:06:40 | 0:06:43 | |
Not sure everyone feels like that. | 0:06:44 | 0:06:46 | |
Malik is not a bad soldier. | 0:06:46 | 0:06:49 | |
He needs to learn when to accept help. | 0:06:49 | 0:06:50 | |
He's frustrated. | 0:06:50 | 0:06:52 | |
He comes here to fight to make his country better | 0:06:52 | 0:06:54 | |
and what does he find? | 0:06:54 | 0:06:57 | |
Poor training, poor equipment. Would you want that for your men? | 0:06:57 | 0:07:01 | |
No. | 0:07:01 | 0:07:03 | |
Lane, did I ever tell you how Captain Azizi and I met? | 0:07:03 | 0:07:07 | |
-No. -Helmand Province, 2014. | 0:07:07 | 0:07:10 | |
We bonded over a shared love of The Boss. | 0:07:10 | 0:07:13 | |
Captain Azizi, here, can't get enough of him. | 0:07:13 | 0:07:15 | |
His old man music is not for me. | 0:07:15 | 0:07:18 | |
Drum and bass all the way. | 0:07:18 | 0:07:20 | |
Is it really three years? | 0:07:22 | 0:07:24 | |
It's a long time as allies. | 0:07:24 | 0:07:25 | |
One question, though. | 0:07:27 | 0:07:28 | |
What's The Boss? | 0:07:28 | 0:07:29 | |
Oh, come on! Are you going to make me sing it? | 0:07:29 | 0:07:31 | |
-No, no, no... -It's Bruce Springsteen. | 0:07:31 | 0:07:33 | |
Captain Azizi, new intel on Omar just in, | 0:07:33 | 0:07:36 | |
ready to brief in ten. | 0:07:36 | 0:07:37 | |
-I'll gather my men. -Thank you. | 0:07:37 | 0:07:39 | |
Heard you had a bumpy ride in. | 0:07:41 | 0:07:43 | |
Nothing we can't handle. When are you heading out to recce? | 0:07:43 | 0:07:46 | |
Last light. | 0:07:46 | 0:07:48 | |
Well...try and keep yourself in one piece. | 0:07:48 | 0:07:51 | |
I'll do my best. | 0:07:51 | 0:07:52 | |
All good with you and Lane? | 0:07:58 | 0:07:59 | |
Yeah, we're grown ups with a job to do. | 0:08:01 | 0:08:03 | |
Glad to hear it. | 0:08:05 | 0:08:06 | |
Now let's make sure the same can be said for over there. | 0:08:08 | 0:08:11 | |
LAUGHTER | 0:08:11 | 0:08:13 | |
Oh, shit. | 0:08:13 | 0:08:15 | |
How did you know about that anyway? | 0:08:17 | 0:08:19 | |
You were mentioned in dispatches. | 0:08:19 | 0:08:22 | |
OK, did Georgie happen to be present during these dispatches? | 0:08:22 | 0:08:24 | |
That's not a problem, is it? | 0:08:24 | 0:08:27 | |
I thought you were "just friends" now? | 0:08:27 | 0:08:29 | |
Georgie and I will never just be friends, Charlie, you know that. | 0:08:31 | 0:08:34 | |
You want my advice - deal with one emotional minefield at a time, | 0:08:34 | 0:08:38 | |
-starting there. -Yeah. | 0:08:38 | 0:08:40 | |
-Cheers. -Cheers. | 0:08:40 | 0:08:42 | |
Da Chand led MI6 straight to Omar's compound | 0:08:47 | 0:08:49 | |
in Nahri Saraj, Helmand Province. | 0:08:49 | 0:08:51 | |
Taliban insurgents have significant influence across the whole region. | 0:08:51 | 0:08:55 | |
And Omar's compound's smack bang in the middle of it. | 0:08:55 | 0:08:57 | |
And his men have eyes everywhere, | 0:08:57 | 0:08:59 | |
so it's imperative that we stay under the radar. | 0:08:59 | 0:09:02 | |
Our primary advantage here is the element of surprise. | 0:09:02 | 0:09:05 | |
Using the ANA trucks as cover, we'll move to this FOB, | 0:09:05 | 0:09:08 | |
prepare to support the assault on the ground. | 0:09:08 | 0:09:10 | |
Once we have achieved our objective, we will extract immediately. | 0:09:10 | 0:09:14 | |
Now, we've all seen what Omar is capable of. | 0:09:14 | 0:09:17 | |
I don't want anybody going into this thinking it's going to be easy. | 0:09:17 | 0:09:20 | |
It's a four-hour walk from the FOB to the compound | 0:09:20 | 0:09:23 | |
over difficult terrain, so rest up as best you can. | 0:09:23 | 0:09:26 | |
Prepare to receive a more detailed brief once we reach the FOB. | 0:09:26 | 0:09:30 | |
Any questions? | 0:09:30 | 0:09:31 | |
-Boss. -No, boss. | 0:09:31 | 0:09:33 | |
Sir, what about Da Chand? | 0:09:33 | 0:09:36 | |
If anything were to happen to Da Chand, | 0:09:37 | 0:09:38 | |
it would immediately arouse suspicion. | 0:09:38 | 0:09:40 | |
So, we're basically just letting him go? | 0:09:40 | 0:09:42 | |
Would you rather we compromise this mission, Richards? | 0:09:42 | 0:09:45 | |
Well, no, obviously not, but I mean... | 0:09:45 | 0:09:47 | |
Come on, he sells kids for money, | 0:09:47 | 0:09:48 | |
he doesn't give a toss about where they end up... | 0:09:48 | 0:09:50 | |
Private Richards, this mission is not about Da Chand. | 0:09:50 | 0:09:54 | |
Is that understood? | 0:09:54 | 0:09:55 | |
Sorry, boss. | 0:09:57 | 0:09:58 | |
Start line 0600. | 0:10:03 | 0:10:04 | |
Boss. | 0:10:04 | 0:10:05 | |
HE GROANS AND WINCES | 0:10:13 | 0:10:16 | |
Right, I think we can live without the sound effects. | 0:10:16 | 0:10:18 | |
-Thank you, Brains. -I'm just trying to make it realistic. -Shh! | 0:10:18 | 0:10:21 | |
OK, so direct pressure to the wound, yeah? | 0:10:22 | 0:10:26 | |
Pushing down. | 0:10:26 | 0:10:27 | |
Then, if possible... | 0:10:27 | 0:10:29 | |
..you elevate the limb, like so, | 0:10:29 | 0:10:33 | |
and apply blast bandage like I showed you earlier. Yeah? | 0:10:33 | 0:10:37 | |
OK, go on. | 0:10:37 | 0:10:38 | |
Her conviction is admirable. | 0:10:41 | 0:10:42 | |
No-one likes to see their fellow comrades suffering. | 0:10:43 | 0:10:46 | |
Forgive me, it's been a long war. | 0:10:48 | 0:10:52 | |
And then you come down... | 0:10:53 | 0:10:54 | |
..tight. | 0:10:54 | 0:10:56 | |
We'll get there. | 0:10:56 | 0:10:57 | |
MESSAGE ALERT | 0:11:01 | 0:11:03 | |
Is it Tara? | 0:11:06 | 0:11:08 | |
It's bloody Domino's. | 0:11:08 | 0:11:10 | |
Don't. I could just go an 18-inch stuffed crust Hawaiian. | 0:11:10 | 0:11:13 | |
Oh, pervert! Who puts pineapple on a pizza? | 0:11:13 | 0:11:16 | |
HE BLOWS KISSES | 0:11:16 | 0:11:17 | |
I'm out. | 0:11:17 | 0:11:19 | |
Me too. | 0:11:19 | 0:11:20 | |
Now, you're bluffing. | 0:11:25 | 0:11:28 | |
Am I now, Monk? | 0:11:28 | 0:11:29 | |
Yeah, better luck next time, mate. | 0:11:29 | 0:11:31 | |
THEY LAUGH | 0:11:31 | 0:11:33 | |
Decent. | 0:11:33 | 0:11:34 | |
Snake! | 0:11:34 | 0:11:36 | |
It's a tough shift, that. | 0:11:36 | 0:11:38 | |
Yeah, could teach you lot a thing or two. | 0:11:38 | 0:11:40 | |
Why do they bothering cleaning the carpets anyway? | 0:11:40 | 0:11:42 | |
-It's a dust bowl out there. -They're prayer mats, you muppet. | 0:11:42 | 0:11:45 | |
Maisie, come here, I'll press you. | 0:11:46 | 0:11:49 | |
Yeah, yeah, shh, shh! | 0:11:49 | 0:11:51 | |
Yeah, all right. Go on, then. | 0:11:51 | 0:11:53 | |
-Go on, Rab, you got this. -Go on, push it. Keep going. | 0:11:58 | 0:12:01 | |
-Keep going. -Dig in. Dig in. Come on. | 0:12:01 | 0:12:03 | |
THEY YELL ENCOURAGEMENT | 0:12:03 | 0:12:07 | |
THEY LAUGH | 0:12:07 | 0:12:09 | |
-Bellend! -Oh, come on. | 0:12:09 | 0:12:11 | |
Omar's going to be shitting it when he sees you coming, | 0:12:11 | 0:12:14 | |
isn't he, big lad? | 0:12:14 | 0:12:16 | |
Richards... | 0:12:16 | 0:12:17 | |
-..can I have a word? -Yeah. | 0:12:18 | 0:12:20 | |
Sassy. | 0:12:21 | 0:12:22 | |
Why is my man scooping everything - Maisie, Georgie? | 0:12:23 | 0:12:26 | |
Kingy. | 0:12:26 | 0:12:27 | |
Oh, yeah, right. Yeah, good one. | 0:12:27 | 0:12:30 | |
LANE: All right, you two. | 0:12:31 | 0:12:34 | |
Yeah, we were just... | 0:12:34 | 0:12:35 | |
-I'm going to try and get some kip. See you later. -Yeah... | 0:12:35 | 0:12:38 | |
-Do you mind if we go somewhere a bit quieter? -Yeah. | 0:12:42 | 0:12:45 | |
SHE SOBS | 0:12:49 | 0:12:52 | |
Look, I had fun and everything... | 0:12:52 | 0:12:53 | |
..it's... You know, it's not that I don't like you. | 0:12:55 | 0:12:57 | |
-THROUGH TEARS: -Then why? | 0:12:57 | 0:12:59 | |
I mean, what's wrong with me? | 0:12:59 | 0:13:01 | |
Nothing. | 0:13:01 | 0:13:03 | |
You're lovely, honestly. | 0:13:03 | 0:13:05 | |
I haven't stopped thinking about you since Cyprus. | 0:13:07 | 0:13:10 | |
Yeah, I've been thinking about you too. | 0:13:13 | 0:13:15 | |
It's just...timing, you know. | 0:13:16 | 0:13:18 | |
Look, I'm sorry to have to tell you this | 0:13:20 | 0:13:23 | |
but there's...someone else. | 0:13:23 | 0:13:24 | |
-OK? -I just... | 0:13:24 | 0:13:25 | |
I think you're so great, and gorgeous, | 0:13:25 | 0:13:29 | |
and you've got such a massive... | 0:13:29 | 0:13:33 | |
..ego! | 0:13:33 | 0:13:34 | |
SHE LAUGHS | 0:13:34 | 0:13:36 | |
Good one. | 0:13:38 | 0:13:39 | |
I mean, seriously, give yourself a break. | 0:13:39 | 0:13:41 | |
It was one pissed up night. | 0:13:41 | 0:13:43 | |
-Yeah? -Yeah. | 0:13:43 | 0:13:45 | |
So we're cool? | 0:13:45 | 0:13:46 | |
We could not be cooler. | 0:13:46 | 0:13:48 | |
Good. | 0:13:48 | 0:13:49 | |
Oh, and it's none of my business but... | 0:13:53 | 0:13:56 | |
..I hope that other girl isn't Georgie. | 0:13:56 | 0:13:58 | |
You know she's got a bloke back in Nepal? | 0:14:00 | 0:14:02 | |
It's time to go, boss. | 0:14:12 | 0:14:13 | |
INDISTINCT CHATTER | 0:14:34 | 0:14:37 | |
I'm being eaten alive here. | 0:14:42 | 0:14:44 | |
I reckon we're having it better than SF out on a recce. | 0:14:44 | 0:14:47 | |
Have you applied for selection yet? | 0:14:47 | 0:14:49 | |
I thought they were begging you to join up. | 0:14:49 | 0:14:50 | |
Well, they are, but a man of my talents is needed here. | 0:14:50 | 0:14:52 | |
-LAUGHING: -Oh, right, yeah. | 0:14:52 | 0:14:54 | |
All right, guys, a couple more rounds | 0:14:54 | 0:14:55 | |
then I want everyone hitting the sack. | 0:14:55 | 0:14:57 | |
Enforced rest - early start tomorrow. | 0:14:57 | 0:14:59 | |
Sir, I don't think I'm going to be able to sleep. | 0:14:59 | 0:15:02 | |
Well, I definitely will, so don't keep me awake with your yakking. | 0:15:02 | 0:15:05 | |
Rab. | 0:15:05 | 0:15:07 | |
Decent. | 0:15:07 | 0:15:08 | |
Depends on the last cards. | 0:15:09 | 0:15:12 | |
-Argh, I'm not picking that up! -They're all yours. | 0:15:12 | 0:15:14 | |
Take the whole pack... | 0:15:14 | 0:15:16 | |
Look, everyone feels it the day before a big one | 0:15:16 | 0:15:19 | |
but try and slow your brain down. | 0:15:19 | 0:15:22 | |
I'm depending on you tomorrow. You have to channel those nerves. | 0:15:22 | 0:15:27 | |
I won't let you down. | 0:15:27 | 0:15:28 | |
Never thought you would. | 0:15:29 | 0:15:31 | |
-Go on. -Sergeant. | 0:15:31 | 0:15:34 | |
Ten, ten, tens. | 0:15:34 | 0:15:36 | |
Deal us in, then. | 0:15:36 | 0:15:38 | |
INCOMING CALL ALERT | 0:15:38 | 0:15:40 | |
Hi. | 0:15:44 | 0:15:46 | |
Hiya, love, you all right? | 0:15:46 | 0:15:47 | |
-Yeah, good, are you? -Yeah. | 0:15:47 | 0:15:50 | |
-You've moved? -Mm-hm! | 0:15:50 | 0:15:51 | |
Look, I've got proper walls now and everything. | 0:15:51 | 0:15:54 | |
I'm going up in the world. | 0:15:54 | 0:15:57 | |
Where are you? | 0:15:57 | 0:15:59 | |
Afghan. | 0:15:59 | 0:16:00 | |
It's OK, it's a very short mission | 0:16:00 | 0:16:02 | |
then we're going straight back to Nepal, so don't worry. | 0:16:02 | 0:16:05 | |
Can you tell us what you're doing at least? | 0:16:05 | 0:16:08 | |
Catching a bad guy. | 0:16:08 | 0:16:10 | |
It's a support role - top team. | 0:16:10 | 0:16:13 | |
It's all good, I promise. | 0:16:13 | 0:16:15 | |
I am sorry, it's just your job... I know I shouldn't worry so much. | 0:16:15 | 0:16:19 | |
Right, I've got to go. | 0:16:20 | 0:16:22 | |
Please be careful, sweetheart. | 0:16:22 | 0:16:24 | |
Always. | 0:16:24 | 0:16:25 | |
Sorry, I didn't mean to interrupt. | 0:16:25 | 0:16:27 | |
It's all right, it's fine. | 0:16:27 | 0:16:29 | |
About back there - me and Elvis, we were just... | 0:16:29 | 0:16:32 | |
Your mind should be on this mission, nothing else. | 0:16:32 | 0:16:35 | |
Not me, not Elvis, not Tara. | 0:16:35 | 0:16:38 | |
GUNFIRE | 0:16:38 | 0:16:40 | |
Let's go. Let's go. Move! | 0:16:40 | 0:16:42 | |
We stay inside. | 0:16:42 | 0:16:43 | |
Shouldn't we help? | 0:16:43 | 0:16:44 | |
We're not supposed to be here, remember. | 0:16:44 | 0:16:47 | |
What's happening? | 0:16:47 | 0:16:48 | |
Taliban are attacking the base. The ANA will respond. | 0:16:48 | 0:16:51 | |
-But you cannot help this time. -HE SHOUTS IN OWN LANGUAGE | 0:16:53 | 0:16:56 | |
There's nothing we can do here. We can't break our cover. | 0:16:56 | 0:16:58 | |
KNOCK ON DOOR | 0:17:03 | 0:17:05 | |
Come in. | 0:17:05 | 0:17:06 | |
All quiet? | 0:17:10 | 0:17:11 | |
For now. | 0:17:11 | 0:17:12 | |
Everything all right? | 0:17:15 | 0:17:16 | |
This mission... | 0:17:16 | 0:17:17 | |
..it's too much of a risk. I think we should abort. | 0:17:17 | 0:17:21 | |
Why? | 0:17:25 | 0:17:27 | |
The attack on the way in - they know you're here. | 0:17:27 | 0:17:30 | |
Perhaps, but they don't know our intentions. | 0:17:31 | 0:17:34 | |
Are you worried about your men? | 0:17:36 | 0:17:38 | |
No, my men are fit and prepared. | 0:17:38 | 0:17:40 | |
Then this mission is no riskier than anything we've done before. | 0:17:40 | 0:17:43 | |
I have a bad feeling, James. | 0:17:43 | 0:17:45 | |
Long wars will do that to a man. | 0:17:45 | 0:17:48 | |
We are taking a huge risk, with my men and yours. | 0:17:48 | 0:17:51 | |
It's what we signed up to do, Azizi, | 0:17:51 | 0:17:53 | |
to protect your people from men like Omar. | 0:17:53 | 0:17:56 | |
We're in this together. | 0:17:56 | 0:17:58 | |
Attention! | 0:18:02 | 0:18:04 | |
TRANSLATION: | 0:18:07 | 0:18:09 | |
MUSIC: Traktor by Wretch 32 | 0:18:28 | 0:18:31 | |
It's pretty brazen, this. | 0:19:36 | 0:19:37 | |
All the poppy growing. | 0:19:39 | 0:19:40 | |
Coming to a street in your home town soon. | 0:19:40 | 0:19:43 | |
Mate, I'm pissing sweat here. | 0:19:45 | 0:19:46 | |
You've a wonderful way with words, Richards. | 0:19:46 | 0:19:49 | |
Go on, Kingy, share the love. | 0:19:58 | 0:20:00 | |
It's my daughter's birthday today. | 0:20:00 | 0:20:01 | |
Managed to download these back at the base. | 0:20:01 | 0:20:03 | |
Let me see that. | 0:20:03 | 0:20:06 | |
Sweet. | 0:20:08 | 0:20:09 | |
She's 16. | 0:20:12 | 0:20:14 | |
Boy, 16, don't know how that happened. | 0:20:14 | 0:20:16 | |
16? You started early. | 0:20:16 | 0:20:19 | |
Got two boys and all. | 0:20:19 | 0:20:21 | |
Aw-w, your missus is a saint. | 0:20:21 | 0:20:23 | |
-Good for you, though, Kingy, making it work. -Yeah. | 0:20:23 | 0:20:25 | |
Man, it's ripe in here. | 0:20:28 | 0:20:30 | |
Oh, it's you, bro! You smell worse than Kabul. | 0:20:32 | 0:20:35 | |
I showered twice this morning and used half a can of Lynx! | 0:20:35 | 0:20:38 | |
Well you're not using it right, lad. | 0:20:38 | 0:20:40 | |
-You've got to get right in there, in all the crevices, bud. -Ey! | 0:20:40 | 0:20:43 | |
Piss off, worry about your own crevices. | 0:20:43 | 0:20:45 | |
INDISTINCT CHATTER | 0:20:58 | 0:21:02 | |
THEY SPEAK OWN LANGUAGE | 0:21:05 | 0:21:08 | |
Boss, I think we might have a dicker - bloke on a bike. | 0:21:11 | 0:21:14 | |
Right, keep your eyes on him, Richards. | 0:21:18 | 0:21:20 | |
THEY SPEAK OWN LANGUAGE | 0:21:25 | 0:21:28 | |
Oh, yes, can we get a shower? | 0:22:39 | 0:22:41 | |
-Boss. -See you in a bit. | 0:22:41 | 0:22:44 | |
Oh, I love what you've done with the place. | 0:22:47 | 0:22:49 | |
Ooh, nice scar. | 0:22:54 | 0:22:57 | |
Misjudged combat roll out of the 'chook. | 0:23:01 | 0:23:04 | |
Check that out. | 0:23:04 | 0:23:06 | |
Man, I can't see nothing. | 0:23:06 | 0:23:08 | |
Fuck off, ten stitches went in there. | 0:23:08 | 0:23:10 | |
Sat in the park near me necking a bottle of 20/20... | 0:23:10 | 0:23:13 | |
-Classy. -Mm-hm. Fat Dave jumped on the seesaw, I went flying, | 0:23:13 | 0:23:17 | |
-teeth went straight through. -Urgh! | 0:23:17 | 0:23:19 | |
Fit nurse patched me up though. | 0:23:19 | 0:23:22 | |
Decent. | 0:23:22 | 0:23:24 | |
Oh, don't tell your sister I just said that. | 0:23:24 | 0:23:26 | |
Where'd you get shot, Syria? | 0:23:28 | 0:23:30 | |
Manchester. | 0:23:30 | 0:23:32 | |
Serious? | 0:23:32 | 0:23:33 | |
Elvis and Georgie keeping the streets terrorist free. | 0:23:33 | 0:23:36 | |
Lucky you was there, eh, George? | 0:23:36 | 0:23:38 | |
Should have phoned in sick that day. | 0:23:38 | 0:23:40 | |
Rock drill in ten. | 0:23:42 | 0:23:43 | |
Go on, Rab, lad. | 0:23:51 | 0:23:52 | |
Yeah, wash them pits. | 0:23:55 | 0:23:57 | |
You can't even smell anything. | 0:23:57 | 0:23:58 | |
I think you better sniff 'em as well. | 0:23:58 | 0:24:00 | |
Nothing. Mais, come and smell this. | 0:24:00 | 0:24:03 | |
You do realise Maisie ain't interested? | 0:24:03 | 0:24:05 | |
She ain't seen a bit of this yet, baby. | 0:24:05 | 0:24:07 | |
Seen a bit of what? | 0:24:07 | 0:24:08 | |
-ELVIS: -Listen in, then. Omar's compound... | 0:24:11 | 0:24:14 | |
Two vulnerable points. | 0:24:17 | 0:24:20 | |
Point Alfa will be over here, the breach. | 0:24:20 | 0:24:22 | |
That's where me and my boys come in. | 0:24:22 | 0:24:24 | |
Charlie, you and your boys over here at Point Bravo, | 0:24:24 | 0:24:26 | |
the irrigation ditch. | 0:24:26 | 0:24:28 | |
Sentry guards change every morning. | 0:24:28 | 0:24:31 | |
This will be our opportunity to seize control. | 0:24:31 | 0:24:34 | |
Captain. | 0:24:34 | 0:24:35 | |
Charlie Fire Team, led by Kingy, | 0:24:36 | 0:24:39 | |
will launch a diversionary attack here... | 0:24:39 | 0:24:42 | |
..while Elvis's team will launch an assault | 0:24:43 | 0:24:46 | |
via support helicopter, here. | 0:24:46 | 0:24:48 | |
I'll be waiting at the extraction point with Delta Fire Team | 0:24:50 | 0:24:53 | |
ready to cut the enemy off. | 0:24:53 | 0:24:54 | |
And where's the casualty collection point, sir? | 0:24:54 | 0:24:56 | |
-With me. -OK. | 0:24:56 | 0:24:58 | |
-Any questions? -ALL: Boss. | 0:24:58 | 0:25:01 | |
Let's crack on. | 0:25:01 | 0:25:02 | |
On me, boys. | 0:25:04 | 0:25:05 | |
Everything all right, Richards? | 0:25:11 | 0:25:13 | |
Yeah, boss. | 0:25:13 | 0:25:14 | |
Spit it out. | 0:25:16 | 0:25:17 | |
You remember that dicker on the way out here? | 0:25:18 | 0:25:20 | |
I think Azizi knows him. | 0:25:22 | 0:25:24 | |
Well, did he talk to him? | 0:25:28 | 0:25:30 | |
Not exactly. | 0:25:30 | 0:25:32 | |
It was... | 0:25:32 | 0:25:33 | |
It was sly. | 0:25:33 | 0:25:35 | |
It was like a sly nod. | 0:25:35 | 0:25:36 | |
Look, I know he's your mate, sir, but you do hear about it, don't you? | 0:25:38 | 0:25:42 | |
Green on blue. | 0:25:42 | 0:25:43 | |
What would it look like | 0:25:46 | 0:25:48 | |
if Azizi were to acknowledge an innocent civilian? | 0:25:48 | 0:25:50 | |
The same, boss, but... | 0:25:50 | 0:25:52 | |
The same. | 0:25:52 | 0:25:53 | |
Look, I saw something. | 0:25:55 | 0:25:57 | |
I trust Azizi to stand beside me the same way I trust all of you. | 0:25:59 | 0:26:04 | |
Is that understand? | 0:26:04 | 0:26:05 | |
Yes, boss. | 0:26:06 | 0:26:07 | |
Think I might've cocked up. | 0:26:27 | 0:26:29 | |
No way! You?! | 0:26:29 | 0:26:32 | |
Go on. | 0:26:32 | 0:26:34 | |
I thought Azizi knew that dicker at the checkpoint. | 0:26:34 | 0:26:37 | |
I told the boss, but he reckons it's hearts and minds. | 0:26:37 | 0:26:40 | |
I was right to say something, though? | 0:26:42 | 0:26:43 | |
Yeah. | 0:26:45 | 0:26:46 | |
It's not like I don't get bollocked most days, | 0:26:46 | 0:26:49 | |
but he had another go at me about Da Chand. | 0:26:49 | 0:26:51 | |
Look, I get it, all right? | 0:26:51 | 0:26:52 | |
Letting him go does seem a bit messed up. | 0:26:52 | 0:26:55 | |
-A bit? -Look, I'm agreeing with you. | 0:26:55 | 0:26:56 | |
Look, if you weren't so switched on, you wouldn't be a good soldier. | 0:26:56 | 0:27:00 | |
But getting too involved, well, that isn't great either, OK? | 0:27:00 | 0:27:04 | |
You think I'm a good soldier? | 0:27:06 | 0:27:08 | |
Don't push it. | 0:27:08 | 0:27:10 | |
Could have given me the "don't be an arsehole" chat a little bit earlier. | 0:27:10 | 0:27:13 | |
-Eh, I did. -When? | 0:27:13 | 0:27:15 | |
Kabul. | 0:27:15 | 0:27:17 | |
Oh, I thought that was just you tripping over Elvis. | 0:27:17 | 0:27:20 | |
You are cool about...you know? Cos if I'd have known... | 0:27:22 | 0:27:26 | |
Look, me and Elvis are free agents, OK, | 0:27:26 | 0:27:28 | |
so, no, I'm not "tripping". | 0:27:28 | 0:27:31 | |
PRAYING IN ARABIC | 0:27:41 | 0:27:45 | |
HE CONTINUES PRAYING | 0:27:57 | 0:28:02 | |
HE MOUTHS | 0:28:14 | 0:28:17 | |
So, is it a superstition thing? | 0:28:34 | 0:28:36 | |
Just something I do before a mission. | 0:28:36 | 0:28:38 | |
Keeps the head clear. | 0:28:38 | 0:28:41 | |
Up here for thinking, eh, Peanut? | 0:28:41 | 0:28:43 | |
Oh, it's all kicking off at home. | 0:28:44 | 0:28:47 | |
Rachel wants booze at her party, Jules isn't having it. | 0:28:47 | 0:28:50 | |
Choose your side carefully. | 0:28:50 | 0:28:52 | |
My 16th was a mega lash. | 0:28:52 | 0:28:55 | |
My nan got ASBO'd. | 0:28:55 | 0:28:57 | |
So being a piss head runs in the family, then? | 0:28:57 | 0:29:00 | |
Oh, like being a wanker runs in yours, yeah? | 0:29:00 | 0:29:02 | |
Guys, you're not helping. | 0:29:02 | 0:29:04 | |
No, the boys are easy, you know? They're bears, like you lot. | 0:29:04 | 0:29:08 | |
Throw them an apple, kick them in the nuts, it's all good, | 0:29:08 | 0:29:10 | |
but Rachel, she's...powerful. | 0:29:10 | 0:29:13 | |
You should start a support group with my dad. | 0:29:13 | 0:29:15 | |
There's three of us. | 0:29:15 | 0:29:17 | |
No, thank you! | 0:29:17 | 0:29:19 | |
No, you've got to support your missus, Kingy. | 0:29:19 | 0:29:22 | |
You've got to back her. | 0:29:22 | 0:29:23 | |
You just said your 16th was "proper messy". | 0:29:23 | 0:29:26 | |
Eh, exactly. | 0:29:26 | 0:29:28 | |
But cos I can always wrap my dad around this, see? | 0:29:28 | 0:29:32 | |
He went down the offy for us. | 0:29:32 | 0:29:33 | |
I'm struggling to work out the moral of this story. | 0:29:33 | 0:29:35 | |
He shouldn't have sided with me, should he? | 0:29:35 | 0:29:38 | |
The kids are a team, the parents are a team. | 0:29:38 | 0:29:40 | |
I'd have respected him more for solidarity to his platoon. | 0:29:40 | 0:29:43 | |
I like that. | 0:29:43 | 0:29:45 | |
-There you go. -You're right. | 0:29:45 | 0:29:47 | |
Mate, I should've been one of them agony aunts. | 0:29:47 | 0:29:49 | |
All this wisdom is just wasted on you lot. Especially you. | 0:29:49 | 0:29:52 | |
Now, let's see if she still likes me when we get back to Nepal, eh? | 0:29:52 | 0:29:56 | |
Hey, it's come to something when the light at the end of the tunnel | 0:29:56 | 0:29:59 | |
is returning to a disaster zone. You know what I mean? | 0:29:59 | 0:30:02 | |
I hear that, I hear that. | 0:30:02 | 0:30:03 | |
Yeah, you must be looking forward to getting back to Nepal, Lane? | 0:30:03 | 0:30:06 | |
It's a beautiful country. | 0:30:11 | 0:30:13 | |
Yeah, beautiful country, friendly people. | 0:30:13 | 0:30:15 | |
Is that a problem? | 0:30:18 | 0:30:20 | |
Nah. No problem at all. | 0:30:22 | 0:30:24 | |
All done, pal. | 0:30:26 | 0:30:27 | |
Erm, so how did your nan get ASBO'd? | 0:30:28 | 0:30:32 | |
Oh, my God, she tried to take a piss on next door's front garden. | 0:30:32 | 0:30:36 | |
Like slash attack! | 0:30:36 | 0:30:39 | |
What the fuck was that about? | 0:30:51 | 0:30:53 | |
Oh, Georgie, I'm sorry, truly. | 0:30:53 | 0:30:54 | |
What exactly is your problem? | 0:30:54 | 0:30:57 | |
I'll tell you what my problem is - you! | 0:30:57 | 0:30:59 | |
Just you with someone else. | 0:30:59 | 0:31:01 | |
Here we go again. | 0:31:01 | 0:31:03 | |
What, you don't think I know how this goes? | 0:31:03 | 0:31:06 | |
How what goes? | 0:31:06 | 0:31:07 | |
The second, the very second, I'm with someone else, | 0:31:07 | 0:31:09 | |
there you are trying to fuck it all up. | 0:31:09 | 0:31:11 | |
That's not fucking fair. | 0:31:11 | 0:31:12 | |
But embarrassing me out there in front of all them, that was fair? | 0:31:12 | 0:31:14 | |
How about turning up on my wedding day? Was that fucking fair? | 0:31:14 | 0:31:19 | |
Hey, and when I was on my own, where were you, hey? | 0:31:19 | 0:31:22 | |
Oh, yeah, that's right - shagging Richards on decompression. | 0:31:22 | 0:31:25 | |
Fucking fair! | 0:31:25 | 0:31:28 | |
Are you serious about him? | 0:31:28 | 0:31:29 | |
You're unreal. You are unreal! | 0:31:33 | 0:31:36 | |
I said are you serious about him? | 0:31:40 | 0:31:42 | |
That's none of your fucking business. | 0:31:42 | 0:31:44 | |
I wondered if you might have some spare supplies | 0:31:47 | 0:31:50 | |
so I can help if anyone is hurt tomorrow? | 0:31:50 | 0:31:52 | |
I can come back later. | 0:31:56 | 0:31:57 | |
No, it's fine. It's fine. | 0:31:57 | 0:31:59 | |
We're done. | 0:32:04 | 0:32:05 | |
Right, let's go. | 0:32:07 | 0:32:08 | |
Not bad for an old man. | 0:32:55 | 0:32:56 | |
I'm sorry about the graffiti. | 0:33:00 | 0:33:02 | |
Do not bother on my account. | 0:33:04 | 0:33:06 | |
I am familiar with the allied sense of humour. | 0:33:06 | 0:33:09 | |
Does our presence here frustrate you? | 0:33:17 | 0:33:19 | |
Yes. | 0:33:21 | 0:33:22 | |
You're surprised? | 0:33:24 | 0:33:25 | |
You abandoned us to our fate | 0:33:27 | 0:33:29 | |
and now you return and bring with you more chaos. | 0:33:29 | 0:33:33 | |
Maybe we were naive | 0:33:34 | 0:33:36 | |
but there was so much optimism when the allies left. | 0:33:36 | 0:33:40 | |
We thought we could win. | 0:33:40 | 0:33:41 | |
And now you don't? | 0:33:44 | 0:33:45 | |
Look around you. | 0:33:45 | 0:33:47 | |
We don't have the methods, the equipment. | 0:33:48 | 0:33:51 | |
The Taliban are as strong as they ever were. | 0:33:51 | 0:33:53 | |
The war continues and we make no progress. | 0:33:53 | 0:33:56 | |
Catching warlords like Omar is progress. | 0:33:56 | 0:33:59 | |
-You do still believe in what we're doing here? -Do you? | 0:34:02 | 0:34:04 | |
Do I believe it's the right thing to catch men like Omar? | 0:34:04 | 0:34:07 | |
Yes, 100%. | 0:34:07 | 0:34:09 | |
There are many Omars. | 0:34:14 | 0:34:17 | |
Catching one changes nothing. | 0:34:18 | 0:34:22 | |
I'm tired, James. | 0:34:24 | 0:34:26 | |
All I want is for this war to end. | 0:34:26 | 0:34:31 | |
Yeah, I understand that, | 0:34:31 | 0:34:32 | |
but men like you are key to this country's future - | 0:34:32 | 0:34:35 | |
men who refuse to give up, | 0:34:35 | 0:34:37 | |
who believe that one day all this will be over. | 0:34:37 | 0:34:40 | |
Be careful. | 0:34:44 | 0:34:45 | |
Always, my friend. | 0:34:48 | 0:34:49 | |
OK, there's some haemostatic dressing, there's a tourniquet. | 0:35:00 | 0:35:04 | |
Do you remember your skills and drills from training? | 0:35:04 | 0:35:07 | |
Corporal, it's Tara. | 0:35:07 | 0:35:10 | |
Let me see what else I can dig out. I'll come and find you. | 0:35:10 | 0:35:13 | |
-Thank you. -OK. | 0:35:13 | 0:35:14 | |
Don't worry. I can make it to the UK. | 0:35:14 | 0:35:17 | |
Then, maybe I will be Prime Minister. | 0:35:17 | 0:35:19 | |
I will call you soon. | 0:35:19 | 0:35:21 | |
Well, we know she's alive, that's the main thing. | 0:35:24 | 0:35:27 | |
It's my fault, isn't it? I put that in her head - | 0:35:31 | 0:35:33 | |
"Prime Minister". How stupid was that? | 0:35:33 | 0:35:36 | |
You gave her something to hope for. | 0:35:36 | 0:35:38 | |
Yeah, and what if she doesn't make it? | 0:35:38 | 0:35:40 | |
The one thing this job teaches you is you can't control everything. | 0:35:40 | 0:35:44 | |
We do what we can and try and shut out the rest, | 0:35:44 | 0:35:47 | |
otherwise it'll drive you insane. | 0:35:47 | 0:35:49 | |
I'll let Milan know. | 0:35:51 | 0:35:52 | |
What happened earlier with Elvis, I think that might be on me. | 0:35:54 | 0:35:59 | |
I told him about Milan. | 0:36:01 | 0:36:03 | |
-Nice one. -Well, I didn't think it was a big deal. | 0:36:03 | 0:36:06 | |
It isn't. I'd just rather not have my private life | 0:36:06 | 0:36:08 | |
be the source of company gossip. | 0:36:08 | 0:36:10 | |
Yeah, but I couldn't help it. | 0:36:10 | 0:36:12 | |
He was trying to give me the big brush off, | 0:36:12 | 0:36:14 | |
like I'm even interested. | 0:36:14 | 0:36:17 | |
Now, look, I am sorry. | 0:36:17 | 0:36:19 | |
-I thought it was history between you two. -It is. | 0:36:19 | 0:36:22 | |
Are you sure Elvis got the memo? | 0:36:22 | 0:36:25 | |
Well, if he hadn't, he has now. | 0:36:25 | 0:36:28 | |
Right, guys, on me. | 0:36:40 | 0:36:41 | |
Try not to shit yourself this time. | 0:36:43 | 0:36:45 | |
Worry about your own arse, mate. | 0:36:45 | 0:36:47 | |
You're all aware of your missions. | 0:37:13 | 0:37:15 | |
I'm trusting you guys, as always. | 0:37:17 | 0:37:19 | |
Keep your eyes on. | 0:37:21 | 0:37:24 | |
Stay focused... | 0:37:25 | 0:37:26 | |
..stay alert... | 0:37:27 | 0:37:29 | |
..and stay alive. | 0:37:30 | 0:37:31 | |
Hello, all stations. Radio check. Over. | 0:38:04 | 0:38:07 | |
Hello, Alfa Two Zero, this is Zero Alfa. | 0:38:10 | 0:38:12 | |
Please confirm your position at the start line. Over. | 0:38:12 | 0:38:14 | |
Alfa Two Zero. Roger that. Position set. Over. | 0:38:14 | 0:38:18 | |
Zero Alfa to Tango One Zero. | 0:38:19 | 0:38:21 | |
Tango One Zero. Send. Over. | 0:38:22 | 0:38:24 | |
All call signs are in position at Cherry Tree Lane. | 0:38:24 | 0:38:27 | |
Daffodil is good to go. Over. | 0:38:27 | 0:38:30 | |
Roger that. Out. | 0:38:30 | 0:38:31 | |
Hello, this is Tango One Zero. | 0:38:38 | 0:38:40 | |
All call signs prepare to initiate Phase One. | 0:38:40 | 0:38:43 | |
Stand-by, stand-by! | 0:38:43 | 0:38:45 | |
Initiate. | 0:38:45 | 0:38:47 | |
MACHINE BEEPS | 0:39:36 | 0:39:38 | |
-Zero Alfa. Ten liner. Wait up. -Boss? | 0:39:41 | 0:39:44 | |
Enemy, 50 metres, hard left! | 0:39:44 | 0:39:47 | |
MAN SCREAMS | 0:39:53 | 0:39:55 | |
Man down. Man down. | 0:39:55 | 0:39:57 | |
Take cover! | 0:39:57 | 0:39:59 | |
Engage! | 0:40:01 | 0:40:02 | |
Alpha Two Zero, do you require assistance? | 0:40:07 | 0:40:08 | |
I say again. Do you require assistance? Over. | 0:40:08 | 0:40:11 | |
Tango One Zero cleared that area at 0400. | 0:40:11 | 0:40:13 | |
-Must have been receded since then. -They knew we were coming. | 0:40:13 | 0:40:16 | |
Hello, Zero Alpha. This is Alpha Two Zero. | 0:40:18 | 0:40:21 | |
Do you read me? Over. | 0:40:21 | 0:40:24 | |
Does anyone have working comms? | 0:40:24 | 0:40:25 | |
-No, Sarge! -No, Sergeant! | 0:40:25 | 0:40:27 | |
-Argh! -IED's affected the comms. | 0:40:27 | 0:40:29 | |
Trying to re-establish the connection now. | 0:40:29 | 0:40:31 | |
-Boss, we've got to help them. -Don't move. | 0:40:31 | 0:40:33 | |
-I need to help... -Hold your position, eyes on the high ground. | 0:40:33 | 0:40:36 | |
Fingers, keep on trying. Hello, Tango One Zero. This is Zero Alpha. | 0:40:36 | 0:40:39 | |
Phase One has been compromised. | 0:40:39 | 0:40:40 | |
I say again, Phase One has been compromised. | 0:40:40 | 0:40:43 | |
Acknowledge my last. | 0:40:43 | 0:40:44 | |
Well, it appears to have all gone Pete Tong, fellas. | 0:40:44 | 0:40:48 | |
No change there, then. | 0:40:48 | 0:40:49 | |
Hello, this is Tango One Zero to all stations. | 0:40:49 | 0:40:52 | |
Continue with Phase Two. | 0:40:52 | 0:40:54 | |
I say again, continue with Phase Two. Out. | 0:40:54 | 0:40:57 | |
Kalil, on the medic, now. | 0:40:59 | 0:41:02 | |
We need to move. | 0:41:06 | 0:41:07 | |
30 yards, half right. Dead ground. | 0:41:07 | 0:41:10 | |
OK, people, you heard her. That's our plan. | 0:41:10 | 0:41:13 | |
Can you move him? | 0:41:13 | 0:41:15 | |
-I can try. -Zero Alpha, this is Alpha Two Zero. Permission to move. | 0:41:15 | 0:41:19 | |
Over. | 0:41:19 | 0:41:21 | |
Fuck... | 0:41:21 | 0:41:23 | |
Boss, we need to go and help them. | 0:41:23 | 0:41:24 | |
We wait until we know what's going on, Lane! | 0:41:24 | 0:41:27 | |
On my signal, we're going to make a break for the dead ground. | 0:41:27 | 0:41:30 | |
Go low and let's get the fuck out of here. | 0:41:30 | 0:41:32 | |
Kalil, prepare to move. | 0:41:32 | 0:41:35 | |
On me... Go, now! | 0:41:35 | 0:41:37 | |
Double, double, double! | 0:41:37 | 0:41:39 | |
Three, two, one... Go! | 0:41:39 | 0:41:41 | |
Aargh! | 0:41:43 | 0:41:44 | |
-Shit! -Man down! | 0:41:53 | 0:41:56 | |
Fuck! | 0:41:56 | 0:41:57 | |
Hello, Zero Alpha. | 0:41:57 | 0:41:59 | |
Hello, Zero Alpha, this is Alpha Two Zero. | 0:41:59 | 0:42:03 | |
Zero Alpha, I never thought I'd be so pleased to hear your voice. | 0:42:03 | 0:42:06 | |
Send me a sit-rep. Over. | 0:42:06 | 0:42:09 | |
We've got three men injured. One cat A, one cat B | 0:42:09 | 0:42:13 | |
and Kalil's got a gunshot wound, left shoulder. Out. | 0:42:13 | 0:42:16 | |
If you think this is getting you a sympathy shag, you can think again. | 0:42:16 | 0:42:19 | |
What about a hand job? | 0:42:19 | 0:42:21 | |
What, for a little nick like that? Jog on. | 0:42:21 | 0:42:24 | |
Boss, those casualties will bleed out without any treatment. | 0:42:24 | 0:42:27 | |
This isn't up for discussion, Lane. | 0:42:27 | 0:42:29 | |
LANE! Lane, you get back here! | 0:42:31 | 0:42:33 | |
What do you think you are doing? | 0:42:33 | 0:42:35 | |
You are in danger! | 0:42:35 | 0:42:37 | |
Lane, back off! | 0:42:37 | 0:42:39 | |
Lane! | 0:42:40 | 0:42:42 | |
HEARTBEAT | 0:42:42 | 0:42:43 | |
MUFFLED SOUND | 0:42:43 | 0:42:46 | |
Fingers, give covering fire! | 0:42:57 | 0:43:00 | |
No line of sight, boss! | 0:43:00 | 0:43:02 | |
-PILOT: -Mayday. Mayday. | 0:43:34 | 0:43:36 | |
Returning to Kabul. | 0:43:36 | 0:43:38 | |
Zero Alpha, this is Tango One Zero. | 0:43:46 | 0:43:47 | |
Breach. | 0:43:47 | 0:43:48 | |
Clear! | 0:44:03 | 0:44:04 | |
Clear! | 0:44:10 | 0:44:12 | |
HE WHISTLES | 0:44:18 | 0:44:20 | |
GUNFIRE CONTINUES | 0:44:24 | 0:44:26 | |
You took your fucking time. | 0:44:31 | 0:44:32 | |
Looking good, Rab. | 0:44:32 | 0:44:34 | |
-Never better, Lane. -Put the bandage on, OK? | 0:44:34 | 0:44:36 | |
I need to deal with the cat A. I'll be back in a second. | 0:44:36 | 0:44:39 | |
Take your time, Lane. Maisie's enjoying copping a feel. | 0:44:39 | 0:44:42 | |
Oh, mate. You are such a freak. | 0:44:42 | 0:44:44 | |
We're going to get you out of here, OK? | 0:44:44 | 0:44:46 | |
All right, keep talking to me, yeah? Keep talking to me. | 0:44:46 | 0:44:49 | |
Malik, keep talking to him, please. We're getting you out of here. | 0:44:49 | 0:44:52 | |
Nice work. You might have just saved his life. | 0:44:52 | 0:44:55 | |
Thank you. | 0:44:55 | 0:44:57 | |
Aargh! | 0:45:17 | 0:45:19 | |
Get him under cover! | 0:45:22 | 0:45:24 | |
Aww, you Taliban tossers! | 0:45:34 | 0:45:36 | |
Tango One Zero to all stations. | 0:45:36 | 0:45:37 | |
We have a man down, man down. No sign of target. | 0:45:37 | 0:45:40 | |
We are bugging out. Over. | 0:45:40 | 0:45:41 | |
We need to get the injured out of here, now. | 0:45:45 | 0:45:48 | |
There's no chance. | 0:45:48 | 0:45:49 | |
-Richards! -Maisie? | 0:45:50 | 0:45:52 | |
Right, everyone, keep your heads down! | 0:45:52 | 0:45:55 | |
Oh, I felt that. | 0:45:55 | 0:45:57 | |
Can anyone see the enemy? | 0:45:57 | 0:45:58 | |
Look at me. Look at me. Are you OK? | 0:45:58 | 0:46:01 | |
-Oh, my ears are ringing! -OK, look at me, look at me, look at me. | 0:46:01 | 0:46:03 | |
Look at me. What do you need to do next? | 0:46:03 | 0:46:05 | |
Hmm? Remember your training. Stay focused. | 0:46:05 | 0:46:09 | |
What do you need to do next? | 0:46:09 | 0:46:11 | |
-Look after Rab. -Georgie, how's she doing? | 0:46:15 | 0:46:17 | |
I think she's all right. She's lucky. | 0:46:17 | 0:46:19 | |
All right. Look at my finger, follow it. | 0:46:19 | 0:46:23 | |
-Tell me when you can see it. -Yeah. | 0:46:23 | 0:46:25 | |
-Yeah? This one? -Yeah. | 0:46:25 | 0:46:27 | |
OK, all right. Are you OK? | 0:46:27 | 0:46:30 | |
-Yeah. -Right, OK. | 0:46:30 | 0:46:31 | |
Taliban must be losing their touch, | 0:46:32 | 0:46:34 | |
missing a target as big as your napper. | 0:46:34 | 0:46:36 | |
Vehicle approaching from compound. | 0:46:49 | 0:46:51 | |
50 metres, red truck, | 0:46:51 | 0:46:53 | |
moving right to left. Shoot! | 0:46:53 | 0:46:55 | |
Stopping! | 0:46:57 | 0:47:00 | |
All call signs, this is Zero Alpha. | 0:47:02 | 0:47:06 | |
Taliban appear to be retreating. | 0:47:06 | 0:47:08 | |
SF have man down. | 0:47:08 | 0:47:10 | |
Roger, over. | 0:47:10 | 0:47:12 | |
Fingers, Brains - push forward, help secure the compound. | 0:47:14 | 0:47:17 | |
-Boss. -Khan - you follow, support Zero Four Alpha. | 0:47:17 | 0:47:20 | |
Azizi! Watch out! | 0:47:26 | 0:47:28 | |
THEY SPEAK IN THEIR OWN LANGUAGE | 0:47:28 | 0:47:31 | |
It was you? You told them we were coming? | 0:47:36 | 0:47:38 | |
How could you do this? I trusted you! | 0:47:38 | 0:47:41 | |
I warned you. | 0:47:41 | 0:47:42 | |
I told you to abort the mission, but you wouldn't listen. | 0:47:42 | 0:47:45 | |
Do you know how many men's lives you've put in danger? | 0:47:45 | 0:47:47 | |
You still don't understand. | 0:47:47 | 0:47:48 | |
There can be no peace in Afghanistan whilst the allies are here. | 0:47:48 | 0:47:51 | |
You think the Taliban will bring you peace? | 0:47:51 | 0:47:53 | |
Not while they are responding to allied bombs, no. | 0:47:53 | 0:47:55 | |
You strike, they retaliate - on and on for 17 years | 0:47:55 | 0:47:58 | |
and stuck in the middle is Afghanistan. | 0:47:58 | 0:48:00 | |
What, so it's our fault?! | 0:48:00 | 0:48:01 | |
I will NOT watch my country die! | 0:48:01 | 0:48:03 | |
You would rather watch ME die? | 0:48:03 | 0:48:05 | |
I tried to warn you. | 0:48:05 | 0:48:07 | |
No, I won't let you walk away from this! | 0:48:07 | 0:48:10 | |
No! | 0:48:10 | 0:48:11 | |
Fuck! | 0:48:13 | 0:48:15 | |
-Azizi! Fuck! -GUN CLICKS EMPTY | 0:48:15 | 0:48:17 | |
Fuck! | 0:48:17 | 0:48:18 | |
Azizi! | 0:48:18 | 0:48:19 | |
It's all right, Azizi. I've got you. | 0:48:19 | 0:48:21 | |
HE TAKES SHALLOW BREATHS | 0:48:21 | 0:48:23 | |
Clear. | 0:48:43 | 0:48:44 | |
Do you reckon we got Omar? | 0:48:46 | 0:48:47 | |
One of this lot must have told him we were coming. | 0:48:47 | 0:48:49 | |
He'll be long gone. You, here. | 0:48:49 | 0:48:51 | |
Hello, all call signs. This is Zero Four Alpha. | 0:48:55 | 0:48:58 | |
Compound looks to be clear. | 0:48:58 | 0:49:00 | |
No live bogies in this location. | 0:49:00 | 0:49:02 | |
Now securing area to establish a Charlie Alpha Papa. | 0:49:02 | 0:49:05 | |
Confirm location from Tango One Zero. Over. | 0:49:05 | 0:49:07 | |
HE WHEEZES AND TAKES SHALLOW BREATHS | 0:49:11 | 0:49:14 | |
Fuck! You're going to be all right. | 0:49:14 | 0:49:16 | |
Man down! | 0:49:18 | 0:49:20 | |
Stay with me. | 0:49:22 | 0:49:23 | |
FUCK! | 0:49:25 | 0:49:27 | |
Watch your footing. | 0:49:28 | 0:49:29 | |
On me, Rab. | 0:49:29 | 0:49:32 | |
All right, put him down there. | 0:49:32 | 0:49:34 | |
One, two, three... | 0:49:35 | 0:49:36 | |
Rab, sit down here. | 0:49:36 | 0:49:39 | |
-All yours. -That's it. | 0:49:40 | 0:49:41 | |
I knew it was you. | 0:49:47 | 0:49:49 | |
I could tell. | 0:49:49 | 0:49:51 | |
Must be love. | 0:49:54 | 0:49:55 | |
Nah, I just heard some big Doris screaming. | 0:49:56 | 0:49:59 | |
Thought, "That's definitely not me. Must be Rab." | 0:49:59 | 0:50:02 | |
You did good, mate. ANA wouldn't have made it back without you. | 0:50:02 | 0:50:05 | |
Well done. | 0:50:05 | 0:50:07 | |
It's not pretty, but it's a flesh wound. You're going to be all right. | 0:50:09 | 0:50:12 | |
What?! All that screaming, just for a scratch?! | 0:50:12 | 0:50:14 | |
Will I still have a scar? | 0:50:14 | 0:50:16 | |
If you ask her nicely, Lane might stitch you up messy. | 0:50:16 | 0:50:20 | |
Turn that way. | 0:50:20 | 0:50:21 | |
I thought I was finally getting rid of you. | 0:50:21 | 0:50:24 | |
No chance. You heard Kingy. | 0:50:24 | 0:50:26 | |
I was critical to operations. | 0:50:26 | 0:50:28 | |
Lane, we've got a gunshot wound. He's lost a lot of blood. | 0:50:28 | 0:50:31 | |
Bring him through, Quick! | 0:50:38 | 0:50:39 | |
Upper left thigh. Think it's a through and through. | 0:50:42 | 0:50:45 | |
-You with me, Dyno, yeah? -Yeah. -Sit down, mate, OK? | 0:50:45 | 0:50:47 | |
All right, it's an in and out, but it's a bleeder. | 0:50:47 | 0:50:49 | |
I need an ETA on the MERT. | 0:50:49 | 0:50:50 | |
-Hello, this is Tango One Zero. -Help me! -I need an ETA on the MERT. | 0:50:50 | 0:50:53 | |
Lane! | 0:50:53 | 0:50:55 | |
-On here! -One, two, three... | 0:50:56 | 0:50:59 | |
What's happened? Boss? | 0:50:59 | 0:51:02 | |
All right. Azizi? | 0:51:02 | 0:51:03 | |
-Azizi? -Captain? | 0:51:03 | 0:51:06 | |
Gunshot wound to the chest. | 0:51:07 | 0:51:09 | |
No exit wound. | 0:51:10 | 0:51:11 | |
I'm sorry... I'm so sorry... | 0:51:13 | 0:51:16 | |
Stay with me, OK? You're all right. | 0:51:16 | 0:51:18 | |
Is he going to die? | 0:51:18 | 0:51:19 | |
We need to get him stable. Get me a chest seal. | 0:51:19 | 0:51:22 | |
Tell them...there was no other way. | 0:51:25 | 0:51:29 | |
HE CHOKES | 0:51:33 | 0:51:35 | |
You told them we were coming? | 0:51:35 | 0:51:37 | |
Shit! | 0:51:44 | 0:51:46 | |
Got no pulse. | 0:51:47 | 0:51:49 | |
All right, bag him. | 0:51:50 | 0:51:51 | |
Bag him! Quick! | 0:51:51 | 0:51:53 | |
FUCK! | 0:51:58 | 0:51:59 | |
Here. | 0:52:04 | 0:52:05 | |
-Boss... -Leave it. | 0:52:07 | 0:52:09 | |
He's gone. He's gone. | 0:52:12 | 0:52:14 | |
How does this shit even get here? | 0:52:34 | 0:52:36 | |
Hey, this looks like it came out of China yesterday. | 0:52:36 | 0:52:39 | |
Least we got some souvenirs, eh, mate? | 0:52:41 | 0:52:43 | |
40 minutes to bag up and extract. | 0:52:43 | 0:52:45 | |
Let's get out of here before the Taliban have a chance to reorg. | 0:52:45 | 0:52:48 | |
-Boss. -Boss. -There you are, Brains. | 0:52:48 | 0:52:49 | |
Fingers? | 0:52:51 | 0:52:52 | |
Helicopter on the pad. Rotors turning. | 0:53:00 | 0:53:03 | |
I shouldn't have trusted him. | 0:53:06 | 0:53:08 | |
I'm a bloody idiot. | 0:53:10 | 0:53:11 | |
Charlie, this place is messed up. | 0:53:14 | 0:53:16 | |
All right? Don't drive yourself mad trying to make sense of it. | 0:53:18 | 0:53:21 | |
We could have lost everyone! | 0:53:21 | 0:53:22 | |
Richards tried to tell me. | 0:53:26 | 0:53:28 | |
What have we achieved, Elvis? | 0:53:33 | 0:53:35 | |
I've done five tours of Afghanistan. | 0:53:36 | 0:53:38 | |
For what? | 0:53:39 | 0:53:41 | |
You think he acted alone? | 0:53:48 | 0:53:50 | |
You mean can we still trust his men? | 0:53:51 | 0:53:54 | |
How can we know? | 0:53:55 | 0:53:56 | |
I'm just glad it's a support helicopter and not a road move. | 0:53:58 | 0:54:00 | |
BEEPING | 0:54:17 | 0:54:21 | |
Kingfisher. Send. | 0:54:22 | 0:54:24 | |
Extraction in 20 minutes. | 0:54:41 | 0:54:43 | |
Thanks. | 0:54:43 | 0:54:45 | |
How's Dyno doing? | 0:54:46 | 0:54:48 | |
He's stable. | 0:54:48 | 0:54:49 | |
Hey, come on. | 0:54:52 | 0:54:54 | |
You are going to get ME going in a minute. | 0:54:54 | 0:54:57 | |
No, it's fine. It's just... | 0:54:57 | 0:54:58 | |
Oh, God, it's just this fucking place, you know what I mean? | 0:54:59 | 0:55:02 | |
Try not to let it get to you. | 0:55:05 | 0:55:06 | |
Kingy! | 0:55:06 | 0:55:08 | |
I lost Azizi. | 0:55:10 | 0:55:11 | |
I mean, Dyno was close. | 0:55:13 | 0:55:15 | |
I thought he was... | 0:55:16 | 0:55:18 | |
Well, at least we know you don't want me dead any more. | 0:55:20 | 0:55:23 | |
Don't get excited. That's a very low bar. | 0:55:25 | 0:55:28 | |
SHE SIGHS OK. | 0:55:30 | 0:55:33 | |
Wait. | 0:55:34 | 0:55:35 | |
You were right. | 0:55:39 | 0:55:41 | |
You know, about the way I've acted. | 0:55:41 | 0:55:43 | |
It wasn't fair. | 0:55:43 | 0:55:45 | |
But I do think you're wrong when you say we're done. | 0:55:49 | 0:55:51 | |
Nothing's changed for me, Georgie. | 0:55:56 | 0:55:58 | |
I'm still madly in love with you. | 0:56:01 | 0:56:03 | |
And if you don't feel the same, I'll leave and I mean it this time. | 0:56:08 | 0:56:11 | |
I'll let you go. I'll let you get on with your life... | 0:56:11 | 0:56:13 | |
..IF you say you don't love me. | 0:56:15 | 0:56:17 | |
Loving each other... | 0:56:25 | 0:56:27 | |
..was never the problem, Elvis. | 0:56:28 | 0:56:30 | |
It can't work. | 0:56:35 | 0:56:37 | |
What's happened? | 0:56:39 | 0:56:41 | |
The support helicopters have had a no-fly, | 0:56:41 | 0:56:43 | |
due to a sandstorm two miles east. | 0:56:43 | 0:56:45 | |
We're in the shit here. | 0:56:45 | 0:56:47 | |
Tango One Zero, all my call signs on me. | 0:56:47 | 0:56:49 | |
How are we going to get out? | 0:56:51 | 0:56:52 | |
We're sitting ducks here. | 0:56:57 | 0:56:59 | |
After Azizi switching sides, | 0:57:00 | 0:57:02 | |
I don't trust any of them. | 0:57:02 | 0:57:04 | |
Can you hear me? | 0:57:06 | 0:57:07 | |
Have you done this before? | 0:57:07 | 0:57:08 | |
No. | 0:57:08 | 0:57:10 | |
With all due respect, sir, we've all lost friends here. | 0:57:11 | 0:57:14 | |
Me, I don't want to think they might have died for nothing. | 0:57:14 | 0:57:18 |