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-You could be a lawyer, Prime Minister even. -In the UK? | 0:00:02 | 0:00:05 | |
-Maya, where is she? Where's Tara? -She's gone. -Gone? | 0:00:05 | 0:00:08 | |
She wants to go to UK. | 0:00:08 | 0:00:09 | |
Aaban Omar is our most wanted. | 0:00:09 | 0:00:11 | |
EXPLOSION | 0:00:11 | 0:00:13 | |
Tell them... | 0:00:13 | 0:00:15 | |
-..there was no other way. -You told them we were coming? | 0:00:16 | 0:00:19 | |
I shouldn't have trusted him. I'm a bloody idiot. | 0:00:19 | 0:00:22 | |
Loving each other was never the problem, Elvis. | 0:00:22 | 0:00:24 | |
It can't work. | 0:00:24 | 0:00:26 | |
The support helicopters have had a no-fly | 0:00:26 | 0:00:29 | |
due to a sandstorm two miles east. | 0:00:29 | 0:00:31 | |
How are we going to get out? | 0:00:31 | 0:00:33 | |
This programme contains some violent scenes, | 0:00:34 | 0:00:37 | |
some strong language | 0:00:37 | 0:00:39 | |
and some scenes of a sexual nature. | 0:00:39 | 0:00:42 | |
Two Section on me. We need to set up a defensive perimeter! | 0:01:01 | 0:01:05 | |
Fingers, left of compound. Monk, right of compound. | 0:01:06 | 0:01:09 | |
Brains, Sangar! | 0:01:09 | 0:01:11 | |
-MUFFLED VOICE: -Maisie, get some repurposed ammo! | 0:01:11 | 0:01:14 | |
-MUFFLED: -Boss! Boss! | 0:01:14 | 0:01:17 | |
Boss! | 0:01:18 | 0:01:20 | |
We're sitting ducks here. | 0:01:21 | 0:01:23 | |
One at a time into the irrigation ditch. | 0:01:25 | 0:01:28 | |
Half a mile east is a farmhouse. | 0:01:28 | 0:01:30 | |
-Good to go. -Spanner, on your toes. -Boss. | 0:01:30 | 0:01:33 | |
-Richards. -What is this, like SAS selection? | 0:01:33 | 0:01:35 | |
No, this is like, I need a driver. Move. | 0:01:35 | 0:01:38 | |
Peanut. | 0:01:38 | 0:01:39 | |
Tourniquet all bleeds, administer pain relief and prioritise, yeah? | 0:01:44 | 0:01:48 | |
Yeah. | 0:01:48 | 0:01:49 | |
-Rab, how you doing? -I'm fine. | 0:01:49 | 0:01:52 | |
You've been shot, so your adrenaline will be all over the place. | 0:01:52 | 0:01:55 | |
-You need to rest up. -He only got shot in the arm, medic. | 0:01:55 | 0:01:58 | |
Like any of yous have ever been shot! | 0:01:58 | 0:02:00 | |
-That's a good thing, Rab. -It's what makes us better soldiers than you. | 0:02:00 | 0:02:04 | |
Let me know if anything changes, yeah? | 0:02:04 | 0:02:06 | |
After Azizi switching sides, I don't trust any of them. | 0:02:07 | 0:02:10 | |
We could have blue on blue at any time, boys. Let's stay on it, yeah? | 0:02:12 | 0:02:16 | |
Fingers, Monk, let's get a canvas set up for a temporary morgue | 0:02:16 | 0:02:19 | |
-for the fatalities, please. -On it. | 0:02:19 | 0:02:22 | |
-You taking up the rear again? -Checking out your arse, mate. | 0:02:45 | 0:02:48 | |
Get a move on. | 0:02:48 | 0:02:50 | |
I'd hate to be an alligator. Imagine doing this all day long. | 0:02:51 | 0:02:55 | |
PEANUT LAUGHS | 0:02:55 | 0:02:56 | |
-Don't laugh, Peanut. -Don't take orders from him, Peanut. | 0:02:56 | 0:02:59 | |
We're in the Army. Taking orders is what we do. | 0:02:59 | 0:03:03 | |
Farmhouse, 400 metres. | 0:03:06 | 0:03:08 | |
Twelve o'clock. | 0:03:08 | 0:03:10 | |
As-salamu 'alaykum. | 0:03:28 | 0:03:30 | |
As-salamu 'alaykum. | 0:03:34 | 0:03:36 | |
Sweeties? | 0:03:36 | 0:03:37 | |
As-salamu 'alaykum. | 0:03:40 | 0:03:42 | |
Wa alaykum s-salam. | 0:03:43 | 0:03:45 | |
As-salamu 'alaykum. | 0:03:45 | 0:03:46 | |
Morning. | 0:03:46 | 0:03:48 | |
Sorry, guys, I don't know any Pashto. | 0:03:48 | 0:03:50 | |
Then just smile. | 0:03:50 | 0:03:51 | |
We come in peace. | 0:03:51 | 0:03:53 | |
Zama num Elvis de. | 0:03:56 | 0:03:58 | |
We would like to negotiate the purchase of your vehicle. | 0:03:59 | 0:04:02 | |
The truck. | 0:04:02 | 0:04:04 | |
Hm? | 0:04:09 | 0:04:10 | |
Richards, while I'm negotiating, | 0:04:10 | 0:04:12 | |
-make sure that truck's going to get us to Kabul. -Boss. | 0:04:12 | 0:04:15 | |
Medic, cavalry's here. | 0:04:21 | 0:04:24 | |
Hey, Monk, on me. | 0:04:24 | 0:04:25 | |
You're doing a great job here, medic. | 0:04:25 | 0:04:28 | |
They're in your good hands. | 0:04:28 | 0:04:30 | |
Extraction Plan B. | 0:04:36 | 0:04:38 | |
Really? | 0:04:41 | 0:04:42 | |
-In this? -Yeah. | 0:04:42 | 0:04:44 | |
There's no Plan C. We need to move. | 0:04:44 | 0:04:46 | |
Right, I need a medical area for the injured. | 0:04:46 | 0:04:48 | |
We can only take the ones with a reasonable chance of making it. | 0:04:48 | 0:04:51 | |
-It's going to be a long journey. -I'm not leaving anyone, Elvis. | 0:04:51 | 0:04:54 | |
-Either they all go or I stay. -ANA can decide who they take or leave. | 0:04:54 | 0:04:57 | |
No, it's not happening. I need to be caring for every single one | 0:04:57 | 0:05:00 | |
of these guys. They've been fighting alongside us. | 0:05:00 | 0:05:02 | |
Personally, I wouldn't be treating some of these arseholes the way you are. | 0:05:02 | 0:05:06 | |
Yeah, well, I'll be showing courageous restraint. | 0:05:06 | 0:05:08 | |
Malik, I need two units of fluid, please. | 0:05:09 | 0:05:12 | |
Back on it, boss. | 0:05:12 | 0:05:14 | |
# Can you hear the people marching louder than the drums? | 0:05:15 | 0:05:19 | |
# Can you hear the people coming louder than the drums? | 0:05:19 | 0:05:24 | |
# Can you hear the people marching louder than the drums? | 0:05:24 | 0:05:29 | |
# Can you hear the people coming? | 0:05:29 | 0:05:33 | |
# Can you hear the people marching louder than the drums? | 0:05:34 | 0:05:39 | |
# Can you hear the people marching | 0:05:39 | 0:05:43 | |
# This is our battle cry. # | 0:05:43 | 0:05:45 | |
-Nice work, Richards. -Thanks, boss. | 0:05:55 | 0:05:57 | |
-Any weapons we can't take we need to destroy. -Roger that. | 0:05:58 | 0:06:01 | |
Kingy, how we getting on? | 0:06:01 | 0:06:03 | |
Well, it's not going to be spotless, to be fair, | 0:06:03 | 0:06:05 | |
but, yeah, slightly more hygienic | 0:06:05 | 0:06:07 | |
now we've got the cement dust out, boss. | 0:06:07 | 0:06:09 | |
-Richards is going to be driving. -Roger that. | 0:06:09 | 0:06:11 | |
-This ain't going to be easy, boys. -The ANA want to know whether | 0:06:11 | 0:06:14 | |
they fly white flags to get us a safe passage out of here. | 0:06:14 | 0:06:16 | |
One thing certain to bring on an attack! | 0:06:16 | 0:06:19 | |
It should make it to Kabul so long as it's downhill. | 0:06:19 | 0:06:21 | |
Stay on comms. Brief the ANA we will not initiate contact. | 0:06:21 | 0:06:24 | |
Only engage on my word. | 0:06:24 | 0:06:26 | |
Let's hope us sodding off will be enough for them. | 0:06:27 | 0:06:30 | |
-It'll have to do, Lane. -OK. | 0:06:33 | 0:06:35 | |
Right, I need all medical supplies in the back with me. | 0:06:35 | 0:06:38 | |
-I need as many drips and morphine as we've got, OK? -Yes. | 0:06:38 | 0:06:41 | |
Rab, I need you to relax until we're setting off, yeah? | 0:06:42 | 0:06:45 | |
Mate, he's useless at the best of times. | 0:06:45 | 0:06:48 | |
I'm fine. In and out nick on my arm. | 0:06:48 | 0:06:50 | |
I'm just a bit buzzing waiting to tell everyone I've been shot. | 0:06:50 | 0:06:54 | |
It's like the best thing that's ever happened to him, Georgie. | 0:06:54 | 0:06:57 | |
Right, Rab, up front. Everyone else in the makeshift beds at the back. | 0:06:57 | 0:07:00 | |
Dyno, you're with me in here. | 0:07:00 | 0:07:02 | |
Anyone who's had medical treatment in the back as well. | 0:07:02 | 0:07:05 | |
Fingers! | 0:07:25 | 0:07:26 | |
I was covering the guys, Kingy. | 0:07:26 | 0:07:28 | |
If you can hit them from here, you are good. | 0:07:29 | 0:07:33 | |
Cease fire! | 0:07:33 | 0:07:34 | |
That's Kingy speak for save your bullets, Fingers. | 0:07:37 | 0:07:39 | |
Here with no ammo is going to be proper squeaky arse time. | 0:07:39 | 0:07:43 | |
I would've put my life on him, Lane. | 0:08:08 | 0:08:10 | |
Well, luckily, you didn't. | 0:08:12 | 0:08:14 | |
ENGINE STARTS | 0:08:16 | 0:08:18 | |
GEARS JAM | 0:08:18 | 0:08:20 | |
This gearbox is bollocksed. I'll just keep it in second. | 0:08:20 | 0:08:24 | |
HE WRITHES IN PAIN | 0:08:53 | 0:08:55 | |
Argh! | 0:09:03 | 0:09:04 | |
Keep the vehicle steady, Richards! | 0:09:04 | 0:09:06 | |
-You've got one job to do! -Sorry, medic. | 0:09:06 | 0:09:09 | |
We'll get you to a hospital. Just hang in there for me. | 0:09:28 | 0:09:31 | |
Boss. | 0:09:33 | 0:09:35 | |
Looks like we're getting an escort. | 0:09:41 | 0:09:43 | |
-Boss, seriously, let's take them now. -Shut it, Fingers. | 0:09:49 | 0:09:52 | |
We don't even know if they're Taliban or just regular civvies. | 0:09:52 | 0:09:55 | |
-Right, guys, how much longer? -All of us, one each, bosh. | 0:09:56 | 0:10:00 | |
-Problem solved. -Or maybe beehive stirred. | 0:10:00 | 0:10:03 | |
-RADIO: -Keep driving steadily. Keep a constant speed. | 0:10:17 | 0:10:21 | |
Copy that. | 0:10:21 | 0:10:23 | |
They're heading east. | 0:10:43 | 0:10:45 | |
Bogey men on bikes gone, boss. | 0:10:54 | 0:10:58 | |
Boss, short cut's to the main road. | 0:11:01 | 0:11:03 | |
They didn't know the helicopters were going to be grounded | 0:11:03 | 0:11:06 | |
so they can't have had nothing planned. | 0:11:06 | 0:11:08 | |
Inside The Mind Of A Terrorist, by Maisie Richards! | 0:11:08 | 0:11:11 | |
-I'm ignoring that, wanker. -Charm school bants. | 0:11:11 | 0:11:14 | |
So anything they pull has got to be between here and the main road. | 0:11:14 | 0:11:18 | |
Boss. | 0:11:25 | 0:11:27 | |
-What is it, Elvis? -Cause for concern. | 0:11:27 | 0:11:29 | |
-RADIO: -Two civilians, my ten o'clock. | 0:11:30 | 0:11:33 | |
This country, I hate it. | 0:11:55 | 0:11:57 | |
And they hate us. | 0:11:58 | 0:12:00 | |
PHONE RINGS | 0:12:23 | 0:12:25 | |
-How's he doing? -Cause for concern. | 0:12:37 | 0:12:39 | |
-You all right? -Yeah, don't worry about me. -How could I not? | 0:12:39 | 0:12:43 | |
I'll never stop worrying about you. | 0:12:44 | 0:12:46 | |
All gone very eerie here. | 0:13:07 | 0:13:10 | |
Anyone seen High Noon? | 0:13:10 | 0:13:12 | |
Abandoned moped, my one o'clock. It don't feel right. | 0:13:13 | 0:13:17 | |
TOOTING | 0:13:18 | 0:13:19 | |
MEN SHOUT | 0:13:19 | 0:13:21 | |
Elvis, what do we think about this goat truck? | 0:13:24 | 0:13:26 | |
Let him go. | 0:13:26 | 0:13:28 | |
You don't own our roads! | 0:13:30 | 0:13:33 | |
Bit rude. | 0:13:33 | 0:13:34 | |
MAN CONTINUES TO SHOUT | 0:13:34 | 0:13:36 | |
That poor sod. | 0:13:55 | 0:13:57 | |
That could have been us, guys. | 0:13:58 | 0:14:00 | |
One fatality, boss. Truck driver. | 0:14:03 | 0:14:05 | |
Elvis, thoughts? | 0:14:07 | 0:14:09 | |
Call it in and leave it to the local police. Lane, on me. | 0:14:09 | 0:14:12 | |
Fingers, call it in! | 0:14:12 | 0:14:14 | |
Right, guys, we're extremely vulnerable here. | 0:14:14 | 0:14:16 | |
We need to get back on the truck ASAP. Move! | 0:14:16 | 0:14:19 | |
-What shall we do about the goats? -Why, you hungry, babe? | 0:14:20 | 0:14:23 | |
-And we thought we'd had a traumatic day! -Anybody had goat's head soup? | 0:14:23 | 0:14:26 | |
Guys, move, now! | 0:14:26 | 0:14:28 | |
Hello, Zero, this is Zero Alpha... | 0:14:28 | 0:14:31 | |
What? | 0:14:47 | 0:14:48 | |
-I could take him now. -Even fast asleep, I still reckon he'd do you. | 0:14:50 | 0:14:54 | |
Well, I could beat him at badminton, then. | 0:14:54 | 0:14:57 | |
-Do I make you laugh, Maise? -Constantly. | 0:14:59 | 0:15:03 | |
If you're going to sleep, | 0:15:19 | 0:15:21 | |
you're not putting your head on my shoulder, you wanker. | 0:15:21 | 0:15:24 | |
Rab! | 0:15:25 | 0:15:26 | |
HE GROANS | 0:15:29 | 0:15:31 | |
Rab, what are you doing?! | 0:15:31 | 0:15:34 | |
HE GASPS FOR BREATH | 0:15:34 | 0:15:36 | |
Medic! | 0:15:37 | 0:15:38 | |
Medic! | 0:15:39 | 0:15:40 | |
Something's fucking happening to him! Do something, Georgie! | 0:15:41 | 0:15:45 | |
All right, Rab? Rab, can you hear me? | 0:15:46 | 0:15:49 | |
Take the helmet off for me. | 0:15:49 | 0:15:51 | |
Rab, can you hear me? | 0:15:51 | 0:15:53 | |
Rab?! | 0:15:53 | 0:15:55 | |
Right, cut the chest open as well for me. | 0:15:56 | 0:15:58 | |
Rab? | 0:15:58 | 0:15:59 | |
Take everything off him. Rab! | 0:15:59 | 0:16:02 | |
You're going to be OK. Just keep breathing for me, OK? | 0:16:03 | 0:16:06 | |
Right, it can't be his arm. What the hell's happening? | 0:16:10 | 0:16:13 | |
Please make him all right, Georgie. Please. | 0:16:13 | 0:16:16 | |
Oh, God. Not good. That's not good. | 0:16:18 | 0:16:21 | |
I think the tiniest bit of shrapnel from the bullet | 0:16:22 | 0:16:25 | |
has gone through his body armour into his lungs. | 0:16:25 | 0:16:28 | |
I need to relieve the pressure so he can breathe properly. | 0:16:28 | 0:16:31 | |
-Have you done this before? -No. | 0:16:31 | 0:16:33 | |
AIR HISSES | 0:16:44 | 0:16:46 | |
There you go. | 0:16:47 | 0:16:49 | |
-He's breathing normally. -Yeah? -He's coming down. | 0:16:56 | 0:16:59 | |
-How's he doing? -Better. -Is he going to be all right? | 0:16:59 | 0:17:01 | |
I'll stabilise him, but he needs a specialist as soon as possible. | 0:17:01 | 0:17:04 | |
Is he going to be OK, Georgie? | 0:17:05 | 0:17:07 | |
-Are you sure? -Keep calm. | 0:17:08 | 0:17:11 | |
Keep calm, Richards. | 0:17:11 | 0:17:13 | |
I must have missed it. I thought it was a bullet wound through and through. I couldn't see anything. | 0:17:15 | 0:17:20 | |
You just saved his life. | 0:17:21 | 0:17:23 | |
Right, guys, back on the truck. Let's move! | 0:17:28 | 0:17:31 | |
-We need to get him medevac'd. Any news on the sandstorm? -No. | 0:18:00 | 0:18:04 | |
There's a decent medical facility back at the barracks. | 0:18:05 | 0:18:08 | |
Let's keep him alive until then. | 0:18:08 | 0:18:10 | |
You've worked miracles here, Georgie. | 0:18:10 | 0:18:13 | |
Just letting you know that I love you. | 0:18:15 | 0:18:18 | |
I know you do. | 0:18:20 | 0:18:21 | |
Kabul, here we come! | 0:18:35 | 0:18:37 | |
Second gear never let me down. | 0:18:37 | 0:18:39 | |
Small entry wound under left arm caused, I believe, by shrapnel, | 0:18:49 | 0:18:53 | |
resulting in tension pneumothorax, | 0:18:53 | 0:18:55 | |
which I've aspirated and now he's stable. | 0:18:55 | 0:18:57 | |
Vital signs - BP, 110 over 65, pulse 110. | 0:18:57 | 0:19:00 | |
Flesh wound right deltoid, dressed. | 0:19:00 | 0:19:02 | |
Come on, Rab. | 0:19:03 | 0:19:05 | |
Really top marks, medic. | 0:19:10 | 0:19:12 | |
He never mentioned his chest. He just kept banging on about his arm. | 0:19:14 | 0:19:18 | |
He's a wanker. | 0:19:18 | 0:19:20 | |
Hey, he's going to be all right. | 0:19:21 | 0:19:23 | |
Promise? | 0:19:23 | 0:19:24 | |
Yeah. | 0:19:24 | 0:19:26 | |
We got them back here. | 0:19:45 | 0:19:47 | |
-We got them back here. -Yeah. | 0:19:48 | 0:19:50 | |
We got back here, guys... | 0:19:55 | 0:19:57 | |
..and I couldn't be more proud. | 0:19:58 | 0:20:00 | |
You've conducted yourselves with dignity and heroism. | 0:20:01 | 0:20:05 | |
Once we get clearance, we're out of here, | 0:20:07 | 0:20:10 | |
never to darken Afghanistan's doorstep again. | 0:20:10 | 0:20:13 | |
Never again. | 0:20:14 | 0:20:16 | |
Now, double away and start to look like Her Majesty's soldiers. | 0:20:18 | 0:20:22 | |
ALL: Boss. | 0:20:22 | 0:20:23 | |
Right guys, move. | 0:20:23 | 0:20:25 | |
-The water's running out yellow! -That'll be the sand and dust. | 0:21:26 | 0:21:29 | |
Or you're pissing! | 0:21:29 | 0:21:31 | |
Took me about a month to get Afghan out of my hair last time. | 0:21:31 | 0:21:34 | |
I've got some proper dust bogies up me schnozz. | 0:21:34 | 0:21:36 | |
I'll need a spoon to prize these buggers out! | 0:21:36 | 0:21:38 | |
Remind me again, Monk, why haven't you got a girlfriend. | 0:21:38 | 0:21:41 | |
Boom! Boom! Boom! Boom! | 0:21:41 | 0:21:43 | |
Shots fired! | 0:21:43 | 0:21:45 | |
What do you mean you can't believe it? I can. | 0:21:48 | 0:21:50 | |
-You all right? -I've brought some grapes for Rab. | 0:21:57 | 0:22:00 | |
-Grapes? -Imaginary, obviously. | 0:22:01 | 0:22:03 | |
Obviously. | 0:22:03 | 0:22:04 | |
Thanks. | 0:22:06 | 0:22:07 | |
By way of a thank you for saving Wanker. | 0:22:07 | 0:22:10 | |
Touched. Thanks. | 0:22:10 | 0:22:12 | |
Is he well enough for visitors? | 0:22:12 | 0:22:14 | |
I'm not dead. I can hear you. Unfortunately! | 0:22:14 | 0:22:16 | |
He'll be all right. | 0:22:16 | 0:22:18 | |
He'll be on the first available flight back to the UK. | 0:22:18 | 0:22:21 | |
-Will you go with him? -No. They don't need me. | 0:22:21 | 0:22:23 | |
There'll be doctors on board. Plus I'll be heading back to Nepal. | 0:22:23 | 0:22:27 | |
I'll be back in a minute. | 0:22:27 | 0:22:29 | |
Hey. | 0:22:33 | 0:22:35 | |
-Did I just hear you say you're going back to Nepal? -Yeah. | 0:22:38 | 0:22:41 | |
-Yeah, I've got a job to finish. -Right. | 0:22:41 | 0:22:43 | |
You're not... | 0:22:44 | 0:22:46 | |
You're not going to see what's his name, are you? | 0:22:46 | 0:22:49 | |
No. | 0:22:49 | 0:22:50 | |
No, I'm going back to build prefabs. | 0:22:50 | 0:22:53 | |
Good. | 0:22:55 | 0:22:56 | |
Really good. | 0:22:56 | 0:22:58 | |
-I'd give it all up for you, you know. -Elvis! -What?! | 0:23:01 | 0:23:05 | |
Honestly, what is it? I don't get it. | 0:23:05 | 0:23:07 | |
-How could I ever trust you? -Because you can. | 0:23:07 | 0:23:10 | |
Yeah? | 0:23:10 | 0:23:11 | |
Listen to me, I've changed. | 0:23:13 | 0:23:15 | |
OK? I have. I know I have. | 0:23:16 | 0:23:18 | |
Giving everything up for you is the only way I know how to prove... | 0:23:20 | 0:23:23 | |
Elvis... | 0:23:23 | 0:23:24 | |
I don't want you to give everything up for me. | 0:23:24 | 0:23:27 | |
-No? -No. | 0:23:27 | 0:23:29 | |
I could do training. | 0:23:34 | 0:23:36 | |
Work in SAS selection in Hereford. | 0:23:36 | 0:23:38 | |
And stay at home with the babies while I go on tour? | 0:23:38 | 0:23:41 | |
Are we having babies now? | 0:23:41 | 0:23:43 | |
Medic! | 0:23:45 | 0:23:46 | |
Couldn't she have brought me some imaginary chocolate? | 0:23:46 | 0:23:49 | |
-It's fattening. -What are you talking about? | 0:23:49 | 0:23:51 | |
-It's fattening. -On this bod? -Oh, my God. -Beach bod. | 0:23:51 | 0:23:54 | |
How are you feeling, Rab? You feeling better? | 0:23:54 | 0:23:57 | |
-Brilliant. More morphine, please. -No, you've had too much already. | 0:23:57 | 0:24:01 | |
Brains. | 0:24:06 | 0:24:07 | |
Brains! | 0:24:07 | 0:24:09 | |
What's the Wi-Fi password? | 0:24:09 | 0:24:11 | |
Capital K... | 0:24:11 | 0:24:13 | |
a-b-u-l... | 0:24:13 | 0:24:14 | |
two-three-nine-one-two... | 0:24:14 | 0:24:17 | |
lower case c. | 0:24:17 | 0:24:18 | |
I was going to say relax, guys, | 0:24:18 | 0:24:20 | |
-but you already got the memo by the looks. -What's happening, Kingy? | 0:24:20 | 0:24:24 | |
Looks like we're going to be chilling here a bit longer. | 0:24:24 | 0:24:26 | |
Sandstorm still fucking with us? | 0:24:26 | 0:24:28 | |
You should be a weatherman, Richards. | 0:24:28 | 0:24:31 | |
Weather person, you dinosaur. | 0:24:31 | 0:24:33 | |
-How's Kalil? -Ooh! -Yeah, how is Rab? | 0:24:34 | 0:24:38 | |
What you asking me for? I don't even care. | 0:24:38 | 0:24:41 | |
Who's overdone it on the deodorant? | 0:24:42 | 0:24:45 | |
-It was one quick spray. -Bollocks! One quick spray, my arse! | 0:24:45 | 0:24:48 | |
It smells great. I don't know what you're talking about. | 0:24:48 | 0:24:51 | |
-TEXT ALERT -Not the taxman is it, Maisie? | 0:24:51 | 0:24:53 | |
It's Tara. | 0:24:55 | 0:24:57 | |
Oh, my God, she's in Pakistan. | 0:24:58 | 0:25:00 | |
-Georgie. -What is it, Richards? | 0:25:04 | 0:25:06 | |
I've got a video message from Tara. | 0:25:07 | 0:25:09 | |
It's a couple of days old by the looks. | 0:25:09 | 0:25:11 | |
'I got to New Delhi on a bus, | 0:25:11 | 0:25:13 | |
'then I had to get a train to Quetta.' | 0:25:13 | 0:25:17 | |
-What can we do? -Well, there's nothing we can do, is there? | 0:25:18 | 0:25:21 | |
She was getting in a car to travel to the Pakistan-Iran border. | 0:25:21 | 0:25:24 | |
What about her phone? Have you tried calling it back? | 0:25:24 | 0:25:27 | |
-Of course. I'm trying again. -OK. | 0:25:27 | 0:25:29 | |
PHONE RINGS | 0:25:42 | 0:25:44 | |
Hello. | 0:25:46 | 0:25:47 | |
Tara? | 0:25:47 | 0:25:48 | |
Tara, can you please listen to me? | 0:25:48 | 0:25:51 | |
Right, we need you to get to the nearest police station. | 0:25:51 | 0:25:54 | |
Can you do that for me? | 0:25:54 | 0:25:56 | |
It's fine. I am fine. | 0:25:56 | 0:25:59 | |
They can get us across the border. | 0:25:59 | 0:26:01 | |
What border? | 0:26:01 | 0:26:02 | |
I got to get to UK. | 0:26:02 | 0:26:04 | |
TRUCK TOOTS HORN | 0:26:05 | 0:26:07 | |
She's turned the phone off. | 0:26:14 | 0:26:17 | |
Captain Khan says one tried and tested trafficking route | 0:26:23 | 0:26:26 | |
is for people to try and blend in with Shia pilgrims | 0:26:26 | 0:26:29 | |
on their way to Iran. | 0:26:29 | 0:26:30 | |
Depending on how much she's paid her smugglers, | 0:26:35 | 0:26:38 | |
they may arrange transport to Tehran. | 0:26:38 | 0:26:40 | |
MAN SHOUTS | 0:26:40 | 0:26:41 | |
Is that what normally happens? | 0:26:41 | 0:26:43 | |
Well, if you know this, why don't we do something about it? | 0:26:44 | 0:26:47 | |
Richards, why would the Afghan military be able to intervene | 0:26:47 | 0:26:50 | |
with refugees on the Pakistan-Iran border? | 0:26:50 | 0:26:53 | |
Well, why wouldn't they, sir? | 0:26:53 | 0:26:55 | |
From Tehran, what happens then? | 0:26:56 | 0:26:58 | |
They will most likely try and progress on to the Turkish border. | 0:26:58 | 0:27:02 | |
What happens if she gets into Turkey, then? | 0:27:06 | 0:27:08 | |
It's that fucking sea crossing. I've seen it on the news. | 0:27:08 | 0:27:11 | |
Hundreds of them clinging on to a dingy. | 0:27:11 | 0:27:13 | |
All the stuff the Army can do, | 0:27:13 | 0:27:15 | |
we fly off and sort shit out all over the world, | 0:27:15 | 0:27:17 | |
but we can't go in and save that little girl. | 0:27:17 | 0:27:19 | |
There are a million Taras. | 0:27:19 | 0:27:21 | |
That's why the Army say don't get involved. | 0:27:21 | 0:27:24 | |
Yeah, but we do get involved, don't we? That's the point. | 0:27:24 | 0:27:27 | |
-Do you keep trying her phone? -Um, yes! | 0:27:27 | 0:27:29 | |
Do you reckon he's coming back for that? | 0:27:39 | 0:27:41 | |
-Do we have internal plans of the target building? -Requested. | 0:27:51 | 0:27:55 | |
Market stalls, | 0:27:55 | 0:27:57 | |
zone alpha and bravo. | 0:27:57 | 0:27:59 | |
What is it, an old factory? | 0:28:00 | 0:28:02 | |
It's now a Taliban hideout and munitions distribution facility. | 0:28:02 | 0:28:06 | |
Well, well, well. | 0:28:07 | 0:28:10 | |
I know. | 0:28:22 | 0:28:23 | |
-You know what? -You've located Omar. | 0:28:23 | 0:28:26 | |
-Right, and how do you know that? -Because I know who you are. | 0:28:27 | 0:28:30 | |
You look excited. | 0:28:31 | 0:28:33 | |
Alive. | 0:28:33 | 0:28:34 | |
You could never give this up. | 0:28:36 | 0:28:38 | |
I can change though. | 0:28:39 | 0:28:41 | |
Maybe I don't want you to change. | 0:28:41 | 0:28:43 | |
There's moments, aren't there? | 0:28:46 | 0:28:48 | |
Of clarity... | 0:28:49 | 0:28:50 | |
when you feel like you understand everything. | 0:28:50 | 0:28:53 | |
Yeah, normally the third to fourth pint, then everything goes to shit. | 0:28:53 | 0:28:58 | |
Come here. Listen to me. | 0:28:58 | 0:29:00 | |
I'm being all sincere here, OK? | 0:29:01 | 0:29:03 | |
Yeah. | 0:29:03 | 0:29:04 | |
I'm trying to tell you that I don't want a life without you in it. | 0:29:04 | 0:29:08 | |
-Do you remember when we were going to get married, hm? -Yeah. | 0:29:13 | 0:29:16 | |
-Do you remember that? -Yes. -Yes? | 0:29:16 | 0:29:18 | |
OK, well, the night before, Mum came in my room, | 0:29:18 | 0:29:21 | |
she sat on my bed and she said... | 0:29:21 | 0:29:24 | |
"Can you imagine spending the rest of your life with Elvis?" | 0:29:24 | 0:29:28 | |
OK? | 0:29:29 | 0:29:30 | |
And I said to her... | 0:29:31 | 0:29:33 | |
"I can't imagine not spending the rest of my life with him." | 0:29:34 | 0:29:38 | |
Thank you. | 0:29:41 | 0:29:43 | |
That was then. | 0:29:45 | 0:29:47 | |
You don't feel the same now? | 0:29:47 | 0:29:49 | |
Yeah. | 0:29:49 | 0:29:50 | |
Yeah. | 0:29:51 | 0:29:53 | |
I know that I'm never going to get rid of you. | 0:29:54 | 0:29:56 | |
It's probably not the most romantic thing you've ever said. | 0:29:57 | 0:30:00 | |
It probably is, actually. | 0:30:01 | 0:30:03 | |
Come here. | 0:30:10 | 0:30:11 | |
MUSIC: Swim by Douglas Dare | 0:30:11 | 0:30:14 | |
-Never let me down again. -I never will. | 0:30:20 | 0:30:23 | |
Tomorrow we go and get Omar, but tonight... | 0:30:47 | 0:30:50 | |
Please... | 0:30:50 | 0:30:52 | |
don't say anything sincere. | 0:30:52 | 0:30:54 | |
Come here. | 0:30:54 | 0:30:55 | |
Wipe the smile off your face. | 0:31:29 | 0:31:31 | |
I can't help it. I am a bit fucking happy. | 0:31:32 | 0:31:35 | |
-Bye. -Bye. | 0:31:41 | 0:31:43 | |
You skiving wanker. | 0:31:47 | 0:31:49 | |
How am I skiving? I nearly died back there. | 0:31:49 | 0:31:52 | |
No imaginary grapes? | 0:31:53 | 0:31:55 | |
We're going on a mission to catch Omar. | 0:31:55 | 0:31:58 | |
-You're missing out on all the fun and games. -I'll see you in the UK. | 0:31:58 | 0:32:01 | |
Not if I see you first. | 0:32:01 | 0:32:04 | |
That is the oldest, shittest joke in the book. | 0:32:04 | 0:32:07 | |
And I still don't know what it means. | 0:32:07 | 0:32:09 | |
Take care, Maise, and don't die or I'll kill you. | 0:32:09 | 0:32:13 | |
Don't worry about me, I'm indestructible. | 0:32:13 | 0:32:16 | |
Special Forces have located the target to a dwelling in Kabul. | 0:32:19 | 0:32:23 | |
The objective of this mission is to capture the Taliban commander | 0:32:23 | 0:32:27 | |
Aaban Omar. | 0:32:27 | 0:32:29 | |
We will secure the surrounding area with Afghan forces. | 0:32:29 | 0:32:32 | |
Two Section will then launch a diversionary attack on the front | 0:32:33 | 0:32:37 | |
of the building whilst Special Forces fast-rope down onto the roof. | 0:32:37 | 0:32:41 | |
We will then clear the building. Understood? | 0:32:42 | 0:32:45 | |
ALL: Boss. | 0:32:45 | 0:32:46 | |
That's our target, guys. | 0:32:46 | 0:32:48 | |
Omar. | 0:32:48 | 0:32:50 | |
Are you OK, boss? | 0:32:56 | 0:32:58 | |
Ours is not to reason why. | 0:32:59 | 0:33:01 | |
Chain of command. | 0:33:04 | 0:33:06 | |
You've got to believe in that, boss. | 0:33:06 | 0:33:09 | |
-You all set? -Yeah. | 0:33:19 | 0:33:22 | |
What good has it done really? | 0:33:26 | 0:33:28 | |
Us in Afghan. | 0:33:30 | 0:33:31 | |
-Right, come on, then, boss. Let's crack on. -It's a fucking waste. | 0:33:31 | 0:33:35 | |
It's not our money. | 0:33:35 | 0:33:37 | |
Money, lives... | 0:33:37 | 0:33:39 | |
What for? | 0:33:40 | 0:33:42 | |
-Trucks assess, so let's... -We can't even bullshit ourselves | 0:33:42 | 0:33:45 | |
and say it's in a better state than we found it, can we? | 0:33:45 | 0:33:48 | |
With all due respect, sir, we've all lost friends here. | 0:33:48 | 0:33:51 | |
Me, I don't want to think they might have died for nothing. | 0:33:51 | 0:33:55 | |
Sir. | 0:33:56 | 0:33:58 | |
MUSIC: Swim by Douglas Dare | 0:34:31 | 0:34:34 | |
There's going to be one gutted engineer out in Nepal. | 0:35:39 | 0:35:42 | |
And there'll be one gutted squaddie if she doesn't learn to button it. | 0:35:43 | 0:35:46 | |
I don't care much for abroad. | 0:36:40 | 0:36:42 | |
-What? -I wouldn't bother with abroad, me. | 0:36:42 | 0:36:45 | |
-Just England, yeah? -Just London, in fact. | 0:36:45 | 0:36:48 | |
-What's the matter with Liverpool? -BOTH: Or Manchester? | 0:36:48 | 0:36:51 | |
Jinx! | 0:36:51 | 0:36:52 | |
-Or Colchester? -Or Bath? | 0:36:52 | 0:36:54 | |
In fact, not even all of London. I only really like East London. | 0:36:54 | 0:36:57 | |
What's the matter with North London? | 0:36:57 | 0:37:00 | |
Nah, only really Stratford. E15. | 0:37:00 | 0:37:02 | |
I don't even like those that live on Chamberland Road. | 0:37:02 | 0:37:05 | |
You only like the people in your house, don't you, Monk? | 0:37:05 | 0:37:07 | |
Don't even get along with them half the time. | 0:37:07 | 0:37:10 | |
LAUGHTER | 0:37:10 | 0:37:12 | |
Alpha and Bravo fire team on the ground, await instruction. | 0:37:13 | 0:37:17 | |
Back up support to Afghan fire team | 0:37:17 | 0:37:19 | |
attacking the front and rear of the building, | 0:37:19 | 0:37:21 | |
once they gain access, we go in, fast-rope down and clear the area. | 0:37:21 | 0:37:25 | |
-Understood?! -Boss. -Boss. | 0:37:25 | 0:37:27 | |
Omar is in the target building ahead. | 0:37:35 | 0:37:37 | |
We wait here until we get word Special Forces are in position. | 0:37:37 | 0:37:41 | |
Delta fire team are at the rear ready to attack. | 0:37:41 | 0:37:44 | |
Once that gets started, ANA Alpha fire team | 0:37:44 | 0:37:47 | |
attack the front of the target building. | 0:37:47 | 0:37:49 | |
We are then ready to support and clear the building. | 0:37:49 | 0:37:52 | |
-Understood? -ALL: Boss. | 0:37:53 | 0:37:55 | |
GUNFIRE | 0:38:08 | 0:38:10 | |
SCREAMS AND SHOUTING | 0:38:10 | 0:38:12 | |
Afghan truck under attack! Contact. Wait out! | 0:38:16 | 0:38:19 | |
Kingy, Monk, give covering fire! | 0:38:19 | 0:38:21 | |
Richards, Fingers, peel right. Brains, peel left. | 0:38:21 | 0:38:23 | |
-Medics, stay with me. Is that understood? -ALL: Boss! | 0:38:23 | 0:38:26 | |
HEAVY GUNFIRE | 0:38:27 | 0:38:29 | |
-Has anybody got eyes on the enemy?! -Not seen! -Not seen! | 0:38:53 | 0:38:56 | |
Fingers, Monk, push forward! Clear ANA vehicle! | 0:38:56 | 0:38:59 | |
Brains, push north! Get covering fire! | 0:38:59 | 0:39:01 | |
Kingy, get Lane to the casualties in the ANA vehicle! | 0:39:01 | 0:39:05 | |
Richards, on me! | 0:39:05 | 0:39:06 | |
GUNFIRE | 0:39:10 | 0:39:12 | |
Boss, clear! | 0:39:15 | 0:39:17 | |
BULLETS RICOCHET | 0:39:17 | 0:39:19 | |
Richards, clear the building! | 0:39:20 | 0:39:22 | |
Clear! | 0:39:22 | 0:39:23 | |
Two shooters right of compound! | 0:39:23 | 0:39:26 | |
First floor, left window, second floor, left window! | 0:39:26 | 0:39:30 | |
Let's go, Lane. | 0:39:30 | 0:39:32 | |
BOTH: Three, two, one. | 0:39:32 | 0:39:33 | |
GUNFIRE | 0:39:33 | 0:39:35 | |
Push right! | 0:39:40 | 0:39:41 | |
Push on under cover! | 0:39:41 | 0:39:43 | |
Move! Out! Move! | 0:39:51 | 0:39:53 | |
Hello, Zero, this is Foxtrot One Five. Wait, out! | 0:39:54 | 0:39:57 | |
Go! Go! Go! Go! | 0:40:00 | 0:40:02 | |
Put pressure on there. | 0:40:04 | 0:40:06 | |
Fingers, request air support! | 0:40:08 | 0:40:10 | |
Contact within target building! | 0:40:12 | 0:40:15 | |
RADIO: Hello, Zero, this is Zero Alpha. Contact in target building. | 0:40:15 | 0:40:18 | |
Requesting air support right now! | 0:40:18 | 0:40:20 | |
-They're being attacked! -That's Plan A out the window, then. | 0:40:20 | 0:40:23 | |
Phase two, boss. Initiate phase two. | 0:40:23 | 0:40:26 | |
Target building, 35 metres! | 0:40:29 | 0:40:31 | |
Engage at will! | 0:40:31 | 0:40:34 | |
GUNFIRE | 0:40:34 | 0:40:36 | |
Hello, Zero Alpha, this is Bravo Two Zero, over. | 0:40:38 | 0:40:41 | |
-RADIO: -Zero Alpha, are you approaching from the west, over? | 0:40:42 | 0:40:46 | |
Bravo Two Zero. Roger. Over. | 0:40:46 | 0:40:49 | |
Lane, gunshot wound to the stomach. | 0:40:54 | 0:40:57 | |
Approximately nine dead. I'm just going to go double check. | 0:40:57 | 0:41:00 | |
Hello, Zero, this is Five One Five. Message, over. | 0:41:00 | 0:41:03 | |
-RADIO: -Send, over. | 0:41:03 | 0:41:04 | |
Five One Five. We have approximately nine fatalities, | 0:41:04 | 0:41:07 | |
three Cat As, two Cat Bs - urgent evacuation required. | 0:41:07 | 0:41:10 | |
Nine Line to follow. Wait, out. | 0:41:10 | 0:41:13 | |
Vehicle clear! Multiple casualties! | 0:41:30 | 0:41:32 | |
Vehicle clear! Multiple casualties! | 0:41:32 | 0:41:34 | |
Bravo to Charlie Five. Be prepared to clear target building! | 0:41:49 | 0:41:52 | |
Breach! | 0:42:09 | 0:42:10 | |
-Clear! -Move! | 0:42:11 | 0:42:13 | |
GUNFIRE | 0:42:19 | 0:42:21 | |
One, two, three. | 0:42:24 | 0:42:26 | |
MAN SHOUTS | 0:42:42 | 0:42:44 | |
Call sign black. | 0:42:51 | 0:42:52 | |
On me, ten meters, 12 o'clock. | 0:42:52 | 0:42:54 | |
Where's Omar? | 0:42:57 | 0:42:59 | |
Where's Omar?! | 0:42:59 | 0:43:01 | |
He says Omar's not here. | 0:43:01 | 0:43:03 | |
Kingy, clear insurgent! | 0:43:03 | 0:43:05 | |
Lift. Lift! | 0:43:05 | 0:43:06 | |
Lower your weapon. | 0:43:08 | 0:43:09 | |
Lower your weapon! | 0:43:09 | 0:43:11 | |
-RADIO: -Has anyone got eyes on Omar? -Not seen. -Not seen, boss. | 0:43:27 | 0:43:33 | |
All call signs, roof top clear. Cease fire. | 0:43:48 | 0:43:51 | |
-RADIO: -All stations, this is Zero Alpha. Building clear. | 0:43:52 | 0:43:55 | |
Suspected IED on rooftop. | 0:44:12 | 0:44:14 | |
SUSPENSEFUL MUSIC BUILDS | 0:44:35 | 0:44:38 | |
PHONE BEEPS | 0:44:50 | 0:44:52 | |
PHONE RINGS | 0:44:54 | 0:44:56 | |
EXPLOSION | 0:44:56 | 0:44:58 | |
HIGH-PITCHED RINGING | 0:45:05 | 0:45:08 | |
MUFFLED: Elvis! | 0:45:13 | 0:45:15 | |
Elvis! | 0:45:16 | 0:45:17 | |
Brains, enter through left of courtyard! Fingers, front entrance! | 0:45:18 | 0:45:22 | |
MUFFLED: Please don't leave me! | 0:45:50 | 0:45:53 | |
Don't leave! | 0:46:01 | 0:46:03 | |
I can't talk about it, boss. | 0:46:56 | 0:46:59 | |
What am I going to do without him? | 0:47:06 | 0:47:08 | |
Why...? | 0:47:10 | 0:47:11 | |
One last mission. Fuck, one last mission. | 0:47:13 | 0:47:16 | |
SHE SOBS | 0:47:22 | 0:47:24 | |
PHONE RINGS | 0:48:06 | 0:48:08 | |
Hello. | 0:48:09 | 0:48:11 | |
Tara? | 0:48:11 | 0:48:12 | |
-Tara, where are you? -It's OK. I have a space on the boat. | 0:48:12 | 0:48:16 | |
But I have to give them my phone. | 0:48:16 | 0:48:19 | |
Tara, whatever you do, do not get on that boat. | 0:48:19 | 0:48:22 | |
MAN SHOUTS | 0:48:22 | 0:48:24 | |
All right? | 0:48:27 | 0:48:28 | |
She put the phone down. | 0:48:29 | 0:48:31 | |
DOOR OPENS | 0:48:31 | 0:48:33 | |
Relax. Relax, guys. | 0:48:34 | 0:48:37 | |
We're dividing into two units, one heading straight back to the UK, | 0:48:40 | 0:48:45 | |
the other finishing off the prefabs in Nepal. | 0:48:45 | 0:48:48 | |
Nepal team - Captain James, Fingers, Brains. | 0:48:49 | 0:48:53 | |
UK guys - Georgie, Maisie, Monk and myself. | 0:48:53 | 0:48:57 | |
We request we stay as one unit, boss. | 0:48:57 | 0:49:00 | |
Well, someone has to go back to Nepal and supervise, | 0:49:02 | 0:49:05 | |
square away the kit. | 0:49:05 | 0:49:07 | |
We all go, sir. | 0:49:07 | 0:49:08 | |
We've discussed it... | 0:49:12 | 0:49:14 | |
and to a man we all want to go and finish the job we set out to do... | 0:49:14 | 0:49:18 | |
boss. | 0:49:18 | 0:49:19 | |
-Take your time. -Why are you starting now? | 0:49:26 | 0:49:28 | |
How about you carry your little one and shush? | 0:49:28 | 0:49:31 | |
-All right, boss? -Down over here, please, guys. | 0:49:31 | 0:49:34 | |
-I was just... -I know. | 0:49:53 | 0:49:55 | |
I heard over the radio. | 0:49:55 | 0:49:57 | |
I thought I'd bring them up to you. | 0:49:57 | 0:49:59 | |
I'm sorry, Milan. | 0:50:00 | 0:50:02 | |
You've got nothing to be sorry about. | 0:50:02 | 0:50:05 | |
It's all such a fucking mess. | 0:50:08 | 0:50:11 | |
There was nothing you could do, Georgie. | 0:50:15 | 0:50:17 | |
-He died in my arms. -I know, I know. | 0:50:17 | 0:50:20 | |
Thanks. Thank you. | 0:50:32 | 0:50:34 | |
I just want to see her come running around the corner. | 0:50:40 | 0:50:44 | |
Get some water down you. | 0:50:46 | 0:50:48 | |
-If she's dead... -We don't know that. | 0:50:50 | 0:50:52 | |
I feel... | 0:50:53 | 0:50:55 | |
-it's a bit my fault. -It's not. | 0:50:55 | 0:50:57 | |
At all. | 0:50:57 | 0:50:59 | |
-I always fuck things up. -No, you don't. | 0:50:59 | 0:51:02 | |
You are a bloody good soldier, right? | 0:51:02 | 0:51:06 | |
And do you know what? | 0:51:07 | 0:51:09 | |
I am so proud to have you as my mentee. | 0:51:09 | 0:51:13 | |
I can't begin to explain. | 0:51:16 | 0:51:18 | |
BIRDS SQUAWK | 0:51:37 | 0:51:39 | |
'I know you said if I ever buy the farm on a mission, | 0:52:50 | 0:52:53 | |
'I mustn't leave my death letter to you. | 0:52:53 | 0:52:56 | |
'Well, I am, so get over it. | 0:52:56 | 0:52:58 | |
'Thing is, George, there is no-one else. | 0:53:01 | 0:53:04 | |
'And yeah, yeah, maybe I didn't always let you know that, | 0:53:06 | 0:53:09 | |
'so I'm letting you know now. | 0:53:09 | 0:53:11 | |
'I mean, gutted as I am about dying and all that, I hope it was quick. | 0:53:12 | 0:53:16 | |
'At the end of the day, I have loved. | 0:53:17 | 0:53:19 | |
'Properly. | 0:53:20 | 0:53:22 | |
'Fully. | 0:53:22 | 0:53:23 | |
'And how lucky was I that it was with you? | 0:53:23 | 0:53:26 | |
'I was about to write about all the rainbows and sunsets | 0:53:29 | 0:53:32 | |
'rolled into one, but I could just imagine your face | 0:53:32 | 0:53:35 | |
'doing your fingers down your throat pretending to vomit thing. | 0:53:35 | 0:53:38 | |
'So I'll just say, remember me. | 0:53:39 | 0:53:41 | |
'Remember that guy way back when and maybe, just maybe... | 0:53:42 | 0:53:46 | |
'..if anything good ever happens, think that it could just be me | 0:53:47 | 0:53:50 | |
'having a word with God, sorting it for you.' | 0:53:50 | 0:53:52 | |
# Their whistles are blowing | 0:53:56 | 0:53:58 | |
# They're looking for me | 0:53:58 | 0:54:01 | |
# Like an orchestra playing | 0:54:05 | 0:54:07 | |
# As I sink to the deep | 0:54:07 | 0:54:10 | |
# But this cold black ocean | 0:54:14 | 0:54:17 | |
# Will know | 0:54:17 | 0:54:19 | |
# That this sailor will never come home | 0:54:19 | 0:54:23 | |
# Ships in the rain | 0:54:27 | 0:54:30 | |
# I'll see you again | 0:54:30 | 0:54:32 | |
# Ships in the rain | 0:54:33 | 0:54:34 | |
# I'll see you again | 0:54:34 | 0:54:37 | |
# Ships in the rain | 0:54:41 | 0:54:43 | |
# I'll see you again | 0:54:43 | 0:54:46 | |
# Ships in the rain | 0:54:47 | 0:54:48 | |
# Till we meet again. # | 0:54:48 | 0:54:51 | |
PHONE RINGS | 0:55:00 | 0:55:02 | |
Hello? | 0:55:04 | 0:55:06 | |
Maisie? | 0:55:06 | 0:55:07 | |
They say I can come home. | 0:55:07 | 0:55:10 | |
We can get you home, Tara. We'll get you home. | 0:55:10 | 0:55:13 | |
Stay there. Stay there. | 0:55:13 | 0:55:15 | |
LAUGHTER | 0:55:18 | 0:55:20 | |
MUSIC: Broken by Jake Bugg | 0:55:34 | 0:55:36 | |
-What's that? -Lime chocolates. Don't pretend you don't love 'em! | 0:55:42 | 0:55:45 | |
Where from? | 0:55:45 | 0:55:47 | |
The pound shop. | 0:55:47 | 0:55:49 | |
-No expense spared, then. -Nothing spared. | 0:55:50 | 0:55:54 | |
Everything's going to be all right from now on in, OK? | 0:55:57 | 0:56:00 | |
Look at me, Georgie. | 0:56:01 | 0:56:03 | |
Everything's going to be OK because I've got you home. | 0:56:04 | 0:56:07 | |
Yeah? | 0:56:07 | 0:56:09 | |
Come here. | 0:56:09 | 0:56:10 | |
I've got you. | 0:56:11 | 0:56:13 | |
I've got you. | 0:56:14 | 0:56:16 | |
# Never broken | 0:56:16 | 0:56:20 | |
# Run to the lobby where I saw you try | 0:56:21 | 0:56:25 | |
# Don't give a damn for your reasons why | 0:56:25 | 0:56:30 | |
# Where's Sophie | 0:56:32 | 0:56:36 | |
# Down in the valley where the church bells cry | 0:56:36 | 0:56:41 | |
# I'll lead them over to your eyes | 0:56:41 | 0:56:45 | |
# Who-oo-oo-oaah | 0:56:45 | 0:56:49 | |
# I am one | 0:56:49 | 0:56:53 | |
# I am one. # | 0:56:54 | 0:56:58 |