Browse content similar to Romance Languages. Check below for episodes and series from the same categories and more!
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Let's keep it in New York. Monte Carlo was a lark. | 0:00:02 | 0:00:04 | |
She does have a way about her. | 0:00:04 | 0:00:06 | |
I love her. | 0:00:06 | 0:00:07 | |
I've fallen in love. | 0:00:07 | 0:00:09 | |
What if I could tell you something about someone you're very close to? | 0:00:09 | 0:00:11 | |
SHUTTER CLICKS | 0:00:11 | 0:00:13 | |
Don't pose. | 0:00:13 | 0:00:14 | |
I don't suppose I could... make it up to you? | 0:00:14 | 0:00:16 | |
Could make you a list. | 0:00:16 | 0:00:18 | |
I'll get you a pen. | 0:00:18 | 0:00:19 | |
My mind is full of you. | 0:00:19 | 0:00:20 | |
Are you in danger? | 0:00:20 | 0:00:22 | |
Tito has put an entire nation in danger. | 0:00:22 | 0:00:25 | |
You want me to spy for you? | 0:00:25 | 0:00:26 | |
For us. Welcome to the big leagues. | 0:00:26 | 0:00:28 | |
I think I'm in love. | 0:00:31 | 0:00:33 | |
And you, Beaute? | 0:00:33 | 0:00:35 | |
Oh, yes. They're beautiful. | 0:00:35 | 0:00:39 | |
JAZZ MUSIC PLAYS | 0:00:39 | 0:00:42 | |
They're so... | 0:00:54 | 0:00:55 | |
I was going for heavenly. | 0:00:55 | 0:00:56 | |
A "female as the visible manifestation | 0:00:56 | 0:00:59 | |
"of the deity's presence on earth" kind of thing. | 0:00:59 | 0:01:02 | |
Graham, these portraits are remarkable. | 0:01:02 | 0:01:06 | |
And you're an artist. A true artist. | 0:01:06 | 0:01:09 | |
You've been holding out on me. | 0:01:09 | 0:01:10 | |
Excuse me? | 0:01:10 | 0:01:12 | |
You never mentioned you had an interest. | 0:01:12 | 0:01:14 | |
In photographers? I mean...in photography? | 0:01:14 | 0:01:16 | |
I'm just a beginner. I... Me and my instamatic. | 0:01:16 | 0:01:20 | |
But these...these are... | 0:01:20 | 0:01:23 | |
inspiring. | 0:01:23 | 0:01:26 | |
I thought shooting girls serving appetizers on a plane | 0:01:26 | 0:01:28 | |
was your specialty. | 0:01:28 | 0:01:30 | |
Well, appetizers are in back. | 0:01:30 | 0:01:32 | |
Well, now I see the problem - Laura was wearing far too many clothes. | 0:01:32 | 0:01:34 | |
Maggie! I suffered through it. | 0:01:34 | 0:01:37 | |
Well, it's a great show, Graham. Thanks for inviting us. | 0:01:37 | 0:01:40 | |
Thanks for coming. | 0:01:40 | 0:01:42 | |
Laura, um, can you take a cab home? | 0:01:42 | 0:01:44 | |
Yes, sure. | 0:01:44 | 0:01:45 | |
The girls that do this... | 0:01:46 | 0:01:49 | |
who are they? | 0:01:49 | 0:01:51 | |
Friends, models, | 0:01:51 | 0:01:52 | |
and, uh, they're not girls. They're...women. | 0:01:52 | 0:01:55 | |
Right. | 0:01:55 | 0:01:57 | |
They're not embarrassed? | 0:01:57 | 0:01:59 | |
No, they're liberated. | 0:01:59 | 0:02:02 | |
But you can't see their faces. | 0:02:02 | 0:02:04 | |
Anonymous can be liberating. | 0:02:04 | 0:02:06 | |
For them, it's an experience of self-expression. | 0:02:06 | 0:02:10 | |
I never thought I'd wish I wasn't going to Rome. | 0:02:16 | 0:02:20 | |
Mm. | 0:02:20 | 0:02:22 | |
This is all your fault. | 0:02:22 | 0:02:24 | |
Rome? Not so special. | 0:02:24 | 0:02:27 | |
Pantheon? Coliseum? Vatican? | 0:02:27 | 0:02:29 | |
That's no big deal? | 0:02:29 | 0:02:32 | |
Well, you haven't seen my country. | 0:02:32 | 0:02:33 | |
Croatia is better than all of Europe combined. | 0:02:33 | 0:02:36 | |
Mm-hmm. I'm really sad for them. | 0:02:36 | 0:02:38 | |
Mm-hmm. You know? I pity their shame. | 0:02:38 | 0:02:40 | |
I think you're jealous. | 0:02:40 | 0:02:42 | |
Of Italy? Ha! | 0:02:42 | 0:02:43 | |
SHE LAUGHS | 0:02:43 | 0:02:45 | |
Or maybe you're just full of nationalistic pride | 0:02:45 | 0:02:47 | |
like us Yanks. | 0:02:47 | 0:02:49 | |
Well, yes and no. | 0:02:49 | 0:02:52 | |
Niko, I've been afraid to ask, but I've wanted to... | 0:02:53 | 0:02:57 | |
Have you ever thought about the... desirability of living here? | 0:02:59 | 0:03:04 | |
You're trying to tempt me? | 0:03:04 | 0:03:06 | |
No. | 0:03:06 | 0:03:08 | |
Yes. | 0:03:08 | 0:03:10 | |
We have freedom here, and... | 0:03:10 | 0:03:14 | |
we have decency. | 0:03:14 | 0:03:15 | |
Decency? | 0:03:15 | 0:03:17 | |
Desirability? | 0:03:17 | 0:03:18 | |
Mm-hmm. | 0:03:18 | 0:03:19 | |
Sounds like you're describing yourself. | 0:03:19 | 0:03:22 | |
SHE LAUGHS | 0:03:22 | 0:03:23 | |
If you're going to Rome, | 0:03:23 | 0:03:25 | |
you should practice your Italian. | 0:03:25 | 0:03:27 | |
I'll test you. Translate this - | 0:03:27 | 0:03:30 | |
"La Croazia e molto piu bella di Italia." | 0:03:30 | 0:03:35 | |
"Croatia is much more beautiful than Italy." | 0:03:35 | 0:03:39 | |
"E tu sei piu bella..." | 0:03:39 | 0:03:41 | |
"And you are more beautiful..." | 0:03:41 | 0:03:44 | |
"..di qualsiasi altra donna in qualsiasi posto." | 0:03:44 | 0:03:47 | |
"..than any woman anywhere." | 0:03:47 | 0:03:52 | |
I don't believe this. | 0:04:00 | 0:04:02 | |
This, what you're doing, it makes no sense! | 0:04:02 | 0:04:04 | |
Ginny, calm down. | 0:04:04 | 0:04:06 | |
Oh, that's rich! You break up with me, | 0:04:06 | 0:04:08 | |
and when I react with understandable astonishment, | 0:04:08 | 0:04:10 | |
you tell me to "calm down"? | 0:04:10 | 0:04:11 | |
I thought we'd have to be a couple to break up. | 0:04:11 | 0:04:13 | |
So what? I was just a good time? | 0:04:13 | 0:04:15 | |
Is that what you're telling me? | 0:04:15 | 0:04:17 | |
Yes, Ginny, that's what we were having, | 0:04:17 | 0:04:19 | |
a good time. | 0:04:19 | 0:04:20 | |
And I'm pretty sure I was a piece on the side. | 0:04:20 | 0:04:24 | |
Are you missing something? | 0:04:24 | 0:04:26 | |
Was I unclear when I said "I love you"? | 0:04:26 | 0:04:28 | |
I'm sorry. Perfect. | 0:04:30 | 0:04:33 | |
How perfect! I tell you that I love you, | 0:04:33 | 0:04:35 | |
and you tell me you're sorry. I-I am. | 0:04:35 | 0:04:36 | |
Oh, you're sorry, all right. | 0:04:36 | 0:04:38 | |
You are a sorry, sorry man! Shh. | 0:04:38 | 0:04:40 | |
Would you keep your voice down? | 0:04:40 | 0:04:42 | |
Aren't you and Everett just two peas in a pathetic pod? | 0:04:42 | 0:04:45 | |
"Yes, no, come, go." | 0:04:45 | 0:04:47 | |
Everett should have known better. | 0:04:47 | 0:04:48 | |
About what? Oh, don't be dense. | 0:04:48 | 0:04:51 | |
I brought champagne and I said the words, | 0:04:51 | 0:04:54 | |
"I'm all yours." | 0:04:54 | 0:04:57 | |
You left him? | 0:04:57 | 0:04:59 | |
He had his chance and he blew it. | 0:04:59 | 0:05:03 | |
I thought we had a future together, Dean. | 0:05:03 | 0:05:05 | |
I thought this was what you wanted. | 0:05:05 | 0:05:08 | |
You didn't leave him for me. | 0:05:08 | 0:05:11 | |
And I never made you any promises. | 0:05:11 | 0:05:13 | |
Oh, that's right. You just strung me along, didn't you? | 0:05:13 | 0:05:15 | |
You did a fine job stringing yourself along | 0:05:15 | 0:05:17 | |
without any help from me. | 0:05:17 | 0:05:19 | |
Hey! | 0:05:20 | 0:05:21 | |
What are you, crazy?! | 0:05:21 | 0:05:23 | |
And I can't find a replacement. | 0:05:34 | 0:05:36 | |
The boy can't fly unaccompanied. | 0:05:36 | 0:05:38 | |
I liked this job. | 0:05:38 | 0:05:40 | |
I'm on the Rome flight. | 0:05:40 | 0:05:42 | |
Why don't I escort him? Is that allowed? | 0:05:42 | 0:05:44 | |
It is now. I was hoping you'd say that. | 0:05:44 | 0:05:48 | |
I know. | 0:05:48 | 0:05:49 | |
I'm sure my fellow stewardesses | 0:05:49 | 0:05:51 | |
would appreciate separate hotel rooms. | 0:05:51 | 0:05:53 | |
It would make a nice change. Let me see what I can do. | 0:05:53 | 0:05:56 | |
I was hoping you'd say that. | 0:05:56 | 0:05:58 | |
Morning. | 0:06:00 | 0:06:01 | |
Ah, bonjour. Thank you. | 0:06:01 | 0:06:03 | |
Have you seen the flight manifest yet? | 0:06:05 | 0:06:07 | |
Oh, she isn't on it. Neither is he. | 0:06:07 | 0:06:10 | |
We do have a plane full of clergy | 0:06:10 | 0:06:12 | |
for the second Vatican council. | 0:06:12 | 0:06:13 | |
Chances are good the flight is serene. | 0:06:13 | 0:06:17 | |
Are you two married? | 0:06:20 | 0:06:22 | |
HE LAUGHS No. | 0:06:22 | 0:06:24 | |
We're not married, no. | 0:06:24 | 0:06:26 | |
Because I'm available. | 0:06:26 | 0:06:27 | |
You must be Charlie. | 0:06:27 | 0:06:29 | |
Oui. Bonjour, je m'appelle Charlie. | 0:06:29 | 0:06:32 | |
Bonjour, Charlie. Je m'appelle Colette, | 0:06:32 | 0:06:34 | |
et voici notre capitaine. | 0:06:34 | 0:06:35 | |
How are you, Charlie? | 0:06:35 | 0:06:36 | |
Morning, Captain. Pleasure to meet you. | 0:06:36 | 0:06:39 | |
Careful there, sport. I gotta fly the plane in a few minutes. | 0:06:39 | 0:06:41 | |
Sorry, sir. I'll take it easy on you next time. | 0:06:41 | 0:06:43 | |
Right this way, monsieur. | 0:06:43 | 0:06:45 | |
Please, allow me. | 0:06:45 | 0:06:47 | |
Ooh-la-la! What a gentleman. | 0:06:47 | 0:06:49 | |
Merci. | 0:06:49 | 0:06:52 | |
Hey, hey, hey! Hold it right there! | 0:06:53 | 0:06:57 | |
Got my watch? | 0:06:57 | 0:06:59 | |
May I help you with something? | 0:07:09 | 0:07:12 | |
Oh. Um... | 0:07:14 | 0:07:16 | |
I will be right back. | 0:07:17 | 0:07:20 | |
Why me? | 0:07:20 | 0:07:22 | |
"Why you" what? | 0:07:22 | 0:07:24 | |
Why do I always get stuck with the honeymooners? | 0:07:24 | 0:07:26 | |
The future honeymooners? The pretend honeymooners? | 0:07:26 | 0:07:29 | |
Do you need me to take care of something? | 0:07:29 | 0:07:30 | |
No! I don't! | 0:07:30 | 0:07:32 | |
Laura, what's wrong? | 0:07:32 | 0:07:34 | |
Sex. | 0:07:34 | 0:07:35 | |
Did you see them? What? | 0:07:35 | 0:07:37 | |
The couple in row 9. | 0:07:37 | 0:07:38 | |
They're almost having sex in their seats. | 0:07:38 | 0:07:41 | |
Right next to a nun. | 0:07:41 | 0:07:42 | |
They're still at it. | 0:07:42 | 0:07:44 | |
Wow. They're getting kind of acrobatic. | 0:07:44 | 0:07:47 | |
Well, at least they'll be able | 0:07:47 | 0:07:49 | |
to confess their sins immediately. | 0:07:49 | 0:07:51 | |
Sin? Where? | 0:07:51 | 0:07:52 | |
Oh! | 0:07:52 | 0:07:53 | |
How did... They should have spent their airfare on a hotel. | 0:07:53 | 0:07:57 | |
Oh, they're so passionate. | 0:07:57 | 0:07:59 | |
I'm envious. | 0:07:59 | 0:08:01 | |
I... No. | 0:08:01 | 0:08:02 | |
HE LAUGHS | 0:08:02 | 0:08:05 | |
I want details. I can't wait any more. | 0:08:11 | 0:08:14 | |
Do you feel different? Maggie, it's...private. | 0:08:14 | 0:08:17 | |
That's what girlfriends are for. | 0:08:17 | 0:08:20 | |
Grazie mille. | 0:08:26 | 0:08:28 | |
A pickpocket and a linguist. | 0:08:28 | 0:08:30 | |
You speak Italian also? | 0:08:30 | 0:08:32 | |
Well, I'm not fluent yet, but I'd like to be. | 0:08:32 | 0:08:35 | |
I'm partial to the romance languages. | 0:08:35 | 0:08:37 | |
As am I. | 0:08:37 | 0:08:38 | |
They are...poetic, no? | 0:08:38 | 0:08:41 | |
Yes. And they make sense. | 0:08:41 | 0:08:43 | |
Unlike English. | 0:08:43 | 0:08:45 | |
I don't get it. Why isn't it dead like Latin? | 0:08:45 | 0:08:47 | |
It's a mystery. | 0:08:47 | 0:08:49 | |
How did you do this? | 0:08:50 | 0:08:52 | |
It's a mystery. | 0:08:52 | 0:08:55 | |
I like close-up magic. It's fun. | 0:08:55 | 0:08:58 | |
Something to do when I'm on my own, which is a lot. | 0:08:58 | 0:09:01 | |
I'm sorry to hear that. | 0:09:01 | 0:09:03 | |
Then again, | 0:09:03 | 0:09:04 | |
"transcontinental divorce" has a nice ring to it. | 0:09:04 | 0:09:07 | |
I'm sorry to hear that too. | 0:09:07 | 0:09:09 | |
Give it back. | 0:09:15 | 0:09:17 | |
Keep an eye on this one. | 0:09:24 | 0:09:26 | |
He's a scamp. | 0:09:26 | 0:09:29 | |
KNOCKS ON DOOR Excuse me! | 0:09:31 | 0:09:33 | |
Sister Mary Agnes really needs to use the lavatory. | 0:09:33 | 0:09:36 | |
How long has it been? 17 minutes. | 0:09:36 | 0:09:39 | |
There have been... | 0:09:39 | 0:09:40 | |
noises. | 0:09:40 | 0:09:42 | |
Oh, dear. | 0:09:42 | 0:09:43 | |
I'm sorry. Could you please finish up? | 0:09:45 | 0:09:48 | |
Is this beyond your station, child? | 0:09:48 | 0:09:49 | |
Would you like me to speak to the pilot? | 0:09:49 | 0:09:52 | |
I'll say one thing for her - she's got a pretty good arm. | 0:09:58 | 0:10:01 | |
I got one word for you - jujubes. | 0:10:01 | 0:10:03 | |
No, I know where you're headed. Skip it. | 0:10:03 | 0:10:05 | |
- I'm not headed anywhere. I've said all I need to say. - No, you're dying to say it. | 0:10:05 | 0:10:08 | |
That I told you so? I would never say that. | 0:10:08 | 0:10:10 | |
You got nothing to be ashamed of. | 0:10:10 | 0:10:12 | |
You went a respectable distance, | 0:10:12 | 0:10:14 | |
considering the mink was off-the-charts crazy. | 0:10:14 | 0:10:16 | |
Why are the crazy girls always the most fun? | 0:10:16 | 0:10:18 | |
Ah. Let's get something straight. | 0:10:18 | 0:10:20 | |
They are all crazy. | 0:10:20 | 0:10:21 | |
All you can do is choose a degree on the crazy-o-meter. | 0:10:21 | 0:10:24 | |
I need some turbulence. | 0:10:24 | 0:10:26 | |
Why? | 0:10:26 | 0:10:28 | |
RUMBLING | 0:10:28 | 0:10:29 | |
DEAN OVER PA: Ladies and gentlemen, | 0:10:29 | 0:10:30 | |
we're experiencing turbulence. Please take your seats. | 0:10:30 | 0:10:33 | |
What's wrong with you? I'm worried. | 0:10:33 | 0:10:36 | |
Everything. | 0:10:36 | 0:10:37 | |
RUMBLING | 0:10:37 | 0:10:39 | |
I... | 0:10:43 | 0:10:46 | |
I spent some time with a man... | 0:10:46 | 0:10:49 | |
last night. | 0:10:49 | 0:10:51 | |
What exactly are you saying? | 0:10:51 | 0:10:54 | |
Does that mean what I think it means? | 0:10:54 | 0:10:56 | |
RUMBLING | 0:10:56 | 0:10:58 | |
Laura, did you lose your virginity? | 0:11:06 | 0:11:10 | |
Expensive piece of equipment. | 0:11:19 | 0:11:21 | |
That happens to be an essential tool of the trade. | 0:11:21 | 0:11:24 | |
That's how you get the film off the spool | 0:11:24 | 0:11:26 | |
in total darkness. | 0:11:26 | 0:11:29 | |
So you just feel your way around? | 0:11:29 | 0:11:32 | |
Gotta know right where everything goes. | 0:11:32 | 0:11:34 | |
That's the "soup". Not edible. | 0:11:35 | 0:11:38 | |
Stop bath, fixer, rinse bath. | 0:11:38 | 0:11:42 | |
We have to be very gentle. | 0:11:42 | 0:11:44 | |
Coax the paper with a delicate touch. | 0:11:44 | 0:11:47 | |
Timing is...everything. | 0:11:47 | 0:11:50 | |
The temperature has to be...ideal. | 0:11:50 | 0:11:54 | |
I'd, um... | 0:12:01 | 0:12:03 | |
I'd like to try it someday. | 0:12:03 | 0:12:04 | |
Developing. | 0:12:04 | 0:12:06 | |
You should. I insist. | 0:12:06 | 0:12:08 | |
Bring your film back from Rome. We'll develop it together. | 0:12:08 | 0:12:10 | |
Really? | 0:12:10 | 0:12:11 | |
There's a statue you shouldn't miss. | 0:12:11 | 0:12:14 | |
Two lovers. | 0:12:14 | 0:12:16 | |
Intimate, yet visceral. | 0:12:16 | 0:12:18 | |
A romance and passion alive in stone. | 0:12:18 | 0:12:22 | |
It'll change your life. | 0:12:22 | 0:12:24 | |
WOMAN: Non se l'aspettava stasera. | 0:12:34 | 0:12:36 | |
LAURA: He's only authorised to be released to his mother, | 0:12:36 | 0:12:39 | |
not the housekeeper. | 0:12:39 | 0:12:41 | |
His mother is away overnight. | 0:12:41 | 0:12:44 | |
So tell her that the boy knows her. | 0:12:44 | 0:12:47 | |
LAURA: Allora - lui la conosce, va bene? | 0:12:47 | 0:12:50 | |
She isn't coming, is she? | 0:12:51 | 0:12:53 | |
Your mother is not coming, no. | 0:12:53 | 0:12:54 | |
But hopefully, they'll release you to your housekeeper. | 0:12:54 | 0:12:56 | |
Parent trap again. | 0:12:56 | 0:12:58 | |
Dad put me on an earlier flight. | 0:12:58 | 0:13:00 | |
He probably didn't remember to tell my mom | 0:13:00 | 0:13:02 | |
I was coming in so soon. | 0:13:02 | 0:13:03 | |
It's not the first time. | 0:13:03 | 0:13:05 | |
They don't talk much since they got divorced. | 0:13:05 | 0:13:08 | |
You don't have to wait. I'll be fine. | 0:13:08 | 0:13:11 | |
Oh, I didn't get to pick a card. | 0:13:11 | 0:13:12 | |
Oh! Looks like trouble to me. | 0:13:12 | 0:13:15 | |
Alzarzi. Possiamo andare ora? | 0:13:15 | 0:13:18 | |
Vieni. Vieni. | 0:13:18 | 0:13:20 | |
You can go with her. It's all right. Thanks, Laura. | 0:13:20 | 0:13:22 | |
Affrettatevi! | 0:13:22 | 0:13:24 | |
Bye. Uh, thanks for everything. I had a swell time. | 0:13:24 | 0:13:26 | |
Bye. | 0:13:26 | 0:13:28 | |
DEAN: Hey, Charlie... | 0:13:35 | 0:13:38 | |
Would you care to have dinner with us this evening? | 0:13:41 | 0:13:43 | |
We need a transcontinental tour guide | 0:13:43 | 0:13:45 | |
to recommend the perfect place. | 0:13:45 | 0:13:47 | |
Sure. I guess that'd be OK. | 0:13:47 | 0:13:49 | |
We'll give you two a lift. | 0:13:49 | 0:13:51 | |
We'll drive, yes? | 0:13:51 | 0:13:53 | |
Ah, grazie. | 0:13:53 | 0:13:55 | |
Mille grazie. | 0:13:55 | 0:13:56 | |
(She doesn't understand.) | 0:13:56 | 0:13:58 | |
It's like an amusement park ride out there | 0:13:58 | 0:14:00 | |
without the amusement. | 0:14:00 | 0:14:01 | |
Surprised we made it back in one piece. | 0:14:01 | 0:14:04 | |
Rome traffic is notorious. | 0:14:04 | 0:14:06 | |
Yeah, so is that housekeeper. | 0:14:06 | 0:14:07 | |
Charlie is quite a character, no? | 0:14:07 | 0:14:10 | |
Yeah, I like the little guy. | 0:14:10 | 0:14:13 | |
I'm going to keep an eye on my wallet tonight, though. | 0:14:13 | 0:14:15 | |
SHE LAUGHS | 0:14:15 | 0:14:16 | |
Want to fill me in on the joke? | 0:14:16 | 0:14:19 | |
Not here. | 0:14:25 | 0:14:26 | |
Uno, due, tre. | 0:14:33 | 0:14:35 | |
CAMERA CLICKS | 0:14:35 | 0:14:36 | |
Don't you already have one from Rome? | 0:14:36 | 0:14:38 | |
It's a gift. A friend of mine will find it very amusing. | 0:14:38 | 0:14:42 | |
The Second Vatican Council. | 0:14:42 | 0:14:44 | |
I feel like we're a part of history. | 0:14:44 | 0:14:46 | |
Change is in the air. | 0:14:46 | 0:14:47 | |
Yes and no. Women only get to watch. | 0:14:47 | 0:14:50 | |
It'll be a miracle if there's a positive stance | 0:14:50 | 0:14:52 | |
on birth control any time this century. | 0:14:52 | 0:14:54 | |
You used precaution, didn't you? | 0:14:54 | 0:14:56 | |
Damn it, Maggie! | 0:14:56 | 0:14:58 | |
Sorry, sorry. Tick-a-lock. | 0:14:58 | 0:14:59 | |
I'm going to grab a cappuccino. | 0:15:01 | 0:15:04 | |
Maggie, what's your pleasure? I'll have an espresso. | 0:15:04 | 0:15:07 | |
Uh, Laura, hot chocolate, right? | 0:15:07 | 0:15:09 | |
No, I'll have an espresso too. | 0:15:09 | 0:15:12 | |
Are you sure you don't want to start with a latte | 0:15:12 | 0:15:14 | |
and work your way up? | 0:15:14 | 0:15:15 | |
Espresso, please. | 0:15:15 | 0:15:17 | |
Ugh. | 0:15:25 | 0:15:26 | |
Break up with Niko Lonza. | 0:15:28 | 0:15:31 | |
Who is that man, and how does he know me? | 0:15:38 | 0:15:41 | |
'Not CIA.' | 0:15:41 | 0:15:43 | |
Most likely Niko's people. | 0:15:43 | 0:15:44 | |
'Niko's people? Why?' | 0:15:44 | 0:15:46 | |
Betting they don't want him too tempted by the Western world. | 0:15:46 | 0:15:48 | |
Meaning me? | 0:15:48 | 0:15:50 | |
Especially after his little unauthorised escapade | 0:15:50 | 0:15:51 | |
in Belgrade. | 0:15:51 | 0:15:52 | |
Richard, am I in danger? | 0:15:52 | 0:15:54 | |
They are trying to scare you, not hurt you. | 0:15:54 | 0:15:57 | |
'That's not what I meant.' | 0:15:57 | 0:15:58 | |
I meant... SHE BREATHES HEAVILY | 0:15:58 | 0:16:01 | |
..is my cover blown? | 0:16:01 | 0:16:04 | |
Am I going to end up like Bridget? | 0:16:04 | 0:16:06 | |
BUZZING | 0:16:06 | 0:16:09 | |
Richard? | 0:16:09 | 0:16:11 | |
Richard, please, I can't disappear. | 0:16:11 | 0:16:13 | |
WOMAN: 'Please insert 1,000 lire...' | 0:16:13 | 0:16:15 | |
Richard, are you there? | 0:16:15 | 0:16:17 | |
- '..for one more minute...' - Oh, God, Richard... | 0:16:17 | 0:16:20 | |
COINS CLINK, BELL DINGS | 0:16:20 | 0:16:23 | |
Shoot! Richard! | 0:16:23 | 0:16:25 | |
I'm here. | 0:16:25 | 0:16:26 | |
'Kate, listen to me.' | 0:16:26 | 0:16:29 | |
It is unlikely your cover is blown. | 0:16:29 | 0:16:31 | |
I will investigate on our end, | 0:16:31 | 0:16:32 | |
but I'm fairly certain that as far as anyone knows, | 0:16:32 | 0:16:34 | |
you're a stewardess. | 0:16:34 | 0:16:36 | |
"Fairly certain"? | 0:16:36 | 0:16:38 | |
I want to see you as soon as you return to New York. | 0:16:38 | 0:16:40 | |
I don't know what else to say. | 0:16:44 | 0:16:47 | |
I would never have told you to come all this way. | 0:16:47 | 0:16:50 | |
Which is why you didn't ask. | 0:16:52 | 0:16:54 | |
Ginny, sit down. | 0:16:59 | 0:17:00 | |
Would you sit down? | 0:17:00 | 0:17:03 | |
Ginny? | 0:17:03 | 0:17:06 | |
Would you like something to drink? | 0:17:11 | 0:17:13 | |
I'm sorry. I really am, but... | 0:17:18 | 0:17:21 | |
it's still over between us. | 0:17:21 | 0:17:24 | |
Hi. | 0:17:32 | 0:17:34 | |
Thanks for being here. | 0:17:34 | 0:17:36 | |
I'm feeling more calm now. | 0:17:36 | 0:17:39 | |
Much better. | 0:17:39 | 0:17:40 | |
I don't know what possessed me. | 0:17:40 | 0:17:42 | |
I was... I don't know. | 0:17:42 | 0:17:45 | |
It's humiliating. | 0:17:45 | 0:17:48 | |
Talk about betting on a lame horse, huh? | 0:17:48 | 0:17:50 | |
I'm sorry, sweetheart. | 0:17:50 | 0:17:53 | |
I wasn't trying to prove a point. | 0:17:53 | 0:17:55 | |
It just happened. | 0:17:55 | 0:17:57 | |
I love you. | 0:17:57 | 0:17:59 | |
I'm sorry. | 0:18:02 | 0:18:04 | |
So you're still ending it? | 0:18:09 | 0:18:11 | |
Nurse! Nurse! | 0:18:13 | 0:18:16 | |
I just need a few minutes. Do you mind waiting outside? | 0:18:16 | 0:18:19 | |
I need to send a cablegram, please. | 0:18:19 | 0:18:23 | |
Do you have a fever? | 0:18:23 | 0:18:24 | |
'No, not yet.' | 0:18:24 | 0:18:26 | |
Just hope I'm not coming down with something crummy. | 0:18:26 | 0:18:28 | |
You're smart to get some rest. | 0:18:28 | 0:18:30 | |
Tell the little man I'm sorry. | 0:18:30 | 0:18:33 | |
'I'll take care of it.' | 0:18:33 | 0:18:34 | |
I'm sure Charlie will understand. | 0:18:34 | 0:18:36 | |
'Thanks.' | 0:18:36 | 0:18:37 | |
Feel better. | 0:18:37 | 0:18:38 | |
Yeah. | 0:18:38 | 0:18:40 | |
# Nel mio cuore c'e | 0:18:45 | 0:18:48 | |
# Un amore per te... # | 0:18:48 | 0:18:50 | |
Buona sera. | 0:18:50 | 0:18:53 | |
Sei un fiore squisito. | 0:18:53 | 0:18:55 | |
Grazie a voi. | 0:18:55 | 0:18:57 | |
Che tipo di fiore? | 0:18:57 | 0:18:58 | |
Una rosa. | 0:18:58 | 0:19:01 | |
HE CLEARS THROAT | 0:19:01 | 0:19:02 | |
Tu sei bella. | 0:19:02 | 0:19:03 | |
Oh... | 0:19:03 | 0:19:05 | |
E ti piace il... | 0:19:05 | 0:19:09 | |
Attenzione. | 0:19:09 | 0:19:10 | |
SHE BREATHES HEAVILY | 0:19:17 | 0:19:20 | |
Wait. | 0:19:24 | 0:19:26 | |
You're right. Let's go find the bedroom. | 0:19:26 | 0:19:29 | |
Uh, um... I... | 0:19:29 | 0:19:32 | |
I should go. Go? | 0:19:32 | 0:19:34 | |
Did I cross the line or something? I mean, you seemed... | 0:19:34 | 0:19:37 | |
I'm not ready. I'm...not ready. | 0:19:37 | 0:19:40 | |
Oh. | 0:19:40 | 0:19:41 | |
Uh, wow. | 0:19:41 | 0:19:43 | |
I'm sorry. | 0:19:43 | 0:19:44 | |
Me too. Anyway, I... | 0:19:44 | 0:19:46 | |
I-I like, you. I... | 0:19:46 | 0:19:47 | |
No need to explain. | 0:19:47 | 0:19:49 | |
My mistake. | 0:19:49 | 0:19:51 | |
I didn't realise you were so...young. | 0:19:51 | 0:19:55 | |
Oh, I'm sorry. | 0:20:10 | 0:20:12 | |
I was...I was trying to be quiet. | 0:20:12 | 0:20:14 | |
Hey there, Cinderella. | 0:20:14 | 0:20:16 | |
I'm guessing you had fun. | 0:20:16 | 0:20:18 | |
You look appropriately dishevelled. | 0:20:18 | 0:20:20 | |
I'm just going to take a quick shower. | 0:20:20 | 0:20:22 | |
Oh. This is big news. | 0:20:22 | 0:20:24 | |
Are you OK? | 0:20:24 | 0:20:25 | |
Sure. | 0:20:25 | 0:20:26 | |
Oh, come on, sweetie. Don't keep me in the dark. | 0:20:26 | 0:20:28 | |
How was it? Or should I say, how was he? | 0:20:28 | 0:20:31 | |
He was fine. | 0:20:31 | 0:20:33 | |
I...I'm sorry. | 0:20:33 | 0:20:34 | |
I just don't really want to talk about it right now. | 0:20:34 | 0:20:36 | |
Oh, you don't really want to talk about it. | 0:20:36 | 0:20:38 | |
I can respect that. | 0:20:38 | 0:20:40 | |
I think you made the perfect choice for your first time. | 0:20:40 | 0:20:44 | |
He's mature, handsome, | 0:20:44 | 0:20:46 | |
probably good with his hands. | 0:20:46 | 0:20:49 | |
Was he considerate? Was it torrid? | 0:20:49 | 0:20:51 | |
Good night. | 0:20:51 | 0:20:52 | |
"Filetto mignon". | 0:20:54 | 0:20:55 | |
Sounds good in Italian too. | 0:20:55 | 0:20:57 | |
You picked a lovely spot. | 0:20:57 | 0:20:59 | |
I'm sure our captain will be sorry he missed this. | 0:20:59 | 0:21:02 | |
Yeah, but it's OK. | 0:21:02 | 0:21:04 | |
You're not too disappointed? | 0:21:04 | 0:21:07 | |
Nah. Everyone knows three's a crowd. | 0:21:07 | 0:21:09 | |
Besides, candlelight looks best on a beautiful girl. | 0:21:09 | 0:21:13 | |
Buona sera, signora. | 0:21:13 | 0:21:15 | |
Buona sera. | 0:21:15 | 0:21:16 | |
Signor Charlie, your companion is molto bella. | 0:21:16 | 0:21:19 | |
See? Luigi agrees with me. | 0:21:19 | 0:21:22 | |
We'll have a bottle of the... | 0:21:22 | 0:21:23 | |
um, old red wine that you decant at the table. | 0:21:23 | 0:21:27 | |
Very good, sir. Uh, mi scusi. | 0:21:27 | 0:21:29 | |
Perhaps I'll have a glass of chianti instead? | 0:21:29 | 0:21:32 | |
And perhaps you can have a taste. | 0:21:32 | 0:21:35 | |
I think you're the oldest 12-year-old I've ever met. | 0:21:38 | 0:21:42 | |
I'm almost 13. | 0:21:42 | 0:21:43 | |
Do you enjoy school? | 0:21:43 | 0:21:44 | |
It's taking for ever. | 0:21:44 | 0:21:46 | |
Wish I was done already. | 0:21:46 | 0:21:48 | |
When you're a grown-up, | 0:21:48 | 0:21:49 | |
no-one can tell you what to do or where to go. | 0:21:49 | 0:21:52 | |
It's funny. I wouldn't have predicted it, | 0:21:52 | 0:21:56 | |
but there are things I miss about being your age. | 0:21:56 | 0:21:59 | |
Penny for your thoughts. | 0:22:02 | 0:22:04 | |
It's just that when you're older, | 0:22:04 | 0:22:06 | |
you'll wish you had less decisions to make. | 0:22:06 | 0:22:10 | |
That's a good trick. | 0:22:10 | 0:22:11 | |
I've got another one. | 0:22:11 | 0:22:14 | |
Oh, yeah? | 0:22:14 | 0:22:15 | |
HE CLEARS THROAT | 0:22:15 | 0:22:18 | |
Close your eyes. | 0:22:18 | 0:22:20 | |
Charlie, no. | 0:22:24 | 0:22:26 | |
How'd you know I was here? | 0:22:36 | 0:22:38 | |
I didn't. But I should have guessed. | 0:22:38 | 0:22:40 | |
Ginny called me early this morning. | 0:22:40 | 0:22:43 | |
Sorry. | 0:22:46 | 0:22:47 | |
How was, uh... how was dinner last night? | 0:22:47 | 0:22:50 | |
Unique. Growing pains. | 0:22:50 | 0:22:51 | |
I'm not sure I handled it correctly. | 0:22:51 | 0:22:53 | |
I'm not entirely convinced I did, either. | 0:22:53 | 0:22:57 | |
Is she all right? | 0:22:57 | 0:22:58 | |
Yeah. | 0:22:58 | 0:23:00 | |
No. | 0:23:00 | 0:23:02 | |
I don't... I'm not... I'm not sure what to do. | 0:23:02 | 0:23:05 | |
Why does she want to see you? | 0:23:06 | 0:23:08 | |
I'm about to find out. | 0:23:08 | 0:23:10 | |
May I come in? | 0:23:14 | 0:23:16 | |
If you want. | 0:23:16 | 0:23:19 | |
I'm happy to see you look as well as you do. | 0:23:19 | 0:23:22 | |
When you called, I was... Eight letters. | 0:23:22 | 0:23:24 | |
Begins with B. Plural. Describes all men. | 0:23:24 | 0:23:28 | |
"Buffoons". "Bastards". | 0:23:28 | 0:23:31 | |
What to choose? | 0:23:31 | 0:23:33 | |
I'm sure the nurse could find you something | 0:23:33 | 0:23:36 | |
much better to read. | 0:23:36 | 0:23:37 | |
You have an innocent face. | 0:23:41 | 0:23:42 | |
Anyone ever told you that? | 0:23:42 | 0:23:44 | |
Is that a compliment? | 0:23:44 | 0:23:45 | |
I like you, Colette. | 0:23:45 | 0:23:48 | |
So the question of the hour, of the minute... | 0:23:48 | 0:23:51 | |
does Dean? | 0:23:51 | 0:23:53 | |
Captain Lowrey and I are friends. Nothing more. | 0:23:53 | 0:23:58 | |
Damn. | 0:23:58 | 0:24:01 | |
I can't believe that I'm actually disappointed. | 0:24:01 | 0:24:05 | |
I liked having a face on the crime. | 0:24:05 | 0:24:08 | |
TWA! I had to fly TWA! | 0:24:11 | 0:24:14 | |
Captain Lowrey, I'm so glad you're here. | 0:24:14 | 0:24:18 | |
Mr Henson. | 0:24:18 | 0:24:19 | |
How is she? I mean, what the hell happened? | 0:24:19 | 0:24:21 | |
Wait, wait, wait, just let me... let me catch my breath. | 0:24:21 | 0:24:24 | |
HE BREATHES DEEPLY | 0:24:24 | 0:24:26 | |
That woman is going to be the death of me. | 0:24:26 | 0:24:28 | |
The whims, the demands, the athletic assignations. | 0:24:28 | 0:24:31 | |
You know, I'm not... I'm not so young any more. | 0:24:31 | 0:24:33 | |
Still, the last part of her wire was cryptic... | 0:24:33 | 0:24:37 | |
"Lost a fight with a window"? | 0:24:37 | 0:24:39 | |
I mean, can you shed some light? | 0:24:39 | 0:24:41 | |
LAUGHTER | 0:24:41 | 0:24:43 | |
Must have killed him not to fly Pan Am. | 0:24:43 | 0:24:47 | |
And what did you hope to gain by bringing him here? | 0:24:47 | 0:24:49 | |
Pistols at dawn might be exciting. | 0:24:49 | 0:24:52 | |
I want no part of this. | 0:24:52 | 0:24:54 | |
I don't want to be alone. | 0:24:54 | 0:24:55 | |
There. I said it. | 0:24:59 | 0:25:02 | |
I can't be alone. | 0:25:02 | 0:25:04 | |
I...I can't. | 0:25:04 | 0:25:09 | |
I've been you, in your situation, | 0:25:09 | 0:25:11 | |
more times than I care to count. You've been on this ride? | 0:25:11 | 0:25:14 | |
Mm-hmm. Someone leads you on and then throws you away? | 0:25:14 | 0:25:17 | |
I think I fell in love with the idea of love | 0:25:17 | 0:25:23 | |
as much as anything else. It's easy to do. | 0:25:23 | 0:25:26 | |
It helps you feel safe. | 0:25:26 | 0:25:28 | |
But as much as we wish we could, | 0:25:28 | 0:25:32 | |
you can't force someone to love you. | 0:25:32 | 0:25:34 | |
We had a falling out two nights ago, she and I. | 0:25:38 | 0:25:40 | |
But why come here? Why Rome? | 0:25:40 | 0:25:42 | |
Because the truth is, sir... | 0:25:42 | 0:25:46 | |
Ginny and I became involved. | 0:25:46 | 0:25:48 | |
"Involved". | 0:25:48 | 0:25:50 | |
Is that what the kids are calling it these days? | 0:25:50 | 0:25:52 | |
She followed me to Rome after I broke things off. | 0:25:56 | 0:26:01 | |
I-I regret my actions more than I can say. | 0:26:01 | 0:26:03 | |
I bet you do, buddy boy. | 0:26:03 | 0:26:05 | |
I bet you do. | 0:26:05 | 0:26:07 | |
I bet you think that this information is surprising to me. | 0:26:07 | 0:26:12 | |
Don't be an amateur, Captain Lowrey. | 0:26:12 | 0:26:15 | |
Why do you think Ginny and I fought? | 0:26:15 | 0:26:17 | |
Everett knows. | 0:26:17 | 0:26:19 | |
I never said "boo". | 0:26:19 | 0:26:21 | |
He found out on his own. | 0:26:21 | 0:26:24 | |
Some little friend of yours, apparently. | 0:26:24 | 0:26:27 | |
A stewardess? | 0:26:27 | 0:26:29 | |
Who? | 0:26:29 | 0:26:30 | |
He never said. Someone who needed a favour. | 0:26:30 | 0:26:34 | |
Worked out just peachy for her. | 0:26:34 | 0:26:36 | |
For me, not so much. | 0:26:36 | 0:26:39 | |
After that, he tried to rein me in. | 0:26:39 | 0:26:42 | |
HER VOICE BREAKS But why won't he leave his damn wife? | 0:26:42 | 0:26:46 | |
He's here now. | 0:26:50 | 0:26:52 | |
Seems to me nothing has changed... | 0:26:54 | 0:26:56 | |
unless you want it to. | 0:26:56 | 0:26:58 | |
'You're not her first dalliance, Captain,' | 0:26:58 | 0:27:00 | |
and you won't be her last. But a pilot from my own company? | 0:27:00 | 0:27:05 | |
That is an unusual and unwelcome departure - | 0:27:05 | 0:27:08 | |
one that will soon be permanent. | 0:27:08 | 0:27:10 | |
I'm sure there's another airline | 0:27:10 | 0:27:12 | |
that'd be delighted to have you. | 0:27:12 | 0:27:14 | |
And I'm sure having a wife and a mistress | 0:27:14 | 0:27:16 | |
must be extremely complicated. | 0:27:16 | 0:27:20 | |
I confided in you. I told you I loved her. | 0:27:20 | 0:27:23 | |
Hey, that's perfect, because I don't. | 0:27:23 | 0:27:25 | |
Look, I may be foolish, but I am not a fool. | 0:27:25 | 0:27:29 | |
OK. Then I suggest that you stop playing me for one. | 0:27:29 | 0:27:31 | |
Now, I'm... I'm done conversing. | 0:27:31 | 0:27:33 | |
I said she's yours. | 0:27:33 | 0:27:36 | |
Now, what's it going to be? | 0:27:36 | 0:27:39 | |
Mr Henson? | 0:27:39 | 0:27:41 | |
Second door on your right. | 0:27:41 | 0:27:43 | |
Ginny is quite desperate to see you. | 0:27:43 | 0:27:46 | |
Captain Lowrey, I hope your health improves. | 0:27:50 | 0:27:53 | |
# Quando sei vicino a me... # | 0:27:58 | 0:28:02 | |
Another bourbon, please. | 0:28:02 | 0:28:03 | |
# Cosi timida e sola | 0:28:03 | 0:28:08 | |
# Niente, non mi importa solo te... # | 0:28:09 | 0:28:14 | |
Colette, je suis desole. | 0:28:14 | 0:28:18 | |
I'm sorry, Colette. | 0:28:18 | 0:28:19 | |
Je suis vraiment desole. | 0:28:19 | 0:28:22 | |
# ..unica al mondo... # | 0:28:22 | 0:28:25 | |
Charlie? You frightened me. | 0:28:46 | 0:28:49 | |
Good. I'm glad you're scared. | 0:28:49 | 0:28:52 | |
What are you doing here, Charlie? | 0:28:52 | 0:28:54 | |
I came to tell you that you're a phoney. | 0:28:54 | 0:28:56 | |
A big fake. Charlie... | 0:28:56 | 0:28:59 | |
What? I'm leaving. | 0:28:59 | 0:29:00 | |
We're through. | 0:29:00 | 0:29:02 | |
Charlie, please sit down. | 0:29:02 | 0:29:04 | |
Don't go yet. | 0:29:04 | 0:29:06 | |
I'd like to talk to you. I like talking to you. | 0:29:06 | 0:29:09 | |
Nobody ever does... | 0:29:10 | 0:29:13 | |
unless I do those stupid magic tricks. | 0:29:13 | 0:29:16 | |
Charlie... | 0:29:18 | 0:29:20 | |
I'm sorry I embarrassed you at dinner. | 0:29:20 | 0:29:23 | |
It wasn't my intention. | 0:29:23 | 0:29:26 | |
Grown-ups don't really don't really know everything. | 0:29:26 | 0:29:28 | |
You don't think I know that? HE SIGHS | 0:29:28 | 0:29:32 | |
I wish I didn't have any parents. | 0:29:32 | 0:29:34 | |
Charlie... | 0:29:34 | 0:29:35 | |
Never wish that. | 0:29:36 | 0:29:38 | |
They never want me around. | 0:29:38 | 0:29:40 | |
If you only knew how much I wish | 0:29:40 | 0:29:43 | |
I'd had parents to be mad at. | 0:29:43 | 0:29:45 | |
Am I forgiven? | 0:29:48 | 0:29:50 | |
OK. | 0:29:52 | 0:29:54 | |
You know the trouble with magic tricks? | 0:29:54 | 0:29:55 | |
There is no surprise for the magician. | 0:29:55 | 0:29:59 | |
He knows how it ends. | 0:29:59 | 0:30:01 | |
You don't want to be young | 0:30:03 | 0:30:04 | |
because you don't like the way things are. | 0:30:04 | 0:30:06 | |
I don't blame you. | 0:30:06 | 0:30:08 | |
But one day, you'll wake up, and you'll be all grown up. | 0:30:08 | 0:30:14 | |
It's inevitable. | 0:30:14 | 0:30:16 | |
And all the rest... | 0:30:16 | 0:30:19 | |
(It will be a surprise.) | 0:30:19 | 0:30:21 | |
I have some magic. | 0:30:23 | 0:30:25 | |
Do you want to see it? | 0:30:25 | 0:30:27 | |
Please? | 0:30:27 | 0:30:29 | |
OK, sit. | 0:30:29 | 0:30:31 | |
Part of magic | 0:30:38 | 0:30:40 | |
is suspense and expectation, right? | 0:30:40 | 0:30:43 | |
What could it be? | 0:30:44 | 0:30:46 | |
Voila. | 0:30:49 | 0:30:51 | |
I didn't want to forget you. | 0:30:52 | 0:30:54 | |
And I won't. | 0:30:54 | 0:30:57 | |
That's a promise. | 0:31:00 | 0:31:01 | |
I think it's this way. | 0:31:04 | 0:31:06 | |
Is your knee OK? Do you want to go back? | 0:31:06 | 0:31:09 | |
Oh, no, it's OK. I don't want to miss this beautiful day. | 0:31:09 | 0:31:12 | |
Well, this is the place. | 0:31:13 | 0:31:16 | |
That's it! | 0:31:16 | 0:31:17 | |
That's the sculpture Graham told me to find. | 0:31:17 | 0:31:20 | |
Have you ever felt like that? | 0:31:20 | 0:31:23 | |
Yes. | 0:31:23 | 0:31:24 | |
Oh. | 0:31:27 | 0:31:28 | |
Here. Sit down. | 0:31:30 | 0:31:32 | |
What? | 0:31:32 | 0:31:33 | |
Hold still. | 0:31:33 | 0:31:35 | |
Kate. | 0:31:36 | 0:31:38 | |
Stop taking care of me. | 0:31:38 | 0:31:39 | |
I didn't lose my virginity, | 0:31:42 | 0:31:44 | |
and I'm sick to death of never knowing | 0:31:44 | 0:31:47 | |
what to do or how to be. | 0:31:47 | 0:31:49 | |
I had my chance to be a modern woman, | 0:31:49 | 0:31:51 | |
and I just acted like a stupid little baby. | 0:31:51 | 0:31:53 | |
Did I get it all? | 0:31:53 | 0:31:54 | |
No, just... | 0:31:54 | 0:31:56 | |
just... Yeah. | 0:31:56 | 0:31:58 | |
Yeah. Yeah. | 0:31:58 | 0:32:01 | |
SHE SNIFFLES I wanted my first time to be special, | 0:32:01 | 0:32:05 | |
but Greg never pressured me, and now... | 0:32:05 | 0:32:09 | |
now what? Will-will it turn out to be some man I barely know? | 0:32:09 | 0:32:13 | |
Maybe I'm over-thinking it. | 0:32:15 | 0:32:16 | |
Maybe I should just get it over with. | 0:32:16 | 0:32:18 | |
There's something to be said for practicality, | 0:32:18 | 0:32:21 | |
but being a modern woman isn't about losing your virginity. | 0:32:21 | 0:32:25 | |
SHE SIGHS | 0:32:25 | 0:32:28 | |
Do you remember that to-do list I had in high school? | 0:32:28 | 0:32:31 | |
Well, that was on my list. | 0:32:31 | 0:32:34 | |
Who? | 0:32:34 | 0:32:36 | |
SHE INHALES SHARPLY Do you remember Clayton? | 0:32:36 | 0:32:39 | |
From junior French club? Mm-hmm. | 0:32:39 | 0:32:41 | |
I cornered him under the bleachers | 0:32:42 | 0:32:45 | |
in a football field after a sock hop. | 0:32:45 | 0:32:47 | |
You did not! | 0:32:47 | 0:32:48 | |
Oh, we were hopeless. LAUGHS | 0:32:48 | 0:32:51 | |
Tangled in my crinolines, | 0:32:51 | 0:32:53 | |
and his boutonniere kept stabbing me. No! | 0:32:53 | 0:32:55 | |
No! | 0:32:55 | 0:32:57 | |
You know, gave it the old college try. | 0:32:57 | 0:32:59 | |
Stop, stop. | 0:32:59 | 0:33:00 | |
That's probably what I should have said. | 0:33:00 | 0:33:02 | |
SHE SIGHS | 0:33:02 | 0:33:04 | |
Oh, Laura. | 0:33:06 | 0:33:08 | |
Just follow your instincts. | 0:33:08 | 0:33:11 | |
You'll know when it's right. | 0:33:11 | 0:33:14 | |
HE SIGHS | 0:33:33 | 0:33:35 | |
I-I don't need to know | 0:33:35 | 0:33:36 | |
what happened in that room with Ginny. Good. | 0:33:36 | 0:33:39 | |
But I'm...pretty sure that I should be saying thank you. | 0:33:39 | 0:33:44 | |
No, not really. | 0:33:44 | 0:33:46 | |
Well, they're together now. | 0:33:47 | 0:33:49 | |
They always were. | 0:33:49 | 0:33:51 | |
Some people can play at love like it's a sport... | 0:33:51 | 0:33:55 | |
a game. It's not. | 0:33:55 | 0:33:59 | |
Well, regardless, | 0:33:59 | 0:34:01 | |
the thank you stands, all right? | 0:34:01 | 0:34:04 | |
I'll see ya. See you. | 0:34:04 | 0:34:06 | |
5 loose cups on the floor, row 10. | 0:34:06 | 0:34:10 | |
The hot chocolate twins. | 0:34:10 | 0:34:12 | |
And three empty vodka bottles - their mother. | 0:34:12 | 0:34:14 | |
I meant to say this before, but congratulations. | 0:34:15 | 0:34:18 | |
For? | 0:34:18 | 0:34:19 | |
Your job - you saved it. Oh. | 0:34:19 | 0:34:22 | |
I thought all was lost. | 0:34:22 | 0:34:24 | |
Oh. They just needed a little persuading. | 0:34:24 | 0:34:27 | |
I didn't think anyone could persuade the base manager. | 0:34:27 | 0:34:29 | |
Did you secure all the stemware? | 0:34:29 | 0:34:32 | |
I know how much this job means to you. | 0:34:32 | 0:34:35 | |
You must have been so frightened. | 0:34:35 | 0:34:37 | |
Desperate, even. | 0:34:37 | 0:34:40 | |
What did you say to him? | 0:34:40 | 0:34:41 | |
Oh, not much. The usual - smoke and mirrors. | 0:34:41 | 0:34:46 | |
Ah, I should've guessed | 0:34:46 | 0:34:48 | |
you would have a trick up your sleeve. | 0:34:48 | 0:34:50 | |
SHE CHUCKLES A little something extra. | 0:34:50 | 0:34:54 | |
What do you mean, something extra? | 0:34:54 | 0:34:57 | |
Oh, the usual - | 0:34:57 | 0:34:58 | |
Maggie's magic. | 0:34:58 | 0:35:01 | |
Who knows what any one of us | 0:35:01 | 0:35:03 | |
would have done in your situation? | 0:35:03 | 0:35:06 | |
All looks good. I'm off. | 0:35:08 | 0:35:12 | |
"I'm terrified, Niko. It was awful. | 0:35:18 | 0:35:21 | |
"What do you think it means?" | 0:35:21 | 0:35:24 | |
Try it again. | 0:35:27 | 0:35:29 | |
Kate, can you do this? When you say it, | 0:35:30 | 0:35:32 | |
believe it. I believe it. | 0:35:32 | 0:35:33 | |
And so will he. I know him. He will be upset. | 0:35:33 | 0:35:36 | |
Niko's people want him to toe the line. | 0:35:36 | 0:35:38 | |
And you want him to be upset with his people. It'll help him. | 0:35:38 | 0:35:40 | |
It'll help you, is what you mean. | 0:35:40 | 0:35:42 | |
Us. And in this case, it is the same thing. | 0:35:42 | 0:35:45 | |
So I deliver their not-so-cryptic message, | 0:35:45 | 0:35:47 | |
and then what happens? | 0:35:47 | 0:35:49 | |
Wouldn't an ordinary girl run from all this? | 0:35:49 | 0:35:51 | |
You want me to break up with him? | 0:35:53 | 0:35:55 | |
I want you to tell him what a frightened girl would tell him - | 0:35:55 | 0:35:58 | |
that you need some time to collect yourself. | 0:35:58 | 0:36:00 | |
How much time? | 0:36:00 | 0:36:02 | |
Depends. We'll see. | 0:36:02 | 0:36:05 | |
You might be back on the job before you know it. | 0:36:05 | 0:36:07 | |
SHE BREATHES HEAVILY | 0:36:10 | 0:36:13 | |
DOOR UNLOCKS | 0:36:20 | 0:36:21 | |
Kate? | 0:36:23 | 0:36:25 | |
What is it? Are you OK? | 0:36:25 | 0:36:27 | |
SHE SOBS | 0:36:27 | 0:36:29 | |
You sure I didn't wake you? | 0:36:32 | 0:36:34 | |
It's only, uh, seven o'clock. | 0:36:34 | 0:36:38 | |
Uh... I always look like this when I've been in the darkroom. | 0:36:38 | 0:36:41 | |
Come out like a bear who's been hibernating. | 0:36:41 | 0:36:43 | |
Thin and hungry. | 0:36:43 | 0:36:45 | |
Fur all matted, disoriented. | 0:36:45 | 0:36:47 | |
I brought you something. | 0:36:47 | 0:36:49 | |
Yes. Rome. | 0:36:49 | 0:36:52 | |
Did you, uh, find that sculpture? | 0:36:52 | 0:36:55 | |
I did. | 0:36:55 | 0:36:57 | |
And? | 0:36:57 | 0:36:59 | |
Is your camera handy? | 0:36:59 | 0:37:00 | |
It's always handy. Why? | 0:37:00 | 0:37:02 | |
I want to feel how liberating anonymous can be. | 0:37:08 | 0:37:12 | |
Are you sure? | 0:37:12 | 0:37:14 | |
No. But I'm going do it anyway... | 0:37:14 | 0:37:18 | |
if you're fine with it. | 0:37:18 | 0:37:21 | |
Is it warm enough for you? | 0:37:21 | 0:37:23 | |
No, I've got it. | 0:37:28 | 0:37:31 | |
This is about self-expression. | 0:37:31 | 0:37:34 | |
Understood. | 0:37:34 | 0:37:36 | |
# ..Mood | 0:37:36 | 0:37:40 | |
# I'm within a world | 0:37:40 | 0:37:43 | |
# So heavenly | 0:37:43 | 0:37:47 | |
# For I never dreamt that you'd | 0:37:47 | 0:37:51 | |
# Be loving sentimental | 0:37:51 | 0:37:58 | |
# Sentimental | 0:37:58 | 0:38:03 | |
# Sentimental | 0:38:03 | 0:38:10 | |
# Me-e-e. # | 0:38:10 | 0:38:19 |