New Frontiers Pan Am


New Frontiers

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'Previously:' We'd like to move you up from courier to agent.

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I'm George Broyles. Who is that?

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Oh, that's a sky god.

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What are you doing with all this? Diplomatic relations.

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And you brought this all on our flight?

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I don't wanna lie to you.

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Then don't.

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I wanna feel how liberating anonymous can be.

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This is about self-expression.

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Will you marry me? Yes.

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I wish I could be more like you.

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Oh!

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I'm so sorry. My mistake.

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It certainly was.

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OK, let's try it again from the beginning.

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SIGHS: I'll get it.

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But you still haven't told me why I'm doing this, Richard.

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What is my mission? First things first.

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The key to pickpocketing for a woman

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is not to do it like a man.

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For a woman, it's all about distraction -

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touch, kiss, the foreplay before the lift.

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Make men fantasise so their minds are elsewhere.

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In other words, seduce them.

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In other words...

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Put a little Pan Am into it?

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You surprise me more every day.

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Mm.

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But you still need more practice.

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I'll get the practice in. What's my mission?

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You leave for Rome tomorrow.

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We've arranged entry for your Pan Am crew

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to a party following an international conference

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on the space race.

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Kennedy's goal to reach the moon first

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has everyone scrambling.

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Alessandro d'Arco.

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Used to work for SIOS - Italian intelligence.

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Now he's a freelance courier.

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He'll be carrying a microfilm case.

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Inside are stolen American rocket plans.

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And I have to pick them out of his pocket?

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Before he's able to pass them on to the Soviets that same night.

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EXHALES DEEPLY

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You won't be alone.

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There'll be SIOS Agents at the party.

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As backup? More like observers.

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The Italians have granted us access,

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but that's as far as they're willing to go.

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And what if I fail?

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At least you'll have a new career as a thief to fall back on.

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All right, let's try it again.

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KNOCK ON DOOR

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Amanda.

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Maggie. Do you have a minute?

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I was actually in the middle of something, but...

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Oh. The Kennedy campaign.

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Did you work on it? I was a volunteer,

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went from city to city, house to house.

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Changing the world one doorbell at a time.

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CHUCKLES

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Look, Amanda, I...

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No, Maggie, please.

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Let me explain.

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What happened the other night...

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I just...got caught up in all the evening's emotions,

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what with Teddy proposing and all the celebration.

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It just happened, OK?

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Honestly, it's no big deal.

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I didn't know, so...

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It's not even the first time that's happened to me.

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I must be sending out some kind of signal or something.

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A girl signal.

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LAUGHS: Must be it.

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Who knew?

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Look...

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I just wanna make sure, you know, Teddy doesn't...

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Oh, no, no. Your secret is safe with me.

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Thank you, Maggie.

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You're a true friend.

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Look all you want, you won't find it.

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My name. I'm sitting the next flight out.

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Turns out you can't just have a wedding.

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You gotta spend months planning the damn thing.

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Yeah, well, at least you two are still talking.

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More than I can say. CLEARS THROAT:

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TED: Oh, Colette.

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Won't return my calls. Won't even speak to me.

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Ouch. Bridget thing?

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She says I'm in love with two women.

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I don't even think that's possible.

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Well, technically it's possible to love three,

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but I'm not gonna go into specifics.

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The point is, it's the sex.

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It ruins everything. I mean, don't get me wrong.

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It makes certain relationships more fun,

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but the "fun" ones are not the ones you wanna marry.

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By the way, so you're telling me

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that you and Amanda, you haven't... We haven't.

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Oh, come on. We haven't.

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And I'm glad. It's made me take things more seriously.

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Painfully, painfully seriously.

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Look, if it's real, you know it,

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so just figure out a way to prove that to Colette

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and never, ever give up.

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See, now that's the only rational thing

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you've said all day. Good.

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Then I've met my quota.

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# I've got love Written all over my face

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CAMERA SHUTTER CLICKS

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# I got l-o-v-e written all over the place

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# I wobble around up on a cloud

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Hey, do I know you?

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I don't think so.

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Sorry.

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I know I've seen you somewhere.

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The photos, right?

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Oh, right, yes.

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You and everyone else, unfortunately.

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That's some ground-breaking stuff.

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It's really bold, electric.

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You're very far ahead of your time.

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All that from a magazine cover? Thank you.

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Magazine?

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Life Magazine. I'm the Pan Am stewardess on the cover.

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I don't think Life would ever publish those photos.

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Wait. What...what photos are you talking about?

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The nudes.

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Where did...where... where did you see them?

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Gallery in the Village.

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Uh, Van something.

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I need to know the name.

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Van Amberg gallery, I think.

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Excuse me.

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Hey, Maggie.

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I've been meaning to ask you if you liked Amanda.

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I did, and I think she liked me.

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Oh, I figured you two would hit it off.

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She's been bringing up your name a lot.

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Oh. Has she now? Uh-huh.

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You know, you two should get together,

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once we get through all this wedding stuff.

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Oh, I don't know, Ted.

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The first few months of married life,

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the lovebirds should really feather the nest alone.

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Don't you think?

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We're feathering the nest, not building a cage.

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Yeah.

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What's going on with you? Nothing.

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I just think the two of you should...

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really, really get to know each other.

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Wait. Maggie... SIGHS

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Are you jealous?

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What?! No.

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I mean, I get it. You're at the age

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where you probably wanna feather your own nest,

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and hearing about us...

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Ted, stop talking.

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I just don't want you to make a mistake.

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What the hell is that supposed to mean?

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SIGHS

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At the fund-raiser, er, Amanda and I were alone,

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and...well, she was trying to make me feel better,

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and, er... she might have kissed me.

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And... Wait. What?

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It wasn't a big deal,

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but I thought maybe you should know.

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LAUGHS You're joking, right?

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I mean, this is ridiculous.

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This is the woman I'm about to marry,

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and you're trying to... what are you trying to do?

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No, no, I'm not trying to do anything. I just...

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Just because I can see my future and you've never been able

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to get a grip on your own doesn't mean you can start a rumour. You...you know what?

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You're right. I'm joking.

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It never happened.

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And I hope you have a long and happy married life.

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And we will never discuss this again.

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What are you doing in my cubby?

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Learning more about my favourite stewardess.

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Why do they call 'em "cubbies" anyway?

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Makes you seem like a bunch of kindergartners.

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Funny. I thought you were the kindergartner.

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All right, all right, cool your jets.

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Let me make it up to you. Lunch?

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Nice try,

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but last I checked, I'm on a flight to Rome,

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and you are not.

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Check again.

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I know this little place on the Via di Monte.

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It's Jack Kennedy's favourite restaurant in Rome.

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I'm really not interested in dating you.

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I'm not interested in dating you either.

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Then why?

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Come to lunch and find out.

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SHOES CLATTER

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Ooh. Ooh. I'm so sorry.

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That man is infuriating.

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Did you do something to your hair?

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What?

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I like it.

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It's so soft.

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It's the signal.

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I'm giving off the... the girl signal?

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Hmm?

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Oh. Look at that.

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CHUCKLES NERVOUSLY Your wallet.

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Is it my posture?

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So...

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Do you have any, er, plans when we get to Rome?

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Cos I was hoping for a public flogging

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in the Colosseum.

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Colette, we're never gonna talk about this

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if you just keep avoiding me.

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We can't talk about this because there is nothing left to say.

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Actually, I have plenty to say.

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I know.

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I know you still care about me.

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I know you wish you could change the past. OK, but you...you're...

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you're forgetting the most important part.

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It's the part where I tell you that I have...

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I've fallen in love with you and I will do whatever it takes

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to prove that to you.

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But you can't. Dean, I need to move on.

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Just give me a chance.

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I put in for a transfer to the hong Kong base.

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Hold on. We have a last-minute passenger addition.

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They found him wandering around the cargo area.

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FOREIGN ACCENT: I'm afraid I made a wrong turn.

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Luckily, they found me, or I would be riding on the wing.

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Well, we stopped boarding ten minutes ago,

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so you almost missed your flight.

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Must be my lucky day.

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Did they manage to check your luggage, Mister...

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No luggage. Friends call me Omar.

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Omar it is, then.

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How about we find a seat for, er, Omar, shall we?

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SIGHS

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When registering for housewares,

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sometimes it's better to bring gimbels to your actual house.

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Mm.

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SIGHS What do you think, Teddy?

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Ivory lace or Dover fog?

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Mm, the white one.

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Neither of them is white.

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LAUGHS They look the same to me.

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Indulge me, Teddy. I am a woman of eclectic tastes.

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Eclectic tastes.

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Yeah,I've been wondering about something. CLATTER

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We're gonna spend a long life together, right?

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You forgot "rewarding." A long, rewarding life?

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Oh, right. Which glass?

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Uh, whichever one holds more booze.

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CHUCKLES Er, but for a life to be rewarding, um...

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it needs to be built on honesty, don't you think?

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Hold that thought.

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OK.

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Now...

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what were you gonna ask me?

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Nothing.

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ENGINE ROARING

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Is everything OK?

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I've often wondered where these come from.

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Perhaps a tiny bartender.

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But you only get a tiny hangover.

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BOTH CHUCKLE

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Have you been to Rome?

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Yes, but, er,

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I have to confess I haven't done much sightseeing.

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Only from the backseat of a car.

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Well, then you haven't really seen anything.

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You have to stroll down the Spanish Steps,

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visit Trevi Fountain at sunset.

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Sounds lovely. Mm-hmm.

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And better if you have someone to share it with.

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But you are travelling alone, no?

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No companions. No luggage.

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Awoke this morning and booked a flight to Rome.

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Sometimes we need a change in pace

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to see life as it really is.

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I couldn't agree more, Omar.

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You know my name, but I don't know yours.

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My name is Colette.

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Pleased to make your acquaintance, Colette.

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The pleasure is all mine, Omar.

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No. Oh, no.

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Hey, hey, what are you doing?

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I want them down.

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Oh, you're her... the model.

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These photos need to come down right now.

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Stop. I can't. I have a contract.

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Look, I don't understand.

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OK. You must have willingly posed for Graham.

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He never said he would sell them.

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They're supposed to be private,

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not on display for the world to see.

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He sold them to me along with the negatives.

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I had no idea.

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All I knew was this was the most beautiful model

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I'd ever seen.

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I am through being that person...

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just a woman on the cover of a magazine,

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being judged by how she looks.

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I don't judge a photograph - a good one, anyway -

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on how the model looks.

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It's, you know, it's how the picture makes you feel.

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I only know how they make me feel,

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and I just want them down, please.

0:14:100:14:13

Look, I have an important buyer

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who's willing to take them from me

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for quite a bit of money.

0:14:160:14:19

But...

0:14:190:14:21

I'll sell them to you for my cost

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if you can get me the money by closing today.

0:14:230:14:25

Really?

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Oh, thank you. Thank you so much.

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How much do you need? I will get it to you.

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500 and they're yours.

0:14:310:14:32

500?

0:14:320:14:34

I thought maybe you were thirsty.

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Unfortunately, I spent my last dollar on the ticket.

0:14:460:14:49

You are going to Rome with no money?

0:14:490:14:51

Ah, I guess I'm not one for planning.

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Hmm. Well, lucky for you,

0:14:540:14:57

refreshments are courtesy of Pan Am.

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I cannot say Rome will feel the same way.

0:15:000:15:03

Then I'll have to think of something before we land.

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What do you suggest? Stealing?

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Begging.

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OK. We'll try it your way.

0:15:100:15:13

I beg you to see the Trevi Fountain with me

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at sunset.

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Between you and me, it's not really the fountain

0:15:160:15:19

I'm interested in.

0:15:190:15:21

Well, I'm not much interested in dating these days.

0:15:210:15:25

But good company

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is always worth the time.

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There. You see?

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Begging works.

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SPEAKING INAUDIBLY

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Hey, Kate.

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Is it just me, or is there something off about this guy?

0:15:450:15:48

Dean, she's just doing her job.

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Yeah, but does she have to do it so well?

0:15:500:15:53

Here.

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Do you think she's serious about this transfer?

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What transfer?

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She said she put in for Hong Kong.

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Is this my wallet?

0:16:060:16:08

CHUCKLES Well...

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Here you go.

0:16:110:16:13

What's all this?

0:16:250:16:27

I was hoping you could tell me, Capitano.

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This, er, is your signature.

0:16:300:16:34

This is my name. I didn't sign this.

0:16:370:16:39

Well, this is the cargo manifest you filed with Italian customs.

0:16:390:16:43

Are you aware of the 400,000 lire worth

0:16:430:16:45

of American cigarettes hidden in your cargo hold?

0:16:450:16:48

The captain of any vessel has an ultimate responsibility for...

0:16:480:16:53

For any cargo he's carrying. I-I understand that.

0:16:530:16:54

And can lose his licence

0:16:540:16:55

and face criminal charges for smuggling.

0:16:550:16:58

I don't know anything about this,

0:16:580:17:00

but I swear to you we'll get to the bottom of it.

0:17:000:17:03

Any suspicious passengers onboard?

0:17:030:17:06

Often they travel alone, no luggage,

0:17:060:17:10

pay for everything in cash.

0:17:100:17:12

I-I think I might know someone who fits that description.

0:17:120:17:16

KNOCK ON DOOR

0:17:160:17:18

Laura. You OK?

0:17:180:17:21

SIGHS I don't know. I don't know.

0:17:210:17:22

I...oh. I'm so sorry.

0:17:220:17:27

I didn't mean to interrupt. That's OK.

0:17:270:17:29

We could use a woman's opinion.

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TELEPHONE RINGING

0:17:310:17:32

Um... It's all right.

0:17:320:17:34

I-I'm sorry. I'll just be a second.

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RING

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SIGHS

0:17:390:17:41

The thing men don't understand...

0:17:410:17:44

is that the patterns you choose

0:17:440:17:46

announce to everyone who you are.

0:17:460:17:50

Colourful or monochromatic?

0:17:500:17:53

Timid or bold?

0:17:530:17:56

Teddy tells me you were engaged once?

0:17:560:17:59

Afraid so, yes.

0:17:590:18:01

It was a case of... Traditional and modern.

0:18:010:18:04

CHUCKLES And which one were you?

0:18:040:18:07

I would like to think I'm a modern girl.

0:18:070:18:09

Me, too, Laura. Me, too.

0:18:090:18:14

But I'm betting that's not why you're here.

0:18:140:18:17

No. I, um...

0:18:170:18:21

I need to borrow some money, and...

0:18:210:18:24

I really don't wanna ask Ted, but...it's a lot of money.

0:18:240:18:29

Well, how much do you need?

0:18:290:18:31

Oh, no.

0:18:310:18:33

No, not you. I... I couldn't.

0:18:330:18:35

But I could.

0:18:350:18:37

Us modern girls have to stick together.

0:18:370:18:39

How much?

0:18:420:18:45

500.

0:18:450:18:48

On one condition.

0:18:480:18:51

CHEQUE TEARS

0:18:510:18:53

This is not a loan.

0:18:530:18:55

It's...an investment in friendship.

0:18:550:18:59

Um, OK.

0:19:010:19:02

Thank you.

0:19:050:19:07

Thank you.

0:19:070:19:09

SIGHS

0:19:090:19:11

WOMAN SINGING IN ITALIAN

0:19:190:19:22

What finally convinced you?

0:19:360:19:37

Was it the invite or my charming personality?

0:19:370:19:40

Neither. I wanna tell Jack Kennedy one day

0:19:400:19:42

that I dined at his favourite restaurant in Rome.

0:19:420:19:45

Right, after you two become best friends

0:19:450:19:46

and your kids start playing backyard football

0:19:460:19:48

in Hyannis Port.

0:19:480:19:49

You act like that isn't going to happen.

0:19:490:19:52

In politics, everyone knows everyone.

0:19:520:19:55

Hey, ciao, ragazzo, molto tempo. Ciao.

0:19:550:19:59

So is that your plan, then - long-term politics?

0:19:590:20:01

Cos you and I both know what the odds are for that.

0:20:010:20:04

I don't remember asking for your opinion.

0:20:040:20:06

Oh, which is why you should value it. It's unsolicited.

0:20:060:20:09

I made a mistake coming here.

0:20:090:20:11

The truth is, you're a Pan Am stewardess.

0:20:110:20:14

And for some women, that would be the ultimate accomplishment.

0:20:140:20:16

But sooner or later, you turn 32,

0:20:160:20:19

they turn you out,

0:20:190:20:21

retire you.

0:20:210:20:23

Of course, I've read your personnel file.

0:20:230:20:25

You won't make it that far.

0:20:250:20:27

You know how many women serve in Congress?

0:20:270:20:30

20.

0:20:300:20:31

Which translates to around 3%.

0:20:310:20:33

All of them got into politics at an earlier age than you

0:20:330:20:35

or married into it or got a college degree for it.

0:20:350:20:38

I have a degree.

0:20:380:20:39

A real one. Not a fake one.

0:20:390:20:42

Do you know what it is that I do?

0:20:490:20:51

Besides treat every airplane like your personal limousine

0:20:510:20:54

and every stewardess like your personal...

0:20:540:20:56

I don't treat planes like limousines, Maggie.

0:20:560:20:58

I treat them like trucks - specifically, cargo trucks.

0:20:580:21:02

I use them to transport goods from people who don't need them

0:21:020:21:04

to people who do.

0:21:040:21:05

You're a smuggler?

0:21:050:21:08

I'm a provider.

0:21:080:21:09

Now sometimes that means providing food to the hungry,

0:21:090:21:12

clothing to the impoverished, medicine to the sick.

0:21:120:21:14

Cigarettes to the needy,

0:21:140:21:16

vodka to the thirsty.

0:21:160:21:18

I won't deny that there's a profit to be made,

0:21:180:21:20

but... SIGHS it's getting harder.

0:21:200:21:23

I need someone inside

0:21:230:21:25

to help me with, er, with routes, restrictions,

0:21:250:21:28

cargo manifests.

0:21:280:21:30

And who better to get through customs,

0:21:300:21:32

no questions asked, than a stewardess?

0:21:320:21:34

Oh, not just any stewardess.

0:21:340:21:36

You made it to purser.

0:21:360:21:38

You have more access and experience

0:21:380:21:40

on a flight crew than just about anybody else.

0:21:400:21:43

What are you asking me?

0:21:430:21:46

I need a partner, Maggie...

0:21:460:21:50

someone to share in the risks and rewards,

0:21:500:21:53

and I think that someone... is you.

0:21:530:21:57

Oh, and I thought I was a fast driver.

0:22:060:22:08

CHUCKLES It's not every day I get to ride on one of these.

0:22:080:22:13

Speaking of, what do you do every day?

0:22:130:22:16

I am in the service industry.

0:22:160:22:18

I, er, smile,

0:22:180:22:20

greet people, make them feel welcome.

0:22:200:22:23

So you're a Pan Am stewardess.

0:22:230:22:25

LAUGHS

0:22:250:22:27

Perhaps I have found my true calling. CHUCKLES

0:22:270:22:30

Thank you.

0:22:300:22:33

If I tried more begging,

0:22:350:22:36

would you join me for dinner tonight?

0:22:360:22:38

Other plans?

0:22:380:22:42

We have an official Pan Am appearance at a party tonight -

0:22:420:22:45

an ambassador's residence. Which you're gonna be late for

0:22:450:22:47

if you don't hurry up and get a move on.

0:22:470:22:49

Dean, this is Omar. He was a passenger on our flight.

0:22:490:22:53

Oh, yeah, the man with no luggage.

0:22:530:22:55

I remember. How are you finding Rome?

0:22:550:22:56

The sights are quite beautiful.

0:22:560:22:59

I'm sure no more beautiful than wherever it is you're from.

0:22:590:23:01

Where are you from?

0:23:010:23:02

Dean. What, Colette?

0:23:020:23:04

You don't know a thing about this guy.

0:23:040:23:05

Don't you wanna find out a little more

0:23:050:23:07

about your friend?

0:23:070:23:08

You like cigarettes?

0:23:080:23:10

What is this? I'll tell you about it

0:23:100:23:11

on the way to the party. I'm not going to the party with you, Dean.

0:23:110:23:14

I believe the lady wants you to leave her alone.

0:23:140:23:16

I don't think this is any of your business.

0:23:160:23:18

Oh, yes, it is,

0:23:180:23:19

because he's coming to the party with me tonight.

0:23:190:23:22

Meet me here at seven?

0:23:260:23:28

I'd be delighted.

0:23:280:23:30

Great.

0:23:300:23:31

STRING QUARTET PLAYING WALTZ

0:23:380:23:41

INDISTINCT CONVERSATIONS

0:23:430:23:46

Could you get me a Negroni at the bar?

0:23:530:23:57

I'll let him get that for you.

0:23:570:24:00

SHOES CLATTER

0:24:090:24:10

Ohh. Ohh!

0:24:100:24:12

Ahh. Hello.

0:24:120:24:14

You saved me.

0:24:140:24:15

SPEAKS ITALIAN

0:24:150:24:17

You come to Rome, you get a pair of shoes,

0:24:170:24:19

and...look what happens.

0:24:190:24:21

You wind up in the arms of a stranger.

0:24:210:24:24

I am Alessandro d'Arco. I'm at your service now.

0:24:240:24:27

Let me get you a drink.

0:24:270:24:28

Yeah, I might take you up on that a little bit later,

0:24:280:24:30

but first I'm... just off to the powder room.

0:24:300:24:33

Oh, please.

0:24:330:24:35

INHALES AND EXHALES DEEPLY

0:24:400:24:43

Shoot.

0:24:430:24:44

CLICKS

0:24:440:24:46

CHUCKLES

0:24:510:24:52

Scusi.

0:24:520:24:55

Thirsty? I'm told they have an excellent Bellini here.

0:24:550:24:58

You just don't give up, do you?

0:24:580:24:59

Well, you still haven't given me an answer.

0:24:590:25:01

I said I'd have to think about it.

0:25:010:25:03

There are two Maggie Ryans - one who thinks about herself

0:25:030:25:06

and one who thinks about others.

0:25:060:25:07

You're having a problem with the second one.

0:25:070:25:09

I'm pretty sure neither Maggie

0:25:090:25:11

wants to profit off the misery of others.

0:25:110:25:13

Well, you'd be turning that misery into happiness,

0:25:130:25:15

making a profit at the same time.

0:25:150:25:17

Come on, Maggie. Don't let me down.

0:25:170:25:19

I've had my eye on you since that incident with Dean.

0:25:190:25:22

What incident?

0:25:220:25:24

Don't play dumb.

0:25:240:25:25

You saved your job by exposing his fling

0:25:250:25:28

with a certain Pan Am VP's mistress.

0:25:280:25:30

That showed moxie.

0:25:300:25:31

I was afraid I'd have to threaten to tell Dean,

0:25:310:25:33

but... I'm pretty sure I know what your answer's gonna be.

0:25:330:25:36

And how do you know that?

0:25:360:25:39

Because, Maggie, you and I - we're the same.

0:25:390:25:43

Care for that Bellini now?

0:25:450:25:47

The modern kitchen is a fully automated kitchen.

0:25:510:25:54

Don't you think?

0:25:540:25:55

Teddy?

0:25:550:25:56

Hmm?

0:25:560:25:58

What's wrong?

0:25:580:25:59

You've been so... distracted.

0:25:590:26:03

Well, I don't care about China or highball glasses

0:26:030:26:05

or...or toast. I care about you.

0:26:050:26:07

Here...here you are, getting to know my friends.

0:26:070:26:08

I've never met any of yours.

0:26:080:26:11

I hardly know anything about ya.

0:26:110:26:14

SIGHS OK, Teddy.

0:26:140:26:18

Ask away.

0:26:180:26:19

Anything you want.

0:26:190:26:20

OK. OK, good.

0:26:200:26:23

Um... CHUCKLES

0:26:230:26:25

Let's catch up on the last 15 years.

0:26:250:26:28

Are there, um,

0:26:280:26:29

any old boyfriends I need to worry about?

0:26:290:26:32

No-one who compares to you.

0:26:320:26:33

I'm beginning to believe that's actually true.

0:26:330:26:36

What is that supposed to mean?

0:26:360:26:39

Um...

0:26:390:26:41

When I saw you today... with Laura,

0:26:410:26:44

you looked happier with her than you've ever been with me.

0:26:440:26:47

No. I am happier with you

0:26:470:26:50

than I have ever been in my life.

0:26:500:26:54

Come with me.

0:27:000:27:01

What are you doing?

0:27:060:27:08

SIGHS

0:27:080:27:10

I can't wait any longer.

0:27:100:27:12

GLASS CLATTERS

0:27:130:27:14

Where did you learn to dance like this?

0:27:220:27:25

Here and there. Oh.

0:27:250:27:28

I am well trained.

0:27:280:27:30

Clearly.

0:27:300:27:31

I ask you questions. You dance around them.

0:27:310:27:35

Your friend, the captain,

0:27:350:27:37

has made you more curious about me.

0:27:370:27:41

He was right.

0:27:410:27:43

We've spent the day together,

0:27:430:27:44

but I know next to nothing about you.

0:27:440:27:47

I am a man who cannot enjoy the same freedom as you.

0:27:470:27:52

And yet you woke up this morning,

0:27:520:27:53

hopped on a plane to Rome with no luggage or money,

0:27:530:27:58

and you are now wearing an expensive new suit.

0:27:580:28:01

I am not without friends in Rome. CHUCKLES

0:28:010:28:04

Dancing again.

0:28:040:28:08

OMAR: Today has been a fantasy for me.

0:28:080:28:11

I suppose I wanted to enjoy it for a little while longer.

0:28:110:28:16

And just like that, our dance must come to an end.

0:28:160:28:21

Right. That's him.

0:28:210:28:23

Dean, what are you doing?

0:28:230:28:24

He's a smuggler, Colette.

0:28:240:28:25

No, he's not. That's not possible.

0:28:250:28:27

Oh, then let's let the carabinieri decide

0:28:270:28:28

whether or not he's a wanted man.

0:28:280:28:30

Oh, he's most definitely a wanted man.

0:28:300:28:32

Your family's been very worried about you, Your Highness.

0:28:320:28:35

"Your Highness"?

0:28:370:28:39

This is Prince Omar III of the Kingdom of Wahran.

0:28:390:28:44

You're a prince?

0:28:440:28:48

A prince?

0:28:480:28:51

You're absolutely certain?

0:28:510:28:53

Interpol has been circulating his photo for days.

0:28:530:28:56

Dean, could you give us a minute?

0:28:560:28:59

I apologise for my deception.

0:29:070:29:10

I needed to escape my life...

0:29:100:29:13

Obligations.

0:29:130:29:15

You smile, greet people,

0:29:150:29:19

make them feel welcome?

0:29:190:29:21

There. You see?

0:29:210:29:22

My life is not so different than yours.

0:29:220:29:24

Well, there is the Royal Palace.

0:29:240:29:28

A palace can be a prison as well.

0:29:280:29:31

Omar, why didn't you say...

0:29:310:29:34

Tell you sooner?

0:29:340:29:35

Would you have treated me the same if I had?

0:29:350:29:39

Your Highness,

0:29:390:29:41

we have a police escort waiting to take you to the airport.

0:29:410:29:45

What are you doing a week from this Friday?

0:29:500:29:54

I am to dine at the White House,

0:29:540:29:55

and it occurs to me I have no-one to bring.

0:29:550:29:58

You won't make me beg, will you?

0:29:580:30:01

No more begging.

0:30:010:30:03

I would love to.

0:30:040:30:06

You again.

0:30:160:30:17

You're following me, Alessandro?

0:30:170:30:20

Martini. Due olive.

0:30:200:30:22

Well, I suppose I cannot help myself.

0:30:220:30:25

How are those new shoes?

0:30:250:30:26

Oh, it's nothing a martini can't fix.

0:30:260:30:29

You're a friend of the ambassador?

0:30:290:30:31

I'm a Pan Am stewardess. We're friends to the world.

0:30:310:30:35

That must include me, then.

0:30:350:30:38

Well...

0:30:380:30:40

A few more drinks, and...

0:30:400:30:44

Maybe you'll find out.

0:30:440:30:47

Grazie.

0:30:490:30:51

Shoot!

0:30:590:31:01

SIGHS

0:31:010:31:02

SIGHS

0:31:140:31:16

It's my fault.

0:31:160:31:18

No. Teddy, it was...nice.

0:31:180:31:22

It'll...it'll get better.

0:31:220:31:23

Of course it will.

0:31:230:31:25

My first time was with Theresa Miller

0:31:250:31:27

in our boathouse, in a rowboat, no less,

0:31:270:31:28

which is much more difficult than it sounds.

0:31:280:31:30

There were oars everywhere...

0:31:300:31:33

My point is, is everybody has a story

0:31:340:31:38

about their first time, and this will be ours.

0:31:380:31:41

I really should go.

0:31:410:31:45

Why?

0:31:450:31:46

Well, we're not married yet. People will talk.

0:31:460:31:49

Who cares what people say?

0:31:490:31:50

I do, Ted.

0:31:500:31:53

Can you...

0:31:560:31:57

turn around?

0:31:570:31:58

Yeah.

0:32:010:32:02

INDISTINCT CONVERSATIONS

0:32:080:32:10

Oh, wow. It's you.

0:32:130:32:15

You're the model.

0:32:150:32:16

No, no, you must have the wrong person.

0:32:160:32:18

No, it's...it's you. How cool.

0:32:180:32:21

You must be so proud. I could never be this brave.

0:32:210:32:24

It was nothing, really.

0:32:240:32:27

Nothing? These are empowering.

0:32:270:32:29

Thank you.

0:32:310:32:33

You know, the art critic from the Village Voice

0:32:330:32:35

said these photos are transcendent.

0:32:350:32:38

Really. Are you sure?

0:32:380:32:40

Very sure.

0:32:400:32:41

That critic was me.

0:32:410:32:43

How does it feel to be a pioneer?

0:32:430:32:46

Uh...

0:32:460:32:48

When the buyer heard that you wanted the prints back,

0:32:480:32:50

he asked to meet you.

0:32:500:32:52

Who's the buyer?

0:32:520:32:53

Local artist. Maybe you've heard of him.

0:32:530:32:56

Andy Warhol.

0:32:560:32:57

So I figure we start in Vienna.

0:33:070:33:09

Work our way east.

0:33:090:33:11

The Soviet Bloc - they're crazy for American whiskey.

0:33:110:33:13

Broyles... We trade for Beluga caviar and vodka.

0:33:130:33:15

We make a profit coming and going.

0:33:150:33:17

Then we can open up a new South American route.

0:33:170:33:19

I can't do this.

0:33:190:33:21

Go ahead and tell Dean. Tell him everything.

0:33:210:33:23

Maggie, let's not get crazy.

0:33:230:33:25

What's the worst that can happen?

0:33:250:33:26

You lose Pan Am. You lose everything.

0:33:260:33:29

I'll take that risk.

0:33:290:33:31

And why would you do that?

0:33:310:33:32

Because you got the wrong Maggie.

0:33:320:33:33

Because I can always go back to changing the world,

0:33:330:33:36

one doorbell at a time,

0:33:360:33:37

and because most of all, I'm nothing like you.

0:33:370:33:42

You're leaving so soon?

0:33:520:33:55

I was having such a good time.

0:33:550:33:57

I almost forgot I have an early flight.

0:33:570:33:59

Let me at least walk you out.

0:33:590:34:01

Where is that ticket?

0:34:030:34:04

Oh, er, is this... is this yours?

0:34:080:34:12

Oh, yes, 47. It's mine.

0:34:120:34:15

Are you sure it's yours?

0:34:150:34:16

You wouldn't be trying to swipe some poor stranger's jacket.

0:34:160:34:19

I would never do that.

0:34:190:34:22

Oh, here.

0:34:220:34:23

Please, allow me to help?

0:34:230:34:24

Oh.

0:34:240:34:28

Are all American women this accommodating?

0:34:280:34:32

Oh, well, you'll have to come to America to find out.

0:34:320:34:35

Oh, I'm sorry. Where is your coat?

0:34:350:34:38

You know, I think I left my ticket in the powder room.

0:34:380:34:41

I guess this is goodbye.

0:34:410:34:43

In Rome, we never say goodbye. Arrivederci.

0:34:450:34:50

Until we meet again.

0:34:500:34:52

The guy was a prince.

0:35:120:35:14

SIGHS That's just my luck.

0:35:140:35:17

He fit a profile.

0:35:170:35:19

Now it's back to me.

0:35:190:35:23

You fit another profile.

0:35:230:35:24

Many of these smugglers work from the inside.

0:35:240:35:28

Who has better access to the cargo hold than a pilot?

0:35:280:35:32

If you really want to catch this guy,

0:35:320:35:35

I would look within your company.

0:35:350:35:37

Excuse me.

0:35:410:35:44

Ah, Captain Lowrey, just the man I'm looking for.

0:35:480:35:51

Uhh!

0:35:510:35:52

GUESTS GASP

0:35:520:35:53

Find another ride home.

0:35:530:35:56

Colette.

0:36:110:36:13

Hey, could you hear me out?

0:36:130:36:15

I don't want another discussion.

0:36:150:36:16

I was wrong. OK?

0:36:160:36:19

I was wrong about Omar,

0:36:190:36:20

and I've been wrong about a lot of things, and I'm sorry.

0:36:200:36:23

I thought that I could protect you,

0:36:230:36:25

but I understand that I can't do that anymore, so...

0:36:250:36:29

I'm gonna respect your wishes, and I'll leave you alone.

0:36:290:36:35

I'm sorry. These are already spoken for.

0:36:500:36:53

I can see why. She looks so brave.

0:36:530:36:56

A pioneer.

0:36:560:36:58

I think she has a pretty bright future.

0:36:580:36:59

Can I take your coat? Thank you.

0:36:590:37:02

So are you ready to meet Andy?

0:37:020:37:04

Yes. Yes, I am.

0:37:040:37:06

Good, good, cos word on the street

0:37:060:37:08

is he's looking for a new model...

0:37:080:37:09

someone brave, you know, a pioneer.

0:37:090:37:13

He wants me?

0:37:130:37:15

We'll see. He'll be here in a minute.

0:37:150:37:18

AMANDA: Hi. TED: Hi.

0:37:250:37:27

Do you wanna sit down? Sure.

0:37:290:37:31

BOTH SIGH

0:37:340:37:36

Teddy,I've been thinking about last night.

0:37:360:37:37

So have I.

0:37:370:37:39

And I think you were right.

0:37:390:37:41

It gets better.

0:37:410:37:43

And that's marriage, right?

0:37:430:37:45

You start with something,

0:37:450:37:48

and you build on it, grow it.

0:37:480:37:51

No, that's not marriage.

0:37:510:37:53

You can't...build on something if there's no honesty.

0:37:530:37:57

SIGHS

0:38:000:38:03

OK.

0:38:030:38:06

You want honesty.

0:38:060:38:07

Yeah.

0:38:070:38:09

Yes.

0:38:090:38:13

I am...more comfortable with women than men.

0:38:130:38:18

And I don't know why...

0:38:180:38:21

or how it happened.

0:38:210:38:25

It's something I always felt.

0:38:250:38:27

But what I do know,

0:38:270:38:30

Teddy...

0:38:300:38:32

is that I love you,

0:38:320:38:34

and I want to be married to you.

0:38:340:38:37

How?

0:38:370:38:39

Don't you see?

0:38:390:38:42

It'll be perfect.

0:38:420:38:44

You can... see whoever you want,

0:38:440:38:48

and...I can see who I want.

0:38:480:38:52

But we'll still have us...

0:38:520:38:54

our life, our family,

0:38:540:38:59

the house and the white picket fence.

0:38:590:39:01

We can still have everything.

0:39:010:39:04

You can even have Laura.

0:39:040:39:06

Laura?

0:39:060:39:08

I see the way you look at each other.

0:39:080:39:12

A woman knows.

0:39:120:39:14

WOMAN: Oh, my God! WOMAN: What is it?

0:39:140:39:16

MAN: It can't be.

0:39:160:39:18

TELEPHONE RINGING: What's going on?

0:39:180:39:19

MULTIPLE TELEPHONES RINGING

0:39:190:39:22

What's wrong?

0:39:220:39:23

I don't know.

0:39:230:39:27

NEWS PROGRAMME: We interrupt this programme

0:39:270:39:30

for a CBS News emergency bulletin.

0:39:300:39:32

This is Walter Cronkite in our newsroom.

0:39:320:39:35

There has been an attempt, as perhaps you know now,

0:39:350:39:37

on the life of President Kennedy.

0:39:370:39:38

He was wounded in an automobile

0:39:380:39:40

driving from Dallas airport into downtown Dallas,

0:39:400:39:43

along with Governor Connally of Texas.

0:39:430:39:45

They've been taken to Parkland Hospital there,

0:39:450:39:47

where their condition is as yet unknown.

0:39:470:39:50

He was cut down by bullets

0:39:500:39:52

as his motorcade approached downtown Dallas.

0:39:520:39:55

He is now in the emergency room of Parkland Hospital.

0:39:550:39:59

He is remaining in the emergency room

0:39:590:40:00

because, er, Secret Service aides

0:40:000:40:03

say that the facilities there are as good as elsewhere.

0:40:030:40:05

As of ten minutes ago, a White House aide

0:40:050:40:08

says that the President was still alive.

0:40:080:40:11

The extent of his injury,

0:40:110:40:13

whether it is indeed critical or not,

0:40:130:40:15

is not...has not been officially confirmed by...

0:40:150:40:18

He'll be fine. He has to be fine.

0:40:180:40:22

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