Browse content similar to Diplomatic Relations. Check below for episodes and series from the same categories and more!
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Previously: MI6 want answers. - I need a lie detector test? | 0:00:02 | 0:00:05 | |
You have a dead body on their hands, Kate. | 0:00:05 | 0:00:08 | |
You're not begging to come upstairs? | 0:00:08 | 0:00:10 | |
Some things are worth waiting for. | 0:00:10 | 0:00:12 | |
You're trying to distract me. | 0:00:12 | 0:00:14 | |
I'm trying to tell you... I like you. | 0:00:14 | 0:00:16 | |
I have to talk to you. Can it wait? | 0:00:17 | 0:00:20 | |
Hello, Dean. | 0:00:20 | 0:00:22 | |
It is you and me, Colette. That's all that matters. | 0:00:22 | 0:00:24 | |
I've always loved you. | 0:00:24 | 0:00:25 | |
I don't think I've ever seen a morning more beautiful. | 0:00:31 | 0:00:34 | |
Penny for your thoughts? | 0:00:36 | 0:00:38 | |
En route to Rome last June, | 0:00:39 | 0:00:43 | |
during our layover, | 0:00:43 | 0:00:44 | |
I saw you come out of the hotel with a man in a grey suit. | 0:00:44 | 0:00:49 | |
So I'm guessing that he was... | 0:00:49 | 0:00:51 | |
A handler from MI6. Part of my mission there. | 0:00:51 | 0:00:54 | |
And Paris... | 0:00:56 | 0:00:58 | |
You left me at dinner and told me you had the flu. | 0:00:58 | 0:01:00 | |
I had to sneak away to make a drop. | 0:01:00 | 0:01:03 | |
So everything... | 0:01:03 | 0:01:05 | |
Everything I didn't understand | 0:01:05 | 0:01:07 | |
was because you were a spy, and I was in the dark. | 0:01:07 | 0:01:10 | |
Not everything. | 0:01:10 | 0:01:11 | |
Women are conundrums, even when they aren't spies. | 0:01:11 | 0:01:17 | |
How about the reason you called off our engagement? | 0:01:17 | 0:01:20 | |
I didn't know how I was supposed to be your wife | 0:01:22 | 0:01:24 | |
when I had to... | 0:01:24 | 0:01:26 | |
What, when you had to lie to me? | 0:01:26 | 0:01:28 | |
Keep my cover, Dean. | 0:01:34 | 0:01:36 | |
But that's over. | 0:01:39 | 0:01:42 | |
I'm free of MI6. We can be together. | 0:01:42 | 0:01:45 | |
Who is "we," Bridget? | 0:01:45 | 0:01:47 | |
The woman I thought I knew - | 0:01:47 | 0:01:49 | |
who I loved - she was fiction. | 0:01:49 | 0:01:51 | |
No. | 0:01:51 | 0:01:53 | |
The woman who fell in love with you, she was real. | 0:01:53 | 0:01:56 | |
And then you're just... you're gone. | 0:01:56 | 0:01:57 | |
You left, | 0:01:57 | 0:01:58 | |
and I was forced to move on. | 0:01:58 | 0:02:01 | |
To Colette? | 0:02:01 | 0:02:03 | |
Well... | 0:02:05 | 0:02:08 | |
You have to admit, last night was wonderful. | 0:02:08 | 0:02:10 | |
And a mistake. | 0:02:10 | 0:02:12 | |
It was my mistake. | 0:02:14 | 0:02:16 | |
I never stopped loving you, Dean. | 0:02:20 | 0:02:23 | |
And I want to be your wife. | 0:02:23 | 0:02:26 | |
The question is, what do you want? | 0:02:26 | 0:02:29 | |
TELEPHONE RINGS | 0:02:29 | 0:02:31 | |
Hello? | 0:02:33 | 0:02:35 | |
Yeah, this is Captain Lowrey. | 0:02:35 | 0:02:37 | |
Uh...yeah. | 0:02:37 | 0:02:40 | |
I-I can get on the next flight out of Heathrow. | 0:02:40 | 0:02:42 | |
Of course. Let him know that I'll be there. | 0:02:42 | 0:02:47 | |
Uh, bye, now. | 0:02:47 | 0:02:49 | |
HANGS UP RECEIVER | 0:02:49 | 0:02:50 | |
I gotta get to New York. | 0:02:50 | 0:02:52 | |
You seen my cuff link? | 0:02:52 | 0:02:54 | |
Is everything all right? | 0:02:54 | 0:02:56 | |
Yeah, er... | 0:02:56 | 0:02:58 | |
Juan Trippe requested a meeting with me | 0:02:58 | 0:03:00 | |
in New York. Tomorrow. | 0:03:00 | 0:03:02 | |
Juan Trippe? Yeah. | 0:03:02 | 0:03:04 | |
What does he want? | 0:03:04 | 0:03:07 | |
I don't know. | 0:03:07 | 0:03:08 | |
ENGINES ROARING | 0:03:08 | 0:03:13 | |
wait, wait, wait, wait. So let me get this straight- | 0:03:13 | 0:03:15 | |
the-the chairman of Pan Am | 0:03:15 | 0:03:16 | |
just flew you back to New York for a private meeting? | 0:03:16 | 0:03:19 | |
That's right. | 0:03:19 | 0:03:20 | |
What'd he say? | 0:03:20 | 0:03:23 | |
Apparently Khrushchev and Kennedy | 0:03:23 | 0:03:24 | |
have opened a hotline. The Cold War's thawing. | 0:03:24 | 0:03:26 | |
Mr Trippe wants Pan Am to be the first Western airline | 0:03:26 | 0:03:28 | |
to fly... Wait. To the Soviet Union? | 0:03:28 | 0:03:30 | |
Yeah. He wants to open a new route, | 0:03:30 | 0:03:31 | |
so he's sending a diplomatic mission. | 0:03:31 | 0:03:32 | |
Morning. How are you? | 0:03:32 | 0:03:33 | |
To the Soviet Union? | 0:03:33 | 0:03:35 | |
That's what he said. | 0:03:35 | 0:03:36 | |
Well, how come you get to go and I don't? | 0:03:37 | 0:03:39 | |
That he didn't say. Ugh! | 0:03:39 | 0:03:41 | |
You know what this means, don't you? | 0:03:41 | 0:03:43 | |
You're Trippe's ace, the new face of the jet age. | 0:03:43 | 0:03:45 | |
Doubtful. Next thing you know, he'll name the airline after you. | 0:03:45 | 0:03:47 | |
Highly doubtful. | 0:03:47 | 0:03:48 | |
Well, if I don't get the USSR, | 0:03:49 | 0:03:51 | |
I'm making the best of my time off. | 0:03:51 | 0:03:55 | |
LAUGHS | 0:03:57 | 0:03:58 | |
How much "yes" you think a carat will give me? | 0:03:58 | 0:04:00 | |
How much "yes" from who? | 0:04:00 | 0:04:02 | |
What do you mean, "who"? | 0:04:02 | 0:04:03 | |
Amanda. | 0:04:03 | 0:04:04 | |
Wait, this is the girl your parents set you up with? | 0:04:04 | 0:04:07 | |
Uh-huh. A month ago? | 0:04:07 | 0:04:09 | |
Thought you hated her. Ohh. | 0:04:09 | 0:04:11 | |
When you know, you know. | 0:04:11 | 0:04:12 | |
LAUGHS And you know? | 0:04:12 | 0:04:15 | |
I do! | 0:04:15 | 0:04:15 | |
Oh. Does she? | 0:04:15 | 0:04:17 | |
That's what I aim to find out. | 0:04:17 | 0:04:20 | |
Just gotta pick the right moment. | 0:04:20 | 0:04:22 | |
I guess we're both on a mission. | 0:04:22 | 0:04:24 | |
EXHALES DEEPLY | 0:04:24 | 0:04:27 | |
What, you don't like onions? | 0:04:27 | 0:04:31 | |
Onions? | 0:04:34 | 0:04:35 | |
In your eggs. Congressman? | 0:04:35 | 0:04:38 | |
I'm sorry. | 0:04:38 | 0:04:40 | |
I like them better than I like the Village Voice, | 0:04:40 | 0:04:41 | |
I'll tell you that. | 0:04:41 | 0:04:42 | |
You're still fixated? | 0:04:42 | 0:04:44 | |
On this worthless piece of yellow journalism. Yes. Quite. | 0:04:44 | 0:04:50 | |
"Despite insisting he's a Republican to the core, | 0:04:50 | 0:04:52 | |
"an anonymous source close to the congressman | 0:04:52 | 0:04:54 | |
"claims Rawlings' public policy stances | 0:04:54 | 0:04:56 | |
"don't match his private beliefs." | 0:04:56 | 0:04:58 | |
Eggs. | 0:04:58 | 0:05:00 | |
Eat. | 0:05:00 | 0:05:01 | |
It's the Voice. | 0:05:01 | 0:05:02 | |
What do you care what they think, anyway? | 0:05:02 | 0:05:03 | |
I don't, but I also don't appreciate sources | 0:05:03 | 0:05:07 | |
with inside knowledge conspiring with the enemy. | 0:05:07 | 0:05:10 | |
Aren't you "conspiring with the enemy" | 0:05:10 | 0:05:11 | |
when you're with me? | 0:05:11 | 0:05:13 | |
I don't consider you the enemy. | 0:05:13 | 0:05:16 | |
Oh. What am I, then? | 0:05:16 | 0:05:17 | |
You're an important constituent | 0:05:17 | 0:05:20 | |
with an interesting world view... Ooh. | 0:05:20 | 0:05:23 | |
And, er... Something on her lip. | 0:05:23 | 0:05:25 | |
On my lip? | 0:05:25 | 0:05:27 | |
Yeah. LAUGHS | 0:05:27 | 0:05:28 | |
Cute. | 0:05:30 | 0:05:31 | |
Yes, you are. | 0:05:31 | 0:05:33 | |
Which is why I think it's time to show you off. | 0:05:33 | 0:05:37 | |
I'm having a cocktail party for some wealthy donors. | 0:05:37 | 0:05:39 | |
Be my date. | 0:05:39 | 0:05:41 | |
What am I supposed to do, just sit on your arm, | 0:05:44 | 0:05:48 | |
all quiet and docile? | 0:05:48 | 0:05:49 | |
You're supposed to be your smart, | 0:05:49 | 0:05:50 | |
opinionated, wonderful self. | 0:05:50 | 0:05:53 | |
Hey. Come on. | 0:05:53 | 0:05:55 | |
Consider it your coming out party. | 0:05:55 | 0:05:58 | |
It'll be fun. | 0:05:58 | 0:05:59 | |
GASPS Oh, my God, Richard! | 0:06:15 | 0:06:16 | |
You didn't answer my knock. | 0:06:16 | 0:06:18 | |
That doesn't mean that you can let yourself in. | 0:06:18 | 0:06:21 | |
I deserve that much privacy. | 0:06:21 | 0:06:23 | |
Not any more. You're in with us all the way now. | 0:06:23 | 0:06:26 | |
You knew I'd be stopping by sooner or later. | 0:06:26 | 0:06:28 | |
We're going to Russia. | 0:06:28 | 0:06:30 | |
Of course you'd be stopping by. | 0:06:30 | 0:06:32 | |
One of our double agents has gone silent. | 0:06:32 | 0:06:33 | |
Code Anastasia. | 0:06:33 | 0:06:37 | |
Girlfriend of a high-ranking KGB official. | 0:06:37 | 0:06:40 | |
She lives not far from the hotel where you'll be staying. | 0:06:40 | 0:06:43 | |
Six months ago, I was a courier. | 0:06:48 | 0:06:51 | |
And now you want me to pull this woman out of Russia? | 0:06:51 | 0:06:53 | |
Go to her building. If she's still in the game, | 0:06:54 | 0:06:55 | |
there'll be a potted sunflower in her window. | 0:06:55 | 0:06:58 | |
Confirm Anastasia is active and alive, | 0:06:58 | 0:07:01 | |
and we'll do the rest. | 0:07:01 | 0:07:03 | |
Oh. How very magnanimous. | 0:07:03 | 0:07:06 | |
Be careful. | 0:07:06 | 0:07:08 | |
You're going to Moscow, the beating heart of Communism. | 0:07:08 | 0:07:12 | |
You get made for a spy there, you don't ever come back. | 0:07:12 | 0:07:14 | |
Enjoy the motherland. | 0:07:17 | 0:07:18 | |
INDISTINCT CONVERSATIONS | 0:07:29 | 0:07:32 | |
Hello, stranger. | 0:07:37 | 0:07:38 | |
Colette. Hey. | 0:07:38 | 0:07:40 | |
I'm really sorry we didn't get to connect before I left London. | 0:07:41 | 0:07:43 | |
Oh, that's all right. Gave me a chance to think. | 0:07:43 | 0:07:47 | |
And...have you? | 0:07:47 | 0:07:50 | |
I'm still afraid of what Bridget's return means | 0:07:50 | 0:07:54 | |
for you and I. | 0:07:54 | 0:07:56 | |
But for the first time in my life, | 0:07:58 | 0:08:00 | |
I'm not going to let my fear get the better of me. | 0:08:00 | 0:08:03 | |
I want to be with you... | 0:08:05 | 0:08:07 | |
As terrifying as that is. | 0:08:07 | 0:08:10 | |
I just hope... No, no, no. | 0:08:10 | 0:08:12 | |
I-I do. I want to be with you, too. | 0:08:12 | 0:08:14 | |
I'm so sorry. I need to... | 0:08:18 | 0:08:20 | |
Oh, brief the crew. Right. | 0:08:20 | 0:08:22 | |
Of course. But when we get to Russia, can we... | 0:08:22 | 0:08:24 | |
Talk more? | 0:08:24 | 0:08:25 | |
Yeah. Please. | 0:08:25 | 0:08:26 | |
I'll see you soon. | 0:08:29 | 0:08:30 | |
Yeah. | 0:08:30 | 0:08:32 | |
Hi. | 0:08:39 | 0:08:40 | |
Our every move will be watched, | 0:08:44 | 0:08:46 | |
literally, by the Russians. | 0:08:46 | 0:08:47 | |
So be careful about what you say, | 0:08:47 | 0:08:49 | |
about what you do, | 0:08:49 | 0:08:51 | |
about who you choose to talk to. | 0:08:51 | 0:08:53 | |
That said, this is an historic flight. | 0:08:53 | 0:08:57 | |
It's an opportunity to trail-blaze | 0:08:57 | 0:08:59 | |
not only a new route for Pan Am, | 0:08:59 | 0:09:01 | |
but ongoing relationship with the Soviets. | 0:09:01 | 0:09:03 | |
Which is why we damn well better not | 0:09:03 | 0:09:05 | |
foul this thing up, right? | 0:09:05 | 0:09:06 | |
Sorry for the dramatic entrance, | 0:09:06 | 0:09:08 | |
but why sneak in with the ground force | 0:09:08 | 0:09:09 | |
when you can soar in on the Enola Gay | 0:09:09 | 0:09:11 | |
and drop the bomb? | 0:09:11 | 0:09:12 | |
LAUGHTER | 0:09:12 | 0:09:13 | |
All right. The plan - | 0:09:13 | 0:09:14 | |
wheels up at 1600. | 0:09:14 | 0:09:16 | |
Then ten hours to Moscow, | 0:09:16 | 0:09:18 | |
where our job will be to spend four days | 0:09:18 | 0:09:20 | |
showing the Russian bear the majesty, | 0:09:20 | 0:09:22 | |
the beauty, and the good graces | 0:09:22 | 0:09:24 | |
of the American eagle. | 0:09:24 | 0:09:26 | |
If all goes well, you can tell your grandkids | 0:09:26 | 0:09:28 | |
that you were the crew that got Russia for Juan Trippe. | 0:09:28 | 0:09:30 | |
Excuse me. | 0:09:32 | 0:09:33 | |
Dean Lowrey, boy wonder, right? | 0:09:33 | 0:09:35 | |
That's me. I'm George Broyles. | 0:09:35 | 0:09:37 | |
Captain Broyles. | 0:09:37 | 0:09:40 | |
Well, it's damn nice to meet | 0:09:40 | 0:09:41 | |
and glad you'll be holding down my right seat. | 0:09:41 | 0:09:42 | |
I'm sorry, your right seat? | 0:09:42 | 0:09:43 | |
Or left seat. I'll flip you for it. | 0:09:43 | 0:09:44 | |
As for the rest of you, | 0:09:44 | 0:09:46 | |
we'll have plenty of time to chew the fat | 0:09:46 | 0:09:47 | |
over the vast Atlantic, all right? | 0:09:47 | 0:09:49 | |
Two hours to takeoff, my friends. | 0:09:49 | 0:09:51 | |
Who is that? | 0:09:54 | 0:09:55 | |
Oh, that's a sky god. | 0:09:55 | 0:09:57 | |
INDISTINCT CONVERSATIONS | 0:10:09 | 0:10:11 | |
What exactly is a sky god? | 0:10:13 | 0:10:16 | |
World War II pilots. Big heroes. | 0:10:16 | 0:10:18 | |
Broyles flew a dozen bomber runs over Berlin. | 0:10:18 | 0:10:20 | |
Mr Trippe gives him and his kind carte blanche | 0:10:20 | 0:10:23 | |
to use the airline whenever they like, | 0:10:23 | 0:10:26 | |
however they like. | 0:10:26 | 0:10:28 | |
Fuel at 43 degrees west will be 138,000 pounds. | 0:10:35 | 0:10:39 | |
SPEAKS RUSSIAN | 0:10:39 | 0:10:41 | |
You guys always insist on having Russians | 0:10:43 | 0:10:45 | |
aboard these flights into Moscow? | 0:10:45 | 0:10:46 | |
Safety measure. For Americans. | 0:10:46 | 0:10:49 | |
So we don't crash into the Kremlin. | 0:10:49 | 0:10:50 | |
SPEAKS RUSSIAN | 0:10:50 | 0:10:54 | |
SPEAKS RUSSIAN | 0:10:54 | 0:10:58 | |
LAUGHS | 0:10:58 | 0:11:01 | |
Ivan's not so bad. | 0:11:01 | 0:11:02 | |
That's nice to know. | 0:11:02 | 0:11:05 | |
INDISTINCT CONVERSATIONS | 0:11:05 | 0:11:08 | |
Your sister Laura seems nice. | 0:11:11 | 0:11:15 | |
We're all happy to have you back and safe, Bridget. | 0:11:15 | 0:11:19 | |
We have hardly any assets... CLATTERS | 0:11:19 | 0:11:21 | |
..in the Soviet union, | 0:11:21 | 0:11:23 | |
No eyes on the ground to know what Khrushchev is up to. | 0:11:23 | 0:11:26 | |
This is a huge opportunity. | 0:11:26 | 0:11:28 | |
Are you working? | 0:11:28 | 0:11:30 | |
Bridget, you know I can't. | 0:11:30 | 0:11:32 | |
Talk about it. I know. | 0:11:32 | 0:11:35 | |
Oh, it's just so odd... | 0:11:35 | 0:11:37 | |
Being on the outside again. | 0:11:37 | 0:11:38 | |
CUP CLATTERS The silence is deafening. | 0:11:38 | 0:11:41 | |
I take it Juan didn't tell you I was coming along for the ride. | 0:11:46 | 0:11:49 | |
No. Juan didn't. | 0:11:49 | 0:11:52 | |
That's his style. | 0:11:54 | 0:11:56 | |
Wants to keep us all on our tips, you know? | 0:11:56 | 0:12:00 | |
look, it's a compliment, Lowrey, | 0:12:02 | 0:12:03 | |
him choosing you and me. | 0:12:03 | 0:12:05 | |
Juan knows if he wants to invade Russia, | 0:12:05 | 0:12:07 | |
he's got to send in the big guns. | 0:12:07 | 0:12:09 | |
Well, just do me the favour of not shooting me | 0:12:09 | 0:12:10 | |
in the back, will ya? | 0:12:10 | 0:12:12 | |
INDISTINCT CONVERSATIONS | 0:12:16 | 0:12:17 | |
Do you think we'll get to see Red Square | 0:12:17 | 0:12:19 | |
or Lenin's tomb? | 0:12:19 | 0:12:22 | |
GLASSES CLINK | 0:12:22 | 0:12:23 | |
CLINKS | 0:12:32 | 0:12:33 | |
This must be hard for you, | 0:12:34 | 0:12:35 | |
stuck on a ten-hour flight with Dean's ex-fiancee. | 0:12:35 | 0:12:39 | |
BOTTLE CLATTERS You've heard? | 0:12:40 | 0:12:41 | |
Oh, rumours... | 0:12:41 | 0:12:44 | |
And I saw you two talking in operations. | 0:12:44 | 0:12:46 | |
You know, it seemed intimate. | 0:12:46 | 0:12:48 | |
CLOSING BOTTLE CAP | 0:12:49 | 0:12:51 | |
Is it true? | 0:12:51 | 0:12:54 | |
I won't say it's not. | 0:12:54 | 0:12:57 | |
Have you talked to her - Bridget? | 0:13:00 | 0:13:03 | |
No, not yet. | 0:13:03 | 0:13:06 | |
Uh, we were friends. | 0:13:06 | 0:13:08 | |
We were close friends. | 0:13:08 | 0:13:10 | |
You didn't do anything wrong. | 0:13:13 | 0:13:14 | |
Let me help. | 0:13:25 | 0:13:26 | |
Thank you. | 0:13:26 | 0:13:29 | |
I haven't quite got my rhythm back. | 0:13:29 | 0:13:32 | |
Speaking of rhythm, | 0:13:32 | 0:13:34 | |
I hope yours and mine won't be too badly affected by... | 0:13:34 | 0:13:38 | |
You and Dean? | 0:13:38 | 0:13:39 | |
I thought... | 0:13:42 | 0:13:44 | |
Well, we all thought you had gotten married. | 0:13:44 | 0:13:46 | |
If I had known that wasn't the truth, | 0:13:46 | 0:13:48 | |
I would have never... | 0:13:48 | 0:13:49 | |
I know. | 0:13:49 | 0:13:51 | |
Dean told me all about you two. | 0:13:51 | 0:13:53 | |
When you had drinks in London? | 0:13:53 | 0:13:56 | |
Yes. | 0:13:56 | 0:13:58 | |
Yes. Drinks. | 0:13:58 | 0:13:59 | |
Dean and I, we spent a long time talking, | 0:13:59 | 0:14:01 | |
and don't worry, Colette. | 0:14:01 | 0:14:04 | |
I shall respect whatever Dean decides to do. | 0:14:04 | 0:14:07 | |
WOMAN: # Ooh | 0:14:16 | 0:14:18 | |
# OOH | 0:14:18 | 0:14:19 | |
# Ooh, ooh | 0:14:19 | 0:14:21 | |
KNOCK ON DOOR | 0:14:21 | 0:14:22 | |
# Oh, yeah | 0:14:22 | 0:14:24 | |
KNOCK | 0:14:24 | 0:14:26 | |
# Feel like I'm losing my control | 0:14:27 | 0:14:30 | |
# Yes, it does # | 0:14:30 | 0:14:31 | |
I've been calling. | 0:14:31 | 0:14:32 | |
And I've been hanging up. | 0:14:32 | 0:14:34 | |
Don't be a child. | 0:14:34 | 0:14:36 | |
SCOFFS: You're the one who took what I wrote | 0:14:36 | 0:14:39 | |
and twisted it for your stupid Voice article. | 0:14:39 | 0:14:41 | |
How exactly did I twist it? | 0:14:41 | 0:14:44 | |
Yes, I have issues with some of Chris's beliefs, | 0:14:44 | 0:14:47 | |
but to say that he's a hypocrite... | 0:14:47 | 0:14:49 | |
"Chris"? Well, you two are cosy. | 0:14:49 | 0:14:50 | |
That he doesn't actually hold these beliefs | 0:14:50 | 0:14:53 | |
is not what I meant. | 0:14:53 | 0:14:55 | |
Which means he's more of a warmonger | 0:14:55 | 0:14:56 | |
than I made him out to be? | 0:14:56 | 0:14:58 | |
Take a hike, Mike. | 0:14:58 | 0:15:00 | |
I don't understand what's going on here, Mags. | 0:15:00 | 0:15:02 | |
You know, one minute you want to destroy the man, | 0:15:02 | 0:15:04 | |
and the next you're on a first-name basis | 0:15:04 | 0:15:06 | |
with the biggest death merchant in Congress. | 0:15:06 | 0:15:08 | |
Wh... | 0:15:08 | 0:15:10 | |
You're sleeping with him, aren't you? | 0:15:10 | 0:15:12 | |
Well, I'm not sleeping with you any more, mike, | 0:15:12 | 0:15:15 | |
so other than that, it's none of your damn business. | 0:15:15 | 0:15:18 | |
Unbelievable. You... | 0:15:18 | 0:15:20 | |
Well, I just came by to warn you that | 0:15:20 | 0:15:21 | |
the congressman's staff is obsessed | 0:15:21 | 0:15:23 | |
with uncovering the source for my article. | 0:15:23 | 0:15:26 | |
Are you threatening to tell them it's me? | 0:15:26 | 0:15:28 | |
I just came by to give you a heads-up | 0:15:28 | 0:15:30 | |
that they're not stopping | 0:15:30 | 0:15:31 | |
until they figure out who the rat is. | 0:15:31 | 0:15:33 | |
Other than that, | 0:15:33 | 0:15:34 | |
enjoy your life, future Mrs Congressman. | 0:15:34 | 0:15:37 | |
DOOR OPENS AND SLAMS | 0:15:37 | 0:15:38 | |
RUSSIAN ACCENT: Pan American World Airways, | 0:15:48 | 0:15:51 | |
we welcome you to Moscow. | 0:15:51 | 0:15:53 | |
I am Olga Dubovik, | 0:15:53 | 0:15:54 | |
representative of Committee of Diplomatic Relations. | 0:15:54 | 0:15:58 | |
We are delighted to show you famous Soviet hospitality. | 0:15:58 | 0:16:02 | |
There will be banquet tonight in hotel ballroom, | 0:16:02 | 0:16:05 | |
and over next few days, we hope to build | 0:16:05 | 0:16:07 | |
trust and admiration for our two great nations. | 0:16:07 | 0:16:10 | |
You see those guys | 0:16:10 | 0:16:11 | |
over there with the grim looks? | 0:16:11 | 0:16:12 | |
KGB minders. Mind them. | 0:16:12 | 0:16:15 | |
We know you will enjoy your stay here. | 0:16:15 | 0:16:17 | |
As Comrade Stalin famously said, | 0:16:17 | 0:16:20 | |
"Gaiety is most outstanding feature | 0:16:20 | 0:16:23 | |
"of Soviet union." | 0:16:23 | 0:16:25 | |
So... | 0:16:34 | 0:16:36 | |
You and Bridget on the flight, er, did you two... | 0:16:36 | 0:16:40 | |
Yes, we talked. Everything is fine. | 0:16:40 | 0:16:42 | |
Good. | 0:16:43 | 0:16:45 | |
That is the smallest bathtub I have ever seen. | 0:16:57 | 0:17:00 | |
Well, at least there is no hot water. | 0:17:00 | 0:17:02 | |
Old-world charm with Third-World plumbing. | 0:17:03 | 0:17:04 | |
I hope you find amenities to your liking. | 0:17:06 | 0:17:08 | |
Oh, well, there are a few things we could use. | 0:17:08 | 0:17:10 | |
Oh. | 0:17:10 | 0:17:11 | |
Um, soap, maybe. | 0:17:11 | 0:17:13 | |
Is there a market nearby? | 0:17:13 | 0:17:15 | |
No. | 0:17:15 | 0:17:16 | |
No? | 0:17:16 | 0:17:17 | |
You cannot leave hotel, | 0:17:17 | 0:17:18 | |
not without hospitality ambassador. | 0:17:18 | 0:17:21 | |
Oh, and that would be you? Mm-hmm. | 0:17:21 | 0:17:24 | |
Havemayer's Soviet sister. | 0:17:24 | 0:17:25 | |
Next she'll want to be checking our girdles. | 0:17:25 | 0:17:28 | |
I will arrange tour for ladies, yes? | 0:17:28 | 0:17:29 | |
1400 hours? | 0:17:29 | 0:17:31 | |
Mm-hmm. Mm-hmm. | 0:17:31 | 0:17:33 | |
Wait. Why is not Kate Cameron here? | 0:17:33 | 0:17:36 | |
SPEAKS RUSSIAN | 0:18:12 | 0:18:15 | |
Er, what. Uh, I'm sorry? | 0:18:15 | 0:18:17 | |
SPEAKS RUSSIAN | 0:18:17 | 0:18:19 | |
I'm sorry. I'm-I'm lost. | 0:18:19 | 0:18:21 | |
I was looking... | 0:18:21 | 0:18:22 | |
Kate, it's about time. | 0:18:22 | 0:18:24 | |
Captain Broyles, I was... | 0:18:25 | 0:18:28 | |
w-wondering where you were. | 0:18:28 | 0:18:31 | |
SPEAKING RUSSIAN | 0:18:31 | 0:18:32 | |
OK? PATS POCKET | 0:18:39 | 0:18:41 | |
OK. | 0:18:42 | 0:18:44 | |
What did you say to him? | 0:18:46 | 0:18:47 | |
I told him that you had a very important client | 0:18:47 | 0:18:50 | |
waiting for you. | 0:18:50 | 0:18:51 | |
A client? | 0:18:51 | 0:18:53 | |
Oh, he thinks I'm going to... | 0:18:54 | 0:18:56 | |
Kate, I'm kidding. | 0:18:56 | 0:18:58 | |
What are you doing down here, anyway? | 0:18:58 | 0:18:59 | |
I must have hit the wrong button on the elevator. | 0:19:01 | 0:19:03 | |
The wrong button? | 0:19:03 | 0:19:05 | |
What are you doing down here... | 0:19:14 | 0:19:17 | |
with all this? | 0:19:17 | 0:19:19 | |
A little... Diplomatic relations. | 0:19:19 | 0:19:22 | |
Pack of ciggies in Moscow is worth more than a Faberge egg. | 0:19:22 | 0:19:25 | |
And you brought this all on our flight? | 0:19:26 | 0:19:28 | |
Kate, I think you better go back upstairs | 0:19:30 | 0:19:31 | |
before your KGB pal comes looking for the menthols. | 0:19:31 | 0:19:35 | |
Well, thank you again for opening up your home. | 0:19:43 | 0:19:45 | |
Not at all. | 0:19:45 | 0:19:47 | |
I'm surprised all these people wanted to venture out | 0:19:48 | 0:19:48 | |
on a cold night to hear what I have to say. | 0:19:48 | 0:19:49 | |
Oh, ignore him. He's just being modest. | 0:19:49 | 0:19:52 | |
Maggie will disagree with me on almost anything. | 0:19:52 | 0:19:54 | |
Well, only when you're wrong, which is...often. | 0:19:54 | 0:19:58 | |
Ted! | 0:20:00 | 0:20:02 | |
Oh, excuse me, please. | 0:20:02 | 0:20:03 | |
I didn't know you'd be here. | 0:20:06 | 0:20:08 | |
Neither did I. Apparently, Amanda's parents backed the congressman in his first race. | 0:20:08 | 0:20:13 | |
Amanda, this is Maggie. We work together at Pan Am. | 0:20:13 | 0:20:16 | |
Sorry. We walked over, and my hands are freezing. | 0:20:16 | 0:20:19 | |
And then Teddy wanted to go for a carriage ride in the park | 0:20:19 | 0:20:22 | |
in the middle of November. | 0:20:22 | 0:20:24 | |
I thought it'd be romantic. | 0:20:24 | 0:20:26 | |
Who are you, and what have you done with Ted? | 0:20:26 | 0:20:29 | |
Speaking of romantic, you're the last girl I'd expect on the arm of a Republican. | 0:20:29 | 0:20:33 | |
You're forgetting, I'm a Pan Am stewardess. | 0:20:35 | 0:20:38 | |
I'm trained in diplomacy. | 0:20:38 | 0:20:40 | |
Then who are you, and what have you done with Maggie Ryan? | 0:20:40 | 0:20:43 | |
In Red Square, you will see notable armoury museum | 0:20:51 | 0:20:55 | |
and tomb of unknown soldier, honouring brave heroes | 0:20:55 | 0:20:57 | |
who won great patriotic war for allies. | 0:20:57 | 0:21:01 | |
Olga, er, do you know where Ostenazenka Street is? | 0:21:02 | 0:21:06 | |
Ostozhenka. | 0:21:06 | 0:21:07 | |
Ostozhenka. It's the street where my grandfather grew up. | 0:21:07 | 0:21:09 | |
Your grandfather? He's from Moscow? | 0:21:09 | 0:21:11 | |
He lived here until he was five. | 0:21:11 | 0:21:12 | |
Oh. Er... | 0:21:12 | 0:21:14 | |
If we could just go down this way, | 0:21:14 | 0:21:16 | |
I might be able to find his address. | 0:21:16 | 0:21:18 | |
No. Is not on tour. | 0:21:18 | 0:21:20 | |
It would mean so much to me and my sister | 0:21:20 | 0:21:23 | |
if we could learn more about our Soviet heritage. | 0:21:23 | 0:21:26 | |
Mmm. | 0:21:26 | 0:21:28 | |
This is Communist party housing, | 0:21:32 | 0:21:35 | |
provided free, of course, by glorious decree of presidium. | 0:21:35 | 0:21:39 | |
Let's get in a photo. Go. | 0:21:41 | 0:21:43 | |
Ready? | 0:21:47 | 0:21:48 | |
One, two, three. | 0:21:48 | 0:21:51 | |
CAMERA CLICKS | 0:21:51 | 0:21:52 | |
VEHICLE APPROACHES | 0:22:13 | 0:22:17 | |
BRAKES SQUEAL | 0:22:18 | 0:22:20 | |
MEN SPEAK RUSSIAN | 0:22:22 | 0:22:23 | |
I didn't do anything. | 0:22:24 | 0:22:26 | |
Don't touch her. What is he saying? | 0:22:26 | 0:22:28 | |
He wants your film. | 0:22:28 | 0:22:29 | |
Give it to him. | 0:22:29 | 0:22:30 | |
She was only taking a picture of that building. | 0:22:30 | 0:22:32 | |
He says it is act of espionage. | 0:22:32 | 0:22:35 | |
That is ridiculous. | 0:22:35 | 0:22:36 | |
They come with us. | 0:22:36 | 0:22:37 | |
What? | 0:22:37 | 0:22:38 | |
What? Kate? | 0:22:38 | 0:22:40 | |
Laura? | 0:22:40 | 0:22:41 | |
It will be all right. Don't say anything. | 0:22:41 | 0:22:44 | |
You arrested my flight crew for what? | 0:22:48 | 0:22:50 | |
They are being detained for questions. | 0:22:50 | 0:22:52 | |
What questions? What did they do wrong? | 0:22:52 | 0:22:53 | |
They were taking photos. | 0:22:53 | 0:22:55 | |
Of a building. | 0:22:55 | 0:22:56 | |
A Soviet building, | 0:22:56 | 0:22:57 | |
housing many of our illustrious party members. | 0:22:57 | 0:23:00 | |
It is not unthinkable | 0:23:00 | 0:23:01 | |
your CIA would use stewardesses to gather information. | 0:23:01 | 0:23:04 | |
Where are they being held? | 0:23:04 | 0:23:06 | |
I cannot tell you. | 0:23:06 | 0:23:08 | |
Then I need to go to the US Embassy. | 0:23:07 | 0:23:08 | |
You may not leave hotel. | 0:23:08 | 0:23:11 | |
Of course, you are still welcome to our hospitality. | 0:23:11 | 0:23:15 | |
So, what do we do now? | 0:23:16 | 0:23:19 | |
We start by not arguing with useless bureaucrats. | 0:23:20 | 0:23:21 | |
Just sit tight. They'll be released soon enough. | 0:23:21 | 0:23:24 | |
And you know that for a fact how? | 0:23:24 | 0:23:25 | |
I was an army air corps liaison to the Russkies during the war. | 0:23:25 | 0:23:28 | |
Spent a lot of time with 'em, drank a lot of their vodka, | 0:23:28 | 0:23:31 | |
got to know how they think. They have a word - | 0:23:31 | 0:23:33 | |
"Zapuguivaniya." | 0:23:33 | 0:23:36 | |
What the hell does that mean? | 0:23:36 | 0:23:37 | |
It translates loosely... into "intimidation." | 0:23:37 | 0:23:40 | |
They can keep people on their heels | 0:23:40 | 0:23:42 | |
without ever throwing a punch. | 0:23:42 | 0:23:44 | |
But they invited us here. | 0:23:44 | 0:23:44 | |
Some of 'em did. Some didn't. | 0:23:44 | 0:23:46 | |
Mistress Olga works for the presidium. | 0:23:46 | 0:23:48 | |
She doesn't speak for the KGB. | 0:23:48 | 0:23:51 | |
They made their point. | 0:23:51 | 0:23:52 | |
It'll all blow over. | 0:23:52 | 0:23:55 | |
I'm not taking any chances. | 0:23:59 | 0:24:00 | |
You two back to the room. | 0:24:00 | 0:24:02 | |
Pack up Bridget and Laura's things. | 0:24:02 | 0:24:04 | |
I won't risk them planting anything in their bags. | 0:24:04 | 0:24:06 | |
I think Rawlings is a shoo-in for '64, | 0:24:15 | 0:24:17 | |
no matter what "the village voice" says. | 0:24:17 | 0:24:20 | |
Oh, a bunch of lefty propaganda. | 0:24:20 | 0:24:22 | |
I'm surprised Khrushchev isn't on the editorial staff. | 0:24:22 | 0:24:25 | |
Did anyone try the Rumaki? | 0:24:25 | 0:24:26 | |
What do you say we get out of here and go for a walk or something? | 0:24:26 | 0:24:28 | |
We just got here. What's gotten into you? | 0:24:28 | 0:24:30 | |
Just stuffy, I guess. | 0:24:30 | 0:24:32 | |
Take off your coat. I'm fine. | 0:24:32 | 0:24:33 | |
Don't tell me you believe everything | 0:24:33 | 0:24:35 | |
they print in that rag. | 0:24:35 | 0:24:36 | |
Oh, well... the reporting in the Voice is actually quite nuanced. | 0:24:36 | 0:24:40 | |
"Nuanced"? They said that Rawlings called Goldwater a fanatic. | 0:24:40 | 0:24:44 | |
Since when is having an opinion a crime? | 0:24:44 | 0:24:46 | |
Since when did communist rhetoric start passing as journalism? | 0:24:46 | 0:24:49 | |
Maybe Chris doesn't want to march in lockstep | 0:24:49 | 0:24:52 | |
with Goldwater and his red-baiting thugs. | 0:24:52 | 0:24:53 | |
What? I hardly think... | 0:24:53 | 0:24:55 | |
Oh, you hardly think? | 0:24:55 | 0:24:56 | |
Maybe that's your problem | 0:24:56 | 0:24:58 | |
to begin with, you ignorant buffoon. | 0:24:58 | 0:25:01 | |
Can I, er, talk to you for a minute? | 0:25:04 | 0:25:07 | |
It doesn't make any sense. Why take Laura and Bridget? | 0:25:09 | 0:25:12 | |
It could have just as easily been you or me. | 0:25:12 | 0:25:15 | |
They were making a point. | 0:25:15 | 0:25:16 | |
Yeah, but to think one of us is a spy. | 0:25:16 | 0:25:18 | |
I know. It's ridiculous. | 0:25:18 | 0:25:21 | |
Colette? | 0:25:25 | 0:25:26 | |
"DL". | 0:25:26 | 0:25:28 | |
Dean Lowrey, right? | 0:25:28 | 0:25:30 | |
It could have been here from a long time ago. | 0:25:33 | 0:25:37 | |
Yet here it is now... | 0:25:38 | 0:25:41 | |
Inside Bridget's suitcase. | 0:25:41 | 0:25:43 | |
No-one knows where we are. | 0:25:47 | 0:25:50 | |
We don't even know where we are. | 0:25:50 | 0:25:51 | |
Laura, we are going to get out. | 0:25:51 | 0:25:53 | |
Just breathe. | 0:25:53 | 0:25:54 | |
Have you had these types of attacks before? | 0:25:54 | 0:25:57 | |
The last time was at my wedding. | 0:25:57 | 0:25:59 | |
How did you get through it? | 0:25:59 | 0:26:02 | |
I ran away. | 0:26:02 | 0:26:03 | |
Well, that's not really an option here, | 0:26:03 | 0:26:06 | |
but I can imagine it must have been terrible. | 0:26:06 | 0:26:10 | |
Running out on my fiance? | 0:26:10 | 0:26:12 | |
You have no idea. | 0:26:12 | 0:26:15 | |
Oh, I didn't...I didn't mean you running out on Dean. | 0:26:18 | 0:26:21 | |
I'm so sorry. | 0:26:21 | 0:26:23 | |
That's fine. | 0:26:23 | 0:26:26 | |
Dean and I will be all right... | 0:26:39 | 0:26:41 | |
But you wouldn't have said that two nights ago. | 0:26:41 | 0:26:45 | |
Can we keep this between us? | 0:26:49 | 0:26:51 | |
Dean and I, in London, | 0:26:51 | 0:26:53 | |
we had a moment of weakness. | 0:26:53 | 0:26:57 | |
You and Dean? | 0:26:58 | 0:26:59 | |
What about Colette? | 0:27:02 | 0:27:04 | |
It just happened, you know. | 0:27:04 | 0:27:06 | |
I feel awful about it. | 0:27:06 | 0:27:08 | |
We go. | 0:27:10 | 0:27:11 | |
Where are you taking us? | 0:27:11 | 0:27:13 | |
No questions. | 0:27:13 | 0:27:15 | |
What the hell was that about? | 0:27:22 | 0:27:23 | |
Well... you told me I should be my wonderful, opinionated self. | 0:27:23 | 0:27:28 | |
Opinionated, not deranged. | 0:27:28 | 0:27:29 | |
You just called one of my biggest donors a buffoon. | 0:27:29 | 0:27:32 | |
Actually, it was an "ignorant buffoon." | 0:27:32 | 0:27:37 | |
It was you. | 0:27:38 | 0:27:40 | |
You were the leak behind the Voice article. | 0:27:40 | 0:27:42 | |
No. I...I mean... | 0:27:42 | 0:27:45 | |
Yes. | 0:27:46 | 0:27:47 | |
I submitted that article before we started | 0:27:47 | 0:27:53 | |
whatever it is that we've started. | 0:27:53 | 0:27:57 | |
But you did say all those things. | 0:27:57 | 0:28:00 | |
There's a difference between what I say in public | 0:28:00 | 0:28:02 | |
and pillow talk. | 0:28:02 | 0:28:04 | |
So... | 0:28:04 | 0:28:05 | |
You don't actually have any convictions of your own? | 0:28:05 | 0:28:10 | |
Oh, I forgot. | 0:28:10 | 0:28:12 | |
Your conviction is to get elected. | 0:28:12 | 0:28:15 | |
I... | 0:28:17 | 0:28:18 | |
I envy the simple universe that you live in. | 0:28:18 | 0:28:21 | |
It must be nice having all the answers. | 0:28:21 | 0:28:25 | |
I didn't realise having principles made me simple. | 0:28:27 | 0:28:32 | |
Thanks for the education. | 0:28:32 | 0:28:34 | |
I've been waiting for the right moment, | 0:28:34 | 0:28:37 | |
er, to give this to you, but I can't wait any more. | 0:28:38 | 0:28:40 | |
Um... | 0:28:40 | 0:28:41 | |
Amanda Hartford Mason, will you marry me? | 0:28:41 | 0:28:44 | |
Yes. | 0:28:44 | 0:28:45 | |
Teddy, yes! | 0:28:45 | 0:28:46 | |
She said yes! | 0:28:49 | 0:28:51 | |
Thank you. Thank you. | 0:28:53 | 0:28:55 | |
Let's see the ring. Ohh! | 0:28:55 | 0:28:57 | |
All right. I'm through waiting. | 0:29:10 | 0:29:12 | |
I'm gonna go out and deal with this. | 0:29:12 | 0:29:14 | |
Great idea. You two take out the KGB agent. | 0:29:14 | 0:29:18 | |
I'll steal a tank. We'll blast our way out. | 0:29:18 | 0:29:20 | |
This isn't a John Wayne movie. | 0:29:20 | 0:29:22 | |
You're 1,000 miles behind the iron curtain. | 0:29:22 | 0:29:24 | |
You can't go out there guns blazin'. | 0:29:24 | 0:29:24 | |
Do you have a better idea? | 0:29:24 | 0:29:26 | |
We don't want to make this an international incident. | 0:29:26 | 0:29:28 | |
As opposed to what it is now? | 0:29:28 | 0:29:30 | |
For the first time since the war, our relations are thawing. | 0:29:30 | 0:29:32 | |
You think the Soviets want to screw that up | 0:29:32 | 0:29:34 | |
over a couple of stewardesses? | 0:29:34 | 0:29:35 | |
That is my sister you're talking about, | 0:29:35 | 0:29:37 | |
And I know you know people here, | 0:29:37 | 0:29:39 | |
people with connections. | 0:29:39 | 0:29:41 | |
Yeah, but not the kind to get us out of a situation like this. | 0:29:41 | 0:29:44 | |
There's no-one you can bribe? | 0:29:45 | 0:29:47 | |
Couple packs of cigarettes? | 0:29:47 | 0:29:50 | |
Your attention, please! | 0:29:52 | 0:29:55 | |
I must inform you, trip has been cancelled. | 0:29:55 | 0:29:59 | |
You will be escorted to airport and depart immediately. | 0:29:59 | 0:30:01 | |
Hey. I want to talk to somebody | 0:30:03 | 0:30:04 | |
that actually has authority around here. | 0:30:04 | 0:30:06 | |
I am sorry. There is nothing that can be done. | 0:30:06 | 0:30:08 | |
What about our stewardesses, Bridget Pierce and Laura Cameron? | 0:30:08 | 0:30:10 | |
Do not be concerned with them. | 0:30:10 | 0:30:12 | |
What does that mean? | 0:30:12 | 0:30:13 | |
It means they stay. You go. | 0:30:13 | 0:30:16 | |
Maggie? | 0:31:01 | 0:31:03 | |
Are you OK? | 0:31:03 | 0:31:05 | |
Oh. | 0:31:05 | 0:31:08 | |
It's the last time I buy this cheap mascara. | 0:31:08 | 0:31:10 | |
Hey, what you said out there... | 0:31:13 | 0:31:14 | |
It was stupid. I have a big mouth. | 0:31:14 | 0:31:17 | |
No. | 0:31:17 | 0:31:18 | |
I...wish I could be more like you. | 0:31:18 | 0:31:22 | |
There's nothing harder than standing up for yourself. | 0:31:23 | 0:31:25 | |
You were... | 0:31:25 | 0:31:29 | |
Strong, and brave and honest. | 0:31:29 | 0:31:35 | |
Never apologise for that. | 0:31:35 | 0:31:37 | |
Well, then I'll apologise for not being honest. | 0:31:37 | 0:31:40 | |
This mascara is not cheap. | 0:31:40 | 0:31:43 | |
Men are idiots. | 0:31:47 | 0:31:49 | |
I know. | 0:31:51 | 0:31:53 | |
Sometimes I think women are just... | 0:31:55 | 0:31:58 | |
Better! | 0:31:58 | 0:32:01 | |
Me too. | 0:32:01 | 0:32:02 | |
Anastasia? | 0:32:21 | 0:32:23 | |
You know who I am? | 0:32:25 | 0:32:27 | |
You cannot be here. | 0:32:27 | 0:32:29 | |
Please. You must go. | 0:32:29 | 0:32:31 | |
I need your help. | 0:32:31 | 0:32:33 | |
You cannot come inside. | 0:32:33 | 0:32:35 | |
KGB is watching always and listening. | 0:32:35 | 0:32:36 | |
Yes. Let me explain. | 0:32:36 | 0:32:39 | |
I know why you are here. I have heard about | 0:32:39 | 0:32:40 | |
two Pan Am stewardesses detained as spies. | 0:32:40 | 0:32:43 | |
One of them is my sister. | 0:32:43 | 0:32:45 | |
They told me that your boyfriend is high up in the Kremlin. | 0:32:45 | 0:32:48 | |
You could go to him. | 0:32:48 | 0:32:50 | |
That's impossible. | 0:32:50 | 0:32:53 | |
What you are saying is suicide. | 0:32:53 | 0:32:56 | |
I'm sorry, but I cannot help you. | 0:32:56 | 0:32:58 | |
I don't care if it puts you or me in danger. | 0:32:58 | 0:33:01 | |
One way or another, you're going to help me, | 0:33:01 | 0:33:03 | |
and you are going to do it now. | 0:33:03 | 0:33:04 | |
Albers, Lawrence. | 0:33:18 | 0:33:22 | |
Benson, Scott. | 0:33:22 | 0:33:25 | |
Broyles, George. | 0:33:25 | 0:33:28 | |
Cameron, Kate. | 0:33:28 | 0:33:31 | |
Cameron, Kate. | 0:33:32 | 0:33:33 | |
Right here. | 0:33:33 | 0:33:35 | |
Right here. | 0:33:35 | 0:33:39 | |
Captain Broyles, can I talk to you? | 0:33:39 | 0:33:41 | |
Fineberg, Rachel. | 0:33:41 | 0:33:43 | |
Harmon, Gerald. | 0:33:43 | 0:33:44 | |
I found someone who can help get my sister back, | 0:33:44 | 0:33:46 | |
someone high up in the Kremlin. | 0:33:46 | 0:33:48 | |
Yeah, sure you did. | 0:33:48 | 0:33:49 | |
His name is Vitaly Berzin. | 0:33:49 | 0:33:51 | |
He's on the central committee... | 0:33:51 | 0:33:52 | |
And this is his private number. | 0:33:54 | 0:33:57 | |
You're kidding, right? | 0:33:57 | 0:33:59 | |
He's willing to intercede, but it'll take cash | 0:33:59 | 0:34:00 | |
and a lot of it, and I know you have it. | 0:34:00 | 0:34:03 | |
How does a Pan Am stewardess have connections at the Kremlin? | 0:34:03 | 0:34:07 | |
How does a Pan Am pilot smuggle thousands of dollars | 0:34:07 | 0:34:09 | |
in black market merchandise across international borders? | 0:34:09 | 0:34:11 | |
He's waiting to hear from you. | 0:34:11 | 0:34:13 | |
Who are you? | 0:34:16 | 0:34:17 | |
I'm a concerned sister. | 0:34:17 | 0:34:20 | |
We should all have sisters like you. | 0:34:20 | 0:34:22 | |
OLGA: Bus to airport has arrived. | 0:34:24 | 0:34:27 | |
Pazhalsta gather belongings. | 0:34:29 | 0:34:30 | |
You leave in two minutes. | 0:34:32 | 0:34:34 | |
SIRENS WAIL | 0:34:38 | 0:34:40 | |
Why are you not starting engines? | 0:34:44 | 0:34:46 | |
Because I'm not flying this plane. | 0:34:46 | 0:34:48 | |
Neither is he. | 0:34:50 | 0:34:51 | |
This aircraft lacks authorisation to stay in Soviet union. | 0:34:51 | 0:34:55 | |
You will only make situation worse. | 0:34:55 | 0:34:57 | |
I don't care. | 0:34:57 | 0:34:58 | |
You will fly. | 0:34:58 | 0:34:58 | |
And you'll get off my flight. | 0:34:58 | 0:35:01 | |
That won't be necessary. | 0:35:01 | 0:35:02 | |
You want to make this situation worse, go ahead. | 0:35:02 | 0:35:06 | |
Shoot me, cos I'm not flying the damn plane. | 0:35:06 | 0:35:08 | |
Where are they taking us? | 0:35:14 | 0:35:17 | |
I'm not sure. | 0:35:17 | 0:35:19 | |
There's a KGB interrogation facility | 0:35:19 | 0:35:21 | |
outside Lubyanka. | 0:35:21 | 0:35:23 | |
Interrogation? | 0:35:23 | 0:35:25 | |
They'll question us separately. | 0:35:25 | 0:35:26 | |
They'll tell you things I said about you. | 0:35:26 | 0:35:27 | |
Do not believe them. | 0:35:27 | 0:35:29 | |
OK, I won't. | 0:35:29 | 0:35:30 | |
I won't, but how do you know all this? | 0:35:30 | 0:35:33 | |
Stay strong. | 0:35:39 | 0:35:41 | |
You too. | 0:35:41 | 0:35:42 | |
You have friends in high places. | 0:35:46 | 0:35:49 | |
Now you go. | 0:35:49 | 0:35:50 | |
Ohh. Oh! | 0:35:55 | 0:35:58 | |
I guess we'll have a good story to tell | 0:35:58 | 0:36:00 | |
at Thanksgiving. | 0:36:00 | 0:36:02 | |
Ladies, let's get wheels up | 0:36:04 | 0:36:06 | |
before they change their mind, huh? | 0:36:06 | 0:36:09 | |
That was pretty gutsy, what you did. | 0:36:14 | 0:36:17 | |
Well, I didn't know what else to do. Guess it worked. | 0:36:17 | 0:36:20 | |
Yeah. As the Russians say... | 0:36:20 | 0:36:23 | |
"Kto ni Riskuyet tot ni Piyot Shampanskava." | 0:36:23 | 0:36:27 | |
Translation? | 0:36:27 | 0:36:29 | |
"He who doesn't risk never gets to drink champagne." | 0:36:29 | 0:36:34 | |
Captain... | 0:36:34 | 0:36:36 | |
The left seat is yours. | 0:36:37 | 0:36:38 | |
'Ladies and gentlemen, I'm happy to inform you | 0:36:48 | 0:36:50 | |
'we've just left Soviet airspace.' | 0:36:50 | 0:36:52 | |
One minute, we're in the back of the van, | 0:36:55 | 0:36:57 | |
the next, we're at the airport. | 0:36:57 | 0:36:59 | |
How did that happen? | 0:36:59 | 0:37:01 | |
I guess somebody at Pan Am pulled some strings. | 0:37:01 | 0:37:03 | |
You think it was that easy? | 0:37:03 | 0:37:05 | |
I have no idea. | 0:37:05 | 0:37:07 | |
Well, the worst part is, they took my new camera. | 0:37:07 | 0:37:10 | |
Thank you. | 0:37:33 | 0:37:36 | |
For what? | 0:37:37 | 0:37:38 | |
Well, for being, er... | 0:37:39 | 0:37:41 | |
for being patient. | 0:37:41 | 0:37:43 | |
Colette, look, | 0:37:50 | 0:37:51 | |
there's something that I need to tell you. | 0:37:51 | 0:37:54 | |
Where did you find this? | 0:38:01 | 0:38:02 | |
You tell me. | 0:38:02 | 0:38:05 | |
Colette, I don't want to lie to you ever | 0:38:08 | 0:38:12 | |
about anything. | 0:38:12 | 0:38:14 | |
Then don't. | 0:38:14 | 0:38:16 | |
Say what you need to say. | 0:38:16 | 0:38:19 | |
INAUDIBLE | 0:38:28 | 0:38:30 |