Browse content similar to Secrets and Lies. Check below for episodes and series from the same categories and more!
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'Previously on Pan Am...' | 0:00:00 | 0:00:01 | |
Bet you've got a few surprises under that hat. | 0:00:01 | 0:00:04 | |
-That speech is Government property. -Not any more! | 0:00:04 | 0:00:07 | |
Marry me! I can't say yes now. | 0:00:07 | 0:00:10 | |
Teddy! Look at you! | 0:00:10 | 0:00:13 | |
-I'm not going to let myself get hurt again. -This is for you. | 0:00:14 | 0:00:18 | |
A Pan Am stewardess can travel the world without suspicion. | 0:00:18 | 0:00:21 | |
-What if I refuse? -We make this your last mission and your last flight. | 0:00:21 | 0:00:25 | |
GUNSHOT | 0:00:27 | 0:00:29 | |
That was never supposed to happen. | 0:00:34 | 0:00:37 | |
Now that it has, there's some protocols we have to follow. | 0:00:37 | 0:00:40 | |
You'll need an alibi, in case anyone saw you follow him here tonight. | 0:00:40 | 0:00:45 | |
Kate, I need you to focus. GLASS SMASHES | 0:00:45 | 0:00:48 | |
Think. Did anyone see you follow him here tonight? | 0:00:48 | 0:00:52 | |
-I don't know. -Scotland Yard will investigate. MI6 will want answers. | 0:00:52 | 0:00:57 | |
Kate, look at me. | 0:00:57 | 0:01:00 | |
Right now, you have to run. | 0:01:02 | 0:01:04 | |
KNOCK ON DOOR | 0:01:09 | 0:01:12 | |
KNOCKING | 0:01:14 | 0:01:16 | |
-Bridget? -Kate. I'm back. | 0:01:23 | 0:01:26 | |
Back from the dead. | 0:01:26 | 0:01:28 | |
Where have you been? What are you doing here? | 0:01:30 | 0:01:33 | |
I was hoping you could tell me that. | 0:01:33 | 0:01:36 | |
According to my horoscope, I can expect a great opportunity. | 0:01:44 | 0:01:48 | |
Let's hope Mike Ruskin is going to help me publish my article. | 0:01:48 | 0:01:52 | |
I didn't know you wanted to be a journalist. | 0:01:52 | 0:01:55 | |
I want the world to hate Congressman Christopher Rawlings | 0:01:55 | 0:01:59 | |
and his nuclear death-monger agenda. | 0:01:59 | 0:02:02 | |
If I happen to become a famous journalist, so be it. | 0:02:02 | 0:02:07 | |
-He didn't seem like a death-monger. -Looks can be deceiving. -Stay there! | 0:02:07 | 0:02:12 | |
The teacher said lighting is the key to revelatory photography. | 0:02:12 | 0:02:16 | |
I'm forgetting why I volunteered. | 0:02:16 | 0:02:19 | |
Because this week's assignment is portraits | 0:02:19 | 0:02:22 | |
and I need somebody with a beautiful face. | 0:02:22 | 0:02:25 | |
Ah. Now I remember. | 0:02:25 | 0:02:27 | |
-Oh, fudge! -Light bulbs - kitchen, second drawer. | 0:02:29 | 0:02:33 | |
KNOCK ON DOOR | 0:02:33 | 0:02:35 | |
Ooh! Your horoscope says that you'll meet a tall, handsome man... | 0:02:35 | 0:02:41 | |
Hi. | 0:02:42 | 0:02:43 | |
Was that Congressman Rawlings? | 0:02:44 | 0:02:47 | |
No. KNOCKING | 0:02:47 | 0:02:49 | |
-Don't! -Maggie, you're acting crazy. | 0:02:49 | 0:02:52 | |
-He might be here to arrest me. -Arrest you? -For what? | 0:02:52 | 0:02:55 | |
I might have set his hotel room on fire. | 0:02:55 | 0:02:58 | |
London. That was you? | 0:02:58 | 0:03:01 | |
I can't actually arrest you. I'm not a law enforcement official. | 0:03:01 | 0:03:05 | |
Plus, I forgot my handcuffs, but you might have your own set! | 0:03:05 | 0:03:10 | |
I heard you can strangle Republicans with them so I invested in a pair. | 0:03:10 | 0:03:15 | |
Nice hair(!) | 0:03:15 | 0:03:17 | |
-Why are you here? -Specifically, I'd like to have lunch with you. | 0:03:20 | 0:03:25 | |
More generally, you might be insane. | 0:03:25 | 0:03:27 | |
-But you intrigue me. -Lunch? With you? I'd rather chew off my leg. | 0:03:27 | 0:03:32 | |
Fair enough. Just one question. | 0:03:32 | 0:03:35 | |
If you hate me, why do you care what you look like? | 0:03:35 | 0:03:39 | |
-It's a good question. -Call me. | 0:03:39 | 0:03:42 | |
I'm staying at the Ritz. Oh, and nice to see you again, | 0:03:42 | 0:03:46 | |
Maggie's blonde stewardess friend. | 0:03:46 | 0:03:48 | |
Oh, you too, Mr Congressman, sir. | 0:03:48 | 0:03:51 | |
Sometimes, opposites attract. | 0:03:54 | 0:03:56 | |
More like, "Out of sight, out of mind!" | 0:03:56 | 0:04:00 | |
MAN: 'You'd make a perfect couple.' | 0:04:00 | 0:04:03 | |
-Me and Charles Talkin? -Yes! -You can't be serious! | 0:04:03 | 0:04:08 | |
-I'd have to fight that awful bulldog for attention. -He's very fancy. | 0:04:08 | 0:04:12 | |
-Fancy is perfect for me? -What was the name of your horse? -Which one? -Exactly! | 0:04:12 | 0:04:18 | |
OK, maybe I grew up fancy, but that's not what I'm looking for. | 0:04:18 | 0:04:22 | |
Then what? Snooty? Stuffy? | 0:04:22 | 0:04:25 | |
After four marvellous days in London and three in New York, | 0:04:25 | 0:04:30 | |
I suspect all this time I was looking for you. | 0:04:30 | 0:04:34 | |
-Teddy, it's getting late. -I haven't seen the inside of your place yet. | 0:04:38 | 0:04:43 | |
The inside of my place | 0:04:43 | 0:04:45 | |
is being diligently preserved for one very special man. | 0:04:45 | 0:04:49 | |
That's me. I'm special. | 0:04:49 | 0:04:51 | |
Not if you don't get some sleep. Big day tomorrow. | 0:04:51 | 0:04:55 | |
Lunch with your father, the ever-imposing Mr Vanderway. | 0:04:55 | 0:04:59 | |
-And the mood is killed! -Good night, Teddy. -Good night, Amanda. | 0:04:59 | 0:05:04 | |
-What was his name? Bedford? -I doubt he's even that handsome off stage. | 0:05:08 | 0:05:14 | |
-They wear make-up, you know! -Redford. Robert Redford. | 0:05:14 | 0:05:19 | |
Even the name sounds like a prima donna. | 0:05:19 | 0:05:22 | |
-Might be worth it to wake up to that face. -Oh! | 0:05:22 | 0:05:26 | |
-"Take me to see Barefoot In The Park," she says. "It'll be romantic." -Ah! | 0:05:26 | 0:05:31 | |
I'm teasing you. It was a wonderful night. | 0:05:31 | 0:05:35 | |
And if I squint my eyes - yes! You DO look like him. | 0:05:35 | 0:05:39 | |
The French don't have a sense of humour, they say. It'll be our little secret. | 0:05:40 | 0:05:45 | |
-I thought you didn't like secrets. -Depends who's keeping it. | 0:05:45 | 0:05:50 | |
-Then I might have one for you. -Really? | 0:05:50 | 0:05:53 | |
-When we get to London. -Really? Is it animal? Vegetable? | 0:05:53 | 0:05:56 | |
-Oh, I can't tell you! -Come on! -It's a secret. | 0:05:56 | 0:06:00 | |
I have ways of making you talk. | 0:06:00 | 0:06:02 | |
-Oh, yes? -Mm-hm. -How? | 0:06:03 | 0:06:06 | |
Oh, I admit, it will be difficult to make it all the way to London | 0:06:13 | 0:06:18 | |
without spilling this little secret of us. | 0:06:18 | 0:06:21 | |
Who said that "us" has to be a secret? | 0:06:23 | 0:06:27 | |
-Apparently, it all came to a head in London. -What did you hear? | 0:06:29 | 0:06:34 | |
That there was a mission last week to swap a list of names. | 0:06:36 | 0:06:40 | |
Compromised agents. Assets. | 0:06:40 | 0:06:43 | |
And I was on it. | 0:06:43 | 0:06:45 | |
But now with that list off the market I can come home. | 0:06:47 | 0:06:51 | |
I can get my life back! | 0:06:51 | 0:06:53 | |
It's wonderful, Bridget. What is the first thing you're going to do? | 0:06:53 | 0:06:59 | |
Get my job back at Pan Am, of course. And Dean. | 0:06:59 | 0:07:03 | |
I've come back for Dean. | 0:07:05 | 0:07:07 | |
-I hear you have a house guest. -Yes. Thank you for the heads-up(!) | 0:07:20 | 0:07:24 | |
I thought you could be useful in helping Bridget with her transition. | 0:07:24 | 0:07:29 | |
Richard, I'm tired of being useful, at your beck and call. I want out. | 0:07:29 | 0:07:34 | |
You've made your wishes known. It's all been arranged. | 0:07:34 | 0:07:38 | |
You'll be debriefed by MI6. | 0:07:38 | 0:07:40 | |
-Polygraph, then you're on your way. -Polygraph? | 0:07:40 | 0:07:44 | |
-I have to take a lie detector test? -It's standard in cases like this. | 0:07:45 | 0:07:50 | |
You're a witness to a shooting, after all. | 0:07:50 | 0:07:54 | |
-Witness. -MI6 want to know all the Is are dotted and Ts are crossed. | 0:07:54 | 0:07:59 | |
They have a dead body on their hands, Kate. | 0:07:59 | 0:08:02 | |
-Yes. Of course. -No worries. | 0:08:04 | 0:08:07 | |
Just tell the truth and you'll be free and clear. | 0:08:07 | 0:08:11 | |
And you and I can bid each other adieu. | 0:08:11 | 0:08:15 | |
You've done good, Kate. | 0:08:17 | 0:08:19 | |
PHONE RINGS | 0:08:24 | 0:08:26 | |
Really, Mike. I had you as tidy. | 0:08:27 | 0:08:30 | |
Is there a secret password? Abracadabra, maybe? Open sesame? | 0:08:30 | 0:08:35 | |
-Maggie, thanks for coming. -I was so excited to get your call. I'm ready. | 0:08:35 | 0:08:40 | |
-Ready for what? -My meeting with your editor about my article. -Ah! | 0:08:40 | 0:08:45 | |
N-no. I actually called you down here to, er, give you... | 0:08:45 | 0:08:50 | |
-..these. -I don't understand. What are these? | 0:08:51 | 0:08:56 | |
-Political articles. -I should read them because? -They're well written. | 0:08:56 | 0:09:00 | |
-And my article was...? -Not so well written. | 0:09:00 | 0:09:03 | |
Wow! Mike! I don't know what to say about that. | 0:09:04 | 0:09:08 | |
Maggie, you're passionate. That's a good thing. You're smart, even better. | 0:09:08 | 0:09:13 | |
And you spell well, which is crucial to the whole process. | 0:09:13 | 0:09:16 | |
So it's just the words you hated. | 0:09:16 | 0:09:19 | |
YOU're hating, that's the problem. Your article was an angry diatribe. | 0:09:19 | 0:09:24 | |
Folks who agree with you will get a kick out of it. | 0:09:24 | 0:09:28 | |
So what? They already agree with you. You have to find an angle. | 0:09:28 | 0:09:32 | |
Why does he believe what he believes? | 0:09:32 | 0:09:35 | |
-You have to lead the reader in and convince them with the facts. -I thought I did that. | 0:09:35 | 0:09:41 | |
You led the reader in and beat them with a baseball bat. | 0:09:41 | 0:09:45 | |
Maggie, you're capable of it. | 0:09:45 | 0:09:48 | |
-You've just got to dig deeper. -Ruskin! > | 0:09:48 | 0:09:51 | |
I've got to run to an editorial meeting. | 0:09:51 | 0:09:55 | |
-Do you want to do Chumley's next week? -Sure. Of course. | 0:09:55 | 0:09:59 | |
The Ritz, please. | 0:10:17 | 0:10:20 | |
Oh! Edward Vanderway, Lieutenant. US Navy... | 0:10:20 | 0:10:24 | |
-Knock it off. I'm never going to figure out lighting. -Sure you will. | 0:10:24 | 0:10:29 | |
-You're not going to get any good pictures with this. -I'm a beginner. | 0:10:29 | 0:10:33 | |
-My sister gave it to me. -I'm just teasing! | 0:10:33 | 0:10:36 | |
So, what's the assignment? "Men of great character"? "Most eligible bachelors?" | 0:10:36 | 0:10:43 | |
I have to photograph one beautiful face and one unusual one. | 0:10:43 | 0:10:47 | |
-Seriously? Who's your other subject? -Maggie. -Oh! | 0:10:47 | 0:10:50 | |
OK! For a second there, I thought I was the weirdo face! | 0:10:50 | 0:10:54 | |
-Yeah. OK, I think I've got it. -Good. | 0:10:54 | 0:10:57 | |
Hey, can I ask you...something? | 0:11:02 | 0:11:05 | |
Did you and...Craig, you know, er, do it? | 0:11:05 | 0:11:09 | |
That is none of your business and, for the last time, my fiance's name was Greg. | 0:11:10 | 0:11:15 | |
-Greg! -Right. Right. | 0:11:15 | 0:11:17 | |
-Greg. So I'm guessing everything's still in the lock box? -Stop talking. | 0:11:17 | 0:11:22 | |
Is there anything that Craig... Greg could have done, er, different, | 0:11:22 | 0:11:28 | |
to er, you know, make things unlocked? | 0:11:28 | 0:11:31 | |
If you think that I'm going to coach you on how to get into some poor girl's pants... | 0:11:33 | 0:11:39 | |
Don't smile. | 0:11:39 | 0:11:41 | |
She's a very rich girl who I spent the week with. | 0:11:41 | 0:11:45 | |
Non-stop. Except for when things do stop abruptly | 0:11:45 | 0:11:48 | |
because of her strict pants-on policy. | 0:11:48 | 0:11:50 | |
-Amanda? From London? -Yeah! Turns out she's better than advertised. | 0:11:50 | 0:11:55 | |
But I saw her come out of your room. | 0:11:55 | 0:11:58 | |
-We were necking like a couple of puppy dogs with peanut butter, but that is it. -Huh! | 0:11:58 | 0:12:03 | |
-What huh? -Ted Vanderway finds a girl he's willing to wait for! | 0:12:03 | 0:12:08 | |
I'm not willing to wait. That's my point. | 0:12:08 | 0:12:11 | |
Amanda is smart and beautiful, but what is the point of boiling water if you don't make the hot toddy? | 0:12:11 | 0:12:18 | |
Well, I think falling in love may suit you. | 0:12:18 | 0:12:21 | |
We're having lunch with my father. After that, I'll have to put the brakes on this one. | 0:12:21 | 0:12:26 | |
-Ted? -Hm. -I want to respect you right now but you don't make it easy. | 0:12:26 | 0:12:31 | |
And you look like a statue. | 0:12:31 | 0:12:33 | |
I thought you'd respect me if I was honest. | 0:12:35 | 0:12:38 | |
There are some girls who are saving themselves for marriage and I admire that. | 0:12:38 | 0:12:44 | |
-I'm just not one of them. -What? | 0:12:44 | 0:12:47 | |
SHUTTER CLICKS | 0:12:47 | 0:12:49 | |
Did you see this? 2,000 screaming Beatles fans showed up at Heathrow. | 0:12:52 | 0:12:58 | |
The Fab Four was returning from Sweden and word got out. | 0:12:58 | 0:13:03 | |
-I hear they're very popular. -They have girl hair. | 0:13:03 | 0:13:07 | |
It doesn't seem to bother their fans. | 0:13:07 | 0:13:11 | |
Can I cash this cheque, please? British pounds. | 0:13:12 | 0:13:16 | |
You can make that dollars. Sure. | 0:13:16 | 0:13:18 | |
I need money for London. Pounds sterling. | 0:13:18 | 0:13:22 | |
For what? Five-star dinner in Ballantyne? | 0:13:22 | 0:13:25 | |
Tickets to the ballet? Darts and drinks at the Squid And Wiggle? | 0:13:25 | 0:13:29 | |
We're doing all of that and you're not paying for anything. | 0:13:29 | 0:13:33 | |
-Dean. -What? You don't like the ballet? | 0:13:36 | 0:13:39 | |
Dean. | 0:13:39 | 0:13:41 | |
Hello, Dean. | 0:13:47 | 0:13:48 | |
Colette, may we have a moment? | 0:13:54 | 0:13:57 | |
Of course. | 0:13:58 | 0:14:00 | |
I'll be on the plane. | 0:14:01 | 0:14:04 | |
I spent every night for months imagining our reunion | 0:14:30 | 0:14:34 | |
and what I'd say to you. | 0:14:34 | 0:14:36 | |
But I can't for the life of me remember what I said. | 0:14:38 | 0:14:42 | |
-What did -I -say? | 0:14:43 | 0:14:45 | |
When? Every night. | 0:14:45 | 0:14:47 | |
Every night, when you imagined this moment, what did I say? | 0:14:47 | 0:14:51 | |
That you're angry, betrayed, confused. | 0:14:51 | 0:14:55 | |
The list was fairly extensive. | 0:14:55 | 0:14:57 | |
You have the right to be all those things. | 0:14:57 | 0:15:01 | |
Why are you even here, Bridget? | 0:15:01 | 0:15:04 | |
I've been reinstated back at Pan Am. | 0:15:04 | 0:15:07 | |
They're flying me to London on the two o'clock. You're a passenger on my flight? | 0:15:07 | 0:15:13 | |
I was hoping that we could have dinner and I could explain what happened, where I've been. | 0:15:13 | 0:15:19 | |
All those nights, you imagining what I would say in this moment | 0:15:19 | 0:15:24 | |
and it never occurred to you that I might do exactly what you did. | 0:15:24 | 0:15:30 | |
Leave. | 0:15:33 | 0:15:34 | |
Let me help you. I got it. | 0:15:39 | 0:15:42 | |
Colette, what's wrong? | 0:15:43 | 0:15:45 | |
Bridget is back. | 0:15:45 | 0:15:47 | |
I know. I saw her this morning. | 0:15:48 | 0:15:51 | |
-Hey, Kate. Could you give us a minute? -Yes. Of course. | 0:15:56 | 0:16:00 | |
-Hey. Are you OK? -I don't know. | 0:16:06 | 0:16:09 | |
Are you? | 0:16:10 | 0:16:12 | |
Yeah. Fine. | 0:16:13 | 0:16:15 | |
We can talk about this later. | 0:16:16 | 0:16:18 | |
There is nothing to talk about. OK? Nothing's changed. | 0:16:20 | 0:16:25 | |
It is you and me, Colette. That's all that matters. | 0:16:25 | 0:16:28 | |
You hear me? | 0:16:31 | 0:16:33 | |
I hear you. | 0:16:34 | 0:16:36 | |
OK. | 0:16:39 | 0:16:40 | |
Something you want to tell me? | 0:16:45 | 0:16:48 | |
I was waiting for the right moment. | 0:16:48 | 0:16:51 | |
I guess I waited too long. | 0:16:51 | 0:16:53 | |
BOTH: Welcome to Pan Am. | 0:16:54 | 0:16:56 | |
-Welcome to Pan Am. -Welcome to Pan Am. | 0:16:56 | 0:16:59 | |
Welcome! | 0:17:03 | 0:17:04 | |
-Colette. -Welcome to Pan Am. | 0:17:04 | 0:17:07 | |
I haven't had chance to say a proper hello. | 0:17:07 | 0:17:11 | |
Is this where congressmen hang out? | 0:17:15 | 0:17:17 | |
-Only if they love a good burger. Can I get some vinegar? -Vinegar? | 0:17:17 | 0:17:21 | |
A nasty habit I picked up from the Brits. They keep a bottle here. | 0:17:21 | 0:17:25 | |
You must come here a lot. | 0:17:25 | 0:17:27 | |
I used to work here. It's how I put myself through law school. | 0:17:27 | 0:17:31 | |
I have two older sisters. Dad was a long shoreman. | 0:17:31 | 0:17:35 | |
I played trumpet in high school. | 0:17:35 | 0:17:38 | |
And, um, I wet the bed till I was 11. | 0:17:38 | 0:17:42 | |
LAUGHS Why are you telling me all this? | 0:17:42 | 0:17:45 | |
In the hope that who I am as a person is more interesting to you than who I am as a politician. | 0:17:45 | 0:17:51 | |
Oh! You're trying to distract me. | 0:17:51 | 0:17:54 | |
I'm trying to tell you...I like you. | 0:17:55 | 0:17:59 | |
-Scotch, please. Make it a quadruple. -Then pour half into a second glass. | 0:18:03 | 0:18:08 | |
Add two cubes of ice to each and deliver them with water backs. | 0:18:08 | 0:18:12 | |
-You want me to get through this? -I'm protecting you from yourself. It's what friends do. -Friends! | 0:18:13 | 0:18:20 | |
-I don't need any more friends. -But only one girlfriend - I hope. | 0:18:20 | 0:18:25 | |
Amanda, we need to talk... | 0:18:26 | 0:18:28 | |
-Edward! -Hey, Pop. -Mr Vanderlay. -Amanda! | 0:18:28 | 0:18:32 | |
I just finished the back nine at Winged Foot with your dad. | 0:18:32 | 0:18:36 | |
Since when are you desperate enough to spend time with my son? | 0:18:36 | 0:18:41 | |
Thank you. | 0:18:49 | 0:18:51 | |
Colette. | 0:18:53 | 0:18:55 | |
Do you have a moment? | 0:18:55 | 0:18:57 | |
Of course. | 0:18:58 | 0:19:00 | |
-It must be strange, me turning up like this. -It is a little odd. | 0:19:02 | 0:19:07 | |
We heard you were married. | 0:19:09 | 0:19:11 | |
What? No! Nothing could be further from the truth, Colette. | 0:19:11 | 0:19:16 | |
Then what IS the truth, Bridget? | 0:19:16 | 0:19:19 | |
I was sick. | 0:19:22 | 0:19:24 | |
Very, very sick. | 0:19:24 | 0:19:26 | |
I didn't want to burden anyone, most of all Dean. | 0:19:26 | 0:19:31 | |
I'm so sorry. | 0:19:31 | 0:19:33 | |
I never stopped loving him, | 0:19:33 | 0:19:35 | |
I know he doesn't want to talk to me and I don't blame him. | 0:19:35 | 0:19:39 | |
But we two are friends. Can you ask him to give me a chance? | 0:19:39 | 0:19:45 | |
Just to explain myself. | 0:19:46 | 0:19:49 | |
Please, Colette? | 0:19:50 | 0:19:52 | |
Yes. | 0:19:55 | 0:19:57 | |
Excuse me, miss. You got another Tom Collins, please? | 0:19:58 | 0:20:02 | |
Scotland Yard is none too happy about the jeweller's murder. Nor are they convinced it was a robbery. | 0:20:08 | 0:20:14 | |
You made it looked like a break-in? You took jewels? | 0:20:14 | 0:20:17 | |
Not enough, it would seem. | 0:20:17 | 0:20:19 | |
-It was a mission. He was selling... -A botched mission. | 0:20:19 | 0:20:22 | |
The man may have been a traitor but, for various reasons, Scotland Yard can't know. | 0:20:22 | 0:20:28 | |
-Richard thinks you pulled the trigger? -Of course he does. | 0:20:34 | 0:20:38 | |
-That's what I told him. -Why? | 0:20:38 | 0:20:41 | |
MI6 would love to give Scotland Yard somebody's head on a platter. | 0:20:41 | 0:20:46 | |
Which is why I have sworn up and down that I was the shooter. | 0:20:47 | 0:20:51 | |
You were merely an unfortunate witness. | 0:20:51 | 0:20:55 | |
You lied to protect me. | 0:20:55 | 0:20:57 | |
MI6 won't hand me to Scotland Yard but they might sacrifice you. | 0:20:58 | 0:21:03 | |
Unfortunately, they don't entirely believe my story. | 0:21:03 | 0:21:09 | |
Why not? | 0:21:10 | 0:21:12 | |
That is irrelevant. The point is, you have to take that polygraph. | 0:21:12 | 0:21:17 | |
And you have to lie, for both of our sakes. | 0:21:17 | 0:21:20 | |
-How do I do that? -Don't worry. | 0:21:20 | 0:21:23 | |
I'll teach you how. | 0:21:23 | 0:21:25 | |
Little-known secret, when Edward was a boy, he refused to finger paint. | 0:21:30 | 0:21:35 | |
-Really? -Not like we couldn't afford brushes. | 0:21:35 | 0:21:38 | |
Alice sat next to his high chair with a towel because he wanted to be cleaned off when he touched food. | 0:21:38 | 0:21:44 | |
Maybe we could talk about something else. | 0:21:44 | 0:21:47 | |
-Edward never liked to get his hands dirty. -It's not like I got a back 40 to plough! | 0:21:47 | 0:21:52 | |
Figure of speech! You don't apply yourself. If he did, he'd be Captain instead of just First Officer. | 0:21:52 | 0:21:59 | |
-You know... -Speaking of little-known secrets, Mr Vanderway. | 0:21:59 | 0:22:02 | |
Daddy told me that in your freshman year at Warwick, you were part of the theatre club's light opera. | 0:22:02 | 0:22:09 | |
-I don't remember that. -No, no. I'm certain it was you. | 0:22:09 | 0:22:13 | |
-Teddy, I bet you didn't know your father was an actor. -No. I didn't, Amanda. | 0:22:13 | 0:22:19 | |
You were desperate to join but there weren't any male roles left. | 0:22:19 | 0:22:24 | |
-So you volunteered to play one of the female roles. -You played a girl? | 0:22:24 | 0:22:28 | |
It was The Mikado, if I remember correctly. | 0:22:28 | 0:22:32 | |
The females were played by girls at Miss Fielding's school, | 0:22:32 | 0:22:36 | |
-but when your father begged...! -It sounds like you applied yourself, Pop. | 0:22:36 | 0:22:41 | |
I was a damn good Yum-Yum, if I do say so myself. | 0:22:44 | 0:22:47 | |
# You'll never know how much I really love you | 0:22:51 | 0:22:56 | |
# You'll never know how much I really care | 0:22:58 | 0:23:03 | |
# Listen | 0:23:05 | 0:23:07 | |
# Do you want to know a secret? | 0:23:07 | 0:23:10 | |
# Do you promise not to tell? | 0:23:11 | 0:23:13 | |
# Woah woah... # | 0:23:13 | 0:23:15 | |
Hi, I didn't hear you come in. How long have you been here? | 0:23:17 | 0:23:21 | |
-Long enough to know that I'm in trouble. -Oh! | 0:23:22 | 0:23:25 | |
You're falling for the death monger! | 0:23:25 | 0:23:28 | |
We spent the day together. | 0:23:28 | 0:23:31 | |
It was... He was...amazing. | 0:23:31 | 0:23:35 | |
Would it be the worst thing in the world, falling for the congressman? | 0:23:35 | 0:23:39 | |
I mean, he's not a criminal, Maggie. | 0:23:39 | 0:23:42 | |
Oh, no. That would be me - Maggie, the arsonist. | 0:23:42 | 0:23:45 | |
PHONE RINGS | 0:23:45 | 0:23:48 | |
Hello? ..Hi, Mike. | 0:23:49 | 0:23:52 | |
What good news? ..No. NO! | 0:23:52 | 0:23:54 | |
You can't... Stay there. | 0:23:54 | 0:23:57 | |
I'll be right there. | 0:23:57 | 0:23:59 | |
Maggie? What's the matter? | 0:23:59 | 0:24:01 | |
Everything. | 0:24:01 | 0:24:03 | |
I worked up an appetite. | 0:24:10 | 0:24:12 | |
We've got those reservations at Ballantyne, | 0:24:12 | 0:24:15 | |
then your mysterious secret. | 0:24:15 | 0:24:17 | |
Dean, I was thinking, maybe you should hear what Bridget has to say. | 0:24:17 | 0:24:21 | |
Why the hell would I do that? | 0:24:21 | 0:24:23 | |
Because you, we, can't move forward until you put this behind you. | 0:24:23 | 0:24:28 | |
-It is behind me. -But now it's in front of you, Dean. Again. | 0:24:28 | 0:24:33 | |
-Colette... -This is a conversation you have to have. | 0:24:33 | 0:24:36 | |
Better you do it now. | 0:24:36 | 0:24:39 | |
So how sick were you? You couldn't even call? | 0:24:48 | 0:24:52 | |
Prognosis wasn't good. I couldn't saddle you with an ailing bride. | 0:24:52 | 0:24:56 | |
You were doing me a favour disappearing, not telling me where you were? | 0:24:56 | 0:25:01 | |
Now... You're better? | 0:25:01 | 0:25:03 | |
It's good news. | 0:25:03 | 0:25:05 | |
GIRLS SCREAMING | 0:25:05 | 0:25:08 | |
Are the Beatles really here? | 0:25:13 | 0:25:15 | |
The screams of 10,000 Beatles fans makes more noise than a jet aircraft taking off. | 0:25:15 | 0:25:21 | |
What all the fuss is, I don't know. | 0:25:21 | 0:25:23 | |
Rumour is, they're staying in the hotel. | 0:25:23 | 0:25:26 | |
That's all it is, a rumour. Give me Sinatra any day. | 0:25:26 | 0:25:29 | |
-Times are changing. -Not for the better, if you ask me. | 0:25:29 | 0:25:33 | |
Not for the better at all. | 0:25:33 | 0:25:35 | |
Congratulations on your clean bill of health. | 0:25:40 | 0:25:43 | |
Your husband must be thrilled(!) I'm not married. | 0:25:43 | 0:25:46 | |
That was an atrocious lie. What about the other men? | 0:25:46 | 0:25:48 | |
Are they all an atrocious lie? There were never... | 0:25:48 | 0:25:51 | |
There were always other men. In bars, elevators, hotel lobbies. | 0:25:51 | 0:25:55 | |
I saw the nods, the smiles. I just never let myself believe it. | 0:25:55 | 0:26:00 | |
Dean... You cheated on me. You lied. You left. I'm done. | 0:26:00 | 0:26:05 | |
Dean, I never wanted to lie to you. | 0:26:05 | 0:26:08 | |
'The trick to a successful lie is to believe you're telling the truth.' | 0:26:10 | 0:26:15 | |
If you know it is false how can you trick yourself into believing it isn't? | 0:26:15 | 0:26:20 | |
Make the false answer another question's truth. | 0:26:20 | 0:26:23 | |
If I ask you, "Did you shoot Mr Bolger?", | 0:26:23 | 0:26:28 | |
you fashion in your mind a question for which the truthful answer is no. | 0:26:28 | 0:26:33 | |
Something like, er, "Am I a secretary?" | 0:26:33 | 0:26:37 | |
You simply speak the answer. "No." | 0:26:37 | 0:26:39 | |
This is ridiculous. | 0:26:39 | 0:26:41 | |
It is one lie, Kate. | 0:26:41 | 0:26:44 | |
It is ONE lie. | 0:26:44 | 0:26:47 | |
You can tell the truth about everything else that happened. | 0:26:47 | 0:26:51 | |
You were pulled into the mission. How you ended up at the jeweller's. | 0:26:51 | 0:26:55 | |
The race to get there. | 0:26:55 | 0:26:57 | |
You need only lie about one thing and you're free of this for ever. | 0:26:57 | 0:27:02 | |
Now, relax. | 0:27:02 | 0:27:04 | |
Let's try this again. | 0:27:04 | 0:27:07 | |
Shall we? | 0:27:07 | 0:27:10 | |
On Saturday last, were you engaged by your superior? | 0:27:10 | 0:27:14 | |
Block it out, Kate. Shut it down. If you need to make peace with what you've done, now is not the time... | 0:27:16 | 0:27:23 | |
I don't want to shut it down. I have been trying to forget. | 0:27:23 | 0:27:26 | |
Pretending like it didn't happen, like it was a bad dream, | 0:27:26 | 0:27:31 | |
but it doesn't matter. | 0:27:31 | 0:27:33 | |
I killed a man, Anderson. | 0:27:33 | 0:27:35 | |
I've never seen Pop at a loss for words! | 0:27:49 | 0:27:53 | |
I grew up with boys in the family. | 0:27:53 | 0:27:55 | |
I couldn't beat them up so I learned to compensate. | 0:27:55 | 0:27:58 | |
With charm, wit and a razor-sharp sense of how to bring a grown man to his knees. | 0:27:58 | 0:28:04 | |
Which grown man are we referring to now? | 0:28:04 | 0:28:08 | |
Good night. | 0:28:16 | 0:28:18 | |
You're not begging to come upstairs? | 0:28:18 | 0:28:22 | |
Let's just say some things are worth waiting for. | 0:28:23 | 0:28:26 | |
What happened to, "It's not so well written"? | 0:28:43 | 0:28:46 | |
We were short a column so I goosed yours and sent it to the presses. | 0:28:46 | 0:28:50 | |
There weren't enough facts. It's a baseball bat. You said it wasn't ready yet. | 0:28:50 | 0:28:56 | |
It wasn't but you can't run blank space. | 0:28:56 | 0:28:59 | |
-You have to stop this, Mike. -Don't worry. I did some quick research. | 0:28:59 | 0:29:04 | |
We won't win over the opposition but every liberal in Manhattan will know what a jackass Rawlings is. | 0:29:04 | 0:29:11 | |
Congratulations, Mags. You're going to be published. | 0:29:11 | 0:29:15 | |
Look like you could use the company. | 0:29:28 | 0:29:31 | |
I'm guessing we both could. | 0:29:31 | 0:29:33 | |
How did you handle it, Bridget? | 0:29:34 | 0:29:36 | |
The lying? The deception? | 0:29:36 | 0:29:39 | |
It was hard at first. | 0:29:39 | 0:29:41 | |
I got caught up in the rush of it. | 0:29:43 | 0:29:45 | |
Convinced myself it was for a good cause and... | 0:29:45 | 0:29:49 | |
for a while that worked. | 0:29:49 | 0:29:51 | |
Have you had to take a polygraph? | 0:29:51 | 0:29:54 | |
A lie detector? No. | 0:29:54 | 0:29:56 | |
Have you ever...done something in this job that's haunted you? | 0:29:59 | 0:30:04 | |
Yes. And it still does. | 0:30:04 | 0:30:06 | |
What's wrong, Kate? | 0:30:07 | 0:30:10 | |
I'm sorry. | 0:30:11 | 0:30:13 | |
I shouldn't have asked. | 0:30:13 | 0:30:15 | |
I suppose this is what it's like being on the outside. | 0:30:15 | 0:30:19 | |
Everything I thought I understood about this world, | 0:30:19 | 0:30:24 | |
it's been turned upside down. | 0:30:24 | 0:30:26 | |
If I don't pass this polygraph I lose everything. | 0:30:28 | 0:30:31 | |
Whatever's happened, it's in the past. | 0:30:32 | 0:30:36 | |
One thing I've learned about this nasty business | 0:30:36 | 0:30:39 | |
is whatever it takes to save yourself, we do it. | 0:30:39 | 0:30:43 | |
-Table for one. -Of course, sir. | 0:30:43 | 0:30:47 | |
I know that this is none of my business, | 0:30:50 | 0:30:54 | |
but you've been gone a long time. | 0:30:54 | 0:30:57 | |
If Dean has started over, maybe you should, too. | 0:30:57 | 0:31:00 | |
KNOCK ON DOOR | 0:31:12 | 0:31:15 | |
I guess we're not going to make that dinner reservation. | 0:31:30 | 0:31:34 | |
Sorry. | 0:31:34 | 0:31:36 | |
I needed to walk. You know, clear my head. | 0:31:37 | 0:31:41 | |
You're confused, as you should be. | 0:31:41 | 0:31:43 | |
I'm not confused. I know exactly what I want. | 0:31:43 | 0:31:47 | |
-You. -You can't force this decision, Dean. | 0:31:47 | 0:31:52 | |
-There is no decision. -Of course there is. | 0:31:52 | 0:31:55 | |
You told me to talk to her and now you hold that against me? | 0:31:57 | 0:32:01 | |
I'm not holding anything against you. | 0:32:01 | 0:32:03 | |
-I've been trying to tell myself nothing has changed. -Look at me. | 0:32:03 | 0:32:08 | |
What has really changed since yesterday? Huh? | 0:32:09 | 0:32:14 | |
I'm still not half as handsome as... | 0:32:15 | 0:32:18 | |
Sir Bedford? | 0:32:18 | 0:32:20 | |
It's Redford. | 0:32:20 | 0:32:23 | |
Not half as popular as the Beatles. | 0:32:23 | 0:32:26 | |
You were in love with her, Dean. | 0:32:28 | 0:32:30 | |
She broke your heart. | 0:32:30 | 0:32:32 | |
Now she's back. I can't be in the middle of that. | 0:32:32 | 0:32:36 | |
-Colette. -Please don't make this any harder. | 0:32:40 | 0:32:44 | |
Just go. | 0:32:44 | 0:32:46 | |
Once you were upstairs, | 0:33:10 | 0:33:12 | |
did you see Mr Anderson engage in a fight with Mr Sirus Bolger? | 0:33:12 | 0:33:17 | |
Yes. | 0:33:19 | 0:33:20 | |
Did Mr Anderson see you? | 0:33:20 | 0:33:23 | |
I don't... I don't think so. | 0:33:25 | 0:33:27 | |
No. | 0:33:29 | 0:33:31 | |
Did Mr Bolger see you? | 0:33:31 | 0:33:33 | |
No. | 0:33:36 | 0:33:38 | |
Very good, Miss Cameron. | 0:33:43 | 0:33:46 | |
Now... | 0:33:46 | 0:33:48 | |
Miss Cameron, did Mr Anderson shoot Mr Bolger? | 0:33:48 | 0:33:52 | |
Answer the question, Miss Cameron. | 0:33:55 | 0:33:58 | |
I thought you'd be gone. | 0:34:12 | 0:34:14 | |
By "thought", I mean "hoped". | 0:34:14 | 0:34:17 | |
You were right earlier. | 0:34:18 | 0:34:21 | |
I was lying. | 0:34:21 | 0:34:23 | |
Gold star for me(!) But I never cheated on you. | 0:34:24 | 0:34:28 | |
There were never any other men. | 0:34:28 | 0:34:31 | |
I was not married. | 0:34:31 | 0:34:33 | |
All I ever wanted was to be your wife, Dean. I love you. | 0:34:33 | 0:34:38 | |
But I had to leave. | 0:34:38 | 0:34:39 | |
OK, so give me one good reason why you would have to disappear. | 0:34:41 | 0:34:46 | |
Without a call, without a trace, a note - anything. | 0:34:46 | 0:34:51 | |
It was life or death. | 0:34:51 | 0:34:52 | |
My life and the life of others around me. I was in real danger. | 0:34:52 | 0:34:58 | |
Why the hell would anyone want to hurt YOU, Bridget? | 0:34:58 | 0:35:01 | |
Because I worked for British Intelligence, MI6. | 0:35:06 | 0:35:10 | |
I was a spy, Dean. | 0:35:14 | 0:35:16 | |
I was a spy. | 0:35:18 | 0:35:20 | |
Dean, you've got to believe me! | 0:35:20 | 0:35:23 | |
Those other men were contacts, not lovers. Dean! | 0:35:23 | 0:35:27 | |
They told me I had to disappear. I wanted to tell you but I couldn't. | 0:35:27 | 0:35:32 | |
It was for your own safety and mine. | 0:35:32 | 0:35:34 | |
What do you want me to do with this information? Say, "Gee, thanks"? | 0:35:34 | 0:35:38 | |
The whole relationship has been a series of lies. | 0:35:38 | 0:35:42 | |
For your country or for the hell of it makes no difference to me. | 0:35:42 | 0:35:46 | |
I moved on. One thing I never lied about was you. | 0:35:46 | 0:35:50 | |
I've always loved you. | 0:35:50 | 0:35:52 | |
It's too late for that now. Dean, look at me. | 0:35:52 | 0:35:56 | |
Tell me you don't have feelings for me. | 0:35:56 | 0:35:58 | |
Tell me that you don't love me. | 0:35:58 | 0:36:01 | |
If you can do that, I'll walk down that corridor and disappear. | 0:36:01 | 0:36:06 | |
BANGING ON DOOR | 0:36:33 | 0:36:35 | |
-Ted! -Hey. -What are you doing here? | 0:36:35 | 0:36:39 | |
-I hope you don't mind me dropping by. -I was just leaving. -Oh. To your boyfriend's? | 0:36:39 | 0:36:43 | |
Maggie is expecting...company. | 0:36:43 | 0:36:47 | |
Kate's in London so I'm staying at her house. I don't have a boyfriend. | 0:36:47 | 0:36:51 | |
Is that because you said, er, you lost your...lock box? | 0:36:51 | 0:36:56 | |
-Good night, Ted. -Wait. Forget that. | 0:36:56 | 0:36:58 | |
I, er... I have something for you. | 0:36:58 | 0:37:01 | |
-Ted! -It's the real deal, all the bells and whistles and everything. | 0:37:02 | 0:37:08 | |
It's...beautiful! | 0:37:11 | 0:37:14 | |
-And expensive! Why? -Because you talked a lot of sense into me. | 0:37:15 | 0:37:19 | |
-You bought me a professional camera because I talked a lot of sense? -You're an excellent photographer. | 0:37:19 | 0:37:25 | |
Probably. | 0:37:25 | 0:37:27 | |
You're a real talent. It'd be a shame for the world not to see that. | 0:37:27 | 0:37:31 | |
-That's not all? -No. I need your help. | 0:37:31 | 0:37:35 | |
Shopping for an engagement ring. | 0:37:36 | 0:37:38 | |
I'm going to ask Amanda to marry me. | 0:37:38 | 0:37:41 | |
LAUGHING: Yeah! | 0:37:41 | 0:37:43 | |
-I'll call you a cab. I'll tell you all about it. -OK. | 0:37:43 | 0:37:47 | |
SOFT MUSIC PLAYS IN APARTMENT | 0:37:53 | 0:37:55 | |
I don't agree with any of your ideas. I'm never going to. | 0:37:57 | 0:38:01 | |
Is that why you summoned me here? To tell me you disagree with me? | 0:38:01 | 0:38:05 | |
I thought we covered that territory. | 0:38:05 | 0:38:08 | |
No. I, er... I have to talk to you. | 0:38:08 | 0:38:11 | |
Haven't you done enough talking for one day? | 0:38:14 | 0:38:18 | |
-Chris, I need to tell you... -Can't it wait? | 0:38:18 | 0:38:21 | |
Till the morning? | 0:38:21 | 0:38:24 | |
-It can wait till the morning. -Good. | 0:38:32 | 0:38:35 | |
Kate, you did well. | 0:38:42 | 0:38:44 | |
-I did what you told me. -Did you ask yourself an internal question? | 0:38:46 | 0:38:52 | |
Yes. | 0:38:52 | 0:38:54 | |
Will I ever forgive myself? | 0:38:54 | 0:38:56 | |
No. | 0:38:56 | 0:38:58 | |
Goodbye, Anderson. | 0:38:59 | 0:39:01 | |
You saved my life, Kate. | 0:39:01 | 0:39:03 | |
You saved the lives of every agent on that list. | 0:39:04 | 0:39:08 | |
Now you've passed a polygraph under conditions which would have made most good agents crumble. | 0:39:08 | 0:39:14 | |
Despite your protestations, | 0:39:14 | 0:39:17 | |
you're very good at this. | 0:39:17 | 0:39:20 | |
You're free to go, as promised. | 0:39:23 | 0:39:26 | |
Anderson, wait. | 0:39:34 | 0:39:36 | |
Wait. | 0:39:38 | 0:39:40 | |
# You'll never know how much I really love you | 0:39:42 | 0:39:45 | |
# You'll never know how much I really care | 0:39:47 | 0:39:51 | |
# Listen | 0:39:52 | 0:39:54 | |
# Do you want to know a secret? | 0:39:54 | 0:39:57 | |
# Do you promise not to tell? | 0:39:58 | 0:40:00 | |
# Woah woah | 0:40:00 | 0:40:02 | |
# Closer | 0:40:02 | 0:40:03 | |
# Let me whisper in your ear | 0:40:04 | 0:40:07 | |
# Say the words I long to hear | 0:40:08 | 0:40:10 | |
# I'm in love with you | 0:40:11 | 0:40:14 | |
# Oo-oo-ooh | 0:40:14 | 0:40:17 | |
# Oo-oo-oo-ooh | 0:40:17 | 0:40:20 | |
# Oo-oo-oo-ooh. # | 0:40:20 | 0:40:26 | |
Subtitles by Red Bee Media Ltd | 0:40:26 | 0:40:29 | |
E-mail [email protected] | 0:40:31 | 0:40:34 |