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Previously on Pan Am... What do you think you're doing? | 0:00:00 | 0:00:02 | |
I ran away from my own wedding. | 0:00:02 | 0:00:04 | |
Bon voyage, Laura. Safe journey. | 0:00:04 | 0:00:07 | |
- Marry me. - I can't say "yes" now. | 0:00:07 | 0:00:09 | |
Bridget? | 0:00:09 | 0:00:10 | |
# Must be catchin'... # | 0:00:10 | 0:00:11 | |
Fit the profile perfectly. | 0:00:11 | 0:00:14 | |
A Pan Am stewardess can travel all around the world | 0:00:14 | 0:00:16 | |
without suspicion. | 0:00:16 | 0:00:17 | |
You have no idea what you've done | 0:00:17 | 0:00:19 | |
nor what it takes to keep a Cold War cold. | 0:00:19 | 0:00:21 | |
- You think you're special? - You're in the wrong seat. | 0:00:21 | 0:00:23 | |
- Yeah, I am! - Well, you either need to let it go | 0:00:23 | 0:00:26 | |
or you need to call your daddy to get you one of your own. | 0:00:26 | 0:00:28 | |
HORNS HONKING, SIREN WAILING | 0:00:30 | 0:00:32 | |
You don't understand. | 0:00:34 | 0:00:36 | |
Maybe if you whine at me another 20 minutes... | 0:00:36 | 0:00:38 | |
It was my engagement ring. How could you just sell it? | 0:00:38 | 0:00:42 | |
Same way you pawned it. | 0:00:42 | 0:00:43 | |
I needed the money. | 0:00:43 | 0:00:45 | |
Who pays my bills - Rockefeller? | 0:00:45 | 0:00:47 | |
Guy comes in, likes the ring. You left it over 60 days. | 0:00:47 | 0:00:50 | |
I sell it. | 0:00:50 | 0:00:51 | |
But, but... | 0:00:51 | 0:00:52 | |
Don't spit all that out again. | 0:00:52 | 0:00:55 | |
I get sob stories in this shop. I get sob stories at home. | 0:00:55 | 0:00:57 | |
But here, this sidewalk - mine. No sobbing. | 0:00:57 | 0:01:00 | |
Greg deserves to have it back. | 0:01:00 | 0:01:01 | |
He saved up all his money to buy me a ring. | 0:01:01 | 0:01:03 | |
For him, that meant everything. | 0:01:03 | 0:01:05 | |
Oh, yeah? But for you, not so much, huh? | 0:01:05 | 0:01:08 | |
Ah, crap. Freakin' hot. | 0:01:08 | 0:01:11 | |
I hate summer in New York. | 0:01:11 | 0:01:14 | |
'...flight 270 arriving from...' | 0:01:32 | 0:01:35 | |
Thank you, Miss Cameron. | 0:01:35 | 0:01:37 | |
Next in line. | 0:01:37 | 0:01:38 | |
Laura, hi. | 0:01:38 | 0:01:40 | |
Hey, hi. | 0:01:40 | 0:01:42 | |
How is the new arrangement, staying at Maggie's? | 0:01:42 | 0:01:44 | |
Fine. | 0:01:44 | 0:01:46 | |
And did you, uh, | 0:01:46 | 0:01:47 | |
did you settle things last night? | 0:01:47 | 0:01:48 | |
Kate, why must you interrogate me about this? Maggie offered. | 0:01:48 | 0:01:51 | |
You were more than happy to have me gone. | 0:01:51 | 0:01:52 | |
No, I meant last night with Greg. | 0:01:52 | 0:01:57 | |
You know, the man | 0:01:57 | 0:01:58 | |
whose engagement ring you're returning? | 0:01:58 | 0:02:00 | |
Had to cancel. | 0:02:00 | 0:02:02 | |
He couldn't make it to New York? | 0:02:02 | 0:02:03 | |
I didn't say that. I came down with the sniffles, some congestion, | 0:02:03 | 0:02:06 | |
and we had this early flight this morning. | 0:02:06 | 0:02:08 | |
Really? | 0:02:08 | 0:02:09 | |
What are you saying, Kate? You don't consider this early? | 0:02:09 | 0:02:14 | |
Oh, cookies. | 0:02:14 | 0:02:15 | |
Can I help? | 0:02:15 | 0:02:16 | |
No. No help. I don't want any more of your help. | 0:02:16 | 0:02:20 | |
Good morning, Ted. Yuck. | 0:02:20 | 0:02:22 | |
So do you want to at least talk about what happened last night? | 0:02:22 | 0:02:24 | |
This is all your fault. | 0:02:24 | 0:02:26 | |
Am I chewing gum? No, I'm not. Gumdrop, Laura. Drop. | 0:02:26 | 0:02:30 | |
I never miss it. | 0:02:37 | 0:02:39 | |
This grand prix? Every year? | 0:02:39 | 0:02:41 | |
My boyhood dream was to be a racer - | 0:02:41 | 0:02:44 | |
the Monaco circuit. | 0:02:44 | 0:02:45 | |
Now all I can do is watch. | 0:02:45 | 0:02:47 | |
Season after season. Quite sad, huh? | 0:02:47 | 0:02:49 | |
Oh, yes, Monte Carlo, the beach, | 0:02:49 | 0:02:53 | |
the water, the sun, | 0:02:53 | 0:02:54 | |
every single year. Mm. | 0:02:54 | 0:02:57 | |
I feel badly for you, Mr Lonza. | 0:02:57 | 0:03:00 | |
Niko, please. Feel badly for Niko. | 0:03:00 | 0:03:02 | |
Roger, gander. We have our oceanic clearance. | 0:03:02 | 0:03:05 | |
Clipper 2-2. It's all about speed. | 0:03:05 | 0:03:08 | |
The Grand Prix is a race. It's not a beauty pageant. | 0:03:08 | 0:03:11 | |
Through the streets of Monaco? | 0:03:11 | 0:03:12 | |
My dime's still on the Cooper-Climax. | 0:03:12 | 0:03:14 | |
I like the Citroen. Now, that's an automobile. | 0:03:14 | 0:03:17 | |
Not a Formula One, Sanjeev. | 0:03:17 | 0:03:19 | |
Cooper-Climax won it last year. | 0:03:19 | 0:03:21 | |
Thank you, Miss. | 0:03:24 | 0:03:26 | |
And that's my point exactly. | 0:03:26 | 0:03:28 | |
- Do you boys always leave this door open? - Sometimes we get lonely. | 0:03:28 | 0:03:31 | |
That is one heck of a dashboard you've got there. | 0:03:31 | 0:03:33 | |
It does the trick. | 0:03:33 | 0:03:35 | |
Can I help anyone in here? | 0:03:36 | 0:03:38 | |
Do you have any jujubes? | 0:03:38 | 0:03:40 | |
Airport gift shop was out. | 0:03:40 | 0:03:42 | |
Jujubes. No. | 0:03:42 | 0:03:44 | |
But if you return to your seat, I can get you some pate. | 0:03:44 | 0:03:46 | |
Oh, too pasty for me. | 0:03:46 | 0:03:48 | |
And those poor little geese. | 0:03:48 | 0:03:49 | |
But chewy gumdrops - pure heaven. | 0:03:49 | 0:03:53 | |
So you're going with the cooper, yeah? | 0:03:53 | 0:03:55 | |
I will if you will. | 0:03:55 | 0:03:56 | |
Dean Lowrey, your captain. | 0:03:56 | 0:03:59 | |
Ginny Saddler, your interloper. | 0:03:59 | 0:04:02 | |
You were mentioning a pub, Niko? | 0:04:02 | 0:04:05 | |
Oh, yeah. Sure. Great spot. | 0:04:05 | 0:04:08 | |
Excuse me. | 0:04:08 | 0:04:09 | |
Oh. Yugoslavian, I think. | 0:04:09 | 0:04:11 | |
Who? | 0:04:11 | 0:04:12 | |
4C. Are you blind? | 0:04:12 | 0:04:16 | |
No. Just slower on the draw. | 0:04:16 | 0:04:18 | |
I'm curious about the mink-coat lady. | 0:04:18 | 0:04:21 | |
A mink coat? In July? | 0:04:21 | 0:04:24 | |
She's not VIP. There's nothing here. | 0:04:24 | 0:04:27 | |
Where is she sitting? | 0:04:27 | 0:04:29 | |
With our captain. | 0:04:29 | 0:04:30 | |
And then the engines started up. | 0:04:32 | 0:04:34 | |
Vroom, vroom, vroom, and go! | 0:04:34 | 0:04:37 | |
Really? Like Rebel Without A Cause? | 0:04:37 | 0:04:39 | |
Fred and his Desoto, Lenny in his Buick, | 0:04:39 | 0:04:41 | |
and me and my handkerchief. | 0:04:41 | 0:04:43 | |
Miss Drag Race, | 0:04:43 | 0:04:44 | |
Appanoose County, Iowa, 1955. | 0:04:44 | 0:04:47 | |
Ah, so you were listening. | 0:04:47 | 0:04:48 | |
Captive audience. | 0:04:48 | 0:04:50 | |
Oh, my favourite kind. | 0:04:50 | 0:04:51 | |
Was there a cliff? | 0:04:51 | 0:04:53 | |
This wasn't a chicken run. | 0:04:53 | 0:04:54 | |
Oh, there was a thing with chickens, | 0:04:54 | 0:04:56 | |
but it was only the one night, and no-one meant to... | 0:04:56 | 0:04:58 | |
Well, no sense revisiting that now. | 0:04:58 | 0:05:00 | |
Anyone for a cup of tea? | 0:05:00 | 0:05:02 | |
BOTH: No. No, thank you. | 0:05:02 | 0:05:03 | |
Love one, but I'm going to head back to my seat. | 0:05:03 | 0:05:06 | |
These boys need to fly a plane. | 0:05:06 | 0:05:08 | |
Yes, boys, why don't you fly a plane? | 0:05:10 | 0:05:14 | |
- Jujubes? - That's your first thought? | 0:05:19 | 0:05:21 | |
- Well... - Pathetic. | 0:05:21 | 0:05:23 | |
Yes, I stocked up, and yes, that's pathetic, | 0:05:23 | 0:05:27 | |
but this woman, | 0:05:27 | 0:05:28 | |
this vivacious, voluptuous woman... | 0:05:28 | 0:05:32 | |
Barely out the door, and your mind goes to Jujubes. | 0:05:32 | 0:05:35 | |
Among other places. | 0:05:35 | 0:05:37 | |
Well, hallelujah, because sad to say, | 0:05:37 | 0:05:39 | |
she took a liking to you, Captain. | 0:05:39 | 0:05:41 | |
Yeah, maybe. | 0:05:41 | 0:05:42 | |
Not maybe. | 0:05:42 | 0:05:43 | |
Get out there. | 0:05:43 | 0:05:45 | |
Pal, jump off the ledge. | 0:05:45 | 0:05:47 | |
Sign that dance card and tiptoe yourself | 0:05:47 | 0:05:49 | |
into a little corporeal distraction. | 0:05:49 | 0:05:52 | |
And at great personal sacrifice, to myself... | 0:05:52 | 0:05:55 | |
I offer you these. | 0:05:57 | 0:05:59 | |
He's not dead, I hope. | 0:06:09 | 0:06:11 | |
Dead. | 0:06:11 | 0:06:13 | |
Eight letters, starts with "m." | 0:06:13 | 0:06:15 | |
Moribund. It's a good thing you came along. | 0:06:15 | 0:06:20 | |
See, I thought you'd be up in first. | 0:06:20 | 0:06:22 | |
Oh, I like it back here. | 0:06:22 | 0:06:23 | |
Who's your travelling companion? | 0:06:23 | 0:06:24 | |
Oh, not one of mine. | 0:06:24 | 0:06:26 | |
Just cold and tired, so I tucked him in. | 0:06:26 | 0:06:28 | |
Sweet gent. | 0:06:28 | 0:06:29 | |
Oh, it's a lucky gent. | 0:06:29 | 0:06:31 | |
It's my coat. I'm the lucky one. | 0:06:31 | 0:06:33 | |
See, people think that I wear it because I'm rich, which I'm not, | 0:06:33 | 0:06:37 | |
or because I'm snobby, which I could learn to be. | 0:06:37 | 0:06:40 | |
Truth is, someone's always cold on an airplane, even in July. | 0:06:40 | 0:06:44 | |
I have a surprise for you. | 0:06:47 | 0:06:48 | |
I love surprises. | 0:06:48 | 0:06:50 | |
Yeah, private supplier. | 0:06:54 | 0:06:56 | |
Excuse me. | 0:07:03 | 0:07:04 | |
How you feeling? | 0:07:06 | 0:07:08 | |
Your sniffles and congestion? | 0:07:08 | 0:07:10 | |
Oh, yes. Much better. False alarm. | 0:07:10 | 0:07:13 | |
Just enough to cancel with Greg? | 0:07:15 | 0:07:18 | |
I didn't want to make him sick. | 0:07:18 | 0:07:20 | |
Maybe you didn't really want to end it? | 0:07:20 | 0:07:21 | |
No, I did. I do. Well, I have. | 0:07:21 | 0:07:23 | |
I'm trying. | 0:07:25 | 0:07:26 | |
You have to talk to him. | 0:07:26 | 0:07:28 | |
I'm trying. | 0:07:28 | 0:07:31 | |
And give the ring back. | 0:07:31 | 0:07:32 | |
I'm trying. | 0:07:32 | 0:07:33 | |
I don't remember this weather. | 0:07:44 | 0:07:45 | |
In London? | 0:07:45 | 0:07:47 | |
- In July. - Oh. | 0:07:47 | 0:07:48 | |
I like it. But it's chilly. | 0:07:48 | 0:07:49 | |
- Couldn't we find a closer pub to debrief at? - Yes, but this is the one that... | 0:07:49 | 0:07:53 | |
Mr Lonza's going to? | 0:07:53 | 0:07:54 | |
There will be race car drivers. | 0:07:54 | 0:07:55 | |
By all means, then, let's dash. | 0:07:55 | 0:07:58 | |
Laura, you're right. | 0:07:58 | 0:07:59 | |
It is chilly. I'm going to run back for my jacket. I'll meet you there? | 0:07:59 | 0:08:02 | |
You want us to wait? | 0:08:02 | 0:08:03 | |
No, go on. I'll be fine. | 0:08:03 | 0:08:04 | |
A bench in the fog, Mr Anderson? | 0:08:11 | 0:08:13 | |
Fog? Really? I hadn't noticed. | 0:08:13 | 0:08:15 | |
But then again, I'm British. | 0:08:15 | 0:08:17 | |
It's lovely to see you again, Kate. | 0:08:19 | 0:08:22 | |
That was quick thinking, about your jacket. | 0:08:22 | 0:08:23 | |
Yep. I am worth every penny. | 0:08:23 | 0:08:27 | |
Wait. I don't get any pennies. | 0:08:27 | 0:08:29 | |
Shall we discuss your salary or lack thereof? | 0:08:29 | 0:08:32 | |
No. | 0:08:32 | 0:08:34 | |
I think not. | 0:08:34 | 0:08:36 | |
There'll be a man on your next flight, | 0:08:36 | 0:08:38 | |
Niko Lonza, UN Attache, | 0:08:38 | 0:08:39 | |
designation of no importance in this particular assignment. | 0:08:39 | 0:08:42 | |
I've met him. He was on our flight from New York. | 0:08:42 | 0:08:44 | |
Well, no matter. We're not interested in him. | 0:08:44 | 0:08:46 | |
However, Monte Carlo, Casino, VIP Room. | 0:08:46 | 0:08:49 | |
Mr Lonza will be gambling with a friend of his, | 0:08:49 | 0:08:52 | |
a friend who is currently seeing an Italian woman | 0:08:52 | 0:08:54 | |
who goes by the name of Lena Bracca. | 0:08:54 | 0:08:56 | |
She's a Soviet agent. | 0:08:56 | 0:08:58 | |
We'll need her fingerprints. | 0:08:58 | 0:08:59 | |
How do I do that? | 0:09:01 | 0:09:03 | |
Well, I suspect that you'll need to arrange for Mr Lonza | 0:09:05 | 0:09:07 | |
to bring you with him to the casino | 0:09:07 | 0:09:09 | |
so that you can meet this Lena Bracca. | 0:09:09 | 0:09:12 | |
That may not be so easy. | 0:09:12 | 0:09:14 | |
He's already interested in another stewardess. | 0:09:14 | 0:09:16 | |
Well... | 0:09:16 | 0:09:18 | |
..un-interest him. | 0:09:19 | 0:09:22 | |
So I said, "You have 21. You don't need another card." | 0:09:27 | 0:09:31 | |
But he blurts right out, "hit me." | 0:09:31 | 0:09:33 | |
That sounds like something my super would do. | 0:09:33 | 0:09:35 | |
The man doesn't know a mailbox from a flower box. | 0:09:35 | 0:09:39 | |
Disastrous for the chrysanthemums. | 0:09:39 | 0:09:42 | |
The table has opened up. | 0:09:42 | 0:09:43 | |
Shall we? | 0:09:43 | 0:09:45 | |
- Oh, I don't know. - You won't accept my challenge? | 0:09:45 | 0:09:48 | |
Well, if you can teach me. I've never actually played. | 0:09:48 | 0:09:52 | |
I have. | 0:09:52 | 0:09:53 | |
I'll take your challenge. | 0:09:53 | 0:09:57 | |
And I'll win. | 0:09:57 | 0:09:58 | |
Your friend sounds like she means it. | 0:10:01 | 0:10:03 | |
Well, she can be competitive. | 0:10:03 | 0:10:06 | |
Uh, 8-ball? 9-ball? Bank? | 0:10:06 | 0:10:09 | |
It's your choice, Mr Lonza. | 0:10:09 | 0:10:12 | |
Please, call me Niko. | 0:10:12 | 0:10:13 | |
# Hey, baby, lookee here | 0:10:13 | 0:10:16 | |
# Uh, got a thing for you, baby | 0:10:19 | 0:10:22 | |
# That's really OK | 0:10:22 | 0:10:27 | |
# I got a thing for you, baby... # | 0:10:27 | 0:10:28 | |
That's a good shot. | 0:10:28 | 0:10:31 | |
# ..That's so out of sight... # | 0:10:31 | 0:10:33 | |
Nice. | 0:10:33 | 0:10:35 | |
# ..I got a thing for you, baby... # | 0:10:35 | 0:10:36 | |
Think you're going to make that one? | 0:10:36 | 0:10:38 | |
Absolutely. | 0:10:38 | 0:10:40 | |
# That's, that's, that's that's, that's | 0:10:40 | 0:10:43 | |
# Really all right # | 0:10:43 | 0:10:44 | |
Clearly, I underestimated you. | 0:10:46 | 0:10:48 | |
Clearly. | 0:10:48 | 0:10:49 | |
Let's try darts. | 0:10:49 | 0:10:51 | |
Oh, after a rematch. | 0:10:51 | 0:10:52 | |
Really? I mean, is that OK | 0:10:52 | 0:10:53 | |
with people waiting for the table? | 0:10:53 | 0:10:56 | |
She's right. I hate to be a pool hog. | 0:10:56 | 0:10:59 | |
- You won't allow me to even the score? - I'm sorry. | 0:10:59 | 0:11:01 | |
There was a chance at that? | 0:11:01 | 0:11:02 | |
Rack 'em up. | 0:11:03 | 0:11:05 | |
Lovely. | 0:11:07 | 0:11:08 | |
# ...Come on! # | 0:11:09 | 0:11:10 | |
Good evening, sir. | 0:11:15 | 0:11:16 | |
You're almost right on time. | 0:11:18 | 0:11:20 | |
You can't mean me. | 0:11:25 | 0:11:27 | |
Pan Am has the best on-time schedule in the world. | 0:11:27 | 0:11:31 | |
That's a heck of a dashboard. | 0:11:31 | 0:11:33 | |
No driver? | 0:11:33 | 0:11:34 | |
He's at lunch. | 0:11:34 | 0:11:37 | |
Very generous of you. | 0:11:37 | 0:11:38 | |
Mm, I'm a giver. | 0:11:38 | 0:11:40 | |
Got a, uh, crossword puzzle in there anywhere? | 0:11:41 | 0:11:45 | |
Five letters, starts with "w," | 0:11:45 | 0:11:47 | |
rhymes with "song." | 0:11:47 | 0:11:49 | |
Why don't you come in out of the fog, Captain? | 0:11:51 | 0:11:54 | |
Is this how you reel all your men in? | 0:12:06 | 0:12:08 | |
No. Some of them can open a door! | 0:12:08 | 0:12:11 | |
HE SPEAKS FRENCH | 0:12:14 | 0:12:17 | |
Ah, poor frogs. Can't get the language down, | 0:12:19 | 0:12:21 | |
Much less drive. | 0:12:21 | 0:12:22 | |
Where's Niko? | 0:12:22 | 0:12:24 | |
Where's your evil twin? | 0:12:24 | 0:12:25 | |
Billiards - busy work for the unemployed, if you ask me. | 0:12:25 | 0:12:29 | |
Now darts... | 0:12:29 | 0:12:30 | |
That's a proper pub game. | 0:12:30 | 0:12:32 | |
There's a word from the bird. | 0:12:32 | 0:12:35 | |
Crickets then? I'll spot you the 20. | 0:12:35 | 0:12:37 | |
Hey. | 0:12:37 | 0:12:38 | |
Didn't see you much during the flight. | 0:12:38 | 0:12:41 | |
Not at all during the flight. | 0:12:41 | 0:12:43 | |
Am I avoiding you, or are you avoiding me? | 0:12:43 | 0:12:46 | |
Ted, this... really isn't the time. | 0:12:46 | 0:12:49 | |
Thank you. | 0:12:59 | 0:13:00 | |
Ohh! | 0:13:02 | 0:13:04 | |
- Oh. - Where are you headed? Besides into a wall | 0:13:04 | 0:13:06 | |
if you don't lower that thing. | 0:13:06 | 0:13:08 | |
What are you doing here on your day off? | 0:13:08 | 0:13:10 | |
Just trying to stay out of trouble. | 0:13:10 | 0:13:11 | |
Cashing my cheque. | 0:13:11 | 0:13:13 | |
Where are you... Where are you headed? | 0:13:13 | 0:13:15 | |
133rd and 7th. | 0:13:15 | 0:13:16 | |
Harlem. Business. | 0:13:16 | 0:13:19 | |
You're kidding, right? | 0:13:19 | 0:13:20 | |
I can't have business in Harlem? | 0:13:20 | 0:13:22 | |
Should you? | 0:13:22 | 0:13:23 | |
I learned the subway system. I can find my way down there. | 0:13:23 | 0:13:26 | |
It's not down. It's up, | 0:13:26 | 0:13:27 | |
and I'd hate to see you lose all this. | 0:13:27 | 0:13:29 | |
Oh. | 0:13:29 | 0:13:31 | |
OK. Up? | 0:13:31 | 0:13:32 | |
Night-time in Harlem - I'm sure you'll blend in beautifully. | 0:13:32 | 0:13:35 | |
That's not a very nice attitude. | 0:13:35 | 0:13:36 | |
It's exactly what you're going to need up there. | 0:13:36 | 0:13:38 | |
Ted...it's personal. | 0:13:38 | 0:13:41 | |
- You mean a female thing? - No. | 0:13:41 | 0:13:43 | |
Well, then what the hell? I'll come along. | 0:13:43 | 0:13:44 | |
I haven't been to Harlem in days. | 0:13:44 | 0:13:46 | |
SHE SIGHS Fine. | 0:13:46 | 0:13:48 | |
But I really don't want to talk about it. Understood? | 0:13:48 | 0:13:50 | |
Understood. | 0:13:50 | 0:13:51 | |
We've flown Pan Am brass before, but never a Senior Vice President. | 0:13:57 | 0:13:59 | |
Yeah, that's a very nice lapel pin there, Mr Henson. | 0:13:59 | 0:14:02 | |
Consolation prize for the Pan Am executives. | 0:14:02 | 0:14:04 | |
We wanted wings. | 0:14:04 | 0:14:05 | |
Just kidding. | 0:14:06 | 0:14:08 | |
I'm sorry she's so late. | 0:14:10 | 0:14:12 | |
- Not a good sign in a secretary. - She has many positive attributes, | 0:14:12 | 0:14:14 | |
promptness not being one of them. What time do you have? | 0:14:14 | 0:14:16 | |
Sorry, I'm not wearing my watch. | 0:14:16 | 0:14:18 | |
You don't have your Rolex on? I thought you slept in it. | 0:14:18 | 0:14:22 | |
I stopped wearing mine, too. Much easier to ask someone. | 0:14:22 | 0:14:24 | |
Ah, she deigns to join us. | 0:14:24 | 0:14:27 | |
Excuse me. So sorry. | 0:14:29 | 0:14:30 | |
So sorry. | 0:14:30 | 0:14:32 | |
Do we have enough room here? | 0:14:32 | 0:14:33 | |
Yes, of course. | 0:14:33 | 0:14:35 | |
OK. | 0:14:35 | 0:14:36 | |
OK, I'm going to go warm things up. | 0:14:38 | 0:14:41 | |
HE LAUGHS Secretary, my ass. | 0:14:43 | 0:14:44 | |
No, it's possible. Lot of businessmen | 0:14:44 | 0:14:46 | |
travel with their secretaries. | 0:14:46 | 0:14:47 | |
First-class ticket? | 0:14:47 | 0:14:49 | |
Mink coat? | 0:14:49 | 0:14:50 | |
The shopping bags? No steno pads. | 0:14:50 | 0:14:52 | |
She's not his secretary. She's his mistress. | 0:14:52 | 0:14:54 | |
Yeah, I guess most secretaries don't drive around in Bentleys. | 0:14:54 | 0:14:58 | |
Oh, my God. You cashed in on the Jujubes. | 0:15:00 | 0:15:04 | |
You know, I would never encourage you to... | 0:15:06 | 0:15:09 | |
with... | 0:15:09 | 0:15:11 | |
- Henson's a vice president. - I don't plan on telling him. | 0:15:11 | 0:15:14 | |
Could be worse. You could have Jujubed his wife. | 0:15:14 | 0:15:17 | |
That is not worse. | 0:15:17 | 0:15:18 | |
A wife is the block he grew up on. | 0:15:18 | 0:15:20 | |
A mistress is where he's living now. | 0:15:20 | 0:15:21 | |
Well... | 0:15:21 | 0:15:22 | |
You want the left seat, Ted. This could be your chance. | 0:15:22 | 0:15:26 | |
Oh, I've been to a casino before, | 0:15:40 | 0:15:42 | |
- just not one in Monte Carlo. - Really? What's your game? | 0:15:42 | 0:15:45 | |
I don't know. Something where I won't lose a lot of money. | 0:15:45 | 0:15:48 | |
Oh, in that case, I have the perfect system. | 0:15:48 | 0:15:50 | |
You'll never lose. | 0:15:50 | 0:15:51 | |
Mm. and you'll, uh, teach me this perfect system. | 0:15:51 | 0:15:55 | |
It's very simple. Stay out of the casino. | 0:15:55 | 0:15:57 | |
Sorry, Kate. There's been a slight change of plans. | 0:15:59 | 0:16:03 | |
Laura's moving up to first, | 0:16:03 | 0:16:05 | |
so you'll be covering economy today. | 0:16:05 | 0:16:07 | |
Hmm. | 0:16:09 | 0:16:11 | |
You've been called up to the big leagues. | 0:16:16 | 0:16:18 | |
Odd that Maggie reassigned you. | 0:16:18 | 0:16:20 | |
Oh, yes, it's very odd. | 0:16:20 | 0:16:22 | |
A woman scorned. | 0:16:24 | 0:16:27 | |
Sends the other one to the kitchen. | 0:16:27 | 0:16:31 | |
Laura, I know you'll do the right thing with Greg. | 0:16:31 | 0:16:34 | |
Whoa! | 0:16:34 | 0:16:36 | |
Right then and there with the groom standing outside in a penguin suit? | 0:16:39 | 0:16:42 | |
That lady looks like she's about to fall. | 0:16:42 | 0:16:44 | |
Should we wake her up? | 0:16:44 | 0:16:45 | |
God, no. Second rule of subway - never wake anybody up. | 0:16:45 | 0:16:47 | |
What's the first rule? | 0:16:47 | 0:16:48 | |
Take a cab. | 0:16:48 | 0:16:49 | |
- What a wuss. - Who? | 0:16:49 | 0:16:51 | |
Craig. You never let the bride bolt on you. | 0:16:51 | 0:16:54 | |
You bolt on the bride. | 0:16:54 | 0:16:55 | |
- '72nd street.' - Greg. Anyway... | 0:16:55 | 0:16:58 | |
I moved in with Kate that same night. | 0:16:58 | 0:17:00 | |
I didn't have any money... | 0:17:00 | 0:17:01 | |
So I pawned the engagement ring. | 0:17:01 | 0:17:04 | |
Ohh. That's a dagger through a fella's heart. | 0:17:04 | 0:17:07 | |
Thank you, Ted. I already know I'm a horrible person. | 0:17:07 | 0:17:11 | |
I could just kick myself. | 0:17:11 | 0:17:13 | |
Well, you had to eat, right? I'm sure at the time, | 0:17:13 | 0:17:15 | |
a short-term pawn seemed like a pretty good idea. | 0:17:15 | 0:17:17 | |
Well, that's what I thought until they sold it | 0:17:17 | 0:17:20 | |
to a man in Harlem. I mean, they can just do that? | 0:17:20 | 0:17:22 | |
It's in the "how to pawn" manual. | 0:17:22 | 0:17:24 | |
See, now they didn't give me a... | 0:17:24 | 0:17:26 | |
Oh. | 0:17:27 | 0:17:28 | |
Anyway, Greg's coming to New York, | 0:17:28 | 0:17:30 | |
and I want things definitively over. | 0:17:30 | 0:17:33 | |
I need to give the ring back. | 0:17:33 | 0:17:34 | |
He didn't hear "definitive" when you hurdled yourself off that altar? | 0:17:34 | 0:17:37 | |
Yes, but when he came to Paris... | 0:17:37 | 0:17:39 | |
He followed you to Paris? Pathetic. | 0:17:39 | 0:17:41 | |
It's Greg, and he's not pathetic. | 0:17:41 | 0:17:43 | |
He's actually quite romantic. | 0:17:43 | 0:17:45 | |
Well, see, that was his first mistake. | 0:17:45 | 0:17:47 | |
I mean, look at history. Antony and Cleopatra, | 0:17:47 | 0:17:49 | |
Samson and Delilah, Pepe Le Pew - | 0:17:49 | 0:17:51 | |
all of them brought down by romance. | 0:17:51 | 0:17:54 | |
Well, he was really very sweet. | 0:17:54 | 0:17:57 | |
You know, he saved up, | 0:17:57 | 0:17:58 | |
bought the ring, found the right moment. | 0:17:58 | 0:18:02 | |
Oh, God, I really am a horrible person. | 0:18:03 | 0:18:05 | |
SHE GROANS | 0:18:07 | 0:18:09 | |
Was your whole relationship this much fun? | 0:18:09 | 0:18:12 | |
Can I help you, Mr Henson? | 0:18:19 | 0:18:21 | |
A blanket, please. | 0:18:21 | 0:18:23 | |
She doesn't like to share. | 0:18:23 | 0:18:24 | |
Thank you. | 0:18:27 | 0:18:29 | |
'There'll be a man on your next flight Niko Lonza, UN Attache.' | 0:18:40 | 0:18:44 | |
Mr Lonza will be gambling with a friend of his - | 0:18:44 | 0:18:47 | |
a friend who is currently seeing an Italian woman | 0:18:47 | 0:18:49 | |
'who goes by the name of Lena Bracca.' | 0:18:49 | 0:18:52 | |
She's a Soviet agent. We'll need her fingerprints. | 0:18:52 | 0:18:56 | |
Where am I going to find shoes? | 0:18:58 | 0:18:59 | |
Does he know all the games? | 0:18:59 | 0:19:01 | |
Well, I... he must. | 0:19:01 | 0:19:03 | |
I mean, he gambles here ever year with a friend | 0:19:03 | 0:19:05 | |
he won 2,000 at roulette last year. | 0:19:05 | 0:19:07 | |
So you can only imagine. | 0:19:07 | 0:19:09 | |
I was shocked when he asked me. | 0:19:09 | 0:19:10 | |
Le Casino Cote D'Azur - magnifique. | 0:19:10 | 0:19:13 | |
Want to go for a ride? | 0:19:38 | 0:19:39 | |
I think I've already been taken for one. | 0:19:44 | 0:19:47 | |
Well, maybe this one will be better. | 0:19:47 | 0:19:50 | |
It's hard to see that happening. | 0:19:50 | 0:19:53 | |
Unless, of course, uh... I drive. | 0:19:53 | 0:19:57 | |
I'm in your hands, Captain. | 0:20:00 | 0:20:02 | |
Have Ted and Dean even checked in yet? | 0:20:05 | 0:20:07 | |
I think they're still drooling over those sports cars. | 0:20:07 | 0:20:10 | |
Boys and their toys - a timeless love story. | 0:20:10 | 0:20:14 | |
Colette. There you are. | 0:20:14 | 0:20:16 | |
Anyone for a guilty pleasure? | 0:20:16 | 0:20:19 | |
How guilty? | 0:20:19 | 0:20:21 | |
700 francs. | 0:20:21 | 0:20:22 | |
No pleasure in that. | 0:20:22 | 0:20:24 | |
No kidding. | 0:20:24 | 0:20:26 | |
I'm off to saner pastures. | 0:20:27 | 0:20:30 | |
I do like that hat in the corner. | 0:20:38 | 0:20:40 | |
Oh, and that bag. | 0:20:40 | 0:20:42 | |
The bag and the hat. | 0:20:42 | 0:20:43 | |
- The cat in the hat? - Ted. | 0:20:43 | 0:20:45 | |
Do you have time to talk? | 0:20:47 | 0:20:49 | |
I have plans with Kate. | 0:20:49 | 0:20:51 | |
Does she know that? | 0:20:51 | 0:20:54 | |
Ted, it's fine. You don't need to apologise. | 0:20:54 | 0:20:56 | |
Who's apologising? | 0:20:56 | 0:20:57 | |
You ought to be. | 0:20:57 | 0:20:58 | |
You just said I didn't have to. | 0:20:58 | 0:20:59 | |
Because I assumed you knew you should. | 0:20:59 | 0:21:01 | |
For trying to protect you? | 0:21:01 | 0:21:03 | |
Which is not at all what you did, is it? | 0:21:03 | 0:21:05 | |
Y... | 0:21:07 | 0:21:08 | |
I can't explain myself. | 0:21:11 | 0:21:12 | |
I was drawn to the man. | 0:21:12 | 0:21:14 | |
You never said a word to Niko before the pub in London. | 0:21:14 | 0:21:17 | |
It was sudden. | 0:21:17 | 0:21:18 | |
I didn't really speak to him on that first flight. | 0:21:18 | 0:21:19 | |
Let's talk about flights. | 0:21:19 | 0:21:22 | |
I've never been a big fan of breakfast, | 0:21:22 | 0:21:24 | |
all those first class eggs made to order. | 0:21:24 | 0:21:28 | |
All right. | 0:21:28 | 0:21:30 | |
You cancel your date with Niko, and those eggs go away. | 0:21:30 | 0:21:33 | |
- For a month. - A week. | 0:21:33 | 0:21:35 | |
- Three. - Week and a half. | 0:21:35 | 0:21:37 | |
Two and a half, and we're done. | 0:21:37 | 0:21:38 | |
Done. | 0:21:38 | 0:21:39 | |
Excellent. | 0:21:39 | 0:21:41 | |
Quick whiz, then a few more shots, | 0:21:42 | 0:21:44 | |
and I'm off to get gorgeous. | 0:21:44 | 0:21:45 | |
Don't wear yourself out. | 0:21:45 | 0:21:47 | |
I'm Irish. I'll pick you up at 8:00. | 0:21:47 | 0:21:50 | |
That's your date? | 0:21:50 | 0:21:52 | |
Smile. Niko's worth it. | 0:21:52 | 0:21:55 | |
Too bad we don't have a camera. | 0:22:02 | 0:22:05 | |
Oh, but we do. | 0:22:05 | 0:22:06 | |
I was a girl scout. | 0:22:16 | 0:22:17 | |
Oh, yeah? Mm-hmm. | 0:22:17 | 0:22:18 | |
As in "be prepared"? | 0:22:18 | 0:22:20 | |
Yep. | 0:22:20 | 0:22:23 | |
Yes, I would say that you are prepared... | 0:22:23 | 0:22:27 | |
for everything except say... | 0:22:27 | 0:22:29 | |
telling me about a man named Everett Henson | 0:22:29 | 0:22:33 | |
or his profession, which is... Oh, yeah, airline executive. | 0:22:33 | 0:22:40 | |
I had the impression you liked the element of surprise. | 0:22:40 | 0:22:42 | |
You could've filled me in a bit more on your life | 0:22:42 | 0:22:44 | |
beyond "Miss Drag Race." | 0:22:44 | 0:22:45 | |
I suppose. On the other hand, | 0:22:45 | 0:22:48 | |
"Hey, Ginny, you said you weren't rich. | 0:22:48 | 0:22:50 | |
"didn't mention a job, | 0:22:50 | 0:22:51 | |
"yet you wear a mink coat, fly to London, Monte Carlo, | 0:22:51 | 0:22:54 | |
"shop at Harrods. | 0:22:54 | 0:22:55 | |
"You inherit a ton of money?" | 0:22:55 | 0:22:59 | |
See, I always figure | 0:22:59 | 0:23:00 | |
that when someone doesn't ask you anything about your life, | 0:23:00 | 0:23:03 | |
anything about what's staring them right in the face, | 0:23:03 | 0:23:06 | |
they don't really want to know. | 0:23:06 | 0:23:08 | |
That wouldn't be you, would it? | 0:23:08 | 0:23:09 | |
Oh. Masterpiece. It's museum quality. | 0:23:16 | 0:23:20 | |
Don't show it to Everett. | 0:23:20 | 0:23:22 | |
He doesn't like anyone touching the car. | 0:23:22 | 0:23:26 | |
You mean like this? | 0:23:26 | 0:23:27 | |
You know, I do accept payment. | 0:23:30 | 0:23:33 | |
This, however, will not be enough. | 0:23:33 | 0:23:35 | |
No? | 0:23:35 | 0:23:36 | |
Still here. | 0:23:45 | 0:23:47 | |
You're not getting rid of me, Philippe. | 0:23:47 | 0:23:49 | |
Miss Cameron, I reiterate, | 0:23:49 | 0:23:50 | |
we cannot release information about our guests. | 0:23:50 | 0:23:52 | |
And I cannot be ready to go to the casino | 0:23:52 | 0:23:54 | |
if I don't know what time Mr Lonza's car is arriving. | 0:23:54 | 0:23:56 | |
Perhaps you should ask him. | 0:23:56 | 0:23:58 | |
Philippe, it's a surprise. | 0:23:58 | 0:23:59 | |
He doesn't know that I've flown in. | 0:23:59 | 0:24:01 | |
I'm sure he doesn't. | 0:24:01 | 0:24:04 | |
A tear? Hmm? would that help? | 0:24:04 | 0:24:06 | |
Because I can do that. | 0:24:06 | 0:24:08 | |
Please, no, do not. Christophe? Christophe? | 0:24:08 | 0:24:10 | |
HE SPEAKS FRENCH | 0:24:11 | 0:24:15 | |
8:00. | 0:24:19 | 0:24:21 | |
What ever are you talking about? | 0:24:21 | 0:24:23 | |
Ah, Phillipe, merci. Je suis... | 0:24:23 | 0:24:24 | |
Oh, it's 7:15. Thank you so much. | 0:24:24 | 0:24:27 | |
Well, thanks a lot, Kate. | 0:24:28 | 0:24:30 | |
You just left me here talking to myself | 0:24:30 | 0:24:31 | |
like a lunatic right in this very spot, as a matter of fact. | 0:24:31 | 0:24:34 | |
Laura, Laura, focus. Can you do that? | 0:24:34 | 0:24:35 | |
I'm not 12. | 0:24:35 | 0:24:37 | |
How much money do you have on you? | 0:24:37 | 0:24:39 | |
As you can see, Mr Bodine, | 0:24:42 | 0:24:43 | |
I have your receipt of purchase. | 0:24:43 | 0:24:45 | |
Call me Shoot Man. | 0:24:45 | 0:24:46 | |
Uh... Sh-shoot Man? | 0:24:46 | 0:24:49 | |
Come on now. Don't shy away from it. | 0:24:49 | 0:24:51 | |
Shoot Man. | 0:24:51 | 0:24:52 | |
Shoot Man. Shoot Man. | 0:24:52 | 0:24:54 | |
Shoot Man. | 0:24:54 | 0:24:55 | |
Shoot Man! Shoot Man! | 0:24:55 | 0:24:56 | |
There it is! Thank you. | 0:24:56 | 0:24:59 | |
As I was saying, I'm prepared to offer you 50 | 0:24:59 | 0:25:01 | |
more than you originally paid for the ring... | 0:25:01 | 0:25:03 | |
Tasty Pudding. | 0:25:03 | 0:25:06 | |
Track two, side b, Tasty Pudding. | 0:25:06 | 0:25:08 | |
White boy blows so smooth, you got to dig it. | 0:25:08 | 0:25:11 | |
You certainly do. I wish I'd seen him jam with Mulligan. | 0:25:11 | 0:25:14 | |
I'm sorry. Mr Bodine... | 0:25:14 | 0:25:16 | |
Ah, shoot man. | 0:25:16 | 0:25:17 | |
Shoot Man. Do you dig tasty pudding? | 0:25:17 | 0:25:19 | |
I, uh, yes, I do. I-I dig the... tasty pudding. | 0:25:19 | 0:25:23 | |
But what I would really, really like to discuss is the ring. | 0:25:23 | 0:25:26 | |
The ring ain't for sale. | 0:25:26 | 0:25:27 | |
Excuse me? | 0:25:27 | 0:25:28 | |
Man buys a ring, he means business. | 0:25:28 | 0:25:30 | |
Well, there's business, and there's business. | 0:25:33 | 0:25:36 | |
Couple extra c-notes. | 0:25:36 | 0:25:37 | |
I don't have that much on me today, but I can... | 0:25:37 | 0:25:40 | |
No way. | 0:25:40 | 0:25:41 | |
Well, I guess it ain't that important. | 0:25:42 | 0:25:44 | |
Ted, hush. | 0:25:44 | 0:25:46 | |
Shoot Man is taking advantage of you. | 0:25:46 | 0:25:47 | |
Some people might call it supply and demand, | 0:25:47 | 0:25:49 | |
but if that's how he feel, then... | 0:25:49 | 0:25:52 | |
Sorry, little lady. Deal's off. | 0:25:52 | 0:25:54 | |
I can't leave empty-handed. | 0:25:54 | 0:25:56 | |
In all fairness, | 0:25:58 | 0:26:00 | |
you did say that you liked the tasty pudding. | 0:26:00 | 0:26:03 | |
'Downtown 2 train approaching.' | 0:26:03 | 0:26:05 | |
What? | 0:26:05 | 0:26:06 | |
PA: 'Downtown number 2 train approaching.' | 0:26:06 | 0:26:08 | |
Hey! Hey! Hey! | 0:26:08 | 0:26:10 | |
Hey! Wait! Knock it off! What is your problem? | 0:26:10 | 0:26:12 | |
You! You... usurped me. | 0:26:12 | 0:26:15 | |
I usurped you? | 0:26:15 | 0:26:16 | |
I was this close to getting the ring back. | 0:26:16 | 0:26:19 | |
You were this close to being played. | 0:26:19 | 0:26:21 | |
It wasn't about the money! | 0:26:21 | 0:26:22 | |
I was trying to make things right with Greg | 0:26:22 | 0:26:25 | |
so he could move on, so I could move on. | 0:26:25 | 0:26:26 | |
And you messed it all up. | 0:26:26 | 0:26:28 | |
You are... a horrible person. | 0:26:28 | 0:26:31 | |
I thought you were the horrible person. | 0:26:31 | 0:26:35 | |
Fine. Sure. Run away. | 0:26:35 | 0:26:37 | |
Where are you going? | 0:26:37 | 0:26:39 | |
First rule of the subway, Ted. | 0:26:39 | 0:26:41 | |
Taxi? Taxi! | 0:26:41 | 0:26:43 | |
Where have you been? | 0:26:46 | 0:26:49 | |
Sightseeing. | 0:26:49 | 0:26:50 | |
Oh. I don't want to know. | 0:26:50 | 0:26:52 | |
- Oh. - Oh. Wrong door, huh? Hate that. | 0:26:52 | 0:26:55 | |
Your fly's open. | 0:26:55 | 0:26:57 | |
Keys. Keys. | 0:27:03 | 0:27:05 | |
Oh, no. | 0:27:05 | 0:27:06 | |
Hey! Hey, you! W... | 0:27:22 | 0:27:25 | |
Mr Henson. Captain Lowrey? | 0:27:25 | 0:27:28 | |
You're out of uniform, Captain. | 0:27:28 | 0:27:30 | |
What are you doing down here? | 0:27:30 | 0:27:32 | |
Oh, just dropping off a car for a friend, | 0:27:32 | 0:27:35 | |
and, I, uh, I noticed this beauty. You? | 0:27:35 | 0:27:37 | |
Well, this beauty is mine. | 0:27:37 | 0:27:39 | |
Oh, yeah? I'm sorry about yelling. | 0:27:39 | 0:27:40 | |
I didn't know who was doing what over here. | 0:27:40 | 0:27:42 | |
No, I don't blame you. Don't blame you. | 0:27:42 | 0:27:44 | |
Wow. These doors - solid, huh? | 0:27:44 | 0:27:46 | |
Your hand, Captain. | 0:27:46 | 0:27:47 | |
You're like me, huh? | 0:27:47 | 0:27:49 | |
Keep your greasy fingers off my car. | 0:27:49 | 0:27:51 | |
Annoying as hell, isn't it? | 0:27:51 | 0:27:54 | |
Yeah, I'd love to... love to take it for a spin. | 0:27:59 | 0:28:02 | |
Sure. We'll get on that. | 0:28:02 | 0:28:04 | |
Tomorrow. | 0:28:04 | 0:28:06 | |
Ginny. | 0:28:20 | 0:28:21 | |
Dean. | 0:28:21 | 0:28:23 | |
- Key. - From the front desk. | 0:28:23 | 0:28:25 | |
Key. From under the front seat. | 0:28:25 | 0:28:28 | |
Allow me. | 0:28:28 | 0:28:29 | |
How did you find it? | 0:28:30 | 0:28:33 | |
Well, I told you. I pay attention. | 0:28:33 | 0:28:36 | |
When did you find it? | 0:28:38 | 0:28:39 | |
Before Everett could. | 0:28:39 | 0:28:41 | |
You know, you were right. | 0:28:41 | 0:28:43 | |
He doesn't like people touching his car. | 0:28:43 | 0:28:46 | |
You look ready for a night on the town. | 0:29:10 | 0:29:12 | |
You, too! | 0:29:14 | 0:29:16 | |
All dressed up, and nowhere to go. | 0:29:16 | 0:29:18 | |
My friends' car broke down in Nice. | 0:29:18 | 0:29:20 | |
Well, and that's not Monte Carlo's fault. | 0:29:20 | 0:29:24 | |
Hmm. | 0:29:24 | 0:29:26 | |
THEY SPEAK CROATIAN | 0:29:41 | 0:29:43 | |
I'm so sorry, Caro. | 0:29:53 | 0:29:55 | |
Cars, taxi, tourists, everywhere. | 0:29:55 | 0:29:58 | |
SHE SPEAKS ITALIAN | 0:29:58 | 0:30:01 | |
This must be Lena? | 0:30:01 | 0:30:02 | |
Niko, at last. I have heard so much about you. | 0:30:02 | 0:30:06 | |
And I've heard about you. | 0:30:06 | 0:30:07 | |
This is Kate from New York. | 0:30:07 | 0:30:09 | |
Oh, I love Manhattan, | 0:30:09 | 0:30:10 | |
the shopping, almost as good as Roma. | 0:30:10 | 0:30:13 | |
Lena, it's so nice to meet you. I'm sorry. There was traffic? | 0:30:13 | 0:30:16 | |
All is fine, thank you. Remy, is there only champagne? | 0:30:16 | 0:30:20 | |
Is there no chardonnay? | 0:30:20 | 0:30:22 | |
SHE SPEAKS ITALIAN | 0:30:23 | 0:30:26 | |
I think we're just going to have some champagne. That's fine. | 0:30:26 | 0:30:28 | |
Oh, uh, I think Lena has the right idea. | 0:30:28 | 0:30:30 | |
I'd love wine, too. | 0:30:30 | 0:30:32 | |
Chardonnay? Sauvignon blanc? | 0:30:33 | 0:30:35 | |
Oh, I'd prefer something red. | 0:30:35 | 0:30:38 | |
Lena, I am so sorry. I can be such a klutz sometimes. | 0:30:38 | 0:30:42 | |
Oh, no, no, don't do that. Hot water will set the stain. | 0:30:42 | 0:30:45 | |
I have club soda. | 0:30:45 | 0:30:47 | |
It's a-a gift from the Gods. It's like an eraser. | 0:30:47 | 0:30:50 | |
We use it all the time for our passengers. | 0:30:50 | 0:30:54 | |
I'm a stewardess... for Pan Am. | 0:30:54 | 0:30:56 | |
If I can't make those look brand-spanking new, | 0:30:59 | 0:31:01 | |
I'll get you a new pair... | 0:31:01 | 0:31:03 | |
from New York. | 0:31:03 | 0:31:04 | |
Please. Let me make up for it. | 0:31:04 | 0:31:06 | |
Schifosa. | 0:31:06 | 0:31:08 | |
Excuse me, bartender? | 0:31:19 | 0:31:22 | |
Yes, sir. May I help you? | 0:31:22 | 0:31:23 | |
I would like to have a glass of something red, I think. | 0:31:23 | 0:31:26 | |
Perhaps the '57 Chateau Capet-Guillier. | 0:31:26 | 0:31:30 | |
Oh, that's an excellent Bordeaux, sir. | 0:31:30 | 0:31:32 | |
And also, instead of having a glass, | 0:31:32 | 0:31:35 | |
I would like to have a bottle, | 0:31:35 | 0:31:38 | |
if you will join me. | 0:31:38 | 0:31:39 | |
I think I will save this bottle as a... | 0:31:42 | 0:31:46 | |
what do you call it? | 0:31:46 | 0:31:48 | |
A keepsake? Memento? | 0:31:48 | 0:31:51 | |
Both. | 0:31:51 | 0:31:53 | |
It was an accident. | 0:31:53 | 0:31:54 | |
Accident, blessing, good fortune. | 0:31:54 | 0:31:57 | |
You know what? I think Remy will thank us. | 0:31:57 | 0:31:59 | |
Thank you. | 0:31:59 | 0:32:01 | |
I could see it from the beginning. Not a good match. | 0:32:01 | 0:32:03 | |
You just met her. | 0:32:03 | 0:32:04 | |
Well, I have a good eye for people. | 0:32:04 | 0:32:07 | |
# ..but it's undeniably you... # | 0:32:07 | 0:32:10 | |
Oof. No, he'll never make his 11. | 0:32:13 | 0:32:17 | |
Not impossible. | 0:32:17 | 0:32:18 | |
Mmm, he can't thread. He can't kiss. | 0:32:18 | 0:32:20 | |
Nothing worse than a bad kisser. | 0:32:20 | 0:32:22 | |
What do you want to bet that not a single one of those men | 0:32:24 | 0:32:27 | |
have ever played against a girl? | 0:32:27 | 0:32:29 | |
I would take that bet. | 0:32:29 | 0:32:31 | |
# ..I'm inclined to pursue | 0:32:31 | 0:32:36 | |
# You go ahead and call me irresponsible | 0:32:36 | 0:32:41 | |
# I admit I'm unreliable | 0:32:41 | 0:32:44 | |
# But it is undeniably true | 0:32:44 | 0:32:51 | |
# That I'm irresponsibly mad | 0:32:51 | 0:32:56 | |
# For you. # | 0:32:56 | 0:33:00 | |
What'd you wish for? | 0:33:22 | 0:33:25 | |
Do-over. | 0:33:25 | 0:33:26 | |
Oh, power over time and space. Quite a penny. | 0:33:26 | 0:33:29 | |
10 francs. | 0:33:29 | 0:33:31 | |
Well, i-in that case, uh... | 0:33:31 | 0:33:33 | |
My engagement ring? | 0:33:35 | 0:33:37 | |
You have another 10 francs? I'll go for world peace. | 0:33:37 | 0:33:40 | |
You've had it this whole time? | 0:33:40 | 0:33:42 | |
- I tried to get your attention. - This whole time? | 0:33:42 | 0:33:44 | |
A guy's gotta pick the right moment | 0:33:44 | 0:33:46 | |
to give a girl a ring. | 0:33:46 | 0:33:48 | |
Wow. | 0:33:49 | 0:33:51 | |
That might have been the worst thing | 0:33:51 | 0:33:52 | |
I could have possibly said right now. | 0:33:52 | 0:33:55 | |
Maybe I am a horrible person. | 0:33:55 | 0:33:58 | |
Just thoughtless sometimes. | 0:33:58 | 0:34:00 | |
Getting into it was so easy - | 0:34:03 | 0:34:06 | |
flower arrangements, bridesmaids dresses. | 0:34:06 | 0:34:10 | |
Getting out? | 0:34:10 | 0:34:12 | |
That part I really messed up. | 0:34:12 | 0:34:15 | |
HE SIGHS | 0:34:15 | 0:34:16 | |
The suspense is over. You're not perfect. | 0:34:16 | 0:34:19 | |
How did you talk Shoot Man into it? | 0:34:25 | 0:34:26 | |
Oh, the thing with musicians | 0:34:26 | 0:34:29 | |
is you gotta start off on the right foot, | 0:34:29 | 0:34:32 | |
which, in this case, was, uh, "What time you got?" | 0:34:32 | 0:34:36 | |
Oh, God. Your Rolex? | 0:34:38 | 0:34:41 | |
SHE SIGHS | 0:34:44 | 0:34:46 | |
Thank you for choosing Pan Am. Good night. | 0:34:51 | 0:34:53 | |
Bye-bye. | 0:34:53 | 0:34:55 | |
Ladies. Captain. | 0:34:55 | 0:34:57 | |
Good to be back in New York. | 0:34:59 | 0:35:00 | |
Yeah. | 0:35:00 | 0:35:02 | |
Did you lose something? | 0:35:02 | 0:35:04 | |
I thought I had a tin of aspirin. | 0:35:04 | 0:35:06 | |
Monte Carlo, always too much of a party. | 0:35:06 | 0:35:08 | |
It's too much of something. | 0:35:08 | 0:35:11 | |
High wire, perhaps. | 0:35:11 | 0:35:14 | |
Always loved walking it myself. | 0:35:14 | 0:35:16 | |
Although sometimes... | 0:35:16 | 0:35:18 | |
it's helpful to have a net. | 0:35:18 | 0:35:20 | |
Now where's the fun in that? | 0:35:20 | 0:35:22 | |
Captain, there you are. I thought we missed you. | 0:35:22 | 0:35:25 | |
Ah, I got you this far. | 0:35:25 | 0:35:27 | |
You'll have to do the rest on your own. | 0:35:27 | 0:35:29 | |
If you ever need anything... | 0:35:29 | 0:35:31 | |
from the inside. | 0:35:31 | 0:35:32 | |
Yeah. And... | 0:35:32 | 0:35:33 | |
if you ever need anything from 35,000 feet... | 0:35:33 | 0:35:36 | |
- OK. - Should probably keep one of these on hand, too. | 0:35:36 | 0:35:41 | |
Yes. I definitely will. | 0:35:41 | 0:35:43 | |
Thank you. | 0:35:43 | 0:35:44 | |
Absolutely. | 0:35:44 | 0:35:46 | |
Keep it running. | 0:36:10 | 0:36:11 | |
- I'll only be a few minutes. - Yes, ma'am. | 0:36:11 | 0:36:14 | |
# Be firm, be fair | 0:36:22 | 0:36:25 | |
# Be sure, beware | 0:36:25 | 0:36:28 | |
# On your guard, take care | 0:36:28 | 0:36:31 | |
# While there's such temptation | 0:36:31 | 0:36:35 | |
# One thing will lead to another | 0:36:35 | 0:36:38 | |
# Too late to run for cover | 0:36:38 | 0:36:41 | |
# She's much too close for comfort now... # | 0:36:41 | 0:36:45 | |
- For me? - Well, it's the least we can do. | 0:36:47 | 0:36:49 | |
Apparently, we don't pay you. | 0:36:49 | 0:36:51 | |
Can't tell that Mr Anderson anything. | 0:36:51 | 0:36:52 | |
Ah, the lovely Lena. | 0:36:52 | 0:36:54 | |
She was blonde last I saw her. | 0:36:54 | 0:36:56 | |
- She mention anything about Gdansk? - Poland? | 0:36:56 | 0:36:59 | |
Site of this year's world fencing championship. | 0:36:59 | 0:37:01 | |
Interesting cover for a spy convention. | 0:37:01 | 0:37:03 | |
I'm pretty sure Lena's already been to fencing school. | 0:37:03 | 0:37:05 | |
The fingerprints should prove helpful. | 0:37:05 | 0:37:08 | |
We'll be able to zero in on the nine aliases | 0:37:08 | 0:37:09 | |
she's used over the last two years. | 0:37:09 | 0:37:11 | |
Nice work. | 0:37:11 | 0:37:13 | |
An 8-year-old could have done it. | 0:37:13 | 0:37:14 | |
Get an invitation to a casino? | 0:37:14 | 0:37:17 | |
Good-looking guy. | 0:37:21 | 0:37:22 | |
I take what you give me. | 0:37:22 | 0:37:24 | |
# ..Be firm, be fair | 0:37:26 | 0:37:28 | |
# Be sure, beware | 0:37:28 | 0:37:30 | |
# On your guard, take care | 0:37:30 | 0:37:33 | |
# While there's such temptation... # | 0:37:33 | 0:37:35 | |
Hey. You can get these right here on the street. | 0:37:35 | 0:37:38 | |
You've gotta love New York. | 0:37:38 | 0:37:40 | |
How was your, uh, insurance...official? | 0:37:40 | 0:37:43 | |
Agent. We call them agents. | 0:37:43 | 0:37:47 | |
I, uh, I couldn't get out of there fast enough. | 0:37:47 | 0:37:49 | |
# ..One thing leads to another | 0:37:49 | 0:37:52 | |
# Too late to run for cover... # | 0:37:52 | 0:37:54 | |
So where are we going? | 0:37:54 | 0:37:55 | |
Oh, just down the street. I'm betting we can find a few men | 0:37:55 | 0:37:58 | |
who've never played pool against a girl. | 0:37:58 | 0:38:01 | |
I'll take that bet. | 0:38:01 | 0:38:03 | |
# ..She's too much too close for comfort now | 0:38:03 | 0:38:11 | |
# Shoedle-ya-doo-ga. # | 0:38:11 | 0:38:14 |