Browse content similar to The Genuine Article. Check below for episodes and series from the same categories and more!
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'Previously on Pan Am...' Why don't you come out of the fog, captain? | 0:00:02 | 0:00:05 | |
- Do we have enough room here? - Yes, of course. | 0:00:05 | 0:00:07 | |
- It's the vice president. - I don't plan on telling him. | 0:00:07 | 0:00:10 | |
Wanna go for a ride? I think I've already been taken for one. | 0:00:10 | 0:00:12 | |
There'll be a man on your next flight - Niko Lonza. | 0:00:12 | 0:00:14 | |
We'll need fingerprints. | 0:00:14 | 0:00:18 | |
- After you. - Pardon me? | 0:00:18 | 0:00:19 | |
We'd all like to know what | 0:00:19 | 0:00:20 | |
YOU'RE weighing in at these days. | 0:00:20 | 0:00:21 | |
Miss Ryan and I can continue our conversation | 0:00:21 | 0:00:23 | |
with her supervisor upon her return. | 0:00:23 | 0:00:25 | |
You keep this up, you're not gonna be around much longer. | 0:00:25 | 0:00:28 | |
MUSIC: Break It To Me Gently by Brenda Lee | 0:00:28 | 0:00:32 | |
GINNY: So what do you say? | 0:00:41 | 0:00:44 | |
Am I Pan Am material? | 0:00:44 | 0:00:46 | |
CHUCKLES My shoes and socks, too? | 0:00:46 | 0:00:48 | |
Remarkably comfortable, I must say. | 0:00:48 | 0:00:50 | |
Well, I'll have to buy you a pair. | 0:00:50 | 0:00:52 | |
Mm. Men's socks - the way to a woman's heart. | 0:00:52 | 0:00:55 | |
Mmm. | 0:00:55 | 0:00:58 | |
Promise not to have too much fun in Rio? | 0:00:58 | 0:01:01 | |
What am I gonna wear? | 0:01:01 | 0:01:02 | |
CHUCKLES | 0:01:02 | 0:01:03 | |
What I did - it was stupid, Miss Havemeyer. I apologise. | 0:01:05 | 0:01:11 | |
I was attempting a little levity, uh, stupidly. | 0:01:11 | 0:01:14 | |
And at my expense. | 0:01:14 | 0:01:16 | |
At the expense of Pan American World Airways. | 0:01:16 | 0:01:19 | |
How did I hurt Pan Am? | 0:01:19 | 0:01:20 | |
My ability to effectively... | 0:01:20 | 0:01:22 | |
Never mind. You're right. | 0:01:22 | 0:01:25 | |
I made a mistake. I will never do it again. | 0:01:25 | 0:01:27 | |
As this is one of several infractions, | 0:01:27 | 0:01:30 | |
your file will be sent to the base manager. | 0:01:30 | 0:01:33 | |
Excuse me. Are you firing me? | 0:01:33 | 0:01:36 | |
The matter is now under review... | 0:01:36 | 0:01:38 | |
Please. I have worked my entire life to be here. | 0:01:38 | 0:01:41 | |
And until an official decision is made, yes, you are grounded. | 0:01:41 | 0:01:47 | |
But I have a flight to Brazil in two hours. | 0:01:47 | 0:01:48 | |
We'll find a replacement. | 0:01:48 | 0:01:50 | |
Who can speak Portuguese? | 0:01:50 | 0:01:53 | |
KATE: Maggie. | 0:01:57 | 0:02:00 | |
- Whoa, Maggie, watch out. - Oh. | 0:02:00 | 0:02:01 | |
You almost stepped in it. | 0:02:01 | 0:02:02 | |
Yeah. Nothing new. | 0:02:02 | 0:02:04 | |
MAN: Hey. I tried you at home. | 0:02:04 | 0:02:06 | |
You were pulled from the Rio flight. | 0:02:06 | 0:02:07 | |
No, not yet. Mrs Olcott said that I could still... | 0:02:07 | 0:02:10 | |
Not you, Maggie. Kate. | 0:02:10 | 0:02:12 | |
Me? Uh, why? | 0:02:12 | 0:02:14 | |
Headquarters can't find your smallpox vaccination. | 0:02:14 | 0:02:17 | |
Uh, d-do you want to see the scar? | 0:02:17 | 0:02:20 | |
They suspect it's their mistake, | 0:02:20 | 0:02:21 | |
but they still can't let you fly until it's sorted out. | 0:02:21 | 0:02:23 | |
Could be a good thing. Your landlord called. | 0:02:23 | 0:02:26 | |
There's a busted pipe in your building. | 0:02:26 | 0:02:28 | |
Uh, d-did he leave a name? | 0:02:28 | 0:02:30 | |
CLICKING Richard something. | 0:02:30 | 0:02:31 | |
Mm-hm. | 0:02:31 | 0:02:32 | |
What's with the photographer? | 0:02:32 | 0:02:34 | |
Life Magazine. | 0:02:34 | 0:02:35 | |
They're doing a follow-up piece of their April profile - | 0:02:35 | 0:02:37 | |
"Day in the life of Pan Am stewardesses." | 0:02:37 | 0:02:39 | |
Really? Our crew? | 0:02:39 | 0:02:40 | |
Uh, don't get too excited. | 0:02:40 | 0:02:42 | |
He's specifically here for Laura. | 0:02:42 | 0:02:43 | |
Sprung it on her ten minutes ago. | 0:02:43 | 0:02:46 | |
Huh. The powers that be are just full of surprises this morning. | 0:02:46 | 0:02:49 | |
And I'm off to deal with a plumber. | 0:02:49 | 0:02:50 | |
Mm. | 0:02:50 | 0:02:51 | |
Take care of my sister. | 0:02:51 | 0:02:53 | |
Oh, don't worry. I won't leave her side. | 0:02:53 | 0:02:56 | |
More ginger ale for you, Mrs Brous? | 0:03:05 | 0:03:07 | |
Yes, but this time with a little bourbon. | 0:03:07 | 0:03:10 | |
Two fingers. | 0:03:10 | 0:03:11 | |
As soon as we're airborne. | 0:03:11 | 0:03:14 | |
Sorry. A little Pan Am posterity. | 0:03:16 | 0:03:18 | |
Best opening line I've had in months. | 0:03:20 | 0:03:22 | |
A book? | 0:03:22 | 0:03:24 | |
But not just any book. "The Feminine Mystique." | 0:03:24 | 0:03:26 | |
You actually read the whole thing? | 0:03:26 | 0:03:27 | |
Didn't skip to the answer key in the back? | 0:03:27 | 0:03:28 | |
Half a million copies sold, and to whom? | 0:03:28 | 0:03:31 | |
Women, and understanding women is the best way to get women. | 0:03:31 | 0:03:34 | |
You understand women? | 0:03:34 | 0:03:36 | |
Oh, less than ever, but at least now it sounds like I do. | 0:03:36 | 0:03:39 | |
Mink. 12 o'clock. | 0:03:39 | 0:03:41 | |
You're flying your paramour down to Rio? | 0:03:44 | 0:03:47 | |
Good morning. Welcome aboard. | 0:03:52 | 0:03:54 | |
Why, thank you. | 0:03:54 | 0:03:56 | |
Hello, Miss Saddler. | 0:03:56 | 0:03:57 | |
Captain Lowrey, you remembered me. | 0:03:57 | 0:04:01 | |
I'm flattered. | 0:04:01 | 0:04:02 | |
And I'm surprised to see you flying with us again so soon. | 0:04:02 | 0:04:06 | |
It seems I can't get enough of your Pan Am service. | 0:04:06 | 0:04:08 | |
Well, we'll try not to disappoint. | 0:04:08 | 0:04:11 | |
I'm counting on it. Love the uniform. | 0:04:11 | 0:04:15 | |
Colette, I need you to switch to economy. | 0:04:19 | 0:04:21 | |
Laura's in first. I'll cover both. | 0:04:21 | 0:04:23 | |
Covering both or covering the photographer? | 0:04:23 | 0:04:26 | |
I'm in need of a little public relations. | 0:04:26 | 0:04:30 | |
Is that what they call it these days? | 0:04:30 | 0:04:32 | |
Management and I have a small difference of opinion. | 0:04:32 | 0:04:35 | |
Anything serious? | 0:04:35 | 0:04:37 | |
No, just my usual pickle. | 0:04:37 | 0:04:40 | |
OK. | 0:04:40 | 0:04:42 | |
MAN: Order up. BELL DINGS | 0:04:43 | 0:04:44 | |
Not again with that book. | 0:04:46 | 0:04:48 | |
Takes me out of this place. | 0:04:48 | 0:04:50 | |
So does that door. | 0:04:50 | 0:04:52 | |
Outside that door is a crazy father | 0:04:52 | 0:04:54 | |
in a trailer with two flat tyres. | 0:04:54 | 0:04:56 | |
In here, at least everyone's pretty, | 0:04:56 | 0:04:59 | |
all their clothes are beautiful, | 0:04:59 | 0:05:00 | |
and none of the parties serve beer. | 0:05:00 | 0:05:03 | |
Books make me sleepy. | 0:05:03 | 0:05:04 | |
Nao leia. Trabalhe! Voce e uma garconete terrivel. | 0:05:06 | 0:05:11 | |
How about some English? I don't speak Portuguese. | 0:05:11 | 0:05:14 | |
This is America. | 0:05:14 | 0:05:15 | |
You bad waitress. You pick up. | 0:05:15 | 0:05:18 | |
You mean boss. You hold horses. | 0:05:18 | 0:05:21 | |
CLATTER | 0:05:27 | 0:05:29 | |
3 cents? 3 cents? I live off my tips. | 0:05:32 | 0:05:36 | |
I grasp that. | 0:05:36 | 0:05:38 | |
Really? You grasp that? What was wrong with my service? | 0:05:38 | 0:05:42 | |
The service was adequate. | 0:05:42 | 0:05:43 | |
Then why didn't you leave me an adequate tip? | 0:05:43 | 0:05:46 | |
I didn't want to encourage you. | 0:05:46 | 0:05:48 | |
I drove my first truck here right after the war, | 0:05:50 | 0:05:52 | |
and, uh, Rose in there served me coffee, black. | 0:05:52 | 0:05:56 | |
I was saving up to go to school on my GI Bill, | 0:05:56 | 0:05:59 | |
but 14 years later, I'm still driving a truck. | 0:05:59 | 0:06:03 | |
She's still pouring joe. | 0:06:03 | 0:06:06 | |
Wait! | 0:06:20 | 0:06:22 | |
Wait! | 0:06:22 | 0:06:24 | |
Wait! Wait! | 0:06:24 | 0:06:27 | |
Wait! | 0:06:27 | 0:06:29 | |
August in New York. | 0:06:40 | 0:06:43 | |
Even the flies are sweating. | 0:06:43 | 0:06:46 | |
Smallpox? Really? | 0:06:46 | 0:06:48 | |
I could have just told them your results were back, | 0:06:48 | 0:06:51 | |
set their inquiring minds aquiver. | 0:06:51 | 0:06:54 | |
Why did you pull me from my flight? | 0:06:54 | 0:06:55 | |
Why haven't I heard from you? | 0:06:55 | 0:06:57 | |
I haven't had anything since Monte Carlo. | 0:06:57 | 0:07:00 | |
Haven't you? Your friend at the United Nations - Niko Lonza? | 0:07:00 | 0:07:03 | |
I've seen him a few times. You said he wasn't the target. | 0:07:05 | 0:07:08 | |
At the time he wasn't. | 0:07:08 | 0:07:09 | |
Lonza works at the Yugoslavian consulate. | 0:07:09 | 0:07:12 | |
Their president, Josip Tito, has been playing us off the Soviets. | 0:07:12 | 0:07:16 | |
How does that involve Nik...Mr Lonza? | 0:07:16 | 0:07:19 | |
Your Niko's leaving town this week, diplomatic business. | 0:07:19 | 0:07:23 | |
We need the wheretos and whatfors | 0:07:23 | 0:07:24 | |
and where he stands politically. | 0:07:24 | 0:07:26 | |
We never talk politics. | 0:07:26 | 0:07:29 | |
Here's your chance. | 0:07:29 | 0:07:30 | |
Am amusement park? | 0:07:36 | 0:07:38 | |
Go play some hooky with your Communist friend. | 0:07:38 | 0:07:41 | |
'The weather in Rio de Janeiro is 20 degrees...' | 0:07:45 | 0:07:49 | |
Again. Don't pose. | 0:07:51 | 0:07:53 | |
I don't know how not to. Excuse me. | 0:07:53 | 0:07:56 | |
You looked totally natural in that cover picture. | 0:07:56 | 0:07:59 | |
Because I didn't know anyone was taking it. | 0:07:59 | 0:08:01 | |
Hard to surprise you here. Where am I going to stand? | 0:08:01 | 0:08:03 | |
They told me this wouldn't happen, | 0:08:03 | 0:08:05 | |
if at all, until next month. | 0:08:05 | 0:08:07 | |
What can I say? | 0:08:07 | 0:08:08 | |
Your Pan Am brass suddenly wanted this in Rio. | 0:08:08 | 0:08:10 | |
If I may, Mr, uh... | 0:08:10 | 0:08:12 | |
Graham will do. | 0:08:12 | 0:08:13 | |
Well, Graham, if you want to see more | 0:08:13 | 0:08:16 | |
of the candid, spontaneous side of the Pan Am stewardess, | 0:08:16 | 0:08:20 | |
you really need to see us out of uniform. | 0:08:20 | 0:08:22 | |
Out of uniform? | 0:08:22 | 0:08:24 | |
Oh, don't get ideas. I mean Rio. I've made a list. | 0:08:24 | 0:08:29 | |
Shopping, the beaches of Ipanema, | 0:08:29 | 0:08:31 | |
the botanical gardens, a night of samba, bossa nova. | 0:08:31 | 0:08:35 | |
Ambitious list. | 0:08:35 | 0:08:36 | |
You should see the one I sent Santa. | 0:08:36 | 0:08:39 | |
Look, Laura's a little uncomfortable | 0:08:40 | 0:08:41 | |
with too much attention, but she listens to me. | 0:08:41 | 0:08:45 | |
I can make this easier for both of you, | 0:08:45 | 0:08:47 | |
if you could do a girl a favour. | 0:08:47 | 0:08:49 | |
I've worked with temperamental before. | 0:08:49 | 0:08:51 | |
I meant me. | 0:08:51 | 0:08:53 | |
Laura was three weeks out of training when that cover | 0:08:53 | 0:08:56 | |
landed her a spot on this brand-new clipper. | 0:08:56 | 0:08:59 | |
Maybe you could sprinkle some of that fairy dust my way | 0:08:59 | 0:09:02 | |
and help me get out of a jam? | 0:09:02 | 0:09:05 | |
Hey, I'm just a guy with a camera. | 0:09:05 | 0:09:07 | |
Who decides where it's pointed. | 0:09:07 | 0:09:09 | |
Nice manoeuvre, | 0:09:11 | 0:09:13 | |
but you'll never give him the slip at 30,000 feet. | 0:09:13 | 0:09:16 | |
I can't understand why they couldn't pick | 0:09:16 | 0:09:17 | |
someone with more experience. | 0:09:17 | 0:09:19 | |
Experience is overrated. | 0:09:19 | 0:09:21 | |
Maggie, I need your help with a woman in 11C. | 0:09:21 | 0:09:23 | |
She wants something but only speaks Portuguese. | 0:09:23 | 0:09:27 | |
Whenever I have to do something I really don't want to, | 0:09:27 | 0:09:29 | |
I pretend I'm playing a role, like an actress in a movie. | 0:09:29 | 0:09:33 | |
Give him a little... | 0:09:33 | 0:09:35 | |
Betty Boop? | 0:09:35 | 0:09:37 | |
Brigitte Bardot? | 0:09:37 | 0:09:39 | |
Bardot's a blonde. | 0:09:39 | 0:09:40 | |
Not originally. | 0:09:40 | 0:09:41 | |
Oh. | 0:09:41 | 0:09:42 | |
Hello, ladies. | 0:09:42 | 0:09:43 | |
I know that I shouldn't, but I'm just going to poke my head in. | 0:09:43 | 0:09:45 | |
Do you want me to take anything in to the pilots? | 0:09:45 | 0:09:48 | |
Uh...I-I don't think so. | 0:09:48 | 0:09:52 | |
Roger that. | 0:09:52 | 0:09:53 | |
Should I have stopped her? | 0:09:55 | 0:09:57 | |
She is Mr Henson's secretary... | 0:09:57 | 0:09:59 | |
and Mr Henson is a Pan Am vice president. | 0:09:59 | 0:10:02 | |
If that woman is Henson's secretary, | 0:10:02 | 0:10:05 | |
then I'm his dog walker. | 0:10:05 | 0:10:06 | |
11C? Portuguese. | 0:10:08 | 0:10:09 | |
"Movie. Fred and Ginger." 15 letters. | 0:10:12 | 0:10:14 | |
Mm. Easy. "Flying down to Rio." Is that whole puzzle about Rio? | 0:10:14 | 0:10:18 | |
OK, smarty-pants. | 0:10:18 | 0:10:20 | |
"Hunchback in Portuguese." Nine letters. | 0:10:20 | 0:10:22 | |
Sanjeev covers the hunchback stuff. | 0:10:22 | 0:10:25 | |
Corcovado. | 0:10:25 | 0:10:26 | |
Gold star, Captain Lowrey. | 0:10:26 | 0:10:28 | |
Corco-what? | 0:10:28 | 0:10:29 | |
Corcovado - that beautiful mountain right in the middle of the city. | 0:10:29 | 0:10:32 | |
The one with the big Jesus? | 0:10:32 | 0:10:34 | |
I'm always afraid we're going to fly right into him. | 0:10:34 | 0:10:36 | |
I think big Jesus is where my boss wants | 0:10:36 | 0:10:37 | |
to take some of the pictures. | 0:10:37 | 0:10:39 | |
That would be Mr Henson, vice president? | 0:10:41 | 0:10:43 | |
He's going to be in Rio? | 0:10:43 | 0:10:44 | |
Oh, he's already there... preparing or something. | 0:10:44 | 0:10:47 | |
Life Magazine photoshoot with one of the stewardesses. | 0:10:47 | 0:10:49 | |
And that's why you're headed down. | 0:10:49 | 0:10:51 | |
Well, you know these VPs. Can't blow their nose | 0:10:51 | 0:10:53 | |
without a gal and a steno pad by their side, so here I am. | 0:10:53 | 0:10:57 | |
Yes, here you are. | 0:10:57 | 0:11:01 | |
Keeping that for yourself, are you? | 0:11:05 | 0:11:07 | |
Maybe it's for a special girl back home. | 0:11:07 | 0:11:09 | |
You say that because you know how competitive I am. | 0:11:09 | 0:11:12 | |
It's for my niece, Magda. | 0:11:12 | 0:11:14 | |
In Yugoslavia, we don't have bears. | 0:11:14 | 0:11:16 | |
We have wolves. | 0:11:16 | 0:11:18 | |
You're going home? | 0:11:18 | 0:11:19 | |
Yeah, to Zagreb, just for one week. | 0:11:19 | 0:11:22 | |
You will miss me? | 0:11:22 | 0:11:24 | |
Is that a command or a question? | 0:11:24 | 0:11:25 | |
Both. | 0:11:25 | 0:11:27 | |
A fortune-teller. Let's get our palms read. | 0:11:27 | 0:11:30 | |
I don't need to come all the way to America | 0:11:30 | 0:11:33 | |
to be swindled. | 0:11:33 | 0:11:34 | |
Well, that's too bad. | 0:11:34 | 0:11:36 | |
A gypsy woman once told me I'd fall in love | 0:11:36 | 0:11:38 | |
with a dark, handsome stranger. | 0:11:38 | 0:11:41 | |
And instead you're stuck with me. | 0:11:41 | 0:11:42 | |
See? Anyone can read a palm. | 0:11:42 | 0:11:45 | |
Bad news? | 0:11:50 | 0:11:52 | |
A secret. | 0:11:52 | 0:11:53 | |
Which one? | 0:11:53 | 0:11:55 | |
Any one you want to tell me. | 0:11:55 | 0:11:56 | |
Here? You want to hear a secret? | 0:11:56 | 0:11:59 | |
We could always leave it to the gypsy. | 0:11:59 | 0:12:01 | |
Here is a secret. | 0:12:01 | 0:12:04 | |
My mind is full of you. | 0:12:05 | 0:12:07 | |
I go to sleep this way. I wake up this way. | 0:12:07 | 0:12:12 | |
You follow me like a ghost... | 0:12:12 | 0:12:15 | |
which is no good. | 0:12:15 | 0:12:17 | |
No good? | 0:12:17 | 0:12:19 | |
With a ghost, I can't do this. | 0:12:19 | 0:12:21 | |
The bear is yours. | 0:12:32 | 0:12:36 | |
You aren't following me, are you? | 0:12:51 | 0:12:53 | |
I was about to ask you the same thing. | 0:12:53 | 0:12:56 | |
Oh, no, no, no, no, no, no, no. | 0:12:57 | 0:12:59 | |
Allow me. | 0:12:59 | 0:13:02 | |
You didn't, by any chance, arrange this, did you? | 0:13:09 | 0:13:14 | |
Right next door. I'm good, but I'm not that good. | 0:13:14 | 0:13:17 | |
I hope you and Henson aren't the noisy type. | 0:13:17 | 0:13:20 | |
Or that foolish. | 0:13:20 | 0:13:22 | |
Well, you're certainly not that forthcoming. | 0:13:22 | 0:13:25 | |
Nine hours ago, it's all garters and socks. | 0:13:25 | 0:13:27 | |
There's no mention of Rio, no mention of Henson. | 0:13:27 | 0:13:29 | |
And if I had? | 0:13:29 | 0:13:31 | |
Then I might have discouraged you from flying Pan Am today. | 0:13:32 | 0:13:35 | |
Well, then I guess I AM that good. | 0:13:35 | 0:13:39 | |
Monte Carlo was a lark. | 0:13:41 | 0:13:43 | |
It was wild, and by some miracle, | 0:13:43 | 0:13:45 | |
we managed to swerve around the accident in the road, | 0:13:45 | 0:13:48 | |
but Rio...Rio is the accident waiting to happen. | 0:13:48 | 0:13:52 | |
Let's keep it in New York, Ginny. | 0:13:52 | 0:13:53 | |
We can read the road signs. We can speak the language. | 0:13:53 | 0:13:58 | |
Hit with common sense, the mighty warrior falls. | 0:14:00 | 0:14:04 | |
LAURA: Kate specifically asked for an alligator bag. | 0:14:11 | 0:14:16 | |
I think we got enough shopping. | 0:14:16 | 0:14:17 | |
Now I'm wasting film. | 0:14:17 | 0:14:19 | |
I haven't even bought anything yet. | 0:14:19 | 0:14:21 | |
What was wrong with the clutch with the big buckles? | 0:14:21 | 0:14:23 | |
Genuine alligator "style" - if "style" means plastic. | 0:14:23 | 0:14:26 | |
Will Kate even know the difference? | 0:14:26 | 0:14:28 | |
Meanwhile, somewhere people are dancing the bossa nova. | 0:14:28 | 0:14:31 | |
I-I'm sorry. You two go ahead. | 0:14:31 | 0:14:34 | |
Kate never asks me for anything, | 0:14:34 | 0:14:36 | |
and I really want to do this for her. | 0:14:36 | 0:14:38 | |
I thought we had a deal. | 0:14:38 | 0:14:40 | |
I'll get her back on track. | 0:14:40 | 0:14:41 | |
Meet us by that big red canoe we saw in 15 minutes. | 0:14:41 | 0:14:44 | |
But not much longer. Life is waiting. | 0:14:44 | 0:14:46 | |
Did we mention we're stewardesses? | 0:14:54 | 0:14:57 | |
We can tell everybody on the plane | 0:14:57 | 0:14:59 | |
how to find your shop or tell them to stay away. | 0:14:59 | 0:15:02 | |
- Pan Am? - All day long. | 0:15:02 | 0:15:03 | |
So we'd like the real thing but for the plastic prices. | 0:15:03 | 0:15:08 | |
Tudo bem. | 0:15:08 | 0:15:10 | |
Stick with me, kid. I know the lay of the land. | 0:15:10 | 0:15:14 | |
Drop slips are red. Red folder. | 0:15:16 | 0:15:18 | |
Add slips are blue. Blue folder. | 0:15:18 | 0:15:21 | |
We usually hire a student for this job, | 0:15:21 | 0:15:23 | |
but they can be so unreliable. | 0:15:23 | 0:15:25 | |
What's this folder for? | 0:15:25 | 0:15:26 | |
That's a request for transcripts. | 0:15:26 | 0:15:28 | |
That gets walked down to Harvey in records. | 0:15:28 | 0:15:30 | |
Now, he will probably offer you | 0:15:30 | 0:15:31 | |
an official degree for your phone number. | 0:15:31 | 0:15:33 | |
You'll want to avoid him. | 0:15:33 | 0:15:34 | |
And where is he exactly, so I can avoid him? | 0:15:34 | 0:15:38 | |
Main administration building. | 0:15:38 | 0:15:40 | |
Oh. | 0:15:40 | 0:15:41 | |
I need to drop a class. Roxanne Gibson. | 0:15:44 | 0:15:48 | |
Oh, world literature. It's a shame. | 0:15:48 | 0:15:51 | |
Oh, I know. Professor Kolker is supposed to be wonderful, | 0:15:51 | 0:15:54 | |
but it interferes with my job. | 0:15:54 | 0:15:56 | |
You're a stewardess? | 0:15:56 | 0:15:57 | |
Yes. Pan Am. Guess it's a giveaway. | 0:15:57 | 0:16:00 | |
Oh, it's more than that. The way you carry yourself. | 0:16:00 | 0:16:03 | |
Pan Am training - confidence, leadership and diplomacy, | 0:16:03 | 0:16:05 | |
all done with style and poise. | 0:16:05 | 0:16:09 | |
Poise. | 0:16:09 | 0:16:10 | |
Anyway, I work Friday flights so I can fit in classes here, | 0:16:10 | 0:16:14 | |
but I have to sacrifice World Lit. | 0:16:14 | 0:16:16 | |
Mm. Red slip. | 0:16:16 | 0:16:18 | |
I'll take care of it. | 0:16:18 | 0:16:20 | |
Ahem. | 0:16:29 | 0:16:31 | |
Don't you have more important things you could be doing? | 0:16:31 | 0:16:33 | |
PROF KOLKER: Welcome to World Literature. | 0:16:38 | 0:16:41 | |
As I call your name, respond not with "here" | 0:16:41 | 0:16:45 | |
but with the title of the one book that you would request | 0:16:45 | 0:16:48 | |
if you were shipwrecked on a desert island. | 0:16:48 | 0:16:50 | |
From that, I will extrapolate and perhaps judge you. | 0:16:50 | 0:16:56 | |
Barnsdale. | 0:16:56 | 0:16:57 | |
A Farewell To Arms. | 0:16:57 | 0:16:58 | |
Cheer up, Barnsdale. | 0:16:58 | 0:17:00 | |
STUDENTS CHUCKLE | 0:17:00 | 0:17:01 | |
Lareau. | 0:17:01 | 0:17:02 | |
Tropic Of Cancer. | 0:17:02 | 0:17:05 | |
Well-played, Lareau. You're on a desert island, after all. | 0:17:05 | 0:17:07 | |
Gibson. | 0:17:07 | 0:17:09 | |
Roxanne Gibson. | 0:17:10 | 0:17:12 | |
The Great Gatsby. | 0:17:12 | 0:17:13 | |
Torn between the lunk who opens your coconuts | 0:17:13 | 0:17:16 | |
and the man you left behind? | 0:17:16 | 0:17:17 | |
Oh, I'm not Daisy, sir. I'm Gatsby. | 0:17:17 | 0:17:21 | |
Ah. In love with what she can't have. | 0:17:21 | 0:17:23 | |
You do realise you end up shot to death in your own pool? | 0:17:23 | 0:17:26 | |
Not before I throw some truly fabulous parties | 0:17:26 | 0:17:28 | |
at my tree house, sir. | 0:17:28 | 0:17:30 | |
Damn the torpedoes. I like that. | 0:17:31 | 0:17:34 | |
I can't believe the texture. | 0:17:34 | 0:17:36 | |
You know genuine when you feel it. | 0:17:36 | 0:17:38 | |
Come on. This way. | 0:17:38 | 0:17:39 | |
And this? I never thought I could afford to replace Ted's. | 0:17:39 | 0:17:43 | |
How can that man make a profit selling a Rolex so cheaply? | 0:17:43 | 0:17:46 | |
I'd say he got the "fell off a truck" discount | 0:17:46 | 0:17:47 | |
and passed it on to us. Hurry up. Graham's waiting. | 0:17:47 | 0:17:50 | |
You mean they're damaged? | 0:17:50 | 0:17:51 | |
You didn't notice that nothing in that stall | 0:17:51 | 0:17:54 | |
was in its original box? | 0:17:54 | 0:17:56 | |
Wait. They're stolen? I bought a stolen watch? | 0:17:56 | 0:17:59 | |
You want me to give a stolen bag to my sister? | 0:17:59 | 0:18:01 | |
- It's not like WE stole them. - Maggie! | 0:18:01 | 0:18:04 | |
Well, if we hadn't bought them, someone else would have. | 0:18:04 | 0:18:07 | |
SIREN WAILS | 0:18:07 | 0:18:09 | |
Uh, so I-I figured, uh, | 0:18:14 | 0:18:16 | |
right out of the gate at the airport, go for it. | 0:18:16 | 0:18:18 | |
She worked for, um, | 0:18:18 | 0:18:19 | |
A-Aerolinhas...Brasileiras or something. | 0:18:19 | 0:18:22 | |
Isn't that a cargo carrier? | 0:18:22 | 0:18:25 | |
That was my opening line. | 0:18:25 | 0:18:26 | |
Oh, yeah. "Ola, senhorita. | 0:18:26 | 0:18:27 | |
"I would like to show you my very heavy cargo." | 0:18:27 | 0:18:30 | |
These Brazilian women - they don't understand me. | 0:18:30 | 0:18:32 | |
It's pitiful. It's pitiful. | 0:18:32 | 0:18:34 | |
GINNY: Captain Lowrey. | 0:18:34 | 0:18:35 | |
HENSON: You're right, Ginny. | 0:18:35 | 0:18:37 | |
It is the good captain and his merry crew. | 0:18:37 | 0:18:39 | |
Miss Saddler. Mr Henson. | 0:18:39 | 0:18:43 | |
Good evening. | 0:18:43 | 0:18:43 | |
Mr Henson, good to see you, sir. | 0:18:43 | 0:18:46 | |
Good to see you, too, Vanderwill. | 0:18:46 | 0:18:47 | |
Vanderway. Or Ted. Whichever. | 0:18:47 | 0:18:49 | |
We thought you all might like to join us for dinner. | 0:18:49 | 0:18:51 | |
If you haven't eaten. We're all here, right? | 0:18:51 | 0:18:54 | |
Well, I-I'm afraid you're going to have to make do | 0:18:54 | 0:18:57 | |
with the good captain and Miss Valois. I have, uh... | 0:18:57 | 0:18:58 | |
An assignation? | 0:18:58 | 0:19:00 | |
You know these Brazilian girls. | 0:19:00 | 0:19:03 | |
One strike left with the bases loaded. | 0:19:03 | 0:19:04 | |
Well, swing away, by all means, Vanderwick. | 0:19:04 | 0:19:06 | |
HE SIGHS AND MUTTERS | 0:19:06 | 0:19:09 | |
Yeah. | 0:19:09 | 0:19:10 | |
This is swell. Shall we? | 0:19:13 | 0:19:16 | |
(What if they cut off our hands?) | 0:19:23 | 0:19:25 | |
We're in Rio, not Saudi Arabia, | 0:19:25 | 0:19:28 | |
and we didn't steal anything. | 0:19:28 | 0:19:30 | |
Tell them that. Tell them anything. | 0:19:30 | 0:19:32 | |
You haven't said a word in our defence. | 0:19:32 | 0:19:34 | |
That's because there's nothing to defend. | 0:19:34 | 0:19:36 | |
They don't know our purchases fell off a truck. | 0:19:36 | 0:19:38 | |
Then why are we here? | 0:19:38 | 0:19:41 | |
For whatever reason they come up with. | 0:19:41 | 0:19:43 | |
Loitering, probably. | 0:19:43 | 0:19:44 | |
Loitering? We were shopping. We need to call Pan Am. | 0:19:44 | 0:19:49 | |
Pan Am? | 0:19:49 | 0:19:51 | |
Yes. Yes. Pan Am. Hotel Intercontinental. | 0:19:51 | 0:19:54 | |
Maggie, he obviously wants to clear things up. | 0:19:54 | 0:19:56 | |
He obviously wants a bribe. | 0:19:56 | 0:19:59 | |
Look, this happens. | 0:19:59 | 0:20:01 | |
They pull two girls into the big, scary jail | 0:20:01 | 0:20:03 | |
in the hopes of getting a payoff. | 0:20:03 | 0:20:06 | |
Well, it worked. I'm scared, so let's pay them off. | 0:20:06 | 0:20:09 | |
We don't have enough on us, | 0:20:09 | 0:20:10 | |
and everybody we know is out for the evening, | 0:20:10 | 0:20:13 | |
so if we just keep our mouths shut, | 0:20:13 | 0:20:15 | |
they'll let us go, OK? | 0:20:15 | 0:20:17 | |
I am supposed to meet the photographer and Mr Henson | 0:20:17 | 0:20:20 | |
first thing in the morning. | 0:20:20 | 0:20:21 | |
Go over there right now, find out how much they want | 0:20:21 | 0:20:23 | |
and then tell them we need to make a long-distance call | 0:20:23 | 0:20:25 | |
to New York. | 0:20:25 | 0:20:26 | |
Kate can wire the money. | 0:20:26 | 0:20:27 | |
I can't do that. | 0:20:27 | 0:20:28 | |
Maggie, I don't want to spend the night in j... | 0:20:28 | 0:20:30 | |
I mean, I actually can't do that. | 0:20:30 | 0:20:33 | |
I don't speak Portuguese. | 0:20:33 | 0:20:36 | |
But that's one of your languages. | 0:20:36 | 0:20:38 | |
I've heard you speak it. | 0:20:38 | 0:20:39 | |
A few words. | 0:20:39 | 0:20:40 | |
I can tell Officer Roberto what a bad waitress he is, | 0:20:40 | 0:20:43 | |
if you think that'll help. | 0:20:43 | 0:20:46 | |
You're a fake. | 0:20:47 | 0:20:49 | |
It was the best of semesters. | 0:20:49 | 0:20:51 | |
It was the worst of semesters. | 0:20:51 | 0:20:55 | |
Yes, these grades are final. | 0:20:55 | 0:20:56 | |
No, you may not question them, nor may you grovel. | 0:20:56 | 0:20:58 | |
No hysterics. | 0:20:58 | 0:21:01 | |
How about dignified weeping? | 0:21:01 | 0:21:03 | |
Jane Austen would not approve. | 0:21:03 | 0:21:04 | |
But Jane Austen didn't have to pull | 0:21:04 | 0:21:05 | |
three all-nighters before finals. | 0:21:05 | 0:21:07 | |
I doubt Miss Austen would blanch | 0:21:07 | 0:21:09 | |
at a little academic critique. | 0:21:09 | 0:21:11 | |
Why then, I wonder, did she write under a pseudonym? | 0:21:11 | 0:21:14 | |
Who in this class would understand her motives | 0:21:14 | 0:21:16 | |
better than you, Roxanne? | 0:21:16 | 0:21:19 | |
You would have gotten an "A" on the exam. | 0:21:27 | 0:21:30 | |
In fact, you did well the whole term, | 0:21:30 | 0:21:32 | |
or rather... | 0:21:32 | 0:21:34 | |
somebody did well. | 0:21:34 | 0:21:36 | |
It's my work. | 0:21:36 | 0:21:37 | |
And you are whom? Roxanne? Susan? Marjorie? | 0:21:37 | 0:21:42 | |
Did you really think you could keep this up, | 0:21:42 | 0:21:44 | |
sitting in on classes, masquerading as other girls? | 0:21:44 | 0:21:48 | |
I was working at the registrar's office. | 0:21:48 | 0:21:50 | |
People kept dropping these wonderful classes. | 0:21:50 | 0:21:53 | |
All I did was pick them up. | 0:21:53 | 0:21:55 | |
You're not even enrolled. | 0:21:55 | 0:21:58 | |
Do you have any idea how much trouble you're in? | 0:21:58 | 0:22:00 | |
Gatsby, indeed. | 0:22:01 | 0:22:03 | |
You're smart. | 0:22:06 | 0:22:08 | |
You're a hard worker, well-possessed. | 0:22:08 | 0:22:10 | |
Make someone see that. | 0:22:10 | 0:22:13 | |
To Pan American World Airways. | 0:22:13 | 0:22:17 | |
- Pan American. - Pan American. | 0:22:17 | 0:22:18 | |
La meilleure compagnie aerienne de tous les temps. | 0:22:18 | 0:22:20 | |
The best airline that ever will be. | 0:22:20 | 0:22:22 | |
Mm. I didn't know you spoke French. | 0:22:22 | 0:22:24 | |
Oh, gosh, no. What did I say? | 0:22:24 | 0:22:27 | |
Almost exactly what I said. | 0:22:27 | 0:22:29 | |
But you notice the difference, though? | 0:22:31 | 0:22:34 | |
No accent. | 0:22:34 | 0:22:35 | |
That's why you're a vice president. | 0:22:36 | 0:22:38 | |
And you, captain, are an excellent pilot, | 0:22:39 | 0:22:43 | |
and there is nothing wrong with that. | 0:22:43 | 0:22:45 | |
To Captain Lowrey. | 0:22:47 | 0:22:50 | |
No, no, no, no, no. To...to Air Force training. | 0:22:50 | 0:22:52 | |
Oh. "Yes, sir! No, sir! Right away, sir!" | 0:22:52 | 0:22:56 | |
All that authority crap. I would have put a gun in my mouth. | 0:22:56 | 0:22:58 | |
And yet you are authority. | 0:22:58 | 0:23:00 | |
Everywhere but in the cockpit. | 0:23:00 | 0:23:03 | |
Ooh. I think I've waited almost too long. | 0:23:03 | 0:23:07 | |
I'm going to the little girl's room. | 0:23:07 | 0:23:09 | |
I'll go with you. | 0:23:09 | 0:23:10 | |
First, where is that waiter? | 0:23:10 | 0:23:13 | |
I'm going to get us some more eau-de-vie. | 0:23:13 | 0:23:16 | |
That's French, right? | 0:23:16 | 0:23:17 | |
Oui. | 0:23:17 | 0:23:19 | |
Be right back. | 0:23:21 | 0:23:22 | |
Yeah. | 0:23:22 | 0:23:23 | |
I don't know how you handle the travel. | 0:23:25 | 0:23:28 | |
Oh, you seem to travel quite a lot. | 0:23:28 | 0:23:31 | |
I don't know how the hell I handle it. | 0:23:31 | 0:23:32 | |
Well, you know what they say. | 0:23:32 | 0:23:35 | |
Plenty of water. | 0:23:35 | 0:23:38 | |
No. | 0:23:38 | 0:23:41 | |
Plenty of Ginny. | 0:23:41 | 0:23:43 | |
Oh, don't play confused on me now, captain. | 0:23:45 | 0:23:47 | |
I think we both know Ginny's not my secretary. | 0:23:47 | 0:23:49 | |
I don't...sir, what...what two people do on their own... | 0:23:49 | 0:23:52 | |
No, no, no. Don't call me sir. Call me Henson. | 0:23:52 | 0:23:54 | |
CLEARS THROAT | 0:23:54 | 0:23:56 | |
Ginny is... over-the-rainbow wacky | 0:23:56 | 0:24:00 | |
and intoxicating. | 0:24:00 | 0:24:02 | |
I don't...I-I wouldn't, uh... | 0:24:02 | 0:24:04 | |
She does have a way about her. | 0:24:04 | 0:24:07 | |
Most men wouldn't understand why I...I love her, | 0:24:08 | 0:24:13 | |
but you, captain, | 0:24:13 | 0:24:16 | |
I'm guessing you are a man who does. | 0:24:16 | 0:24:20 | |
With this faith, we will be able to transform | 0:24:25 | 0:24:29 | |
the jangling discords of our nation | 0:24:29 | 0:24:32 | |
into a beautiful symphony of brotherhood. | 0:24:32 | 0:24:35 | |
With this faith, we will be able to work together, | 0:24:35 | 0:24:37 | |
to pray tog... | 0:24:37 | 0:24:38 | |
Excuse me. We were watching that. | 0:24:38 | 0:24:41 | |
Brave man. | 0:24:42 | 0:24:44 | |
Reminds me of my cousin. | 0:24:44 | 0:24:47 | |
Men like that don't live too long in my country. | 0:24:47 | 0:24:50 | |
It took a lot of years to make that speech possible, | 0:24:50 | 0:24:54 | |
and even now... | 0:24:54 | 0:24:55 | |
Yeah, but still, so many people came to listen. | 0:24:55 | 0:24:58 | |
Here in...in America, there is...there is hope. | 0:24:58 | 0:25:01 | |
You don't have hope for Yugoslavia? | 0:25:01 | 0:25:03 | |
It...it is static... | 0:25:04 | 0:25:07 | |
And worse, I'm static. | 0:25:08 | 0:25:11 | |
I thought Tito was making changes. | 0:25:11 | 0:25:13 | |
Oh, changes, yeah, but, uh, for the better? | 0:25:13 | 0:25:17 | |
Where's the music? We need some music. | 0:25:19 | 0:25:21 | |
You're choosing? | 0:25:21 | 0:25:24 | |
Oh, I'm paying. You're choosing. | 0:25:24 | 0:25:26 | |
Something new, for a new day. | 0:25:26 | 0:25:29 | |
OK. Roy Orbison. The Beach Boys. The Chiffons. | 0:25:29 | 0:25:34 | |
Chime in. You see anything you like? | 0:25:34 | 0:25:36 | |
Walk Like A Man? | 0:25:36 | 0:25:38 | |
Oh, yeah. Frankie Valli and The Four Seasons. | 0:25:38 | 0:25:41 | |
- Any good? - It's really good. | 0:25:41 | 0:25:43 | |
OK, before I invest my nickel, you tell me how it goes. | 0:25:43 | 0:25:46 | |
I am not singing. | 0:25:46 | 0:25:47 | |
Pay your money and take your chances. | 0:25:47 | 0:25:50 | |
Should I take you home? | 0:25:54 | 0:25:56 | |
It seems like something's bothering you. | 0:26:01 | 0:26:03 | |
The people in that square... | 0:26:06 | 0:26:08 | |
they face great risk for what is right. | 0:26:08 | 0:26:13 | |
They walk like men. | 0:26:13 | 0:26:15 | |
Niko, in my experience, you know, | 0:26:16 | 0:26:18 | |
life changes every minute. | 0:26:18 | 0:26:22 | |
If there's something you want to do, | 0:26:22 | 0:26:25 | |
it's never too late. | 0:26:25 | 0:26:26 | |
Dean. | 0:26:33 | 0:26:35 | |
Dean, it's me. | 0:26:36 | 0:26:38 | |
Dean, I'm so sorry. It was such a stupid idea. | 0:26:43 | 0:26:48 | |
Dean. | 0:26:51 | 0:26:52 | |
This isn't necessary. | 0:27:07 | 0:27:10 | |
Necessary? You mean like how fluency in Portuguese | 0:27:10 | 0:27:14 | |
is necessary for stewardesses who claim to speak it? | 0:27:14 | 0:27:18 | |
You know, food must taste great from a silver spoon... | 0:27:18 | 0:27:21 | |
Necessary, so you can, say, serve drinks, offer directions, | 0:27:21 | 0:27:25 | |
or, I don't know, talk your way | 0:27:25 | 0:27:27 | |
out of a police precinct in Rio de Janeiro? | 0:27:27 | 0:27:30 | |
Atencao. | 0:27:30 | 0:27:32 | |
Eu gostaria de telefonar para os estados unidos. | 0:27:33 | 0:27:38 | |
Minha irma vierma la e tem o dinheiro. | 0:27:38 | 0:27:42 | |
Dinheiro. | 0:27:42 | 0:27:43 | |
Dinheiro. | 0:27:43 | 0:27:44 | |
(Thank you.) | 0:27:44 | 0:27:46 | |
Nos gastariamos de pagar e... | 0:27:46 | 0:27:49 | |
Where's your photographer now? | 0:27:49 | 0:27:51 | |
Ted! | 0:27:51 | 0:27:52 | |
Oh, I'm just dying to know | 0:27:52 | 0:27:54 | |
how you ladies pulled this one off. | 0:27:54 | 0:27:57 | |
There we go. | 0:28:00 | 0:28:03 | |
I never thought I'd be able to afford to replace yours. | 0:28:03 | 0:28:06 | |
Oh, you didn't have to do that. | 0:28:06 | 0:28:08 | |
You were so sweet to... | 0:28:08 | 0:28:09 | |
OK, OK. Can you just get us out of here? | 0:28:09 | 0:28:11 | |
Just be grateful I happened to be striking out | 0:28:11 | 0:28:14 | |
at the hotel bar when these gentlemen called up | 0:28:14 | 0:28:18 | |
asking to speak to the Pan Am boss. | 0:28:18 | 0:28:23 | |
Suficiente? | 0:28:24 | 0:28:26 | |
SHE PANTS | 0:28:44 | 0:28:46 | |
Excuse me. Pan Am? There you are. | 0:28:51 | 0:28:54 | |
I'm Maggie Ryan. | 0:28:54 | 0:28:55 | |
I'm sorry, Miss Ryan. | 0:28:57 | 0:28:59 | |
The interviews were from 3 to 6. | 0:28:59 | 0:29:00 | |
Oh, please! I-I came all the way from Tacoma. | 0:29:00 | 0:29:03 | |
I'm afraid we've found our girls. | 0:29:03 | 0:29:05 | |
Well, I would have made it on time | 0:29:05 | 0:29:07 | |
if it weren't for the accident. | 0:29:07 | 0:29:09 | |
A logging truck - the bindings came loose, | 0:29:09 | 0:29:11 | |
and timber was raining from the sky, | 0:29:11 | 0:29:13 | |
and I had to stay until the ambulances came. | 0:29:13 | 0:29:16 | |
You would be surprised how few people know how | 0:29:16 | 0:29:18 | |
to staunch the flow of blood. | 0:29:18 | 0:29:20 | |
Well, that's very impressive. | 0:29:20 | 0:29:22 | |
But as I'm sure you're aware, | 0:29:22 | 0:29:23 | |
the Pan Am stewardess is, above all things... | 0:29:23 | 0:29:25 | |
Cultured. | 0:29:25 | 0:29:26 | |
I've had my heart broken twice, Mr... | 0:29:26 | 0:29:29 | |
Claymore. | 0:29:29 | 0:29:30 | |
Once by a boy named Chip | 0:29:30 | 0:29:32 | |
and once by a man named F Scott Fitzgerald. | 0:29:32 | 0:29:36 | |
And I wasn't even an English major. | 0:29:36 | 0:29:39 | |
World history - that's my passion. | 0:29:39 | 0:29:41 | |
My transcript, hot off | 0:29:41 | 0:29:44 | |
the presses of the Berkeley's registrar's office. | 0:29:44 | 0:29:47 | |
I saw to it myself. | 0:29:47 | 0:29:49 | |
Well, you've got gumption, Miss Ryan. | 0:29:49 | 0:29:50 | |
And poise, Mr Claymore - | 0:29:50 | 0:29:52 | |
that Pan Am poise. | 0:29:52 | 0:29:55 | |
I did a stint modelling the latest fashions from Paris. | 0:29:55 | 0:30:00 | |
But the thing that irks me about modelling - | 0:30:00 | 0:30:03 | |
what really riles me - | 0:30:03 | 0:30:06 | |
that it's all about the body | 0:30:06 | 0:30:08 | |
and nothing at all to do with the brain. | 0:30:08 | 0:30:11 | |
I think women should be acknowledged for their brain. | 0:30:11 | 0:30:14 | |
- I-I see you took some Spanish. - Hmm. | 0:30:14 | 0:30:16 | |
Unfortunately, we have a surplus of Spanish speakers. | 0:30:16 | 0:30:19 | |
Limpar a bagunca na mesa nove? | 0:30:19 | 0:30:23 | |
- Catalan? - Portuguese. | 0:30:23 | 0:30:25 | |
You're fluent? | 0:30:25 | 0:30:26 | |
Here's the thing. | 0:30:26 | 0:30:27 | |
I've been training my whole life for this job. | 0:30:27 | 0:30:30 | |
I know both elbow grease and elocution. | 0:30:30 | 0:30:34 | |
But I think the most important thing for a Pan Am stewardess | 0:30:34 | 0:30:37 | |
is that she be good company for the journey | 0:30:37 | 0:30:39 | |
and a fast friend. | 0:30:39 | 0:30:42 | |
SPEAKS CROATIAN | 0:31:04 | 0:31:07 | |
RECEIVER SLAMS | 0:31:07 | 0:31:09 | |
I'm sorry for that. | 0:31:10 | 0:31:12 | |
No, I hate to see you this upset. | 0:31:12 | 0:31:15 | |
My cousin has been put on a show trial. | 0:31:15 | 0:31:18 | |
You know what that is? | 0:31:18 | 0:31:20 | |
It's a favourite practice of Tito's regime. | 0:31:20 | 0:31:22 | |
The defendant has little-to-no opportunity | 0:31:22 | 0:31:25 | |
to justify himself. | 0:31:25 | 0:31:26 | |
My cousin - he was forced to sign a statement under duress. | 0:31:26 | 0:31:30 | |
He was tortured? | 0:31:30 | 0:31:31 | |
He'll be found guilty. | 0:31:31 | 0:31:33 | |
I must go to Belgrade and do what I can. | 0:31:33 | 0:31:35 | |
But what about Zagreb and your family? | 0:31:35 | 0:31:38 | |
It'll have to wait. | 0:31:38 | 0:31:39 | |
Niko, are you in danger? | 0:31:39 | 0:31:41 | |
Tito has put an entire nation in danger. | 0:31:41 | 0:31:44 | |
"Chief Architect" of the "Second Yugoslavia", | 0:31:44 | 0:31:47 | |
and yet his dreams are not for his people. | 0:31:47 | 0:31:50 | |
I must go and try to help my cousin. | 0:31:52 | 0:31:54 | |
This might be the last time I'll ever see him again. | 0:31:54 | 0:31:56 | |
Niko... | 0:31:56 | 0:31:58 | |
..my mind is full of you, too. | 0:32:02 | 0:32:05 | |
Maggie, those cops were lucky there wasn't a fork around. | 0:32:28 | 0:32:31 | |
Don't start in on me, OK? | 0:32:31 | 0:32:32 | |
I know. You warned me before, and I didn't listen. | 0:32:32 | 0:32:35 | |
Whoa. That was me saying hi. | 0:32:35 | 0:32:38 | |
You girls did your time, paid your debt to society. | 0:32:38 | 0:32:40 | |
Tell that to the base manager. | 0:32:40 | 0:32:43 | |
I thought we kept him out of this. | 0:32:43 | 0:32:44 | |
Not the one in Rio, Ted. | 0:32:44 | 0:32:46 | |
You mean New York? You mean that base manager? | 0:32:46 | 0:32:50 | |
Ted... | 0:32:53 | 0:32:55 | |
I disagree with your politics, your attitude toward women, | 0:32:55 | 0:32:58 | |
and, well... you as a person in general, | 0:32:58 | 0:33:02 | |
but...you show up. You come through, | 0:33:02 | 0:33:06 | |
and not everyone does that, so... | 0:33:06 | 0:33:09 | |
..thank you. | 0:33:10 | 0:33:13 | |
Maggie, what is going on? | 0:33:13 | 0:33:15 | |
Maggie? | 0:33:15 | 0:33:18 | |
Are you sure you don't need a few more plane photos? | 0:33:29 | 0:33:32 | |
I have plenty. | 0:33:32 | 0:33:34 | |
I didn't mean to abandon you at the beach, honest. | 0:33:34 | 0:33:37 | |
Well, even Coco Chanel only stood me up for three hours. | 0:33:37 | 0:33:40 | |
You shot Coco Chanel? | 0:33:40 | 0:33:42 | |
Almost. She, uh, ran off with an alligator bag. | 0:33:42 | 0:33:46 | |
I don't suppose I could make it up to you. | 0:33:47 | 0:33:51 | |
I could make you a list. | 0:33:51 | 0:33:53 | |
I'll get you a pen. | 0:33:53 | 0:33:56 | |
- Oh. - Sorry. | 0:34:04 | 0:34:05 | |
Mr Henson, can I offer you anything? | 0:34:15 | 0:34:18 | |
No, thank you. I'm fine. | 0:34:18 | 0:34:20 | |
Then maybe you can help me with something. | 0:34:20 | 0:34:24 | |
If a girl was to find herself | 0:34:25 | 0:34:26 | |
in a little bind with the airline, | 0:34:26 | 0:34:29 | |
would you be in a position to perhaps put in a good word? | 0:34:29 | 0:34:34 | |
I don't get involved in personal issues, if that's what you mean. | 0:34:34 | 0:34:36 | |
It wasn't even a serious infraction. | 0:34:36 | 0:34:39 | |
I can't help you. Sorry. | 0:34:39 | 0:34:42 | |
Well...thank you anyway. | 0:34:44 | 0:34:47 | |
Did Graham get all the shots he needed? | 0:34:51 | 0:34:54 | |
I owe him some time in New York. | 0:34:54 | 0:34:56 | |
Well, I'm sure it'll be fine. | 0:34:56 | 0:34:58 | |
You'll be the model stewardess. | 0:34:58 | 0:35:00 | |
Well, that's funny, coming from you. | 0:35:00 | 0:35:05 | |
I already apologised. | 0:35:05 | 0:35:07 | |
In what language? Portuguese? | 0:35:07 | 0:35:11 | |
I didn't hear anything that sounded like an apology. | 0:35:11 | 0:35:15 | |
No-one ever had any expectations of me. | 0:35:19 | 0:35:23 | |
Never thought I could get anywhere - | 0:35:23 | 0:35:25 | |
not my family, not my friends. | 0:35:25 | 0:35:28 | |
But for some reason, I did. | 0:35:28 | 0:35:33 | |
Even though I didn't know where "anywhere" was | 0:35:33 | 0:35:36 | |
or how I would find it. | 0:35:36 | 0:35:38 | |
Yet here I am. | 0:35:38 | 0:35:40 | |
I made a new me. | 0:35:40 | 0:35:43 | |
I took a lot of shortcuts, | 0:35:43 | 0:35:44 | |
I told more than a few fibs. | 0:35:44 | 0:35:47 | |
Every time I got caught, I moved on. | 0:35:47 | 0:35:50 | |
Each close call was a stepping-stone | 0:35:50 | 0:35:52 | |
to something better. | 0:35:52 | 0:35:55 | |
But this time, there is nothing better. | 0:35:55 | 0:35:59 | |
This is it. | 0:35:59 | 0:36:01 | |
I can't lose Pan Am. | 0:36:01 | 0:36:04 | |
Why would you lose it? | 0:36:04 | 0:36:06 | |
The truth is, | 0:36:10 | 0:36:11 | |
I admire you more than you know. | 0:36:11 | 0:36:15 | |
And I'm sorry, Laura. | 0:36:15 | 0:36:18 | |
He was flying to Zagreb, but he changed his plans. | 0:36:33 | 0:36:37 | |
Belgrade. | 0:36:37 | 0:36:38 | |
His cousin's on "show trial" there. | 0:36:38 | 0:36:41 | |
Anything else? | 0:36:41 | 0:36:43 | |
He's not a Communist. | 0:36:45 | 0:36:46 | |
They don't all carry cards, you know. | 0:36:46 | 0:36:50 | |
He hates Tito, admires Martin Luther King, | 0:36:50 | 0:36:52 | |
and he even likes Frankie Valli and The Four Seasons. | 0:36:52 | 0:36:56 | |
The part about Tito is interesting. | 0:36:56 | 0:36:58 | |
He said that Tito's dreams were not for his people. | 0:36:58 | 0:37:01 | |
Daring words for a diplomat. | 0:37:01 | 0:37:04 | |
He must trust you. | 0:37:04 | 0:37:05 | |
He shouldn't. | 0:37:05 | 0:37:08 | |
Sounds like he's working for the wrong people. | 0:37:08 | 0:37:10 | |
Is that what this is about? You want him to spy for you? | 0:37:13 | 0:37:17 | |
For us. | 0:37:17 | 0:37:18 | |
You'll have to tread lightly. | 0:37:18 | 0:37:20 | |
Turning a target into an asset is about patience and control. | 0:37:20 | 0:37:23 | |
For now, just keep building on that trust. | 0:37:23 | 0:37:25 | |
You want me to turn him? | 0:37:25 | 0:37:27 | |
Welcome to the big leagues. | 0:37:27 | 0:37:29 | |
Richard, no. | 0:37:29 | 0:37:32 | |
I'm a-a courier, remember? I... This is... | 0:37:32 | 0:37:35 | |
I can't do this. | 0:37:35 | 0:37:37 | |
With the way Niko feels about Tito, | 0:37:37 | 0:37:40 | |
how long do you think he's going to last? | 0:37:40 | 0:37:42 | |
Dean. | 0:37:53 | 0:37:55 | |
Everett's inside. It's fine. | 0:37:57 | 0:38:00 | |
Ginny, let's give this a few days. | 0:38:00 | 0:38:02 | |
You were right. Rio was... | 0:38:06 | 0:38:11 | |
I was the accident waiting to happen. | 0:38:11 | 0:38:14 | |
And the dinner - I'm... | 0:38:16 | 0:38:18 | |
I'm sorry that I put you through that. | 0:38:18 | 0:38:20 | |
I know you are, but this is not the time | 0:38:20 | 0:38:22 | |
to talk about it. | 0:38:22 | 0:38:23 | |
I don't want to sneak around anymore. | 0:38:23 | 0:38:26 | |
Neither do I. | 0:38:26 | 0:38:28 | |
I don't want to pretend anymore. | 0:38:28 | 0:38:29 | |
I can't pretend anymore, Dean. | 0:38:29 | 0:38:31 | |
Not when I've fallen in love. | 0:38:33 | 0:38:36 | |
Margaret. | 0:38:48 | 0:38:51 | |
Margaret, before you go, | 0:38:51 | 0:38:52 | |
the base manager's expecting you in his office. | 0:38:52 | 0:38:55 | |
Already? Now? | 0:38:55 | 0:38:57 | |
I'm sorry. | 0:38:57 | 0:38:58 | |
Margaret? | 0:39:03 | 0:39:05 | |
Now. | 0:39:05 | 0:39:07 | |
OK, um, tell him I'll be there in a minute. | 0:39:07 | 0:39:10 | |
Mr Henson, I hate to bother you again, | 0:39:16 | 0:39:19 | |
but if you would reconsider helping me out... | 0:39:19 | 0:39:21 | |
I already told you, I don't get involved in... | 0:39:21 | 0:39:24 | |
What if I returned the favour? | 0:39:24 | 0:39:27 | |
Saving your job is more than a favour. | 0:39:27 | 0:39:29 | |
What if I could tell you something | 0:39:29 | 0:39:31 | |
about someone you're very close to? | 0:39:31 | 0:39:33 | |
# Just one more chance | 0:39:36 | 0:39:40 | |
# To prove it's you alone I care for... # | 0:39:41 | 0:39:48 | |
Miss Havemeyer. | 0:39:48 | 0:39:50 | |
Miss Ryan, I heard you made a new friend | 0:39:50 | 0:39:52 | |
on your flight home from Brazil. | 0:39:52 | 0:39:54 | |
I try to make friends wherever I go. | 0:39:54 | 0:39:56 | |
I can only imagine. | 0:39:56 | 0:39:59 | |
# Just one more chance | 0:39:59 | 0:40:04 | |
# But now I'm back to cry my heart out. # | 0:40:04 | 0:40:10 | |
Bem-vindo. Como eu posso o ajudar? | 0:40:10 | 0:40:13 | |
'Welcome. How can I help you? | 0:40:13 | 0:40:15 | |
'Bem-vindo. Como eu posso o ajudar?' | 0:40:15 | 0:40:18 | |
Bem-vindo. Como eu posso... | 0:40:18 | 0:40:22 | |
'Welcome. How can I help you? | 0:40:26 | 0:40:28 | |
'Bem-vindo. Como eu posso o ajudar?' | 0:40:28 | 0:40:32 |