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Previously: | 0:00:02 | 0:00:03 | |
You smell like whiskey and cigarettes. | 0:00:03 | 0:00:04 | |
You smell like...Paris. | 0:00:04 | 0:00:06 | |
I don't wanna worry about you | 0:00:06 | 0:00:08 | |
and I don't wanna take care of you. | 0:00:08 | 0:00:10 | |
Who's asking you to? | 0:00:10 | 0:00:11 | |
Well, it ain't much, but it's home. Welcome aboard. | 0:00:11 | 0:00:14 | |
My mind is full of you. You follow me like a ghost. | 0:00:16 | 0:00:20 | |
Are you in danger? | 0:00:20 | 0:00:21 | |
Tito has put an entire nation in danger. | 0:00:21 | 0:00:23 | |
You want him to spy for you? For us. | 0:00:23 | 0:00:25 | |
You want me to turn him? | 0:00:25 | 0:00:27 | |
Welcome to the big leagues. | 0:00:27 | 0:00:28 | |
INDISTINCT CONVERSATIONS AND LAUGHTER | 0:00:30 | 0:00:32 | |
I am a jelly doughnut! | 0:00:41 | 0:00:43 | |
CHEERING AND LAUGHTER | 0:00:43 | 0:00:46 | |
# He makes me laugh He makes me cry. # | 0:00:46 | 0:00:49 | |
Berlin, right? "The Village Voice." | 0:00:49 | 0:00:53 | |
You remember. | 0:00:53 | 0:00:54 | |
I hear you have... amazing credentials. Ow. | 0:00:54 | 0:00:57 | |
CHUCKLES: You'll have to excuse her. | 0:00:57 | 0:00:59 | |
She's been drinking sloe gin fizzes. | 0:00:59 | 0:01:01 | |
There is a lot of alcohol in it, but they just taste so good. | 0:01:01 | 0:01:03 | |
It's an enticing combination. | 0:01:03 | 0:01:05 | |
Here. Take mine. | 0:01:05 | 0:01:07 | |
CHUCKLING | 0:01:07 | 0:01:09 | |
She triples the sugar. | 0:01:09 | 0:01:11 | |
Great song. | 0:01:12 | 0:01:14 | |
Listen, earlier on the plane... | 0:01:14 | 0:01:18 | |
Joe, this is Maggie's friend Sam. | 0:01:18 | 0:01:20 | |
Sam is, um, he's into s-philosophy. | 0:01:20 | 0:01:23 | |
Nice to meet you. | 0:01:23 | 0:01:25 | |
"We have all been in this white doghouse too long." | 0:01:25 | 0:01:28 | |
Excuse me? Malcolm X. | 0:01:28 | 0:01:30 | |
Right. (CHUCKLES) | 0:01:30 | 0:01:33 | |
You two have fun. | 0:01:33 | 0:01:36 | |
THUNDER RUMBLING | 0:01:38 | 0:01:40 | |
DOOR CREAKS | 0:01:40 | 0:01:42 | |
Hello, miss. | 0:01:42 | 0:01:44 | |
I seem to have left my lighter at your establishment. | 0:01:44 | 0:01:47 | |
I'd like to return it to you, Mr Lonza, | 0:01:47 | 0:01:49 | |
but you'll have to describe it first, | 0:01:49 | 0:01:52 | |
make sure it's yours. | 0:01:52 | 0:01:55 | |
UMBRELLA CLATTERS | 0:01:55 | 0:01:56 | |
Smooth... | 0:01:56 | 0:01:57 | |
cool to the touch, hot flame. | 0:01:57 | 0:02:01 | |
Why, that describes any old lighter. | 0:02:01 | 0:02:03 | |
Well, then I guess, um... | 0:02:03 | 0:02:07 | |
I'll have to inspect it. | 0:02:07 | 0:02:09 | |
It's definitely yours. | 0:02:19 | 0:02:21 | |
When you called in the middle of the night | 0:02:21 | 0:02:22 | |
and said, "come over to my place," this isn't exactly what I expected. | 0:02:22 | 0:02:25 | |
Oh. What did you expect? | 0:02:25 | 0:02:28 | |
Something that involves a few less people. | 0:02:28 | 0:02:29 | |
Well, as far as I'm concerned, Michael, | 0:02:29 | 0:02:31 | |
you're the only one in the room. | 0:02:31 | 0:02:33 | |
Mmm! | 0:02:33 | 0:02:35 | |
BOTH LAUGH | 0:02:36 | 0:02:37 | |
LAURA: No. | 0:02:37 | 0:02:38 | |
KATE: God. Four times. | 0:02:38 | 0:02:39 | |
In a row? | 0:02:39 | 0:02:42 | |
Mike Ruskin of "The Village Voice"? | 0:02:42 | 0:02:44 | |
Has very impressive credentials. | 0:02:44 | 0:02:47 | |
WOMEN LAUGHING | 0:02:47 | 0:02:49 | |
Colette, truth or dare? | 0:02:49 | 0:02:52 | |
Dare. | 0:02:52 | 0:02:54 | |
Of course. | 0:02:54 | 0:02:55 | |
Mm-hmm. Mm. | 0:02:55 | 0:02:56 | |
Something Colette would never do. Mm. OK, OK. | 0:02:56 | 0:02:59 | |
Got it. Fly the plane. Don't be ridiculous. It has to be something | 0:02:59 | 0:03:02 | |
she can actually accomplish. | 0:03:02 | 0:03:03 | |
A girl on the Clipper Horizon made it happen. | 0:03:03 | 0:03:05 | |
Really? | 0:03:05 | 0:03:06 | |
Yes, and six months later... | 0:03:06 | 0:03:08 | |
she was married to her captain. | 0:03:08 | 0:03:10 | |
Mm. Well, Dean does seem awfully fond of you. | 0:03:10 | 0:03:13 | |
Oh, I doubt he's that fond. | 0:03:13 | 0:03:15 | |
LAURA AND MAGGIE CHUCKLE | 0:03:15 | 0:03:17 | |
Fine. Tie a knot in the stem. | 0:03:17 | 0:03:21 | |
Hmm. No hands. | 0:03:21 | 0:03:22 | |
Ohh. Ooh. | 0:03:22 | 0:03:23 | |
LAURA AND MAGGIE CHUCKLE | 0:03:23 | 0:03:25 | |
Now Laura. | 0:03:25 | 0:03:27 | |
OK. Truth. | 0:03:27 | 0:03:29 | |
I took nude photos. | 0:03:29 | 0:03:32 | |
I was supposed to wait for the question, wasn't I? | 0:03:34 | 0:03:37 | |
MAGGIE AND COLETTE LAUGH | 0:03:37 | 0:03:38 | |
The Life magazine photographer? | 0:03:38 | 0:03:41 | |
No. What were you thinking? | 0:03:41 | 0:03:43 | |
I was thinking that I wanted | 0:03:43 | 0:03:45 | |
to embrace my sexuality on my terms. | 0:03:45 | 0:03:47 | |
Most girls do that with a bottle of a red | 0:03:47 | 0:03:49 | |
and a roomy backseat. | 0:03:49 | 0:03:51 | |
Maggie! I didn't do that. | 0:03:51 | 0:03:52 | |
I didn't do that. No, it was... | 0:03:52 | 0:03:55 | |
It was about self-expression... | 0:03:55 | 0:03:56 | |
COLETTE CHUCKLES: And he wasn't the right guy for sex. | 0:03:56 | 0:04:00 | |
He was the right guy for nude photos. | 0:04:00 | 0:04:03 | |
What, there's a right guy for that? | 0:04:03 | 0:04:04 | |
WOMEN LAUGH | 0:04:04 | 0:04:06 | |
Sorry to interrupt, ladies. | 0:04:06 | 0:04:07 | |
I know you girls thought this flight was a freebie, | 0:04:07 | 0:04:10 | |
but Pan Am's doing a little favour for Uncle Sam. | 0:04:10 | 0:04:13 | |
Shuttling sailors, to be precise, | 0:04:13 | 0:04:15 | |
sailors who spent the last six months underwater, | 0:04:15 | 0:04:17 | |
so let's clean up the girlie business. | 0:04:17 | 0:04:20 | |
Mm. | 0:04:20 | 0:04:21 | |
Is there... Is there something wrong with your mouth? | 0:04:23 | 0:04:26 | |
SNICKERS | 0:04:26 | 0:04:28 | |
Ah. | 0:04:30 | 0:04:32 | |
Oh, impressive. Mm. | 0:04:32 | 0:04:33 | |
OK. I think we're done here, ladies. | 0:04:33 | 0:04:35 | |
GIGGLING | 0:04:35 | 0:04:38 | |
Help me up. Ohh. That's not funny. | 0:04:38 | 0:04:40 | |
Oh, my gosh. | 0:04:40 | 0:04:41 | |
Where's my girdle? Where's my jacket? | 0:04:44 | 0:04:45 | |
CHUCKLES | 0:04:45 | 0:04:47 | |
Welcome to Pan Am. | 0:04:47 | 0:04:48 | |
Please take a seat in our first class. | 0:04:48 | 0:04:51 | |
Hi. Welcome. | 0:04:51 | 0:04:52 | |
Thank you, ma'am. Welcome aboard, sir. | 0:04:52 | 0:04:54 | |
Joe. Name's Joe. | 0:04:54 | 0:04:56 | |
Welcome to Pan Am. | 0:04:58 | 0:05:00 | |
Here you go. Stay dry. | 0:05:07 | 0:05:09 | |
Thanks. Best debriefing of the month. | 0:05:09 | 0:05:11 | |
BOTH CHUCKLE | 0:05:11 | 0:05:13 | |
Ciao. Ciao. | 0:05:13 | 0:05:15 | |
Bye. You're leaving? | 0:05:15 | 0:05:16 | |
Well...sharing a room only works most of the time. | 0:05:16 | 0:05:19 | |
Right. I'll see you tomorrow. | 0:05:19 | 0:05:22 | |
Have a good night. | 0:05:22 | 0:05:24 | |
Joe. | 0:05:32 | 0:05:33 | |
I...thought you left already. | 0:05:35 | 0:05:37 | |
I hit the head. | 0:05:37 | 0:05:39 | |
Listen, you better keep this joint a secret, | 0:05:40 | 0:05:44 | |
or every bluejacket and boatswain in the navy | 0:05:44 | 0:05:46 | |
is gonna show up in your living room. I'm glad you had fun. | 0:05:46 | 0:05:51 | |
Well, um... | 0:05:54 | 0:05:56 | |
Goodbye. | 0:05:57 | 0:05:59 | |
I thought I was staying the night. | 0:05:59 | 0:06:01 | |
Maggie told me I could have the couch... | 0:06:03 | 0:06:06 | |
But if that's a problem... | 0:06:07 | 0:06:09 | |
N-no. No problem at all. | 0:06:09 | 0:06:11 | |
THUNDER RUMBLING | 0:06:15 | 0:06:17 | |
Ugh. | 0:06:20 | 0:06:22 | |
Ohh. | 0:06:26 | 0:06:29 | |
SIGHS | 0:06:29 | 0:06:32 | |
COIN CLINKS, BELL DINGS | 0:06:32 | 0:06:33 | |
DIALLING | 0:06:33 | 0:06:35 | |
TELEPHONE RINGS | 0:06:35 | 0:06:39 | |
CLICK | 0:06:39 | 0:06:40 | |
RICHARD: "Hello." | 0:06:40 | 0:06:42 | |
Richard, he's leaving Thursday. | 0:06:42 | 0:06:44 | |
"Kate?" | 0:06:44 | 0:06:45 | |
They're recalling him back to Yugoslavia...for good. | 0:06:45 | 0:06:49 | |
You have to do something. | 0:06:49 | 0:06:50 | |
Hello? | 0:06:50 | 0:06:52 | |
Hello, Richard? | 0:06:53 | 0:06:54 | |
"You're with Lonza now?" He's in my apartment. | 0:06:54 | 0:06:58 | |
I told him I was going out for champagne. | 0:06:58 | 0:07:02 | |
"You'd better get back. Sit tight." | 0:07:02 | 0:07:04 | |
"We'll figure something out." | 0:07:04 | 0:07:05 | |
LINE DISCONNECTS | 0:07:05 | 0:07:08 | |
RECEIVER CLATTERS | 0:07:13 | 0:07:15 | |
Mind if I leave this open? | 0:07:26 | 0:07:28 | |
I kinda miss the taste of fresh air. | 0:07:28 | 0:07:29 | |
Of course not. Uh, it might get chilly. | 0:07:29 | 0:07:32 | |
Here's hopin'! | 0:07:32 | 0:07:33 | |
No such thing as chilly on a submarine. | 0:07:33 | 0:07:36 | |
At least let me get you another blanket. This... | 0:07:36 | 0:07:39 | |
Oh, no. This will do fine. | 0:07:39 | 0:07:41 | |
If I start freezing to death, I'll come find you. | 0:07:41 | 0:07:44 | |
For...another blanket. | 0:07:44 | 0:07:46 | |
Right. Yes. Please do. | 0:07:46 | 0:07:49 | |
If you're freezing to death. | 0:07:49 | 0:07:50 | |
Laura, thank you for letting me stay. | 0:07:51 | 0:07:55 | |
I'm grateful. | 0:07:55 | 0:07:56 | |
Good night. | 0:07:57 | 0:08:00 | |
CLICKS | 0:08:14 | 0:08:16 | |
CLICK | 0:08:20 | 0:08:21 | |
Your drink. | 0:08:42 | 0:08:43 | |
I can't believe you made it back here in one piece. | 0:08:45 | 0:08:48 | |
Everything all right? | 0:08:48 | 0:08:49 | |
How do you mean? | 0:08:49 | 0:08:51 | |
You've got a pretty healthy grip on that armrest. | 0:08:51 | 0:08:53 | |
Flying makes me a little queasy. | 0:08:55 | 0:08:58 | |
I'm not sure rum is the remedy for that. | 0:08:58 | 0:09:00 | |
I'm in the navy, ma'am. Rum is the remedy to everything. | 0:09:00 | 0:09:04 | |
BOTH CHUCKLE | 0:09:04 | 0:09:05 | |
You don't have to call me "ma'am." | 0:09:05 | 0:09:07 | |
My name is Laura. | 0:09:07 | 0:09:09 | |
Can't you just close your eyes and pretend this is a submarine? | 0:09:09 | 0:09:13 | |
That's what I do when I get nervous. | 0:09:13 | 0:09:16 | |
You pretend you're in a submarine? | 0:09:16 | 0:09:18 | |
I pretend I'm somewhere else, | 0:09:18 | 0:09:21 | |
somewhere I feel safe. | 0:09:21 | 0:09:23 | |
Can I ask you somethin'... private? | 0:09:23 | 0:09:27 | |
Sure. | 0:09:27 | 0:09:29 | |
Say you and I were close, | 0:09:29 | 0:09:31 | |
and I did somethin' to make you mad at me, | 0:09:31 | 0:09:33 | |
and we didn't talk for a long time. | 0:09:33 | 0:09:36 | |
You think maybe this would make it go easier | 0:09:36 | 0:09:40 | |
when I saw you again? | 0:09:40 | 0:09:41 | |
It's beautiful. | 0:09:47 | 0:09:50 | |
Yeah, but is it enough? | 0:09:50 | 0:09:52 | |
In this scenario, am I your girlfriend? | 0:09:55 | 0:09:59 | |
Uh, no, sorry. You're my mama. | 0:09:59 | 0:10:03 | |
I'm your mama? | 0:10:03 | 0:10:05 | |
See, we've always been close - real close, | 0:10:05 | 0:10:08 | |
but when I decided to join the navy, she didn't understand, | 0:10:08 | 0:10:11 | |
took it personal, thought my leavin' was sayin', | 0:10:11 | 0:10:13 | |
Redwater, Mississippi, wasn't good enough, | 0:10:13 | 0:10:16 | |
SHE wasn't good enough, only that wasn't it. | 0:10:16 | 0:10:19 | |
You just wanted to see the world. | 0:10:19 | 0:10:21 | |
Yeah. Seemed like too big a place | 0:10:21 | 0:10:23 | |
not to go wanderin' in it, but she ain't spoke to me since. | 0:10:23 | 0:10:27 | |
I send her postcards, but...nothin'. | 0:10:27 | 0:10:31 | |
I think the hummingbird is beautiful, | 0:10:32 | 0:10:35 | |
but I'll bet what she really wants | 0:10:35 | 0:10:38 | |
is to know that wherever you go, | 0:10:38 | 0:10:41 | |
you still need her, just like before. | 0:10:41 | 0:10:44 | |
You don't know my mama. | 0:10:44 | 0:10:45 | |
Oh, I think I do. | 0:10:45 | 0:10:46 | |
That so? I'm pretty sure | 0:10:46 | 0:10:48 | |
my mother could give your mama a run for her money. | 0:10:48 | 0:10:51 | |
Er, my mama don't run nowhere. | 0:10:51 | 0:10:52 | |
She just commands from right where she is. | 0:10:52 | 0:10:55 | |
LAURA AND JOE LAUGHING | 0:10:55 | 0:10:57 | |
My mother ambushed me... | 0:10:57 | 0:10:58 | |
BOTH: Ooh. | 0:10:58 | 0:10:59 | |
Uh... Mm. | 0:10:59 | 0:11:00 | |
Can I help you? | 0:11:00 | 0:11:01 | |
I got a little top secret business to discuss. | 0:11:01 | 0:11:03 | |
Here. Now? | 0:11:03 | 0:11:05 | |
Yeah, we don't have much time. We got a friend over there | 0:11:05 | 0:11:07 | |
who is about to surrender himself to the enemy. | 0:11:07 | 0:11:09 | |
A defector? | 0:11:09 | 0:11:10 | |
In a manner of speaking. | 0:11:10 | 0:11:11 | |
Listen, this is our last chance to give him | 0:11:11 | 0:11:13 | |
the send-off he deserves, and, er... | 0:11:13 | 0:11:14 | |
WOLF WHISTLES: Boy, does he love the redheads. | 0:11:14 | 0:11:17 | |
Wait. What? | 0:11:17 | 0:11:19 | |
I ain't askin' for the full Gypsy Rose Lee. | 0:11:19 | 0:11:21 | |
Just toss the hat, drop the jacket, | 0:11:21 | 0:11:23 | |
do a little shimmy. Uh, come on. | 0:11:23 | 0:11:25 | |
I got a sailor over there who's getting married. | 0:11:25 | 0:11:27 | |
He needs a stag party. | 0:11:27 | 0:11:28 | |
You want a stripper so badly, you can do it yourself. | 0:11:28 | 0:11:31 | |
And we're out there every day protecting you | 0:11:31 | 0:11:33 | |
from the dirty communists, and we... | 0:11:33 | 0:11:35 | |
You're not a dirty communist lover, are ya? | 0:11:35 | 0:11:37 | |
FOOTSTEPS RETREAT | 0:11:37 | 0:11:39 | |
MUSIC: "Break It To Me Gently" by Brenda Lee | 0:11:39 | 0:11:42 | |
RAIN FALLING | 0:11:42 | 0:11:43 | |
Snow. | 0:11:43 | 0:11:45 | |
Well, definitely snow. What's Christmas without snow? | 0:11:45 | 0:11:48 | |
And a Douglas fir. | 0:11:48 | 0:11:50 | |
Or, um, how do you call it...spruce? | 0:11:50 | 0:11:53 | |
Very well, a spruce, but with coloured lights. | 0:11:55 | 0:11:59 | |
Or maybe only white. | 0:11:59 | 0:12:01 | |
Hey, I'm giving in on the spruce. | 0:12:01 | 0:12:03 | |
Yeah, six or seven feet tall, which I will cut down myself. | 0:12:03 | 0:12:08 | |
From the forest behind the house? | 0:12:08 | 0:12:12 | |
Mm-hmm. | 0:12:12 | 0:12:14 | |
KNOCK ON DOOR | 0:12:14 | 0:12:15 | |
Are you expecting someone? | 0:12:15 | 0:12:16 | |
SWITCH CLICKS | 0:12:16 | 0:12:17 | |
At one in the morning? | 0:12:17 | 0:12:19 | |
Ohh. It could be the neighbours. | 0:12:19 | 0:12:21 | |
The wife kicks him out a lot. | 0:12:21 | 0:12:23 | |
Kate, get on your fire escape. | 0:12:23 | 0:12:24 | |
What? We don't even know who it is. | 0:12:24 | 0:12:27 | |
Exactly. | 0:12:27 | 0:12:27 | |
Niko, it's raining outside. | 0:12:27 | 0:12:29 | |
KNOCK | 0:12:29 | 0:12:30 | |
OK, before I get drenched, | 0:12:30 | 0:12:31 | |
can I at least check the peephole? | 0:12:31 | 0:12:33 | |
SIGHS | 0:12:33 | 0:12:36 | |
Mrs Luckovich? | 0:12:41 | 0:12:42 | |
I saw your light on, or I wouldn't bother you. | 0:12:42 | 0:12:45 | |
Is something wrong? | 0:12:45 | 0:12:47 | |
You have a hot water bottle I can borrow? | 0:12:47 | 0:12:48 | |
My arthritis is acting up. | 0:12:48 | 0:12:50 | |
Of course. Come in. | 0:12:50 | 0:12:51 | |
WHISPERS: It's my nosy neighbour. | 0:12:53 | 0:12:56 | |
Do you still want me out the window? | 0:12:56 | 0:12:57 | |
There's a first time for everything. | 0:12:57 | 0:13:00 | |
It's all right. No. | 0:13:03 | 0:13:05 | |
No! We're here to pick up your package. | 0:13:05 | 0:13:06 | |
Is he armed? No, you don't need to. | 0:13:06 | 0:13:08 | |
NIKO: Kate! | 0:13:08 | 0:13:09 | |
Hello, Mr Lonza. | 0:13:11 | 0:13:12 | |
Kate, do you know these men? | 0:13:12 | 0:13:13 | |
No. | 0:13:13 | 0:13:15 | |
Not exactly. | 0:13:15 | 0:13:17 | |
I think it's time you made some new friends. | 0:13:17 | 0:13:19 | |
I have all the friends I need. | 0:13:19 | 0:13:20 | |
You never know. Let's take a ride, | 0:13:20 | 0:13:24 | |
get acquainted. | 0:13:24 | 0:13:25 | |
I don't like to go out in rain. | 0:13:25 | 0:13:28 | |
Well, you're gonna have to get over that. | 0:13:28 | 0:13:30 | |
Hey. Hey! KATE: Wait. | 0:13:30 | 0:13:32 | |
No. No, wait! Let me... No! | 0:13:32 | 0:13:35 | |
No, wait! | 0:13:35 | 0:13:37 | |
Trust me. We're your only way out. | 0:13:37 | 0:13:39 | |
Get off me! | 0:13:39 | 0:13:40 | |
Niko, please. Go with them. | 0:13:40 | 0:13:42 | |
They want to help. | 0:13:42 | 0:13:44 | |
Who are you? | 0:13:46 | 0:13:47 | |
Who are you?! | 0:13:49 | 0:13:52 | |
No! | 0:13:52 | 0:13:53 | |
Morning. | 0:14:06 | 0:14:07 | |
You cleaned up. | 0:14:07 | 0:14:09 | |
And you put a roof over my head. | 0:14:09 | 0:14:10 | |
Hangover? | 0:14:12 | 0:14:14 | |
Got just the thing. You like eggs? | 0:14:14 | 0:14:16 | |
EGGSHELL CRACKS Hot sauce? | 0:14:16 | 0:14:18 | |
Orange juice. Molasses? | 0:14:18 | 0:14:21 | |
Sounds delicious. | 0:14:21 | 0:14:23 | |
I call it the Redwater special. | 0:14:23 | 0:14:24 | |
After your hometown. | 0:14:24 | 0:14:26 | |
No, cos it looks like red water. | 0:14:26 | 0:14:28 | |
Straight from the mighty banks of the Mississippi to cure what ails you. | 0:14:28 | 0:14:32 | |
Down the hatch? | 0:14:33 | 0:14:35 | |
KNOCK ON DOOR | 0:14:35 | 0:14:36 | |
I should get that. | 0:14:36 | 0:14:38 | |
Where's Maggie Ryan? | 0:14:44 | 0:14:46 | |
Depends. can I help you? | 0:14:46 | 0:14:49 | |
I'm the super. You responsible for last night's little shindig? | 0:14:49 | 0:14:52 | |
That also depends. | 0:14:52 | 0:14:54 | |
On what? | 0:14:54 | 0:14:55 | |
On how mad you are about it. | 0:14:55 | 0:14:57 | |
You living here? | 0:15:03 | 0:15:05 | |
No. Yes. No. Well, temporarily. | 0:15:05 | 0:15:07 | |
Uh, at least it was temporary, | 0:15:07 | 0:15:09 | |
but it's actually been working out very well, so... | 0:15:09 | 0:15:11 | |
And who's he? | 0:15:11 | 0:15:12 | |
Joe. Um, he's a guest. | 0:15:14 | 0:15:16 | |
Your guest? | 0:15:16 | 0:15:17 | |
Sort of. | 0:15:17 | 0:15:19 | |
Kick him out. | 0:15:19 | 0:15:21 | |
Excuse me? | 0:15:21 | 0:15:22 | |
You're not on the lease, and I don't like your guest. | 0:15:22 | 0:15:24 | |
Kick him out, | 0:15:24 | 0:15:25 | |
or I kick you out, and no more parties. | 0:15:25 | 0:15:29 | |
You understand? | 0:15:29 | 0:15:32 | |
I'll ask him to leave. | 0:15:35 | 0:15:36 | |
You're not gonna drink that, are you? | 0:15:45 | 0:15:47 | |
I'm not that hungry. | 0:15:47 | 0:15:49 | |
CHUCKLES | 0:15:49 | 0:15:50 | |
What time is your train? | 0:15:50 | 0:15:53 | |
Not until 6.00. | 0:15:53 | 0:15:54 | |
What do you say we go buy your ticket | 0:15:54 | 0:15:56 | |
and then wander the city a little? | 0:15:56 | 0:15:58 | |
Oh, you don't need to do that for me. | 0:15:58 | 0:16:01 | |
Listen, I know you were trying to avoid me last night... | 0:16:01 | 0:16:04 | |
Avoid? No. | 0:16:04 | 0:16:05 | |
And I deserve it for what I did on the plane. | 0:16:05 | 0:16:10 | |
I was a little drunk... | 0:16:10 | 0:16:11 | |
..and I forgot, | 0:16:13 | 0:16:14 | |
for a moment, | 0:16:14 | 0:16:17 | |
how things are. | 0:16:17 | 0:16:19 | |
Joe, I would... | 0:16:22 | 0:16:24 | |
I would really like to spend the day with you. | 0:16:24 | 0:16:28 | |
I'd like that, too. | 0:16:29 | 0:16:32 | |
Coffee, please. Thank you so much. You're welcome. | 0:16:39 | 0:16:42 | |
I've been here 45 minutes. | 0:16:44 | 0:16:46 | |
I've had a busy morning. | 0:16:46 | 0:16:48 | |
I can't drop everything when you call. | 0:16:48 | 0:16:50 | |
You rustled a lynch mob last night when I called. | 0:16:50 | 0:16:52 | |
He's safe. You did your job. What's the emergency? | 0:16:52 | 0:16:54 | |
Why didn't you tell me you were pulling him out of my apartment? | 0:16:54 | 0:16:57 | |
Have you forgotten the concept of "need to know"? | 0:16:57 | 0:16:59 | |
I could have talked him into a meeting. | 0:16:59 | 0:17:02 | |
Turning a diplomat is a delicate procedure. | 0:17:02 | 0:17:05 | |
Yes, you were real delicate last night(!) | 0:17:05 | 0:17:07 | |
The last thing I need is your personal attachment complicating matters. | 0:17:07 | 0:17:10 | |
My personal attachment? | 0:17:10 | 0:17:12 | |
The only shot you have at this is my personal attachment. | 0:17:12 | 0:17:15 | |
No. We have more than that. | 0:17:15 | 0:17:18 | |
What? | 0:17:18 | 0:17:20 | |
Don't you have an around-the-world flight coming up? | 0:17:20 | 0:17:22 | |
Go. Enjoy yourself. | 0:17:22 | 0:17:25 | |
Richard, I want to see him. | 0:17:25 | 0:17:27 | |
You've done your part. Forget about Niko Lonza. | 0:17:27 | 0:17:30 | |
We've got it from here. | 0:17:30 | 0:17:31 | |
Richard, no. No, no. Take me with you. | 0:17:31 | 0:17:33 | |
I need to explain my side of things. | 0:17:33 | 0:17:36 | |
No, you don't. Please. I can help. | 0:17:36 | 0:17:38 | |
Richard, I need to talk to him! | 0:17:38 | 0:17:40 | |
LAURA GASPS: "Under the yum yum tree." | 0:17:40 | 0:17:43 | |
No. | 0:17:43 | 0:17:44 | |
You don't even know what it's about. | 0:17:44 | 0:17:45 | |
I know what it's called. | 0:17:45 | 0:17:47 | |
Well, are you sure you want to see a movie? | 0:17:47 | 0:17:50 | |
We could go to Central Park, the Statue of Liberty. | 0:17:50 | 0:17:52 | |
My mama would call you happy as a dead pig in the sun. | 0:17:52 | 0:17:54 | |
That's not nice. It means you don't know any better | 0:17:54 | 0:17:56 | |
than to smile. It's a good thing. | 0:17:56 | 0:17:58 | |
I tell you what. Why don't you wait here? | 0:17:58 | 0:18:00 | |
I'll go grab my ticket, and then we'll see the tasty tree movie. | 0:18:00 | 0:18:03 | |
"Yum yum." Don't remind me. | 0:18:03 | 0:18:05 | |
You're beautiful, you know that? | 0:18:17 | 0:18:19 | |
Thank you. | 0:18:19 | 0:18:21 | |
19, sir. | 0:18:21 | 0:18:23 | |
What do you say I buy you lunch? | 0:18:24 | 0:18:27 | |
PA: A local train to Montauk will be making a stop... | 0:18:27 | 0:18:31 | |
Um, I'm fine. Thank you. | 0:18:31 | 0:18:32 | |
I'm a nice guy. | 0:18:34 | 0:18:36 | |
Laura, let's go. | 0:18:36 | 0:18:38 | |
Now what makes you think you can order a lady around like that? | 0:18:38 | 0:18:42 | |
Oh, he wasn't ordering me. It's OK, Laura. | 0:18:42 | 0:18:45 | |
No, it's not OK. This... | 0:18:45 | 0:18:47 | |
This is not OK at all. | 0:18:49 | 0:18:51 | |
Come on. | 0:18:51 | 0:18:52 | |
Joe. Joe! Joe. Joe! | 0:18:54 | 0:18:56 | |
Yes, Crown Heights. I got it. | 0:18:56 | 0:18:59 | |
SIGHS: Richard, is he all right? | 0:18:59 | 0:19:01 | |
LINE DISCONNECTS | 0:19:01 | 0:19:02 | |
Oh, thank goodness you're home. | 0:19:09 | 0:19:10 | |
Oh, my God. I... We were a few blocks away, | 0:19:10 | 0:19:13 | |
and I didn't know where else to go. | 0:19:13 | 0:19:15 | |
What happened? For the record, | 0:19:15 | 0:19:16 | |
a couple of them look worse than me. | 0:19:16 | 0:19:18 | |
Them? You got in a fight with multiple people? | 0:19:18 | 0:19:22 | |
It's all my fault. | 0:19:22 | 0:19:23 | |
Stop that. It's only mostly your fault. | 0:19:23 | 0:19:26 | |
SIGHS | 0:19:26 | 0:19:27 | |
Kate. | 0:19:27 | 0:19:28 | |
I don't have any bandages or tincture of iodine. | 0:19:28 | 0:19:31 | |
Can you run to the drugstore? | 0:19:31 | 0:19:33 | |
No. Laura, I have to go. | 0:19:33 | 0:19:36 | |
Go where? | 0:19:36 | 0:19:36 | |
I'm sorry. | 0:19:36 | 0:19:39 | |
I'm sorry. I'll explain later. | 0:19:39 | 0:19:42 | |
DOOR CLOSES | 0:19:44 | 0:19:46 | |
MEN CHEERING AND WHISTLING | 0:19:46 | 0:19:48 | |
BURLESQUE MUSIC PLAYING | 0:19:48 | 0:19:49 | |
MEN: Ohh! | 0:19:49 | 0:19:52 | |
MAN WOLF-WHISTLES | 0:19:52 | 0:19:53 | |
MEN HOOTING | 0:19:53 | 0:19:55 | |
LAUGHING | 0:19:55 | 0:19:57 | |
Unh. Right there. Unh. Lookin' at you. | 0:19:57 | 0:19:59 | |
Where is he? | 0:19:59 | 0:20:01 | |
Ohh. Ohh. | 0:20:01 | 0:20:02 | |
Oh, yeah, baby. | 0:20:02 | 0:20:03 | |
Mr married man over here... | 0:20:03 | 0:20:06 | |
MEN CHEERING | 0:20:06 | 0:20:08 | |
What the hell is going on out there? | 0:20:08 | 0:20:10 | |
I don't even want to know. | 0:20:10 | 0:20:11 | |
Oh, it is nothing. | 0:20:11 | 0:20:13 | |
Kate's taking off her clothes to entertain the men. | 0:20:13 | 0:20:16 | |
And why would she do that? | 0:20:16 | 0:20:18 | |
Feeling patriotic, I guess. | 0:20:18 | 0:20:20 | |
What does a guy gotta do | 0:20:20 | 0:20:22 | |
to get a decent cup of coffee around here? | 0:20:22 | 0:20:24 | |
Oh, but it's just... Oh, don't bother, Colette. | 0:20:24 | 0:20:27 | |
I'll get my own. OK. | 0:20:27 | 0:20:29 | |
I like coffee, too. | 0:20:29 | 0:20:30 | |
Mm. | 0:20:30 | 0:20:31 | |
LAUGHTER AND HOLLERING | 0:20:31 | 0:20:33 | |
Sure. Yeah. Run along, boys. | 0:20:33 | 0:20:34 | |
I'll stay, fly the plane. | 0:20:34 | 0:20:38 | |
Oh, no need to be jealous. | 0:20:38 | 0:20:39 | |
I said Kate was taking her clothes off, | 0:20:39 | 0:20:42 | |
but I didn't say who was putting them on. | 0:20:42 | 0:20:43 | |
Ohh. SIGHS: Sailors. | 0:20:43 | 0:20:46 | |
Uh, if you want a quick look, I'd be happy to take over. | 0:20:46 | 0:20:48 | |
No, thank you. I'm- I'm happy right where I am. | 0:20:48 | 0:20:51 | |
Too bad. It's always been a dream of mine to fly. | 0:20:51 | 0:20:56 | |
LAUGHTER IN DISTANCE | 0:21:03 | 0:21:05 | |
Excuse me, first officer Valois, | 0:21:05 | 0:21:08 | |
could you please take your seat? | 0:21:08 | 0:21:10 | |
GIGGLES | 0:21:10 | 0:21:11 | |
You know, there's actually some grey area here. | 0:21:16 | 0:21:21 | |
Uh, the-the singing guardians of democracy back there | 0:21:21 | 0:21:23 | |
are not technically paying passengers... | 0:21:23 | 0:21:26 | |
CHUCKLES: And they're sworn to protect | 0:21:26 | 0:21:28 | |
your right to the pursuit of happiness. | 0:21:28 | 0:21:30 | |
Oh, this would make me very happy. | 0:21:30 | 0:21:33 | |
Yeah? | 0:21:33 | 0:21:34 | |
Yeah. | 0:21:34 | 0:21:35 | |
SIGHS: Uh, both hands on the yoke. | 0:21:38 | 0:21:41 | |
The yoke? | 0:21:41 | 0:21:43 | |
Yeah, the steering wheel. | 0:21:43 | 0:21:45 | |
Roger that, captain. | 0:21:45 | 0:21:49 | |
CLICKS AND BEEPS | 0:21:53 | 0:21:55 | |
I'm flying? | 0:22:00 | 0:22:01 | |
LAUGHS: And a dream comes true. | 0:22:01 | 0:22:05 | |
I'm flying. CHUCKLES | 0:22:08 | 0:22:12 | |
ENGINES ROARING | 0:22:12 | 0:22:15 | |
Guys, guys. Hey. LAUGHTER | 0:22:15 | 0:22:17 | |
Oh. LAUGHTER STOPS | 0:22:17 | 0:22:18 | |
Ensign Will Finely is gonna get himself married. | 0:22:18 | 0:22:23 | |
CHEERS AND LAUGHTER | 0:22:23 | 0:22:25 | |
To Will! | 0:22:25 | 0:22:26 | |
My mama always says, you carry your first impression | 0:22:26 | 0:22:29 | |
of a person for the rest of your days. | 0:22:29 | 0:22:31 | |
It becomes a part of you, like... | 0:22:31 | 0:22:34 | |
A photograph in your pocket... | 0:22:34 | 0:22:36 | |
Which is why I deeply regret, | 0:22:37 | 0:22:39 | |
the first time I met Will Finely, he had dysentery. | 0:22:39 | 0:22:43 | |
ALL LAUGHING | 0:22:43 | 0:22:44 | |
MAN: Aw, Will! | 0:22:44 | 0:22:47 | |
Now that's a hell of a photograph | 0:22:47 | 0:22:48 | |
to be stuck with forever. | 0:22:48 | 0:22:50 | |
MEN CHUCKLE | 0:22:50 | 0:22:53 | |
To Will. Yeah. | 0:22:53 | 0:22:55 | |
MEN: To Will. | 0:22:55 | 0:22:56 | |
CRUNCHING (Men speaking indistinctly in distance) | 0:22:56 | 0:23:00 | |
You're missing a pretty good speech. | 0:23:00 | 0:23:02 | |
Uh, you could use a lecture. | 0:23:02 | 0:23:04 | |
Oh, you're a lifesaver. I am starving. | 0:23:04 | 0:23:07 | |
CRUNCHES: What? | 0:23:07 | 0:23:11 | |
Nude photographs? | 0:23:11 | 0:23:13 | |
LOWERED VOICE: I don't plan on showing anyone. | 0:23:14 | 0:23:15 | |
LOWERED VOICE: Doesn't matter. They exist. | 0:23:15 | 0:23:18 | |
Do you have the negatives? | 0:23:18 | 0:23:19 | |
I thought you, of all people, would understand. | 0:23:19 | 0:23:21 | |
Have you not read the Pan Am code of ethics? | 0:23:21 | 0:23:23 | |
And every practical reason aside, | 0:23:23 | 0:23:24 | |
you're not the kind of girl who does that. | 0:23:24 | 0:23:26 | |
Well, I must be, because I did, | 0:23:26 | 0:23:27 | |
and I'm not going to apologise for it. | 0:23:27 | 0:23:29 | |
LOWERED VOICE: And quite frankly, | 0:23:29 | 0:23:31 | |
that sounds like something mother would say. | 0:23:31 | 0:23:34 | |
SIGHS: Nude photos it is. | 0:23:35 | 0:23:37 | |
What's going on, Kate? | 0:23:38 | 0:23:40 | |
For a while you seemed so happy, | 0:23:40 | 0:23:42 | |
but lately you're... | 0:23:42 | 0:23:45 | |
On edge. | 0:23:45 | 0:23:48 | |
It's boy trouble. | 0:23:48 | 0:23:50 | |
Since when have you had a boy? | 0:23:50 | 0:23:52 | |
SIGHS | 0:23:52 | 0:23:54 | |
LOWERED VOICE: Since Monte Carlo. | 0:23:54 | 0:23:56 | |
No. No. | 0:23:56 | 0:23:57 | |
LOWERED VOICE: The one you stole from Maggie? | 0:23:57 | 0:23:58 | |
CLICKS TONGUE AND SIGHS: Please. | 0:23:58 | 0:23:59 | |
Maggie never stood a chance. | 0:23:59 | 0:24:00 | |
LAUGHS Wh-what's he like? | 0:24:00 | 0:24:03 | |
SIGHS: He's sweet and funny, kind and... | 0:24:03 | 0:24:09 | |
WHISPERS: He's noble. | 0:24:09 | 0:24:10 | |
Oh...my...God. You're in love. | 0:24:10 | 0:24:13 | |
SIGHS: I'm in over my head is what I am. | 0:24:13 | 0:24:18 | |
SIGHS | 0:24:18 | 0:24:19 | |
WHISPERING: My boyfriend's a Yugoslavian communist. | 0:24:19 | 0:24:21 | |
WHISPERS: He's a communist? | 0:24:21 | 0:24:22 | |
Now who sounds like mother? You're right. SNIFFLES | 0:24:22 | 0:24:26 | |
Who cares? | 0:24:26 | 0:24:27 | |
The free world. | 0:24:27 | 0:24:28 | |
But you're in love. | 0:24:28 | 0:24:30 | |
Nothing else matters. | 0:24:30 | 0:24:33 | |
Hey, don't let that go. | 0:24:33 | 0:24:35 | |
It's complicated. | 0:24:36 | 0:24:38 | |
No, it's simple. | 0:24:38 | 0:24:39 | |
It's a dime, a phone booth, and a handful of words. | 0:24:39 | 0:24:43 | |
Call him as soon as we touch down, | 0:24:43 | 0:24:45 | |
and tell him that love trumps everything. | 0:24:45 | 0:24:48 | |
I-I can't. No arguing. | 0:24:48 | 0:24:49 | |
Laura. Kate, no arguing. | 0:24:49 | 0:24:52 | |
Apparently your personal attachment | 0:25:01 | 0:25:02 | |
is stronger than we thought. | 0:25:02 | 0:25:04 | |
He won't talk any more until he sees you. | 0:25:06 | 0:25:09 | |
You have him here? | 0:25:09 | 0:25:10 | |
We use an insurance office as a front. | 0:25:10 | 0:25:11 | |
It actually turns a profit. | 0:25:11 | 0:25:13 | |
Be careful. It's not going well. | 0:25:13 | 0:25:15 | |
What a surprise. | 0:25:15 | 0:25:17 | |
He's through here. | 0:25:18 | 0:25:20 | |
SIGHS | 0:25:27 | 0:25:30 | |
DOOR CLOSES | 0:25:30 | 0:25:31 | |
INHALES AND EXHALES DEEPLY | 0:25:31 | 0:25:34 | |
I don't suppose you could offer me any privacy? | 0:25:35 | 0:25:38 | |
I can offer you this- he's angry, you're angry, | 0:25:38 | 0:25:42 | |
but what he wants for his country | 0:25:42 | 0:25:44 | |
and what we want from him do, indeed, run parallel. | 0:25:44 | 0:25:48 | |
You need to make him believe that. | 0:25:48 | 0:25:50 | |
SIGHS | 0:25:50 | 0:25:52 | |
Kate. | 0:25:53 | 0:25:55 | |
I've misled you. | 0:25:55 | 0:25:57 | |
I've withheld from you, but I haven't lied to you. | 0:25:57 | 0:26:01 | |
INHALES DEEPLY | 0:26:03 | 0:26:07 | |
SIGHS | 0:26:15 | 0:26:17 | |
Is Kate your real name? | 0:26:17 | 0:26:20 | |
Yes. | 0:26:24 | 0:26:25 | |
Is anything else about you real? | 0:26:25 | 0:26:27 | |
I started as a courier. | 0:26:28 | 0:26:30 | |
This is beyond anything that I ever thought | 0:26:32 | 0:26:34 | |
that I would be doing for them. | 0:26:34 | 0:26:35 | |
Oh, clearly they can spot talent. | 0:26:35 | 0:26:37 | |
You had me convinced. | 0:26:37 | 0:26:38 | |
Niko, you and I... | 0:26:38 | 0:26:40 | |
That part was real. | 0:26:40 | 0:26:42 | |
CLICKS | 0:26:44 | 0:26:45 | |
KATE: Niko, are you in danger? | 0:26:45 | 0:26:48 | |
NIKO: Tito has put an entire nation in danger. | 0:26:48 | 0:26:51 | |
"Chief architect of the second Yugoslavia," | 0:26:51 | 0:26:53 | |
and yet his dreams are not for his people. | 0:26:53 | 0:26:56 | |
SIGHS | 0:26:56 | 0:26:59 | |
I was going to try to help my cousin. | 0:26:59 | 0:27:01 | |
This might be the last time I'll ever see him again. | 0:27:01 | 0:27:03 | |
Niko? | 0:27:03 | 0:27:05 | |
SIGHS My mind is full Of you, too. | 0:27:08 | 0:27:11 | |
CLICK | 0:27:11 | 0:27:13 | |
Very convincing. | 0:27:16 | 0:27:17 | |
INHALES AND EXHALES DEEPLY | 0:27:17 | 0:27:20 | |
VOICE BREAKS: I meant it. | 0:27:20 | 0:27:21 | |
But it wasn't just between us. | 0:27:21 | 0:27:22 | |
I didn't know. Did you record everything? | 0:27:22 | 0:27:24 | |
I didn't know. | 0:27:24 | 0:27:26 | |
Congratulations. You are now a professional. | 0:27:26 | 0:27:29 | |
Don't be cruel. | 0:27:31 | 0:27:33 | |
My new friends here - they have a terrific proposition. | 0:27:33 | 0:27:38 | |
I return back to Yugoslavia as a double agent | 0:27:38 | 0:27:41 | |
or explain this tape, | 0:27:41 | 0:27:44 | |
made in the bed of an American agent, | 0:27:44 | 0:27:46 | |
to our secret police. | 0:27:46 | 0:27:49 | |
WHISPERS: But I thought... | 0:27:52 | 0:27:54 | |
I thought when they told me that they wanted you to help us | 0:27:55 | 0:27:59 | |
that that meant that you would stay in New York... | 0:27:59 | 0:28:04 | |
VOICE BREAKS: At your current job. | 0:28:04 | 0:28:06 | |
WHISPERS: Doing what?! Passing information, but here, | 0:28:06 | 0:28:10 | |
where you could be protected! | 0:28:10 | 0:28:12 | |
No, sweetheart, it means being sent back to spy | 0:28:12 | 0:28:15 | |
on a government that-that is already suspicious of me. | 0:28:15 | 0:28:18 | |
WHISPERING: I'm so sorry. | 0:28:18 | 0:28:21 | |
SNIFFLES: I thought I was helping. | 0:28:21 | 0:28:23 | |
This is helping? | 0:28:23 | 0:28:25 | |
I thought you meant the things that you said on that tape, | 0:28:25 | 0:28:27 | |
that you wished your country had the same freedoms as America. | 0:28:27 | 0:28:31 | |
Well, it's still my country! | 0:28:31 | 0:28:33 | |
And it needs to change. You believe that! | 0:28:33 | 0:28:36 | |
EXHALES DEEPLY | 0:28:36 | 0:28:37 | |
If you could work... SIGHS | 0:28:37 | 0:28:41 | |
CRYING: If you could work with us... | 0:28:41 | 0:28:44 | |
SCOFFS | 0:28:46 | 0:28:48 | |
This is not "working with." This is a death sentence. | 0:28:48 | 0:28:53 | |
WHIMPERS | 0:28:53 | 0:28:55 | |
SOBBING | 0:28:57 | 0:29:01 | |
Niko. | 0:29:01 | 0:29:02 | |
Niko, please. | 0:29:02 | 0:29:06 | |
Hear them out. | 0:29:06 | 0:29:08 | |
I do not like what they've done, | 0:29:10 | 0:29:13 | |
but I believe that you want the same... | 0:29:13 | 0:29:17 | |
WHISPERS: things. | 0:29:17 | 0:29:19 | |
I-I honestly can't tell. | 0:29:22 | 0:29:24 | |
Are you-are you just a silly, naive girl or... | 0:29:24 | 0:29:28 | |
Or-or a master liar? CHUCKLES | 0:29:28 | 0:29:32 | |
Both. | 0:29:33 | 0:29:36 | |
I'm both... | 0:29:39 | 0:29:40 | |
WHISPERS: But I am also yours. | 0:29:43 | 0:29:47 | |
MEN SHOUTING INDISTINCTLY | 0:29:50 | 0:29:52 | |
RATTLES | 0:29:52 | 0:29:54 | |
This is getting out of hand. | 0:29:54 | 0:29:55 | |
It's like feeding time at the zoo. | 0:29:55 | 0:29:57 | |
Can you imagine being trapped underwater with them | 0:29:57 | 0:29:59 | |
for six months? | 0:29:59 | 0:30:00 | |
I'd load myself into a torpedo tube and launch. | 0:30:00 | 0:30:03 | |
That bad? | 0:30:03 | 0:30:05 | |
My kingdom for a sedative. | 0:30:05 | 0:30:07 | |
How snockered are they? | 0:30:07 | 0:30:08 | |
What are you thinking? | 0:30:08 | 0:30:10 | |
Nifty little pilot trick. I'm gonna decrease the cabin pressure | 0:30:10 | 0:30:12 | |
by manually raising the cabin altitude. | 0:30:12 | 0:30:14 | |
I love Greek. Beautiful language. | 0:30:14 | 0:30:17 | |
It makes boozy passengers fall asleep. | 0:30:17 | 0:30:20 | |
You're kidding. Oh. | 0:30:20 | 0:30:21 | |
No. That's why test pilots don't drink on game day. | 0:30:21 | 0:30:23 | |
Pilots and their secrets. | 0:30:23 | 0:30:25 | |
KATE: Well, what are you waiting for? | 0:30:25 | 0:30:29 | |
Joe, we're asking everybody to return to their seats. | 0:30:29 | 0:30:31 | |
SNIFFLES: Is it OK if I stay back here? | 0:30:31 | 0:30:33 | |
Sure, as long as you buckle up. | 0:30:33 | 0:30:36 | |
Still unsettled? | 0:30:37 | 0:30:38 | |
You could say that. | 0:30:38 | 0:30:40 | |
I liked your toast. CHUCKLES: Where's the wedding? | 0:30:40 | 0:30:43 | |
Alabama. | 0:30:43 | 0:30:44 | |
Oh, that's convenient. Right on the way home. | 0:30:44 | 0:30:47 | |
Yes, it is. SIGHS | 0:30:47 | 0:30:48 | |
Is it a church wedding? | 0:30:48 | 0:30:50 | |
It's a...country club. | 0:30:50 | 0:30:52 | |
Well, that will be nice. | 0:30:52 | 0:30:53 | |
Exclusive country club. | 0:30:53 | 0:30:56 | |
Oh. | 0:30:56 | 0:30:58 | |
But thanks to you, I've got a secret weapon. | 0:30:58 | 0:31:01 | |
Gonna close my eyes and pretend my ass right into the front row. | 0:31:01 | 0:31:05 | |
BOTH CHUCKLE | 0:31:05 | 0:31:07 | |
Upset all those old ladies. | 0:31:07 | 0:31:09 | |
BOTH CHUCKLE | 0:31:09 | 0:31:10 | |
Get those fans going. | 0:31:10 | 0:31:11 | |
BOTH LAUGH | 0:31:11 | 0:31:13 | |
I, um... CHUCKLES: I should probably take | 0:31:13 | 0:31:15 | |
the bottle before Maggie catches you. | 0:31:15 | 0:31:17 | |
CHUCKLES: It's against the rules. | 0:31:17 | 0:31:19 | |
I need to, er, prepare for landing. | 0:31:28 | 0:31:31 | |
Does it hurt? | 0:31:43 | 0:31:44 | |
SIGHS: You want the truth Or the tough guy answer? | 0:31:44 | 0:31:48 | |
SIGHS | 0:31:51 | 0:31:53 | |
VOICE BREAKING: I am so sorry. | 0:31:55 | 0:31:58 | |
Hey. It was hardly a tussle. | 0:31:58 | 0:32:01 | |
I knew hittin' the town with you would draw some eyes. | 0:32:01 | 0:32:03 | |
That's on me. | 0:32:03 | 0:32:04 | |
I'm sorry because... | 0:32:06 | 0:32:09 | |
Because it isn't right. | 0:32:09 | 0:32:11 | |
It isn't right that... | 0:32:13 | 0:32:16 | |
When you tried to kiss me, | 0:32:16 | 0:32:19 | |
I cared what other people would think. | 0:32:19 | 0:32:22 | |
It isn't right that when I went to bed last night, | 0:32:23 | 0:32:27 | |
I locked my door. | 0:32:27 | 0:32:30 | |
It isn't right that when the super told me | 0:32:30 | 0:32:32 | |
to kick you out, I did it. | 0:32:32 | 0:32:36 | |
You took my hand in front of those men | 0:32:46 | 0:32:48 | |
at the train station... | 0:32:48 | 0:32:50 | |
And you brought me back here to take care of me. | 0:32:51 | 0:32:55 | |
That counts for something. | 0:32:55 | 0:32:57 | |
That mean old man really told you to kick me out? | 0:32:59 | 0:33:02 | |
Don't worry. I plan on flooding the bathtub. | 0:33:02 | 0:33:05 | |
Isn't it Maggie's apartment? | 0:33:05 | 0:33:06 | |
BOTH CHUCKLE | 0:33:06 | 0:33:08 | |
Where I work, we call that a command decision. | 0:33:08 | 0:33:10 | |
Why are you being nice to me? | 0:33:14 | 0:33:17 | |
Same reason I tried to kiss you. | 0:33:17 | 0:33:20 | |
CHUCKLES: Same reason I told Maggie I had | 0:33:20 | 0:33:22 | |
nowhere else to stay last night. | 0:33:22 | 0:33:24 | |
That was a lie? | 0:33:24 | 0:33:25 | |
That was a desperate attempt to keep your company | 0:33:25 | 0:33:27 | |
a little longer. | 0:33:27 | 0:33:29 | |
Why? | 0:33:29 | 0:33:30 | |
You ever been on a submarine? | 0:33:30 | 0:33:32 | |
There's a lot of grey. | 0:33:35 | 0:33:37 | |
Grey pumps, | 0:33:38 | 0:33:41 | |
grey engines, | 0:33:41 | 0:33:43 | |
grey gauges, | 0:33:43 | 0:33:45 | |
grey steel... | 0:33:45 | 0:33:47 | |
A big grey ocean tryin' to crush you like a tin can... | 0:33:49 | 0:33:54 | |
CHUCKLES: So you can imagine What it's like to come up | 0:33:56 | 0:33:58 | |
from all that grey and see... | 0:33:58 | 0:34:01 | |
..You. | 0:34:02 | 0:34:04 | |
WHISPERS: Laura, what are you doing? | 0:34:16 | 0:34:19 | |
Making another command decision. | 0:34:21 | 0:34:24 | |
CHUCKLES | 0:34:41 | 0:34:43 | |
WHISPERS: Is something funny? | 0:34:43 | 0:34:45 | |
CHUCKLES | 0:34:45 | 0:34:47 | |
You're the guy... | 0:34:48 | 0:34:50 | |
And the next time I have to close my eyes to feel safe... | 0:34:53 | 0:34:59 | |
I'm gonna pretend I'm right here. | 0:35:00 | 0:35:03 | |
ENGINES ROARING | 0:35:15 | 0:35:18 | |
I remember my first trip around the world. | 0:35:18 | 0:35:21 | |
I took a little spoonful of dirt | 0:35:21 | 0:35:23 | |
from every place we landed as a souvenir. | 0:35:23 | 0:35:26 | |
You must be excited. | 0:35:26 | 0:35:27 | |
Beyond. | 0:35:27 | 0:35:29 | |
Oh, I have bills to mail. I'll be right down. | 0:35:29 | 0:35:32 | |
OK, make it snappy. It's time to board. | 0:35:32 | 0:35:34 | |
INDISTINCT CONVERSATIONS | 0:35:34 | 0:35:36 | |
Kate. Where on earth have you been? | 0:35:36 | 0:35:39 | |
I know. I haven't returned your calls. | 0:35:39 | 0:35:40 | |
Is everything all right? | 0:35:40 | 0:35:42 | |
The way you ran out on Joe and I- | 0:35:42 | 0:35:43 | |
Kate Cameron. Phone call. | 0:35:43 | 0:35:44 | |
I need to mail these... | 0:35:47 | 0:35:49 | |
Kate speaking. | 0:35:49 | 0:35:51 | |
(Woman over PA) ...Aboard flight 387... | 0:35:51 | 0:35:54 | |
SPEAKS INDISTINCTLY | 0:35:54 | 0:35:55 | |
Boarding will begin in exactly five minutes. | 0:35:55 | 0:35:58 | |
INDISTINCT CONVERSATIONS | 0:35:58 | 0:36:01 | |
RECEIVER CLATTERS | 0:36:03 | 0:36:04 | |
Kate. Kate, what is it? | 0:36:04 | 0:36:06 | |
WOMAN: Flight 116 to... | 0:36:06 | 0:36:10 | |
WOMAN: Yes, I... SPEAKS INDISTINCTLY | 0:36:10 | 0:36:12 | |
SIGHS | 0:36:12 | 0:36:15 | |
Excuse me. Are you lost? | 0:36:24 | 0:36:26 | |
I, er, seem to have found my way. | 0:36:26 | 0:36:30 | |
Which flight is yours? | 0:36:33 | 0:36:35 | |
Pan Am 2. | 0:36:35 | 0:36:37 | |
Around the world. | 0:36:37 | 0:36:39 | |
Around the world. I'd like to do that. | 0:36:39 | 0:36:42 | |
Mine is leaving in, um, two hours. | 0:36:45 | 0:36:48 | |
Flight 22. | 0:36:48 | 0:36:49 | |
London. | 0:36:49 | 0:36:51 | |
And then on to Yugoslavia. | 0:36:51 | 0:36:53 | |
I was supposed to be leaving, er, two days ago, | 0:36:57 | 0:36:58 | |
but then I got delayed. | 0:36:58 | 0:37:00 | |
Job interview. | 0:37:00 | 0:37:03 | |
I thought you weren't interested in a new job. | 0:37:05 | 0:37:07 | |
I didn't care for the interview. | 0:37:07 | 0:37:10 | |
But then we, er... Resolved our differences. | 0:37:12 | 0:37:17 | |
There are people... Who need me in Yugoslavia, | 0:37:17 | 0:37:21 | |
and it's time. | 0:37:21 | 0:37:23 | |
So this is your choice. | 0:37:23 | 0:37:26 | |
Things rarely happen the way we expect. | 0:37:26 | 0:37:30 | |
I'm beginning to understand that. | 0:37:30 | 0:37:32 | |
So you'll...let me know when you book a return? | 0:37:36 | 0:37:40 | |
It's likely to be a long trip. | 0:37:40 | 0:37:44 | |
Well, the only thing left to do is, um, | 0:37:47 | 0:37:50 | |
to say goodbye to my American girlfriend. | 0:37:50 | 0:37:52 | |
She'll be devastated. | 0:37:54 | 0:37:55 | |
At first. Maybe. | 0:37:55 | 0:37:57 | |
But then she'll understand that I'm doing what I must... | 0:37:57 | 0:38:00 | |
That I'm, er, I'm "Walking like a man." | 0:38:02 | 0:38:06 | |
I hope she'll be proud of me. | 0:38:08 | 0:38:10 | |
She already is. | 0:38:10 | 0:38:13 | |
LAUGHTER | 0:38:13 | 0:38:16 | |
WOMAN: Flight 498 Is now preboarding at... | 0:38:16 | 0:38:22 | |
Laura? | 0:38:22 | 0:38:23 | |
Um, you go. | 0:38:23 | 0:38:27 | |
Goodbye, Kate. | 0:38:29 | 0:38:31 | |
SNIFFLES: Your layover in London - | 0:38:33 | 0:38:36 | |
there's...a great pub in Cadogan Square. | 0:38:36 | 0:38:38 | |
Oh, it's a-it's a good spot for billiards. | 0:38:40 | 0:38:43 | |
I'll... I'll try to remember that. | 0:38:43 | 0:38:48 | |
EXHALING DEEPLY | 0:38:48 | 0:38:51 | |
Hey, Kate. | 0:38:51 | 0:38:53 | |
SNIFFLES | 0:38:55 | 0:38:57 | |
Me, too. SIGHS | 0:38:59 | 0:39:02 | |
BRENDA LEE: # Break it | 0:39:16 | 0:39:19 | |
# To me gently. # | 0:39:19 | 0:39:22 | |
DOOR OPENS | 0:39:22 | 0:39:23 | |
# Let me down | 0:39:23 | 0:39:26 | |
# The easy way | 0:39:26 | 0:39:31 | |
# Make me feel | 0:39:32 | 0:39:34 | |
# That you still love me | 0:39:34 | 0:39:38 | |
# If it's just | 0:39:38 | 0:39:40 | |
# If it's just for one more day | 0:39:40 | 0:39:44 | |
# Break it | 0:39:46 | 0:39:49 | |
# To me gently... # | 0:39:49 | 0:39:53 | |
MAGGIE: No plants, no animals, no men. | 0:39:53 | 0:39:56 | |
If I'm gonna be circling the globe for three weeks, | 0:39:56 | 0:39:58 | |
the last thing I need to worry about is home maintenance. | 0:39:58 | 0:40:01 | |
COLETTE: Who wants economy with me on the first leg? | 0:40:01 | 0:40:04 | |
Somebody's got to do it. | 0:40:04 | 0:40:06 | |
I'll do it. | 0:40:06 | 0:40:08 | |
# Cos I'll never... # | 0:40:08 | 0:40:09 | |
Just smile through it, dear. | 0:40:09 | 0:40:10 | |
BOTH CHUCKLE | 0:40:10 | 0:40:11 | |
# Love again... # | 0:40:11 | 0:40:14 | |
Oh. Here they come. Are you ready, Kate? | 0:40:14 | 0:40:17 | |
Mm-hmm. LATCH CLICKS | 0:40:17 | 0:40:18 | |
# Love... # | 0:40:18 | 0:40:22 | |
Welcome to Pan Am. | 0:40:22 | 0:40:24 | |
Hello. Good morning. | 0:40:24 | 0:40:27 | |
BOTH: Good morning. Good morning. | 0:40:27 | 0:40:28 | |
Welcome to Pan Am. | 0:40:28 | 0:40:29 |