
Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
PHONE RINGS | 0:01:01 | 0:01:02 | |
Oui? | 0:01:06 | 0:01:07 | |
Qui? | 0:01:08 | 0:01:10 | |
Non. | 0:01:10 | 0:01:12 | |
Dites... | 0:01:13 | 0:01:16 | |
Dites a ce monsieur que c'est trop tard. | 0:01:17 | 0:01:19 | |
Too bloody late. | 0:01:23 | 0:01:26 | |
Thank you... | 0:01:26 | 0:01:27 | |
-The Dover train booked through to Paris. -Right you are, sir. | 0:01:27 | 0:01:31 | |
I wish you every happiness, Chrissie. | 0:01:31 | 0:01:33 | |
Marrying in Paris is a backdoor way out of it. | 0:01:35 | 0:01:38 | |
What do they say at the office? | 0:01:38 | 0:01:40 | |
Sylvia's mother was married in Paris, I let it be known. | 0:01:40 | 0:01:44 | |
Thank you for that, Vinnie. | 0:01:44 | 0:01:46 | |
But she's bitched me, old man. | 0:01:46 | 0:01:48 | |
I don't even know if the child is mine. | 0:01:50 | 0:01:51 | |
WHISTLE BLOWS | 0:01:51 | 0:01:54 | |
Tea tray at 6:30. | 0:01:56 | 0:01:58 | |
Yes, madam. Goodnight, madam. | 0:01:58 | 0:02:00 | |
Sylvia! | 0:02:05 | 0:02:06 | |
-KNOCKING -Sylvia! | 0:02:06 | 0:02:09 | |
-Mr Drake! -Sylvia! | 0:02:10 | 0:02:12 | |
-God damn you, I won't be... -Quite so. | 0:02:12 | 0:02:15 | |
Thank you, Evie. | 0:02:15 | 0:02:18 | |
Won't your wife be wondering where you are? | 0:02:22 | 0:02:25 | |
I won't be sent away like an errand boy! | 0:02:25 | 0:02:27 | |
This is not fair. And you're drunk. | 0:02:27 | 0:02:31 | |
Sylvia, don't do this! | 0:02:32 | 0:02:35 | |
What? Save myself from ruin? | 0:02:35 | 0:02:37 | |
I'm pregnant, you fool! | 0:02:37 | 0:02:40 | |
Whatever you want, it can't be that...that ox! | 0:02:40 | 0:02:43 | |
What I want is to die. | 0:02:43 | 0:02:45 | |
Death is what I... | 0:02:47 | 0:02:48 | |
No, Gerald, don't. Darling, don't. It's not fair... | 0:02:50 | 0:02:55 | |
Don't... | 0:02:55 | 0:02:56 | |
I cut away early from a ghastly weekend party. | 0:03:26 | 0:03:28 | |
-Are you going up to town? -Yes. | 0:03:31 | 0:03:35 | |
My name is Tietjens. | 0:03:37 | 0:03:42 | |
I'm Sylvia...Satterthwaite. | 0:03:42 | 0:03:44 | |
I know. | 0:03:45 | 0:03:47 | |
SYLVIA LAUGHS | 0:03:47 | 0:03:49 | |
We will take a small house in Knightsbridge. | 0:04:07 | 0:04:10 | |
Lowndes Street. Her mother will live with us. | 0:04:10 | 0:04:13 | |
-Mrs Satterthwaite has contributed handsomely. -I see. | 0:04:13 | 0:04:17 | |
I haven't seen that pretty box before. | 0:04:19 | 0:04:23 | |
Gerald Drake gave it to me. | 0:04:25 | 0:04:26 | |
Have you no shame?! On your wedding day! | 0:04:26 | 0:04:28 | |
-When did he give it to you? -Last night. -Oh! | 0:04:28 | 0:04:33 | |
You're a lying devil to say such a thing! | 0:04:33 | 0:04:36 | |
Didn't I see her with it on the Channel ferry! | 0:04:36 | 0:04:39 | |
So you're going to give me away twice in one morning?! | 0:04:39 | 0:04:44 | |
-Did Father send word? -He sent me. | 0:04:45 | 0:04:49 | |
-And my mother? -Your mother's soft, and brought you up soft. Not your fault. | 0:04:50 | 0:04:54 | |
Second wife, late child, no Yorkshire woman - a bad combination. | 0:04:54 | 0:04:58 | |
My mother IS Yorkshire. | 0:04:58 | 0:05:00 | |
Oh, South Riding, by a whisker. | 0:05:00 | 0:05:03 | |
Will you give me a cigarette? | 0:05:03 | 0:05:04 | |
No, I will not give you a cigarette, and I'm glad your father's dead | 0:05:04 | 0:05:07 | |
not to know today's work, and I'm sorry for your mother. | 0:05:07 | 0:05:10 | |
Well, don't be. Christopher Tietjens is a Godsend. | 0:05:10 | 0:05:14 | |
God-sent is one thing that he is not! | 0:05:14 | 0:05:17 | |
So, you get yourself trapped by a papist bitch carrying a baby. | 0:05:18 | 0:05:21 | |
Yes! I won't marry now. | 0:05:24 | 0:05:26 | |
You're next, after me, and after you, it's that whore's child, | 0:05:26 | 0:05:30 | |
who will be the 14th Tietjens of Groby. | 0:05:30 | 0:05:33 | |
One heard things about you. That you were a wrong 'un. | 0:05:39 | 0:05:43 | |
But better a wrong 'un than a mug. | 0:05:43 | 0:05:46 | |
Yes, I suppose I was a mug. | 0:05:46 | 0:05:49 | |
And yet, there's something glorious about her. | 0:05:54 | 0:05:58 | |
THEY GROAN | 0:05:59 | 0:06:01 | |
TRAIN WHISTLES | 0:06:01 | 0:06:03 | |
CRYING | 0:06:03 | 0:06:07 | |
Let Marchant go. | 0:06:18 | 0:06:21 | |
What's the matter, old fellow? | 0:06:26 | 0:06:28 | |
We had a nasty dream, didn't we? | 0:06:28 | 0:06:31 | |
-Now, lie down. -No, no. | 0:06:31 | 0:06:33 | |
I know what to do. | 0:06:33 | 0:06:36 | |
A glass of warm milk, Marchie. It's the best thing for bad dreams. | 0:06:36 | 0:06:40 | |
Now, a little conversation till we're sleepy, that's what I do. | 0:06:47 | 0:06:52 | |
I had bad dreams sometimes when I was little. | 0:06:55 | 0:06:58 | |
You see that? | 0:07:01 | 0:07:04 | |
I could nearly touch Groby Tree from the night nursery window. | 0:07:06 | 0:07:10 | |
There's all sorts of things hanging on the tree. | 0:07:15 | 0:07:17 | |
They bring good luck. | 0:07:17 | 0:07:19 | |
There's a wishing well in the stable yard. | 0:07:26 | 0:07:29 | |
They say it's twice as deep as Groby Tree is high, | 0:07:32 | 0:07:35 | |
and you can drop a penny in it and make a wish. | 0:07:35 | 0:07:38 | |
Should I tell you how long it falls? | 0:07:43 | 0:07:45 | |
I used to count, as long as this... | 0:07:47 | 0:07:50 | |
One, | 0:07:52 | 0:07:55 | |
two, | 0:07:55 | 0:07:59 | |
three... | 0:07:59 | 0:08:01 | |
..four... | 0:08:04 | 0:08:06 | |
..five... | 0:08:10 | 0:08:11 | |
..six... | 0:08:14 | 0:08:16 | |
..seven, eight... | 0:08:19 | 0:08:22 | |
..nine... | 0:08:24 | 0:08:26 | |
..ten. | 0:08:29 | 0:08:31 | |
Soft. | 0:08:44 | 0:08:46 | |
Oh, Mr Christopher! | 0:08:46 | 0:08:47 | |
-Telegram, sir. -Thank you, Bridget. | 0:08:53 | 0:08:56 | |
-While you're there, please, Bridget, teapot. -Yes, ma'am. | 0:08:56 | 0:09:01 | |
"Maisie Mulgrew wishes it to be known that she is enjoying | 0:09:13 | 0:09:16 | |
"sexual connection with Captain WM O'Donnell." | 0:09:16 | 0:09:19 | |
-What? -No! China! | 0:09:19 | 0:09:22 | |
You! Pulling the strings of the shower bath. | 0:09:24 | 0:09:26 | |
"The honourable Mrs Frederick Mulgrew, whose husband, we hear, | 0:09:26 | 0:09:30 | |
"is spoken of for the Vienna Embassy, | 0:09:30 | 0:09:32 | |
"enjoys the polo with Captain WM O'Donnell." | 0:09:32 | 0:09:36 | |
That's Maisie getting even with Frederick Mulgrew for his fling with Lady Egret. | 0:09:36 | 0:09:40 | |
You have no reason to say so. | 0:09:40 | 0:09:42 | |
Thank you, Bridget - Darjeeling. | 0:09:43 | 0:09:45 | |
And Mr Tietjens needs more coffee, I expect. | 0:09:47 | 0:09:51 | |
Oh, I don't think Maisie's got the gumption to go through with it. | 0:09:51 | 0:09:54 | |
But the readers like a whiff of sex coming off our crowd, | 0:09:54 | 0:09:57 | |
like a vapour, | 0:09:57 | 0:09:59 | |
like the steam on the water at the crocodile house at the zoo. | 0:09:59 | 0:10:05 | |
-I'm bored! -Only you could be bored with the end of the world upon us. | 0:10:15 | 0:10:20 | |
-Who says? -I says. | 0:10:20 | 0:10:22 | |
The Prime Minister has asked the King to create | 0:10:22 | 0:10:25 | |
400 Liberal peers so the working classes can have free medicines. | 0:10:25 | 0:10:32 | |
Oh, but I see the Association of Domestic Servants | 0:10:32 | 0:10:37 | |
is against the Insurance Bill. Why would that be, I wonder? | 0:10:37 | 0:10:40 | |
Now is your chance to ask. ..Thank you. | 0:10:40 | 0:10:42 | |
-Go on, then. -Well, Bridget? | 0:10:42 | 0:10:44 | |
-I'm sure I don't know, sir. -Well, I'm sure I do. It is because the National Insurance Bill violates | 0:10:47 | 0:10:52 | |
that beautiful intimacy that exists between a servant and their mistress. | 0:10:52 | 0:10:56 | |
The Association of Domestic Servants is Tory through and through! | 0:10:57 | 0:11:02 | |
It is the duty of employers to look after | 0:11:02 | 0:11:05 | |
the welfare of their employees, and those who don't should go to prison. | 0:11:05 | 0:11:09 | |
-Who thinks that? -I am the last, except for a few dukes, like your cousin, Westershire. | 0:11:09 | 0:11:12 | |
-Do you wonder I can't bear him? -No. | 0:11:12 | 0:11:15 | |
You married above your intellect and don't take kindly to disadvantage. | 0:11:15 | 0:11:19 | |
However, the new Liberal peers won't be necessary. | 0:11:19 | 0:11:23 | |
The Upper House will cave in and vote to make itself irrelevant. | 0:11:23 | 0:11:26 | |
-And is that the end of the world? -No. | 0:11:27 | 0:11:30 | |
-The world ended long ago, in the 18th Century. -Ha-ha! | 0:11:30 | 0:11:34 | |
Do you know what he's doing?! | 0:11:40 | 0:11:42 | |
He's making corrections in the Encyclopedia Britannica! | 0:11:42 | 0:11:46 | |
If I'd killed him, no jury would convict! | 0:11:48 | 0:11:50 | |
BANGING AND RAISED VOICES | 0:11:55 | 0:11:58 | |
BELL RINGS | 0:11:58 | 0:12:01 | |
Look, it's him with the purple Rolls. | 0:12:04 | 0:12:07 | |
You've been giving the mare less liquorice in her mash. | 0:12:20 | 0:12:23 | |
I told you she'd go better. Trust you to remember, sir! Thank you. | 0:12:23 | 0:12:27 | |
MAN: Morning! | 0:12:27 | 0:12:29 | |
-Good morning! -Good morning, sir. -Tietjens! Did you receive my telegram? | 0:12:34 | 0:12:37 | |
And a very good morning to you, too, Macmaster. So you looked over my figures. | 0:12:37 | 0:12:40 | |
Yes, and the Chief will have my head if I give them to him. | 0:12:40 | 0:12:43 | |
Well, don't, then. You asked for my help. | 0:12:43 | 0:12:45 | |
-Yes, and you've weighted the calculations as though people... -As though people became ill | 0:12:45 | 0:12:50 | |
according to what they have to pay for medical treatment! | 0:12:50 | 0:12:52 | |
They do, it will ruin the Exchequer, and I intend Sir Reginald to know it. | 0:12:52 | 0:12:57 | |
Suppose you could bolt with a new man every week and no questions asked. | 0:12:57 | 0:13:02 | |
-Ripping! Can I have this? -No. | 0:13:02 | 0:13:06 | |
But the question is, how long would it stay ripping | 0:13:06 | 0:13:11 | |
before you're simply yawning to get back to your husband? | 0:13:11 | 0:13:14 | |
-How long? -It's not a riddle, Sylvia. I'm asking. -Mmm. | 0:13:14 | 0:13:17 | |
Well... It would have to be weekends only. | 0:13:20 | 0:13:24 | |
One would still need a home, a husband for show midweek, | 0:13:24 | 0:13:29 | |
and a place to store one's maid. I couldn't do without Hullo Central. | 0:13:29 | 0:13:33 | |
KNOCKING | 0:13:33 | 0:13:35 | |
Mrs Tietjens is not at home. | 0:13:37 | 0:13:40 | |
Oh, but she... | 0:13:40 | 0:13:42 | |
Sylvia, you are such a rotter. | 0:13:42 | 0:13:44 | |
Well, I'm not dressed for a picnic. | 0:13:44 | 0:13:46 | |
Anyway, I've realised there's no point in a fling if one's husband doesn't notice. | 0:13:46 | 0:13:50 | |
-I'd go! -It's no use, Potty loves me! | 0:13:50 | 0:13:55 | |
He wants me to leave Christopher and go abroad with him. | 0:13:55 | 0:13:59 | |
Oh, I'd like to shake him! | 0:14:01 | 0:14:03 | |
-Who? -My husband, of course. | 0:14:03 | 0:14:08 | |
Shake some reaction out of that great lump! | 0:14:08 | 0:14:11 | |
Do you happen to have a cigarette? | 0:14:15 | 0:14:17 | |
Yes, of course. | 0:14:17 | 0:14:18 | |
Thank you. | 0:14:22 | 0:14:24 | |
Now look here, don't be obtuse, Tietjens. | 0:14:39 | 0:14:42 | |
Dammit, man, is the department's duty to support Waterhouse | 0:14:42 | 0:14:45 | |
and make his case to the house. Do you understand? | 0:14:45 | 0:14:48 | |
-Minister has to show the figures for the insurance bill will balance. -Well, they won't. | 0:14:48 | 0:14:51 | |
And I should have thought it was this department's duty to tell him so. | 0:14:51 | 0:14:54 | |
Tietjens, you're the cleverest young man in London, Macmaster says, | 0:14:54 | 0:14:58 | |
and I'm inclined to believe him. | 0:14:58 | 0:15:00 | |
But he and I, with our blunt instruments, | 0:15:00 | 0:15:04 | |
have managed to grasp something that you cannot. | 0:15:04 | 0:15:07 | |
-Why thank you, Sir Reginald. -Which is... | 0:15:07 | 0:15:09 | |
that if they don't get what they require from you, they'll put some | 0:15:09 | 0:15:12 | |
competition-wallah head clerk on it and take our credit from us. | 0:15:12 | 0:15:16 | |
I simply wish you to be aware of the fact... | 0:15:19 | 0:15:22 | |
there's no difficulty in adjusting the calculations to produce | 0:15:22 | 0:15:26 | |
a more congenial result. | 0:15:26 | 0:15:28 | |
I can let Macmaster have it in the hour and 10 minutes remaining | 0:15:28 | 0:15:31 | |
but I insist on his taking credit for it. | 0:15:31 | 0:15:35 | |
Good man. | 0:15:36 | 0:15:38 | |
Votes for women! | 0:15:39 | 0:15:41 | |
It's him, it's Waterhouse! | 0:15:41 | 0:15:42 | |
WOMEN SHOUT | 0:15:42 | 0:15:45 | |
What the devil is going on here? | 0:15:49 | 0:15:51 | |
-Keep moving, sir. -Excuse me. | 0:15:51 | 0:15:53 | |
This way, please. | 0:15:53 | 0:15:55 | |
We came through without a scratch. Thanks, Bertram. | 0:15:55 | 0:15:58 | |
My fault for inviting a liberal. Christmas spirit, you know? | 0:15:58 | 0:16:01 | |
Will you be going on to Diana's? | 0:16:02 | 0:16:04 | |
-Merry Christmas, Victoria. -Merry Christmas... | 0:16:06 | 0:16:08 | |
-Christopher! There you are at last. -Yeah, sorry. | 0:16:16 | 0:16:19 | |
-You look lovely. -You look like thunder. | 0:16:20 | 0:16:24 | |
You didn't mind that I let Potty bring me ahead. | 0:16:28 | 0:16:32 | |
No, of course not. | 0:16:34 | 0:16:35 | |
-Will you dance? -I would if that were dancing. | 0:16:35 | 0:16:38 | |
Will you save me one when there's a tune? | 0:16:38 | 0:16:41 | |
-You're a writer? -Ah, yes, a little of the critic. | 0:16:57 | 0:17:01 | |
-My book on Rosetti will be appearing... -Macmaster. | 0:17:01 | 0:17:04 | |
-How rude! -That fellow over there was Sandbach. | 0:17:05 | 0:17:08 | |
He's the Right Honourable Stephen Waterhouse. | 0:17:08 | 0:17:12 | |
He's the swine that made us fake that schedule at the office. | 0:17:12 | 0:17:15 | |
-I'm going to have a word with him. -For God's sake, Chrissie! | 0:17:15 | 0:17:18 | |
Those suffragettes, I would have whipped till they bled. | 0:17:18 | 0:17:22 | |
Spank them, that's what I say. | 0:17:22 | 0:17:24 | |
What have we come to | 0:17:24 | 0:17:25 | |
when a government minister can't go anywhere without a policeman? | 0:17:25 | 0:17:28 | |
Perhaps if the Prime Minister had kept his promise to address | 0:17:28 | 0:17:31 | |
the women's concerns after the summer recess... | 0:17:31 | 0:17:34 | |
-Christian, my dear fellow... -..the women would keep their promise to stop protesting, | 0:17:34 | 0:17:38 | |
-while the police had their hands full with the coronation. -Give the PM a chit. | 0:17:38 | 0:17:42 | |
Quite right. Tietjens, hark to my brother-in-law, the general. | 0:17:42 | 0:17:45 | |
-Tietjens. Oh, -you -must be the genius. Allow me to thank you. | 0:17:45 | 0:17:50 | |
We couldn't have got the insurance bill before the house | 0:17:50 | 0:17:53 | |
till the next session without your figures. | 0:17:53 | 0:17:56 | |
You're taking the credit from Macmaster. | 0:17:56 | 0:17:58 | |
-Oh, no, we know who to thank. Sir Reginald let it out. -Macmaster? | 0:17:58 | 0:18:02 | |
Are you the fellow you brought with you? | 0:18:02 | 0:18:06 | |
Who are his people? | 0:18:06 | 0:18:08 | |
His father was a shipping clerk in Edinburgh. | 0:18:11 | 0:18:13 | |
Well! | 0:18:16 | 0:18:17 | |
-Was he angry with me? -Angry with his wife, I expect. We got the brunt. | 0:18:18 | 0:18:23 | |
-No! -Yes. -No, Potty. | 0:18:25 | 0:18:28 | |
Don't call me Potty. | 0:18:28 | 0:18:31 | |
But it suits you. | 0:18:31 | 0:18:33 | |
Will you come away with me? | 0:18:36 | 0:18:39 | |
Well, I might...one day. | 0:18:39 | 0:18:43 | |
Sylvia has gone off with that fellow... | 0:19:14 | 0:19:16 | |
Perowne. | 0:19:16 | 0:19:18 | |
I'm letting Lowndes Street, and warehousing the furniture. | 0:19:20 | 0:19:23 | |
I'm taking Michael to my sister, Effie, | 0:19:23 | 0:19:25 | |
she's married to a vicar who has one of our livings. | 0:19:25 | 0:19:27 | |
Marchant will go with him. | 0:19:27 | 0:19:29 | |
So you'll be wanting your old rooms? | 0:19:31 | 0:19:33 | |
Mm-hm. | 0:19:33 | 0:19:34 | |
One... | 0:20:19 | 0:20:21 | |
two... | 0:20:21 | 0:20:23 | |
Three... | 0:20:23 | 0:20:25 | |
To aunt Effie. | 0:20:25 | 0:20:27 | |
Five... six... | 0:20:28 | 0:20:30 | |
Walk on. | 0:20:31 | 0:20:33 | |
Trott on. | 0:20:43 | 0:20:45 | |
Poor child, living like an orphan with his aunt Effie. | 0:21:00 | 0:21:05 | |
Bear up, old girl. You'll be near at hand now for Michael. | 0:21:07 | 0:21:11 | |
Your wife has shamed you both. | 0:21:13 | 0:21:14 | |
All of us. | 0:21:16 | 0:21:17 | |
-You'll divorce? -No, only a blagger would submit his wife to that. | 0:21:28 | 0:21:32 | |
Mrs Satterthwaite established herself at a German spa, | 0:21:33 | 0:21:36 | |
so that it may be said that Sylvia has gone abroad to nurse her. | 0:21:36 | 0:21:40 | |
The mother's a bitch but a sensible one. | 0:21:41 | 0:21:44 | |
The motor-plough didn't serve. | 0:21:48 | 0:21:51 | |
It's all coming. | 0:21:53 | 0:21:55 | |
He's someone called Thurston, I met him somewhere. He won't gossip. | 0:22:20 | 0:22:25 | |
I don't care if he does. | 0:22:25 | 0:22:28 | |
-Well, thank you very much. -What does it matter? Now or later. | 0:22:28 | 0:22:33 | |
We're not going to hide for ever. | 0:22:33 | 0:22:35 | |
-Well, that's the thing, Potty. -What thing? | 0:22:38 | 0:22:40 | |
It's not for ever. | 0:22:44 | 0:22:46 | |
-Yes, it is. -I hope you're not going to behave badly. -About what? | 0:22:47 | 0:22:52 | |
-About my going back, before it's too late. -Oh, no, you're not. | 0:22:54 | 0:22:59 | |
-What are you talking about? -I miss my husband. -No, you don't! | 0:22:59 | 0:23:04 | |
-You call him...a great lump of wood. -Oh, he is. | 0:23:04 | 0:23:09 | |
I often want to kill him just to see if there's any blood in him. | 0:23:09 | 0:23:12 | |
I'm permanently angry with him. | 0:23:12 | 0:23:15 | |
But he's spoiled me for any other decently groomed man in London. | 0:23:15 | 0:23:18 | |
He knows everything about everything. | 0:23:18 | 0:23:21 | |
That's the difference between being with a grown man | 0:23:21 | 0:23:23 | |
and trying to entertain a schoolboy. | 0:23:23 | 0:23:25 | |
But you love me. | 0:23:27 | 0:23:29 | |
Don't you? | 0:23:31 | 0:23:32 | |
Er... I overlooked you. | 0:23:33 | 0:23:35 | |
Your dullness, and not knowing French and drinking too much or too little | 0:23:35 | 0:23:40 | |
and oh, I don't know, everything really, from being all over me | 0:23:40 | 0:23:45 | |
the moment we were on the train to sulking if I'm not all over you. | 0:23:45 | 0:23:48 | |
Especially that side of things. | 0:23:48 | 0:23:51 | |
Which became like reading a book you've read before. | 0:23:51 | 0:23:55 | |
Why can't one get a man to go away with one and be just...light comedy? | 0:23:56 | 0:24:03 | |
I say, you're not going to kill yourself, I hope, Potty. | 0:24:04 | 0:24:08 | |
I want you to swear on your St Anthony that you won't leave me. | 0:24:11 | 0:24:15 | |
-I'll do no such thing. -Then I'll kill you if you try. | 0:24:16 | 0:24:19 | |
The French understand these things. | 0:24:21 | 0:24:23 | |
These hotels one has been staying in, the notepaper is simply shaming. | 0:24:23 | 0:24:28 | |
A weekend on the golf links might do me some good, | 0:24:36 | 0:24:40 | |
hobnobbing with our masters. | 0:24:40 | 0:24:43 | |
I will change into my golfing togs when we get to our digs. | 0:24:45 | 0:24:48 | |
One never knows who might be on the train. | 0:24:48 | 0:24:50 | |
Mr Sandbach MP, going down to his constituency... | 0:24:50 | 0:24:54 | |
Ah! | 0:24:59 | 0:25:00 | |
The proofs of my monograph. | 0:25:03 | 0:25:05 | |
Sylvia asks me to take her back. | 0:25:16 | 0:25:18 | |
She's joined her mother in Germany. | 0:25:24 | 0:25:26 | |
-Will you take a back? -I imagine so. | 0:25:29 | 0:25:32 | |
There's the child to consider. | 0:25:34 | 0:25:37 | |
Marchant says he's... | 0:25:37 | 0:25:40 | |
beginning to talk like a farmer's boy already. | 0:25:40 | 0:25:42 | |
Well, I shan't have a house again. | 0:25:45 | 0:25:47 | |
There's a certain discredit attached to itself to a cuckold, | 0:25:47 | 0:25:50 | |
quite properly. | 0:25:50 | 0:25:52 | |
Anything beyond a flat looks like impudence in a man | 0:25:53 | 0:25:56 | |
who can't keep his wife. | 0:25:56 | 0:25:58 | |
I wish you'd divorce her. Drag her through the mud. | 0:26:04 | 0:26:07 | |
For a gentleman, there's such a thing as... | 0:26:07 | 0:26:10 | |
-..call it parade. -And if you met someone you want to marry? | 0:26:13 | 0:26:18 | |
-It would change nothing. I stand for monogamy. -You... | 0:26:19 | 0:26:22 | |
Aye, monogamy and chastity. | 0:26:22 | 0:26:24 | |
And for not talking about it. | 0:26:26 | 0:26:27 | |
"Better far tho hearts may break Bid farewell for aye! | 0:26:39 | 0:26:43 | |
"Lest thy sad eyes meeting mine Tempt my soul away." | 0:26:45 | 0:26:49 | |
That's great poetry. | 0:26:52 | 0:26:53 | |
That's your obese poet painter talking about it in language | 0:26:56 | 0:26:58 | |
like congealed bacon fat. | 0:26:58 | 0:27:01 | |
-You have a way of putting things. -I haven't. | 0:27:03 | 0:27:06 | |
If I had, it would make it better for me. Here. | 0:27:06 | 0:27:09 | |
"Except resumption yoke on condition | 0:27:11 | 0:27:13 | |
"child stay with sister Effie and Anglican. | 0:27:13 | 0:27:15 | |
"Wire if acceptable." | 0:27:15 | 0:27:17 | |
I for one am sorry. | 0:27:21 | 0:27:23 | |
-She must have a way of putting things. -She has. | 0:27:26 | 0:27:29 | |
"I am now ready to return to you, if I can keep hullo central, | 0:27:31 | 0:27:36 | |
"there being no-one else I can bear to have near me, | 0:27:36 | 0:27:40 | |
"when I have retired for the night." That's all. | 0:27:40 | 0:27:43 | |
She should be the consort of the... I don't know, | 0:27:47 | 0:27:50 | |
of the Viceroy of India. | 0:27:50 | 0:27:53 | |
We'll get in a round of golf today. | 0:28:02 | 0:28:04 | |
Tomorrow a breakfasting with the rector who'll help me with my book. | 0:28:04 | 0:28:08 | |
But of course he did. | 0:28:08 | 0:28:10 | |
You mean the Reverend Duchemin who hosted those famous breakfasts at Cambridge? | 0:28:10 | 0:28:14 | |
He's no longer at Cambridge. He has a rectory near Rye. | 0:28:14 | 0:28:17 | |
Oh. | 0:28:17 | 0:28:19 | |
Lady Claudine says come and pick a bone at Mountby. You too, Macmaster. | 0:28:23 | 0:28:29 | |
Thank you, I won't. Macmaster would be delighted. | 0:28:30 | 0:28:33 | |
You're the great Macmaster? | 0:28:33 | 0:28:35 | |
That's very good of you to say, Mr Sandbach. | 0:28:35 | 0:28:38 | |
-The caddie heard tell. -Plus one at North Berwick. | 0:28:38 | 0:28:42 | |
Oh, good God. Is that Waterhouse up ahead? | 0:28:43 | 0:28:47 | |
Mm. | 0:29:02 | 0:29:04 | |
Hm! | 0:29:05 | 0:29:07 | |
Get Chrissie back to Sylvia as quick as you can. | 0:29:10 | 0:29:15 | |
Believe me, Sylvia is a splendid girl. Straight as a die. | 0:29:16 | 0:29:21 | |
Takes her fences clean. | 0:29:21 | 0:29:23 | |
-Chrissie must have been running after the skirts. No? -No. | 0:29:25 | 0:29:29 | |
-I dare say a little... -No! -No? | 0:29:29 | 0:29:32 | |
It will be resented. | 0:29:32 | 0:29:34 | |
Half the houses in London would be closed to him, so do what you can. | 0:29:34 | 0:29:38 | |
Hooked it. | 0:29:51 | 0:29:52 | |
I loathe this game. | 0:29:52 | 0:29:55 | |
Why do you play, then? | 0:29:55 | 0:29:57 | |
Macmaster has no-one else. | 0:29:57 | 0:29:59 | |
Votes for women! | 0:30:19 | 0:30:21 | |
Votes for women! | 0:30:21 | 0:30:23 | |
Votes for women! | 0:30:23 | 0:30:25 | |
Votes for women! | 0:30:25 | 0:30:27 | |
-Oi! Come here, you! -Votes for women! | 0:30:27 | 0:30:30 | |
Is it our blood you want before you give in? | 0:30:30 | 0:30:32 | |
Stop! Stop! Stop where you are! | 0:30:33 | 0:30:37 | |
-Votes for women! -Votes for women! -Run, Gertie! | 0:30:37 | 0:30:41 | |
SHRILL WHISTLE | 0:30:44 | 0:30:46 | |
By jove! Miss Wannop! | 0:30:48 | 0:30:51 | |
Suffragettes. | 0:30:53 | 0:30:55 | |
Get off! | 0:30:57 | 0:30:59 | |
You're under arrest! | 0:31:01 | 0:31:03 | |
Valentine! | 0:31:03 | 0:31:04 | |
I say, sorry to spoil your shot. | 0:31:09 | 0:31:12 | |
Go and see that they don't hurt Gertie. I've lost her. | 0:31:13 | 0:31:17 | |
DISTANT COMMOTION | 0:31:17 | 0:31:19 | |
You've been demonstrating. | 0:31:19 | 0:31:21 | |
Well, of course, we have, but you won't see a girl be manhandled. | 0:31:21 | 0:31:24 | |
There looked to be some beasts among them - a regular rat-hunt - | 0:31:24 | 0:31:28 | |
and Gertie can't run. | 0:31:28 | 0:31:29 | |
You cut away, then. I'll look after Gertie. | 0:31:29 | 0:31:33 | |
-No, I'll come with you. -Clear out, unless you want to go to gaol. | 0:31:34 | 0:31:38 | |
-Tally-ho! -Help! | 0:31:38 | 0:31:40 | |
Run! | 0:31:40 | 0:31:41 | |
Strip the bitch naked! Strip the bitch | 0:31:44 | 0:31:47 | |
stark naked! Stop! | 0:31:47 | 0:31:49 | |
-Stop! -Stop! -Stop! | 0:31:51 | 0:31:54 | |
You couldn't have done more, Officer. | 0:31:57 | 0:31:59 | |
I expect you're a bit shaken. | 0:32:01 | 0:32:03 | |
Anybody would be. | 0:32:04 | 0:32:06 | |
Thank you, sir. | 0:32:06 | 0:32:07 | |
Run, Gertie! | 0:32:11 | 0:32:12 | |
We've got them! We've got them! | 0:32:14 | 0:32:17 | |
You'll have to go round by Camber railway bridge! | 0:32:26 | 0:32:30 | |
Idiot! | 0:32:44 | 0:32:45 | |
I refuse to play with you. | 0:32:46 | 0:32:48 | |
In fact, I've a good mind to issue a warrant for your arrest, for obstructing justice. | 0:32:48 | 0:32:52 | |
You can't. You're not a borough magistrate. Look it up. | 0:32:52 | 0:32:55 | |
Chrissie, you are the bloody limit! | 0:32:58 | 0:33:01 | |
The bobby didn't want to arrest the girls. He was yearning not to. | 0:33:01 | 0:33:05 | |
Was that girl your...a friend of yours? Had you arranged it with her? | 0:33:06 | 0:33:12 | |
If it was the Wannop girl - if the woman that's come between you | 0:33:12 | 0:33:16 | |
and Sylvia, dammit, is our little suffragette... | 0:33:16 | 0:33:19 | |
-Good God! -Put her back, Chrissie. | 0:33:19 | 0:33:21 | |
I give you my word. | 0:33:21 | 0:33:23 | |
They say they're all whores. | 0:33:24 | 0:33:27 | |
I beg your pardon, if you like the Wannop girl. | 0:33:29 | 0:33:33 | |
Her father was a great friend of your father's. | 0:33:33 | 0:33:35 | |
Of course, I remember... Professor Wannop, the classicist. | 0:33:35 | 0:33:42 | |
He didn't leave a farthing and there's a son at Eton. | 0:33:44 | 0:33:47 | |
The widow and daughter have a deuced hard row to hoe. | 0:33:47 | 0:33:50 | |
I know Claudine takes them all the peaches she can cadge out of Paul's gardener. | 0:33:50 | 0:33:55 | |
Perhaps you feel sorry for her, is that it? | 0:33:57 | 0:33:59 | |
I think that's enough confusion to be going on with. | 0:33:59 | 0:34:02 | |
But you should know Mrs Satterthwaite is much recovered at her German spa | 0:34:02 | 0:34:06 | |
-and I'm expecting to go over in a day or two to bring Sylvia and her mother home. -Good boy! | 0:34:06 | 0:34:11 | |
Kiss her fingertips for me. She's the real thing, you lucky beggar. | 0:34:13 | 0:34:20 | |
'The littleness of it...' | 0:34:37 | 0:34:39 | |
our drawing-room comedy of sex-obsession! | 0:34:39 | 0:34:43 | |
When the war comes, it'll blow right through it, thank God! | 0:34:43 | 0:34:46 | |
War is impossible, | 0:34:46 | 0:34:47 | |
at any rate with this country in it. | 0:34:47 | 0:34:50 | |
Is that what they said at your dinner with the Tories? | 0:34:50 | 0:34:53 | |
In two years, round about grouse-shooting time, | 0:34:53 | 0:34:55 | |
-there'll be a European war, with Britain plumb in the middle of it. -Ah, the Tietjens exactitude! | 0:34:55 | 0:34:59 | |
-Where's your evidence? -In the office. | 0:35:00 | 0:35:04 | |
It's late. | 0:35:05 | 0:35:06 | |
We're expected at the Duchemin's breakfast - | 0:35:06 | 0:35:09 | |
if you haven't been arrested. | 0:35:09 | 0:35:12 | |
THEY LAUGH | 0:35:12 | 0:35:14 | |
I gave the policeman a £5 note from that swine of a Cabinet Minister, | 0:35:14 | 0:35:18 | |
though I shouldn't call him that, he gave me dinner. | 0:35:18 | 0:35:21 | |
Besides which, he's a decent fellow. | 0:35:21 | 0:35:23 | |
So it's hands off the Wannop girl. | 0:35:24 | 0:35:26 | |
The fair one - Miss Valentine Wannop, | 0:35:26 | 0:35:30 | |
holder of the quarter-mile, half-mile, | 0:35:30 | 0:35:32 | |
high jump and long jump records for East Sussex, | 0:35:32 | 0:35:36 | |
and housemaid-typewriter for her mother, the novelist. | 0:35:36 | 0:35:40 | |
The other one's not local, probably London. | 0:35:40 | 0:35:42 | |
Never underestimate the Sussex constabulary. | 0:35:42 | 0:35:45 | |
Oh, and it is generally believed that Miss Wannop and I are in cahoots, if not worse. | 0:35:46 | 0:35:51 | |
Why do you look like that? | 0:35:56 | 0:35:58 | |
Because I'm waiting for my wife to wire me to fetch her home. | 0:35:59 | 0:36:04 | |
And this is what I look like. | 0:36:06 | 0:36:07 | |
There are times when a woman hates a man, even a very good man, | 0:36:18 | 0:36:21 | |
as my husband was. | 0:36:21 | 0:36:23 | |
I have walked behind a man's back and nearly screamed with | 0:36:23 | 0:36:27 | |
the desire to sink my nails into the veins of his neck. | 0:36:27 | 0:36:30 | |
And Sylvia's got it worse than I. | 0:36:30 | 0:36:32 | |
-If the woman, as the Church directs, would have children and live decent. -But Sylvia's had a child. | 0:36:32 | 0:36:39 | |
-Whose?! That blaggard Drake's, wasn't it? -It was probably Drake's. | 0:36:39 | 0:36:44 | |
I am here, you know! | 0:36:44 | 0:36:46 | |
I am done with men. | 0:36:46 | 0:36:48 | |
Think of all the ruin that child has meant for me. | 0:36:49 | 0:36:52 | |
And Christopher's perfectly soppy about it. | 0:36:52 | 0:36:54 | |
You don't deserve your husband, anyway. | 0:36:54 | 0:36:56 | |
I can't imagine why he sent that telegram. | 0:36:56 | 0:37:00 | |
Resume yoke, indeed! | 0:37:00 | 0:37:01 | |
He sent it out of lordly, dull, full-dress consideration that drives me distracted. | 0:37:01 | 0:37:08 | |
He couldn't write me a letter, because he'd have to put "Dear Sylvia" - and I'm not. | 0:37:08 | 0:37:13 | |
He's that precise sort of imbecile. | 0:37:13 | 0:37:17 | |
I'll settle down by his side and I'll be chaste. | 0:37:17 | 0:37:21 | |
I've made up my mind to it. I'll be bored stiff for the rest of my life, | 0:37:21 | 0:37:25 | |
except for one thing - I can torment that man and I'll do it, for all the times he's tormented me. | 0:37:25 | 0:37:31 | |
I've come from Normandy without sleep, you see. | 0:37:36 | 0:37:38 | |
Oh! I'll tell them downstairs to simply telegraph Christopher, | 0:37:44 | 0:37:49 | |
"Righto". | 0:37:49 | 0:37:51 | |
I'll send the Reverend Duchemin a signed copy of my book. | 0:37:59 | 0:38:03 | |
His word still carries weight. | 0:38:03 | 0:38:04 | |
Of course, sucking up to Duchemin was always the price for kedgeree and poached eggs! | 0:38:04 | 0:38:10 | |
BELL TINKLES | 0:38:10 | 0:38:12 | |
Welcome! Welcome! | 0:38:13 | 0:38:16 | |
I'm the curate here! | 0:38:17 | 0:38:19 | |
Oh, Good Lord. | 0:38:19 | 0:38:21 | |
Thank you, thank you! | 0:38:26 | 0:38:29 | |
Ups-a-daisy. My name's Horsley. | 0:38:29 | 0:38:33 | |
-Macmaster. -Where did you get this job lot? | 0:38:33 | 0:38:36 | |
Gosh, don't you know you've got a 13 hands pony harness on a 16 and a half hands horse? | 0:38:37 | 0:38:41 | |
Let the bit out three holes. It's tearing the animal's tongue in half. | 0:38:41 | 0:38:45 | |
I'm not sure it's playing the game, Valentine, asking you to be here. If your mother knew... | 0:38:46 | 0:38:52 | |
Mother wanted to come with me when I told her it was to meet a critic, | 0:38:52 | 0:38:55 | |
but I got away in the carriage. | 0:38:55 | 0:38:57 | |
That's perfect. Nobody will even see your husband. | 0:38:59 | 0:39:02 | |
I've told Duchemin's keeper to keep him out till a quarter past. | 0:39:03 | 0:39:07 | |
I've set a place for your Gertie, but never mind. | 0:39:07 | 0:39:10 | |
We've got the old curate's sister staying with us, Miss Fox, and she's stone deaf! | 0:39:10 | 0:39:15 | |
-An empty chair next to her makes no difference. -This way! | 0:39:15 | 0:39:18 | |
The ladies will be in here! We arrived together! He-he! | 0:39:18 | 0:39:22 | |
Miss... Good morning. I'm Macmaster. | 0:39:22 | 0:39:26 | |
We're living in a state of siege, ladies. Tee-hee! | 0:39:26 | 0:39:30 | |
It's so good of you to come. | 0:39:30 | 0:39:31 | |
Pleasure, thank you for having me. Christopher Tietjens. | 0:39:31 | 0:39:34 | |
A pleasure indeed and you must be the famous Vincent Macmaster. | 0:39:34 | 0:39:38 | |
-Mr Sandbach MP and half a dozen... -A pleasure, Ma'am. | 0:39:38 | 0:39:41 | |
-I'm Edith Duchemin and this is Miss Wannop! -Ah, Miss Wannop! | 0:39:41 | 0:39:44 | |
..and armed with loaded canes... | 0:39:44 | 0:39:46 | |
Gentlemen, you must be tired from your journey. Allow me to show you to your seats. | 0:39:46 | 0:39:51 | |
-..scouring the country lanes, tee-hee! -Thank you. | 0:39:51 | 0:39:53 | |
-You are here Mr Tietjens, I thought. -Thank you. -And here, for you, | 0:39:53 | 0:39:57 | |
Mr Macmaster. And I next to you! | 0:39:57 | 0:39:59 | |
..drink had been taken! | 0:39:59 | 0:40:01 | |
If you are hungry, there's... Well, I hope you'll find something to your liking. | 0:40:01 | 0:40:06 | |
-Thank you. -..is said to have egged them on. | 0:40:06 | 0:40:11 | |
He's putting up at Lady Claudine's for Royal duties at Dover. | 0:40:11 | 0:40:15 | |
-Campion is taking the escort... -I must thank you for yesterday. | 0:40:15 | 0:40:18 | |
..the Buffs' colours on the altar of St Peter's tomorrow morning. | 0:40:18 | 0:40:23 | |
-Ah, Mrs Wannop, what a pleasant surprise! -Mother?! -Which is Mr Macmaster, the critic? | 0:40:23 | 0:40:28 | |
Are you Mr Macmaster, the critic? | 0:40:32 | 0:40:34 | |
I am Macmaster. | 0:40:34 | 0:40:35 | |
Oh, Mr Macmaster, my new book is coming out on Tuesday... | 0:40:35 | 0:40:42 | |
Mother, what have you done with Gertie? | 0:40:42 | 0:40:44 | |
She's lying low in the attic... High, rather. | 0:40:44 | 0:40:48 | |
It will be of interest to you to hear about my book. | 0:40:48 | 0:40:53 | |
To you journalists, a little inside information is always... | 0:40:53 | 0:40:56 | |
I'm not a journalist! | 0:40:56 | 0:40:58 | |
Well, a critic. | 0:40:58 | 0:41:00 | |
-I don't review books. I'm not a critic in the sense of... -Of course you are. | 0:41:00 | 0:41:05 | |
I write for the critical quarterlies. | 0:41:05 | 0:41:06 | |
-Mr Macmaster... -Oh, the critical quarterlies! | 0:41:06 | 0:41:11 | |
Mr Horsley, sit Mrs Wannop next to you and feed her! | 0:41:11 | 0:41:16 | |
That is exactly what my book needs - a good, long, deep... | 0:41:16 | 0:41:21 | |
Ups-a-daisy. That's the Reverend's chair. | 0:41:21 | 0:41:24 | |
-The critical quarterlies have shown a deplorable lack of interest - serious interest... -That's better. | 0:41:24 | 0:41:30 | |
-Would you allow me to help you to...? -Oh, a little caviar. A peach! | 0:41:33 | 0:41:38 | |
I'm afraid I... I'm afraid I must... You see, my husband... | 0:41:39 | 0:41:45 | |
I beg you, dear lady, do not concern yourself. | 0:41:45 | 0:41:48 | |
I think this party's very badly arranged. Very bad management. | 0:41:48 | 0:41:54 | |
-..or perhaps not. Sometimes you'd never know he was... -One understands. | 0:41:54 | 0:41:57 | |
Only to spend a fleeting hour in these perfect surroundings. | 0:41:57 | 0:42:02 | |
You know the lines, "As when the swallow | 0:42:02 | 0:42:05 | |
"gliding from lofty portal to lofty portal, | 0:42:05 | 0:42:08 | |
"out of the dark and into the light and out again into the dark"? | 0:42:08 | 0:42:12 | |
-Oh, yes! Yes! It takes a poet! -I have a message for you, from Mr Waterhouse. | 0:42:12 | 0:42:17 | |
I told him I did not know you and did not expect to see you. He didn't believe me. | 0:42:17 | 0:42:21 | |
If it's to invite me for a chat, | 0:42:22 | 0:42:24 | |
I don't intend to place myself in the way of his condescension. | 0:42:24 | 0:42:27 | |
No, not that. He wants you to know that there are no charges against you. | 0:42:27 | 0:42:31 | |
Well, what about Gertie? | 0:42:31 | 0:42:34 | |
Gertie, too, as far as yesterday is concerned, | 0:42:34 | 0:42:37 | |
but I'd get her out from your attic, if she's on the run from the Metropolitan Police, which she is. | 0:42:37 | 0:42:42 | |
(Parry?) | 0:42:59 | 0:43:01 | |
Good God, it's Parry, the Bermondsey light-middleweight! | 0:43:01 | 0:43:05 | |
Mr Macmaster seems to know him, too. | 0:43:05 | 0:43:08 | |
He taught me to box at Cambridge. | 0:43:08 | 0:43:10 | |
Good morning...Doctor. | 0:43:16 | 0:43:20 | |
I-II'm not a doctor. | 0:43:23 | 0:43:24 | |
Yes... Yes. | 0:43:24 | 0:43:26 | |
The stethoscope packed in the hat | 0:43:26 | 0:43:30 | |
left in the hall. | 0:43:30 | 0:43:31 | |
And your friend? Another medical man? | 0:43:34 | 0:43:37 | |
It takes two doctors, of course, | 0:43:37 | 0:43:40 | |
to certify a lunatic. Ah, Parry. | 0:43:40 | 0:43:44 | |
Sole fillets - very good! Kidneys to follow. | 0:43:44 | 0:43:47 | |
Very good, sir. | 0:43:47 | 0:43:48 | |
I am Macmaster. | 0:43:51 | 0:43:52 | |
We corresponded and you invited me for breakfast. | 0:43:52 | 0:43:55 | |
Of course I did! | 0:43:56 | 0:43:58 | |
Macmaster, the budding critic! | 0:43:58 | 0:43:59 | |
And friend. | 0:44:01 | 0:44:02 | |
Macmaster and friend to breakfast! | 0:44:02 | 0:44:07 | |
Not medical men. | 0:44:07 | 0:44:09 | |
But you look tired. | 0:44:12 | 0:44:13 | |
Worn. | 0:44:15 | 0:44:16 | |
Worn out. | 0:44:18 | 0:44:19 | |
I detect the pallor of self-abuse. | 0:44:21 | 0:44:24 | |
Don't turn round. Vincent Macmaster is quite capable. | 0:44:26 | 0:44:30 | |
Post coitum tristia. Ah, the sorrows of spent semen! | 0:44:30 | 0:44:33 | |
Boys or girls, in your case? | 0:44:33 | 0:44:36 | |
Sir, your fish is getting cold! I'll bring the kidneys! | 0:44:36 | 0:44:39 | |
-If he'll eat a little - it brings the blood down from the head. -Oh, forgive! | 0:44:39 | 0:44:42 | |
It's dreadful for you. | 0:44:43 | 0:44:44 | |
-My dear lady, please don't worry, it's what I'm for. -Oh, you good man. | 0:44:44 | 0:44:50 | |
Deprensum in puero tetricis me vocibus, uxor, corripis et culum te quoque habere refers. | 0:44:50 | 0:44:58 | |
Of course! The daughter of Professor Wannop would know her Latin! | 0:44:58 | 0:45:01 | |
I can stop this. Shall I? | 0:45:01 | 0:45:04 | |
Yes. Yes, anything! | 0:45:04 | 0:45:07 | |
Marcus Valerius Martialis, book 11, epigram 43, | 0:45:07 | 0:45:09 | |
the lament of the wife of a boy-buggerer - | 0:45:09 | 0:45:13 | |
"My dear, I have an arsehole too!" | 0:45:13 | 0:45:16 | |
Get him out - the way you beat Kid Cantor at Hackney Baths! | 0:45:17 | 0:45:21 | |
I have often had to refer my wife to Marcus 11, 43. | 0:45:21 | 0:45:25 | |
"Alas, my dear, with women, it's more a case of having two cu..." Ugh! | 0:45:25 | 0:45:30 | |
You all right, sir? It's time to write your sermon sir. | 0:45:31 | 0:45:35 | |
Ready? There we go. | 0:45:38 | 0:45:40 | |
Dearest lady, it's all over now. I assure you. | 0:45:42 | 0:45:45 | |
Please forgive! You can never respect me? | 0:45:45 | 0:45:48 | |
You're the bravest woman I know. | 0:45:49 | 0:45:51 | |
BICYCLE BELLS RINGS Goodbye! | 0:45:55 | 0:45:58 | |
This isn't the rig for you, Mrs Wannop. | 0:46:11 | 0:46:14 | |
A pony and basketwork chaise, that's the trap for ladies. | 0:46:14 | 0:46:18 | |
But she'll do well for the work tonight. | 0:46:18 | 0:46:20 | |
Tonight? | 0:46:20 | 0:46:22 | |
Mr Tietjens means Gertie. Don't you? | 0:46:22 | 0:46:24 | |
Yes. Do you know somewhere Gertie can wait it out? | 0:46:24 | 0:46:29 | |
They'll be watching the trains at Ashford Junction. | 0:46:29 | 0:46:31 | |
-Oh, you'll help? -I will not see you incommoded. | 0:46:31 | 0:46:34 | |
You've written the only novel since the 18th century | 0:46:34 | 0:46:36 | |
I've not had to correct in the margins. | 0:46:36 | 0:46:38 | |
Well! | 0:46:38 | 0:46:40 | |
But what shall we do with Gertie? | 0:46:40 | 0:46:43 | |
Bring her over, only don't pull at her mouth, she'll come easy. | 0:46:43 | 0:46:47 | |
Oh, he is a beast! You don't know when he's not talking about Gertie. | 0:46:47 | 0:46:51 | |
-I'll miss you, Gertie. -See you in London. | 0:47:00 | 0:47:03 | |
She'll be all right. | 0:47:21 | 0:47:22 | |
You should know, Miss Wannop, we are being talked about. | 0:47:29 | 0:47:32 | |
And that'll teach you not to speak to strange men on golf courses. | 0:47:34 | 0:47:37 | |
It doesn't matter. It really doesn't matter. | 0:47:37 | 0:47:40 | |
You'll live it down. | 0:47:40 | 0:47:42 | |
The only thing that matters is to do good work. | 0:47:42 | 0:47:45 | |
It's true. I oughtn't to care what those swines say about me, | 0:47:47 | 0:47:50 | |
but I do, and I care about what they say about you. | 0:47:50 | 0:47:55 | |
BIRDS TWEET | 0:48:00 | 0:48:03 | |
Listen. | 0:48:06 | 0:48:08 | |
A lark? | 0:48:11 | 0:48:12 | |
Not that. | 0:48:12 | 0:48:14 | |
It was a nightingale. | 0:48:14 | 0:48:15 | |
"It was the lark, the herald of the morn, no nightingale." | 0:48:17 | 0:48:21 | |
"Believe me, love, it was the nightingale." | 0:48:22 | 0:48:25 | |
BIRDS TWEET | 0:48:25 | 0:48:27 | |
There! He sounds hoarse now. | 0:48:27 | 0:48:31 | |
Their song changes in June. | 0:48:31 | 0:48:33 | |
We're 13 miles from Brede, six and a half miles from... | 0:48:47 | 0:48:54 | |
something like Uddlemere. | 0:48:54 | 0:48:56 | |
The lamp went out. | 0:48:57 | 0:48:59 | |
Ground fog. | 0:49:00 | 0:49:02 | |
And we are on the road to Uddlemere. | 0:49:03 | 0:49:05 | |
Do you mind telling me if you know this road at all? | 0:49:08 | 0:49:10 | |
It's Udimore, not Uddlemere. | 0:49:12 | 0:49:14 | |
So it is the right road, then. | 0:49:14 | 0:49:15 | |
-CLICKS -Go on! -Is it? | 0:49:15 | 0:49:18 | |
You wouldn't let the mare go on another five steps if it wasn't. | 0:49:18 | 0:49:20 | |
-You're soft on her. -Not as soft as you. | 0:49:20 | 0:49:23 | |
You're not so dreadfully ugly, really. | 0:49:24 | 0:49:27 | |
Don't mind me, I'm... | 0:49:30 | 0:49:32 | |
I'm so happy. | 0:49:34 | 0:49:35 | |
I'm so happy. | 0:49:35 | 0:49:37 | |
The next crossroad is Grandfather's Wantways. | 0:49:39 | 0:49:42 | |
An old gentleman used to sit there called Gran'fer Finn. | 0:49:42 | 0:49:45 | |
Every Tenterden market day, he sold fleed cakes from a basket to the carts going by. | 0:49:45 | 0:49:50 | |
Tenterden market was abolished in 1845. | 0:49:50 | 0:49:54 | |
Done in by the repeal of the Corn Laws. | 0:49:54 | 0:49:56 | |
Why do you suppose I make a collection of obsolescent facts? | 0:49:58 | 0:50:01 | |
Because you do. | 0:50:02 | 0:50:03 | |
You make Toryism out of them. | 0:50:05 | 0:50:07 | |
I thought your type were all in museums. | 0:50:07 | 0:50:10 | |
You want to be an English country gentleman spinning | 0:50:10 | 0:50:12 | |
principles out of quaintness, and letting the country go to hell. | 0:50:12 | 0:50:15 | |
You won't stir a finger except to say, "I told you so." | 0:50:16 | 0:50:19 | |
Where are you? | 0:50:31 | 0:50:33 | |
I wish you'd make some noise. | 0:50:35 | 0:50:37 | |
# D'ye ken John Peel with his coat so grey | 0:50:37 | 0:50:43 | |
# D'ye ken John Peel at the break of day... # | 0:50:44 | 0:50:48 | |
What are you doing? | 0:50:49 | 0:50:51 | |
Trying the other side, I... | 0:50:51 | 0:50:53 | |
Where are you? | 0:50:59 | 0:51:00 | |
# D'ye ken John Peel far, far away | 0:51:01 | 0:51:07 | |
# With his hounds and his horn in the morning... # | 0:51:09 | 0:51:14 | |
We're nearly home. | 0:51:37 | 0:51:39 | |
I found a milestone, we're just above Mountby. | 0:51:39 | 0:51:42 | |
You can go on now. | 0:51:42 | 0:51:44 | |
Walk on. | 0:51:45 | 0:51:46 | |
The Mountby drive is 100 yards just...pull to the left | 0:51:46 | 0:51:50 | |
or the horse will walk straight up to the house. | 0:51:50 | 0:51:53 | |
And, look, the sun. | 0:51:58 | 0:52:01 | |
It's the beginning of the longest day, the summer solstice. | 0:52:04 | 0:52:07 | |
Sistere and sol, because the sun seems to stand still. | 0:52:07 | 0:52:11 | |
We got through the night. | 0:52:16 | 0:52:17 | |
Miss Wannop... | 0:52:17 | 0:52:19 | |
Damn Mountby. | 0:52:23 | 0:52:25 | |
My dear, couldn't have lasted forever. | 0:52:27 | 0:52:31 | |
But you're a good man. | 0:52:33 | 0:52:34 | |
Very clever. | 0:52:36 | 0:52:38 | |
You'll make it through. | 0:52:39 | 0:52:41 | |
CAR HORN TOOTS | 0:52:43 | 0:52:44 | |
HORSE WHINNIES | 0:52:44 | 0:52:46 | |
Whoa! Whoa! | 0:52:46 | 0:52:48 | |
Whoa, whoa. | 0:52:57 | 0:52:59 | |
Good girl. | 0:52:59 | 0:53:00 | |
She's cut badly, come quick. | 0:53:05 | 0:53:08 | |
Red stocking from the flank downwards. | 0:53:08 | 0:53:10 | |
Take off your petticoat. | 0:53:12 | 0:53:14 | |
Tear it into strips. We need it for bandages. | 0:53:16 | 0:53:18 | |
Jump the hedge. | 0:53:20 | 0:53:21 | |
I've seen you jump. | 0:53:22 | 0:53:24 | |
-Damn you! Go away! -I went past to get you out of Claudine's sight. | 0:53:35 | 0:53:41 | |
-You'll have to pay for the horse. -Why should I? | 0:53:41 | 0:53:44 | |
For not sounding your horn. | 0:53:44 | 0:53:46 | |
You drove right into my drive! Besides, | 0:53:46 | 0:53:49 | |
-I did! -No, you didn't! | 0:53:49 | 0:53:51 | |
What am I to tell my sister? I believe she saw the girl. | 0:54:02 | 0:54:06 | |
Go away. Tell her what you like, but you'll pay for her horse. | 0:54:06 | 0:54:08 | |
I'm damned if I will. | 0:54:08 | 0:54:10 | |
And send out the horse ambulance when you go through Rye. | 0:54:10 | 0:54:13 | |
There's your sister getting out. | 0:54:13 | 0:54:14 | |
-Nobody's dead. -Who was that with Tietjens? | 0:54:18 | 0:54:20 | |
Never you mind. Get in the car, we'll be late. | 0:54:20 | 0:54:23 | |
Why did you try to quarrel with the general? | 0:54:32 | 0:54:35 | |
You need a quarrel with him, | 0:54:36 | 0:54:38 | |
it'll account for Lady Claudine spreading slander. | 0:54:38 | 0:54:41 | |
You think of everything | 0:54:44 | 0:54:45 | |
when most men wouldn't be able to think at all. | 0:54:45 | 0:54:48 | |
Tell me about Groby. | 0:54:52 | 0:54:53 | |
It's older than Protestantism... | 0:54:57 | 0:54:59 | |
..and Groby Great Tree is the symbol of the Yorkshire Tietjens. | 0:55:01 | 0:55:06 | |
It's a big cedar. | 0:55:06 | 0:55:08 | |
The crown darkens our topmost windows, and the roots undermine our foundations. | 0:55:09 | 0:55:13 | |
So one of them will have to go. | 0:55:13 | 0:55:16 | |
House or tree, one day. | 0:55:18 | 0:55:20 | |
If I ever take you there... | 0:55:25 | 0:55:27 | |
My dear... | 0:55:32 | 0:55:33 | |
..you'll never take me to Groby. | 0:55:35 | 0:55:37 | |
It's the postmaster's boy. | 0:55:46 | 0:55:48 | |
And he can take you home. | 0:55:48 | 0:55:51 | |
It's been perhaps a short acquaintance, | 0:55:51 | 0:55:55 | |
but I think you're the splendidest... | 0:55:55 | 0:55:58 | |
Whoa! Whoa! You, there. | 0:56:07 | 0:56:09 | |
You, stop there. | 0:56:09 | 0:56:11 | |
Good morning, Jimmy. | 0:56:17 | 0:56:18 | |
Morning, Miss Wannop. I was just on my way to your cottage. | 0:56:18 | 0:56:22 | |
There's a telegram re-directed care of Wannop. It must be Macmaster. | 0:56:23 | 0:56:27 | |
You're to take Miss Wannop home. | 0:56:28 | 0:56:31 | |
She's her mother's breakfast to see to. | 0:56:31 | 0:56:34 | |
Go on. | 0:56:40 | 0:56:42 | |
Damn near forty miles in one night. | 0:57:05 | 0:57:08 | |
You've lost a lot of blood. | 0:57:10 | 0:57:12 | |
I let you down, old girl, didn't I? | 0:57:14 | 0:57:16 | |
SOBS | 0:57:36 | 0:57:38 | |
SHOUTING | 0:58:02 | 0:58:04 | |
Oh, that's my first suffragette. | 0:58:04 | 0:58:05 | |
I know what it is that makes a man | 0:58:05 | 0:58:07 | |
want to go away with a woman he likes. | 0:58:07 | 0:58:09 | |
Oh, go away, if you can't bear to look. | 0:58:09 | 0:58:11 | |
But that desire | 0:58:12 | 0:58:14 | |
must be resisted. | 0:58:14 | 0:58:16 | |
Don't touch me now when it's too late. | 0:58:17 | 0:58:20 | |
You have something to live for. | 0:58:20 | 0:58:22 | |
-Don't you want to be a man of influence? -No. | 0:58:22 | 0:58:24 | |
I'd prefer to be in the trenches. | 0:58:24 | 0:58:25 | |
Subtitles by Red Bee Media Ltd | 0:58:51 | 0:58:54 |