
Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
-Do you happen to have a cigarette? -Yes, of course. | 0:00:02 | 0:00:04 | |
But she's bitched me, old man. | 0:00:04 | 0:00:06 | |
-I don't even know if the child is mine. -You look like thunder. | 0:00:06 | 0:00:09 | |
Mrs Satterthwaite has established herself at a German spa | 0:00:09 | 0:00:12 | |
so it may be said that Sylvia has gone to nurse her. | 0:00:12 | 0:00:14 | |
Your wife has shamed you both. | 0:00:14 | 0:00:16 | |
I wish you'd divorce her. Drag her through the mud! | 0:00:16 | 0:00:19 | |
-There's the child. -If you met someone you wanted to marry? | 0:00:19 | 0:00:22 | |
You'll have to go round by Camber Railway Bridge! | 0:00:22 | 0:00:25 | |
It would change nothing. | 0:00:25 | 0:00:27 | |
I stand for monogamy. | 0:00:27 | 0:00:30 | |
Sylvia. | 0:01:24 | 0:01:26 | |
It was good of you to come yourself. | 0:01:26 | 0:01:28 | |
Then, you don't know. | 0:01:33 | 0:01:34 | |
I'm so sorry, Christopher. | 0:01:36 | 0:01:38 | |
There was a telegram from the office, from Macmaster. | 0:01:40 | 0:01:44 | |
Your mother died yesterday. | 0:01:45 | 0:01:47 | |
I did not expect it quite yet. | 0:02:00 | 0:02:03 | |
I killed your mother. | 0:02:16 | 0:02:18 | |
She died of a broken heart because I left you. | 0:02:18 | 0:02:21 | |
No, she didn't. | 0:02:22 | 0:02:23 | |
Then, it was because I asked you to take me back. | 0:02:25 | 0:02:27 | |
My mother died from a medical condition, | 0:02:28 | 0:02:31 | |
not a literary convention. | 0:02:31 | 0:02:33 | |
I suppose it's all over town that I went off with Potty Perowne? | 0:02:36 | 0:02:39 | |
I told Vincent Macmaster, no one else knows. | 0:02:40 | 0:02:43 | |
That was nearish, though. | 0:02:43 | 0:02:45 | |
Oh, Christopher. Has it been awful for you? | 0:02:46 | 0:02:50 | |
It is thought that you went abroad to look after your mother. | 0:02:53 | 0:02:56 | |
You'll get your own back! | 0:02:59 | 0:03:01 | |
Only I wish you wouldn't do it by punishing me with your meal-sack Anglican sainthood. | 0:03:01 | 0:03:06 | |
Give me Father Consett any day - he called me a harlot | 0:03:06 | 0:03:09 | |
and refused to shake my hand till he confessed me. | 0:03:09 | 0:03:13 | |
Father Consett is here? | 0:03:13 | 0:03:14 | |
I showed him your telegram. | 0:03:14 | 0:03:17 | |
I want him to know that your condition for taking me back | 0:03:18 | 0:03:21 | |
is to have your son damned for all eternity. | 0:03:21 | 0:03:24 | |
If it bothers you so much... | 0:03:40 | 0:03:42 | |
Thank you. | 0:04:05 | 0:04:06 | |
I saw Gerald Drake somewhere | 0:04:12 | 0:04:14 | |
and I thought, "What a brute!"... | 0:04:14 | 0:04:18 | |
How would I possibly have ... | 0:04:18 | 0:04:20 | |
Pretty box, though. | 0:04:23 | 0:04:24 | |
The pictures no doubt belong to the hotel's former existence. | 0:04:37 | 0:04:42 | |
Was it an abattoir? | 0:04:42 | 0:04:43 | |
So very sad. | 0:04:43 | 0:04:45 | |
In the midst of life ... | 0:04:46 | 0:04:47 | |
Oh, here we are. There is a night express, you're right. | 0:04:48 | 0:04:53 | |
Wagons-lits, dining car, | 0:04:53 | 0:04:55 | |
and you'll be at Groby with a day to spare before the funeral. | 0:04:55 | 0:04:59 | |
A public appearance together couldn't be more timely. | 0:05:00 | 0:05:03 | |
My cousin Westershire got wind of something | 0:05:03 | 0:05:05 | |
and I was forced to lie to him. | 0:05:05 | 0:05:07 | |
As head of the family, the Duke takes it personally when lives become untidy. | 0:05:07 | 0:05:11 | |
I'm not going back to Christopher | 0:05:11 | 0:05:13 | |
if I have to be in bed by nine o'clock. | 0:05:13 | 0:05:16 | |
My own bed, I mean, of course. | 0:05:16 | 0:05:18 | |
This was the last place Christianised in Europe. | 0:05:18 | 0:05:21 | |
The old pagan demons are still at their work. | 0:05:21 | 0:05:23 | |
The sooner you're away, | 0:05:23 | 0:05:25 | |
the sooner you'll not have such wicked thoughts. | 0:05:25 | 0:05:27 | |
They are yours, not mine. | 0:05:27 | 0:05:28 | |
I meant my own bed as distinct from my husband's. | 0:05:28 | 0:05:32 | |
Father Consett and I will return at leisure by road. | 0:05:32 | 0:05:35 | |
He has business in Berlin. | 0:05:35 | 0:05:37 | |
-Irish business? -Now, why would you think that? | 0:05:37 | 0:05:39 | |
I will not interfere with your social life. | 0:05:39 | 0:05:43 | |
But our old life, with a town house | 0:05:43 | 0:05:45 | |
to keep up and entertain in... | 0:05:45 | 0:05:47 | |
I could not accept your generosity as before. | 0:05:47 | 0:05:50 | |
-I'm not going to live in Yorkshire. -Macmaster has found a suitable flat | 0:05:50 | 0:05:53 | |
across the way from his rooms in Gray's Inn. | 0:05:53 | 0:05:57 | |
A flat in Holborn! I couldn't have imagined anything more humiliating! | 0:05:57 | 0:06:01 | |
It's supposed to be a penance, it's not a reward. | 0:06:01 | 0:06:04 | |
-You mind your own business! -Your soul IS my business. | 0:06:04 | 0:06:06 | |
But my dear boy, | 0:06:06 | 0:06:08 | |
the whole world would understand | 0:06:08 | 0:06:10 | |
exactly what we have managed to keep from it. | 0:06:10 | 0:06:12 | |
You would not be the first landowner | 0:06:12 | 0:06:14 | |
to give up a house in town in protest | 0:06:14 | 0:06:16 | |
against the new tax. The Duke would applaud you. | 0:06:16 | 0:06:19 | |
-I shouldn't wonder if he lends you the Westershire box at the opera. -I never heard such bosh! | 0:06:19 | 0:06:23 | |
I will be in my room praying for death, or at least packing for it. | 0:06:23 | 0:06:28 | |
Would you send me your maid? | 0:06:28 | 0:06:31 | |
I'd better go myself. Sylvia hit my maid with her hairbrush | 0:06:31 | 0:06:35 | |
and I only borrowed her, I don't want to return her damaged. | 0:06:35 | 0:06:39 | |
Now then, Christopher. | 0:06:45 | 0:06:46 | |
Your son is Roman Catholic born, and that's the fact of the matter. | 0:06:46 | 0:06:50 | |
But Michael will grow up with my sister's children | 0:06:50 | 0:06:54 | |
in an Anglican parsonage, and the facts must jostle as they may. | 0:06:54 | 0:06:58 | |
Slainte. | 0:06:59 | 0:07:00 | |
Father, your Republican friends should know | 0:07:00 | 0:07:03 | |
Germany is looking for a European war and will find a reason for one, | 0:07:03 | 0:07:06 | |
probably in the next two years. | 0:07:06 | 0:07:07 | |
Don't fill your dance card in Berlin. | 0:07:07 | 0:07:10 | |
Damnable business. | 0:07:16 | 0:07:18 | |
Do you want a pipe? | 0:07:23 | 0:07:26 | |
Thank you, no. | 0:07:26 | 0:07:27 | |
There's a boy I'm putting through Eton. | 0:07:42 | 0:07:46 | |
-Gilbert Wannop's boy. -Oh? | 0:07:48 | 0:07:51 | |
For old time's sake. | 0:07:51 | 0:07:53 | |
Eton and then his father's old college. Nothing in writing. | 0:07:55 | 0:08:00 | |
But, er... | 0:08:01 | 0:08:04 | |
You'll see to it if it comes to that? | 0:08:04 | 0:08:06 | |
Of course, Father. | 0:08:09 | 0:08:11 | |
-By God, she looks like a... -Yes, sir. | 0:08:41 | 0:08:45 | |
It doesn't do, stealing the show from her mother-in-law! | 0:08:49 | 0:08:53 | |
The cedar will have to come down before it knocks over the house. | 0:08:57 | 0:08:59 | |
Father would sooner take down the house. | 0:08:59 | 0:09:02 | |
Young men and maidens have made their marriage vows | 0:09:02 | 0:09:04 | |
under the Groby Tree for longer than memory. | 0:09:04 | 0:09:07 | |
If Mark won't do it, it'll have to wait for Michael, then. | 0:09:07 | 0:09:09 | |
Michael, I want you to meet a new friend. | 0:09:23 | 0:09:28 | |
Clio. | 0:09:28 | 0:09:30 | |
Don't be frightened. | 0:09:30 | 0:09:33 | |
Come and say hello. | 0:09:33 | 0:09:36 | |
There, you see? | 0:09:36 | 0:09:39 | |
He won't bite. | 0:09:41 | 0:09:44 | |
-Has he stopped wetting the bed? -Oh, yes, sir. | 0:09:51 | 0:09:54 | |
It just needed a little firmness. | 0:09:56 | 0:09:59 | |
I remember, Marchie. | 0:10:04 | 0:10:05 | |
Your bath, Madam. | 0:10:45 | 0:10:47 | |
Do you know, Evie, | 0:10:52 | 0:10:53 | |
there isn't a water-closet in the whole damn house? | 0:10:53 | 0:10:57 | |
I got a flea in my ear. | 0:10:57 | 0:10:59 | |
No ashtrays either. Master's orders! | 0:10:59 | 0:11:02 | |
Thank you. Are they looking after you? | 0:11:15 | 0:11:18 | |
Yes'm. | 0:11:18 | 0:11:19 | |
Mr Jenkins the butler chose me to sit next to him | 0:11:19 | 0:11:22 | |
at lunch on account of your turn-out. | 0:11:22 | 0:11:24 | |
First hobble skirt at Groby! | 0:11:24 | 0:11:26 | |
They've only seen them in the picture papers. | 0:11:26 | 0:11:28 | |
KNOCKING ON DOOR I rang down for a housemaid. | 0:11:28 | 0:11:31 | |
I won't have you emptying chamber pots. | 0:11:31 | 0:11:34 | |
Here! | 0:11:34 | 0:11:36 | |
-May I speak with my wife? -She is in her dressing room, sir. | 0:11:46 | 0:11:48 | |
Oh, it's all right. You can come in here. | 0:11:48 | 0:11:51 | |
I'm sorry... I didn't... | 0:11:56 | 0:11:58 | |
Effie is waiting with her family to go home. | 0:12:02 | 0:12:05 | |
You'll want to say goodbye to Michael. | 0:12:05 | 0:12:08 | |
Yes. Yes, of course. | 0:12:08 | 0:12:11 | |
She took the towel. | 0:12:23 | 0:12:25 | |
Oh, go away if you can't bear to look! | 0:12:31 | 0:12:34 | |
Higher than the beasts, lower than the angels. | 0:12:35 | 0:12:39 | |
Stuck between the two in our idiots' Eden! | 0:12:39 | 0:12:43 | |
God, I'm so bored with it all! | 0:12:43 | 0:12:45 | |
Guarding or granting admission to a temple | 0:12:45 | 0:12:48 | |
no decent butcher would give room to on his offal tray! | 0:12:48 | 0:12:53 | |
I'd rather be a cow in a field. | 0:12:54 | 0:12:57 | |
Ask someone to bring Michael to me, will you, please? | 0:12:59 | 0:13:02 | |
I'll bring him. | 0:13:04 | 0:13:06 | |
You're hurting yourself for no reason, | 0:13:06 | 0:13:09 | |
keeping the boy in Yorkshire. | 0:13:09 | 0:13:11 | |
I'm going to live chaste, just because I want to. | 0:13:14 | 0:13:18 | |
It will be Swedish exercises and occasional retreats. | 0:13:19 | 0:13:24 | |
Father Consett knows a convent where you can bring your own maid. | 0:13:24 | 0:13:29 | |
HE SIGHS | 0:13:31 | 0:13:34 | |
DOOR OPENS AND CLOSES | 0:13:38 | 0:13:40 | |
A suite! | 0:13:51 | 0:13:53 | |
But darling, what does one do here, for a whole weekend? | 0:13:53 | 0:13:57 | |
I don't think that's an ashtray. | 0:13:57 | 0:13:59 | |
No, I don't think Johnnie would wear it. | 0:14:02 | 0:14:04 | |
He'd just look at me as if I'd gone off to Maidenhead with someone | 0:14:04 | 0:14:07 | |
and we both knew it. | 0:14:07 | 0:14:10 | |
I've had some rotten times at Maidenhead. | 0:14:10 | 0:14:13 | |
Evie? Would you take Mrs Pelham's cigarette outside | 0:14:13 | 0:14:17 | |
-and put it somewhere? -Yes, madam. | 0:14:17 | 0:14:20 | |
So she DOES have a name. | 0:14:30 | 0:14:33 | |
It was decent of you to come with me, but, er, | 0:14:33 | 0:14:38 | |
I don't know why... | 0:14:38 | 0:14:39 | |
I don't believe my retreat can begin until you go. | 0:14:42 | 0:14:47 | |
I bet you'll be on the up train tomorrow. Not enough men here. | 0:14:47 | 0:14:52 | |
If there's one thing that drove me out of London, | 0:14:52 | 0:14:55 | |
it's the way I can't enter a room | 0:14:55 | 0:14:56 | |
without all the little women instantly cleaving to their men | 0:14:56 | 0:14:59 | |
as though to say, "Hands off!" | 0:14:59 | 0:15:03 | |
And then hating me all the more | 0:15:03 | 0:15:04 | |
when they realise I have no use for their treasured rubbish. | 0:15:04 | 0:15:07 | |
No more he and she for me. | 0:15:08 | 0:15:11 | |
I owe it to myself to be fair to Christopher. | 0:15:12 | 0:15:17 | |
He's up in Yorkshire again, seeing Michael. | 0:15:17 | 0:15:21 | |
The move to Gray's Inn has been a success. | 0:15:21 | 0:15:23 | |
He knows his stuff with furniture and pictures. | 0:15:24 | 0:15:29 | |
He'll walk into a saleroom and sniff out what everybody else has missed. | 0:15:29 | 0:15:33 | |
He just knows...everything! | 0:15:35 | 0:15:38 | |
Of course, he wants to make me suffer. | 0:15:40 | 0:15:43 | |
What man wouldn't? | 0:15:44 | 0:15:46 | |
I will make him realise his failure | 0:15:48 | 0:15:50 | |
by living with him in perfect good humour. | 0:15:50 | 0:15:52 | |
And then one day, | 0:15:54 | 0:15:57 | |
after a whisky or two... | 0:15:57 | 0:16:00 | |
He must want to, sometimes. | 0:16:02 | 0:16:04 | |
Why, you're soppy about him! | 0:16:06 | 0:16:10 | |
Can somebody tell me why I'm here, | 0:16:24 | 0:16:27 | |
watching the ruling class in its death throes? | 0:16:27 | 0:16:30 | |
-Where else would you be? -I would be at a lecture on "Imperialism: the Last Stage of Capitalism" | 0:16:30 | 0:16:34 | |
at the Working Men's College in Camberwell. | 0:16:34 | 0:16:37 | |
Since you're here, why don't you introduce us to your friends? | 0:16:37 | 0:16:40 | |
Because both my friends are at the lecture. | 0:16:40 | 0:16:42 | |
You should go up to the Working Men's College in Camberwell | 0:16:42 | 0:16:45 | |
in September instead of Oxford. | 0:16:45 | 0:16:47 | |
Some of us are working to destroy the citadels of privilege from within. | 0:16:47 | 0:16:51 | |
Well, that's lucky for some of us. | 0:16:51 | 0:16:54 | |
Oh, well done, Val! | 0:17:05 | 0:17:07 | |
-APPLAUSE -Well done! | 0:17:07 | 0:17:09 | |
You beastly little show-off! | 0:17:11 | 0:17:14 | |
Of course, it had to be Miss Wannop! | 0:17:14 | 0:17:17 | |
General. Are we on speaking terms? | 0:17:17 | 0:17:21 | |
You still owe me £50 for driving your motor into my mare last year. | 0:17:21 | 0:17:25 | |
Tietjens had the rig on the wrong side of the road. | 0:17:25 | 0:17:28 | |
Tietjens?! | 0:17:28 | 0:17:29 | |
HORSE WHINNYING So it WAS him! | 0:17:29 | 0:17:32 | |
Driving your rig. | 0:17:32 | 0:17:34 | |
At daybreak. | 0:17:34 | 0:17:37 | |
Good morning, Lady Claudine. Actually, it was partly the fog | 0:17:37 | 0:17:41 | |
and partly that your brother didn't sound his horn. | 0:17:41 | 0:17:43 | |
I was a witness. | 0:17:43 | 0:17:45 | |
A witness indeed. | 0:17:45 | 0:17:47 | |
So was I. | 0:17:47 | 0:17:48 | |
BRAKES SQUEALING A witness to what, I wouldn't know. | 0:17:48 | 0:17:51 | |
Do excuse me. | 0:17:55 | 0:17:56 | |
I've just been complaining about you. | 0:18:04 | 0:18:07 | |
-Good Lord, why? What have I done? -Your lot, I mean. | 0:18:07 | 0:18:10 | |
Some of us have had to rusticate ourselves for the season. | 0:18:10 | 0:18:13 | |
My milliner has let go three of her girls, | 0:18:13 | 0:18:16 | |
and it serves you right if you lose the footman vote too. | 0:18:16 | 0:18:20 | |
Oh, Miss Wannop! Do you know Mrs Satterthwaite? | 0:18:20 | 0:18:24 | |
How do you do? | 0:18:24 | 0:18:25 | |
-She is our friend Tietjens's mother-in-law. -Oh, is that my fame? | 0:18:25 | 0:18:29 | |
You know Christopher? | 0:18:31 | 0:18:32 | |
Hardly, but I did meet Mr Tietjens last year in Rye. | 0:18:32 | 0:18:36 | |
I haven't seen him since. | 0:18:36 | 0:18:38 | |
Actually, this tea is for my mother, | 0:18:42 | 0:18:44 | |
and I mustn't inflict myself on Mr Waterhouse with my inferior mind | 0:18:44 | 0:18:48 | |
and general incapacity for anything much except motherhood. | 0:18:48 | 0:18:51 | |
So, if you'll excuse me. | 0:18:51 | 0:18:53 | |
-That's not at all what I... -Oh, that's my first suffragette! | 0:18:53 | 0:18:57 | |
Got it! You're Tietjens's feminist! | 0:19:00 | 0:19:04 | |
If you're thinking of starting something... | 0:19:04 | 0:19:06 | |
I've a good mind to smack your bare bottom! | 0:19:06 | 0:19:09 | |
I'm sure you think of little else. | 0:19:09 | 0:19:12 | |
You have a nerve showing your face here. | 0:19:12 | 0:19:14 | |
I know you're Tietjens's whore. You're all gasping for it, | 0:19:14 | 0:19:17 | |
you militant bitches! | 0:19:17 | 0:19:19 | |
How dare you say something thing about a man | 0:19:19 | 0:19:21 | |
you're not fit to serve as a boot-boy? | 0:19:21 | 0:19:23 | |
About him? | 0:19:24 | 0:19:26 | |
Good God, the girl's in love! | 0:19:26 | 0:19:29 | |
I wanted to write about the Women's Bill, | 0:20:13 | 0:20:16 | |
but the editor said, | 0:20:16 | 0:20:19 | |
"My dear Mrs Wannop, | 0:20:19 | 0:20:21 | |
"our readers already know that the Lords are going to chuck it back. | 0:20:21 | 0:20:26 | |
"What they have no grasp of is the Balkan crisis." | 0:20:26 | 0:20:29 | |
Where did you get all this from? | 0:20:29 | 0:20:31 | |
-Christopher Tietjens. -Oh, you spoke to Mr Tietjens? | 0:20:34 | 0:20:39 | |
Is he an expert on the Balkan situation? | 0:20:41 | 0:20:43 | |
-I suppose he is. -Since his father boodled me into this job | 0:20:48 | 0:20:51 | |
because he had shares in the paper, | 0:20:51 | 0:20:53 | |
it would reflect very badly on him | 0:20:53 | 0:20:56 | |
if I were to make a bish of this article. | 0:20:56 | 0:21:00 | |
Not to mention losing five guineas a week. | 0:21:01 | 0:21:03 | |
Oh, bother it! | 0:21:03 | 0:21:05 | |
I meant to say that Serbia has no more right to demand access to the sea than Berkshire. | 0:21:05 | 0:21:10 | |
Christopher, of course. | 0:21:10 | 0:21:12 | |
Well, it's men waving their spears. | 0:21:12 | 0:21:15 | |
As if war were only about maps. | 0:21:15 | 0:21:18 | |
Now, time's up. I'm expected with Mrs Duchemin. | 0:21:18 | 0:21:23 | |
So it's in the box! | 0:21:23 | 0:21:25 | |
'I don't wish to come between a country parson,' | 0:21:33 | 0:21:35 | |
albeit a gentleman of means, to say the least, | 0:21:35 | 0:21:38 | |
and one, moreover, with a distinguished association | 0:21:38 | 0:21:41 | |
-with a great university... -Breakfast Duchemin of Cambridge! | 0:21:41 | 0:21:45 | |
..between even such a man. and the organ of the parish... | 0:21:45 | 0:21:50 | |
-Organ? -What? | 0:21:50 | 0:21:52 | |
You refer to my organ? | 0:21:55 | 0:21:57 | |
No. | 0:21:57 | 0:21:59 | |
Yes, I refer to the parish magazine. | 0:21:59 | 0:22:04 | |
Of course. | 0:22:04 | 0:22:06 | |
DOOR OPENING AND CLOSING | 0:22:06 | 0:22:08 | |
I think it's going to be all right. | 0:22:14 | 0:22:16 | |
He had a cooked breakfast, thank God. | 0:22:16 | 0:22:19 | |
It's the fasting that brings it on. | 0:22:19 | 0:22:20 | |
..but the parish magazine is not self-evidently | 0:22:20 | 0:22:24 | |
the appropriate platform from which to condemn | 0:22:24 | 0:22:28 | |
restrictive female undergarments | 0:22:28 | 0:22:30 | |
as being a danger to the sexual health of our women... | 0:22:30 | 0:22:34 | |
You think so? | 0:22:34 | 0:22:37 | |
It's sweet of you to come and hold my hand. | 0:22:37 | 0:22:39 | |
Edith, are you sure you're safe here? | 0:22:39 | 0:22:42 | |
There's nothing to be done. | 0:22:42 | 0:22:43 | |
-I just run a bath and think of Browning. -Drowning? | 0:22:43 | 0:22:46 | |
The poet Browning, | 0:22:46 | 0:22:48 | |
and the Rossettis. | 0:22:48 | 0:22:51 | |
Mr Macmaster has taken to coming down at the weekends | 0:22:52 | 0:22:55 | |
to talk to my husband about the poets he knew in his young days. | 0:22:55 | 0:22:59 | |
I would like you to know Mr Macmaster better. | 0:22:59 | 0:23:02 | |
He has opened worlds to me. | 0:23:02 | 0:23:04 | |
I have the honour of receiving for him | 0:23:06 | 0:23:09 | |
on what are becoming known as Macmaster's Fridays. | 0:23:09 | 0:23:12 | |
We might find a little job for you, behind the tea-table. | 0:23:12 | 0:23:15 | |
What do you think? | 0:23:15 | 0:23:17 | |
Well, I think... I think... | 0:23:18 | 0:23:20 | |
Vincent - Mr Macmaster - has rooms in Gray's Inn, | 0:23:20 | 0:23:23 | |
right across from some people you know, I think. | 0:23:23 | 0:23:28 | |
Mr and Mrs Tietjens? | 0:23:28 | 0:23:29 | |
Does he? | 0:23:29 | 0:23:32 | |
Ah, my dear. His Grace was most complimentary | 0:23:35 | 0:23:39 | |
about the Lapsang Soochong. | 0:23:39 | 0:23:41 | |
He enjoys the aroma of smoke. | 0:23:41 | 0:23:44 | |
Thank you. Delightful. | 0:23:44 | 0:23:46 | |
I do hope your little - convocation, should I call it? - was... | 0:23:46 | 0:23:50 | |
Oh, indeed. Yes. | 0:23:50 | 0:23:53 | |
Sweetness and light! | 0:23:53 | 0:23:56 | |
All well. | 0:23:57 | 0:23:59 | |
Oh, I hadn't dared hope! | 0:24:11 | 0:24:14 | |
HE SNIFFS | 0:24:21 | 0:24:24 | |
What is it, dear? | 0:24:26 | 0:24:28 | |
Sulphur! | 0:24:31 | 0:24:33 | |
Can't you smell it? | 0:24:33 | 0:24:35 | |
Brimstone. | 0:24:36 | 0:24:38 | |
I smelled him out the minute he came in. | 0:24:39 | 0:24:42 | |
Who, dear? | 0:24:42 | 0:24:43 | |
Beelzebub! | 0:24:43 | 0:24:46 | |
He thought I was taken in. | 0:24:46 | 0:24:48 | |
You remember Miss Wannop? | 0:24:48 | 0:24:51 | |
He takes a pleasing shape. | 0:24:51 | 0:24:53 | |
I have just been telling Miss Wannop about Mr Macmaster's circle | 0:24:53 | 0:24:56 | |
of beautiful intellects, all devoted to the higher things... | 0:24:56 | 0:25:00 | |
But I was ready for him! | 0:25:00 | 0:25:01 | |
Beauty, truth, the shepherd's pipe, the gem-like flame, | 0:25:01 | 0:25:05 | |
the wine-dark sea... | 0:25:05 | 0:25:06 | |
Lord, your servant slept when your handmaiden | 0:25:06 | 0:25:11 | |
was taken into bondage with a corset, but he wakes now! | 0:25:11 | 0:25:15 | |
The beautiful soul, souls, | 0:25:15 | 0:25:16 | |
in harmony with our little gathering of the finer minds, | 0:25:16 | 0:25:19 | |
quite the finest really, the very best young writers, artists... | 0:25:19 | 0:25:25 | |
And cast out the Devil's new contraption, the brassiere! | 0:25:25 | 0:25:28 | |
and all the swaddling and strapping that constricts the freely-flowing | 0:25:28 | 0:25:32 | |
and God-glorifying bounty of belly and breast! | 0:25:32 | 0:25:34 | |
Of airy buttock... | 0:25:34 | 0:25:36 | |
Why, Mr Duchemin, you are one of us! | 0:25:36 | 0:25:38 | |
All we new women are united against the corset, | 0:25:38 | 0:25:41 | |
it is the very devil! | 0:25:41 | 0:25:43 | |
You must write an article for our paper. | 0:25:43 | 0:25:45 | |
How splendid. | 0:25:45 | 0:25:48 | |
Sylvia, good morning! | 0:26:01 | 0:26:03 | |
Merry Christmas! | 0:26:03 | 0:26:05 | |
Merry Christmas, General. | 0:26:05 | 0:26:06 | |
You don't know my ADC, Major Perowne. | 0:26:06 | 0:26:08 | |
Of course I do. Merry Christmas, Potty. | 0:26:08 | 0:26:11 | |
Potty? | 0:26:11 | 0:26:12 | |
You've been keeping that one under your hat, Peter! | 0:26:12 | 0:26:16 | |
Merry Christmas. | 0:26:16 | 0:26:18 | |
Look here, | 0:26:18 | 0:26:19 | |
I want to talk to that husband of yours, where is he? | 0:26:19 | 0:26:21 | |
-What has he done? -Never you mind. | 0:26:21 | 0:26:23 | |
But you can tell him the War Office | 0:26:23 | 0:26:25 | |
wants the entire Department of Statistics lined up and shot. | 0:26:25 | 0:26:28 | |
SHE LAUGHS | 0:26:28 | 0:26:29 | |
He's in Yorkshire over the New Year, with his sister's family. | 0:26:29 | 0:26:32 | |
FIREWORKS AND CLOCK CHIMES | 0:26:35 | 0:26:38 | |
CHEERING AND APPLAUSE | 0:26:38 | 0:26:41 | |
-Happy New Year! -Happy New Year. | 0:26:43 | 0:26:45 | |
-Happy New Year, Marchant. -Happy New Year. | 0:26:45 | 0:26:49 | |
ALL: Happy New Year. Happy New Year.... | 0:26:49 | 0:26:51 | |
Happy New Year, Marchant. Happy New Year. | 0:26:51 | 0:26:54 | |
Well, it's up the stairs to Bedfordshire for me. | 0:26:54 | 0:26:56 | |
-Good night, sir. -Good night, Marchie. You'll look in on Michael? | 0:26:56 | 0:27:00 | |
MUSIC AND CHEERING | 0:27:00 | 0:27:02 | |
I go back to town tomorrow to face the warmongers. | 0:27:13 | 0:27:16 | |
Are they after your blood? | 0:27:16 | 0:27:18 | |
No-one was counting in the cost of losing our export trade | 0:27:18 | 0:27:22 | |
to the Continent. | 0:27:22 | 0:27:23 | |
Do you think there will be a war? | 0:27:24 | 0:27:26 | |
If Germany puts it off much longer, Russia will have enough railway | 0:27:26 | 0:27:29 | |
to put her army on the frontier in 20 days. | 0:27:29 | 0:27:31 | |
So the Germans are in a panic, it will take them twice that long to beat France | 0:27:31 | 0:27:34 | |
and they don't want to be fighting on two fronts. | 0:27:34 | 0:27:36 | |
Goodness. | 0:27:36 | 0:27:39 | |
The things you chaps in London know! | 0:27:39 | 0:27:40 | |
Mmm. | 0:27:40 | 0:27:42 | |
-Would you like me to come and tuck you up? -No, thank you very much. | 0:27:46 | 0:27:49 | |
-It's only for a minute. -No, Brownlie. | 0:27:49 | 0:27:53 | |
-Dash it, Sylvia. -Happy New Year. | 0:27:53 | 0:27:55 | |
Darling? | 0:28:25 | 0:28:27 | |
Christopher? | 0:28:34 | 0:28:35 | |
I hope you had a lovely evening, madam. Happy New Year. | 0:28:35 | 0:28:40 | |
What are you doing, waiting up? Go to bed. | 0:28:40 | 0:28:44 | |
Well, now you're here... | 0:28:45 | 0:28:49 | |
SHE SIGHS | 0:28:52 | 0:28:53 | |
SHOUTING | 0:29:34 | 0:29:37 | |
Votes for women! | 0:29:37 | 0:29:40 | |
Votes for women! Votes for women! | 0:29:40 | 0:29:42 | |
SHOUTING CONTINUES | 0:29:42 | 0:29:45 | |
-Stand up for your rights! -You can't do that here, lady! | 0:30:03 | 0:30:05 | |
Be off with you now. | 0:30:05 | 0:30:06 | |
-Well, it's open to the public and we are the public! -No, you don't! | 0:30:06 | 0:30:11 | |
No, nobody gets through! No. | 0:30:11 | 0:30:13 | |
What are you all gawping at? | 0:30:36 | 0:30:39 | |
Do you think that is all women are good for? | 0:30:39 | 0:30:42 | |
Hey! What do you think you are doing?! | 0:30:44 | 0:30:46 | |
There's no need to manhandle me! | 0:30:46 | 0:30:48 | |
Put it down! | 0:30:48 | 0:30:51 | |
There you are at last, Brownlie. | 0:31:23 | 0:31:27 | |
Dash it, Sylvia, I don't know what you mean. I've been waiting ages. | 0:31:27 | 0:31:31 | |
-I said let's meet at the Ritz. -Well, it's near the Ritz. | 0:31:31 | 0:31:35 | |
Don't sulk or I'll be sorry I came at all. | 0:31:36 | 0:31:38 | |
What shall I look at? | 0:31:40 | 0:31:42 | |
I don't much care for any of them. | 0:31:42 | 0:31:45 | |
They're well past, if you ask me. | 0:31:45 | 0:31:47 | |
Past Impressionism. You see, they're called Past Impressionists. | 0:31:49 | 0:31:54 | |
You stay with the banking, Brownlie, that's what I advise. | 0:31:56 | 0:31:59 | |
Aren't they? | 0:31:59 | 0:32:01 | |
I might buy one to annoy Christopher. | 0:32:04 | 0:32:07 | |
I'm all for that. | 0:32:07 | 0:32:08 | |
I'll buy it for you, | 0:32:10 | 0:32:12 | |
if you stop being so cruel to me. | 0:32:12 | 0:32:14 | |
Yes. | 0:32:22 | 0:32:24 | |
Yes. | 0:32:24 | 0:32:25 | |
Where did you find this? | 0:32:26 | 0:32:28 | |
In Dover Street. | 0:32:29 | 0:32:31 | |
I've no doubt it's young Tom Girtin | 0:32:33 | 0:32:35 | |
on one of his topographical tours in the 1790s. | 0:32:35 | 0:32:37 | |
You must have it in your bedroom. | 0:32:39 | 0:32:42 | |
Now I'm hurt. | 0:32:44 | 0:32:46 | |
Oh? | 0:32:46 | 0:32:48 | |
No, no, I like it very much. | 0:32:48 | 0:32:51 | |
The breakfast room, then. | 0:32:53 | 0:32:55 | |
Yes... perhaps. | 0:32:57 | 0:33:00 | |
I'll leave it for you. | 0:33:02 | 0:33:04 | |
-Goodnight. -Goodnight. | 0:33:09 | 0:33:10 | |
-You would marry Mrs Duchemin, of course, if she were free. -Yes. | 0:33:32 | 0:33:37 | |
-Why doesn't she have her husband certified? -Well, she's loyal. | 0:33:37 | 0:33:41 | |
Do you find that contradictory? | 0:33:41 | 0:33:43 | |
No, I don't. But, no disrespect, surely a better reason | 0:33:43 | 0:33:46 | |
-is the Lunacy Commissioners would hold the purse strings. -Yes. | 0:33:46 | 0:33:48 | |
-Whereas, as things are... -I wanted to ask your advice. | 0:33:48 | 0:33:51 | |
Suppose she lent me the money? Only a thousand or two? | 0:33:51 | 0:33:54 | |
I want to live in a manner worthy of Edith, naturally. | 0:33:54 | 0:33:57 | |
Chrissie, it's only timing. The money will come to her in the end, what's the difference? | 0:33:57 | 0:34:01 | |
None, except as to how you are perceived as a gentleman. | 0:34:01 | 0:34:05 | |
Don't touch the Duchemins' money, I'll give you what you need. | 0:34:07 | 0:34:09 | |
Chrissie. | 0:34:09 | 0:34:11 | |
It's of no consequence. I came into some funds from my mother, rather a lot by my standards. | 0:34:11 | 0:34:15 | |
-Chrissie, it would be a loan. -I'm afraid I never loan money. | 0:34:15 | 0:34:19 | |
-I won't take it otherwise. -Think of it as you wish. | 0:34:19 | 0:34:22 | |
Come up, I'll write you a cheque. | 0:34:22 | 0:34:24 | |
Thank you, Chrissie. | 0:34:32 | 0:34:33 | |
I'm about to be handing out sums of money too. | 0:34:36 | 0:34:39 | |
Small sums from the Royal Literary Fund. | 0:34:39 | 0:34:42 | |
It seems some poor beggar has to supervise the disbursements. | 0:34:42 | 0:34:45 | |
And the King's Gold Stick of the Bedchamber or some such | 0:34:45 | 0:34:49 | |
liked my little book on Browning. | 0:34:49 | 0:34:51 | |
-Congratulations, you'll be in the honours list soon enough. -Do you think so? | 0:34:51 | 0:34:56 | |
Oh, Chrissie, I wish you'd come to one of my Fridays. | 0:34:56 | 0:35:00 | |
I wouldn't want to be rude to your aesthetes. | 0:35:00 | 0:35:02 | |
You know I'm taking August in Scotland this year? | 0:35:08 | 0:35:12 | |
What about you? | 0:35:14 | 0:35:16 | |
Sylvia's accepted to join the Duke's house party | 0:35:18 | 0:35:21 | |
at his place in Northumberland. | 0:35:21 | 0:35:23 | |
You remember telling me once, two years ago at Rye, | 0:35:23 | 0:35:26 | |
we'd be at war about the time the grouse shooting began in 1914? | 0:35:26 | 0:35:31 | |
-Time's running out. -Yes, I'm afraid so. | 0:35:31 | 0:35:35 | |
Make the most of Scotland. | 0:35:35 | 0:35:37 | |
And do be circumspect. | 0:35:38 | 0:35:39 | |
I know what it is that makes a man want to go away with a woman he likes. | 0:35:41 | 0:35:45 | |
But that desire, which is to be allowed to finish | 0:35:45 | 0:35:48 | |
his conversations with her... | 0:35:48 | 0:35:51 | |
must be resisted. | 0:35:51 | 0:35:53 | |
Oh, Chrissie. | 0:35:53 | 0:35:55 | |
What you know! | 0:35:57 | 0:35:58 | |
HE CHUCKLES | 0:35:58 | 0:36:00 | |
Opened the car door for the lady-wife...I don't think! | 0:36:18 | 0:36:21 | |
Welcome! | 0:36:28 | 0:36:30 | |
Oh, thank you, sir. | 0:36:32 | 0:36:34 | |
Oh. Mr and Mrs Macmaster, is it? Welcome. | 0:36:40 | 0:36:45 | |
-Ah, thank you, sir. -Thank you. | 0:36:50 | 0:36:53 | |
Ah, you will of course let Mrs McKenzie know if you need anything. | 0:36:56 | 0:36:59 | |
DOOR CLOSES | 0:37:02 | 0:37:04 | |
They know! They know! | 0:37:04 | 0:37:06 | |
Oh, no, they don't. | 0:37:06 | 0:37:08 | |
Darling... Darling, it'll be all right. | 0:37:08 | 0:37:11 | |
We've dreamed of this. To be away together. | 0:37:12 | 0:37:15 | |
(Lock the door. Lock the door!) | 0:37:15 | 0:37:18 | |
HE LAUGHS EXCITEDLY | 0:37:28 | 0:37:30 | |
Darling. | 0:37:30 | 0:37:32 | |
SHE GIGGLES Oh, no, no, don't mess up the bed! | 0:37:37 | 0:37:39 | |
SHE GIGGLES Oh... | 0:37:43 | 0:37:48 | |
my love! | 0:37:48 | 0:37:51 | |
Are you expecting a good season? | 0:37:51 | 0:37:53 | |
Yes. Plenty of birds. | 0:37:53 | 0:37:56 | |
DOG BARKS | 0:37:57 | 0:37:59 | |
Ah... | 0:37:59 | 0:38:00 | |
-Won't be long now, eh? -THEY CHUCKLE | 0:38:01 | 0:38:05 | |
SEAGULLS SHRIEK | 0:38:08 | 0:38:10 | |
DOG CONTINUES BARKING | 0:38:11 | 0:38:14 | |
HORSES STIR | 0:38:16 | 0:38:18 | |
No good asking me. | 0:38:22 | 0:38:24 | |
Bertram says Asquith and Lord Grey never discuss war in Cabinet. | 0:38:24 | 0:38:28 | |
Not in front of the children. | 0:38:28 | 0:38:30 | |
THEY CHUCKLE | 0:38:30 | 0:38:32 | |
-The Cabinet talks about women. -Women? | 0:38:32 | 0:38:34 | |
Oh, oh, women. | 0:38:34 | 0:38:36 | |
Women and Ireland. | 0:38:36 | 0:38:38 | |
Mother's priest has turned her Republican. | 0:38:38 | 0:38:40 | |
That's just Sylvia pulling the strings of the shower bath. | 0:38:40 | 0:38:43 | |
What war, Glorvina? It isn't going to be our war. | 0:38:43 | 0:38:47 | |
If it had been us and a tinpot country like Serbia, | 0:38:47 | 0:38:50 | |
we'd have declared war three weeks ago. | 0:38:50 | 0:38:52 | |
-Exactly. -What are the Austrians waiting for? | 0:38:52 | 0:38:54 | |
For an assurance that Russia won't come in on the Serbian side | 0:38:54 | 0:38:57 | |
and Russia's waiting for an assurance that Germany won't come in on the Austrian side. | 0:38:57 | 0:39:01 | |
There you are - no stomach for a fight. | 0:39:01 | 0:39:03 | |
There's not going to be any war. | 0:39:03 | 0:39:05 | |
This isn't our own chutney! | 0:39:07 | 0:39:09 | |
SEAGULLS SHRIEK | 0:39:09 | 0:39:12 | |
Why are they all in...? | 0:39:22 | 0:39:24 | |
What's frightening them? They're all in a... | 0:39:24 | 0:39:27 | |
panic. | 0:39:27 | 0:39:28 | |
Up there, look. | 0:39:30 | 0:39:32 | |
It's a fish eagle. | 0:39:32 | 0:39:34 | |
Not even on duty. | 0:39:35 | 0:39:37 | |
Listen, Sylvia, they're all living in cloud-cuckoo-land. | 0:39:40 | 0:39:43 | |
I want to see Michael before we find ourselves on a train south. | 0:39:44 | 0:39:48 | |
A fish eagle... | 0:39:48 | 0:39:49 | |
What? | 0:39:50 | 0:39:52 | |
The Germans are itching to get at the Russians. | 0:39:52 | 0:39:55 | |
France will declare war on Germany, that's what the French-Russian Pact is for. | 0:39:55 | 0:39:59 | |
Then it's us. Germany will invade through Belgium... | 0:39:59 | 0:40:03 | |
If you don't stop, I'm going to jump. | 0:40:03 | 0:40:05 | |
Britain is committed to defend Belgian neutrality. | 0:40:05 | 0:40:09 | |
That's what I'd like to come back as. | 0:40:12 | 0:40:15 | |
The fish eagle. | 0:40:16 | 0:40:18 | |
THEY CONVERSE QUIETLY | 0:40:44 | 0:40:47 | |
SHE GIGGLES | 0:40:47 | 0:40:50 | |
I say. | 0:40:55 | 0:40:56 | |
Isn't that...? | 0:40:56 | 0:40:59 | |
SHE GIGGLES Mrs Duchemin! | 0:40:59 | 0:41:02 | |
SHE SOBS | 0:41:16 | 0:41:19 | |
We're not leaving here together, you oaf! | 0:41:19 | 0:41:22 | |
Yes, but... How...how will you...? | 0:41:24 | 0:41:28 | |
Oh, Chrissie, thank God you're here! | 0:41:34 | 0:41:36 | |
Your telegram bounced, I was in Yorkshire, seeing Michael. | 0:41:36 | 0:41:38 | |
-What's happened? -Edith will explain on the train. | 0:41:38 | 0:41:41 | |
-I won't forget today in a hurry. -None of us will. Haven't you heard? | 0:41:41 | 0:41:44 | |
We're at war with Germany. | 0:41:44 | 0:41:46 | |
Oh... | 0:41:52 | 0:41:54 | |
Oh.... | 0:41:55 | 0:41:57 | |
SHE GASPS BREATHLESSLY | 0:41:58 | 0:42:00 | |
SHE SOBS | 0:42:07 | 0:42:09 | |
The French are saying that we're not pulling our weight. | 0:42:15 | 0:42:18 | |
The Prime Minister wishes to show that, when measured against respective populations | 0:42:18 | 0:42:22 | |
of single men of fighting age and suchlike, | 0:42:22 | 0:42:25 | |
-that our contribution compares very favourably with the French. -Does it? | 0:42:25 | 0:42:28 | |
This document lumps together 72 battalions | 0:42:28 | 0:42:31 | |
of Kitchener's volunteers who aren't on the Western Front, | 0:42:31 | 0:42:34 | |
-they're still in training without half their kit. -That's a million men under arms committed to the fight! | 0:42:34 | 0:42:38 | |
This is all about who's in control of strategy, I suppose. | 0:42:38 | 0:42:41 | |
Our masters take the view the Western Front must be under dual command, | 0:42:41 | 0:42:46 | |
not, repeat not under a single command, | 0:42:46 | 0:42:49 | |
-which would mean French command, obviously. -Why would it mean that, sir, obviously? | 0:42:49 | 0:42:54 | |
Lord, I thought you were supposed to be clever. | 0:42:54 | 0:42:56 | |
Because the French army is ten times the size of the British army! | 0:42:56 | 0:43:00 | |
Because the war is being fought on French soil, not British soil! | 0:43:00 | 0:43:03 | |
Because... Now look here, Tietjens. I took you for a sound man. | 0:43:03 | 0:43:06 | |
This department exists to show that just as there are different ways | 0:43:06 | 0:43:10 | |
to put things in words, there are different ways to put things in numbers! | 0:43:10 | 0:43:13 | |
I detest and despise the work I am asked to do in the department, | 0:43:13 | 0:43:17 | |
whose purpose seems to be to turn statistics into sophistry. | 0:43:17 | 0:43:20 | |
-I am resigning. Good morning. -Resigning? | 0:43:20 | 0:43:23 | |
-Don't you want to be a man of influence? -No. | 0:43:23 | 0:43:25 | |
I'd prefer to be in the trenches. | 0:43:25 | 0:43:27 | |
Oh, God, give me the strength to strangle the Kaiser | 0:43:29 | 0:43:33 | |
-with my bare hands. -You innocent! | 0:43:33 | 0:43:35 | |
It's the soldiers who betrayed the cause. | 0:43:35 | 0:43:37 | |
-You are talking rubbish! -Class traitors! | 0:43:37 | 0:43:39 | |
And the German socialists too! | 0:43:39 | 0:43:41 | |
-I can't listen to this... -Voting for war like lickspittle lackeys. -Stop it! Stop it! | 0:43:41 | 0:43:45 | |
I hope they die with blood spouting out of their lungs. | 0:43:45 | 0:43:47 | |
-TELEPHONE RINGS -I thought you were a pacifist! | 0:43:47 | 0:43:50 | |
Yes, I refuse to fight, but let the guilty get what they deserve! | 0:43:50 | 0:43:53 | |
You are nothing but a lily-livered coward... | 0:43:53 | 0:43:55 | |
-As for you, I hope both sides rape every woman... -What?! | 0:43:55 | 0:43:59 | |
-SOUNDS OF A STRUGGLE -Edith? | 0:43:59 | 0:44:01 | |
I thought of you because you're mixed in with the kind of woman who... | 0:44:04 | 0:44:08 | |
What is it? What can I do? | 0:44:08 | 0:44:09 | |
How do you get rid of a baby? | 0:44:11 | 0:44:13 | |
Mr Duchemin... | 0:44:16 | 0:44:18 | |
Hasn't he...? | 0:44:18 | 0:44:20 | |
Duchemin's been in the asylum for months | 0:44:23 | 0:44:26 | |
and I'm caught... | 0:44:26 | 0:44:27 | |
by that jumped-up son of an Edinburgh fishwife who didn't know his business better than to... | 0:44:27 | 0:44:34 | |
You mean Mr Macmaster? | 0:44:34 | 0:44:36 | |
I never dreamt. | 0:44:37 | 0:44:39 | |
What did you think we were doing, comparing our beautiful souls? | 0:44:39 | 0:44:42 | |
Well, yes! That is what I thought. | 0:44:42 | 0:44:46 | |
And...poetry! | 0:44:46 | 0:44:48 | |
Oh, Edith, your prince, your chevalier! | 0:44:50 | 0:44:54 | |
-That guttersnipe, shooting off like a tomcat in heat. -Don't, Edith! | 0:44:54 | 0:44:58 | |
I know when it was. | 0:44:59 | 0:45:01 | |
I suppose you must. | 0:45:01 | 0:45:03 | |
W-When what was? | 0:45:06 | 0:45:08 | |
Valentine, you do know how babies are made, don't you? | 0:45:11 | 0:45:15 | |
Of course I do! | 0:45:15 | 0:45:17 | |
But do-do you mean... | 0:45:19 | 0:45:20 | |
..you mean you can...you can do it without making a baby? | 0:45:23 | 0:45:27 | |
Oh, go home, you goose! | 0:45:27 | 0:45:31 | |
SHE WEEPS | 0:45:31 | 0:45:32 | |
I'm sorry. Oh... | 0:45:36 | 0:45:38 | |
-I'm so pointless. -SHE SOBS | 0:45:40 | 0:45:44 | |
Everything's.... Everything is so horrible. | 0:45:44 | 0:45:48 | |
Beastliness everywhere and I live like an ant, | 0:45:48 | 0:45:52 | |
but I thought at least there was you, | 0:45:52 | 0:45:55 | |
living for love - someone rising clear above the muck for me, | 0:45:55 | 0:46:01 | |
reaching for beautiful things, | 0:46:01 | 0:46:04 | |
loving and...being loved. | 0:46:04 | 0:46:07 | |
And now there's no-one left... | 0:46:11 | 0:46:13 | |
..and nothing. | 0:46:16 | 0:46:18 | |
SHE SOBS | 0:46:21 | 0:46:22 | |
Christopher Tietjens to see General Campion. | 0:46:36 | 0:46:38 | |
This way, sir. Follow me, sir. | 0:46:38 | 0:46:40 | |
After which, the adjutant will stand the battalion at ease | 0:46:40 | 0:46:45 | |
and the band will play Land Of Hope And Glory. | 0:46:45 | 0:46:48 | |
HE KNOCKS ON DOOR | 0:46:48 | 0:46:50 | |
Sit down, Chrissie, you damned fool. | 0:46:50 | 0:46:54 | |
Then the adjutant will call out... | 0:46:54 | 0:46:57 | |
"There will be no more parades" | 0:46:57 | 0:47:02 | |
and "Fall out" and so on. | 0:47:02 | 0:47:05 | |
Try that on them. | 0:47:05 | 0:47:08 | |
I'm supposed to invent a ceremonial for disbanding | 0:47:08 | 0:47:12 | |
-the Kitchener battalions. -Disbanding? -Don't want them clogging up the army when the war's over. | 0:47:12 | 0:47:17 | |
So don't hitch your wagon to me if you want to see some fighting, | 0:47:17 | 0:47:20 | |
-you can see where my opinions have got me. -The single command business? | 0:47:20 | 0:47:24 | |
-That's what did for me at the office. -But what the hell has it got to do with you? | 0:47:24 | 0:47:28 | |
And now you think you'll be some use as a soldier! | 0:47:28 | 0:47:32 | |
Have you told Sylvia? | 0:47:32 | 0:47:33 | |
Not yet. She'll say the same thing as you, I suppose. | 0:47:33 | 0:47:37 | |
TEARFULLY: Well, I think you're a fool. | 0:47:37 | 0:47:40 | |
The office is going to get me out anyway. | 0:47:42 | 0:47:46 | |
Too many black marks against me. | 0:47:46 | 0:47:49 | |
Go, then. Add your little bit to the suffering, | 0:47:49 | 0:47:51 | |
even if it's only your own. | 0:47:51 | 0:47:54 | |
I can't sleep in the night now, because pain is worse in the dark. | 0:47:58 | 0:48:01 | |
It spreads into every corner, black like ink... | 0:48:02 | 0:48:07 | |
..printer's ink. | 0:48:08 | 0:48:10 | |
Newspapers dripping hate and lies every day. | 0:48:10 | 0:48:14 | |
No, don't touch me now when it's too late! | 0:48:15 | 0:48:19 | |
I'm going across to tell Macmaster. | 0:48:30 | 0:48:32 | |
Yes, do. | 0:48:34 | 0:48:36 | |
You're such a paragon of honourable behaviour, Christopher. | 0:48:38 | 0:48:42 | |
You're the cruellest man I know. | 0:48:42 | 0:48:44 | |
CHATTERING | 0:48:58 | 0:49:00 | |
At times like this, one realises no-one has ever, ever captured grief | 0:49:00 | 0:49:05 | |
like Michelangelo in his Pieta. | 0:49:05 | 0:49:07 | |
Unhappily, she looks like Stravinsky and he like Isadora! | 0:49:07 | 0:49:12 | |
MEN LAUGH HEARTILY | 0:49:12 | 0:49:14 | |
Miss Wannop. | 0:49:16 | 0:49:18 | |
Mr Tietjens. | 0:49:22 | 0:49:23 | |
Tietjens! | 0:49:23 | 0:49:25 | |
Oh, hello, Vinnie. | 0:49:25 | 0:49:28 | |
I forgot it was a Friday. I had something to tell you. | 0:49:28 | 0:49:32 | |
People will be leaving soon. | 0:49:32 | 0:49:34 | |
Then I'll talk to Miss Wannop, meanwhile. | 0:49:34 | 0:49:37 | |
Though she's not pleased to see me. | 0:49:37 | 0:49:39 | |
The war has turned her against men as a sex! | 0:49:39 | 0:49:43 | |
-HE CHUCKLES -First, you must greet Edith. | 0:49:43 | 0:49:46 | |
(Is everything all right now?) | 0:49:50 | 0:49:52 | |
The bishop turned out to be a Christian. | 0:49:54 | 0:49:56 | |
-He knew Duchemin was a dangerous lunatic! -Mm. | 0:49:57 | 0:50:01 | |
-Is your abortionist here? I'd like to kiss her. -Ssh! | 0:50:01 | 0:50:05 | |
Guggums! Look who's come! | 0:50:05 | 0:50:07 | |
-Mrs Duchemin. -Mr Tietjens. | 0:50:08 | 0:50:10 | |
Ah, Chrissie, come and be introduced. | 0:50:13 | 0:50:17 | |
This is Tietjens, the star of our department. | 0:50:17 | 0:50:20 | |
Actually, I share rooms with your brother Mark. | 0:50:20 | 0:50:23 | |
Really? You must be the new lodger. | 0:50:23 | 0:50:25 | |
Miss Wannop, | 0:50:26 | 0:50:28 | |
come to the fire and tell me why you won't talk to me. | 0:50:28 | 0:50:31 | |
< We like our tea strong. | 0:50:43 | 0:50:45 | |
What is that smell, do you know? | 0:50:45 | 0:50:47 | |
-Chinese incense sticks. -Ah. | 0:50:49 | 0:50:52 | |
So those were the geniuses. | 0:50:54 | 0:50:56 | |
Well, who am I to judge? | 0:50:57 | 0:50:59 | |
That man over there isn't a genius. His name's Ruggles. | 0:51:01 | 0:51:05 | |
He's something to do with handing out honours at the Palace. | 0:51:05 | 0:51:08 | |
Macmaster's got his ear. | 0:51:08 | 0:51:10 | |
Oh, they're perfectly proper. The only clean way. | 0:51:11 | 0:51:14 | |
British way. | 0:51:14 | 0:51:16 | |
Well, I came over to tell Macmaster I'm joining the army. | 0:51:20 | 0:51:24 | |
I...hoped we respected each other. | 0:51:30 | 0:51:35 | |
At least I tremendously respect you, | 0:51:35 | 0:51:37 | |
and I hoped... | 0:51:37 | 0:51:38 | |
..you'd respect me too. | 0:51:39 | 0:51:41 | |
You don't respect me? | 0:51:45 | 0:51:47 | |
Well, I would have liked you to have said it. | 0:51:54 | 0:51:57 | |
Oh, what difference does it make when...when there's all this pain, | 0:51:57 | 0:52:02 | |
this torture? | 0:52:02 | 0:52:04 | |
I haven't slept a whole night since... | 0:52:04 | 0:52:07 | |
I believe pain and fear must be worse at night. | 0:52:10 | 0:52:13 | |
Dear... | 0:52:16 | 0:52:17 | |
It's so queer... | 0:52:19 | 0:52:22 | |
My wife used almost the exactly words you used, | 0:52:22 | 0:52:27 | |
not an hour ago. | 0:52:27 | 0:52:29 | |
She too said that she couldn't respect me. | 0:52:30 | 0:52:33 | |
We have to do everything we can not to lose our men, don't you see? | 0:52:35 | 0:52:39 | |
Besides, you know you are more useful here. | 0:52:39 | 0:52:42 | |
They'll never have me back. | 0:52:42 | 0:52:44 | |
The sentimentalist must be stoned to death. | 0:52:44 | 0:52:48 | |
He makes everyone uncomfortable. | 0:52:48 | 0:52:50 | |
You shouldn't be proud of despising your country. | 0:52:50 | 0:52:54 | |
Oh, don't believe that! | 0:52:54 | 0:52:55 | |
I love every field and hedgerow. | 0:52:56 | 0:52:59 | |
The land is England, and once it was the foundation of order, | 0:52:59 | 0:53:04 | |
before money took over and handed the country over to the swindlers | 0:53:04 | 0:53:08 | |
and schemers. | 0:53:08 | 0:53:10 | |
Toryism of the pig's trough. | 0:53:10 | 0:53:11 | |
Then what is your Toryism? | 0:53:14 | 0:53:16 | |
Duty. | 0:53:16 | 0:53:17 | |
Duty and service to above and below. Frugality... | 0:53:20 | 0:53:23 | |
..keeping your word, honouring the past. | 0:53:24 | 0:53:27 | |
Looking after your people | 0:53:29 | 0:53:31 | |
and beggaring yourself if need be before letting duty go hang. | 0:53:31 | 0:53:34 | |
If we'd stayed out of it, I'd have gone to fight for France, | 0:53:34 | 0:53:37 | |
for agriculture against industrialism, | 0:53:37 | 0:53:39 | |
for the 18th century against the 20th, if you like. | 0:53:39 | 0:53:42 | |
Hoped you'd understand. | 0:53:43 | 0:53:45 | |
Oh, I understand you! | 0:53:47 | 0:53:49 | |
You're as innocent about yourself as a child. | 0:53:49 | 0:53:51 | |
You would've thought all the same things in the 18th century. | 0:53:51 | 0:53:55 | |
Of course I would, and I would have been right! | 0:53:55 | 0:53:57 | |
But you do make one collect one's thoughts. | 0:54:04 | 0:54:07 | |
Do you remember our ride in the mist, what you said about me three years ago? | 0:54:11 | 0:54:15 | |
Well, I'm not that man now. | 0:54:18 | 0:54:20 | |
What? I can't remember. | 0:54:22 | 0:54:24 | |
I'm not an English country gentleman who'll let the country go to hell | 0:54:24 | 0:54:28 | |
and never stir himself except to say, "I told you so." | 0:54:28 | 0:54:32 | |
Yes. I said that. | 0:54:34 | 0:54:36 | |
I said you ought to be in a museum. | 0:54:36 | 0:54:39 | |
I think I wanted to provoke you into... | 0:54:42 | 0:54:44 | |
bursting out of your glass cabinet. | 0:54:44 | 0:54:47 | |
Now it's a choice between bad and worse. | 0:54:54 | 0:54:57 | |
Well, I have a big, hulking body to throw into the war. | 0:54:58 | 0:55:02 | |
Nothing much to live for... | 0:55:04 | 0:55:06 | |
..because... | 0:55:09 | 0:55:11 | |
you know what I want, I can't have. | 0:55:11 | 0:55:13 | |
What is it I know? | 0:55:18 | 0:55:19 | |
What I stand for is gone. | 0:55:26 | 0:55:28 | |
But to live for? | 0:55:32 | 0:55:33 | |
-You have something to live for. -What's that? | 0:55:35 | 0:55:38 | |
(Why didn't you kiss me then?) | 0:55:47 | 0:55:49 | |
Why didn't you? | 0:55:51 | 0:55:53 | |
SONG: "Pace, Pace Mio Dio" | 0:55:53 | 0:55:57 | |
SONG CONTINUES: "Pace, Pace Moi Dio" | 0:56:54 | 0:56:58 | |
EXPLOSION | 0:57:04 | 0:57:06 | |
Would you mind telling me what actually happened to you? | 0:57:34 | 0:57:36 | |
-What is my name? -Ask your husband about the Wannop girl, I dare you! | 0:57:36 | 0:57:40 | |
-He got mixed up with a young woman. -I'd keep off the grass If I were you. | 0:57:40 | 0:57:44 | |
-To my dear husband. -Will you be my mistress tonight? | 0:57:44 | 0:57:48 | |
-Are you leaving? -Yes. I have an engagement. | 0:57:48 | 0:57:51 | |
I won't forgive him for not talking to me at the club. That was stupidity. | 0:57:51 | 0:57:54 | |
-I can't live at Groby with you. -'Oh, Christopher!' | 0:57:54 | 0:57:57 | |
In the name of the Almighty, how could any woman live beside you? | 0:57:57 | 0:58:01 | |
I'll be ready for anything you ask. | 0:58:01 | 0:58:04 | |
Subtitles by Red Bee Media Ltd | 0:58:07 | 0:58:10 |