
Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Your mother died yesterday. | 0:00:02 | 0:00:03 | |
I owe it to myself to be fair to Christopher. | 0:00:03 | 0:00:05 | |
The move to Gray's Inn has been a success. | 0:00:05 | 0:00:08 | |
Germany's looking for a European war | 0:00:08 | 0:00:10 | |
so don't fill your dance card in Berlin. | 0:00:10 | 0:00:12 | |
He just knows everything! | 0:00:12 | 0:00:13 | |
Why, you're soppy about him! | 0:00:13 | 0:00:16 | |
Miss Wannop. | 0:00:16 | 0:00:18 | |
You know what I want, I can't have. | 0:00:18 | 0:00:21 | |
We've dreamed of this. | 0:00:21 | 0:00:22 | |
I'm going to live chaste because I want to. | 0:00:22 | 0:00:25 | |
God, the girl's in love! | 0:00:25 | 0:00:27 | |
You have something to live for. | 0:00:27 | 0:00:29 | |
I am Sylvia...Satterthwaite. | 0:01:29 | 0:01:31 | |
Yes. | 0:01:31 | 0:01:33 | |
My name is... | 0:01:33 | 0:01:34 | |
BOMBS EXPLODE | 0:01:34 | 0:01:36 | |
My name is... TRAIN CLATTERS ON TRACKS | 0:01:36 | 0:01:40 | |
MAN COUGHS | 0:01:40 | 0:01:42 | |
My name is... | 0:01:43 | 0:01:46 | |
SOLDIERS WAIL AND COUGH | 0:01:46 | 0:01:49 | |
BOMBS EXPLODE OUTSIDE | 0:01:52 | 0:01:54 | |
I took the liberty of keeping back for you some lamb cutlets. | 0:01:59 | 0:02:02 | |
Supplies have been... | 0:02:02 | 0:02:03 | |
Oh, you're very good to me, Mr Penny! | 0:02:03 | 0:02:05 | |
So far we have the plovers' eggs, orange marmalade, | 0:02:05 | 0:02:08 | |
one game pie, one pork pie, the strong cheddar... | 0:02:08 | 0:02:12 | |
And, oh, I don't know, a Dundee cake. | 0:02:12 | 0:02:15 | |
-All to go to Gray's Inn with your regular order, Mrs Tietjens? -No, no. | 0:02:15 | 0:02:19 | |
To be delivered to Captain Hans Von Grunwald-Merks, Alexandra Palace. | 0:02:19 | 0:02:22 | |
Oh... | 0:02:22 | 0:02:24 | |
-SHE GIGGLES -I know! | 0:02:24 | 0:02:26 | |
They've turned it into a prisoner of war camp for officers. | 0:02:26 | 0:02:28 | |
Yes, I remember the Captain. From Munich, I believe. | 0:02:28 | 0:02:31 | |
Isn't it ridiculous? | 0:02:31 | 0:02:33 | |
And a tin of toffees. | 0:02:33 | 0:02:35 | |
Thank you very much. | 0:02:35 | 0:02:36 | |
Sardines! | 0:03:06 | 0:03:07 | |
The butcher is still being beastly! | 0:03:07 | 0:03:11 | |
I thought that now Edward was in minesweepers | 0:03:11 | 0:03:13 | |
instead of in Lewes jail... | 0:03:13 | 0:03:14 | |
We should move to London anyway. | 0:03:14 | 0:03:18 | |
I need to be available | 0:03:18 | 0:03:19 | |
to the critics and journalists for my novel. | 0:03:19 | 0:03:22 | |
And you need a job. | 0:03:22 | 0:03:23 | |
I will write to Mr Tietjens | 0:03:23 | 0:03:25 | |
and ask him if he can do something. | 0:03:25 | 0:03:28 | |
How can Mr Tietjens do anything? And why should he? | 0:03:28 | 0:03:30 | |
Don't you think he's got enough to do, | 0:03:30 | 0:03:32 | |
murdering German soldiers for no good reason? | 0:03:32 | 0:03:34 | |
I meant his father, of course! | 0:03:34 | 0:03:36 | |
MR Tietjens! | 0:03:36 | 0:03:38 | |
Does Christopher call you MISS Wannop? | 0:03:38 | 0:03:40 | |
What else would he call me? | 0:03:40 | 0:03:41 | |
It's you he's pals with. | 0:03:41 | 0:03:43 | |
All right, well, don't get upset. | 0:03:43 | 0:03:44 | |
Why shouldn't I? The war has turned decent people into beasts! | 0:03:44 | 0:03:48 | |
Ordinary people, | 0:03:48 | 0:03:50 | |
like Mr Hedges the butcher. | 0:03:50 | 0:03:52 | |
You can have my sardines. | 0:03:52 | 0:03:54 | |
No, thank you. | 0:03:55 | 0:03:57 | |
Oh, Mrs Duchemin telephoned! | 0:03:58 | 0:04:02 | |
Apparently her husband is about to be discharged from the asylum. | 0:04:02 | 0:04:06 | |
He can't be! He's dangerous! | 0:04:06 | 0:04:10 | |
Cured. Sane as sixpence. | 0:04:10 | 0:04:12 | |
Naturally, she didn't sound too pleased. | 0:04:12 | 0:04:15 | |
Really, the vanity of those people. | 0:04:15 | 0:04:18 | |
Self, self, self! | 0:04:18 | 0:04:21 | |
-What people? -Why, the doctors, of course! | 0:04:21 | 0:04:23 | |
Duchemin was perfectly happy in the asylum. | 0:04:23 | 0:04:26 | |
Beautiful gardens. He wanted for nothing. | 0:04:26 | 0:04:29 | |
Now how am I going to..? | 0:04:29 | 0:04:30 | |
Yes, I see... | 0:04:30 | 0:04:32 | |
No, you don't! | 0:04:32 | 0:04:34 | |
You've seen Vincent's rooms. | 0:04:34 | 0:04:35 | |
It costs money to make the right impression. | 0:04:35 | 0:04:38 | |
How am I going to account to my husband upstairs? | 0:04:38 | 0:04:41 | |
Oh! And how much did you..? | 0:04:41 | 0:04:43 | |
SHE WHISPERS A lot! | 0:04:43 | 0:04:46 | |
Vincent has a position to keep up now, | 0:04:46 | 0:04:49 | |
since he has been honoured by His Majesty. | 0:04:49 | 0:04:51 | |
As a Companion of the Order of the Bath... | 0:04:51 | 0:04:54 | |
-WATER DRIPS ABOVE -Edith, is he in the bath? | 0:04:54 | 0:04:57 | |
You obviously haven't understood a thing! | 0:04:57 | 0:05:00 | |
WATER DRIPS | 0:05:00 | 0:05:03 | |
EDITH MOANS | 0:05:06 | 0:05:07 | |
SOLDIERS WAIL AND COUGH | 0:05:14 | 0:05:18 | |
BOMBS EXPLODE OUTSIDE | 0:05:18 | 0:05:21 | |
HE WINCES | 0:05:33 | 0:05:36 | |
Get down! Get down! | 0:05:36 | 0:05:39 | |
NURSE: Stop him, someone! | 0:05:41 | 0:05:43 | |
Get him off him! | 0:05:43 | 0:05:45 | |
Get down! | 0:05:45 | 0:05:46 | |
MAN WAILS | 0:05:46 | 0:05:48 | |
ORDERLY: You'll be all right, son. You'll be all right. | 0:05:48 | 0:05:52 | |
HE COUGHS | 0:05:52 | 0:05:54 | |
Would you mind telling me where I am? | 0:05:58 | 0:06:01 | |
And how long I've been here? And... | 0:06:03 | 0:06:05 | |
..what is my name? | 0:06:10 | 0:06:12 | |
Good morning, Brownie. | 0:06:23 | 0:06:25 | |
Did you sleep well? | 0:06:25 | 0:06:26 | |
No. | 0:06:26 | 0:06:28 | |
Oh, dear. Are we in a mood today? | 0:06:28 | 0:06:30 | |
Why did you lock your door? | 0:06:30 | 0:06:32 | |
Oh, was that you? | 0:06:32 | 0:06:35 | |
Who did you think it was? That Irish thug? | 0:06:35 | 0:06:38 | |
Well, it's no good talking to you. | 0:06:38 | 0:06:39 | |
What did you ask me down for? | 0:06:39 | 0:06:41 | |
Not to have my doorknob rattled at 2am. | 0:06:41 | 0:06:43 | |
Sylvia, you KNOW how I feel about you. | 0:06:43 | 0:06:45 | |
I asked you down because you boodle petrol for your car. | 0:06:45 | 0:06:49 | |
And to make up a four after dinner, and to be pleasant company for my mother, | 0:06:49 | 0:06:53 | |
who, by the way, is not running | 0:06:53 | 0:06:55 | |
-a house of assignation. -I swear, if you agreed to marry me... | 0:06:55 | 0:06:59 | |
And as you've just reminded me, I already have a husband. | 0:06:59 | 0:07:02 | |
I mean it, Sylvia. | 0:07:02 | 0:07:04 | |
If you promise to divorce and marry me, I would wait, gladly. | 0:07:04 | 0:07:08 | |
I would be patient. | 0:07:08 | 0:07:09 | |
It's all your fault, you know. | 0:07:09 | 0:07:10 | |
For being so sweet to me when you want to be, | 0:07:10 | 0:07:13 | |
for giving me hope. | 0:07:13 | 0:07:14 | |
Can I hope, my darling? | 0:07:14 | 0:07:16 | |
I love you like... | 0:07:16 | 0:07:19 | |
Oh, dash it! I wish I were one of those poetical types. | 0:07:19 | 0:07:22 | |
Oh, do try. | 0:07:22 | 0:07:24 | |
What do you love me like? | 0:07:24 | 0:07:26 | |
Like... | 0:07:26 | 0:07:28 | |
..like anything. | 0:07:29 | 0:07:30 | |
I love you like anything, Sylvia! | 0:07:30 | 0:07:32 | |
You're irresistible. | 0:07:34 | 0:07:36 | |
But it's no good. | 0:07:37 | 0:07:39 | |
As a Catholic I can't divorce, and even if I could, | 0:07:39 | 0:07:43 | |
Christopher has never given me any ground. | 0:07:43 | 0:07:45 | |
-I wouldn't be too sure about that. -But I AM sure! | 0:07:45 | 0:07:49 | |
Christopher is the straightest man I know. | 0:07:49 | 0:07:52 | |
He makes me want to scream. | 0:07:52 | 0:07:54 | |
Oh, would you look at herself! | 0:07:54 | 0:07:56 | |
Penthesilea to the life! | 0:07:56 | 0:07:57 | |
Wouldn't you say so, Lord Brownlie? | 0:07:57 | 0:07:59 | |
Good morning, Father. | 0:07:59 | 0:08:02 | |
I suppose you think that because you're a priest, | 0:08:02 | 0:08:04 | |
you can say things I'd horsewhip any other man for. | 0:08:04 | 0:08:07 | |
Your mama says you would know the whereabouts of a good map, | 0:08:07 | 0:08:10 | |
showing footpaths and the like. | 0:08:10 | 0:08:11 | |
Where would I find such a thing? | 0:08:11 | 0:08:14 | |
In the window seat. | 0:08:14 | 0:08:15 | |
Is it to send to Germany? | 0:08:15 | 0:08:17 | |
There's two battalions of the Irish Volunteers | 0:08:17 | 0:08:20 | |
out there fighting the Germans. | 0:08:20 | 0:08:22 | |
No, 'tis a nice, long, solitary walk. | 0:08:24 | 0:08:26 | |
That's what I'm thinking of. | 0:08:26 | 0:08:28 | |
With a packed lunch, maybe. | 0:08:28 | 0:08:29 | |
That's my plan for today. | 0:08:29 | 0:08:32 | |
Well... | 0:08:32 | 0:08:34 | |
..that's not what they say about your husband at the club! | 0:08:35 | 0:08:38 | |
-Mmm! And what do they say? -Ask Paul Sandbach, for one. | 0:08:38 | 0:08:42 | |
But I'm asking you. | 0:08:42 | 0:08:44 | |
Your husband is debauched. | 0:08:44 | 0:08:45 | |
SHE CLATTERS DOWN CUTLERY | 0:08:45 | 0:08:48 | |
His pal MacMaster keeps a woman | 0:08:48 | 0:08:50 | |
they share right under your nose, | 0:08:50 | 0:08:53 | |
if you want to know. | 0:08:53 | 0:08:54 | |
SHE LAUGHS | 0:08:56 | 0:08:58 | |
They were seen on a train, | 0:09:02 | 0:09:04 | |
going at it like monkeys. | 0:09:04 | 0:09:06 | |
Who was? | 0:09:06 | 0:09:08 | |
THEY MOAN | 0:09:08 | 0:09:11 | |
Tietjens and that woman. On a train coming down from Scotland. | 0:09:11 | 0:09:15 | |
Oh, for heaven's sake! | 0:09:15 | 0:09:16 | |
They were seen by a whole crowd of us who'd been at Westershire's. | 0:09:16 | 0:09:19 | |
SHE SOBS | 0:09:21 | 0:09:23 | |
MacMaster and Mrs... | 0:09:23 | 0:09:25 | |
I forget her name...had been caught out in a hotel in Scotland, | 0:09:25 | 0:09:29 | |
and Christopher was rescuing her. | 0:09:29 | 0:09:31 | |
He was being gallant! | 0:09:31 | 0:09:33 | |
HE SNORTS | 0:09:33 | 0:09:35 | |
So you'd better stop spreading lies about my husband. | 0:09:35 | 0:09:38 | |
Ask your husband about the Wannop girl. I dare you! | 0:09:51 | 0:09:53 | |
I don't know any Wannop, and you're only making it worse for yourself. | 0:09:53 | 0:09:57 | |
-Let go. -23 and fresh as paint. | 0:09:57 | 0:10:00 | |
Everyone knows Tietjens has been besotted with her | 0:10:00 | 0:10:03 | |
ever since you went off with Potty Perowne! | 0:10:03 | 0:10:05 | |
SHE WHIPS HORSE | 0:10:05 | 0:10:08 | |
It was quite wrong of Sylvia to keep her hunter | 0:10:08 | 0:10:11 | |
when every decent animal in the country has been taken by the Army. | 0:10:11 | 0:10:15 | |
She's making me look unpatriotic. | 0:10:15 | 0:10:18 | |
-Is that him? -Yes, sir. | 0:10:26 | 0:10:30 | |
Taking pictures of the shoreline, bold as brass. | 0:10:30 | 0:10:34 | |
Do you hear from your boy much? | 0:10:34 | 0:10:37 | |
Which one? | 0:10:37 | 0:10:39 | |
No, anyway. | 0:10:39 | 0:10:42 | |
Christopher, a bit of a rip, is he? | 0:10:42 | 0:10:46 | |
Not that I know. | 0:10:46 | 0:10:47 | |
He's liaison officer with the French artillery. | 0:10:47 | 0:10:52 | |
-No, he isn't. -Eh? | 0:10:52 | 0:10:53 | |
He went native and was sent back to the lines. | 0:10:53 | 0:10:58 | |
The French wanted us to send out more of our territorials, | 0:10:58 | 0:11:02 | |
but Kitchener said he needs them here in case the Germans invade. | 0:11:02 | 0:11:07 | |
The Germans can't invade if we keep them busy where they are. | 0:11:07 | 0:11:10 | |
That's what your boy told Kitchener's man. | 0:11:10 | 0:11:13 | |
-THEY CHUCKLE -Did he? Damn fool! | 0:11:13 | 0:11:16 | |
Look here, there's some talk at the club against your boy. | 0:11:18 | 0:11:24 | |
His wife's pro-German, they say. | 0:11:24 | 0:11:26 | |
And he's...overstretched himself. | 0:11:26 | 0:11:31 | |
Bit of a rip altogether. | 0:11:31 | 0:11:34 | |
Young Brownlie seems to know a lot about it, I wouldn't know how. | 0:11:34 | 0:11:38 | |
Does your boy bank with them? | 0:11:38 | 0:11:40 | |
Of course he does. Brownlie's are the family bankers. | 0:11:40 | 0:11:43 | |
-Ah. -If I'd known my eldest wasn't going to sire, | 0:11:43 | 0:11:47 | |
I'd have looked to the young 'un better. | 0:11:47 | 0:11:50 | |
I'll let his brother ask about. | 0:11:50 | 0:11:53 | |
See what's what. | 0:11:53 | 0:11:56 | |
Good morning. | 0:11:58 | 0:12:00 | |
Anything in the paper? | 0:12:06 | 0:12:08 | |
No. The interesting news is never in the papers. | 0:12:08 | 0:12:12 | |
I heard last week that Algy Hyde | 0:12:12 | 0:12:15 | |
had sold his wife to General Cranshaw | 0:12:15 | 0:12:16 | |
for a commission in the blues, | 0:12:16 | 0:12:18 | |
but you may look in vain in the newspapers. | 0:12:18 | 0:12:21 | |
It came in my post. We who are doing work of national importance | 0:12:22 | 0:12:26 | |
have to put up with the sex-fury of debutantes | 0:12:26 | 0:12:28 | |
whose desires can't be accommodated under wartime conditions. | 0:12:28 | 0:12:31 | |
Ruggles, you know my young brother, Christopher? | 0:12:35 | 0:12:38 | |
I met him once before he went out. He was insolent. | 0:12:38 | 0:12:41 | |
You might pick up what you can about him and let me know. | 0:12:41 | 0:12:44 | |
Glad to. | 0:12:44 | 0:12:45 | |
-Ah, the funeral baked meats! -HE CHUCKLES | 0:12:49 | 0:12:52 | |
Guggums! I'm in mourning! | 0:12:52 | 0:12:56 | |
I'm sorry, guggums. | 0:12:57 | 0:12:59 | |
You do see, don't you? | 0:13:04 | 0:13:05 | |
It doesn't look well for a single man not to be in France. | 0:13:05 | 0:13:09 | |
People don't understand I'm doing vital war work. | 0:13:09 | 0:13:11 | |
No...yes! | 0:13:11 | 0:13:12 | |
-And now that I'm married I can keep... -Out of the trenches | 0:13:12 | 0:13:15 | |
..keep my post at the department. | 0:13:16 | 0:13:18 | |
Clever guggums! | 0:13:18 | 0:13:20 | |
To my dear husband. | 0:13:20 | 0:13:22 | |
-To my wife. -GLASSES CLINK | 0:13:24 | 0:13:27 | |
I'm going to be working in London too. | 0:13:27 | 0:13:30 | |
I've got a job as a school games mistress. | 0:13:30 | 0:13:32 | |
To games...and mistresses! | 0:13:34 | 0:13:36 | |
Guggums! | 0:13:36 | 0:13:38 | |
Tactless! | 0:13:38 | 0:13:40 | |
Ignore him. | 0:13:40 | 0:13:42 | |
Excuse me. | 0:13:43 | 0:13:44 | |
SHE BREATHES DEEPLY | 0:13:44 | 0:13:48 | |
First class ticket, one way single to Waterloo. | 0:14:14 | 0:14:17 | |
Hand this in to the RAMC Duty Officer. | 0:14:22 | 0:14:24 | |
-He'll take over. -Sir. | 0:14:24 | 0:14:26 | |
HE SNIFFS AND EXHALES | 0:15:01 | 0:15:04 | |
Would you mind telling me what actually happened to you? | 0:15:19 | 0:15:23 | |
Something burst near me in the dark. | 0:15:25 | 0:15:27 | |
I don't remember what I did. | 0:15:29 | 0:15:30 | |
I remember being in the casualty clearing station | 0:15:30 | 0:15:33 | |
not knowing my name. | 0:15:33 | 0:15:35 | |
Your friends were dropping bombs on the hospital huts. | 0:15:35 | 0:15:40 | |
You might not call them my friends. | 0:15:40 | 0:15:42 | |
I still wear my St Anthony to...look after you. | 0:15:42 | 0:15:46 | |
See? | 0:15:46 | 0:15:48 | |
I beg your pardon. | 0:15:50 | 0:15:51 | |
One gets into a loose way of speaking. | 0:15:53 | 0:15:55 | |
Then some people carried pieces of a nurse into the hut. | 0:15:57 | 0:16:00 | |
Oh, Christopher... | 0:16:00 | 0:16:03 | |
You cannot possibly conceive of the quantity of explosives | 0:16:05 | 0:16:08 | |
the armies throw at each other for each man killed. | 0:16:08 | 0:16:11 | |
The shells make a continuous noise, | 0:16:11 | 0:16:14 | |
sometimes like an enormous machine breaking apart. | 0:16:14 | 0:16:18 | |
Other times they come whistling towards you | 0:16:20 | 0:16:23 | |
in a thoughtful sort of a way, | 0:16:23 | 0:16:25 | |
and then go, "Crump!" and the screw-cap flies off, | 0:16:25 | 0:16:28 | |
hurtling through the air, screaming. | 0:16:28 | 0:16:30 | |
There's one kind of shell | 0:16:32 | 0:16:34 | |
which comes with a crescendo like an express train, only faster. | 0:16:34 | 0:16:38 | |
Another kind makes a noise like tearing calico, | 0:16:40 | 0:16:45 | |
louder and louder. | 0:16:45 | 0:16:47 | |
The largest kind of the ones which burst in the sky | 0:16:47 | 0:16:50 | |
make a double crack, | 0:16:50 | 0:16:52 | |
like wet canvas being shaken out by a giant. | 0:16:52 | 0:16:55 | |
Such immense explosions to kill | 0:16:58 | 0:17:01 | |
such...small, weak animals. | 0:17:01 | 0:17:06 | |
-I have to report to a tin hut on Ealing Common. -No, lie down. | 0:17:11 | 0:17:14 | |
No, no, no! It's true! | 0:17:14 | 0:17:17 | |
The War Office now has an outpost at Ealing. | 0:17:17 | 0:17:21 | |
I don't care. | 0:17:21 | 0:17:23 | |
I'm have to go to the Camp Depots. | 0:17:23 | 0:17:26 | |
They want me to give lectures to soldiers... | 0:17:26 | 0:17:30 | |
I'm so fond of you and Christopher. | 0:17:57 | 0:17:59 | |
Who, thank God, I hear is safe. | 0:17:59 | 0:18:02 | |
He was not wounded, luckily, only concussed. | 0:18:02 | 0:18:05 | |
Thank you, Lady Glorvina. | 0:18:05 | 0:18:06 | |
Well, a fresh start, then. | 0:18:06 | 0:18:09 | |
I'll give you an address | 0:18:09 | 0:18:10 | |
where you can buy hand-knitted socks and mittens | 0:18:10 | 0:18:13 | |
to present as your own work | 0:18:13 | 0:18:14 | |
to some charity for distribution to our soldiers. | 0:18:14 | 0:18:17 | |
I'll do nothing of the sort! | 0:18:17 | 0:18:19 | |
What an idea! | 0:18:19 | 0:18:20 | |
The idea, Sylvia, is for you to engage | 0:18:20 | 0:18:23 | |
in an act of public patriotism, to offset your exploits | 0:18:23 | 0:18:27 | |
with the Esterhazys and Grunwald-Merkses, | 0:18:27 | 0:18:30 | |
which have pretty well done for Christopher! | 0:18:30 | 0:18:33 | |
Do you mean to say those unspeakable swine | 0:18:33 | 0:18:36 | |
think I'm pro-German because I sent toffees..? | 0:18:36 | 0:18:38 | |
It's Christopher that suffers. | 0:18:38 | 0:18:40 | |
He hasn't got on the way a man of his brilliance should have got on. | 0:18:40 | 0:18:45 | |
A friend of his came to see me. | 0:18:45 | 0:18:46 | |
A Mr Ruggles, he's something about the court. | 0:18:46 | 0:18:49 | |
He came to ask me whether something might be done for Christopher. | 0:18:49 | 0:18:53 | |
"It's almost as if Christopher has a black mark against him." | 0:18:53 | 0:18:58 | |
That's how Mr Ruggles put it. | 0:18:58 | 0:19:01 | |
And I'm the black mark, I suppose. | 0:19:01 | 0:19:04 | |
Do you know Major Drake? | 0:19:06 | 0:19:07 | |
Gerald Drake? | 0:19:10 | 0:19:12 | |
I used to. | 0:19:12 | 0:19:13 | |
Before my marriage. Why? | 0:19:16 | 0:19:19 | |
He's an intelligence officer. | 0:19:19 | 0:19:22 | |
Major Drake told Ruggles he's marked Christopher's file, | 0:19:22 | 0:19:26 | |
"Not to be entrusted with confidential work". | 0:19:26 | 0:19:29 | |
Christopher is the last decent man in England. | 0:19:29 | 0:19:33 | |
How dare they put their knife into him! | 0:19:34 | 0:19:37 | |
He's mine! | 0:19:37 | 0:19:38 | |
There's an Irish priest caught spying for the enemy. | 0:19:40 | 0:19:45 | |
His trial was kept secret. | 0:19:45 | 0:19:48 | |
Father Consett, almost part of the family. | 0:19:48 | 0:19:52 | |
-Let's see... -On a train coming down from Scotland. | 0:19:52 | 0:19:55 | |
Lady Claudine saw them, so did General Campion. | 0:19:55 | 0:20:01 | |
Brownlie painted an unpretty picture. | 0:20:01 | 0:20:03 | |
The money his mother left him must have gone mostly | 0:20:03 | 0:20:07 | |
to set her up with MacMaster. | 0:20:07 | 0:20:09 | |
God only knows what arrangement they make over her. | 0:20:09 | 0:20:12 | |
What else? | 0:20:12 | 0:20:13 | |
Sylvia's son is probably | 0:20:14 | 0:20:17 | |
the result of an affair before her marriage. | 0:20:17 | 0:20:21 | |
A man who's a member here. | 0:20:21 | 0:20:23 | |
Good God! | 0:20:24 | 0:20:26 | |
I'm sorry to put all this on you, | 0:20:28 | 0:20:31 | |
but you want to know, I suppose? | 0:20:31 | 0:20:33 | |
Go on. | 0:20:33 | 0:20:35 | |
And then, of course, | 0:20:35 | 0:20:36 | |
Christopher took her back after the Perowne business. | 0:20:36 | 0:20:39 | |
Broke his mother's heart. | 0:20:39 | 0:20:42 | |
Ruggles says Christopher's willing to sell his wife | 0:20:42 | 0:20:44 | |
for money or favours. | 0:20:44 | 0:20:46 | |
I kept him short. | 0:20:46 | 0:20:49 | |
I let him go to the devil. | 0:20:50 | 0:20:52 | |
As for his career, he's written off as more or less a French spy. | 0:20:52 | 0:20:55 | |
But at least they're our allies. | 0:20:55 | 0:20:58 | |
The worser part is, he got mixed up with a young woman, | 0:21:01 | 0:21:04 | |
apparently a pacifist suffragette type. | 0:21:04 | 0:21:08 | |
Gilbert Wannop's daughter. | 0:21:08 | 0:21:10 | |
My God! | 0:21:12 | 0:21:13 | |
Christopher and...? | 0:21:14 | 0:21:16 | |
At least five people told Ruggles | 0:21:16 | 0:21:18 | |
that he gave the girl a bastard before the war. | 0:21:18 | 0:21:21 | |
That's enough. | 0:21:21 | 0:21:23 | |
And Groby will go to a Papist's child | 0:21:31 | 0:21:33 | |
from the wrong side of the blanket. | 0:21:33 | 0:21:35 | |
That's bitter, and I don't mind saying. | 0:21:38 | 0:21:41 | |
We've held Groby in the English church through ten reigns, | 0:21:41 | 0:21:49 | |
and I let it slip. | 0:21:52 | 0:21:53 | |
Father... | 0:22:00 | 0:22:02 | |
I... | 0:22:06 | 0:22:07 | |
SHOT FIRES | 0:22:31 | 0:22:33 | |
SHOT FIRES | 0:22:52 | 0:22:54 | |
PHONE RINGS | 0:23:03 | 0:23:06 | |
PHONE RINGS | 0:23:26 | 0:23:29 | |
Do you see, Michael? | 0:23:51 | 0:23:53 | |
He wasn't a man to leave a wounded rabbit the wrong side of a hedge. | 0:23:55 | 0:23:59 | |
The Riding will turn out for the old boy. | 0:24:09 | 0:24:12 | |
I'm not expecting much out of town. | 0:24:12 | 0:24:14 | |
When grandfather died, half the club came up. | 0:24:14 | 0:24:17 | |
I'd take it kindly if you'd include Mrs Wannop in the lunch party. | 0:24:17 | 0:24:21 | |
Ashtray, Jenkins. | 0:24:41 | 0:24:42 | |
Will the inquest be straightforward? | 0:24:52 | 0:24:55 | |
Why shouldn't it be? | 0:24:55 | 0:24:56 | |
A dozen farmers die the same way every year, | 0:24:56 | 0:24:58 | |
dragging a gun through a hedge | 0:24:58 | 0:25:01 | |
with the safety off. | 0:25:01 | 0:25:03 | |
You'd agree? | 0:25:03 | 0:25:05 | |
Your new novel is in Hatchard's window. | 0:25:42 | 0:25:44 | |
I haven't read it yet. | 0:25:44 | 0:25:46 | |
Can't concentrate. | 0:25:46 | 0:25:49 | |
I had the stuffing knocked out of me. | 0:25:50 | 0:25:53 | |
My book won't rescue me from journalism. | 0:25:53 | 0:25:55 | |
I've got to write an article about war babies | 0:25:55 | 0:25:59 | |
and the girls left holding them. | 0:25:59 | 0:26:02 | |
"The shame of our soldiers and sailors". | 0:26:02 | 0:26:04 | |
The trouble is, there are no more babies than there were before, | 0:26:04 | 0:26:07 | |
so I'm stuck. | 0:26:07 | 0:26:09 | |
It must be that half the men are twice as reckless | 0:26:10 | 0:26:13 | |
because they may be killed, | 0:26:13 | 0:26:15 | |
and half are twice as conscientious for the same reason. | 0:26:15 | 0:26:18 | |
Oh, you darling man! You've just saved me! | 0:26:18 | 0:26:22 | |
HE CHUCKLES My mind must be coming back! | 0:26:22 | 0:26:26 | |
Yes! | 0:26:26 | 0:26:27 | |
The new book has got me an invitation | 0:26:30 | 0:26:32 | |
to one of MacMaster's tea parties. | 0:26:32 | 0:26:34 | |
Will you come with me? | 0:26:34 | 0:26:37 | |
Ah. It is entirely possible that I may not. | 0:26:38 | 0:26:42 | |
Valentine, dear! | 0:26:42 | 0:26:44 | |
Mr Tietjens. | 0:26:47 | 0:26:48 | |
I knew you were back, of course. | 0:26:52 | 0:26:54 | |
-Mrs Tietjens must be... -Yes. | 0:26:54 | 0:26:55 | |
..very... | 0:26:55 | 0:26:57 | |
-Um...I thought you were at... -Friday is my free afternoon. | 0:26:57 | 0:27:03 | |
I'm just home to change, to meet Mrs Duchemin off her train... | 0:27:03 | 0:27:06 | |
-You still pour tea for MacMaster? I thought now... -I do, yes. | 0:27:06 | 0:27:10 | |
I'm very glad you're... | 0:27:11 | 0:27:12 | |
Yes. Thank you. | 0:27:12 | 0:27:14 | |
Well, I'd better be getting back to work. Um... | 0:27:19 | 0:27:24 | |
Mmm. | 0:27:24 | 0:27:25 | |
Mrs Cumfit, have you met my little white mouse? | 0:27:55 | 0:27:59 | |
SHE GIGGLES Oh, how lovely! | 0:27:59 | 0:28:02 | |
Rudi! | 0:28:02 | 0:28:03 | |
-Rudi, we are so looking forward to your next! -Thank you. | 0:28:03 | 0:28:07 | |
A striking advance, Mrs Wannop. | 0:28:07 | 0:28:09 | |
Not only on your last book, | 0:28:09 | 0:28:11 | |
but, dare I say, on Arnold Bennett's next! | 0:28:11 | 0:28:13 | |
Oh, do, do come and hear Miss Delamare tell us | 0:28:13 | 0:28:17 | |
about her triumph as Phedre in New York! | 0:28:17 | 0:28:22 | |
You too, Mr Whipple! | 0:28:22 | 0:28:24 | |
And they kept calling it, "Fedder!" | 0:28:24 | 0:28:26 | |
-"I saw your Fedder, Miss Delamere!" -THEY GIGGLE | 0:28:26 | 0:28:29 | |
It sounded slightly improper! | 0:28:29 | 0:28:32 | |
So brave of you to go. | 0:28:32 | 0:28:35 | |
One must for art. | 0:28:35 | 0:28:37 | |
ROOM HUSHES | 0:28:39 | 0:28:41 | |
Sylvia... | 0:28:52 | 0:28:54 | |
..allow me. | 0:28:56 | 0:28:57 | |
Welcome, welcome. | 0:29:04 | 0:29:06 | |
Mrs Duchemin, my wife, Sylvia Tietjens. | 0:29:07 | 0:29:10 | |
A pleasure! An absolute pleasure! | 0:29:10 | 0:29:12 | |
Vinnie, of course, you know. | 0:29:12 | 0:29:14 | |
Sylvia. | 0:29:14 | 0:29:16 | |
Allow me to introduce Miss Delamere. | 0:29:16 | 0:29:18 | |
A true artist and, I like to think, a great friend. | 0:29:18 | 0:29:22 | |
Is that Mrs Wannop? | 0:29:22 | 0:29:23 | |
Yes. | 0:29:25 | 0:29:26 | |
Oh... | 0:29:26 | 0:29:27 | |
You're Mrs Wannop! | 0:29:34 | 0:29:35 | |
The great writer! | 0:29:35 | 0:29:36 | |
I'm Christopher Tietjens' wife. | 0:29:36 | 0:29:39 | |
Well, you're the most beautiful creature! | 0:29:39 | 0:29:43 | |
Come along, sit down! | 0:29:43 | 0:29:45 | |
I'm longing to talk to you. | 0:29:45 | 0:29:47 | |
Oh, indeed, indeed, Mrs Tietjens. | 0:29:47 | 0:29:49 | |
-If you would like to sit here. -No, no! Mrs Wannop can sit there. | 0:29:49 | 0:29:52 | |
Come along. There we are. | 0:29:52 | 0:29:54 | |
Now we can talk. | 0:29:54 | 0:29:57 | |
Your mother is having a regular triumph. | 0:29:57 | 0:29:59 | |
You're quite gay today. | 0:30:02 | 0:30:04 | |
You sound different. | 0:30:04 | 0:30:06 | |
I suppose you're better? | 0:30:06 | 0:30:07 | |
I still forget names, | 0:30:07 | 0:30:08 | |
but a small part of my mathematical brain came back to life. | 0:30:08 | 0:30:11 | |
I worked out a silly little equation. | 0:30:11 | 0:30:15 | |
What did you work out? | 0:30:15 | 0:30:17 | |
Oh, I looked over a problem of MacMaster's, | 0:30:17 | 0:30:19 | |
really in a spirit of bravado, and the answer just came. | 0:30:19 | 0:30:23 | |
You... | 0:30:26 | 0:30:28 | |
do you really want to know? | 0:30:28 | 0:30:30 | |
Of course! | 0:30:30 | 0:30:32 | |
The French were bleating about the devastation in bricks and mortar | 0:30:34 | 0:30:37 | |
they've incurred by enemy action. | 0:30:37 | 0:30:39 | |
I saw it was no more than one year's peace-time dilapidation | 0:30:39 | 0:30:41 | |
spread over the whole country. | 0:30:41 | 0:30:43 | |
-How wonderful. -So the argument for French command | 0:30:43 | 0:30:45 | |
of the Western Front gets kicked out of court for a season. | 0:30:45 | 0:30:48 | |
But weren't you arguing against your own convictions? | 0:30:51 | 0:30:53 | |
Yes, of course. But MacMaster depends on me. | 0:30:53 | 0:30:56 | |
THEY LAUGH | 0:30:58 | 0:31:02 | |
Oh, Christopher! | 0:31:09 | 0:31:10 | |
These boys have got a motor. | 0:31:10 | 0:31:12 | |
They're going to drive me to the Basils. | 0:31:12 | 0:31:14 | |
All right. As soon as Mrs Wannop has had enough, | 0:31:14 | 0:31:18 | |
I'll pop her in the Tube | 0:31:18 | 0:31:19 | |
and I'll pick you up. | 0:31:19 | 0:31:21 | |
-KNOCK AT DOOR -Yes? | 0:31:39 | 0:31:42 | |
Thank you. | 0:31:44 | 0:31:46 | |
Evidently an oversight, my lord. | 0:31:46 | 0:31:48 | |
Who? | 0:31:48 | 0:31:50 | |
Tietjens! | 0:31:51 | 0:31:53 | |
To his club... | 0:31:53 | 0:31:54 | |
and the officers' mess. | 0:31:54 | 0:31:57 | |
Perhaps a letter to Mr Tietjens? | 0:31:57 | 0:32:00 | |
No, send them back. Bounce them. | 0:32:00 | 0:32:04 | |
My lord? | 0:32:04 | 0:32:05 | |
Send them back now. Within the hour. | 0:32:05 | 0:32:07 | |
Got you! | 0:32:12 | 0:32:13 | |
Not that we set much store by these things, | 0:32:13 | 0:32:17 | |
but the King is seeing fit to confer a knighthood on Vincent. | 0:32:17 | 0:32:22 | |
Oh! Edith, how lovely! | 0:32:22 | 0:32:24 | |
I'm sure he deserves it. | 0:32:24 | 0:32:26 | |
It's not for mere plodding. | 0:32:26 | 0:32:28 | |
But for a special piece of brilliance | 0:32:28 | 0:32:30 | |
that marked him out at the office. | 0:32:30 | 0:32:32 | |
Oh, I know! He worked out some calculation | 0:32:32 | 0:32:34 | |
to prove that French war damage amounts to no more | 0:32:34 | 0:32:36 | |
than a normal year's peace time dilapidation spread over... | 0:32:36 | 0:32:39 | |
How did you..? How could you possibly know that?! | 0:32:39 | 0:32:42 | |
It's a dead secret! | 0:32:42 | 0:32:45 | |
Vincent must have told that fellow! | 0:32:45 | 0:32:47 | |
Your...your... | 0:32:47 | 0:32:48 | |
no, it wouldn't be Tietjens. He's no patriot. | 0:32:48 | 0:32:52 | |
-Gray's Inn, please. -Though he is in uniform, Edith. | 0:32:52 | 0:32:56 | |
What on earth do you dare mean? | 0:32:56 | 0:32:58 | |
You may as well know, there's not a more discredited man in London. | 0:32:58 | 0:33:01 | |
You have personal interests at stake. | 0:33:08 | 0:33:11 | |
In our position now, we cannot connive at your intrigue. | 0:33:11 | 0:33:14 | |
Intrigue? What can you mean? | 0:33:14 | 0:33:16 | |
You brazen...you've had a child by that man, haven't you?! | 0:33:16 | 0:33:20 | |
No, I certainly have not! | 0:33:20 | 0:33:22 | |
Oh, let's not, Edith! | 0:33:22 | 0:33:24 | |
For your own sake, remember you are a woman | 0:33:24 | 0:33:27 | |
and not for ever and always a snob. | 0:33:27 | 0:33:28 | |
You were a good woman once, | 0:33:28 | 0:33:30 | |
and you stuck by your mad husband for quite a long time... | 0:33:30 | 0:33:32 | |
Stop, stop, stop! | 0:33:32 | 0:33:34 | |
Get out! | 0:33:35 | 0:33:37 | |
Get out! | 0:33:37 | 0:33:39 | |
Thank you. | 0:33:46 | 0:33:48 | |
DOORBELL RINGS | 0:34:02 | 0:34:04 | |
Oh, Val? | 0:34:04 | 0:34:06 | |
Er...can you hang on? | 0:34:06 | 0:34:11 | |
Telegram for Wannop. | 0:34:11 | 0:34:13 | |
Thank you. | 0:34:16 | 0:34:18 | |
PHONE RINGS | 0:34:18 | 0:34:20 | |
Oh, Edward's safe! He's on shore! | 0:34:22 | 0:34:26 | |
Oh, thank God! | 0:34:26 | 0:34:29 | |
I must give that boy a sixpence! | 0:34:31 | 0:34:34 | |
'Hello?' | 0:34:34 | 0:34:35 | |
-Can you ask if Christopher's there. -Is Mr Tietjens at home? | 0:34:35 | 0:34:39 | |
Young woman, | 0:34:42 | 0:34:43 | |
you'd better keep off the grass. | 0:34:45 | 0:34:47 | |
Mrs Duchemin is already my husband's mistress. | 0:34:49 | 0:34:51 | |
'So, KEEP OFF.' | 0:34:51 | 0:34:55 | |
You have probably mistaken the person you're speaking to. | 0:34:55 | 0:34:58 | |
'Perhaps you will ask Mr Tietjens | 0:34:58 | 0:35:00 | |
'to ring up Mrs Wannop when he's at liberty.' | 0:35:00 | 0:35:02 | |
My husband is going out to war tomorrow. | 0:35:05 | 0:35:07 | |
He will be at the War Office at 4.15. | 0:35:07 | 0:35:10 | |
He will speak to you there. | 0:35:10 | 0:35:12 | |
But I'd keep off the grass if I were you. | 0:35:14 | 0:35:20 | |
SYLVIA HANGS UP | 0:35:21 | 0:35:24 | |
Is Mrs Duchemin really your mistress? | 0:35:46 | 0:35:48 | |
Or only MacMaster's? | 0:35:48 | 0:35:52 | |
Or both? | 0:35:52 | 0:35:53 | |
She's been Mrs MacMaster for six months. | 0:35:55 | 0:35:57 | |
There's a party tonight to announce it. | 0:35:57 | 0:35:59 | |
What about that girl you were potty about at that horrible tea party? | 0:36:03 | 0:36:06 | |
Has she had a war baby by you? | 0:36:09 | 0:36:12 | |
Everyone says she's your mistress too. | 0:36:12 | 0:36:15 | |
No, Miss Wannop is not my mistress. | 0:36:15 | 0:36:18 | |
It upset Brownie so much, | 0:36:23 | 0:36:24 | |
he's going to refuse your cheques just to please me. | 0:36:24 | 0:36:28 | |
Ah. | 0:36:30 | 0:36:31 | |
Do bankers do that, just to please their women friends? | 0:36:33 | 0:36:35 | |
I told him it wouldn't please me at all. | 0:36:37 | 0:36:40 | |
It's all the fault of this beastly war, isn't it? | 0:36:44 | 0:36:46 | |
Turning decent people into squits. | 0:36:48 | 0:36:50 | |
Yes, that's what it is. | 0:36:52 | 0:36:54 | |
Well, I've no right to put a spoke in that girl's wheel, or yours. | 0:36:57 | 0:37:02 | |
If you love each other, | 0:37:02 | 0:37:04 | |
I dare say she'll make you happy. | 0:37:05 | 0:37:07 | |
I could wangle you out of going back. | 0:37:07 | 0:37:11 | |
Thank you. | 0:37:11 | 0:37:13 | |
But I prefer to go. | 0:37:15 | 0:37:16 | |
-Oh, Chrissie! He didn't! -He did. | 0:37:25 | 0:37:27 | |
The club and my officers' mess bill. | 0:37:27 | 0:37:29 | |
But if you needed money... | 0:37:29 | 0:37:30 | |
I didn't. | 0:37:30 | 0:37:31 | |
My account was overdrawn for a few hours yesterday | 0:37:31 | 0:37:34 | |
because my pay slip from the Army was late. | 0:37:34 | 0:37:36 | |
Brownie will say so. I'll make sure. | 0:37:36 | 0:37:37 | |
No, the damage is done. | 0:37:37 | 0:37:39 | |
Besides, I don't much care. | 0:37:39 | 0:37:41 | |
But...this means your ruin! | 0:37:42 | 0:37:45 | |
It almost certainly means my ruin. | 0:37:47 | 0:37:49 | |
Oh, Christopher! | 0:37:49 | 0:37:51 | |
If you had once in our lives said to me, | 0:37:51 | 0:37:54 | |
"You whore! You bitch!" | 0:37:54 | 0:37:58 | |
or about the child, or Perowne... | 0:37:58 | 0:38:01 | |
..you might have done something to bring us together. | 0:38:02 | 0:38:05 | |
And I daresay, if you're shot... | 0:38:05 | 0:38:09 | |
Christ... | 0:38:09 | 0:38:10 | |
Between the saddle and the ground, | 0:38:12 | 0:38:15 | |
you'll say that you never did a dishonourable action. | 0:38:15 | 0:38:19 | |
In the name of the Almighty, how could any woman live beside you? | 0:38:19 | 0:38:23 | |
But I never disapproved of your actions. | 0:38:28 | 0:38:32 | |
I'm done for you. | 0:38:37 | 0:38:39 | |
I'm not going to listen to you. | 0:38:41 | 0:38:43 | |
You were let down at the beginning by a brute. | 0:38:56 | 0:38:58 | |
So you have the right to let down a man. | 0:39:00 | 0:39:03 | |
It's woman against man. | 0:39:05 | 0:39:06 | |
Now and ever has been. | 0:39:09 | 0:39:10 | |
Mark is going to walk me to the War Office. | 0:39:19 | 0:39:21 | |
What have you done with the brass your mother left you? | 0:39:39 | 0:39:42 | |
I settled half on Michael. | 0:39:42 | 0:39:45 | |
The rest I spent on the flat. | 0:39:45 | 0:39:48 | |
Furniture, my wife's rooms, | 0:39:48 | 0:39:50 | |
some notional loans to people. | 0:39:50 | 0:39:52 | |
MacMaster? | 0:39:52 | 0:39:54 | |
I suppose his wife IS your mistress? | 0:39:55 | 0:39:58 | |
No. | 0:39:58 | 0:40:00 | |
I backed him just because he asked. | 0:40:00 | 0:40:03 | |
If a lot of fellows knew that, you wouldn't have much brass for long. | 0:40:04 | 0:40:08 | |
I didn't have it for long. | 0:40:08 | 0:40:10 | |
Did you settle money on the girl who had a child by you? | 0:40:10 | 0:40:14 | |
I haven't got any girl. | 0:40:14 | 0:40:15 | |
There's no child. | 0:40:15 | 0:40:17 | |
I live on my pay. | 0:40:17 | 0:40:18 | |
You had a cheque dishonoured at the club this morning. | 0:40:18 | 0:40:22 | |
You'd better look over my pass books | 0:40:22 | 0:40:24 | |
for the last ten years. | 0:40:24 | 0:40:26 | |
This is no good if you don't believe what I say. | 0:40:26 | 0:40:31 | |
Then Ruggles is a liar. | 0:40:37 | 0:40:39 | |
Not really. | 0:40:39 | 0:40:40 | |
He picked up things said against me. I don't know why. | 0:40:40 | 0:40:43 | |
Because you treat these south country swine | 0:40:43 | 0:40:46 | |
with the contempt they deserve. | 0:40:46 | 0:40:48 | |
I thought you'd been buried in their muck so long... | 0:40:48 | 0:40:52 | |
Well, you'd better know what our father wanted. | 0:40:52 | 0:40:55 | |
His idea was, if you were a pimp, | 0:40:55 | 0:40:57 | |
you were to go to Hell on clean money, whatever it took. | 0:40:57 | 0:40:59 | |
No good making a will. I was to see to it. | 0:40:59 | 0:41:02 | |
Well, you won't be a penny poorer for me. | 0:41:02 | 0:41:05 | |
I won't take his money. | 0:41:05 | 0:41:07 | |
You usually forgive a fellow who shoots himself. | 0:41:07 | 0:41:09 | |
I don't. | 0:41:09 | 0:41:11 | |
I won't forgive him for not making a will, for calling in Ruggles, | 0:41:11 | 0:41:13 | |
for not talking to me in the club the night before he died. | 0:41:13 | 0:41:16 | |
-That was stupidity. -I called in Ruggles, though. | 0:41:16 | 0:41:19 | |
I don't forgive you either. The whole damn lot of you. | 0:41:19 | 0:41:22 | |
Oh, keep your shirt on! | 0:41:22 | 0:41:24 | |
You must take enough to be comfortable. | 0:41:24 | 0:41:26 | |
Groby will come to you anyway, if you don't get killed. | 0:41:26 | 0:41:29 | |
I don't want it. | 0:41:29 | 0:41:31 | |
And I loathe your buttered-toast, mutton-chopped comfort | 0:41:31 | 0:41:34 | |
as much as I loathe the chauffeured fornicators | 0:41:34 | 0:41:36 | |
in their town and country palaces. | 0:41:36 | 0:41:38 | |
My Marie-Leonie makes better buttered toast | 0:41:38 | 0:41:41 | |
than you can get at the Savoy, | 0:41:41 | 0:41:42 | |
and keeps herself neat and clean on 500 a year. | 0:41:42 | 0:41:46 | |
I'd marry the doxy if she weren't a Papist. | 0:41:46 | 0:41:49 | |
We've seen the last of England. | 0:41:56 | 0:41:59 | |
The professional army that saw us through the last hundred years | 0:41:59 | 0:42:02 | |
is every man of them dead, | 0:42:02 | 0:42:03 | |
and civilisation has gone to war in their place. | 0:42:03 | 0:42:06 | |
We're all barbarians now. | 0:42:08 | 0:42:09 | |
Look at this horror! And you in that uniform! | 0:42:19 | 0:42:21 | |
Miss Wannop. | 0:42:21 | 0:42:23 | |
This is my brother, Mark. | 0:42:25 | 0:42:28 | |
I didn't know Mr Tietjens had a brother. | 0:42:29 | 0:42:32 | |
-How do you do? -How do you do. | 0:42:32 | 0:42:34 | |
I must speak with you, and then I'm going. | 0:42:37 | 0:42:39 | |
Is Edith your mistress? | 0:42:44 | 0:42:46 | |
Certainly not. | 0:42:46 | 0:42:47 | |
How could you ask such a tomfool question? | 0:42:51 | 0:42:54 | |
You! | 0:42:54 | 0:42:55 | |
Don't you know me? | 0:42:57 | 0:42:59 | |
Your wife said, "Mrs Duchemin is my husband's mistress, | 0:43:02 | 0:43:05 | |
"so keep off the grass!" | 0:43:05 | 0:43:07 | |
Isn't she a truthful person? | 0:43:07 | 0:43:08 | |
She believes what she says, | 0:43:11 | 0:43:13 | |
but she only believes what she wants to believe, | 0:43:13 | 0:43:16 | |
and only for that moment. | 0:43:16 | 0:43:18 | |
So it isn't true. | 0:43:23 | 0:43:25 | |
I knew it wasn't. | 0:43:30 | 0:43:31 | |
Come along. | 0:43:32 | 0:43:35 | |
I've have to get my movement order, then I'm free. | 0:43:35 | 0:43:37 | |
I can't come with you crying like this! | 0:43:37 | 0:43:40 | |
Oh, yes, you can. This is the place where women cry. | 0:43:40 | 0:43:43 | |
Besides, there's Mark. He's a comforting ass. | 0:43:43 | 0:43:45 | |
-Oh, am I? -Here, look after Miss Wannop. | 0:43:45 | 0:43:49 | |
-HE PATS SEAT -Look here! | 0:43:55 | 0:43:58 | |
My father wanted your mother to be comfortable. | 0:43:59 | 0:44:02 | |
I'm here on business. | 0:44:02 | 0:44:03 | |
You may take it as if my father left your mother a nice little plum, | 0:44:03 | 0:44:07 | |
so that she could write books. | 0:44:07 | 0:44:09 | |
Say, a lump sum giving her an annuity of £500. | 0:44:09 | 0:44:13 | |
Does that sound right? | 0:44:13 | 0:44:15 | |
There'll be a bit for you, something for your brother... | 0:44:15 | 0:44:19 | |
You haven't fainted, have you? | 0:44:19 | 0:44:20 | |
I don't faint. | 0:44:22 | 0:44:23 | |
I cry. | 0:44:25 | 0:44:26 | |
That's all right. | 0:44:26 | 0:44:28 | |
I want Christopher to have somewhere to have a mutton shop, | 0:44:29 | 0:44:32 | |
and armchair by the fire. | 0:44:32 | 0:44:33 | |
Someone who's good for him. | 0:44:35 | 0:44:36 | |
You're good for him. | 0:44:37 | 0:44:39 | |
I'm going to see about Christopher. | 0:44:43 | 0:44:47 | |
I think I can get him into | 0:44:47 | 0:44:48 | |
looking after transport. | 0:44:48 | 0:44:50 | |
It's a safe job. Safe-ish. | 0:44:50 | 0:44:52 | |
No beastly glory about it. | 0:44:52 | 0:44:53 | |
Do be quick, then! Do get him into transport at once! | 0:44:53 | 0:44:56 | |
-Come on, let's get out of this. -I'm going in to see General Haggard. | 0:44:56 | 0:45:00 | |
I suppose you won't shake hands? | 0:45:00 | 0:45:02 | |
No. Why should I? | 0:45:02 | 0:45:04 | |
Oh, do! | 0:45:04 | 0:45:05 | |
You might get killed. You might think, while you're getting killed, | 0:45:06 | 0:45:09 | |
"Oh, God! If only, I'd..." | 0:45:09 | 0:45:11 | |
Or I might wish I had not. | 0:45:11 | 0:45:12 | |
But... | 0:45:14 | 0:45:16 | |
..oh, well. | 0:45:17 | 0:45:19 | |
Will you be my mistress tonight? | 0:45:26 | 0:45:28 | |
I'm going out at 8:30 tomorrow from Waterloo. | 0:45:28 | 0:45:31 | |
Yes! Yes, of course I will! | 0:45:31 | 0:45:34 | |
Where? | 0:45:34 | 0:45:36 | |
I'll give MacMaster's party a miss. | 0:45:36 | 0:45:38 | |
No, no, you must go. | 0:45:38 | 0:45:40 | |
Come late. After 11 is best. | 0:45:40 | 0:45:44 | |
I'll be at home. We'll have to be quiet, though. | 0:45:44 | 0:45:47 | |
We'll be quiet. | 0:45:47 | 0:45:48 | |
I tell you... | 0:45:50 | 0:45:51 | |
from the first moment... | 0:45:51 | 0:45:53 | |
I know! | 0:45:53 | 0:45:55 | |
When did you..? | 0:45:59 | 0:46:01 | |
My colours are in the mud. | 0:46:01 | 0:46:03 | |
It's not a good thing to find oneself living | 0:46:03 | 0:46:06 | |
by an outmoded code of conduct. | 0:46:06 | 0:46:08 | |
People take you to be a fool. | 0:46:09 | 0:46:12 | |
I'm coming round to their opinion. | 0:46:12 | 0:46:14 | |
But we were in a carpenter's vice. | 0:46:14 | 0:46:16 | |
It was like being pushed together. | 0:46:18 | 0:46:21 | |
Every minute since the first moment, I've waited. | 0:46:21 | 0:46:25 | |
Oh, my dear! | 0:46:27 | 0:46:29 | |
A great thing, his knighthood. | 0:46:34 | 0:46:38 | |
Dining at the club tonight? | 0:46:40 | 0:46:42 | |
No. I have resigned. | 0:46:42 | 0:46:44 | |
The membership committee...well, the Duke, actually... | 0:46:46 | 0:46:49 | |
well, your wife, in fact... | 0:46:49 | 0:46:50 | |
..anyway, your resignation has not been accepted. | 0:46:51 | 0:46:54 | |
-I understand I have to thank you. -Oh, Brownlie begged - | 0:47:02 | 0:47:04 | |
begs - to have the honour of your continuing to draw on his bank. | 0:47:04 | 0:47:08 | |
For that, too. | 0:47:08 | 0:47:10 | |
-Are you leaving? -Yes. | 0:47:12 | 0:47:15 | |
I have an engagement. | 0:47:16 | 0:47:19 | |
Darling, could you please... | 0:47:22 | 0:47:24 | |
one moment, please! | 0:47:24 | 0:47:25 | |
One moment! | 0:47:25 | 0:47:27 | |
-Ah, MacMaster, finally... -Excuse me, excuse me! | 0:47:27 | 0:47:30 | |
Excuse me! Forgive me, please! | 0:47:30 | 0:47:32 | |
Chrissie! | 0:47:32 | 0:47:34 | |
Chrissie! | 0:47:34 | 0:47:36 | |
Chrissie! | 0:47:36 | 0:47:38 | |
Wait! | 0:47:38 | 0:47:40 | |
You're not going? | 0:47:41 | 0:47:44 | |
I... | 0:47:44 | 0:47:46 | |
I wanted to explain. | 0:47:46 | 0:47:48 | |
This...miserable knighthood... | 0:47:48 | 0:47:52 | |
That's all right, old man. | 0:47:52 | 0:47:54 | |
We've been pals long enough for a little thing like that not... | 0:47:54 | 0:47:58 | |
I'm very...glad for you. | 0:47:58 | 0:48:01 | |
Truly. | 0:48:01 | 0:48:03 | |
And Valentine? | 0:48:06 | 0:48:08 | |
It's all right. She's at another party. | 0:48:08 | 0:48:11 | |
I'm going on. | 0:48:13 | 0:48:15 | |
Tell her... | 0:48:15 | 0:48:16 | |
..you may be killed, | 0:48:18 | 0:48:20 | |
I beg you to believe, I will never, | 0:48:23 | 0:48:27 | |
never abandon her. | 0:48:28 | 0:48:30 | |
Yes. | 0:48:30 | 0:48:32 | |
Well... | 0:48:36 | 0:48:37 | |
Well. | 0:48:39 | 0:48:40 | |
FOOTSTEPS APPROACH | 0:49:53 | 0:49:55 | |
GATE OUTSIDE OPENS | 0:49:55 | 0:49:58 | |
-Valentine! -Edward. | 0:50:07 | 0:50:10 | |
HE LAUGHS | 0:50:10 | 0:50:12 | |
Meet my friends, meet my friends! | 0:50:13 | 0:50:16 | |
-Hello! -Hello. | 0:50:16 | 0:50:17 | |
DRUNKEN SINGING FROM INSIDE HOUSE | 0:50:17 | 0:50:20 | |
The trains... | 0:50:30 | 0:50:31 | |
DRUNKEN SINGING CONTINUES | 0:50:40 | 0:50:43 | |
Ah. | 0:50:43 | 0:50:45 | |
It does make one believe in something. | 0:50:49 | 0:50:52 | |
I'm so sorry, Miss Wannop. | 0:50:54 | 0:50:56 | |
I suppose we are the sort... | 0:51:10 | 0:51:12 | |
..that do not. | 0:51:13 | 0:51:15 | |
But when you come back. | 0:51:20 | 0:51:22 | |
That night we drove through the mist five years ago, | 0:51:31 | 0:51:33 | |
you said I'd never take you to Groby. | 0:51:33 | 0:51:37 | |
And I never will. | 0:51:37 | 0:51:39 | |
I can't live at Groby with you. | 0:51:39 | 0:51:42 | |
A trollop from the servants' hall to scandalise the parson, | 0:51:42 | 0:51:46 | |
that would be understood, but not... | 0:51:46 | 0:51:50 | |
not you. | 0:51:50 | 0:51:51 | |
I'll be ready. | 0:51:52 | 0:51:54 | |
I'll be ready for anything you ask. | 0:51:54 | 0:51:56 | |
Oh, my dear! | 0:52:02 | 0:52:03 | |
Come back. | 0:52:06 | 0:52:08 | |
Gray's Inn. | 0:52:15 | 0:52:16 | |
Walk on! | 0:52:24 | 0:52:26 | |
Oh, don't tell me you didn't..?! | 0:53:13 | 0:53:15 | |
You didn't, did you? | 0:53:19 | 0:53:20 | |
Let's not quarrel now. | 0:53:23 | 0:53:24 | |
There's something I've decided about. | 0:53:28 | 0:53:31 | |
Don't you dare tell me it was for my sake! | 0:53:31 | 0:53:34 | |
Oh, she was ready to drop into your mouth like a grape! | 0:53:37 | 0:53:41 | |
-SHE SHOUTS -How could you be such a skunk? | 0:53:45 | 0:53:48 | |
I have to pack my things for France. | 0:53:48 | 0:53:50 | |
Oh, you might as well! | 0:53:50 | 0:53:52 | |
Couldn't you bring yourself to seduce that little kitchen maid?! | 0:53:57 | 0:54:01 | |
There'd have been a chance for us. | 0:54:08 | 0:54:09 | |
I've decided about Michael. | 0:54:17 | 0:54:19 | |
If I must to the greenwood go... | 0:54:27 | 0:54:28 | |
Do you mean it? | 0:54:31 | 0:54:32 | |
I may bring up Michael as a Catholic? | 0:54:32 | 0:54:35 | |
A Roman Catholic. You'll teach him, please, to use that term. | 0:54:35 | 0:54:39 | |
But I am obviously not the man | 0:54:39 | 0:54:41 | |
to have charge of the future master of Groby. | 0:54:41 | 0:54:44 | |
-I am not a whole man any more. -When did you..? | 0:54:44 | 0:54:47 | |
When my cheques were dishonoured. | 0:54:47 | 0:54:49 | |
-No! It was only that squit! -But I let it happen. | 0:54:52 | 0:54:54 | |
My father believed the squits, too, but I let that happen. | 0:54:54 | 0:54:57 | |
A man who can't do better than that | 0:54:57 | 0:54:58 | |
had better let the mother bring up the child. | 0:54:58 | 0:55:00 | |
I loved the little beggar with all my soul | 0:55:02 | 0:55:05 | |
from the first moment I saw him. | 0:55:05 | 0:55:07 | |
Perhaps that's the secret. | 0:55:08 | 0:55:10 | |
I thank God that he has softened your heart. | 0:55:12 | 0:55:15 | |
You're to have Father... | 0:55:15 | 0:55:16 | |
..F-Father... | 0:55:21 | 0:55:23 | |
HE SLAMS DOWN BAG | 0:55:24 | 0:55:27 | |
Not my heart, my brain! | 0:55:28 | 0:55:31 | |
-Father Consett. -Consett! | 0:55:31 | 0:55:32 | |
An intelligent priest. | 0:55:36 | 0:55:38 | |
He'll teach as much sense as nonsense. | 0:55:38 | 0:55:41 | |
Father Consett was hanged. | 0:55:41 | 0:55:43 | |
They dared not put it in the papers | 0:55:43 | 0:55:46 | |
because he was a priest, | 0:55:46 | 0:55:47 | |
and all the witnesses were Ulstermen. | 0:55:47 | 0:55:50 | |
And yet I may not say | 0:55:53 | 0:55:55 | |
this is an accursed war. | 0:55:55 | 0:55:58 | |
You may for me. | 0:56:02 | 0:56:03 | |
On no account | 0:56:44 | 0:56:45 | |
is Mrs Tietjens to be allowed | 0:56:45 | 0:56:47 | |
within 50 miles of Rouen. | 0:56:47 | 0:56:48 | |
UTTER nonsense! | 0:56:48 | 0:56:51 | |
I cannot have men commanded by an officer | 0:56:51 | 0:56:53 | |
with a private life as incomprehensible | 0:56:53 | 0:56:55 | |
and embarrassing as yours! | 0:56:55 | 0:56:56 | |
I'm a woman desperately trying to get her husband back. | 0:56:56 | 0:56:59 | |
But you wouldn't be a pacifist if your sweetheart was in the war, | 0:56:59 | 0:57:02 | |
-would you, Miss? -More than ever, of course. | 0:57:02 | 0:57:05 | |
Have you got a sweetheart in the war, Miss? | 0:57:05 | 0:57:08 | |
I haven't had a man, Christopher, for five years. | 0:57:08 | 0:57:12 | |
Subtitles by Red Bee Media Ltd | 0:57:36 | 0:57:39 |