Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
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Oh, and there's a woman. | 0:00:03 | 0:00:05 | |
Yeah. A woman. | 0:00:07 | 0:00:10 | |
Who I love. | 0:00:13 | 0:00:14 | |
And I got close. | 0:00:16 | 0:00:17 | |
This programme contains strong language, some violent scenes and some scenes of a sexual nature. | 0:00:19 | 0:00:26 | |
In the bleak midwinter... | 0:00:29 | 0:00:30 | |
At some point in the near future | 0:00:36 | 0:00:38 | |
Mr Churchill will want to speak to you in person, Mr Shelby. | 0:00:38 | 0:00:42 | |
He has a job for you. | 0:00:43 | 0:00:45 | |
We will be in touch. | 0:00:47 | 0:00:48 | |
WEDDING BELLS CHIME | 0:01:11 | 0:01:13 | |
I'm going to take him. | 0:01:19 | 0:01:22 | |
Oh, thank you. | 0:01:23 | 0:01:25 | |
# Take a little walk to the edge of town | 0:01:25 | 0:01:29 | |
# And go across the tracks | 0:01:29 | 0:01:31 | |
# Where the viaduct looms, like a bird of doom | 0:01:33 | 0:01:37 | |
# As it shifts and cracks | 0:01:37 | 0:01:41 | |
# Where secrets lie in the border fires | 0:01:42 | 0:01:46 | |
# In the humming wires... # | 0:01:46 | 0:01:47 | |
Some of us know the words. | 0:01:47 | 0:01:49 | |
# Past the square, past the bridge, past the mills, past the stacks | 0:01:51 | 0:01:55 | |
# On a gathering storm comes a tall handsome man | 0:01:58 | 0:02:02 | |
# In a dusty black coat with a red right hand. # | 0:02:02 | 0:02:07 | |
Trot on. | 0:02:18 | 0:02:19 | |
# In the bleak midwinter | 0:02:22 | 0:02:27 | |
# Frosty wind made moan | 0:02:27 | 0:02:31 | |
# Earth stood hard as iron... # | 0:02:31 | 0:02:36 | |
Trot on. Trot on. | 0:02:36 | 0:02:37 | |
# Water like a stone | 0:02:37 | 0:02:41 | |
# Snow had fallen | 0:02:41 | 0:02:44 | |
# Snow on snow, snow on snow | 0:02:44 | 0:02:49 | |
# In the bleak midwinter | 0:02:51 | 0:02:56 | |
# Long ago. # | 0:02:56 | 0:03:01 | |
MUSIC: Bridal Chorus by Richard Wagner | 0:03:10 | 0:03:15 | |
Here come the fucking cavalry. Late as usual. | 0:03:15 | 0:03:19 | |
MUSIC: Breathless by Nick Cave And The Bad Seeds | 0:03:56 | 0:04:01 | |
Dearly beloved. | 0:04:05 | 0:04:07 | |
We are gathered here today to join together in holy matrimony | 0:04:07 | 0:04:11 | |
Thomas Michael Shelby and Grace Helen Burgess. | 0:04:11 | 0:04:15 | |
# It's up in the morning It's on the downs | 0:04:15 | 0:04:19 | |
# Little white clouds like gambolling lambs | 0:04:19 | 0:04:24 | |
# And I am breathless over you | 0:04:24 | 0:04:27 | |
# And the red-breasted robin beats his wings | 0:04:27 | 0:04:31 | |
# His throat, it trembles when he sings... # | 0:04:31 | 0:04:34 | |
Those flowers need to go there. | 0:04:34 | 0:04:36 | |
Do you, Thomas Michael Shelby, take Grace Helen Burgess | 0:04:41 | 0:04:45 | |
to be your lawful wedded wife? | 0:04:45 | 0:04:47 | |
I do. | 0:04:48 | 0:04:49 | |
Do you, Grace Helen Burgess, solemnly swear to love, | 0:04:51 | 0:04:55 | |
honour and obey | 0:04:55 | 0:04:58 | |
till death do you part? | 0:04:58 | 0:05:00 | |
I do. | 0:05:00 | 0:05:02 | |
I now pronounce you husband and wife. | 0:05:02 | 0:05:05 | |
Go on, son! | 0:05:08 | 0:05:09 | |
# Still your hands | 0:05:09 | 0:05:11 | |
# And still your heart | 0:05:11 | 0:05:12 | |
# For still your face comes shining through | 0:05:12 | 0:05:16 | |
# And all the morning glows anew | 0:05:16 | 0:05:20 | |
# Still your mind | 0:05:20 | 0:05:22 | |
# Still your soul | 0:05:22 | 0:05:24 | |
# For still the fire of love is true | 0:05:24 | 0:05:28 | |
# And I am breathless without you... # | 0:05:28 | 0:05:32 | |
Get out of it! | 0:05:32 | 0:05:34 | |
-All right, Arthur, come on. -Wait for me! Wait for me good self! | 0:05:38 | 0:05:42 | |
Go on, take the photograph! | 0:05:42 | 0:05:44 | |
Go on, boy. Get them on the go. | 0:06:00 | 0:06:02 | |
Tommy. | 0:06:08 | 0:06:09 | |
-Get the bastards in the house. -I will. I will. John! John Boy! | 0:06:13 | 0:06:17 | |
John Boy. Get them in the house, all of them. | 0:06:17 | 0:06:20 | |
Go on, all of you! Back to the house. Come on! | 0:06:21 | 0:06:24 | |
THEY CHEER | 0:06:24 | 0:06:26 | |
# Still your hands | 0:06:29 | 0:06:30 | |
# And still your heart | 0:06:30 | 0:06:32 | |
# For still your face comes shining through | 0:06:32 | 0:06:36 | |
# And all the morning glows anew | 0:06:36 | 0:06:40 | |
# Still your soul | 0:06:40 | 0:06:42 | |
# Still your mind | 0:06:42 | 0:06:44 | |
# For still the fire of love is true | 0:06:44 | 0:06:48 | |
# And I am breathless without you. # | 0:06:48 | 0:06:51 | |
CHEERING | 0:06:51 | 0:06:54 | |
ORCHESTRAL MUSIC PLAYS | 0:07:07 | 0:07:09 | |
All right, Pol. Tell the Lee girls I've counted all the paintings. | 0:07:29 | 0:07:33 | |
Oh, Pol. Some people here are not on the list. | 0:07:33 | 0:07:36 | |
Curly, Charlie. Kitchen, five minutes. | 0:07:38 | 0:07:42 | |
Actually, we were told on the train there'd be cocaine. | 0:07:42 | 0:07:47 | |
Jeremiah, John Boy, kitchen, let's go. | 0:07:47 | 0:07:49 | |
I swear to God, them fucking cavalry boys are asking for it. | 0:07:49 | 0:07:52 | |
I was told to ask someone young. Will there be cocaine? | 0:07:52 | 0:07:55 | |
Sweetheart, I am young, informed and very well equipped. | 0:07:55 | 0:07:59 | |
You chose your man wisely. | 0:07:59 | 0:08:01 | |
Come on, kitchen, now. | 0:08:01 | 0:08:03 | |
Arthur, this lady wants to play in the snow. | 0:08:03 | 0:08:05 | |
No. No snow today. No snow today. | 0:08:05 | 0:08:07 | |
Kitchen, come on. | 0:08:10 | 0:08:12 | |
INDISTINCT CHATTER | 0:08:12 | 0:08:14 | |
I just wish Tommy was here. | 0:08:20 | 0:08:21 | |
-Where are they? -I don't know, Tom. | 0:08:39 | 0:08:41 | |
Arthur, John, where are they? | 0:08:41 | 0:08:42 | |
-I don't know. -I am telling you now, we got lost. | 0:08:42 | 0:08:45 | |
You really need to do a map. | 0:08:45 | 0:08:46 | |
Tommy. | 0:08:46 | 0:08:47 | |
Right, boys, you're all here. | 0:08:55 | 0:08:57 | |
Today, this is my fucking wedding day. | 0:09:00 | 0:09:03 | |
Yeah, and you said there'd be no bloody uniforms. | 0:09:03 | 0:09:05 | |
Nevertheless. Nevertheless, John. | 0:09:05 | 0:09:09 | |
Despite the bad blood, | 0:09:09 | 0:09:11 | |
I'll have none of it on my carpet. | 0:09:11 | 0:09:13 | |
Now, for Grace's sake, nothing will go wrong. | 0:09:13 | 0:09:16 | |
Those bastards out there are her family. | 0:09:16 | 0:09:19 | |
And if you fuckers do anything to embarrass her, your kin, | 0:09:19 | 0:09:25 | |
your cousins, your horses, your fucking kids, you do anything... | 0:09:25 | 0:09:30 | |
Tom? | 0:09:30 | 0:09:31 | |
-..to... What? -What about snow? | 0:09:31 | 0:09:33 | |
Yeah, their women are sports, I'll say that. | 0:09:33 | 0:09:36 | |
No. No. No. | 0:09:36 | 0:09:37 | |
No cocaine. | 0:09:38 | 0:09:39 | |
No cocaine. | 0:09:41 | 0:09:42 | |
No sport. No telling fortunes. | 0:09:42 | 0:09:44 | |
No racing. No fucking sucking petrol out of their fucking cars. | 0:09:44 | 0:09:49 | |
And you, Charlie, stop spinning yarns about me, eh? | 0:09:51 | 0:09:54 | |
I'm just trying to sell you to them, Tom. | 0:09:54 | 0:09:58 | |
But the main thing is, you bunch of fuckers, | 0:09:58 | 0:10:02 | |
despite the provocation from the cavalry, | 0:10:02 | 0:10:05 | |
no fighting! | 0:10:05 | 0:10:07 | |
Oi! | 0:10:08 | 0:10:09 | |
No fighting. | 0:10:10 | 0:10:12 | |
No fucking fighting. | 0:10:12 | 0:10:14 | |
No fighting. | 0:10:14 | 0:10:15 | |
NO FUCKING FIGHTING! | 0:10:15 | 0:10:19 | |
Good. | 0:10:21 | 0:10:23 | |
-Get the fuck off me! -GLASS SHATTERS | 0:10:23 | 0:10:25 | |
You're needed downstairs. | 0:10:31 | 0:10:33 | |
HE CLEARS HIS THROAT | 0:10:33 | 0:10:35 | |
Grace, you're needed downstairs. People are hungry. | 0:10:37 | 0:10:41 | |
I was putting Charles to sleep. | 0:10:41 | 0:10:43 | |
I'll come down, but not with you like this. | 0:10:43 | 0:10:45 | |
All right, fine. | 0:10:45 | 0:10:47 | |
Tommy. | 0:10:48 | 0:10:50 | |
I thought today was the reason for the way you've been acting lately. | 0:10:50 | 0:10:55 | |
I know there's business on your mind. | 0:10:55 | 0:10:57 | |
And I know there always will be. | 0:10:58 | 0:11:00 | |
-Yeah. -Look. I am sorry they wore their uniforms. | 0:11:00 | 0:11:03 | |
Yeah, they fucking did, eh? They fucking did. | 0:11:03 | 0:11:06 | |
But I can tell it's more than that. | 0:11:06 | 0:11:08 | |
You've been like this for weeks. | 0:11:10 | 0:11:12 | |
I need you to tell me that it's business making you like this... | 0:11:17 | 0:11:22 | |
and not regret over me. | 0:11:22 | 0:11:24 | |
Say it out loud and I'll know if it's true. | 0:11:25 | 0:11:27 | |
It's business, Grace. | 0:11:32 | 0:11:33 | |
And bad, bad business it is, all round. | 0:11:36 | 0:11:38 | |
HE SIGHS | 0:11:44 | 0:11:46 | |
And I'm scared, Grace. | 0:11:46 | 0:11:47 | |
I'm scared for you. | 0:11:49 | 0:11:50 | |
I'm scared for the baby. | 0:11:50 | 0:11:52 | |
And this is how I am when I'm scared. | 0:11:52 | 0:11:54 | |
It is unfamiliar to you but not to me. | 0:11:54 | 0:11:57 | |
I can fucking be scared and carry on. | 0:11:57 | 0:12:01 | |
And it's not pleasant to look at and no joy to be around. | 0:12:05 | 0:12:08 | |
All right? | 0:12:10 | 0:12:11 | |
I'm sorry. | 0:12:14 | 0:12:15 | |
We just made vows to share everything. | 0:12:23 | 0:12:25 | |
Tell me what it is you're afraid of. | 0:12:27 | 0:12:29 | |
INDISTINCT CHATTER | 0:12:40 | 0:12:43 | |
Stand up. Stand up. Stand up. | 0:12:54 | 0:12:55 | |
Arthur's speech. | 0:12:58 | 0:12:59 | |
I'm scared of fucking Arthur's speech. | 0:13:01 | 0:13:04 | |
All right? | 0:13:06 | 0:13:07 | |
Me too. | 0:13:09 | 0:13:10 | |
Tommy, what are you doing? | 0:13:14 | 0:13:16 | |
Tommy, there's half the British Army waiting for us downstairs. | 0:13:16 | 0:13:21 | |
They're King's Irish. We waited two weeks in the mud for them. | 0:13:21 | 0:13:25 | |
Tommy. | 0:13:27 | 0:13:28 | |
SHE GIGGLES | 0:13:28 | 0:13:31 | |
There are things that if I take them off | 0:13:31 | 0:13:33 | |
I won't be able to put back on. | 0:13:33 | 0:13:35 | |
That's good. | 0:13:35 | 0:13:36 | |
Hello, Mrs Shelby. | 0:13:44 | 0:13:47 | |
I'm sorry for being busy in my head. | 0:13:47 | 0:13:49 | |
Let us complete the ceremony. | 0:13:52 | 0:13:54 | |
Hey, listen. Listen. Listen. | 0:13:56 | 0:13:58 | |
What do you call an animal with a prick halfway up its back? | 0:13:58 | 0:14:02 | |
A cavalry horse. | 0:14:02 | 0:14:03 | |
He gets it. | 0:14:05 | 0:14:07 | |
Fuck it. Fuck it. | 0:14:09 | 0:14:11 | |
Where the bloody hell are they? | 0:14:11 | 0:14:13 | |
You're best man, Arthur. Go and find them. | 0:14:13 | 0:14:16 | |
Yeah. | 0:14:18 | 0:14:19 | |
That's completely nonsense. | 0:14:20 | 0:14:22 | |
You know, we're part of a serious political movement and organisation. | 0:14:22 | 0:14:25 | |
They're not "secret little meetings", they're just meetings. | 0:14:25 | 0:14:29 | |
We talk about the world, about the people in it, | 0:14:29 | 0:14:31 | |
about our current political landscape and what's going on. | 0:14:31 | 0:14:33 | |
You know, we really need to re-evaluate | 0:14:33 | 0:14:36 | |
the way our government has... | 0:14:36 | 0:14:37 | |
-Very strange indeed. -Polly, he's looking over. | 0:14:39 | 0:14:42 | |
But, erm... | 0:14:42 | 0:14:44 | |
He's coming. He bloody is. | 0:14:46 | 0:14:47 | |
Fuck. It's the wrong one. | 0:14:50 | 0:14:52 | |
What do you mean the wrong one? How many are there? | 0:14:52 | 0:14:54 | |
There's two giving me the eye. I prefer the other one. | 0:14:54 | 0:14:57 | |
He looked harmless. | 0:14:57 | 0:14:58 | |
It must be that bloody lipstick | 0:15:00 | 0:15:02 | |
Tommy brought you back from New York. | 0:15:02 | 0:15:04 | |
I couldn't help noticing you are unaccompanied. | 0:15:08 | 0:15:10 | |
I also am alone. | 0:15:10 | 0:15:12 | |
May I join you? | 0:15:13 | 0:15:14 | |
Tommy? | 0:15:22 | 0:15:24 | |
Oh. Didn't see a thing. | 0:15:24 | 0:15:27 | |
Not see a thing. Sorry, brother. | 0:15:27 | 0:15:30 | |
I need you downstairs. | 0:15:30 | 0:15:32 | |
That's all right, we're done. Are you good? | 0:15:32 | 0:15:34 | |
-Yeah. Never been better. -Yeah. | 0:15:34 | 0:15:37 | |
-Are you drunk? -No. No. | 0:15:37 | 0:15:39 | |
Here. | 0:15:42 | 0:15:43 | |
All right, just one drink, then. | 0:15:46 | 0:15:49 | |
Linda's a good woman, Arthur. | 0:15:49 | 0:15:51 | |
Good whisky. | 0:15:55 | 0:15:56 | |
A good man needs to hold out sometimes, eh? | 0:15:58 | 0:16:01 | |
I won't mention this in my speech, then, eh? | 0:16:07 | 0:16:12 | |
Not unless you want to get cut, Arthur. | 0:16:12 | 0:16:14 | |
Sorry, sister. | 0:16:14 | 0:16:16 | |
Right. Look. Tell the maids to break out the champagne. | 0:16:17 | 0:16:21 | |
I'll be down in a minute. | 0:16:21 | 0:16:22 | |
Champagne, yeah. OK. | 0:16:22 | 0:16:25 | |
-Got it right here. -Good. -I'm ready. -Good. | 0:16:25 | 0:16:28 | |
Where are you from? | 0:16:32 | 0:16:34 | |
I'm a refugee. | 0:16:39 | 0:16:40 | |
From where? | 0:16:42 | 0:16:43 | |
Russia. | 0:16:49 | 0:16:50 | |
In the past few months Thomas has developed some | 0:16:52 | 0:16:54 | |
business interests with Russia. | 0:16:54 | 0:16:56 | |
I see he has confided in you. | 0:16:58 | 0:17:00 | |
Hm. | 0:17:02 | 0:17:04 | |
You need his permission to even speak to me. | 0:17:04 | 0:17:06 | |
My senior position within the Shelby company means | 0:17:10 | 0:17:13 | |
I don't often have to ask permission from anyone to do anything. | 0:17:13 | 0:17:18 | |
So perhaps you'll just tell me | 0:17:18 | 0:17:20 | |
why the fuck you're talking Russian business on Thomas's wedding day. | 0:17:20 | 0:17:24 | |
Hold on, wait a second. | 0:17:26 | 0:17:28 | |
-So you're saying I'm not allowed a man. -It's about your choice of man. | 0:17:28 | 0:17:31 | |
I'm not allowed a man on my arm? | 0:17:31 | 0:17:33 | |
Fucking bastard. | 0:17:33 | 0:17:35 | |
Michael, speeches. Come on. | 0:17:35 | 0:17:38 | |
Arthur. You know why he didn't come, don't you? | 0:17:38 | 0:17:40 | |
Why who didn't come? | 0:17:40 | 0:17:42 | |
My bloody man. | 0:17:42 | 0:17:43 | |
Oh, you mean the wop? | 0:17:43 | 0:17:45 | |
I just heard there was a fire at his restaurant. | 0:17:45 | 0:17:48 | |
Midnight last night. | 0:17:48 | 0:17:49 | |
And a smashed back window and a smell of petrol. | 0:17:49 | 0:17:52 | |
Lizzie, we tried to talk some sense into you. | 0:17:52 | 0:17:55 | |
We did checks on him. | 0:17:55 | 0:17:57 | |
He's had five different names in the last six years | 0:17:57 | 0:17:59 | |
-and he's got connections with the Naples boys. -Come on, Michael. | 0:17:59 | 0:18:02 | |
What do you know about love, about when lightning strikes? | 0:18:02 | 0:18:05 | |
So, it was lightning, hmm? Not petrol. | 0:18:05 | 0:18:09 | |
-I thought you were off the whisky, Arthur. -Yeah, I am. | 0:18:09 | 0:18:12 | |
I'm having a couple now and again | 0:18:12 | 0:18:14 | |
to remind myself why I don't drink it. | 0:18:14 | 0:18:16 | |
You set fire to his restaurant to stop him coming. | 0:18:16 | 0:18:19 | |
You have no right to choose who I step out with in my own time! | 0:18:19 | 0:18:23 | |
Lizzie, you now have an important position in this company. | 0:18:33 | 0:18:38 | |
You got the order the same as us. | 0:18:39 | 0:18:42 | |
You can do it. | 0:18:44 | 0:18:46 | |
Until further notice... | 0:18:51 | 0:18:54 | |
no fraternising with the foreigners. | 0:18:54 | 0:18:56 | |
Yeah, well, you can tell Tommy from me | 0:19:00 | 0:19:02 | |
all the girls in the office think he's losing his fucking mind. | 0:19:02 | 0:19:05 | |
To the bride. | 0:19:10 | 0:19:12 | |
-ALL: -The bride. | 0:19:12 | 0:19:13 | |
And now, according to tradition, | 0:19:17 | 0:19:21 | |
my best man will say a few words. | 0:19:21 | 0:19:24 | |
Go on! Here he goes! Go on, Arthur! | 0:19:24 | 0:19:28 | |
I'd like to, erm... I'm not one for speeches. | 0:19:33 | 0:19:36 | |
Sing, then! | 0:19:36 | 0:19:37 | |
I will later, John. | 0:19:37 | 0:19:40 | |
But I do, erm... | 0:19:40 | 0:19:42 | |
I do have some words written down here... | 0:19:44 | 0:19:46 | |
..on this piece of paper. | 0:19:48 | 0:19:49 | |
This doesn't include everything that I want to say... | 0:19:51 | 0:19:56 | |
(Arthur, just read what we wrote down, eh?) | 0:19:56 | 0:19:59 | |
I will. | 0:19:59 | 0:20:01 | |
I will, mm-hmm. | 0:20:01 | 0:20:03 | |
But first... | 0:20:03 | 0:20:06 | |
First a few words from the heart. | 0:20:06 | 0:20:09 | |
Erm... | 0:20:13 | 0:20:14 | |
This man here, my brother, Tommy, | 0:20:16 | 0:20:19 | |
helped me survive through some of the worst times. | 0:20:19 | 0:20:24 | |
HE COUGHS | 0:20:24 | 0:20:26 | |
It's a wedding, Arthur, tell a joke. | 0:20:26 | 0:20:28 | |
Yeah. Tell a joke. | 0:20:28 | 0:20:29 | |
What I am trying to say is this. | 0:20:29 | 0:20:31 | |
My brother, | 0:20:33 | 0:20:35 | |
and the love of a good woman... | 0:20:35 | 0:20:38 | |
..pulled me through that time. | 0:20:39 | 0:20:41 | |
Now Tommy also has the love of a good woman. | 0:20:43 | 0:20:47 | |
Her name's Grace. | 0:20:49 | 0:20:50 | |
Like the grace of the good Lord. | 0:20:52 | 0:20:54 | |
And even though the circumstances of their union was tragic... | 0:20:58 | 0:21:04 | |
Right, let's... Arthur, let's raise a toast, eh? | 0:21:04 | 0:21:09 | |
To love, to peace, to marriage. | 0:21:09 | 0:21:14 | |
And to marriage. | 0:21:14 | 0:21:16 | |
Well done, Arthur. Beautiful speech. | 0:21:22 | 0:21:25 | |
Really nice. | 0:21:25 | 0:21:26 | |
Really, really nice. | 0:21:28 | 0:21:29 | |
Where's he fucking going now? | 0:21:37 | 0:21:38 | |
I think I messed it up. | 0:21:43 | 0:21:45 | |
No, not a bit. | 0:21:45 | 0:21:47 | |
You spoke with such truth. | 0:21:47 | 0:21:49 | |
And God heard you. | 0:21:49 | 0:21:51 | |
Can I have a word with my brother, please, Linda? | 0:21:54 | 0:21:57 | |
What he was going to say was beautiful. | 0:21:57 | 0:21:59 | |
Alone, please. | 0:22:01 | 0:22:02 | |
All right. Come here. | 0:22:08 | 0:22:09 | |
Come here. | 0:22:11 | 0:22:12 | |
We talked about this, Arthur. | 0:22:17 | 0:22:18 | |
That's why we wrote it all down. | 0:22:18 | 0:22:20 | |
Most of Grace's side don't even know her husband killed himself. | 0:22:22 | 0:22:25 | |
They think it was an accident. | 0:22:25 | 0:22:27 | |
-I know. -You know. | 0:22:27 | 0:22:30 | |
-Yeah. -Yeah. | 0:22:30 | 0:22:31 | |
What do you think I am, hm? | 0:22:31 | 0:22:33 | |
What do you think I am, Tommy, eh? | 0:22:34 | 0:22:37 | |
You think I'm a fucking idiot... | 0:22:37 | 0:22:39 | |
-All right, boys? -Yep. -Don't you? | 0:22:39 | 0:22:41 | |
Come on. Having a good night. | 0:22:41 | 0:22:42 | |
-You think I would say it? -That's it. Right. | 0:22:42 | 0:22:45 | |
Yeah. Keep walking. You nosy bastards. | 0:22:45 | 0:22:47 | |
-Hey, you stay away from me, Tommy. -Fucking hell. | 0:22:47 | 0:22:49 | |
You stay away from me, I've had it. | 0:22:49 | 0:22:51 | |
Ah, shit. | 0:22:54 | 0:22:56 | |
-Yeah. -Argh! -Yeah. | 0:22:57 | 0:22:59 | |
Argh. | 0:23:01 | 0:23:02 | |
Argh! | 0:23:04 | 0:23:05 | |
Ah, shit. | 0:23:08 | 0:23:09 | |
Three shots I've had, that's it. | 0:23:11 | 0:23:14 | |
-I know. -I drew the line. -I know. | 0:23:14 | 0:23:17 | |
I know you've turned a corner. | 0:23:17 | 0:23:19 | |
-Arthur. -Yeah. -I know. | 0:23:19 | 0:23:21 | |
-Yeah. I'm your best man. -I know. | 0:23:21 | 0:23:24 | |
I wasn't going to tell no-one. | 0:23:24 | 0:23:26 | |
It's all right. It's done. | 0:23:26 | 0:23:28 | |
Get up. Get up. | 0:23:28 | 0:23:30 | |
Get up. | 0:23:30 | 0:23:31 | |
Right... | 0:23:33 | 0:23:34 | |
The Russians have made contact. | 0:23:35 | 0:23:38 | |
We have to get used to how these bastards operate. | 0:23:38 | 0:23:41 | |
For them, family is a weakness and they go after them. | 0:23:41 | 0:23:45 | |
For me, family is my strength. And there's business to be done | 0:23:45 | 0:23:49 | |
and I need you. | 0:23:49 | 0:23:50 | |
Now, fuck speeches, fuck weddings. | 0:23:50 | 0:23:53 | |
You're my best man every fucking day. | 0:23:53 | 0:23:55 | |
OK. | 0:23:56 | 0:23:58 | |
Yeah? | 0:23:58 | 0:23:59 | |
Now go and get John, get him sobered up. | 0:23:59 | 0:24:02 | |
Find Johnny Dogs. It's the Russians through the smoke tonight. | 0:24:02 | 0:24:05 | |
-All right. -Good. | 0:24:07 | 0:24:09 | |
Oh, and, Arthur... | 0:24:13 | 0:24:15 | |
In future, it's not always right to listen to Linda. | 0:24:17 | 0:24:21 | |
-Yeah? -Yeah. | 0:24:21 | 0:24:22 | |
It's full of gypsies and blacks. | 0:24:31 | 0:24:33 | |
Grace says he exports automobiles to the colonies. | 0:24:33 | 0:24:36 | |
Pol, now. | 0:24:40 | 0:24:41 | |
So, what does he say? | 0:24:46 | 0:24:48 | |
He won't meet you unless you give us the name. | 0:24:48 | 0:24:51 | |
What name? | 0:24:51 | 0:24:53 | |
We were told to ask for a code name when contact was made. | 0:24:53 | 0:24:56 | |
Constantine. | 0:24:59 | 0:25:00 | |
The code is Constantine. | 0:25:00 | 0:25:02 | |
Tommy said no racing, no gambling. | 0:25:10 | 0:25:13 | |
Yeah, he's changed his mind. Right! | 0:25:13 | 0:25:15 | |
Don't worry, Finn, OK? | 0:25:15 | 0:25:16 | |
Cavalry boys ride like a sack of stones. | 0:25:16 | 0:25:19 | |
John, there's an awful lot of King's shillings around here today. | 0:25:19 | 0:25:23 | |
Now, out of loyalty to the regiment, | 0:25:23 | 0:25:25 | |
they'll all be putting their money on this bad boy that I filled up | 0:25:25 | 0:25:28 | |
with morphine and water. | 0:25:28 | 0:25:30 | |
Here, Tommy's all right if I do the book, is he? | 0:25:30 | 0:25:33 | |
He said betting's OK, | 0:25:33 | 0:25:35 | |
but all proceeds go to the Shelby Foundation charity. | 0:25:35 | 0:25:38 | |
This charity of his for real, then? | 0:25:38 | 0:25:40 | |
He says he wants to be seen giving back to the poor of Birmingham. | 0:25:40 | 0:25:43 | |
That'll be me, John. Myself, if I can't earn a shilling here tonight. | 0:25:43 | 0:25:47 | |
-Huh? -They'll make him fucking Lord Mayor next. | 0:25:47 | 0:25:50 | |
-That's the idea, Charlie boy. -Fucking hell. | 0:25:50 | 0:25:54 | |
Right. All you lot make as much noise and fuss as you can. | 0:25:54 | 0:25:58 | |
Especially fucking you. | 0:25:58 | 0:25:59 | |
Ah. So, we're a fucking distraction, John, is it? | 0:25:59 | 0:26:02 | |
Tommy's doing business on a night he should be just fucking. | 0:26:02 | 0:26:07 | |
Right, place your bets with me. Your favourites. Your favourites. | 0:26:07 | 0:26:11 | |
Come on, boys. | 0:26:11 | 0:26:13 | |
Cos I hope my wife's friend doesn't fall off the fucking horse. | 0:26:13 | 0:26:16 | |
Come on! | 0:26:16 | 0:26:18 | |
For charity?! | 0:26:18 | 0:26:19 | |
Shut up. | 0:26:19 | 0:26:21 | |
Ah, you found it. | 0:26:25 | 0:26:27 | |
We nearly gave up. | 0:26:27 | 0:26:29 | |
Did he tell you what my business with him is? | 0:26:37 | 0:26:40 | |
The same shit the Turks used to smoke. | 0:26:45 | 0:26:49 | |
I wonder, why does he trust his aunt more than his brothers? | 0:26:49 | 0:26:53 | |
Go and watch the race, boys. | 0:26:58 | 0:27:00 | |
The Turk's clean. | 0:27:02 | 0:27:03 | |
-I am Russian. -Same fucking thing. | 0:27:06 | 0:27:10 | |
So you make contact on my wedding day. | 0:27:31 | 0:27:34 | |
You now have very powerful enemies, | 0:27:34 | 0:27:36 | |
at the Soviet Embassy and within your own government. | 0:27:36 | 0:27:39 | |
You are being watched - | 0:27:39 | 0:27:41 | |
at your house, your office, | 0:27:41 | 0:27:44 | |
your clubs, your bars. | 0:27:44 | 0:27:47 | |
You best be quick or I'll be missed. Where's the money? | 0:27:47 | 0:27:50 | |
The Duke's niece is bringing it from London. | 0:27:50 | 0:27:52 | |
I was told money on contact. | 0:27:54 | 0:27:57 | |
10,000 in US dollars. | 0:27:57 | 0:27:58 | |
My employer only trusts members of his family with cash. | 0:28:00 | 0:28:03 | |
She will be at Snow Hill Station at ten o'clock. | 0:28:03 | 0:28:06 | |
A woman alone in Birmingham with 10,000 in cash. | 0:28:09 | 0:28:15 | |
She also has a revolver. | 0:28:15 | 0:28:17 | |
-Oh, I see. -I thought you trusted women. | 0:28:17 | 0:28:19 | |
I don't trust Birmingham. I'll have her picked up. | 0:28:19 | 0:28:22 | |
-By who? -By the police, pal. | 0:28:22 | 0:28:24 | |
This is our city. | 0:28:26 | 0:28:27 | |
Fucking beautiful horse, Tom. | 0:28:48 | 0:28:50 | |
Beautiful. | 0:28:52 | 0:28:54 | |
-He's a natural, that boy. -Yeah. Good posture. | 0:28:54 | 0:28:57 | |
-Rides like Dad. -Right, listen to me. | 0:28:57 | 0:28:59 | |
Tell Johnny Dogs and his boys to light a fire in the woods. | 0:28:59 | 0:29:03 | |
A big one, to take meat. | 0:29:03 | 0:29:05 | |
Send Finn to watch the gates. Moss is bringing someone. | 0:29:06 | 0:29:09 | |
You don't? | 0:29:16 | 0:29:17 | |
I just needed to bring you somewhere nobody could see. | 0:29:20 | 0:29:22 | |
But your friend gave this to me. He said you all did it. | 0:29:22 | 0:29:25 | |
Not me. But it's all right. | 0:29:26 | 0:29:29 | |
Go on. | 0:29:29 | 0:29:30 | |
I see you don't either. | 0:29:37 | 0:29:38 | |
Don't be silly. Everyone does. | 0:29:39 | 0:29:41 | |
-So go on, then. Cut the snow. -We call it Tokyo. | 0:29:41 | 0:29:45 | |
We call it whatever the customer calls it. | 0:29:45 | 0:29:47 | |
In London we were told you were all gangsters. | 0:29:47 | 0:29:50 | |
So that's why you got on the train to dirty old Birmingham. | 0:29:52 | 0:29:56 | |
For a dirty old night. | 0:29:56 | 0:29:58 | |
-You don't look like the others. -That's the idea. | 0:30:01 | 0:30:04 | |
I put it all together but I don't partake. | 0:30:05 | 0:30:08 | |
See, I've got a bright future, you see? | 0:30:09 | 0:30:12 | |
Mapped out. | 0:30:14 | 0:30:16 | |
But you want me to be like them, don't you? | 0:30:21 | 0:30:23 | |
There's a cavalry officer stationed in Ceylon. | 0:30:30 | 0:30:32 | |
When his tour of duty ends in March, we will be engaged. | 0:30:32 | 0:30:35 | |
So I have a bright future too. | 0:30:37 | 0:30:42 | |
Mapped out. | 0:30:42 | 0:30:43 | |
But you want to try things first. | 0:30:44 | 0:30:46 | |
SHE SNORTS | 0:30:56 | 0:30:59 | |
HE CHUCKLES | 0:30:59 | 0:31:01 | |
SHE LAUGHS | 0:31:01 | 0:31:03 | |
No. Keep it. | 0:31:08 | 0:31:10 | |
As if I were a whore. | 0:31:11 | 0:31:12 | |
If that's the game you want to play... | 0:31:17 | 0:31:19 | |
Polly. | 0:31:41 | 0:31:43 | |
Hello, Grace. | 0:31:43 | 0:31:45 | |
You look absolutely beautiful. | 0:31:47 | 0:31:49 | |
Welcome to the family. | 0:31:51 | 0:31:53 | |
Oh, I see. Tommy's orders. | 0:31:55 | 0:31:57 | |
No upsets tonight. | 0:31:58 | 0:32:00 | |
Your hair, everything. Beautiful. | 0:32:00 | 0:32:03 | |
Do you know where he is? | 0:32:05 | 0:32:07 | |
Yes. | 0:32:07 | 0:32:09 | |
Yes, I do. | 0:32:09 | 0:32:11 | |
You know, Tommy really wants to keep certain things a secret from me. | 0:32:12 | 0:32:15 | |
But it's very hard when you're man and wife. | 0:32:17 | 0:32:19 | |
We were late coming down because we were having sex. | 0:32:19 | 0:32:22 | |
Afterwards he told me everything. | 0:32:22 | 0:32:24 | |
Royalist Russians buying weapons to fight the Bolsheviks in Georgia. | 0:32:27 | 0:32:31 | |
A lost cause, Tommy says. | 0:32:34 | 0:32:36 | |
Churchill is the go-between but it's against government policy | 0:32:37 | 0:32:41 | |
so everything must be kept a secret. | 0:32:41 | 0:32:43 | |
You know it's begun. | 0:32:49 | 0:32:51 | |
They started the business tonight. | 0:32:54 | 0:32:56 | |
No. | 0:33:02 | 0:33:03 | |
I didn't. | 0:33:05 | 0:33:06 | |
But you just told me, so thank you. | 0:33:08 | 0:33:10 | |
Let's not forget, I used to do this for a living. | 0:33:14 | 0:33:17 | |
Oh, I haven't forgotten, sweetheart. | 0:33:19 | 0:33:21 | |
It's only Thomas that's forgotten what you are. | 0:33:22 | 0:33:25 | |
Ladies and gentlemen. | 0:33:25 | 0:33:28 | |
The bride and the groom will now dance alone. | 0:33:28 | 0:33:31 | |
CHEERING AND APPLAUSE | 0:33:31 | 0:33:33 | |
SWING MUSIC | 0:33:38 | 0:33:40 | |
Polly just told me there's business being done. | 0:33:45 | 0:33:48 | |
I didn't ask them to come. | 0:33:52 | 0:33:54 | |
Tommy, please don't let anything happen tonight. | 0:33:55 | 0:33:58 | |
Just get this business done and get away from things like this. | 0:34:02 | 0:34:07 | |
I'll run the foundation, | 0:34:09 | 0:34:12 | |
you run the tracks and sell cars. | 0:34:12 | 0:34:14 | |
Promise me. Hm? | 0:34:19 | 0:34:22 | |
A wedding vow. | 0:34:24 | 0:34:25 | |
I promise. | 0:34:26 | 0:34:28 | |
No guns in the house and Charles will never see one. | 0:34:29 | 0:34:33 | |
I love you, Thomas Shelby. | 0:34:36 | 0:34:37 | |
You keep us safe. | 0:34:39 | 0:34:42 | |
I love you. | 0:34:42 | 0:34:44 | |
And I promise I will make us safe. | 0:34:44 | 0:34:47 | |
Ladies and gentlemen, you may now join. | 0:34:53 | 0:34:55 | |
Gatehouse. Come on. | 0:35:10 | 0:35:12 | |
Tommy, Arthur, Collins, | 0:35:25 | 0:35:30 | |
may I introduce you to the Grand Duchess Tatiana Petrovna... | 0:35:30 | 0:35:35 | |
..from Tbilisi, Georgia? | 0:35:36 | 0:35:38 | |
Grand Duchess, may I introduce you to the Shelby brothers? | 0:35:39 | 0:35:44 | |
Small Heath, Birmingham. | 0:35:44 | 0:35:46 | |
And, erm, good luck with this one, Tom. | 0:35:49 | 0:35:52 | |
Give me the money. | 0:35:57 | 0:35:58 | |
I was told to give it to Mr Kaledin. | 0:36:00 | 0:36:03 | |
Whoever it is up there, he gave the wrong name. | 0:36:03 | 0:36:06 | |
We asked him the name and he gave the wrong one. | 0:36:07 | 0:36:11 | |
-What name did he give? -No. | 0:36:11 | 0:36:13 | |
I don't trust any of you. | 0:36:15 | 0:36:17 | |
Now you give me the money. | 0:36:18 | 0:36:20 | |
I know Mr Kaledin by sight from Tbilisi. Is his hair dark? | 0:36:22 | 0:36:25 | |
The instructions I was given was anyone using the wrong | 0:36:25 | 0:36:29 | |
code name was an infiltrator for the Soviet Embassy. | 0:36:29 | 0:36:32 | |
Just let me go to the house. | 0:36:33 | 0:36:35 | |
I do not want this shit anywhere near my fucking house. | 0:36:35 | 0:36:38 | |
All I know is no variations. | 0:36:43 | 0:36:46 | |
That's from Churchill himself. | 0:36:46 | 0:36:49 | |
Whoever is up at the house, he gave the wrong fucking name. | 0:36:49 | 0:36:52 | |
And you do this to me on my fucking wedding day. | 0:36:55 | 0:36:59 | |
The money is in the car, Mr Shelby. | 0:37:02 | 0:37:04 | |
Fetch it out and count it. | 0:37:05 | 0:37:07 | |
Good. Finn. | 0:37:09 | 0:37:11 | |
Yeah. We're good. | 0:37:31 | 0:37:33 | |
You can go. Moss. | 0:37:35 | 0:37:37 | |
Can you do it? | 0:37:37 | 0:37:39 | |
Can you kill? | 0:37:41 | 0:37:43 | |
Moss, you take the Duchess back to Birmingham. | 0:37:47 | 0:37:53 | |
Righto, Tom. | 0:37:54 | 0:37:56 | |
Go on, love. | 0:37:56 | 0:37:58 | |
That's right. | 0:38:01 | 0:38:03 | |
You've got to tell me the reason, | 0:38:09 | 0:38:11 | |
otherwise I'll never be able to trust you. | 0:38:11 | 0:38:13 | |
The truth is... | 0:38:15 | 0:38:16 | |
..that I slept with the wife of one of the colonels who sat for me. | 0:38:18 | 0:38:22 | |
But that was 12 years ago... | 0:38:22 | 0:38:24 | |
..and the aristocracy don't believe in forgiveness. | 0:38:26 | 0:38:29 | |
Neither do the Shelbys. | 0:38:33 | 0:38:35 | |
So we kill him? | 0:38:52 | 0:38:54 | |
He's a Red. | 0:38:54 | 0:38:56 | |
We're being paid by the Whites. It's part of the contract. | 0:38:58 | 0:39:01 | |
Contract! | 0:39:01 | 0:39:02 | |
We should never have got into this, Tom. | 0:39:06 | 0:39:09 | |
There was no choice. | 0:39:09 | 0:39:11 | |
A factory break-in, that's what you said. | 0:39:12 | 0:39:17 | |
Yeah, that's what it is. | 0:39:17 | 0:39:19 | |
There's some shit that goes with it. | 0:39:21 | 0:39:23 | |
And who shovels it? Hm? | 0:39:30 | 0:39:33 | |
Who fucking shovels it? Eh? | 0:39:36 | 0:39:39 | |
-I fucking know. -Arthur. | 0:39:41 | 0:39:43 | |
-I fucking know. -Arthur... | 0:39:43 | 0:39:45 | |
There's ten times where that's coming from, ten times, | 0:39:47 | 0:39:50 | |
for lifting vehicles off a fucking shop floor. | 0:39:50 | 0:39:53 | |
Vehicles, Tommy. Fucking vehicles. | 0:39:53 | 0:39:55 | |
Nothing about tanks. | 0:39:55 | 0:39:57 | |
Arthur, you listen to me. | 0:39:57 | 0:40:00 | |
You listen to me, all right? | 0:40:00 | 0:40:02 | |
There are powerful people in this country | 0:40:02 | 0:40:04 | |
who want to help these mad bastards, | 0:40:04 | 0:40:06 | |
including the King, Churchill and half the fucking Tory party. | 0:40:06 | 0:40:09 | |
And if we refuse, Arthur, if we fucking refuse, | 0:40:09 | 0:40:13 | |
they will see to it that we hang for all of our many sins. | 0:40:13 | 0:40:17 | |
Now, we've never earned money like this. Never. | 0:40:17 | 0:40:20 | |
We'll use it to buy the wharf at Boston docks. | 0:40:20 | 0:40:24 | |
That's why I've asked for dollars. | 0:40:24 | 0:40:26 | |
And when it's done it's business as usual. | 0:40:27 | 0:40:30 | |
Come on, brother. It's my wedding night. | 0:40:38 | 0:40:41 | |
-Where's John? -Looking for Esme. -Right. | 0:40:48 | 0:40:52 | |
Ruben Oliver. Portrait artist. | 0:40:52 | 0:40:54 | |
I really enjoyed the depiction of you in the dining room. | 0:40:54 | 0:40:57 | |
Nice to meet you, Mr Oliver. | 0:41:09 | 0:41:11 | |
-Danny, ragtime. -ROCK MUSIC | 0:41:17 | 0:41:20 | |
So, where were we? | 0:42:19 | 0:42:21 | |
-Crimea. -I mean before I bored you with war. | 0:42:21 | 0:42:25 | |
-SHE GIGGLES -Politics. -Yes. | 0:42:25 | 0:42:28 | |
You are the only one in your family who is a communist. | 0:42:30 | 0:42:34 | |
Some of them are, they just don't know it. | 0:42:34 | 0:42:37 | |
And you are very close family, yes? | 0:42:38 | 0:42:41 | |
Mm, always within punching distance. | 0:42:41 | 0:42:43 | |
What does that mean? | 0:42:44 | 0:42:46 | |
It means yeah, we're a close family. | 0:42:46 | 0:42:49 | |
HE SIGHS | 0:42:53 | 0:42:55 | |
Arthur? | 0:43:02 | 0:43:04 | |
I do apologise for the interruption. | 0:43:05 | 0:43:07 | |
There is a woman here to see you, Mr Kaledin. | 0:43:10 | 0:43:13 | |
She just arrived. | 0:43:13 | 0:43:15 | |
-So Tatiana made it from London safely? -Yes. | 0:43:37 | 0:43:41 | |
-Where is she? -Out by the stables. | 0:43:41 | 0:43:43 | |
Can I use the lavatory? | 0:43:54 | 0:43:56 | |
You can piss outside... | 0:44:03 | 0:44:05 | |
..by the stables. | 0:44:07 | 0:44:09 | |
HEAVY BLOWS | 0:44:22 | 0:44:24 | |
SHOUTS DROWN SPEECH | 0:44:24 | 0:44:28 | |
HE GROANS | 0:44:28 | 0:44:30 | |
Very sensible idea, Mr Shelby. | 0:44:48 | 0:44:51 | |
Clear the air away from the ladies. | 0:44:51 | 0:44:53 | |
We are rather like generals here, aren't we? | 0:44:56 | 0:44:59 | |
Watching our men do battle. | 0:44:59 | 0:45:01 | |
We are a bit too close to the fighting to be generals, surely. | 0:45:01 | 0:45:04 | |
SCREAMING | 0:45:15 | 0:45:17 | |
DISCORDANT MUSIC | 0:45:21 | 0:45:23 | |
SHOUTS OF ENCOURAGEMENT | 0:45:23 | 0:45:25 | |
You know, Mr Shelby, some of us only agreed to come today | 0:45:31 | 0:45:34 | |
to bless this union because of your exemplary war record. | 0:45:34 | 0:45:38 | |
But as Grace's uncle, and a kind of father to her for many years... | 0:45:38 | 0:45:43 | |
..I am still deeply uneasy about the many stories of corruption | 0:45:45 | 0:45:51 | |
and violence. | 0:45:51 | 0:45:52 | |
CRUNCHING | 0:45:52 | 0:45:54 | |
SHOUTS | 0:45:54 | 0:45:56 | |
Drink the fucking wine and smile. | 0:45:59 | 0:46:02 | |
That's what I'm doing. | 0:46:03 | 0:46:04 | |
Oh, you got me good there. | 0:46:10 | 0:46:12 | |
HE GROWLS | 0:46:12 | 0:46:14 | |
Oh, you fucking bastard. | 0:46:16 | 0:46:18 | |
THEY SHOUT | 0:46:20 | 0:46:22 | |
DISCORDANT MUSIC | 0:46:27 | 0:46:29 | |
-Don't shoot. -No! | 0:46:52 | 0:46:54 | |
-For the love of God. Don't shoot. -No! | 0:46:54 | 0:46:57 | |
-No! -For the love of God! -No! No! No! No! No! | 0:46:57 | 0:47:02 | |
-No! -For the love of God! GUNSHOT | 0:47:02 | 0:47:05 | |
-What was that? -Probably just a car backfiring. | 0:47:05 | 0:47:09 | |
DISTORTED SHOUTS | 0:47:19 | 0:47:22 | |
It wasn't the day I was expecting. | 0:47:48 | 0:47:50 | |
Nor me. | 0:47:52 | 0:47:53 | |
But it's over now. | 0:47:57 | 0:47:58 | |
Tomorrow it'll be just us. | 0:48:00 | 0:48:02 | |
Come here. | 0:48:10 | 0:48:11 | |
RAISED VOICES IN DISTANCE | 0:48:20 | 0:48:22 | |
The water froze in my car. | 0:48:59 | 0:49:01 | |
They said I could stay. | 0:49:02 | 0:49:04 | |
I know this is preposterous. | 0:49:05 | 0:49:08 | |
Plenty of other rooms to stay in. | 0:49:09 | 0:49:11 | |
-Goodnight, Mr Oliver. -You have my card. | 0:49:16 | 0:49:18 | |
Any time you're in London we could have tea. | 0:49:19 | 0:49:23 | |
I went looking for you. | 0:49:58 | 0:50:00 | |
I thought you'd be in here. | 0:50:03 | 0:50:04 | |
I knew it. | 0:50:05 | 0:50:07 | |
I wanted to end with a bit of peace. | 0:50:08 | 0:50:10 | |
Look what I found. | 0:50:13 | 0:50:15 | |
It's beautiful. Thanks. | 0:50:17 | 0:50:19 | |
Arthur, you mustn't worry about what happened with the speech. | 0:50:31 | 0:50:34 | |
What was in your heart was beautiful. | 0:50:39 | 0:50:42 | |
God hears all the speeches that don't get said. | 0:50:48 | 0:50:51 | |
And isn't it nice to still be yourself at this time of night? | 0:50:54 | 0:50:58 | |
Close your eyes, Arthur, and spend a minute thinking about that. | 0:51:03 | 0:51:07 | |
# Come on | 0:51:09 | 0:51:11 | |
# Come on... # | 0:51:13 | 0:51:15 | |
There. | 0:51:15 | 0:51:17 | |
# You think you drive me crazy well | 0:51:17 | 0:51:23 | |
# Come on | 0:51:24 | 0:51:26 | |
# Come on CHILD WAILS | 0:51:27 | 0:51:31 | |
# You and whose army? HE MUTTERS | 0:51:31 | 0:51:36 | |
# You and your cronies | 0:51:38 | 0:51:43 | |
-# Come on... # -Shh. | 0:51:45 | 0:51:49 | |
# Come on | 0:51:49 | 0:51:52 | |
# Holy Roman Empire | 0:51:52 | 0:51:57 | |
# Come on if you think | 0:51:59 | 0:52:03 | |
# Come on if you think | 0:52:03 | 0:52:06 | |
# You can take us all on | 0:52:06 | 0:52:14 | |
# You can take us all on | 0:52:14 | 0:52:20 | |
# You and whose army? | 0:52:28 | 0:52:32 | |
# You and your cronies | 0:52:42 | 0:52:46 | |
# You forget so easily | 0:52:52 | 0:52:58 | |
# We ride tonight | 0:53:06 | 0:53:10 | |
# We ride tonight | 0:53:12 | 0:53:17 | |
# Ghost horses | 0:53:19 | 0:53:24 | |
# Ghost horses | 0:53:26 | 0:53:32 | |
# We ride tonight | 0:53:32 | 0:53:39 | |
# Ghost horses | 0:53:39 | 0:53:44 | |
# Ghost horses | 0:53:45 | 0:53:50 | |
# We ride tonight MUSIC DROWNS SPEECH | 0:53:52 | 0:53:58 | |
# We ride tonight | 0:53:59 | 0:54:04 | |
# Ghost horses | 0:54:06 | 0:54:11 | |
# Ghost horses | 0:54:12 | 0:54:18 | |
# Ghost horses. # | 0:54:20 | 0:54:25 | |
More money than all those fucking toffs put together, eh? | 0:54:34 | 0:54:40 | |
And you're willing to gamble it all on one robbery. | 0:54:40 | 0:54:43 | |
I'm a gambling man, Pol. | 0:54:45 | 0:54:47 | |
# Take a little walk to the edge of town | 0:55:04 | 0:55:08 | |
# And go across the tracks | 0:55:08 | 0:55:10 | |
# Where the viaduct looms, like a bird of doom | 0:55:12 | 0:55:16 | |
# As it shifts and cracks | 0:55:16 | 0:55:19 | |
# On a gathering storm comes a tall handsome man | 0:55:21 | 0:55:25 | |
# In a dusty black coat with a red right hand. # | 0:55:25 | 0:55:29 |