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This programme contains strong language. | 0:00:02 | 0:00:03 | |
This year is the 70th anniversary of the Edinburgh Festival | 0:00:03 | 0:00:06 | |
and there are over 3,000 shows performing at the fringe. | 0:00:06 | 0:00:08 | |
One of those is by theatre company Eggs Collective, | 0:00:08 | 0:00:10 | |
who, like me, are no strangers to the festival. | 0:00:10 | 0:00:12 | |
They've been performing their show, Get A Round, | 0:00:12 | 0:00:14 | |
live on stage, every night, here at Summerhall | 0:00:14 | 0:00:17 | |
and what you're about to see is a special version, | 0:00:17 | 0:00:19 | |
filmed in the Star & Garter in their home town of Manchester, | 0:00:19 | 0:00:23 | |
a city that prides itself on generosity of spirit | 0:00:23 | 0:00:25 | |
and having a good time. | 0:00:25 | 0:00:27 | |
It's an homage to the boozer, to friendship and the glory of finding | 0:00:27 | 0:00:31 | |
salvation around sticky tables and ripped-open crisp packets. | 0:00:31 | 0:00:35 | |
It's part of a strand called Performance Live, | 0:00:35 | 0:00:38 | |
bringing shows produced by some of today's most exciting | 0:00:38 | 0:00:40 | |
artists to the small screen. | 0:00:40 | 0:00:43 | |
As with any big night out, expect strong language, politics and pints. | 0:00:43 | 0:00:47 | |
But luckily, you won't have to queue for a taxi at the end. | 0:00:47 | 0:00:50 | |
Welcome to Manchester. | 0:00:55 | 0:00:57 | |
We're Eggs Collective | 0:00:57 | 0:00:58 | |
and tonight, we're taking you on a massive night out. | 0:00:58 | 0:01:01 | |
Because, let's face it, the world needs one at the minute. | 0:01:01 | 0:01:04 | |
Before we get started, | 0:01:04 | 0:01:05 | |
here are our three golden rules for an epic night out... | 0:01:05 | 0:01:09 | |
Rule number one... | 0:01:10 | 0:01:11 | |
If you haven't got the money, it doesn't matter, | 0:01:14 | 0:01:16 | |
accept a drink and don't bang on about it. | 0:01:16 | 0:01:19 | |
Rule number two... | 0:01:19 | 0:01:20 | |
And by that we mean there's no half-measures tonight. | 0:01:22 | 0:01:25 | |
And rule number three... | 0:01:25 | 0:01:27 | |
And that, my friends, is it. | 0:01:29 | 0:01:30 | |
Ready? First round's on us! | 0:01:32 | 0:01:34 | |
ALL: Manchester! Open or closed?! | 0:01:36 | 0:01:38 | |
LOUD CHEERING | 0:01:38 | 0:01:39 | |
MUSIC: I Get Around by the Beach Boys | 0:01:39 | 0:01:41 | |
Yes! | 0:01:50 | 0:01:51 | |
This is our game, it's called Open Or Closed | 0:01:51 | 0:01:54 | |
and we always play it. | 0:01:54 | 0:01:55 | |
Whatever's going on out there, you can forget it all, | 0:01:55 | 0:01:57 | |
come in here and be open with us. | 0:01:57 | 0:02:00 | |
Whoo! | 0:02:00 | 0:02:01 | |
Absolutely brilliant. You guys are bloody powerful. | 0:02:01 | 0:02:05 | |
As our dear friend Michael Barrymore would say, | 0:02:06 | 0:02:08 | |
you guys are our kind of people. | 0:02:08 | 0:02:11 | |
I think tonight is going to be certifiably massive. | 0:02:12 | 0:02:15 | |
-Tonight could be the night we start a revolution, right? -Yeah! | 0:02:15 | 0:02:19 | |
An amazing night where we ruin our best shoes, sweat Shiraz, | 0:02:19 | 0:02:23 | |
puke up salty chips, bang on, storm off and live like absolute dons. | 0:02:23 | 0:02:28 | |
Yes. Hey... | 0:02:28 | 0:02:29 | |
And I don't want to jinx it, but I think tonight, here, | 0:02:32 | 0:02:34 | |
with these guys, | 0:02:34 | 0:02:35 | |
it could be as big as the night we had Bristol Cream with Drake. | 0:02:35 | 0:02:39 | |
Or, Sara, the Night of the Three Wines? | 0:02:39 | 0:02:41 | |
-Oh... -Yeah? -Ah, that was a big night for you, wasn't it? | 0:02:41 | 0:02:45 | |
-You mad 'ead! -It was that. What am I like? | 0:02:45 | 0:02:49 | |
Or there could be a 7am trip to Timpson's, | 0:02:49 | 0:02:51 | |
like on the night of the padlocked scrotum. | 0:02:51 | 0:02:53 | |
Mm. | 0:02:53 | 0:02:55 | |
My nads are still stinging from that... | 0:02:55 | 0:02:57 | |
It could be anything, because right now, we're doing the bit | 0:02:58 | 0:03:01 | |
just before everything kicks off. | 0:03:01 | 0:03:03 | |
We're saying hello, we're checking our lippy, | 0:03:03 | 0:03:06 | |
we're fighting over who's going to get the first round in. | 0:03:06 | 0:03:08 | |
Think I'll leave them to it. | 0:03:08 | 0:03:10 | |
We don't know which way tonight's going to go. It could go any way. | 0:03:10 | 0:03:14 | |
Like, you didn't know on the morning of the Night of the Two | 0:03:14 | 0:03:17 | |
Brothers it was going to be the Night of the Two Brothers. | 0:03:17 | 0:03:19 | |
Like, at that point, you didn't even know they were related. | 0:03:19 | 0:03:22 | |
No! No idea. | 0:03:24 | 0:03:25 | |
-I mean, come to think of it, there was a family resemblance, but... -Yeah, but you didn't KNOW. | 0:03:25 | 0:03:30 | |
Tonight could be one of those amazing nights | 0:03:30 | 0:03:32 | |
where everyone is somehow in the right mood. | 0:03:32 | 0:03:34 | |
Everyone's wearing shoes that they can dance in, | 0:03:34 | 0:03:37 | |
nobody's feeling tired, or hungry, | 0:03:37 | 0:03:39 | |
or sort of weirdly ashamed for some reason they don't understand. | 0:03:39 | 0:03:43 | |
And it could be wild! Like, in a few hours' time, | 0:03:43 | 0:03:46 | |
we could all be wildly swapping contact lenses. | 0:03:46 | 0:03:49 | |
Now, it is a good job you lot are up for it, | 0:03:49 | 0:03:52 | |
because tonight is going to be a game-changer. | 0:03:52 | 0:03:55 | |
Yes, it is. | 0:03:55 | 0:03:56 | |
-MUSIC IN BACKGROUND -Tonight is going to be a game-changer, right? | 0:03:56 | 0:03:59 | |
Hey, we've all got problems, | 0:03:59 | 0:04:01 | |
but we're going to leave those out there. | 0:04:01 | 0:04:02 | |
I'm not going to let them seep in. Not tonight. Right? | 0:04:02 | 0:04:06 | |
And they don't know it, but I've got a plan. I'm going to save them. | 0:04:06 | 0:04:10 | |
And I'll save you. | 0:04:10 | 0:04:11 | |
MUSIC STOPS | 0:04:11 | 0:04:12 | |
And then, I'm going to get cheesy chips on the way home. | 0:04:12 | 0:04:15 | |
Now, we can't have a massive night out, just the three of us. | 0:04:17 | 0:04:20 | |
-Believe me, we've tried. -It does not work. Doesn't work. | 0:04:20 | 0:04:23 | |
Tonight, we are going to need everybody. | 0:04:23 | 0:04:26 | |
In fact, we've come up with a list of all the people we need for a big | 0:04:26 | 0:04:30 | |
night out, and, Manchester, I think you'll find... | 0:04:30 | 0:04:35 | |
it's been laminated. | 0:04:35 | 0:04:37 | |
WHOOPING AND CHEERING | 0:04:37 | 0:04:39 | |
Now, you know who these people are, don't worry about it, | 0:04:41 | 0:04:44 | |
you've met them a million times before on every night out you've | 0:04:44 | 0:04:46 | |
ever been on, so let's see who we've got in, shall we? | 0:04:46 | 0:04:49 | |
This is the part of the night where you meet everyone properly. | 0:04:49 | 0:04:52 | |
You're all polite now, "Ooh, how's your week been?" | 0:04:52 | 0:04:55 | |
And "Ooh, what is it you do?" | 0:04:55 | 0:04:57 | |
But give it five minutes | 0:04:57 | 0:04:58 | |
and this lot will be in each other's arms, | 0:04:58 | 0:05:00 | |
channelling their inner bears on the dance floor. | 0:05:00 | 0:05:03 | |
So, first up, we are going to need someone | 0:05:03 | 0:05:06 | |
to be our Charlie Chuck-up for the evening. | 0:05:06 | 0:05:08 | |
That's the person who's going to spend half the night in the loos. Any takers? | 0:05:08 | 0:05:13 | |
Over here, Lowri, in the corner. | 0:05:13 | 0:05:16 | |
CHEERING | 0:05:16 | 0:05:17 | |
APPLAUSE | 0:05:17 | 0:05:19 | |
-Now, we need a small group of Pervs. -Oh, that is actually what | 0:05:19 | 0:05:22 | |
is known as a frottage of pervs. | 0:05:22 | 0:05:25 | |
Yeah, that is the collective noun. | 0:05:25 | 0:05:26 | |
I think you guys. | 0:05:26 | 0:05:29 | |
Good. Thank you. | 0:05:31 | 0:05:32 | |
-Oh, now, we have got The Glitterball. -Here! | 0:05:32 | 0:05:35 | |
-This Disco Is Making Me Political. -Here! | 0:05:35 | 0:05:38 | |
And the Archbishop of Banterbury. Oi! Oi! That's me! | 0:05:38 | 0:05:41 | |
What am I like?! | 0:05:41 | 0:05:42 | |
I have got some absolute classics lined up for you tonight. | 0:05:42 | 0:05:46 | |
I've got bants in my pants. | 0:05:46 | 0:05:48 | |
Right, you lot, gather round. Here's a cheeky little chronicle | 0:05:49 | 0:05:52 | |
from the old bibliotheque. | 0:05:52 | 0:05:54 | |
-I went out this one night, right? I was... -Fantastic! | 0:05:54 | 0:05:57 | |
But we are just doing the list, so if you could see your way | 0:05:57 | 0:06:00 | |
to putting the bants back in your pants for now, | 0:06:00 | 0:06:02 | |
that would be great. | 0:06:02 | 0:06:04 | |
Thanks, Archbishop. All right, | 0:06:04 | 0:06:05 | |
-now we need Hugh Watt. -You what? | 0:06:05 | 0:06:08 | |
Hugh Watt, yeah, is the person who isn't quite with it. | 0:06:08 | 0:06:12 | |
Isn't quite with it, for some reason. | 0:06:12 | 0:06:14 | |
Maybe he had a few too many drinks early doors or maybe it's something | 0:06:14 | 0:06:17 | |
else, but basically, they need everything explaining | 0:06:17 | 0:06:20 | |
to them a few times, OK? | 0:06:20 | 0:06:22 | |
All right, so, Hugh, babe, listen. | 0:06:22 | 0:06:25 | |
What we're doing here - yeah - | 0:06:27 | 0:06:29 | |
is a list of people that we need on the night out, yeah? | 0:06:29 | 0:06:33 | |
Right. | 0:06:33 | 0:06:34 | |
Yeah. | 0:06:34 | 0:06:36 | |
We're having a massive night out. | 0:06:37 | 0:06:38 | |
Right. | 0:06:38 | 0:06:39 | |
Yes, he's got it! Whay! | 0:06:39 | 0:06:41 | |
Can I get a Sam from Accounts? | 0:06:41 | 0:06:44 | |
Hi, Sam. | 0:06:44 | 0:06:46 | |
And a Prisoner of Chatskaban. OK, I'll demonstrate. | 0:06:47 | 0:06:50 | |
OK, when somebody puts you in the prison of Chatskaban, | 0:06:50 | 0:06:55 | |
they start talking to you. They lock you with eye contact | 0:06:55 | 0:06:57 | |
and, before you know it, you're trapped. You have never met | 0:06:57 | 0:07:00 | |
this person before, but they keep talking to you and you are thinking, | 0:07:00 | 0:07:03 | |
"Why me? What have I done to deserve this?" You're looking round, | 0:07:03 | 0:07:06 | |
-seeing what else is going on in the room. -She's latched. | 0:07:06 | 0:07:09 | |
Now, we need the Emphatic Huggers. | 0:07:09 | 0:07:11 | |
Well, we are all going to do that one, all right? | 0:07:11 | 0:07:14 | |
Not just yet. | 0:07:14 | 0:07:15 | |
Bit early. But you'll know when the time is right. So, until then, | 0:07:15 | 0:07:18 | |
Pervs, keep your hands to yourselves. | 0:07:18 | 0:07:21 | |
Yeah, where I can see 'em. | 0:07:22 | 0:07:24 | |
And, last but not least, we need a DJ No Requests, so... | 0:07:25 | 0:07:30 | |
Hey. | 0:07:33 | 0:07:34 | |
Erm...have you got any of Mick Hucknall's solo stuff? | 0:07:34 | 0:07:39 | |
MUSIC: Atomic by Blondie | 0:07:40 | 0:07:43 | |
TRIO CHEER WILDLY | 0:07:43 | 0:07:48 | |
Wait, wait, wait, wait... | 0:07:48 | 0:07:50 | |
-Stop, stop, stop, stop. -MUSIC STOPS | 0:07:50 | 0:07:52 | |
OK, Hugh... | 0:07:52 | 0:07:53 | |
do you get it? | 0:07:53 | 0:07:55 | |
I'll explain. | 0:07:55 | 0:07:56 | |
So, what happened was, Lowri said to him, | 0:07:56 | 0:07:58 | |
"DJ No Requests." Then, she asked for Mick Hucknall's solo stuff... | 0:07:58 | 0:08:02 | |
-Mm-hm. -..but he played... | 0:08:02 | 0:08:05 | |
A different song. | 0:08:05 | 0:08:06 | |
Good. | 0:08:06 | 0:08:07 | |
CHEERING AND APPLAUSE | 0:08:09 | 0:08:11 | |
MUSIC: Atomic by Blondie | 0:08:11 | 0:08:16 | |
I love this bit. It's about two drinks in, all right? | 0:08:21 | 0:08:24 | |
And everybody's glowing - and not in a wholesome way. | 0:08:24 | 0:08:27 | |
We are shaking off the shitstorm now. I can't even remember who | 0:08:27 | 0:08:31 | |
Katie Hopkins is any more. | 0:08:31 | 0:08:32 | |
Anyone sitting here? | 0:08:32 | 0:08:34 | |
It's all getting a bit wavy in here, if you know what I mean. | 0:08:36 | 0:08:39 | |
Last time I felt like this, it was the Night of the Three Wines. | 0:08:39 | 0:08:42 | |
Oh, my God. | 0:08:42 | 0:08:43 | |
Have I told you about that one? | 0:08:43 | 0:08:45 | |
No, you don't know about the Night of the Three Wines. | 0:08:46 | 0:08:49 | |
Right, budge up. You're going to love this one. | 0:08:49 | 0:08:51 | |
So, I went out this one night, right, and I've got on this | 0:08:51 | 0:08:55 | |
brand-new blue dress and a necklace that was so massive | 0:08:55 | 0:08:58 | |
I looked just like the bloody Lord Mayor of Wetherspoon's, | 0:08:58 | 0:09:02 | |
whatever he's called. You know him, don't you? She knows him. | 0:09:02 | 0:09:04 | |
Right. So I'm out, right, and I've got on, like, | 0:09:04 | 0:09:07 | |
-you know that... -Right, this is the part of the night where suddenly | 0:09:07 | 0:09:10 | |
all conversations fizzle out at the same time and everyone | 0:09:10 | 0:09:13 | |
in the pub is listening to the one person who is telling | 0:09:13 | 0:09:15 | |
an absolutely mad anecdote. | 0:09:15 | 0:09:18 | |
I've had not five, not four, but three small wines - | 0:09:18 | 0:09:20 | |
and I'm on the floor. | 0:09:20 | 0:09:21 | |
One sniff of the barman's apron, as me dad would say. | 0:09:23 | 0:09:25 | |
So, I'm lying on the floor, right, | 0:09:25 | 0:09:27 | |
worshipping at the old porcelain throne, if you get me, mate. | 0:09:27 | 0:09:30 | |
Banter. | 0:09:31 | 0:09:32 | |
Well, almost everyone... Chatskaban. | 0:09:33 | 0:09:36 | |
We are so much more than our names written in felt tip | 0:09:36 | 0:09:40 | |
on the side of a paper cup. | 0:09:40 | 0:09:42 | |
Three small wines and I am launching my guts up into the bog. | 0:09:43 | 0:09:47 | |
Classic. What am I like?! And then, my mates are in the cubicle with me. | 0:09:47 | 0:09:50 | |
They've come to see the show. | 0:09:50 | 0:09:52 | |
Those paper cups. Half the country's drinking out of them | 0:09:52 | 0:09:55 | |
and the other half's begging out of them. | 0:09:55 | 0:09:57 | |
And my mates are like, | 0:09:57 | 0:09:58 | |
"What are you like? You absolute legend. | 0:09:58 | 0:10:01 | |
"We have seen some top-quality mash-heads in our time, | 0:10:01 | 0:10:06 | |
"but you, my friend, you are King of the goddamned Hill." | 0:10:06 | 0:10:11 | |
She's cracking up! Look at her! | 0:10:11 | 0:10:13 | |
Wait for it, mate, right? | 0:10:14 | 0:10:16 | |
Next thing I know, someone in the neighbouring cubicle | 0:10:16 | 0:10:19 | |
pops their head over, right? They're like, | 0:10:19 | 0:10:21 | |
"Mate, pull her legs back under, will you?" | 0:10:21 | 0:10:23 | |
So, they do. You know how they wind in firemen's hoses? | 0:10:23 | 0:10:26 | |
She does. | 0:10:26 | 0:10:27 | |
So, there I was. Firmly wedged under the old influence, as they say. | 0:10:28 | 0:10:32 | |
And another thing, self-service check-outs?! | 0:10:32 | 0:10:35 | |
Hold that thought. | 0:10:35 | 0:10:37 | |
They really chap my arse. | 0:10:37 | 0:10:39 | |
Yeah. "Oh, thank you. | 0:10:41 | 0:10:42 | |
"I'll put that on my CV, shall I? A quick unpaid internship | 0:10:42 | 0:10:45 | |
"on my lunch hour." | 0:10:45 | 0:10:47 | |
Oh! This disco is making her political. | 0:10:47 | 0:10:50 | |
How do you explain a tax loophole to a child? | 0:10:51 | 0:10:54 | |
And...what happens if you like the sound of your own echo chamber? | 0:10:54 | 0:10:59 | |
Mm. Now, this isn't even politics. This is just common sense. | 0:10:59 | 0:11:03 | |
Why are there suddenly a lot of princesses everywhere? | 0:11:03 | 0:11:06 | |
And...is it just me or does everyone look a little bit more like | 0:11:06 | 0:11:10 | |
a porn star these days? | 0:11:10 | 0:11:12 | |
I mean, that's all right, isn't it? Cos that's a choice. | 0:11:12 | 0:11:14 | |
But what happens if the menu is a little bit shit? | 0:11:14 | 0:11:18 | |
Michelle Heaton is Mum of the Year. Nigel Farage has got a pint | 0:11:19 | 0:11:23 | |
in his hand, Jeremy Hunt has got the keys to the hospital | 0:11:23 | 0:11:26 | |
and Gary Barlow is salt of the Earth! | 0:11:26 | 0:11:29 | |
God, I need a wee! | 0:11:32 | 0:11:33 | |
What's she like? | 0:11:41 | 0:11:43 | |
This is exactly like the night, right, she was drinking | 0:11:44 | 0:11:47 | |
on antibiotics and then she took herself off for a little swim | 0:11:47 | 0:11:49 | |
in the Manchester Ship Canal. | 0:11:49 | 0:11:51 | |
BOTH: A legend. | 0:11:51 | 0:11:52 | |
-Yeah. -Yeah. | 0:11:52 | 0:11:54 | |
Right! | 0:11:54 | 0:11:55 | |
-Time for another round, methinks. -Yes. -Yes, ladies! -Yes, please! | 0:11:57 | 0:12:00 | |
OK. This will be hilarious. She thinks I'm getting her... | 0:12:00 | 0:12:03 | |
-..a large house white! -I'm going to get her a pint | 0:12:03 | 0:12:06 | |
of Baileys and lemonade, aka "the creamy curdler". | 0:12:06 | 0:12:10 | |
Thanks, mate! | 0:12:11 | 0:12:13 | |
If she gets me another bloody pint of Baileys and lemonade... | 0:12:13 | 0:12:16 | |
Hey, listen! Move up. Thank you. | 0:12:18 | 0:12:21 | |
Do you guys know what time it is now? I bet you don't, do you? | 0:12:21 | 0:12:25 | |
No? Well, don't worry, cos I do. | 0:12:25 | 0:12:28 | |
It is - wait for it - | 0:12:29 | 0:12:31 | |
karaoke time. | 0:12:31 | 0:12:32 | |
WHOOPING | 0:12:32 | 0:12:35 | |
It's our chance to shine, guys! | 0:12:35 | 0:12:37 | |
Maybe you want to get the whole pub going with a rendition | 0:12:39 | 0:12:42 | |
of Sweet Caroline. Or you might meet the love of your life | 0:12:42 | 0:12:45 | |
during a rendition of I Got You Babe. | 0:12:45 | 0:12:48 | |
I don't know. Or, perhaps... | 0:12:48 | 0:12:49 | |
DJ No Requests... | 0:12:49 | 0:12:51 | |
CLICKING FINGERS | 0:12:51 | 0:12:52 | |
..play my song. | 0:12:52 | 0:12:54 | |
MUFFLED MUSIC | 0:12:54 | 0:12:57 | |
Yeah, can you pump it up a little more, please? | 0:12:58 | 0:13:01 | |
Perhaps you just want to be the centre of attention. | 0:13:03 | 0:13:06 | |
You just want to feel the music in you, like you are a modern-day | 0:13:09 | 0:13:13 | |
Martine McCutcheon. | 0:13:13 | 0:13:14 | |
Like, "This is my moment." | 0:13:16 | 0:13:18 | |
All eyes are on me and everyone's like, "Wow." | 0:13:18 | 0:13:22 | |
WHOOPING | 0:13:22 | 0:13:24 | |
"Who is that? | 0:13:25 | 0:13:28 | |
"Who is that with the lips of Scarlett Johansson, | 0:13:29 | 0:13:31 | |
"but the wit and brains of Stephen Fry? | 0:13:31 | 0:13:34 | |
"God...I bet she does charity work." | 0:13:36 | 0:13:39 | |
I'm all right. | 0:13:41 | 0:13:42 | |
I've got that vibe. | 0:13:44 | 0:13:45 | |
WHOOPING | 0:13:45 | 0:13:48 | |
# Girl, you got it | 0:13:50 | 0:13:54 | |
# You, you, you, you | 0:14:01 | 0:14:03 | |
# Ooh, stop the press | 0:14:03 | 0:14:05 | |
# Girl, you turn me on | 0:14:05 | 0:14:09 | |
# And I wonder if I can take you home | 0:14:09 | 0:14:14 | |
# I must confess | 0:14:14 | 0:14:17 | |
# The tight miniskirts you wear | 0:14:17 | 0:14:20 | |
# I just can't help it, baby | 0:14:20 | 0:14:22 | |
# I can't help but stare | 0:14:22 | 0:14:25 | |
# Tell that DJ, "Pump it up a little more" | 0:14:25 | 0:14:31 | |
# Hey, girl, I gotta let you know | 0:14:31 | 0:14:33 | |
# You | 0:14:33 | 0:14:40 | |
# Got that vibe | 0:14:40 | 0:14:43 | |
-# Girl, you got that... -You got that vibe | 0:14:43 | 0:14:47 | |
# You got that vibe | 0:14:47 | 0:14:50 | |
# You got that vi... Bu-bu-bu Bu-bu-bu, bu-bu-bu... Vibe. # | 0:14:50 | 0:14:58 | |
CHEERING AND APPLAUSE | 0:14:58 | 0:15:00 | |
This is what a night out will do for you. | 0:15:04 | 0:15:07 | |
All right? This is why we need it. | 0:15:08 | 0:15:11 | |
We deserve this, | 0:15:11 | 0:15:13 | |
when it's all borders and billionaire presidents | 0:15:13 | 0:15:17 | |
and benefit caps, because that shit is easy to say | 0:15:17 | 0:15:21 | |
when you've never been on the other side. | 0:15:21 | 0:15:24 | |
But here, there are no sides. | 0:15:24 | 0:15:27 | |
You can Come As You Are, as the great man said. | 0:15:29 | 0:15:32 | |
Open your hearts, my isla bonitas. | 0:15:32 | 0:15:35 | |
Come and be fleetingly brave with me. | 0:15:35 | 0:15:38 | |
Excusez-moi, petit pois. | 0:15:38 | 0:15:41 | |
You've not waded through the week for nothing. | 0:15:42 | 0:15:44 | |
You know, come and get something off your chest. | 0:15:45 | 0:15:47 | |
Loosen your belts. We'll listen | 0:15:47 | 0:15:50 | |
and then we'll move on. | 0:15:50 | 0:15:52 | |
That is the way it is in here. | 0:15:52 | 0:15:53 | |
Hi. Erm, you know what, no-one is in charge. | 0:15:56 | 0:15:59 | |
And memo - no-one is better than anybody else. | 0:15:59 | 0:16:02 | |
All right? Not on my watch. | 0:16:02 | 0:16:04 | |
I look like fucking Bergerac in this. | 0:16:08 | 0:16:11 | |
Lowri! | 0:16:12 | 0:16:14 | |
Yeah. | 0:16:14 | 0:16:16 | |
-Can I...? -We're alive! | 0:16:16 | 0:16:17 | |
Don't miss it. | 0:16:17 | 0:16:20 | |
Free yourself from the corporate shackles. | 0:16:23 | 0:16:26 | |
Ye...yeah... | 0:16:26 | 0:16:28 | |
CHEERING AND APPLAUSE | 0:16:28 | 0:16:30 | |
Oh, my God! | 0:16:30 | 0:16:31 | |
-You're welcome. -Oh, my God. | 0:16:34 | 0:16:36 | |
Fucking hell. We're crossing the Rubicon now. | 0:16:40 | 0:16:43 | |
There's no coming back from that. | 0:16:43 | 0:16:44 | |
Once someone's adios-ed someone else's device, | 0:16:44 | 0:16:47 | |
oh-ho, strap on, my friends, | 0:16:47 | 0:16:49 | |
we're in the big time. | 0:16:49 | 0:16:51 | |
THEY SING | 0:16:51 | 0:16:52 | |
Right, I'll get the cards in for Braveheart over there. | 0:16:52 | 0:16:55 | |
Stop her falling off the horse too soon. | 0:16:55 | 0:16:57 | |
I tell you what. This is nothing | 0:16:57 | 0:17:00 | |
that 15 bags of cheesy puffs and some dry-roasted won't sort out. | 0:17:00 | 0:17:04 | |
15 bags of cheesy puffs... | 0:17:04 | 0:17:06 | |
How are you all doing? Are you all all right? Everyone? | 0:17:06 | 0:17:09 | |
-AUDIENCE: -Yeah! -Feeling good? Good! | 0:17:09 | 0:17:11 | |
CHEERING | 0:17:11 | 0:17:12 | |
I think we're all right. I think we're on track. | 0:17:12 | 0:17:14 | |
Well, This Disco's Making Me Political | 0:17:14 | 0:17:16 | |
has certainly come into her own, hasn't she? | 0:17:16 | 0:17:19 | |
Do you know what? I'm going to do it. | 0:17:19 | 0:17:21 | |
Fucking creamy curdler... | 0:17:23 | 0:17:25 | |
Disgusting. CHEERING | 0:17:25 | 0:17:27 | |
I am getting shots, OK? | 0:17:28 | 0:17:30 | |
Hmm. | 0:17:32 | 0:17:33 | |
The colour of tights! | 0:17:33 | 0:17:36 | |
It's great. | 0:17:43 | 0:17:45 | |
Hey, Sara, what are you doing Wednesday? | 0:17:45 | 0:17:47 | |
Hey-up, Braveheart's had her Filofax out. | 0:17:47 | 0:17:50 | |
Thank you. | 0:17:51 | 0:17:53 | |
It's just me and Sam from Accounts | 0:17:54 | 0:17:57 | |
-found these 40-quid day returns. -Oh! Me likey the pricey. | 0:17:57 | 0:18:01 | |
-To Stuttgart. -40 squids to Stuttgart?! | 0:18:03 | 0:18:06 | |
Don't mind if I diddly-do. | 0:18:06 | 0:18:07 | |
We've just got to be at East Anglia Airport | 0:18:09 | 0:18:12 | |
at 4.30am on Wednesday. | 0:18:12 | 0:18:14 | |
Are you off your chump? | 0:18:16 | 0:18:18 | |
-4.30. -Sit down, Fraulein, I think you need to line your stomach. | 0:18:19 | 0:18:22 | |
Come on. Let's break bread, my brother. | 0:18:22 | 0:18:25 | |
Let the portable cheese board work its magique! | 0:18:26 | 0:18:30 | |
This is like me on the Night of the Three Wines. | 0:18:30 | 0:18:33 | |
You should have seen me then. God! | 0:18:33 | 0:18:35 | |
Ah... | 0:18:39 | 0:18:40 | |
Listen... | 0:18:41 | 0:18:43 | |
..if you think this is mad, | 0:18:44 | 0:18:46 | |
check this. | 0:18:46 | 0:18:48 | |
Here, pass me that mic. | 0:18:48 | 0:18:49 | |
OK. | 0:18:49 | 0:18:51 | |
SHE CLEARS HER THROAT | 0:18:51 | 0:18:53 | |
So, I went out this one night, right? | 0:18:54 | 0:18:56 | |
Not with these guys. I have got other mates. | 0:18:56 | 0:18:59 | |
And I only had three small wines. | 0:18:59 | 0:19:01 | |
I know what you're thinking - me, yes - but I did. | 0:19:01 | 0:19:03 | |
Just three small wines. | 0:19:03 | 0:19:04 | |
And I don't know what happened, right, but I'm on the floor. | 0:19:04 | 0:19:07 | |
Sparko! | 0:19:07 | 0:19:08 | |
Next thing I know, | 0:19:08 | 0:19:09 | |
I'm sat on the wet kerb outside. | 0:19:09 | 0:19:11 | |
I'm like bloody Tiny Tim. | 0:19:11 | 0:19:13 | |
Or whatever his name is. You know, don't you? Kermit's son. | 0:19:13 | 0:19:16 | |
Yeah. Right. | 0:19:16 | 0:19:17 | |
So the arse on my new blue dress is absolutely soaking, | 0:19:17 | 0:19:20 | |
then I'm in a taxi, right? | 0:19:20 | 0:19:22 | |
Giving the taxi driver some solid-gold material, no doubt. | 0:19:22 | 0:19:25 | |
What am I like? | 0:19:25 | 0:19:27 | |
I would say a heady mix of Michael McIntyre | 0:19:27 | 0:19:31 | |
and Bradley Walsh. | 0:19:31 | 0:19:33 | |
Uh...so where was I? | 0:19:35 | 0:19:36 | |
Wines, toilet, taxi. | 0:19:36 | 0:19:38 | |
Yes. | 0:19:38 | 0:19:39 | |
So, gets to the old homestead. | 0:19:39 | 0:19:41 | |
My chin's resting on the door knocker | 0:19:41 | 0:19:44 | |
of 37 Elcott Street, Mum opens the door, | 0:19:44 | 0:19:47 | |
I fall through like Del Boy in that classic ep of Only Fools, | 0:19:47 | 0:19:50 | |
and the next day Mum's like, "Oh, I thought you'd been raped." | 0:19:50 | 0:19:53 | |
Then Mum's taking me upstairs, she's getting me undressed, | 0:19:53 | 0:19:56 | |
I'm being sick in her toilet, right? | 0:19:56 | 0:19:57 | |
I'm about as useful as a turd in a kitchen at this point. | 0:19:57 | 0:20:00 | |
Mum's holding my hair back, | 0:20:00 | 0:20:02 | |
my new blue dress is crumpled in the corner, it's covered in sick | 0:20:02 | 0:20:05 | |
and I'm like, "Oh, I'm sorry." And she's like, "Oh, it's fine." | 0:20:05 | 0:20:09 | |
She's probably cracking up. | 0:20:09 | 0:20:10 | |
And then Mum puts me to bed on the sofa, right? | 0:20:10 | 0:20:12 | |
I wake up, I'm drenched in sweat and shame | 0:20:12 | 0:20:16 | |
and... No, don't worry. The sofa's wipe-clean. It's fine. | 0:20:16 | 0:20:20 | |
Anyway, the house phone's ringing, right? | 0:20:20 | 0:20:23 | |
Now, I look at the clock on the wall | 0:20:23 | 0:20:25 | |
and I can't even see what time it is | 0:20:25 | 0:20:27 | |
because my eyeballs are quivering. | 0:20:27 | 0:20:29 | |
It was mental. | 0:20:29 | 0:20:31 | |
And I pick up the house phone, and it's Grandad. What's he like?! | 0:20:31 | 0:20:34 | |
And Grandad's like, "Oh, your grandma's really poorly. | 0:20:34 | 0:20:37 | |
"She needs to go to hospital." | 0:20:37 | 0:20:39 | |
But because of the old eyeball thing, | 0:20:39 | 0:20:41 | |
I can't help, so... | 0:20:41 | 0:20:43 | |
I mean, you know, she didn't come out of hospital again, but... | 0:20:45 | 0:20:48 | |
What am I like? | 0:20:50 | 0:20:52 | |
Uh... | 0:20:57 | 0:20:58 | |
Is this on? | 0:20:59 | 0:21:01 | |
Right, you probably know this, | 0:21:02 | 0:21:04 | |
but if you really need to fire a rocket up the arse of a night, | 0:21:04 | 0:21:07 | |
you need shots. Or say somebody's bought you a drink | 0:21:07 | 0:21:10 | |
that tastes like skid marks? Shots! | 0:21:10 | 0:21:12 | |
Or some preacher has baptised your phone? | 0:21:12 | 0:21:15 | |
Shots! | 0:21:15 | 0:21:16 | |
-Hey, Sara! -Yes? | 0:21:18 | 0:21:19 | |
You only got one shot. | 0:21:19 | 0:21:21 | |
-BOTH: -Do not miss your chance to blow! Whoo! | 0:21:21 | 0:21:24 | |
-Mmm! -Leonie? -Yeah? | 0:21:24 | 0:21:28 | |
-BOTH: -# Shot through the heart. # | 0:21:28 | 0:21:30 | |
Right. | 0:21:30 | 0:21:31 | |
-So, as the other great man once said... -If I've got to be damned... | 0:21:31 | 0:21:35 | |
And you know I am going to be damned. | 0:21:35 | 0:21:37 | |
Then I want to be damned with you. | 0:21:37 | 0:21:39 | |
-ALL: -Cheers! | 0:21:39 | 0:21:41 | |
CHEERING AND APPLAUSE | 0:21:43 | 0:21:46 | |
-Ah! -Hah! | 0:21:46 | 0:21:47 | |
Hey, DJ No Requests, got any Meatloaf? | 0:21:48 | 0:21:51 | |
MUSIC: Alright by Supergrass | 0:21:53 | 0:21:55 | |
No way! | 0:21:55 | 0:21:56 | |
# We are young, we run green | 0:21:58 | 0:22:01 | |
# Keep our teeth nice and clean | 0:22:01 | 0:22:05 | |
# See our friends, see the sights | 0:22:05 | 0:22:07 | |
# Feel all right | 0:22:07 | 0:22:10 | |
# We wake up... # | 0:22:11 | 0:22:14 | |
It's all heating up in here. It's getting a bit spicy now. | 0:22:14 | 0:22:16 | |
Those that have got the money have got the rounds. | 0:22:16 | 0:22:19 | |
Card machine's not working but don't worry. | 0:22:19 | 0:22:21 | |
Let's Walk It's Not Far knows where the nearest cashpoint is. | 0:22:21 | 0:22:24 | |
Charlie Chuck-up's feeling a bit peaky. | 0:22:24 | 0:22:26 | |
Things are cranking up to gas mark 7. | 0:22:26 | 0:22:29 | |
Hey! Hello. | 0:22:33 | 0:22:34 | |
My hair! | 0:22:34 | 0:22:36 | |
-One? -Yay! | 0:22:46 | 0:22:47 | |
-One for you. -Whoo! | 0:22:49 | 0:22:50 | |
-ALL: -Cheers! | 0:22:51 | 0:22:53 | |
Come with me. I've got an idea. | 0:22:56 | 0:22:58 | |
This'll be hilarious. | 0:22:58 | 0:23:00 | |
Come here, right? | 0:23:00 | 0:23:01 | |
Wait there. Wait there, it fucking stinks in here. | 0:23:01 | 0:23:04 | |
Lowri! | 0:23:08 | 0:23:10 | |
Hey! Whoo! | 0:23:10 | 0:23:11 | |
Here you are. Look at this. | 0:23:11 | 0:23:13 | |
Wey-hey! | 0:23:13 | 0:23:15 | |
It's magic. | 0:23:15 | 0:23:16 | |
LOWRI SHRIEKS | 0:23:16 | 0:23:19 | |
Hey! | 0:23:23 | 0:23:24 | |
Wah! | 0:23:24 | 0:23:26 | |
Hey! | 0:23:26 | 0:23:28 | |
Oh! | 0:23:30 | 0:23:31 | |
SHE GIGGLES | 0:23:31 | 0:23:33 | |
It's the first time your eyes are... | 0:23:35 | 0:23:38 | |
Take a picture! | 0:23:38 | 0:23:39 | |
Say cheese! | 0:23:42 | 0:23:43 | |
THEY CHEER | 0:23:43 | 0:23:46 | |
Oh, it's nice. | 0:23:47 | 0:23:48 | |
Do you want a shot? | 0:23:50 | 0:23:52 | |
Do you want that? Yeah, go on. | 0:23:53 | 0:23:54 | |
Waste shot, want shot, I always say. | 0:23:54 | 0:23:57 | |
So, at this point, when things have started to go a little bit west, | 0:23:57 | 0:24:01 | |
when maybe your phone that you loved has drowned, | 0:24:01 | 0:24:04 | |
maybe your zip's broken | 0:24:04 | 0:24:06 | |
or your contouring is starting to slightly slip, | 0:24:06 | 0:24:09 | |
what I like to do is really bond with some complete strangers. | 0:24:09 | 0:24:12 | |
Yeah? Just get a bit of love from the room, OK? | 0:24:12 | 0:24:15 | |
Excuse me. Can I just back in...? | 0:24:15 | 0:24:17 | |
There you go. | 0:24:17 | 0:24:19 | |
Thank you. | 0:24:19 | 0:24:20 | |
Ah... | 0:24:20 | 0:24:21 | |
Hi, Pervs. | 0:24:23 | 0:24:24 | |
How are you doing? Are you all right? Yeah? Good. Good. | 0:24:26 | 0:24:29 | |
Now, I've been meaning to ask you, actually, | 0:24:29 | 0:24:32 | |
what is that cologne that you're wearing? Can I smell? | 0:24:32 | 0:24:35 | |
Ooh. Pepper spray? | 0:24:37 | 0:24:38 | |
Nice. Nice. | 0:24:40 | 0:24:42 | |
Go on, have a drink. Have a drink, go on. | 0:24:42 | 0:24:44 | |
I don't take no for an answer. | 0:24:44 | 0:24:46 | |
Yeah? Well, sometimes... | 0:24:46 | 0:24:48 | |
Sometimes I take no for an answer, but you know what it's like! | 0:24:48 | 0:24:51 | |
You've got to be all, like, hard and fierce and lacquered | 0:24:51 | 0:24:55 | |
and call everyone bitches all the time and...and... | 0:24:55 | 0:24:58 | |
Listen. Remember. | 0:24:58 | 0:25:00 | |
Um, you don't need anyone else to validate you. Yeah? | 0:25:00 | 0:25:05 | |
LAUGHTER | 0:25:05 | 0:25:06 | |
Although, that is quite tricky | 0:25:06 | 0:25:08 | |
if you can't quite validate yourself, isn't it? It's just... | 0:25:08 | 0:25:12 | |
It's a bit snide, so... | 0:25:12 | 0:25:13 | |
Cos then, how am I supposed to know that I'm good enough, | 0:25:13 | 0:25:16 | |
do you know what I mean? | 0:25:16 | 0:25:17 | |
And I know what it sounds like - blah-blah-blah - | 0:25:17 | 0:25:20 | |
but that I'm thin enough and pretty enough and...and... | 0:25:20 | 0:25:24 | |
Oh, hi, Sam. Are you all right? | 0:25:24 | 0:25:26 | |
And don't tell me like, "Come on, it's just a conspiracy | 0:25:26 | 0:25:30 | |
"by the capitalist patriarchy to get you to buy stuff." | 0:25:30 | 0:25:33 | |
I know that. | 0:25:33 | 0:25:34 | |
I've got the Boots Advantage Card points to prove it, mate. | 0:25:36 | 0:25:39 | |
Look at that Glitterball go. | 0:25:39 | 0:25:42 | |
Hey, looks shiny, but basically... | 0:25:42 | 0:25:44 | |
just a load of broken glass! | 0:25:44 | 0:25:46 | |
Sometimes, right, when I'm out, I'll be on the dance floor | 0:25:47 | 0:25:50 | |
and I'll be, like, six Jagerbombs in. | 0:25:50 | 0:25:52 | |
All right, 12 Jagerbombs in... | 0:25:52 | 0:25:54 | |
Just through peer pressure, honest. | 0:25:55 | 0:25:57 | |
And I'll be REALLY going for it, like... I'll show you, like this. | 0:25:59 | 0:26:02 | |
THEY WHOOP | 0:26:06 | 0:26:08 | |
Yeah, I know, but this isn't even it. | 0:26:08 | 0:26:10 | |
When I can do it, I can REALLY do it, like this isn't... | 0:26:13 | 0:26:16 | |
This is not even the thing. | 0:26:16 | 0:26:17 | |
And I'll be really going for it and I feel amazing, | 0:26:17 | 0:26:19 | |
I feel like I'm like Rihanna's better, more sexually aware sister. | 0:26:19 | 0:26:24 | |
And then there's this guy on the other side of the room, | 0:26:26 | 0:26:29 | |
and he's like... | 0:26:29 | 0:26:30 | |
LAUGHTER | 0:26:35 | 0:26:37 | |
And in that moment, with the gaze of a total stranger alighting | 0:26:42 | 0:26:46 | |
gently, like a butterfly, on my grinding arse... | 0:26:46 | 0:26:49 | |
..in that moment, I feel like I'm all right. | 0:26:52 | 0:26:54 | |
And I'm thin enough and pretty enough, and... | 0:26:55 | 0:26:58 | |
It doesn't matter what happens next. | 0:26:59 | 0:27:02 | |
If in three years' time we're moving into a lovely two-up, | 0:27:02 | 0:27:05 | |
two-down decorated floor-to-ceiling in Cath Kidston, | 0:27:05 | 0:27:08 | |
or if in four hours' time, | 0:27:08 | 0:27:10 | |
we're back at his and he's wanking on my back, because it's not about... | 0:27:10 | 0:27:13 | |
It's not about that. | 0:27:14 | 0:27:15 | |
It's about THIS. | 0:27:17 | 0:27:18 | |
WHOOPING | 0:27:21 | 0:27:23 | |
LAUGHTER | 0:27:32 | 0:27:33 | |
And I feel like I'm all right. | 0:27:36 | 0:27:37 | |
And I'm enough. | 0:27:39 | 0:27:40 | |
And I've got that vibe. | 0:27:42 | 0:27:43 | |
And I can't help but wonder if that might make me a massive twat. | 0:27:47 | 0:27:50 | |
No, mate - you go, girlfriend! | 0:27:51 | 0:27:55 | |
-Ah! -Oh, shit! Sorry, are you all right? | 0:27:55 | 0:27:57 | |
-Yeah, I'm fine! -Oh! | 0:27:57 | 0:27:58 | |
LAUGHTER | 0:28:00 | 0:28:02 | |
What? No, it didn't even hurt, I promise. Stop fussing me. | 0:28:02 | 0:28:05 | |
-Just sit down! Tell you what, sit down. -Are you all right? | 0:28:05 | 0:28:08 | |
I'm absolutely fine! | 0:28:08 | 0:28:10 | |
What? It's no biggie, this. It's not even a problem. Sit down, I'm fine. | 0:28:12 | 0:28:15 | |
Really. I'm fine. Do you know what? I've never been so fine, right? | 0:28:15 | 0:28:19 | |
And you know what? I think the time has come. All right? | 0:28:19 | 0:28:22 | |
We are going to take this outside. | 0:28:22 | 0:28:26 | |
Yeah? And before you say it, this isn't another mad plan, all right? | 0:28:26 | 0:28:31 | |
I am deadly serious. | 0:28:31 | 0:28:33 | |
OK? It's one giant leap for mankind. | 0:28:33 | 0:28:37 | |
But only a 15-minute walk to Manchester Town Hall. | 0:28:37 | 0:28:41 | |
And I've got my bolt cutters. | 0:28:44 | 0:28:46 | |
CHEERING | 0:28:46 | 0:28:48 | |
We are going to occupy the council offices. Yeah? | 0:28:48 | 0:28:52 | |
Start the revolution, Peterloo II. | 0:28:52 | 0:28:56 | |
When the people wake up, this city will be free. Yeah? | 0:28:58 | 0:29:02 | |
And then we storm every bus and train out of here - | 0:29:02 | 0:29:06 | |
they start running again at six. | 0:29:06 | 0:29:08 | |
And there's more of us than there is of Richard Branson. | 0:29:09 | 0:29:13 | |
And then we sort it out. | 0:29:13 | 0:29:15 | |
We sort it all out. | 0:29:15 | 0:29:17 | |
Who's with me? | 0:29:18 | 0:29:20 | |
LAUGHTER | 0:29:22 | 0:29:24 | |
I think someone's been watching Les Mis again. | 0:29:26 | 0:29:29 | |
I can't do this on my own. | 0:29:31 | 0:29:33 | |
I think you might have to, mate. | 0:29:35 | 0:29:37 | |
# Atomic | 0:29:42 | 0:29:44 | |
# Atomic | 0:29:44 | 0:29:46 | |
# Atomic... # | 0:29:46 | 0:29:48 | |
-ALL: -Tune! | 0:29:48 | 0:29:49 | |
THEY WHOOP | 0:29:49 | 0:29:52 | |
-Come on! We love this one! -We love this one! -Hey! | 0:29:52 | 0:29:55 | |
We're mad. We're all fuckin' mad. This is a mad night out! | 0:29:55 | 0:29:58 | |
#HavingIt, #LovingIt, #BestNightEver! | 0:29:58 | 0:30:01 | |
#GetOffMe! | 0:30:01 | 0:30:03 | |
#EpicFail | 0:30:03 | 0:30:05 | |
#Banter! #BanthonyHWilson! | 0:30:05 | 0:30:08 | |
#24hourPartyPeople! | 0:30:08 | 0:30:10 | |
You've got that vibe, she's got that vibe, we've got that vibe! | 0:30:10 | 0:30:14 | |
#NotBeingFunnyBut... | 0:30:14 | 0:30:16 | |
#GenerationWhyBother | 0:30:16 | 0:30:18 | |
#TheCrisis | 0:30:18 | 0:30:20 | |
Slow-mo... | 0:30:20 | 0:30:23 | |
MUSIC BUILDS | 0:30:23 | 0:30:24 | |
SHE SHOUTS OUT, THEY WHOOP | 0:30:27 | 0:30:29 | |
#AbsoluteMash-head | 0:30:29 | 0:30:31 | |
#SolidGoldMaterial | 0:30:31 | 0:30:33 | |
#TinyTim | 0:30:33 | 0:30:34 | |
#Besties | 0:30:34 | 0:30:36 | |
#SaturdayNightsAllRight | 0:30:36 | 0:30:37 | |
#ThighGap | 0:30:37 | 0:30:39 | |
#PayGap | 0:30:39 | 0:30:40 | |
#LetMeGetThatForYou | 0:30:40 | 0:30:42 | |
#LookingOutForNumberOne | 0:30:42 | 0:30:44 | |
One wine, two wines, three wines, floor! | 0:30:44 | 0:30:48 | |
#MurderOnTheDancefloor | 0:30:48 | 0:30:49 | |
#Massacres, #FakeNews... | 0:30:49 | 0:30:52 | |
#FakeTan, #NoMakeupSelfie | 0:30:52 | 0:30:55 | |
#SexKitten! | 0:30:55 | 0:30:57 | |
#SexPest | 0:30:57 | 0:30:58 | |
#E-petition | 0:30:58 | 0:30:59 | |
#FuckThis | 0:30:59 | 0:31:01 | |
I've had enough. | 0:31:01 | 0:31:03 | |
-I'm so secure! -Security to the dance floor! | 0:31:03 | 0:31:06 | |
MUSIC STOPS | 0:31:06 | 0:31:07 | |
GROANS AND LAUGHTER | 0:31:22 | 0:31:24 | |
I am all right! | 0:31:26 | 0:31:27 | |
I've never been so all right. | 0:31:29 | 0:31:32 | |
Hey, come on! | 0:31:32 | 0:31:33 | |
# Round, round, get around I get around, yeah... # | 0:31:33 | 0:31:37 | |
THEY WHOOP | 0:31:37 | 0:31:39 | |
Open or closed? Anyone open? | 0:31:40 | 0:31:42 | |
Open! | 0:31:42 | 0:31:44 | |
Mmm! Open or closed? | 0:31:44 | 0:31:47 | |
Open or closed, anyone? | 0:31:47 | 0:31:48 | |
Anyone still open? | 0:31:48 | 0:31:50 | |
-So, Hugh. -Yeah? | 0:31:51 | 0:31:53 | |
You know the drinking game is the bit that we always do together? | 0:31:53 | 0:31:56 | |
-Come hell or high water, yeah? -Yeah. -Well... | 0:31:56 | 0:32:00 | |
Not sure that's completely going to plan. | 0:32:00 | 0:32:02 | |
Whoa, where's Lowri? | 0:32:02 | 0:32:05 | |
Whoa! She's disappearing now. | 0:32:05 | 0:32:07 | |
Yeah. What happened to her? | 0:32:07 | 0:32:10 | |
She's probably dead. How noble. Yeah. | 0:32:10 | 0:32:13 | |
I wish we'd tried to help her more when she was just saving the world. | 0:32:13 | 0:32:16 | |
They'll put on a state funeral for her now. | 0:32:16 | 0:32:19 | |
Chuck us that cheese board, mate. | 0:32:21 | 0:32:23 | |
I'll go. | 0:32:23 | 0:32:24 | |
Yeah, ta. | 0:32:24 | 0:32:26 | |
How is your phone, by the way? | 0:32:26 | 0:32:27 | |
-Bit battered, but...who isn't? -Fair enough. | 0:32:27 | 0:32:30 | |
What? Well, you never know what might happen to her. | 0:32:31 | 0:32:35 | |
Rule number one, if you've got the money, get a round. | 0:32:35 | 0:32:39 | |
You know, she might be in there on her own, | 0:32:39 | 0:32:42 | |
for example, on the toilet floor, legs all wound out, | 0:32:42 | 0:32:46 | |
feeling like absolute shit. | 0:32:46 | 0:32:48 | |
I dunno. | 0:32:48 | 0:32:50 | |
Lowri? | 0:32:52 | 0:32:53 | |
SHE KNOCKS | 0:32:53 | 0:32:55 | |
Come on! Open or closed? | 0:32:55 | 0:32:58 | |
Open. | 0:32:59 | 0:33:01 | |
I'm not Mum of the Year, am I? | 0:33:07 | 0:33:10 | |
And no-one asked ME about the House of Lords. | 0:33:11 | 0:33:15 | |
Who decided THAT? | 0:33:15 | 0:33:16 | |
When do the decisions get made? | 0:33:17 | 0:33:19 | |
The decisions that have got us into this. | 0:33:19 | 0:33:21 | |
And... | 0:33:21 | 0:33:23 | |
I don't understand scrabbling over people to get to | 0:33:23 | 0:33:27 | |
a cashpoint to get to an overdraft. | 0:33:27 | 0:33:30 | |
Who decided THAT? | 0:33:30 | 0:33:31 | |
I don't understand the monetary fund or battery farms. | 0:33:31 | 0:33:35 | |
Who decided battery farms? | 0:33:35 | 0:33:38 | |
I am sick of scapegoats and underdogs and scare monkeys. | 0:33:38 | 0:33:43 | |
When did we forget that we're just animals with weekends? | 0:33:44 | 0:33:47 | |
So what you're seeing here is the disappearing act - | 0:33:47 | 0:33:50 | |
someone or something that goes AWOL. | 0:33:50 | 0:33:52 | |
Could be a purse, could be a person, but they usually turn up | 0:33:52 | 0:33:55 | |
a little bit later on, a bit worse for wear, definitely in the toilets. | 0:33:55 | 0:33:59 | |
I thought that tonight would make us all right. | 0:34:00 | 0:34:04 | |
And I don't think it has. | 0:34:05 | 0:34:07 | |
How can I change the world if I can't even get my shoe back on? | 0:34:11 | 0:34:15 | |
Don't ask me. | 0:34:16 | 0:34:18 | |
Listen, I went out this one night, | 0:34:18 | 0:34:20 | |
ruined this perfectly good new dress. | 0:34:20 | 0:34:23 | |
Totally fucked it up. | 0:34:23 | 0:34:25 | |
The blue dress? | 0:34:26 | 0:34:28 | |
Yeah. | 0:34:28 | 0:34:29 | |
You'd fuck the dress up, too. | 0:34:30 | 0:34:32 | |
Is this the one about the Night of the Three Wines? | 0:34:33 | 0:34:35 | |
I love this one. | 0:34:36 | 0:34:37 | |
Lowri? | 0:34:39 | 0:34:40 | |
I don't know if it WAS three wines. | 0:34:43 | 0:34:45 | |
I mean, it might have been. | 0:34:46 | 0:34:48 | |
But... It might have been 12, or... | 0:34:48 | 0:34:50 | |
It might have been one. | 0:34:51 | 0:34:53 | |
Don't know what happened. | 0:34:54 | 0:34:56 | |
Yeah. | 0:34:56 | 0:34:58 | |
Don't know if my mum WAS cracking up. | 0:34:58 | 0:35:00 | |
I was useless, I was no help to anyone. | 0:35:01 | 0:35:03 | |
And when I think of it now, it's weird, it makes me feel... | 0:35:05 | 0:35:08 | |
..sad. | 0:35:09 | 0:35:11 | |
Have you ever had quivering eyeballs? | 0:35:14 | 0:35:16 | |
No. | 0:35:17 | 0:35:18 | |
I don't think I have. | 0:35:20 | 0:35:21 | |
Oi, dickheads! What you doing? Are you all right? Hey, what's going on? | 0:35:25 | 0:35:30 | |
-Everything's still shit. -Still shit. | 0:35:30 | 0:35:32 | |
Oh! Look, it's all right. | 0:35:33 | 0:35:35 | |
If this needs to happen, it's going to happen now. | 0:35:36 | 0:35:40 | |
And it should! | 0:35:40 | 0:35:42 | |
Look, last week it was me in here, | 0:35:42 | 0:35:44 | |
banging on about my body clock or some shit. | 0:35:44 | 0:35:47 | |
The week before, someone else, can't remember, | 0:35:47 | 0:35:50 | |
crying because they thought the chicken shop | 0:35:50 | 0:35:52 | |
was going to close before they could get there. Like... You know. | 0:35:52 | 0:35:55 | |
Actually, I think it was one of you who said, "Listen... | 0:35:55 | 0:35:58 | |
.."the shit has got to hit the fan, | 0:36:00 | 0:36:02 | |
"because that is what shit does, but we've got to step up, | 0:36:02 | 0:36:06 | |
"wipe the fan down with a damp cloth and get the hell back out there." | 0:36:06 | 0:36:09 | |
Yeah? | 0:36:09 | 0:36:10 | |
That is just the way it goes. | 0:36:10 | 0:36:12 | |
Lowri? | 0:36:13 | 0:36:14 | |
You're all right. | 0:36:14 | 0:36:16 | |
In fact, friend, you are | 0:36:17 | 0:36:19 | |
relentlessly fucking brilliant. | 0:36:19 | 0:36:22 | |
OK? Keep it up. | 0:36:22 | 0:36:24 | |
-Cheers. -Sara? Are you all right? | 0:36:24 | 0:36:27 | |
I don't know. I don't know what happened. | 0:36:28 | 0:36:31 | |
I probably fucked it. | 0:36:32 | 0:36:33 | |
Did I fuck it all up? | 0:36:36 | 0:36:38 | |
No. | 0:36:38 | 0:36:39 | |
Well... | 0:36:39 | 0:36:41 | |
Dunno. | 0:36:41 | 0:36:43 | |
-I doubt it. -But what if I did and I just don't know, like...? | 0:36:43 | 0:36:46 | |
I suppose we've just got to try living through it | 0:36:49 | 0:36:50 | |
and hope for the best, haven't we? | 0:36:50 | 0:36:53 | |
But we're here, we'll help. | 0:36:53 | 0:36:55 | |
Me and Che Guevara here, we've got your back. | 0:36:55 | 0:36:58 | |
-Viva la revolution, Sara. -That's my girls! | 0:36:58 | 0:37:01 | |
Now, listen... The night isn't over yet. We can still change it. | 0:37:01 | 0:37:05 | |
AND they just called last orders, so we really need to get a move on. | 0:37:05 | 0:37:09 | |
OK, so we're going to have a little once over, because, not being | 0:37:09 | 0:37:11 | |
funny, but you both absolutely reek of Toilet Duck and regret, OK? | 0:37:11 | 0:37:15 | |
So, you... Sort out your breath. | 0:37:15 | 0:37:18 | |
You, deal with your pits, yeah? | 0:37:18 | 0:37:21 | |
And let's get back to it, OK? | 0:37:21 | 0:37:23 | |
And while you're doing that, actually, | 0:37:23 | 0:37:25 | |
would you like just a little one more? | 0:37:25 | 0:37:28 | |
-I would love one more. -Yeah? | 0:37:29 | 0:37:32 | |
-In for a penny. -Yeah. -In for two. | 0:37:32 | 0:37:34 | |
All right, I've got my app, OK? | 0:37:34 | 0:37:37 | |
-If it still works, Lowri. -Sorry. -S'OK. | 0:37:37 | 0:37:40 | |
# Baby, you're the only one in this whole world | 0:37:43 | 0:37:47 | |
# That is pure and good and right | 0:37:47 | 0:37:51 | |
# And wherever you are, wherever you go | 0:37:51 | 0:37:55 | |
# There's always going to be some light | 0:37:55 | 0:37:58 | |
# Maybe I'm damned if I never get out and maybe I'm damned if I do | 0:37:59 | 0:38:07 | |
# But we've got to make the most of this one night together... # | 0:38:07 | 0:38:10 | |
Leonie? | 0:38:10 | 0:38:12 | |
Yeah? | 0:38:12 | 0:38:14 | |
I love you. | 0:38:14 | 0:38:15 | |
-I love YOU. -Sara. | 0:38:17 | 0:38:19 | |
-Yeah? -I love you. -I love you. | 0:38:19 | 0:38:22 | |
-I love you. -As you were! -Yeah. | 0:38:24 | 0:38:27 | |
See? | 0:38:27 | 0:38:29 | |
It all comes out in the wash. | 0:38:29 | 0:38:30 | |
-Have I got it? -Right. Let's get back out there, guys. Yeah? | 0:38:31 | 0:38:35 | |
-Yeah. -Ready? -Come on. | 0:38:35 | 0:38:38 | |
-Come on! -# If I've got to be damned.... # | 0:38:39 | 0:38:42 | |
WHOOPING | 0:38:42 | 0:38:45 | |
# You know I want to be damned... # | 0:38:49 | 0:38:53 | |
Everybody, join in. | 0:38:53 | 0:38:55 | |
# If I've got to be damned, you know I want to be damned | 0:38:55 | 0:38:59 | |
# Dancing through the night | 0:38:59 | 0:39:02 | |
# Dancing through the night | 0:39:02 | 0:39:05 | |
# Dancing through the night | 0:39:05 | 0:39:08 | |
# With you... | 0:39:08 | 0:39:16 | |
MEATLOAF: # Like a bat out of hell I'll be gone when the morning comes | 0:39:18 | 0:39:22 | |
# When the night is over | 0:39:24 | 0:39:26 | |
# like a bat out of hell I'll be gone, gone, gone... # | 0:39:26 | 0:39:29 | |
Oh, hey - | 0:39:29 | 0:39:31 | |
all that stuff before about "this the best bit", no. | 0:39:31 | 0:39:34 | |
This is the best bit... Well, | 0:39:34 | 0:39:36 | |
-THIS is the best bit! -Everybody is absolutely loving it back there! | 0:39:36 | 0:39:40 | |
Mr T from school is requesting Toploader | 0:39:40 | 0:39:43 | |
and Hugh Watt has got no idea what's going on, but absolutely loving it! | 0:39:43 | 0:39:48 | |
I think I saw Charlie Chuck-up attempting a moonwalk! | 0:39:48 | 0:39:51 | |
Everyone's up, everyone's together. | 0:39:51 | 0:39:53 | |
Dividing lines have been forgotten, | 0:39:53 | 0:39:54 | |
no-one even remembers if they're City or United any more. | 0:39:54 | 0:39:58 | |
I think this might be what the future looks like. | 0:39:58 | 0:40:00 | |
Yeah, we have had a massive night. | 0:40:00 | 0:40:02 | |
Everything that was supposed to happen has happened. | 0:40:02 | 0:40:04 | |
-And everyone is in love with everybody else. -Yeah. | 0:40:04 | 0:40:07 | |
And we followed the rules! I would never normally advise that! | 0:40:07 | 0:40:11 | |
Maybe they could be the founding principles for revolution? | 0:40:12 | 0:40:15 | |
If you've got the money, get a round, in for a penny, | 0:40:16 | 0:40:19 | |
in for a pound AND it all comes out in the wash. | 0:40:19 | 0:40:22 | |
I will sign on that line. | 0:40:22 | 0:40:24 | |
I think tonight could be bigger than the night we flew to Dignitas | 0:40:24 | 0:40:27 | |
AND the night Dr Oetker got struck off. | 0:40:27 | 0:40:29 | |
I think tonight is going to make a cheeky little appendix to the old Banterbury Tales. | 0:40:29 | 0:40:34 | |
-Thank you for being with us! -This one's for you. | 0:40:34 | 0:40:37 | |
-Cheers. -Right, then...? | 0:40:37 | 0:40:39 | |
-Emphatic Huggers. -That's everyone... | 0:40:40 | 0:40:43 | |
CHEERING | 0:40:43 | 0:40:45 | |
-The time has come. -You didn't think we'd forgotten you, did you? | 0:40:45 | 0:40:49 | |
-TRIO: -Manchester, open or closed? | 0:40:49 | 0:40:53 | |
-ALL: -Open! | 0:40:53 | 0:40:55 | |
CHEERING | 0:40:55 | 0:40:57 | |
MUSIC: Bat Out Of Hell by Meatloaf | 0:40:57 | 0:41:00 | |
# When the night is over, like a bat out of hell I'll be gone, gone, gone | 0:41:04 | 0:41:09 | |
# Like a bat out of hell I'll be gone when the morning comes | 0:41:09 | 0:41:14 | |
# When the day is done | 0:41:15 | 0:41:17 | |
# And the sun goes down and the moonlight's shining through | 0:41:17 | 0:41:21 | |
# Then like a sinner before the gates of Heaven | 0:41:23 | 0:41:29 | |
# I'll come crawling on back to you | 0:41:29 | 0:41:34 | |
# I'm gonna hit the highway like a battering ram | 0:41:41 | 0:41:43 | |
# On a silver-black phantom bike | 0:41:43 | 0:41:46 | |
# When the metal is hot and the engine is hungry | 0:41:46 | 0:41:49 | |
# And we're all about to see the light... # | 0:41:49 | 0:41:51 |