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Hold it! Armed police! | 0:00:02 | 0:00:03 | |
We've found a body. It appears they can place Steve at the scene. | 0:00:03 | 0:00:07 | |
Gem, this is a nightmare. | 0:00:07 | 0:00:09 | |
They've got the wrong man. | 0:00:09 | 0:00:11 | |
I know. Course I know. | 0:00:11 | 0:00:13 | |
So, they didn't let him out on bail. | 0:00:13 | 0:00:15 | |
What are you saying? | 0:00:15 | 0:00:17 | |
Someone, somewhere thinks he's done something wrong. | 0:00:17 | 0:00:20 | |
Looking good, Frannie. | 0:00:20 | 0:00:22 | |
My husband is serving an 18-year sentence for drug-trafficking. | 0:00:22 | 0:00:25 | |
So, was there anything in particular you wanted to know? | 0:00:25 | 0:00:28 | |
That's where they're building it, new football stadium for the Blades. | 0:00:28 | 0:00:32 | |
And your dad is helping to make it. | 0:00:32 | 0:00:34 | |
But, remember, it's top secret. We don't tell anyone. | 0:00:34 | 0:00:36 | |
-What about you? Still behaving? -Course. | 0:00:38 | 0:00:42 | |
Behind almost every arrest there's a women. | 0:00:42 | 0:00:45 | |
They either know everything and they're lying through their teeth. | 0:00:45 | 0:00:48 | |
Or they're just the stupid ones. | 0:00:48 | 0:00:49 | |
Why is there a gun in your mum's caravan, Steve? | 0:00:49 | 0:00:52 | |
-I didn't, I know it looks like... -Stop lying to me. | 0:00:52 | 0:00:54 | |
-You can walk away. -But I love him. | 0:00:55 | 0:00:57 | |
Well, then you'll find a way to live with it. | 0:00:57 | 0:01:00 | |
MUSIC: "Groovejet" by Spiller | 0:01:18 | 0:01:21 | |
DOORBELL RINGS | 0:01:26 | 0:01:28 | |
Oh, sweet Jesus. | 0:01:28 | 0:01:29 | |
Right, come on, kids. Up and at 'em. Breakfast! Anything you want? | 0:01:39 | 0:01:44 | |
As long as it's toast. | 0:01:44 | 0:01:47 | |
Matt, your rugby kit's in the tumble dryer. | 0:01:47 | 0:01:50 | |
And, Lauren, do not accidentally on purpose forget your violin. | 0:01:50 | 0:01:54 | |
Hey, what you doing? | 0:02:02 | 0:02:05 | |
No! | 0:02:05 | 0:02:06 | |
No. | 0:02:07 | 0:02:08 | |
Mrs Miller? I work for Grant and Foxton Ltd. | 0:02:12 | 0:02:15 | |
As per our communication, we're now taking possession | 0:02:15 | 0:02:18 | |
of the following items listed in the confiscation order. | 0:02:18 | 0:02:20 | |
-No, no, no. Paul's paid you now. -I'm afraid that's not true. | 0:02:20 | 0:02:24 | |
He has. Let me go and call his brief. He'll tell you. | 0:02:24 | 0:02:27 | |
He'll tell you exactly what I'm telling you. | 0:02:27 | 0:02:29 | |
Your husband's defaulted on his payment | 0:02:29 | 0:02:31 | |
and I've a court order to prove it. | 0:02:31 | 0:02:33 | |
All right, lads. | 0:02:36 | 0:02:38 | |
No, you're not doing this. You're not coming in my house. | 0:02:38 | 0:02:42 | |
Excuse me. | 0:02:42 | 0:02:44 | |
We need handbags, jewellery. Designer outfits. | 0:02:44 | 0:02:48 | |
-Audiovisual equipment. -Can you keep the noise down, please. | 0:02:48 | 0:02:52 | |
Give us a hand. | 0:02:52 | 0:02:53 | |
-What's going on? -What are they doing? -They're taking the telly. | 0:02:53 | 0:02:55 | |
-Up to your rooms. -Mum. | 0:02:55 | 0:02:57 | |
I said up to your rooms. Everything's fine, I promise. | 0:02:57 | 0:03:00 | |
Now, come on, uniforms on. | 0:03:00 | 0:03:01 | |
-Billy, give us a hand, mate. -Enjoy your job, do you? | 0:03:01 | 0:03:04 | |
It's an honest living. | 0:03:04 | 0:03:07 | |
'This is Sherman and Boyle Associates. All our lines are busy.' | 0:03:08 | 0:03:11 | |
-Mum, what happened? -By the time you get back. This'll all be sorted. | 0:03:11 | 0:03:14 | |
I'm going to see Dad. He'll fix things. | 0:03:14 | 0:03:17 | |
Someone's made a mistake. Go on, I'll see you later. | 0:03:17 | 0:03:22 | |
'Adrian speaking.' | 0:03:22 | 0:03:23 | |
Adrian, it's Francesca. | 0:03:23 | 0:03:25 | |
'I can't talk to you.' | 0:03:25 | 0:03:27 | |
I've got a house full of bailiffs. | 0:03:27 | 0:03:28 | |
They're saying Paul has defaulted on his payments. | 0:03:28 | 0:03:31 | |
'Francesca, I can not discuss this.' | 0:03:31 | 0:03:33 | |
Adrian! | 0:03:33 | 0:03:34 | |
'Paul has all the facts, you'll have to talk to him.' | 0:03:34 | 0:03:37 | |
DIALLING TONE | 0:03:37 | 0:03:38 | |
This is Bob. He's going to be living with you, | 0:03:38 | 0:03:41 | |
keeping an eye on the place till we come back. | 0:03:41 | 0:03:43 | |
All right? | 0:03:43 | 0:03:44 | |
What? | 0:03:47 | 0:03:48 | |
Next Wednesday. To evict you. | 0:03:48 | 0:03:52 | |
Tina! I need your help. | 0:04:05 | 0:04:08 | |
I know you're in there. | 0:04:09 | 0:04:12 | |
My God, you're doing a runner. What's happening? | 0:04:12 | 0:04:14 | |
-It's all I've got. -I've got change. Two for Highcross Prison, please. | 0:04:59 | 0:05:04 | |
-Thanks. -Thank you. -Car's broken down. | 0:05:04 | 0:05:08 | |
You OK? | 0:05:15 | 0:05:16 | |
And baby? | 0:05:18 | 0:05:20 | |
Yeah. | 0:05:21 | 0:05:23 | |
I think the police were outside my house this morning. | 0:05:29 | 0:05:34 | |
They're watching me. | 0:05:34 | 0:05:36 | |
They probably are. | 0:05:38 | 0:05:40 | |
You best get used to it. | 0:05:41 | 0:05:44 | |
Cos once they get their claws in you, they never really let you go. | 0:05:44 | 0:05:48 | |
No? It's Gavin's favourite, lemon curd. | 0:06:02 | 0:06:08 | |
Maybe he'll see us soon, eh, Basil. | 0:06:08 | 0:06:10 | |
-Hiya, Gary, you doing all right? -Yeah, you? -Yeah, smashing, thanks. | 0:06:25 | 0:06:29 | |
Numbers one to 12. | 0:06:32 | 0:06:33 | |
Excuse me. | 0:06:36 | 0:06:37 | |
What the hell, Paul? | 0:06:40 | 0:06:41 | |
I've got bailiffs trying to take my house, a brief who's lost his tongue | 0:06:41 | 0:06:45 | |
and a best mate who's doing a bunk. | 0:06:45 | 0:06:47 | |
As you announced to whole street, Frannie. Very discreet. | 0:06:47 | 0:06:50 | |
Why didn't you just give out their address in Dubai? | 0:06:50 | 0:06:53 | |
I didn't know what was going on. I still don't. | 0:06:53 | 0:06:55 | |
This confiscation order, it's started something. | 0:06:55 | 0:06:58 | |
You told me you'd paid it? You told me, "Ignore the letters, all sorted". | 0:06:58 | 0:07:03 | |
It was, it was running to plan. | 0:07:03 | 0:07:05 | |
They made a confiscation order, we said we can't pay, | 0:07:05 | 0:07:08 | |
bit of legal tap dancing. | 0:07:08 | 0:07:09 | |
So what went wrong? | 0:07:09 | 0:07:12 | |
They started to lose patience. | 0:07:15 | 0:07:17 | |
So, we arranged to sell some of the assets in Spain. | 0:07:17 | 0:07:20 | |
Cover the cost. But it didn't go through. | 0:07:20 | 0:07:22 | |
-Why not? -Spanish authorities, they got suspicious, | 0:07:22 | 0:07:26 | |
moved in, seized the business. | 0:07:26 | 0:07:28 | |
All the income. Rental, from the villas. It's all frozen. | 0:07:28 | 0:07:32 | |
Can't access any of it. | 0:07:32 | 0:07:33 | |
We're in the shit, Frannie. | 0:07:34 | 0:07:37 | |
So, don't, don't call anyone, Adrian, associates. | 0:07:37 | 0:07:41 | |
You got to keep your head down cos the sky's falling in. | 0:07:44 | 0:07:47 | |
I don't know what to do. Can't eat, can't sleep. | 0:07:47 | 0:07:51 | |
-Every time I look out the window, the police are there. -Hey. | 0:07:51 | 0:07:56 | |
-They'll give up soon, all right, they'll go away. -No, they won't. | 0:07:56 | 0:07:59 | |
-Steve, they won't go away until they find the gun. -Shh, will you. | 0:07:59 | 0:08:02 | |
I found it, they're going to find it too. | 0:08:02 | 0:08:06 | |
I'm going to go to the caravan, and get rid of it. | 0:08:11 | 0:08:13 | |
No. No chance. | 0:08:13 | 0:08:15 | |
-Why not? -Why not? Because you're six-month pregnant. | 0:08:15 | 0:08:19 | |
Because it's too risky. | 0:08:19 | 0:08:21 | |
Oh, and this isn't risky? Sat here, doing nothing. | 0:08:21 | 0:08:24 | |
You made a mistake. | 0:08:28 | 0:08:29 | |
It were an accident and you didn't mean to do it. | 0:08:31 | 0:08:36 | |
Steve, I just want this all to go away. | 0:08:37 | 0:08:40 | |
-You know, I want you home. -I know. | 0:08:40 | 0:08:44 | |
And I will do anything to make this happen, OK? | 0:08:44 | 0:08:47 | |
OK. | 0:08:51 | 0:08:52 | |
What are those chains? | 0:08:53 | 0:08:54 | |
What, darlin'? | 0:08:54 | 0:08:56 | |
They've all got chains hanging out of their belts. | 0:08:56 | 0:08:59 | |
Eh, Mase. Look at me, look at me. | 0:08:59 | 0:09:00 | |
How many crisps do you reckon I can fit in my mouth? | 0:09:00 | 0:09:05 | |
Check out your mum. | 0:09:05 | 0:09:06 | |
Do you like my new specs? | 0:09:06 | 0:09:09 | |
MASON GIGGLES | 0:09:09 | 0:09:11 | |
So, why didn't you warn me? | 0:09:15 | 0:09:18 | |
You know, give me a chance to sort things out? | 0:09:18 | 0:09:20 | |
Frannie, it's business. | 0:09:20 | 0:09:21 | |
I know and I know you like to keep things separate, but you haven't. | 0:09:21 | 0:09:25 | |
I am the one left with the mess. | 0:09:25 | 0:09:27 | |
I can't take any money out of the bank. | 0:09:27 | 0:09:28 | |
I've got £10.50 left in my purse, that's all I've got. | 0:09:28 | 0:09:32 | |
It'll be all right. I'll find a way. | 0:09:32 | 0:09:37 | |
Come on, Fran. | 0:09:37 | 0:09:38 | |
They want the house. They're coming back with an eviction notice. | 0:09:40 | 0:09:46 | |
Jesus, are you not listening? If I could do something, I would. | 0:09:46 | 0:09:49 | |
Oh, no, you can't have it both ways. | 0:09:49 | 0:09:51 | |
You're telling me you will fix things, | 0:09:51 | 0:09:53 | |
then you're telling me you can't. | 0:09:53 | 0:09:55 | |
Let me at least try? | 0:09:55 | 0:09:56 | |
I mean there must be something I can do, someone I can talk to. | 0:09:56 | 0:10:00 | |
Let me in. | 0:10:00 | 0:10:02 | |
Talk to your dad. See if he can help you. | 0:10:02 | 0:10:05 | |
Build a bridge. | 0:10:07 | 0:10:09 | |
Nothing's changed, Frannie. | 0:10:11 | 0:10:14 | |
I take care of business. You've just got to sit tight. | 0:10:14 | 0:10:19 | |
Do as you're told. | 0:10:19 | 0:10:21 | |
Bet you'll be glad when you get your car back, eh? | 0:10:29 | 0:10:32 | |
My car's not in the garage. It's, er, it's in a police compound. | 0:10:34 | 0:10:40 | |
They've taken it away. | 0:10:40 | 0:10:41 | |
Are they, are they allowed to do that? | 0:10:43 | 0:10:46 | |
POCA. Proceeds of Crime Act. They can take what they want. | 0:10:47 | 0:10:51 | |
It's pay back time. | 0:10:52 | 0:10:54 | |
I need to get rid of something for Steve. | 0:10:57 | 0:11:00 | |
-No, no. You don't ask me that. -I don't know... | 0:11:00 | 0:11:04 | |
I'll talk to you, get the bus with you. | 0:11:04 | 0:11:06 | |
But we do not have this conversation. | 0:11:06 | 0:11:08 | |
I've spent 20 years not knowing about my own husband's business, | 0:11:08 | 0:11:11 | |
so I definitely do not want to know about yours. | 0:11:11 | 0:11:15 | |
Water. | 0:11:32 | 0:11:33 | |
What? | 0:11:33 | 0:11:35 | |
Destroys evidence. DNA. | 0:11:35 | 0:11:37 | |
CSI. | 0:11:37 | 0:11:39 | |
How do? | 0:11:45 | 0:11:46 | |
What did Dad say? What's he going to do? | 0:11:53 | 0:11:56 | |
There's not a lot he can do. | 0:11:56 | 0:11:58 | |
Course there is. Dad'll fix it. | 0:11:58 | 0:12:00 | |
He's not going to leave us like this, is he? | 0:12:00 | 0:12:03 | |
Got this from the bursar. Skiing trip. | 0:12:05 | 0:12:08 | |
-They need the second part of the payment. -Matt, please, come on. | 0:12:08 | 0:12:12 | |
At least they left the PlayStation. | 0:12:12 | 0:12:15 | |
Yeah. Cos that's really useful without the telly. | 0:12:15 | 0:12:18 | |
So how much does Dad owe the police? | 0:12:25 | 0:12:27 | |
2.3 million. | 0:12:33 | 0:12:34 | |
Do you want something to eat? | 0:12:38 | 0:12:40 | |
'Leave your message after the tone.' | 0:12:50 | 0:12:53 | |
Hi, it's me. | 0:12:53 | 0:12:55 | |
Erm. We've emptied all the cupboards, eaten all the party food. | 0:12:55 | 0:12:59 | |
I'm full of crisps, | 0:12:59 | 0:13:01 | |
and I'm tired and pissed | 0:13:01 | 0:13:04 | |
and I'm scared, Paul. | 0:13:04 | 0:13:07 | |
I don't know what to do | 0:13:09 | 0:13:11 | |
And the kids, they still think you can fix it. | 0:13:11 | 0:13:14 | |
But you can't. | 0:13:14 | 0:13:16 | |
And I don't have the answers. | 0:13:19 | 0:13:22 | |
And.. | 0:13:22 | 0:13:23 | |
'Press one to delete. Press two to save. Press three to re-record.' | 0:13:23 | 0:13:27 | |
You know what gets me. You shut me out | 0:13:27 | 0:13:30 | |
And you treat me like I'm an idiot. | 0:13:30 | 0:13:32 | |
But I'm not, I can do things. | 0:13:32 | 0:13:34 | |
I'm actually a very strong, independent and capable... | 0:13:34 | 0:13:38 | |
Shit. | 0:13:38 | 0:13:40 | |
And you're not going to like this, you're going to go ballistic. | 0:13:40 | 0:13:44 | |
But everything's changed and I can't | 0:13:44 | 0:13:46 | |
I can't, I w... | 0:13:46 | 0:13:47 | |
I won't sit in an empty house doing nothing. | 0:13:47 | 0:13:53 | |
Because that's the scariest thing. | 0:13:53 | 0:13:56 | |
BEEP | 0:13:56 | 0:13:59 | |
So, what sort of skills have you got? | 0:14:05 | 0:14:08 | |
I have some retail experience. I've worked on a cosmetic counter. | 0:14:08 | 0:14:13 | |
And when was that? | 0:14:13 | 0:14:14 | |
19... | 0:14:14 | 0:14:15 | |
-..91. -Anything more recently? | 0:14:19 | 0:14:22 | |
So, we're looking at a bit of a gap in your CV. | 0:14:24 | 0:14:27 | |
Well, I have been a homemaker. | 0:14:27 | 0:14:29 | |
Right, well, some of those skills are certainly transferable. | 0:14:29 | 0:14:34 | |
Let's see what we've got. | 0:14:34 | 0:14:36 | |
For a barrier room, put on new disposable gloves, apron, | 0:14:47 | 0:14:52 | |
start with everything clean. Clean water, cloths, the lot. | 0:14:52 | 0:14:57 | |
FRANCESCA SIGHS | 0:15:08 | 0:15:10 | |
You're slow. | 0:15:10 | 0:15:12 | |
This shift, you're supposed to do four wards and two side rooms. | 0:15:12 | 0:15:15 | |
I'm sorry? | 0:15:15 | 0:15:17 | |
You should be. And you'll need to re-do this. Use scrubber. | 0:15:17 | 0:15:22 | |
It's in sluice room. | 0:15:22 | 0:15:24 | |
HE LAUGHS | 0:15:51 | 0:15:53 | |
Need some help? | 0:15:54 | 0:15:56 | |
Please, I'll drive. | 0:15:58 | 0:16:01 | |
-You ready? -Yeah. | 0:16:01 | 0:16:02 | |
Whoa, whoa, whoa. | 0:16:07 | 0:16:09 | |
You ready? Yeah? | 0:16:13 | 0:16:16 | |
Go for this, you want to go faster? | 0:16:16 | 0:16:18 | |
-Yeah? -No, argh. -Argh. | 0:16:18 | 0:16:20 | |
Jesus. | 0:16:20 | 0:16:22 | |
There you go. | 0:16:22 | 0:16:23 | |
Ah. | 0:17:43 | 0:17:44 | |
GEMMA WIMPERS | 0:17:52 | 0:17:54 | |
KNOCKING ON DOOR | 0:17:54 | 0:17:56 | |
-Why the hell are you here? -Why do you think? | 0:17:58 | 0:18:00 | |
This is my house, my son is sleeping in there. | 0:18:00 | 0:18:04 | |
Just sell me the gear and I'll go. | 0:18:04 | 0:18:05 | |
Are you not listening to me? Get out of my house! | 0:18:05 | 0:18:09 | |
What's your problem? You mad bitch! | 0:18:09 | 0:18:13 | |
Hey! You've got a real problem, you know that? | 0:18:13 | 0:18:18 | |
You best watch yourself, love. I know where you live! | 0:18:18 | 0:18:23 | |
BANGING ON DOOR | 0:18:23 | 0:18:25 | |
-Out late tonight. -Oh. | 0:18:58 | 0:18:59 | |
I... | 0:19:00 | 0:19:02 | |
I've...lost my...dog. | 0:19:07 | 0:19:10 | |
I'll keep my eye out. | 0:19:13 | 0:19:14 | |
I've not had a rollie since I was 18. | 0:19:59 | 0:20:02 | |
Oh, my God. That is absolutely... | 0:20:09 | 0:20:12 | |
Fantastic? | 0:20:12 | 0:20:13 | |
Disgusting. Eurgh. | 0:20:13 | 0:20:16 | |
Oh, I'm having a head rush. | 0:20:18 | 0:20:20 | |
So, have you been a cleaner before? | 0:20:25 | 0:20:27 | |
No. I've not had a job, any kind job for a long time. | 0:20:27 | 0:20:33 | |
-Not really needed to. -No? So, what do you do all day? | 0:20:33 | 0:20:38 | |
I don't know. | 0:20:39 | 0:20:41 | |
Shopping. | 0:20:43 | 0:20:44 | |
Sometimes, I work out. | 0:20:44 | 0:20:47 | |
Swimming, Bodybalance, spinning. | 0:20:47 | 0:20:53 | |
Spinning? | 0:20:53 | 0:20:54 | |
Yeah, you have a bike but it's fixed to the floor and you pedal it. | 0:20:54 | 0:21:00 | |
Should get a real bike. | 0:21:02 | 0:21:04 | |
Deep clean. The Dream Team. | 0:21:11 | 0:21:15 | |
We can only hope, one day, to be as good as that. | 0:21:16 | 0:21:20 | |
HE SPEAKS IN POLISH | 0:21:20 | 0:21:21 | |
What did you say? | 0:21:21 | 0:21:22 | |
I said you're looking very beautiful tonight, Delaine. | 0:21:22 | 0:21:25 | |
What did you really say? | 0:21:31 | 0:21:33 | |
I said she has sex with hedgehogs. | 0:21:33 | 0:21:35 | |
-Working tomorrow night? -Yeah. | 0:21:38 | 0:21:40 | |
That's good. | 0:21:40 | 0:21:42 | |
Better go. | 0:21:44 | 0:21:46 | |
Hi. | 0:21:59 | 0:22:00 | |
Are you OK? | 0:22:00 | 0:22:04 | |
I thought you'd be in bed. I were waiting. | 0:22:04 | 0:22:07 | |
I was in the area. | 0:22:09 | 0:22:11 | |
Thought I'd pop by. You said where you lived. | 0:22:13 | 0:22:16 | |
Yeah. | 0:22:18 | 0:22:19 | |
I'd invite you in but they've taken all the furniture | 0:22:19 | 0:22:22 | |
and there's nowhere to sit. | 0:22:22 | 0:22:24 | |
It's OK. | 0:22:24 | 0:22:25 | |
I'm a bit muddy. | 0:22:27 | 0:22:28 | |
I'm assuming you got rid of whatever it was you needed to. | 0:22:34 | 0:22:39 | |
We can't have this conversation. | 0:22:39 | 0:22:42 | |
Just didn't want to be on my own. | 0:22:45 | 0:22:48 | |
One of them nights. | 0:22:48 | 0:22:49 | |
Oh. Yes, yes! | 0:22:51 | 0:22:54 | |
Oh, yes. | 0:22:54 | 0:22:56 | |
Matt's girlfriend. Saskia. | 0:22:56 | 0:22:58 | |
Oh, golly, oh, yes! | 0:22:58 | 0:23:00 | |
Yes, oh, gosh! Oh, golly, oh! | 0:23:00 | 0:23:04 | |
Private school. | 0:23:04 | 0:23:06 | |
Suppose I better go home. | 0:23:09 | 0:23:11 | |
All right, girls? Bit early. | 0:23:12 | 0:23:15 | |
That's Fat Bob. He's a present from the bailiffs. | 0:23:20 | 0:23:24 | |
Oh, God, sorry, I've got to go. | 0:23:24 | 0:23:27 | |
Mum and Dad, bye. | 0:23:27 | 0:23:29 | |
Bye. | 0:23:31 | 0:23:32 | |
I should, I should go. | 0:23:36 | 0:23:38 | |
Thanks for the... | 0:23:38 | 0:23:40 | |
step. | 0:23:40 | 0:23:42 | |
You're welcome. | 0:23:42 | 0:23:44 | |
-Matt? -Yeah? | 0:24:00 | 0:24:02 | |
Your bedroom window was wide open, | 0:24:14 | 0:24:16 | |
and your sister's room is right next door. | 0:24:16 | 0:24:18 | |
-God's sake, Mum. -No, it is about respect, Matthew. | 0:24:18 | 0:24:20 | |
I'm going out. | 0:24:20 | 0:24:22 | |
Well, I've not washed those yet. | 0:24:22 | 0:24:24 | |
Course you haven't. | 0:24:24 | 0:24:26 | |
I know why you're being like this. | 0:24:26 | 0:24:28 | |
You're angry and scared and everything's changing. | 0:24:28 | 0:24:31 | |
I'm not scared. But why you saying that? | 0:24:31 | 0:24:34 | |
Just cos you're not getting any. | 0:24:34 | 0:24:36 | |
-I'm going to Saskia's. -Matt. | 0:24:39 | 0:24:41 | |
Matt. | 0:24:43 | 0:24:45 | |
-I'm sorry. -What the hell is wrong with you? | 0:24:48 | 0:24:51 | |
Lauren, where are you going? | 0:25:03 | 0:25:05 | |
ALARM RINGS | 0:25:35 | 0:25:38 | |
Hiya. Is it your first time? Who are you here to see, love? | 0:26:10 | 0:26:15 | |
-Gavin Allison, he's my son. -OK. | 0:26:15 | 0:26:18 | |
-Right, lovie. Don't forget to take your jewellery off. -Oh. | 0:26:18 | 0:26:22 | |
-Yeah, put it in the locker. -Thank, thank you. | 0:26:22 | 0:26:25 | |
-Do you want me to? Come here. -Oh, thank you. -It's a bit stiff. | 0:26:38 | 0:26:42 | |
-There you go. -Oh, thank you. so much. | 0:26:42 | 0:26:45 | |
It's my, my first time. It's all a bit of a... | 0:26:47 | 0:26:52 | |
My son Gavin, he wants to see me. | 0:26:52 | 0:26:54 | |
You can't take those in. | 0:26:54 | 0:26:56 | |
Oh. They're his favourite. He likes them with golden syrup | 0:26:56 | 0:27:02 | |
You can buy stuff in there. There's a tea bar. | 0:27:02 | 0:27:05 | |
It's expensive but, you know. | 0:27:05 | 0:27:07 | |
Thank you. | 0:27:07 | 0:27:09 | |
You're very kind. | 0:27:11 | 0:27:13 | |
Right, step through and wait there on the box. | 0:27:15 | 0:27:21 | |
-Arms up. Arms up. -It's all right. | 0:27:21 | 0:27:25 | |
Right, shoes. | 0:27:32 | 0:27:33 | |
Step through and wait there. | 0:27:34 | 0:27:37 | |
-Sorry? -Turn around. -Oh. | 0:27:38 | 0:27:40 | |
Oh. Sorry. | 0:27:47 | 0:27:49 | |
This is Pip, he's just going to have a quick sniff. | 0:27:49 | 0:27:53 | |
Oh. He must smell my Basil. | 0:28:01 | 0:28:04 | |
GENERAL CHATTER | 0:28:12 | 0:28:15 | |
So, what did he say then? Your old man. When you rang him. | 0:28:19 | 0:28:22 | |
Or did you go round? | 0:28:26 | 0:28:28 | |
Fran? | 0:28:28 | 0:28:29 | |
I didn't go to Dad's. | 0:28:31 | 0:28:32 | |
I, er, I got a job. | 0:28:33 | 0:28:38 | |
Went to a recruitment agency, | 0:28:38 | 0:28:40 | |
and I told them I needed something straightaway. | 0:28:40 | 0:28:42 | |
So, er, yeah. I started last night...cleaner. | 0:28:42 | 0:28:45 | |
Well, they call it a domestic operative but that's what it is. | 0:28:45 | 0:28:49 | |
So, yeah, I'm cleaning the bathrooms and the wards at the Ranmoor. | 0:28:49 | 0:28:53 | |
And when were you thinking of telling me? | 0:28:53 | 0:28:56 | |
-I'm telling you now. -What? You didn't think we should talk about it? | 0:28:56 | 0:29:00 | |
-You didn't think I'd have a view? -Oh, yeah, I knew you'd have a view. | 0:29:00 | 0:29:04 | |
I knew you'd have exactly this view. | 0:29:04 | 0:29:07 | |
But you don't need to worry. Don't need to be embarrassed | 0:29:07 | 0:29:10 | |
cos nobody will know about it. | 0:29:10 | 0:29:11 | |
It's just a little job. | 0:29:11 | 0:29:14 | |
I told you to sit tight. | 0:29:14 | 0:29:16 | |
What? In the dark. Going hungry. | 0:29:17 | 0:29:21 | |
Paul, I can't sit at home doing nothing. | 0:29:21 | 0:29:23 | |
I've got no money. | 0:29:23 | 0:29:25 | |
No credit, I can't go shopping, | 0:29:25 | 0:29:27 | |
Matt is having an eppy about that skiing trip. | 0:29:27 | 0:29:30 | |
What skiing trip? What you talking about? | 0:29:30 | 0:29:32 | |
So, this, er, this job. Who you working with? | 0:29:36 | 0:29:40 | |
What sort of people? | 0:29:41 | 0:29:43 | |
Just a load of Asian ladies. | 0:29:43 | 0:29:46 | |
Any blokes? | 0:29:46 | 0:29:48 | |
Don't do this. | 0:29:51 | 0:29:53 | |
PAUL SIGHS | 0:29:56 | 0:29:57 | |
Oh, Gem, you clever, clever girl. | 0:29:59 | 0:30:02 | |
My brief says without the gun, they can't do anything, | 0:30:07 | 0:30:11 | |
they can't build a case against me. It's all circumstantial. | 0:30:11 | 0:30:14 | |
It's not going to be enough. | 0:30:14 | 0:30:16 | |
Hey, come here. | 0:30:16 | 0:30:18 | |
What? | 0:30:22 | 0:30:24 | |
Don't you ever put me in that position again. | 0:30:24 | 0:30:26 | |
I'll not. I promise. | 0:30:28 | 0:30:31 | |
You better not. | 0:30:33 | 0:30:35 | |
-Sorry. -I'm afraid he won't come out of his cell. | 0:30:43 | 0:30:46 | |
What? | 0:30:46 | 0:30:48 | |
He said try again next week. | 0:30:48 | 0:30:49 | |
Oh, right. | 0:30:49 | 0:30:51 | |
Do you want to come with me? Save you sitting here on your tod. | 0:30:51 | 0:30:56 | |
Y-Yes, yes, of course, thank you so much. | 0:30:56 | 0:30:59 | |
I'm so sorry for wasting your time. | 0:30:59 | 0:31:03 | |
When will I be able to ring you? | 0:31:14 | 0:31:15 | |
What are the hours? How do I know when I can get in touch with you? | 0:31:15 | 0:31:18 | |
Well, it's night shifts. | 0:31:18 | 0:31:20 | |
-So, you can call me during the day. -What you're working nights? -Yeah. | 0:31:20 | 0:31:25 | |
You know what is it, Paul? | 0:31:25 | 0:31:26 | |
Is it me cleaning, or is it that I'm working | 0:31:26 | 0:31:28 | |
or is it just cos I didn't run it passed you? | 0:31:28 | 0:31:31 | |
How about a little, "Well done, | 0:31:31 | 0:31:33 | |
"well done for rolling up your sleeves up. | 0:31:33 | 0:31:35 | |
"Well done for trying to bail us out of this mess." | 0:31:35 | 0:31:37 | |
I told you, my hands are tied. | 0:31:37 | 0:31:39 | |
Yeah, well, mine aren't. And I cannot afford your ego. | 0:31:39 | 0:31:44 | |
You know, I enjoyed it. | 0:31:48 | 0:31:50 | |
Last night. | 0:31:51 | 0:31:53 | |
I was dreading it but I ended up having a laugh. | 0:31:53 | 0:31:57 | |
I had more fun cleaning shit off the floor for money | 0:31:57 | 0:32:00 | |
than I've had in years. | 0:32:00 | 0:32:02 | |
What does that say about my life? | 0:32:04 | 0:32:07 | |
Ladies and gentlemen, time's up. | 0:32:10 | 0:32:13 | |
Thanks. | 0:32:23 | 0:32:25 | |
Thanks for coming. | 0:32:25 | 0:32:28 | |
Well, I'll see you next week. | 0:32:30 | 0:32:32 | |
'Night, night, little monkey, sweet dreams. | 0:33:34 | 0:33:37 | |
'Tomorrow will be a brand new day.' | 0:33:37 | 0:33:40 | |
Shall we say good night to Daddy? | 0:33:46 | 0:33:48 | |
Night, night, Daddy. Love you. | 0:33:50 | 0:33:53 | |
Night, night. | 0:33:53 | 0:33:54 | |
Did you hear him? | 0:33:56 | 0:33:57 | |
I heard him. I definitely heard him. | 0:33:59 | 0:34:02 | |
I didn't hear him. | 0:34:02 | 0:34:04 | |
Well, you weren't listening, he was definitely there. | 0:34:04 | 0:34:07 | |
Come on, go to sleep, little monkey. | 0:34:07 | 0:34:10 | |
MUSIC: "Dangervisit" by Archive | 0:34:22 | 0:34:25 | |
FRANCESCA GIGGLES | 0:34:33 | 0:34:35 | |
Ah! | 0:34:42 | 0:34:43 | |
Argh. Yeah. | 0:34:43 | 0:34:46 | |
Time for lock up. | 0:35:06 | 0:35:07 | |
LOU SIGHS | 0:36:30 | 0:36:32 | |
I can't believe it, you're actually criticising my mop action. | 0:37:53 | 0:37:56 | |
You're outrageous, you are. | 0:37:56 | 0:37:58 | |
You want to hang out? Sometime, after work. | 0:38:00 | 0:38:04 | |
Hang out? How old are you? | 0:38:04 | 0:38:07 | |
If you had any idea why, on so many levels, I can't do that. | 0:38:07 | 0:38:10 | |
What are you afraid of? | 0:38:12 | 0:38:14 | |
I'm not. | 0:38:14 | 0:38:16 | |
It's just, well, trust me, | 0:38:16 | 0:38:19 | |
it's not a good idea for us to go out with each other. | 0:38:19 | 0:38:21 | |
It's OK. No-one is looking at us. | 0:38:21 | 0:38:24 | |
We're nobodies. | 0:38:24 | 0:38:27 | |
Come to mine. I'll make you lunch. | 0:38:29 | 0:38:32 | |
Here. | 0:38:33 | 0:38:34 | |
-You're a liar! -I'm not a liar, I'm not! | 0:38:42 | 0:38:44 | |
A stinky little liar. | 0:38:44 | 0:38:45 | |
I wouldn't say a fight, exactly. | 0:38:45 | 0:38:47 | |
Then what exactly? If it wasn't a fight. | 0:38:47 | 0:38:49 | |
It was more of a kerfuffle. | 0:38:49 | 0:38:51 | |
A kerfuffle? | 0:38:51 | 0:38:53 | |
Mason told another boy that his dad was working for Sheffield United. | 0:38:54 | 0:38:59 | |
Where is he? Where's Mason now? | 0:38:59 | 0:39:01 | |
We understand that all children need to make up stories, | 0:39:01 | 0:39:05 | |
especially in times of stress. | 0:39:05 | 0:39:08 | |
Which is why we were thinking | 0:39:08 | 0:39:09 | |
that Mason might benefit from talking to someone. | 0:39:09 | 0:39:12 | |
And, luckily, our emotional literacy lady's here today, so... | 0:39:12 | 0:39:15 | |
Where's my son? | 0:39:15 | 0:39:16 | |
I hate Monday mornings. | 0:39:16 | 0:39:18 | |
Now, you throw the ball to me, Mason, and as you let go, | 0:39:18 | 0:39:21 | |
you tell me something you don't like. | 0:39:21 | 0:39:24 | |
Drop the ball, Mason. | 0:39:24 | 0:39:26 | |
-And you must be Mum? -I'm sorry, she insisted. | 0:39:26 | 0:39:29 | |
Drop the ball and come over here. | 0:39:29 | 0:39:30 | |
We don't need any games or balls or hippies asking us questions. | 0:39:33 | 0:39:39 | |
Come on. | 0:39:39 | 0:39:40 | |
Miss Bell, I can assure you, we're just trying | 0:39:42 | 0:39:44 | |
to support Mason during these special circumstances. | 0:39:44 | 0:39:47 | |
What's she saying? Special circ... | 0:39:47 | 0:39:49 | |
Nothing, Mase, she's not saying anything. | 0:39:49 | 0:39:51 | |
We're only trying to help. | 0:39:51 | 0:39:53 | |
Yeah? You really want to help? | 0:39:53 | 0:39:56 | |
Then why don't you all piss off! | 0:39:56 | 0:40:00 | |
Oh, God. | 0:40:21 | 0:40:23 | |
TELEPHONE RINGS | 0:40:27 | 0:40:29 | |
'Fran, where are you? Fran, pick up. Pick up! | 0:40:30 | 0:40:37 | |
'You should be there when I call.' | 0:40:37 | 0:40:40 | |
FRANCESCA SIGHS | 0:40:54 | 0:40:56 | |
Oh. | 0:41:01 | 0:41:02 | |
How do? | 0:41:08 | 0:41:09 | |
Aren't you going to school this morning? | 0:41:11 | 0:41:13 | |
Told you. Inset day. | 0:41:13 | 0:41:16 | |
Going round to Millie's later. | 0:41:16 | 0:41:18 | |
Ah, right. | 0:41:18 | 0:41:19 | |
I might visit a friend from work. Lunch. | 0:41:22 | 0:41:26 | |
Do you want me to make you a sandwich before I go? | 0:41:27 | 0:41:30 | |
You should get dressed. | 0:41:32 | 0:41:34 | |
Got nothing clean. | 0:41:34 | 0:41:36 | |
Hello. | 0:42:16 | 0:42:17 | |
Hi. | 0:42:17 | 0:42:19 | |
Home, sweet home. | 0:42:41 | 0:42:44 | |
-Would you like a drink? -Yeah. | 0:42:48 | 0:42:51 | |
MUSIC: "Amazing" by Aerosmith | 0:42:51 | 0:42:55 | |
-Oh. -Sorry. Sorry. | 0:43:03 | 0:43:05 | |
Let me. | 0:43:07 | 0:43:08 | |
-Do you like fish? -Yeah. Fish and seafood. | 0:43:19 | 0:43:23 | |
How about carp? | 0:43:27 | 0:43:29 | |
Yeah. | 0:43:35 | 0:43:37 | |
So, I take it off the hook and when I look up, they are all watching me, | 0:43:43 | 0:43:47 | |
all the fishermen with their big rods. | 0:43:47 | 0:43:49 | |
And then, they're shouting. | 0:43:49 | 0:43:51 | |
Like I'm the crazy one for catching a fish and taking it home to eat. | 0:43:51 | 0:43:56 | |
What is wrong with these people? Catching a fish. Putting it back. | 0:43:56 | 0:44:01 | |
It's like you with your bicycle that goes nowhere. | 0:44:01 | 0:44:05 | |
So, what did you do? | 0:44:06 | 0:44:08 | |
I put the carp in my pocket and I run. | 0:44:09 | 0:44:12 | |
And they're all chasing me and I'm very scared | 0:44:12 | 0:44:15 | |
cos if they catch me, it's not going to be good. | 0:44:15 | 0:44:19 | |
But it was also fun, you know? | 0:44:20 | 0:44:23 | |
That feeling you get inside when you know you're breaking the rules. | 0:44:23 | 0:44:27 | |
The moths. | 0:44:27 | 0:44:28 | |
Butterflies. | 0:44:29 | 0:44:31 | |
Those as well. | 0:44:32 | 0:44:33 | |
See you soon. | 0:44:46 | 0:44:47 | |
TELEPHONE RINGS | 0:44:58 | 0:45:01 | |
-Hello? -Frannie? -It's Lauren. | 0:45:01 | 0:45:05 | |
-Lauren? -Your daughter. | 0:45:05 | 0:45:08 | |
Sorry. It's just I was expecting your mum. | 0:45:08 | 0:45:13 | |
-Are you all right? What you up to? -Nothing. Playing with Pebbles. | 0:45:13 | 0:45:17 | |
Pebbles. Don't tell me, she's climbing up curtain again. | 0:45:17 | 0:45:21 | |
She's not a kitten any more. | 0:45:21 | 0:45:22 | |
No, of course she's not. | 0:45:24 | 0:45:27 | |
So, er, how's your brother? | 0:45:29 | 0:45:33 | |
All right. He's at Saskia's. | 0:45:33 | 0:45:37 | |
-Saskia? That's his girlfriend, yeah? -Yeah. | 0:45:37 | 0:45:40 | |
You want to put your mum on? | 0:45:43 | 0:45:45 | |
Can't. Not here. | 0:45:45 | 0:45:47 | |
-What do you mean she's not there? -She's gone out. | 0:45:47 | 0:45:50 | |
-Where? -Dunno. | 0:45:50 | 0:45:52 | |
You must know where she's gone? Didn't she tell you? | 0:45:52 | 0:45:54 | |
Oh, yeah. She went out for lunch or something. | 0:45:54 | 0:45:58 | |
Someone from work. | 0:45:58 | 0:46:00 | |
Right, I'll speak to you later. | 0:46:01 | 0:46:05 | |
Oh, ah. | 0:46:58 | 0:47:00 | |
Francesca, what's the matter? | 0:47:00 | 0:47:02 | |
FRANCESCA SOBS | 0:47:09 | 0:47:12 | |
Sorry. | 0:47:31 | 0:47:32 | |
-I don't know... -It's OK. You don't have to feel guilty. | 0:47:32 | 0:47:35 | |
I do. I do have to feel guilty. | 0:47:35 | 0:47:38 | |
I have a husband. I'm married. | 0:47:40 | 0:47:43 | |
My wife. My daughter. | 0:47:51 | 0:47:54 | |
And your husband. Where is he? | 0:48:01 | 0:48:03 | |
He's... | 0:48:05 | 0:48:07 | |
I shouldn't have used you. | 0:48:13 | 0:48:15 | |
I've just been having a really bad time. | 0:48:16 | 0:48:18 | |
I'm going to work the week out, I'm going to find another job. | 0:48:18 | 0:48:22 | |
-You don't have to. -I do. | 0:48:22 | 0:48:24 | |
Sorry. | 0:48:32 | 0:48:34 | |
FRANCESCA SIGHS | 0:48:38 | 0:48:41 | |
HE EXHALES | 0:48:41 | 0:48:43 | |
Mum? | 0:48:58 | 0:49:00 | |
Mum? | 0:49:00 | 0:49:01 | |
Are we going to have to move? | 0:49:10 | 0:49:13 | |
Looks like it. | 0:49:13 | 0:49:16 | |
Will I have to change schools? | 0:49:18 | 0:49:20 | |
Probably, yeah. | 0:49:21 | 0:49:22 | |
If we're really short of money and everything, can I sell my violin? | 0:49:25 | 0:49:29 | |
Not on your life. | 0:49:31 | 0:49:33 | |
Come here. | 0:49:33 | 0:49:34 | |
I'm not being fair to your dad. | 0:49:41 | 0:49:43 | |
He tries to do the best for us but... | 0:49:45 | 0:49:48 | |
..it's hard for him too. | 0:49:50 | 0:49:53 | |
Stuck in there, powerless. | 0:49:53 | 0:49:57 | |
It's all out of his control. | 0:49:58 | 0:50:01 | |
He can't show how much he loves us. | 0:50:01 | 0:50:04 | |
Is Lukasz in tonight or did he call in sick? | 0:50:37 | 0:50:41 | |
Oh, hi, I'm a friend of Lukasz. | 0:50:48 | 0:50:50 | |
-He didn't come into work. -Upstairs. -Is he all right? | 0:50:50 | 0:50:54 | |
KNOCKING ON DOOR | 0:50:56 | 0:50:57 | |
HE SPEAKS IN POLISH | 0:50:57 | 0:50:59 | |
Your husband. | 0:51:09 | 0:51:10 | |
Oh, God. I'm sorry. | 0:51:10 | 0:51:13 | |
Do you need a doctor? | 0:51:16 | 0:51:18 | |
My wife is coming. She's a nurse. | 0:51:18 | 0:51:24 | |
She'll take care for me. | 0:51:24 | 0:51:26 | |
You can go. | 0:51:37 | 0:51:39 | |
Cuts, bruises, he could barely move. | 0:52:07 | 0:52:10 | |
Teach him to touch my wife then, won't it? | 0:52:10 | 0:52:12 | |
He had nothing to do with it. He was just a bystander in our mess. | 0:52:12 | 0:52:15 | |
Try saying that with his cock in your mouth. | 0:52:15 | 0:52:18 | |
I didn't do anything. I didn't sleep with him. | 0:52:18 | 0:52:22 | |
But you wanted to? | 0:52:22 | 0:52:23 | |
Yeah, course I did, cos I've not been touched in six years. | 0:52:23 | 0:52:28 | |
Nothing happened. | 0:52:28 | 0:52:29 | |
You can dress it up all you want. You still cheated. | 0:52:29 | 0:52:32 | |
Yeah. You still got someone beaten up so you could feel better about yourself. | 0:52:32 | 0:52:36 | |
I feel fine. | 0:52:36 | 0:52:38 | |
That's not who you are. | 0:52:41 | 0:52:43 | |
That's not the man I married. | 0:52:43 | 0:52:45 | |
DOOR SLAMS | 0:52:55 | 0:52:58 | |
Right forefinger in the reader. | 0:53:03 | 0:53:05 | |
Take it out. | 0:53:05 | 0:53:07 | |
Hello, love. | 0:53:09 | 0:53:10 | |
Oh, Gavin, you look so pale. | 0:53:20 | 0:53:23 | |
Are you ill? If you're ill, you need to see a doctor. | 0:53:25 | 0:53:29 | |
Someone needs to see you. | 0:53:29 | 0:53:31 | |
Are you eating? What's the food like? | 0:53:32 | 0:53:37 | |
-Mummy swore at a teacher. -Mason! -You did. | 0:53:43 | 0:53:48 | |
Eh, Mase, why don't you go and have a play? | 0:53:48 | 0:53:52 | |
Catch a fish for me and your mum? | 0:53:54 | 0:53:56 | |
-What you been up to? -Nothing. -Oh, don't lie. | 0:54:02 | 0:54:07 | |
Look, remember what we said, yeah? He needs his mum. | 0:54:07 | 0:54:11 | |
So no spinning out, shouting at teachers. | 0:54:11 | 0:54:14 | |
-Straight and narrow until I'm out. -I am. -Well, you better be. | 0:54:14 | 0:54:18 | |
Otherwise what's been the point in all of this? | 0:54:18 | 0:54:21 | |
I never asked you to, all right? | 0:54:21 | 0:54:23 | |
It was your own stupid fault for taking it out my pocket. | 0:54:23 | 0:54:26 | |
I could've dealt with the police. I didn't need you stepping in. | 0:54:26 | 0:54:29 | |
-Lou. -Rescuing me. Doing my time. | 0:54:29 | 0:54:33 | |
And you know why I am? | 0:54:33 | 0:54:35 | |
Eh? | 0:54:36 | 0:54:37 | |
Cos I love you. | 0:54:40 | 0:54:41 | |
And I love him. | 0:54:41 | 0:54:44 | |
And I'd do anything to keep you together. | 0:54:44 | 0:54:46 | |
Big drama in the street. | 0:54:50 | 0:54:52 | |
Next-door-but-one cat's gone missing. | 0:54:52 | 0:54:54 | |
Think it's the foxes. I've heard them over the back, | 0:54:54 | 0:54:57 | |
they've been making that squealing noise, you know. | 0:54:57 | 0:55:00 | |
I mean, I know next-door-but-one are very upset about their cat | 0:55:00 | 0:55:03 | |
but that's the thing about a fox, isn't it? | 0:55:03 | 0:55:05 | |
-Natural predator. What can you do? -Are you happy now? | 0:55:05 | 0:55:08 | |
Please, Gavin. | 0:55:10 | 0:55:12 | |
This is all your fault, Mum. I'm in here cos of you. | 0:55:13 | 0:55:17 | |
I get it. The money goes and it all turns to shit. | 0:55:24 | 0:55:27 | |
Oh, this is nothing to do with the money. | 0:55:27 | 0:55:29 | |
I wish it was, cos then we could fix it. | 0:55:29 | 0:55:31 | |
What? What? So, this is it? | 0:55:31 | 0:55:34 | |
You just chuck it away? 18 years of marriage. | 0:55:35 | 0:55:38 | |
You call two hours a week a marriage? | 0:55:38 | 0:55:41 | |
Do y'know every conversation, every minute I've had with you | 0:55:41 | 0:55:45 | |
in the last six years, we've had a table between us. | 0:55:45 | 0:55:49 | |
And I'm sick of it. | 0:55:49 | 0:55:51 | |
I'm sick of the small talk and the crisps | 0:55:53 | 0:55:56 | |
and you sat there, smelling of cheap Lynx like some teenager on a date. | 0:55:56 | 0:56:01 | |
No. | 0:56:04 | 0:56:05 | |
No, you can't do this, you can't. | 0:56:06 | 0:56:08 | |
Come in here and talk to me like this. | 0:56:08 | 0:56:11 | |
Who the hell do you think you are, Frannie? | 0:56:12 | 0:56:15 | |
I don't know. | 0:56:16 | 0:56:18 | |
I'm just, er, someone who... | 0:56:22 | 0:56:27 | |
shops and cleans and... | 0:56:27 | 0:56:29 | |
..waits in for phone calls and... | 0:56:31 | 0:56:33 | |
..someone whose life is getting smaller and smaller every day. | 0:56:35 | 0:56:38 | |
Someone who visits her husband, week after week, year after year | 0:56:41 | 0:56:46 | |
and has absolutely nothing left to say. | 0:56:46 | 0:56:51 | |
Gavin? My son, I think he's in trouble. | 0:57:45 | 0:57:47 | |
They're all in trouble, why do you think they're in here? | 0:57:47 | 0:57:51 | |
They're getting social services onto me, thanks very much. | 0:57:51 | 0:57:53 | |
I haven't said anything. | 0:57:53 | 0:57:55 | |
-It is our responsibility to investigate. -Investigate this. | 0:57:55 | 0:57:58 | |
You are the one that needs to grow up. | 0:57:58 | 0:58:00 | |
Yeah, I am doing. We need help. | 0:58:00 | 0:58:03 | |
I didn't raise my daughter to be some gangster's moll who knew | 0:58:03 | 0:58:06 | |
the price of everything but the value of bugger all. | 0:58:06 | 0:58:09 | |
I don't need any help. Not from her. Not from no-one. | 0:58:09 | 0:58:11 | |
No, you don't need it, but it's OK to ask for it now and again, Lou. | 0:58:11 | 0:58:15 | |
Andy? | 0:58:15 | 0:58:17 | |
Anybody there? | 0:58:17 | 0:58:19 | |
-He'll protect me if I... -If you what? | 0:58:22 | 0:58:26 | |
Make it worth his while. | 0:58:26 | 0:58:27 | |
Drugs. A visitor would have to bring us some in. | 0:58:27 | 0:58:31 | |
-Inside you. -No! | 0:58:31 | 0:58:34 | |
Subtitles by Red Bee Media Ltd | 0:58:41 | 0:58:45 |