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This programme contains scenes which some viewers may find upsetting from the start. | 0:00:02 | 0:00:07 | |
BOLT UNLOCKS | 0:01:05 | 0:01:08 | |
SCRAPING | 0:01:14 | 0:01:16 | |
Hello? | 0:01:19 | 0:01:20 | |
Who's here? | 0:01:25 | 0:01:26 | |
CLANG | 0:01:30 | 0:01:32 | |
HUMMING AND ECHOING | 0:01:35 | 0:01:38 | |
FAINT WHOOSH | 0:02:07 | 0:02:08 | |
HE GASPS | 0:02:08 | 0:02:10 | |
UNEARTHLY SOUNDS | 0:02:10 | 0:02:12 | |
STATIC | 0:02:15 | 0:02:16 | |
CRACKING, WHOOSH | 0:02:16 | 0:02:18 | |
Mr Dean! | 0:02:44 | 0:02:45 | |
FAINT UNEARTHLY NOISE | 0:02:47 | 0:02:49 | |
Ewan! What are you doing? | 0:02:51 | 0:02:53 | |
EERIE DISEMBODIED SOUNDS | 0:02:55 | 0:02:58 | |
Mr Dean? | 0:02:58 | 0:03:00 | |
No! | 0:03:00 | 0:03:01 | |
No, no, no, no! | 0:03:03 | 0:03:04 | |
MOBILE VIBRATES | 0:04:07 | 0:04:10 | |
SHE SIGHS | 0:04:13 | 0:04:15 | |
Mum. Hi. | 0:04:16 | 0:04:18 | |
You all right? I thought it was just going to go on voice mail. | 0:04:18 | 0:04:21 | |
Yeah. | 0:04:21 | 0:04:23 | |
Sorry. I, erm... | 0:04:23 | 0:04:24 | |
I had a late rehearsal. | 0:04:26 | 0:04:27 | |
Well, I'm here now, so... | 0:04:27 | 0:04:29 | |
I thought we were meeting at nine. | 0:04:29 | 0:04:30 | |
I'm so sorry. | 0:04:30 | 0:04:32 | |
TAPPING | 0:04:32 | 0:04:34 | |
Tilly. | 0:04:34 | 0:04:36 | |
Be there... I'll be over in ten. | 0:04:36 | 0:04:38 | |
-OK? -All right, I'll put the order in. | 0:04:38 | 0:04:40 | |
Morning. How do you like your eggs? | 0:04:43 | 0:04:46 | |
You look tired, Tilly. | 0:04:51 | 0:04:52 | |
Well, it's been a big week. | 0:04:53 | 0:04:56 | |
Mm, I heard you on the radio. | 0:04:56 | 0:04:58 | |
Oh, first class, you were. | 0:04:58 | 0:05:00 | |
Mind you, that interviewer, calling your playing faddish, I... | 0:05:03 | 0:05:07 | |
Mum, a bit of controversy is good. | 0:05:07 | 0:05:09 | |
Gets me noticed. | 0:05:09 | 0:05:10 | |
You know what I'm like before your shows. | 0:05:12 | 0:05:14 | |
Well, you'd think it was me that had to perform. | 0:05:14 | 0:05:17 | |
It's fine. | 0:05:17 | 0:05:18 | |
We can be nervous together. | 0:05:20 | 0:05:22 | |
MOBILE RINGS I've got to go, that's my car, | 0:05:24 | 0:05:27 | |
they need me early for the sound check with the recording thing... | 0:05:27 | 0:05:30 | |
You're so tall. | 0:05:30 | 0:05:31 | |
I think I've been this height for about eight years. | 0:05:34 | 0:05:37 | |
MUM LAUGHS Maybe you're getting shorter. | 0:05:37 | 0:05:40 | |
Do you remember when you first started with Mrs Girard | 0:05:41 | 0:05:44 | |
and we used to go to that curry place | 0:05:44 | 0:05:46 | |
after you'd finished your lessons? | 0:05:46 | 0:05:48 | |
Oh, Empress of India. You'd always get me a mango lassi. | 0:05:48 | 0:05:51 | |
I was walking past the other day, they're still open... | 0:05:51 | 0:05:54 | |
..so I...I went in and I booked us a table for lunch tomorrow. | 0:05:55 | 0:05:59 | |
Tomorrow? | 0:05:59 | 0:06:01 | |
-Oh, you're busy? -Oh. No, erm... | 0:06:01 | 0:06:04 | |
No, no, no, I can shift some stuff. | 0:06:04 | 0:06:06 | |
-Are you sure? -Yeah, of course. | 0:06:06 | 0:06:08 | |
Wouldn't want to miss out on a mango lassi. | 0:06:08 | 0:06:10 | |
I've got to go, the car's waiting. | 0:06:10 | 0:06:12 | |
Oh! | 0:06:12 | 0:06:13 | |
INHALES | 0:06:13 | 0:06:15 | |
Tilly. | 0:06:16 | 0:06:17 | |
Have you started smoking again? | 0:06:17 | 0:06:19 | |
No. | 0:06:19 | 0:06:20 | |
So he made you breakfast? | 0:06:33 | 0:06:36 | |
Many would consider that positive. | 0:06:36 | 0:06:38 | |
He went through my fridge and used all my kitchen stuff. | 0:06:38 | 0:06:41 | |
That's so intimate. | 0:06:41 | 0:06:43 | |
And shagging him wasn't? | 0:06:43 | 0:06:45 | |
You sort of expect them just to slink away in the morning. | 0:06:45 | 0:06:47 | |
Not hang around to make hollandaise sauce. | 0:06:48 | 0:06:51 | |
What a sordid life you lead. | 0:06:51 | 0:06:53 | |
I had to chase him out in the end. | 0:06:53 | 0:06:55 | |
I made up this excuse about a doctor's appointment. | 0:06:55 | 0:06:57 | |
You know we can hear every word you're saying. | 0:06:57 | 0:06:59 | |
Well...I'm glad that you've got your one thrill for the week, Dave. | 0:07:01 | 0:07:05 | |
And as much as I need those thrills, can I just have some music instead? | 0:07:05 | 0:07:09 | |
PIANIST CLEARS THROAT | 0:07:09 | 0:07:11 | |
SHE PLAYS CELLO | 0:07:14 | 0:07:17 | |
CD PLAYER PLAYS CELLO MUSIC | 0:07:44 | 0:07:47 | |
CD SKIPS | 0:08:13 | 0:08:16 | |
EERIE GUTTURAL NOISE, STATIC | 0:08:18 | 0:08:20 | |
SILENCE | 0:08:21 | 0:08:23 | |
CLICK, MUSIC RESTARTS | 0:08:23 | 0:08:27 | |
RAPID WHISPERING | 0:08:29 | 0:08:32 | |
CRACKING | 0:08:43 | 0:08:46 | |
RUSTLING | 0:09:28 | 0:09:31 | |
BUZZING | 0:09:33 | 0:09:36 | |
HARSH UNEARTHLY SHRIEK | 0:09:39 | 0:09:43 | |
CELLO CONTINUES | 0:09:43 | 0:09:45 | |
So... | 0:09:52 | 0:09:54 | |
your mum. | 0:09:54 | 0:09:55 | |
You tell her about New York? | 0:09:55 | 0:09:56 | |
I will tonight. Yeah, after the show. | 0:09:58 | 0:10:01 | |
She should be glad for you. | 0:10:01 | 0:10:02 | |
She will be. | 0:10:04 | 0:10:05 | |
It's an incredible opportunity, Mum. | 0:10:47 | 0:10:49 | |
And, er... | 0:10:51 | 0:10:53 | |
And it's only for a year. | 0:10:53 | 0:10:54 | |
So I'll be back before you know it. | 0:10:55 | 0:10:57 | |
Even if you could afford to relocate, | 0:10:59 | 0:11:01 | |
this is something that I want to do on my own. | 0:11:01 | 0:11:03 | |
It's a big crowd. | 0:11:06 | 0:11:07 | |
Ready? | 0:11:09 | 0:11:10 | |
No. | 0:11:13 | 0:11:14 | |
I'm not. | 0:11:15 | 0:11:16 | |
RUSTLING | 0:11:33 | 0:11:35 | |
STATIC HUM | 0:11:52 | 0:11:54 | |
Matilda? | 0:11:56 | 0:11:57 | |
Mum! You gave me a scare. | 0:11:59 | 0:12:00 | |
What on earth are you doing here? | 0:12:02 | 0:12:03 | |
I'm so sorry. | 0:12:06 | 0:12:09 | |
Mum. | 0:12:09 | 0:12:10 | |
What's wrong? | 0:12:11 | 0:12:12 | |
Why...? | 0:12:15 | 0:12:16 | |
Mum, for God's sake, I'm on stage soon. | 0:12:17 | 0:12:19 | |
I have... | 0:12:19 | 0:12:20 | |
Mum? | 0:12:22 | 0:12:23 | |
Mum, what are you...? | 0:12:31 | 0:12:32 | |
GHOSTLY BREATHING | 0:13:07 | 0:13:09 | |
What are you doing? | 0:13:27 | 0:13:28 | |
Mum. | 0:13:31 | 0:13:32 | |
Mum. | 0:13:38 | 0:13:39 | |
Mama? | 0:13:39 | 0:13:40 | |
Are you drunk? | 0:13:43 | 0:13:44 | |
FLUTTERING | 0:13:44 | 0:13:47 | |
BUZZING | 0:13:47 | 0:13:49 | |
GUTTURAL, UNEARTHLY NOISES | 0:13:49 | 0:13:52 | |
Mum. Jesus. | 0:14:06 | 0:14:08 | |
No, Mum, Mum! MUM! | 0:14:08 | 0:14:11 | |
MUM! | 0:14:11 | 0:14:12 | |
Mum! | 0:14:12 | 0:14:13 | |
It's all right. It's all right. | 0:14:17 | 0:14:18 | |
It's all right. | 0:14:19 | 0:14:20 | |
Help! | 0:14:24 | 0:14:25 | |
SHE SOBS | 0:16:05 | 0:16:07 | |
Thank you. | 0:16:16 | 0:16:17 | |
You ever know of your mum to have mood swings? | 0:16:17 | 0:16:19 | |
-No. -Get depressed? | 0:16:19 | 0:16:21 | |
No. | 0:16:21 | 0:16:22 | |
She could be nervy, but no. | 0:16:22 | 0:16:24 | |
So, yesterday morning, when you had breakfast with her...? | 0:16:24 | 0:16:27 | |
She was fine. She was... | 0:16:27 | 0:16:29 | |
excited about my concert. | 0:16:29 | 0:16:31 | |
Were you aware that she was taking antidepressants? | 0:16:32 | 0:16:35 | |
We contacted her doctor. | 0:16:39 | 0:16:40 | |
He prescribed them for acute anxiety. | 0:16:40 | 0:16:44 | |
It's not uncommon for people to hide | 0:16:44 | 0:16:47 | |
this sort of thing from their family. | 0:16:47 | 0:16:49 | |
MATILDA SIGHS | 0:16:49 | 0:16:52 | |
So that's what did it? | 0:16:52 | 0:16:54 | |
The pills? | 0:16:54 | 0:16:56 | |
She took too many or she mixed them with wine or...? | 0:16:56 | 0:16:58 | |
Toxicology said no. | 0:16:58 | 0:17:00 | |
No drugs or alcohol in her system aside from the standard dose of that | 0:17:00 | 0:17:04 | |
-medication. -Then what was it? | 0:17:04 | 0:17:06 | |
Like I said, she was being treated for persistent anxiety and... | 0:17:07 | 0:17:11 | |
She cut her throat right in front of me. | 0:17:11 | 0:17:14 | |
You're telling me that it was because she was anxious? | 0:17:14 | 0:17:17 | |
Have you ever seen anyone do anything like that ever? | 0:17:17 | 0:17:19 | |
-Tilly, she's just telling... -No, we're talking about my mum | 0:17:19 | 0:17:22 | |
and I want her to answer me. | 0:17:22 | 0:17:24 | |
People do cut themselves, obviously. | 0:17:24 | 0:17:26 | |
But, no, I haven't seen anything exactly like what your mother did | 0:17:27 | 0:17:31 | |
and I'm so sorry that you had to see it. | 0:17:31 | 0:17:33 | |
I should leave, give you some privacy. | 0:17:35 | 0:17:37 | |
If anything more comes to light, I will contact you immediately. | 0:17:38 | 0:17:43 | |
And again - I'm sorry for your loss. | 0:17:43 | 0:17:45 | |
How did my mum know that I was going to be there? | 0:17:51 | 0:17:54 | |
At the stage door. | 0:17:54 | 0:17:55 | |
-She couldn't have. -Then why did she wait for me? | 0:17:58 | 0:18:00 | |
It's just coincidence. | 0:18:00 | 0:18:01 | |
-What else could it be? -There must be a reason. | 0:18:01 | 0:18:04 | |
WHOOSHING | 0:18:20 | 0:18:22 | |
BUZZING | 0:18:42 | 0:18:44 | |
EERIE, DISTORTED VOICE | 0:18:44 | 0:18:46 | |
SHE GASPS | 0:18:50 | 0:18:52 | |
SWIRLING, SHRIEKING SOUNDS | 0:19:23 | 0:19:25 | |
BUZZING, INDISTINCT VOICES | 0:19:41 | 0:19:44 | |
-SHE GASPS -Bad dream, love? | 0:20:04 | 0:20:06 | |
-You need to go. -Sorry? | 0:20:07 | 0:20:09 | |
Please just go. | 0:20:11 | 0:20:12 | |
BUZZING THEN CELLO MUSIC PLAYS | 0:21:39 | 0:21:42 | |
-TV: -On the 24th of March, 1994, | 0:24:00 | 0:24:02 | |
four-year-old Carys Howell | 0:24:02 | 0:24:04 | |
disappeared from the children's park in sleepy | 0:24:04 | 0:24:06 | |
Penllynith, Wales. | 0:24:06 | 0:24:07 | |
Despite an extensive hunt and a police investigation, | 0:24:07 | 0:24:11 | |
which often focused on her parents, Rose and Sean Howell, | 0:24:11 | 0:24:15 | |
no clue to Carys' whereabouts was ever found. | 0:24:15 | 0:24:18 | |
Five years on, Carys' disappearance continues to raise profound... | 0:24:18 | 0:24:21 | |
When you called, you mentioned the Carys Howell case. | 0:24:23 | 0:24:26 | |
I pulled the file. | 0:24:26 | 0:24:27 | |
I don't think anyone's touched it in 20 years. | 0:24:28 | 0:24:31 | |
So they never found her, then? | 0:24:31 | 0:24:33 | |
No. | 0:24:33 | 0:24:35 | |
There was a number for the missing girl's parents. | 0:24:35 | 0:24:38 | |
I tried it. Disconnected. | 0:24:38 | 0:24:40 | |
The chief investigating officer retired. | 0:24:40 | 0:24:43 | |
You could track them down, though, right? | 0:24:43 | 0:24:45 | |
If you wanted to. | 0:24:45 | 0:24:47 | |
Matilda, can I ask - | 0:24:47 | 0:24:48 | |
why did you ask me about this? | 0:24:48 | 0:24:50 | |
Because I thought photos of the missing girl's mother, | 0:24:52 | 0:24:56 | |
they could be evidence. | 0:24:56 | 0:24:57 | |
Of what? | 0:24:57 | 0:24:58 | |
I just... | 0:25:04 | 0:25:05 | |
I can't understand why my mum would've... | 0:25:08 | 0:25:10 | |
..collected all of these. | 0:25:13 | 0:25:14 | |
People see cases like this on the news, | 0:25:15 | 0:25:18 | |
particularly involving young children, | 0:25:18 | 0:25:21 | |
and they get emotionally involved. | 0:25:21 | 0:25:22 | |
But she...she wasn't just watching on TV. | 0:25:22 | 0:25:25 | |
She was there in that town, taking photos. | 0:25:26 | 0:25:29 | |
We don't know that she took them herself. | 0:25:29 | 0:25:31 | |
Where did she get them, then? | 0:25:31 | 0:25:34 | |
She worked at a bloody Tesco. | 0:25:34 | 0:25:36 | |
Maybe she had a connection to this town. | 0:25:36 | 0:25:38 | |
She was from Manchester. | 0:25:40 | 0:25:41 | |
She never mentioned anything about Wales. | 0:25:43 | 0:25:46 | |
Still, she could have had family there. Or friends. | 0:25:46 | 0:25:49 | |
I don't know. | 0:25:49 | 0:25:50 | |
Her parents died before I was born, and if she had any other family, | 0:25:53 | 0:25:57 | |
she wasn't in touch with them. | 0:25:57 | 0:25:59 | |
So growing up, it was just you two. | 0:25:59 | 0:26:01 | |
And now it's just you. | 0:26:02 | 0:26:03 | |
-SHE SIGHS -I'm sorry, Matilda. | 0:26:06 | 0:26:08 | |
I do appreciate you coming in today, but | 0:26:08 | 0:26:12 | |
I just don't think this is a police matter. | 0:26:12 | 0:26:13 | |
OK. | 0:26:13 | 0:26:15 | |
BANGING | 0:27:10 | 0:27:13 | |
Honestly? | 0:27:17 | 0:27:19 | |
I'm not even sure it is Rose Howell in these photographs. | 0:27:19 | 0:27:22 | |
I knew you wouldn't take this seriously. | 0:27:25 | 0:27:26 | |
No, I am taking it seriously. | 0:27:26 | 0:27:28 | |
No, you're not. You think I'm hysterical. | 0:27:28 | 0:27:30 | |
No, I think you've been through one of the most awful things I can | 0:27:30 | 0:27:33 | |
imagine and you're trying to make sense of it. | 0:27:33 | 0:27:36 | |
I spoke to Renata. She says you aren't returning her calls. | 0:27:42 | 0:27:44 | |
I don't feel like talking to my bloody agent. | 0:27:44 | 0:27:46 | |
No, she knows you need space. She just wants to talk things | 0:27:46 | 0:27:49 | |
through, make plans. | 0:27:49 | 0:27:51 | |
And, er... | 0:27:51 | 0:27:52 | |
I know this sounds mercenary, | 0:27:52 | 0:27:54 | |
but some of the venues that booked us have started cancelling | 0:27:54 | 0:27:57 | |
and Renata's worried it might start impacting on our New York dates. | 0:27:57 | 0:28:00 | |
Yeah, you're right, it sounds mercenary. | 0:28:00 | 0:28:02 | |
I just can't get this stuff out of my head. | 0:28:11 | 0:28:13 | |
I look at... | 0:28:15 | 0:28:16 | |
I look at it and I feel like I don't even know my own mum. | 0:28:18 | 0:28:21 | |
She was around for 22 years before you were even born. | 0:28:23 | 0:28:26 | |
I mean, of course you don't know everything about her. | 0:28:26 | 0:28:28 | |
She left this out on her bed, | 0:28:28 | 0:28:30 | |
like she wanted me to find it. | 0:28:30 | 0:28:32 | |
Why would she do that? | 0:28:34 | 0:28:35 | |
It's like she was stalking these people. | 0:28:40 | 0:28:42 | |
It's got to be connected. | 0:28:45 | 0:28:46 | |
Doesn't it? | 0:28:48 | 0:28:49 | |
Fine, let's go up there, then. | 0:28:55 | 0:28:56 | |
Let's..look. | 0:28:58 | 0:29:00 | |
So, London to Penllynith, four hours and 15 minutes without traffic. | 0:29:02 | 0:29:09 | |
If we set off early, we could be there by midday. | 0:29:09 | 0:29:12 | |
Are you serious? | 0:29:12 | 0:29:14 | |
Look, I don't think these photos mean anything, | 0:29:14 | 0:29:16 | |
but if it helps give you peace of mind, I say we go, sniff around, | 0:29:16 | 0:29:19 | |
see what we can see. | 0:29:19 | 0:29:21 | |
And if nothing comes of it, | 0:29:21 | 0:29:22 | |
well, at least we got out of bloody London for a few days. | 0:29:22 | 0:29:26 | |
-Good plan. -Yeah. | 0:29:28 | 0:29:30 | |
Good. | 0:29:32 | 0:29:33 | |
Pen... | 0:29:35 | 0:29:37 | |
Penynith. | 0:29:37 | 0:29:38 | |
-Plllth. Plynith. -SHE LAUGHS | 0:29:38 | 0:29:40 | |
CAR HORN TOOTS | 0:29:40 | 0:29:42 | |
RUMBLING | 0:31:19 | 0:31:22 | |
I was hoping you'd sleep through this. | 0:31:38 | 0:31:40 | |
-Where are we? -Penllynith, | 0:31:42 | 0:31:45 | |
former slate capital of Wales, and it's nearly three in the afternoon. | 0:31:45 | 0:31:49 | |
Google bloody Maps. | 0:31:49 | 0:31:50 | |
SHE SIGHS | 0:31:50 | 0:31:52 | |
-Are you OK? -Mm. | 0:31:54 | 0:31:56 | |
-Coffee? -Your wish is my command. | 0:31:58 | 0:32:01 | |
We're full. | 0:32:26 | 0:32:28 | |
-Cos of the funeral. -Ah. | 0:32:28 | 0:32:30 | |
Popular fellow, was he, the deceased? | 0:32:30 | 0:32:32 | |
Well, he was richer than Midas, does tend to bring them out. | 0:32:32 | 0:32:35 | |
Yeah. | 0:32:35 | 0:32:36 | |
We were wondering if there was anywhere else to stay in Penllynith. | 0:32:38 | 0:32:41 | |
A hotel or something? | 0:32:41 | 0:32:42 | |
Er, tourist information at the post office, you can ask there. | 0:32:42 | 0:32:46 | |
Except it's Wednesday, so it'll be closed. | 0:32:46 | 0:32:49 | |
We're actually looking for a Sean and Rose Howell. | 0:32:49 | 0:32:52 | |
Do you by any chance know them? | 0:32:52 | 0:32:53 | |
There is no Rose Howell. | 0:32:55 | 0:32:56 | |
She's Rose Morgan now. | 0:32:57 | 0:32:59 | |
She remarried? | 0:32:59 | 0:33:01 | |
-Does she still live here? -Sorry, what's Rose to you? -W... | 0:33:03 | 0:33:06 | |
She and my mum knew each other years ago and... | 0:33:06 | 0:33:08 | |
..my mum passed away recently | 0:33:09 | 0:33:11 | |
and so I'm looking up some of her old friends. | 0:33:11 | 0:33:14 | |
Your mum from round here, was she? | 0:33:16 | 0:33:18 | |
No, she moved around a lot | 0:33:18 | 0:33:19 | |
when she was young. | 0:33:19 | 0:33:20 | |
Well, there's no point going to Rose's house, she won't be there. | 0:33:24 | 0:33:27 | |
Can you tell us where she'd be? | 0:33:27 | 0:33:29 | |
Mum always talked about Rose. | 0:33:30 | 0:33:32 | |
And it would mean a lot to me if I could track her down. | 0:33:34 | 0:33:37 | |
It's like going for a country drive | 0:33:40 | 0:33:42 | |
with a character from a James Ellroy novel. | 0:33:42 | 0:33:44 | |
SHE CHUCKLES | 0:33:44 | 0:33:46 | |
Well, I had to say something or she wouldn't have told us. | 0:33:46 | 0:33:49 | |
Hey, no, I'm impressed. | 0:33:49 | 0:33:50 | |
I never imagined you had this talent for barefaced lying. | 0:33:50 | 0:33:52 | |
There. | 0:33:57 | 0:33:58 | |
Where then do I go from your spirit or where can I flee from your | 0:33:59 | 0:34:04 | |
presence? If I climb up into heaven, you are there. | 0:34:04 | 0:34:08 | |
If I make the grave my bed, you are there also. | 0:34:08 | 0:34:12 | |
If I take... | 0:34:13 | 0:34:14 | |
Tilly, Tilly. Are you sure this is a good idea? | 0:34:16 | 0:34:20 | |
Yeah, yeah, yeah. I just want to see that she's real. | 0:34:20 | 0:34:22 | |
Look. | 0:34:30 | 0:34:31 | |
Yeah. | 0:34:38 | 0:34:39 | |
Might be. | 0:34:42 | 0:34:43 | |
OK, bye. | 0:34:45 | 0:34:46 | |
Tilly, she's coming over. | 0:34:57 | 0:34:58 | |
Let us pray. | 0:35:03 | 0:35:04 | |
Do I know you? | 0:35:22 | 0:35:23 | |
You're Rose. Rose Morgan. | 0:35:25 | 0:35:27 | |
What do you want? | 0:35:29 | 0:35:30 | |
My name is Matilda Gray. | 0:35:33 | 0:35:34 | |
I want to talk to you. Maybe after the service we can sit down. | 0:35:37 | 0:35:40 | |
Or we can talk right now. | 0:35:40 | 0:35:41 | |
My mum. | 0:35:49 | 0:35:50 | |
Her name was Janice Gray. | 0:35:50 | 0:35:52 | |
You're going to ask me about my daughter. | 0:35:54 | 0:35:56 | |
-How did you know that? -You're not wanted here. | 0:35:57 | 0:35:59 | |
-Go away. -Please, please... -Tilly, we should go. -..if you knew | 0:35:59 | 0:36:02 | |
-my mum, you have to tell me w... -What's all this? | 0:36:02 | 0:36:05 | |
My mum killed herself and I think that it had something to do with | 0:36:05 | 0:36:08 | |
-your daughter, Carys. -What the bloody hell? | 0:36:08 | 0:36:09 | |
Please, if you... | 0:36:09 | 0:36:10 | |
-If you knew... -23 years gone and you lot are still at it. | 0:36:10 | 0:36:13 | |
Hounding my wife. | 0:36:13 | 0:36:15 | |
-Hounding my family. -No... -Hey, hey, hey, steady on. | 0:36:15 | 0:36:17 | |
-Back off, mate! -Oi! | 0:36:17 | 0:36:18 | |
What is this? My uncle's dead. | 0:36:18 | 0:36:21 | |
How about a bit of respect? | 0:36:21 | 0:36:23 | |
I didn't start this. | 0:36:23 | 0:36:24 | |
Sorry. Sorry. | 0:36:26 | 0:36:28 | |
Come on, let's go. | 0:36:28 | 0:36:29 | |
I haven't been knocked on my arse like that since I was at school. | 0:36:34 | 0:36:38 | |
Turns out it's like riding a bike. | 0:36:38 | 0:36:40 | |
You never forget how. | 0:36:40 | 0:36:41 | |
You heard what she said when I mentioned Mum's name. | 0:36:43 | 0:36:45 | |
She knew I was going to ask about Carys. | 0:36:46 | 0:36:49 | |
-No, maybe. -Why did she tell us to go away? | 0:36:49 | 0:36:52 | |
There's still the father. | 0:36:56 | 0:36:57 | |
-If we can track him down... -If he doesn't tell us to piss off. | 0:36:57 | 0:37:00 | |
Then we shall consider pissing off. | 0:37:00 | 0:37:01 | |
But actually, right now, what we need is a place to stay. | 0:37:01 | 0:37:04 | |
So I say we head to the next town, find a hotel, get some food... | 0:37:04 | 0:37:07 | |
-A drink. -The finest wine that Wales has to offer. | 0:37:07 | 0:37:10 | |
And then plan our move in the morning with clear heads. | 0:37:12 | 0:37:14 | |
What's wrong? | 0:37:17 | 0:37:19 | |
Look, it's the guy from the funeral. | 0:37:19 | 0:37:21 | |
-WHISPERS: -No, don't look, don't... -WHISPERS: You said look. | 0:37:23 | 0:37:26 | |
Yeah, look, not... Oh, shit. | 0:37:26 | 0:37:29 | |
He... He's coming over. | 0:37:29 | 0:37:30 | |
-Hey. -Good evening. | 0:37:32 | 0:37:33 | |
Are you both OK? | 0:37:35 | 0:37:37 | |
Yeah. Yeah. | 0:37:37 | 0:37:38 | |
My dignity's a little dented but... | 0:37:38 | 0:37:40 | |
it wasn't in mint condition to begin with, | 0:37:40 | 0:37:41 | |
-so I'm happy to just write it off. -It's fine. He's fine. | 0:37:41 | 0:37:44 | |
I'm Nick. | 0:37:47 | 0:37:48 | |
Matilda. This is Hal. | 0:37:50 | 0:37:52 | |
-Hey. -Mm. | 0:37:52 | 0:37:53 | |
I'm really sorry about what happened earlier. We didn't mean... | 0:37:56 | 0:37:59 | |
..to disrespect your uncle. | 0:38:00 | 0:38:01 | |
Ewan was my great uncle | 0:38:01 | 0:38:04 | |
and I'd never met him, so I might be able to forgive you. | 0:38:04 | 0:38:07 | |
Well, erm...at least let us make it up to you. | 0:38:08 | 0:38:10 | |
-We could buy you a drink or something. -Well, no, | 0:38:10 | 0:38:12 | |
-we have to get moving to a hotel. -Yeah, we've got time for one drink. | 0:38:12 | 0:38:15 | |
I think I might be OK for a drink. | 0:38:15 | 0:38:17 | |
But I could | 0:38:18 | 0:38:20 | |
really use a ride. | 0:38:20 | 0:38:22 | |
Yeah. | 0:38:24 | 0:38:25 | |
Yep, sure, if it's nearby. Yep. | 0:38:25 | 0:38:27 | |
Well, it's right here. | 0:38:38 | 0:38:39 | |
So your uncle left you the entire estate even though you never met? | 0:38:46 | 0:38:49 | |
Yeah, kind of random, right? | 0:38:49 | 0:38:51 | |
I remember when I was little, | 0:38:51 | 0:38:52 | |
Mum would always send him these Christmas cards and get me to draw | 0:38:52 | 0:38:55 | |
a picture on them. I guess my smiley | 0:38:55 | 0:38:57 | |
-faces left an impression. -HE LAUGHS | 0:38:57 | 0:39:00 | |
Hey, do you think if your mum had a picture of Ewan's house, | 0:39:00 | 0:39:02 | |
that maybe she knew him? | 0:39:02 | 0:39:05 | |
Erm, my mum's dead. | 0:39:05 | 0:39:06 | |
I'm sorry. | 0:39:07 | 0:39:09 | |
So are you planning on staying here, then, | 0:39:09 | 0:39:11 | |
-in Wales? -Dunno. | 0:39:11 | 0:39:13 | |
See, I've got a place in Melbourne, a wine bar. | 0:39:13 | 0:39:16 | |
My partner's running it while I'm away but... | 0:39:16 | 0:39:18 | |
-Hey, just left here. -Oh. -Here, here, left! | 0:39:18 | 0:39:20 | |
-NICK CHUCKLES -Stuntman! | 0:39:24 | 0:39:27 | |
I think a bit of notice with the directions might help. | 0:39:27 | 0:39:29 | |
There's no need. We're already here. | 0:39:29 | 0:39:31 | |
My...my very own mansion. | 0:39:31 | 0:39:33 | |
They, er... | 0:40:06 | 0:40:07 | |
They found Ewan... | 0:40:07 | 0:40:08 | |
-..just right here. -Found as in...? | 0:40:10 | 0:40:13 | |
They reckon he fell off the roof. | 0:40:15 | 0:40:16 | |
What on earth was he doing up there? | 0:40:18 | 0:40:21 | |
Old guy living alone. | 0:40:21 | 0:40:23 | |
I'd guess he'd just had enough. | 0:40:24 | 0:40:26 | |
Mind you, at the funeral they said that he had lunch in town that day | 0:40:26 | 0:40:29 | |
-and was in good spirits, so... -DOOR OPENS | 0:40:29 | 0:40:32 | |
-..who knows? -Got a ride, I see? | 0:40:32 | 0:40:34 | |
I was feeling a fool not offering to drive you up here. | 0:40:35 | 0:40:37 | |
Oh, don't worry about it. | 0:40:37 | 0:40:40 | |
Matilda, Hal, this is Lloyd, | 0:40:40 | 0:40:43 | |
he's my uncle's lawyer, and Ed, who looks after the place. | 0:40:43 | 0:40:47 | |
We already met. More or less. | 0:40:47 | 0:40:49 | |
Come in for that drink, eh? | 0:40:50 | 0:40:51 | |
If you've got time. | 0:40:51 | 0:40:52 | |
Well, I've been pinching myself all morning, | 0:41:02 | 0:41:04 | |
but it looks like it's all still here. | 0:41:04 | 0:41:06 | |
You know, if you need a place to stay, | 0:41:08 | 0:41:11 | |
I've got eight bedrooms upstairs | 0:41:11 | 0:41:12 | |
and seven of them are free. | 0:41:12 | 0:41:14 | |
-ED: -But six have been closed since your uncle's dad died. | 0:41:14 | 0:41:16 | |
So they're a bit mildewy. | 0:41:16 | 0:41:18 | |
Well, the whole country's a bit mildewy, | 0:41:18 | 0:41:20 | |
so don't let that put you off. | 0:41:20 | 0:41:22 | |
Erm, truth be told, I could use the company. | 0:41:22 | 0:41:25 | |
It's kind of creepy staying in a big house like this all on my own. | 0:41:25 | 0:41:29 | |
Yeah, well, I must head off soon, | 0:41:29 | 0:41:30 | |
so perhaps we could progress the formalities. | 0:41:30 | 0:41:32 | |
Ed, hand over the keys. | 0:41:32 | 0:41:34 | |
-ED: -All right. You've got two sets for the house... | 0:41:35 | 0:41:39 | |
We don't even know this guy. | 0:41:39 | 0:41:40 | |
You're not seriously thinking of staying, are you? | 0:41:40 | 0:41:43 | |
My mum kept a photo of this house. | 0:41:43 | 0:41:45 | |
I want to have a look around. | 0:41:45 | 0:41:46 | |
-NICK: -How far back does the property go? | 0:41:46 | 0:41:49 | |
50 yards past the tree line. | 0:41:49 | 0:41:51 | |
I can show you tomorrow. | 0:41:51 | 0:41:52 | |
Old Mr Dean, your uncle's dad, he loved those woods. | 0:41:55 | 0:41:59 | |
Some say he's still out there, | 0:41:59 | 0:42:01 | |
walking around. | 0:42:01 | 0:42:02 | |
-What, his ghost? -It's rubbish, all right? | 0:42:02 | 0:42:05 | |
Whatever's in those woods has been there a lot longer than Mr Dean. | 0:42:05 | 0:42:08 | |
-HAL SIGHS -Mm-mm-mm! | 0:42:28 | 0:42:31 | |
Spacious. | 0:42:35 | 0:42:36 | |
FOOTSTEPS RECEDE | 0:42:51 | 0:42:54 | |
How does one tell which are the mildewy rooms? | 0:43:00 | 0:43:03 | |
It seems you simply follow your nose. | 0:43:06 | 0:43:08 | |
Locked. | 0:43:09 | 0:43:10 | |
Narrows it down. | 0:43:10 | 0:43:12 | |
-DOOR SLAMS -No. | 0:43:27 | 0:43:29 | |
You're angry with me. | 0:43:32 | 0:43:34 | |
Angry? Why would I be? | 0:43:34 | 0:43:36 | |
Fine. | 0:43:36 | 0:43:37 | |
-So who gets what? -Well, | 0:43:37 | 0:43:39 | |
I wouldn't dream of allowing the lady to brave the mildew, | 0:43:39 | 0:43:42 | |
so why don't you take the large room downstairs? | 0:43:42 | 0:43:45 | |
Your bag's already in there. | 0:43:50 | 0:43:51 | |
-HE GUFFAWS -See you later. | 0:43:53 | 0:43:55 | |
Assuming I'm not struck down with consumption. | 0:43:57 | 0:43:59 | |
So when you said it was a trust, | 0:44:10 | 0:44:12 | |
I thought you meant it was a tax thing. | 0:44:12 | 0:44:15 | |
Well, people do establish trusts for reasons of tax minimisation. | 0:44:15 | 0:44:19 | |
But not Ewan. For him, it was all about keeping the estate intact. | 0:44:19 | 0:44:24 | |
Hence him appointing his sister as trustee. | 0:44:24 | 0:44:27 | |
And that's Meredith, the wheelchair lady? | 0:44:27 | 0:44:29 | |
Yes, she lives up at the old hunting lodge, on your property. | 0:44:29 | 0:44:33 | |
So if Ewan wanted her running the place, | 0:44:33 | 0:44:35 | |
why didn't he just leave it all to her? | 0:44:35 | 0:44:37 | |
Well, you are the next in the direct male line | 0:44:37 | 0:44:40 | |
and Ewan could be a bit of a stickler when it came to that sort | 0:44:40 | 0:44:42 | |
of thing. Now, look, it's getting late and the road's a bit tricky | 0:44:42 | 0:44:45 | |
-in the dark, so... -OK. Er, one more thing. | 0:44:45 | 0:44:47 | |
It was kind of expensive getting out here, | 0:44:47 | 0:44:50 | |
so I was hoping to access some cash. | 0:44:50 | 0:44:53 | |
Well, you are the sole beneficiary of the trust, so in a sense, | 0:44:53 | 0:44:55 | |
it's all yours. Only catch is, as trustee, | 0:44:55 | 0:44:58 | |
your great-aunt Meredith must sign off on any expenditure, | 0:44:58 | 0:45:01 | |
so I expect you want to talk to her. | 0:45:01 | 0:45:04 | |
Are you planning on staying in Penllynith? | 0:45:04 | 0:45:08 | |
Can't hurt. | 0:45:08 | 0:45:10 | |
Get to know the territory. | 0:45:10 | 0:45:11 | |
WHISPERING AND FLUTTERING | 0:45:46 | 0:45:49 | |
I'm supposed to protect you from that sort of rubbish. | 0:46:23 | 0:46:26 | |
It's not your fault. | 0:46:29 | 0:46:30 | |
It's my job. | 0:46:30 | 0:46:31 | |
I will do better. | 0:46:34 | 0:46:35 | |
If you ever see or hear from those people, just come straight to me. | 0:46:38 | 0:46:42 | |
You understand? | 0:46:42 | 0:46:43 | |
Rosie? | 0:46:45 | 0:46:46 | |
Hm. | 0:46:48 | 0:46:49 | |
Well, I'll make some dinner. | 0:46:51 | 0:46:54 | |
And I'll telephone her, Rosie, to apologise. | 0:46:56 | 0:47:00 | |
Ewan Dean always did right by us. | 0:47:03 | 0:47:05 | |
Why did you go over to her? | 0:47:20 | 0:47:21 | |
At the funeral. | 0:47:25 | 0:47:26 | |
She was staring. | 0:47:28 | 0:47:29 | |
I wanted to know why. | 0:47:32 | 0:47:33 | |
SHE SOBS | 0:47:56 | 0:47:58 | |
Jesus. No wonder she freaked out. | 0:48:01 | 0:48:04 | |
I just wanted to talk. | 0:48:04 | 0:48:05 | |
I didn't mean to upset her. | 0:48:05 | 0:48:07 | |
No, no, of course, I just meant... | 0:48:07 | 0:48:09 | |
The whole thing sounds pretty bizarre, right? | 0:48:09 | 0:48:13 | |
We're still hoping to talk to Rose's ex, Cerys' father. | 0:48:13 | 0:48:16 | |
If we can find him. | 0:48:16 | 0:48:17 | |
So your mum... | 0:48:19 | 0:48:20 | |
-..when did she...? -It happened on Tuesday night. | 0:48:21 | 0:48:23 | |
Ewan was Monday night. | 0:48:26 | 0:48:27 | |
And they were both fine in the morning. | 0:48:28 | 0:48:31 | |
Weird. | 0:48:31 | 0:48:32 | |
What's weird about it exactly? | 0:48:32 | 0:48:35 | |
I mean, even if Uncle Ewan did commit suicide, | 0:48:35 | 0:48:37 | |
and you don't know that he did, it's just coincidence, right? | 0:48:37 | 0:48:40 | |
When I was little, I used to have this dream. | 0:48:48 | 0:48:51 | |
A nightmare, really. | 0:48:51 | 0:48:52 | |
And I could never remember it, not the details. | 0:48:54 | 0:48:57 | |
But, um, now, the last week or two, I've been having it again. | 0:48:59 | 0:49:03 | |
Well, given what you've been through... | 0:49:03 | 0:49:05 | |
It started before Mum died. | 0:49:05 | 0:49:06 | |
What's the dream? | 0:49:08 | 0:49:09 | |
Um... | 0:49:12 | 0:49:13 | |
..I'm in this narrow passage... | 0:49:15 | 0:49:18 | |
..like a cellar or... | 0:49:20 | 0:49:24 | |
Er...yeah, it's dark, and... | 0:49:24 | 0:49:27 | |
And I've...I... | 0:49:30 | 0:49:32 | |
I have a child there. | 0:49:32 | 0:49:33 | |
I open a door, a trap door, there she is. | 0:49:36 | 0:49:39 | |
Like she's a prisoner. | 0:49:39 | 0:49:40 | |
Do you guys... | 0:49:53 | 0:49:54 | |
Do you believe the dead can communicate with us? | 0:49:58 | 0:50:00 | |
-HE GUFFAWS -Of course not. | 0:50:00 | 0:50:03 | |
I do. I think I do. | 0:50:03 | 0:50:06 | |
Well, what if the dream's a message? | 0:50:06 | 0:50:08 | |
What if Carys was murdered and now she's... | 0:50:09 | 0:50:11 | |
Is trying to tell you something. | 0:50:11 | 0:50:13 | |
Come on, it's just a dream. | 0:50:13 | 0:50:14 | |
BUZZING | 0:50:54 | 0:50:56 | |
SCREAMING | 0:51:08 | 0:51:11 | |
SLAMMING | 0:51:13 | 0:51:16 | |
Er, what's going on? | 0:51:32 | 0:51:34 | |
What you doing up here? | 0:51:34 | 0:51:36 | |
Tilly. | 0:51:36 | 0:51:38 | |
SLAMMING NOISE CONTINUES | 0:51:38 | 0:51:40 | |
What's that noise? | 0:51:43 | 0:51:45 | |
NOISE GETS LOUDER | 0:51:52 | 0:51:53 | |
Might be worth closing the door before bed. | 0:51:53 | 0:51:56 | |
Also, a lock's not a bad idea either. | 0:51:56 | 0:51:59 | |
I've been here before. | 0:52:03 | 0:52:05 | |
Matilda. | 0:52:06 | 0:52:08 | |
M... W-Wait. | 0:52:08 | 0:52:09 | |
What are you doing? | 0:52:12 | 0:52:14 | |
Are you all right? | 0:52:14 | 0:52:16 | |
-Bloody hell. -How did you know that was there? | 0:52:22 | 0:52:24 | |
Did Ed mention anything about this when he gave you the house tour? | 0:52:48 | 0:52:52 | |
I think I'd remember. | 0:52:52 | 0:52:53 | |
I wonder how long this place has been closed up. | 0:53:11 | 0:53:13 | |
These tapes are dated. | 0:53:22 | 0:53:23 | |
This last one's March 1994. | 0:53:26 | 0:53:29 | |
That's the month that Carys disappeared. | 0:53:29 | 0:53:32 | |
CLICK, WHIRRING | 0:53:32 | 0:53:34 | |
What the hell was that? | 0:53:50 | 0:53:52 | |
BUZZING | 0:54:56 | 0:54:59 | |
SHE GASPS | 0:54:59 | 0:55:02 | |
What is it? | 0:55:02 | 0:55:03 | |
It's me. | 0:55:09 | 0:55:10 | |
I'm the girl. | 0:55:16 | 0:55:17 | |
I'm Carys. | 0:55:21 | 0:55:22 | |
RATTLING | 0:55:56 | 0:55:59 | |
It's a funny place, Penllynith, a powerful place, but odd. | 0:56:03 | 0:56:07 | |
I can't remember a single thing from before I was five, | 0:56:07 | 0:56:10 | |
except this house. | 0:56:10 | 0:56:11 | |
-How can that be? -We'll find out. | 0:56:11 | 0:56:13 | |
Someone's watching me. | 0:56:13 | 0:56:15 | |
Hey. They have been ever since we got here. | 0:56:16 | 0:56:19 | |
Who's there? | 0:56:19 | 0:56:20 | |
-Am I going crazy? -Of course not. | 0:56:21 | 0:56:23 | |
-Would you tell me if I was? -You don't believe her, do you? | 0:56:23 | 0:56:26 | |
I felt it. | 0:56:26 | 0:56:27 | |
-The minute I saw her. -Get away from this house. | 0:56:28 | 0:56:31 | |
You're not listening. I am telling you there's something here. | 0:56:31 | 0:56:34 | |
-OK. -Hey! | 0:56:34 | 0:56:35 | |
Tilly, wait! | 0:56:35 | 0:56:36 | |
CRACK | 0:56:40 | 0:56:42 | |
I don't understand what's happening to me. | 0:56:42 | 0:56:44 | |
Subtitles by Red Bee Media | 0:57:14 | 0:57:16 |